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57 results out of 57

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Approaches to popular film / edited by Joanne Hollows and Mark Jancovich

Manchester New York New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1995.

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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs

Brisbane, Queensland: 2009.

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subject clippings file

AUTEUR THEORY

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journal article

The auteur theory myths and magic

in Metro Education (2000) iss.12 p.13-16

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Auteurs and authorship : a film reader / edited by Barry Keith Grant

Malden, MA: Blackwell Publishing, 2008.

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journal article

Authorship

in Wide Angle (1984) vol.6 iss.1 p.[whole issue]

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journal article

Authorship and Hollywood

in Wide Angle (1983) vol.5 iss.3 p.16-22

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Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd

London: I.B. Tauris, 2012.

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Beyond auteurism : new directions in authorial film practices in France, Italy and Spain since the 1980s / Rosanna Maule

Bristol, U.K. ; Chicago, USA: Intellect, 2008.

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journal article

The Big Heat

in Montage (June 1965) p.14-16

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Borrowed Time

in Montage (March 1970) p.5-8

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The Cinema book / edited by Pam Cook

London: BFI, 1985.

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The cinema book / edited by Pam Cook and Mieke Bernink

London: British Film Institute, 1999.

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journal article

The cinema of Jean Renoir and the concept of the author

in Metro (1997) iss.111 p.21-26

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The Cinematic Director as a Creative Being

in Montage (1967) iss.1 p.18-19

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book

A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye

Hoboken, New Jersey: Wiley-Blackwell, 2019.

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journal article

The Critics and the Movies

in Montage (1967) iss.1 p.22

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book

Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs

Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.

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book

The elusive auteur : the question of film authorship throughout the age of cinema / by Barrett Hodsdon

Jefferson, North Carolina: McFarland & Company Inc, c2017.

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book

The emergence of film art : the evolution and development of the motion picture as an art, from 1900 to the present

New York: Hopkinson and Blake, [c1969].

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Feminism and film / Maggie Humm

Edinburgh: Edinburgh University Press, 1997.

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Film : an introduction / John L. Fell

New York: Praeger Publishers, 1975.

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Film adaptation and its discontents : from Gone with the wind to The Passion of the Christ / by Thomas Leitch

Baltimore MD: John Hopkins University Press, 2007.

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Film as social practice / Graeme Turner

London New York: Routledge, 1988.

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Film fables / Jacques Rancier ; translated by Emiliano Battista

New York: Berg Publishers, 2006.

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book

Film genre reader II / edited by Barry Keith Grant

Austin: University of Texas Press, 1995.

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Film theory : an introduction / Robert Lapsley and Michael Westlake

Manchester, UK New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1988.

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Film Theory : an introduction / by Robert Stam

Malden, MA ; Oxford: Blackwell Publishing, 2000.

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Film theory and criticism : introductory readings / [edited by] Gerald Mast, Marshall Cohen

New York: Oxford University Press, 1985.

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Five directors : auteurism from Assayas to Ozon / edited by Kate Ince

Manchester, UK ; New York: Manchester University Press, 2008.

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book

Francis Ford Coppola

Springfield, Illinois.: University of Illinois Press, 2014.

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Fritz Lang : The Ambiguity of Innocence

in Lumiere (June, 1973) iss.24 p.23-27

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Hitchcock and adaptation : on the page and screen / edited by Mark Osteen

Lanham, Maryland: Rowman & Littlefield, c2014.

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Hollywood hybrids : mixing genres in contemporary films / Ira Jaffe

Lanham, MD: Rowman & Littlefield, 2008.

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The Hollywood interviews / Cahiers du Cinéma; translated by John Flower

Oxford, UK: Berg, 2006.

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journal article

International Trends in the Cinema : A Summary of Ken Mogg's Talk to Monash Film Group Discussion Group

in Montage (1966) iss.2 p.18-21

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Interpreting films : studies in the historical reception of American cinema / Janet Staiger

Princeton, N.J.: Princeton University Press, 1992.

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An introduction to film studies / edited by Jill Nelmes

London: Routledge, 1999.

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An introduction to film studies / edited by Jill Nelmes

London: Routledge, 2003.

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Jane Campion and adaptation : angels, demons and unsettling voices / Estella Tincknell

Basingstoke, Hampshire: Palgrave Macmillan, 2013.

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Old collection

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Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy

New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.

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Jungian film studies : the essential guide / Helena Bassil-Morozow / Luke Hockley

London ; New York: Routledge, 2017.

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The limits of auteurism : case studies in the critically constructed New Hollywood / Nicholas Godfrey

New Brunswick: Rutgers University Press, 2018.

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Mouchette

in Melbourne Film Bulletin (1968) iss.4 p.22-24

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Movies and methods : an anthology / edited by Bill Nichols

Berkeley: University of California Press, c1976.

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Personal views : explorations in film / Robin Wood

London: G. Fraser, 1976.

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Peter Weir : a creative journey from Australia to Hollywood / by Serena Formica

Bristol ; Chicago: Intellect Books, 2012.

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Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson

Jackson, Mississippi: University Press of Mississippi, 2014.

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journal article

Pleading an Aesthetic Excuse

in Montage (September 1968) p.9-13

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Postmodernism in the cinema / edited by Cristina Degli-Esposti

New York: Berghahn Books, 1998.

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journal article

The Producer as Author

in Wide Angle (1985) vol.7 iss.3 p.24-33

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Signs and meaning in the cinema / Peter Wollen

London: Secker and Warburg in association with the British Film Institute, 1972.

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Theories of authorship : a reader / edited by John Caughie

London Boston: Routledge & Kegan Paul in association with the British Film Institute, 1981.

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Theories of film / Andrew Tudor

London: Secker & Warburg, 1974.

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Interim

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"To become immortal and then die" : The representation of home photographic materials in cinema / Adrian Danks

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Understanding Film Theory / Ruth Doughty and Christine Etherington-Wright

[England]: Palgrave Macmillan, 2018.

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The world in a frame : what we see in films / Leo Braudy

Garden City, N.Y.: Anchor Press, 1976.

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Our catalogue now includes online resources.

Some items (such as books and serials) can be accessed via an ‘available here’ link but please note that access to some items is restricted to RMIT staff and students. If an item does not have a link but is marked as available digitally, please request it using the online form and we will contact you to confirm your eligibility and supply.

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