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Call No: 408.1(94) MOL
Author: Molloy, Bruce
Place: St. Lucia, Qld.
Publisher: University of Queensland Press
PubDate: 1990
PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; AUSTRALIAN ABORIGINES IN FILM; FAMILY IN FILMS. AUSTRALIA; MYTH AND THE CINEMA; CINESOUND STUDIOS; CHAUVEL, CHARLES; BITTER SPRINGS (AT, Ralph Smart, 1950); HERITAGE (AT, Charles Chauvel, 1935); ON OUR SELECTION (AT, Ken G. Hall, 1932); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); DAD RUDD M.P. (AT, Ken G. Hall, 1940); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); IT ISN'T DONE (AT, Ken G. Hall, 1937); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SHIRALEE, THE (AT, Leslie Norman, 1957); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Includes index; Bibliography: p. [219]-229
ISBN: 0702222690 (pbk.)
LON: 6791823
Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; BLACKS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; OZU YASUJIRO; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: HOLLYWOOD; DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; BLACKS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: 71(51) BER
Author: Berry, Chris
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: xi, 313 p. ; 23 cm
Series: Film and Culture
Subject: CHINA; TAIWAN; MASCULINITY IN FILMS; FAMILY IN FILMS; INDUSTRY, FILM. CHINA; HISTORICAL FILMS. CHINA; MARTIAL ARTS FILMS; WOMEN IN FILMS. CHINA; REALISM IN FILMS. CHINA; OPERA IN FILMS; LEE, ANG; LINGYU, RUAN
Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.
ISBN: 0231137079
Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational

Call No: 747.2(47) CIN
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: c2010
PhysDes: x, 331 p. ; 23 cm
Subject: CHILDREN AND THE CINEMA; FAMILY IN FILMS; MASCULINITY IN FILMS; MEN AND THE CINEMA; NATIONAL CULTURE AND THE CINEMA. RUSSIA; RUSSIA; RUSSIA IN FILMS; USSR; U.S.S.R IN FILMS
Summary: "This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape." - BOOK BLURB
Notes: Includes index.
ISBN: 9780253221872
Contents: Preface -- Introduction - Cinepaternity: the psyche and its heritage --; Part One: Thaw, stagnation, perestroika -- The myth of the great family in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev: Alexander Prokhorov -- Mending the rupture: the war trope and the return of the imperial father in 1970s cinema: Elena Prokhorova -- Models of male kinship in perestroika cinema: Seth Graham --; Part two: war in the post-Soviet dialogue with paternity -- The fathers' war through the sons' lens: Tatiana Smorodinskaya -- War as the family value: failing fathers and monstrous sons in My Stepbrother Frankenstein: Mark Lipovetsky -- A surplus of surrogates: Mashkov's fathers: Helena Goscilo --; Part three: Reconceiving filial bonds -- Resurrected fathers and resuscitated sons: homosocial fantasies in The Return and Koktebel: Yana Hashamova -- The forces of kinship: Timur Bekmambetov's Night Watch cinematic trilogy: Vlad Stukov -- Fathers, sons and brothers: redeeming patriarchal authority in The Brigade: Brian James Baer --; Four: Auteurs and the psychological/philosophical -- Fraught filiation: Andrei Tarkovsky's transformations of personal trauma: Helena Goscilo -- Vision and blindness in Sokurov's Father and Son: Jose Alaniz

Call No: 735.1 CLO
Author: Penley, Constance, 1948
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1991
PhysDes: xi, 298 p. : ill. ; 24 cm
Series: Camera obscura book
Subject: FEMINISM AND THE CINEMA; FAMILY IN FILMS; FANS; SCIENCE-FICTION FILMS; ROBOTS IN FILMS; METROPOLIS (G, Fritz Lang, 1926); FRIENDSHIP'S DEATH (UK, Peter Wollen, 1987); ALIEN (UK, Ridley Scott, 1979)
Notes: An expanded version of an earlier special issue of Camera Obscura (Fall 1986) entitled Science fiction and sexual difference; Includes bibliographical references and index
ISBN: 0816619115 (acid-free paper); 0816619123 (pbk. : acid-free paper)
LON: 7392223

