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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; BLACKS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; OZU YASUJIRO ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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The classic movie : Touch of Evil in Sunday Age [Melbourne Magazine] (6/03/2016) p.10
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Film and phenomenology : toward a realist theory of cinematic representation / Allan Casebier Cambridge New York: Cambridge University Press, 1991.
Call No: 626:165.62 CASAuthor: Casebier, Allan Place: Cambridge New YorkPublisher: Cambridge University PressPubDate: 1991PhysDes: vii, 165 p. ; 24 cmSeries: Cambridge studies in filmSubject: HUSSERL, EDMUND ; PHILOSOPHY AND THE CINEMA ; DOCUMENTARY FILMS ; BORDWELL, DAVID ; BAZIN, ANDRE ; MARKER, CHRIS ; KUROSAWA AKIRA ; LACAN, JACQUES ; METZ, CHRISTIAN ; OSHIMA NAGISA ; OZU YASUJIRO ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes index; Bibliography: p. 159-160; Filmography: p. 161-162ISBN: 0521411327 (hardback)LON: 7950801
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 2 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.2Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: LEAR, NORMAN ; LEVINE, JOSEPH E. ; RENOIR, JEAN ; TOWNE, ROBERT ; HESTON, CHARLTON ; DAVIS, BETTE ; GOLDSMITH, JERRY ; HEAD, EDITH ; SELZNICK, DAVID O. ; BRAKHAGE, STAN ; DE HAVILLAND, OLIVIA ; MORRISSEY, PAUL ; NICHOLSON, JACK ; POLANSKI, ROMAN ; SCHAFFNER, FRANKLIN J. ; WYLER, WILLIAM ; ALONZO, JOHN A. ; HORNER, HARRY ; GOOD TIMES (US, William Friedkin, 1967) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; CHINATOWN (US, Roman Polanski, 1974) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HEIRESS, THE (US, William Wyler, 1949) ; HUSTLER, THE (US, Robert Rossen, 1961) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Movie wars : how Hollywood and the media conspire to limit what films we can see / by Jonathan Rosenbaum Chicago: A Capella, 2000.
Call No: 409 ROSAuthor: Rosenbaum, Jonathan Place: ChicagoPublisher: A CapellaPubDate: 2000PhysDes: v, 234 p. ; 24 cmSubject: DISTRIBUTION ; EXHIBITION ; GLOBALISATION ; AUDIENCES ; American Film Institute ; FESTIVALS ; AUDIENCE RECEPTION ; FESTIVALS. CANNES ; NATIONAL IDENTITY AND THE CINEMA. US ; MIRAMAX FILMS ; BEST FILMS ; BEST FILMS. US ; CRITICISM ; PERIODICALS, FILM ; WELLES, ORSON ; DANTE, JOE ; BRESSON, ROBERT ; EBERT, ROGER ; WEINSTEIN, HARVEY ; KIAROSTAMI, ABBAS ; MASLIN, JANET ; SMALL SOLDIERS (US, Joe Dante, 1998) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; STARSHIP TROOPERS (US, Paul Verhoeven, 1997) ; STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes indexISBN: 1556524064LON: 21468355
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Personal views : explorations in film / Robin Wood London: G. Fraser, 1976.
Call No: 67(04) WOOAuthor: Wood, Robin, 1931 Place: LondonPublisher: G. FraserPubDate: 1976PhysDes: 254, [1] p. : ill. ; 22 cmSubject: REALISM IN FILMS ; IDEOLOGY AND THE CINEMA ; CHILDREN IN FILMS ; AUTEUR THEORY ; HAWKS, HOWARD ; WOLLEN, PETER ; TOURNEUR, JACQUES ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; SANSHO DAYU (JA, Kanji Mizoguchi, 1954) ; SCARLET EMPRESS, THE (US, Joseph von Sternberg, 1934) Notes: Includes index; Bibliography: p. [255]ISBN: 090040664X : ª5.90LON: 793105
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Soundtrack available : essays on film and popular music / edited by Pamela Robertson Wojcik and Arthur knight Durham, NC ; London: Duke University Press, 2001.
Call No: 634.6 SOUAuthor: Knight, Arthur (ed.) ; Wojick, Pamela Robertson (ed.) Source: USPlace: Durham, NC ; LondonPublisher: Duke University PressPubDate: 2001PhysDes: x, 491 p. : ill. ; 24 cmSubject: MUSIC IN FILMS ; MUSIC AND THE CINEMA ; POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; HEAD (US, Bob Rafelson, 1968) ; MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955) ; PORGY AND BESS (US, Otto Preminger, 1959) ; TOUCH OF EVIL (US, Orson Welles, 1958) Summary: "From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. " - BOOK BLURBNotes: Includes bibliographical references and indexISBN: 082232797XContents: -- Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labryinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse re´aliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African Amercan recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik -- bibliography -- contributors - index --
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TOUCH OF EVIL : (US, Orson Welles, 1958)
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