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; HOLLYWOOD; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACKS, FILMS MADE BY. USA; BLACKS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 71(410) DIR
Author: Mitchell, Neil (ed.)
Source: UK
Place: Bristol, UK
Publisher: Intellect Books
PubDate: 2015
PhysDes: 284 pages : illustrations ; 24 cm
Series: Directory of World Cinema
Subject: BRITISH CINEMA; BRITAIN; FAMILY IN FILMS; WAR IN FILMS
Summary: "The first volume of the Directory of World Cinema: Britain provided an overview of British cinema from its earliest days to the present. In this, the second volume, the contributors focus on specific periods and trace the evolutions of individual genres and directors. The book offers essays on war and family films, as well as on LGBT cinema and representations of disability in British films." -- BOOK BLURB
Notes: Includes bibliographical references and filmography
ISBN: 9781783203970
Contents: Acknowledgements -- Introduction -- Film of the Year: The Selfish Giant (2013) -- Disability In British Cinema -- Industrial Spotlight; The British Film Institute -- Cultural Crossover; British LGBT Cinema -- On Location; Manchester --Directors / Ben Wheatley; Gurinder Chadha; Ken Russell; Danny Boyle -- Comedy -- Crime -- Documentary -- Horror -- Short Films -- Science Fiction -- Social Realism -- War -- Musicals -- Family Films -- Arthouse -- Heritage -- Recommended Reading -- British Cinema Online -- Test Your Knowledge -- Notes On Contributors -- Filmography

Call No: 747.4 HAR
Author: Harwood, Sarah
Source: UK
Place: Houndmills, Basingstoke, Hamps
Publisher: Macmillan
PubDate: 1997
PhysDes: x, 265p. ; 23cm
Subject: FAMILY IN FILMS; SOCIAL-REALISM IN FILMS; SOCIETY AND THE CINEMA; SOCIOLOGY AND THE CINEMA; BARRYMORE, DREW; BRIDGES, LLOYD; CLOSE, GLENN; DOUGLAS, MICHAEL; GRAVES, PETER; NIELSEN, LESLIE; WILLIS, BRUCE; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FATAL ATTRACTION (US, Adrian Lyne, 1987); AIRPLANE (US, Jim Abrahams & David Zucker & Jerry Zucker, 1980); TERMS OF ENDEARMENT (US, James L. Brooks, 1983)
Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contexts
Notes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes index
ISBN: 0333648439 (hbk); 0333648447 (pbk)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FAMILY IN FILMS

Call No: 81DEN FIL
Author: Vecchio, Marjorie; Wenders, Wim
Source: US
Place: New York
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xxiii, 237 pages : illustrations ; 24 cm
Subject: AESTHETICS; AFRICA; ART CINEMA; CANNIBALISM IN FILMS; CRITICISM; DANCE IN FILMS; DIRECTORS; DIRECTORS. FRANCE; FAMILY IN FILMS; IMPERIALISM AND THE CINEMA; LANDSCAPES IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACE AND THE CINEMA; TIME IN FILMS; WORKERS IN FILMS; WORKING CLASS IN FILMS; DENIS, CLAIRE; BEAU TRAVAIL (FR, Claire Denis, 1999); CHOCOLAT (FR, Claire Denis, 1988); INTRUDER, THE (FR, Claire Denis, 2004) SEE INTRUS, L'; INTRUS, L' (FR, Claire Denis, 2004); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); I CANT SLEEP (FR/SZ, Claire Denis, 1994); NENETTE AND BONI (FR, Claire Denis, 1996) SEE NENETTE ET BONI; NENETTE ET BONI (FR, Claire Denis, 1996); TROUBLE EVERY DAY (FR/G/JA, Claire Denis, 2001); FRIDAY NIGHT (FR, Claire Denis, 2002) SEE VENDREDI SOIR; VENDREDI SOIR (FR, Claire Denis, 2002); WHITE MATERIAL (FR/CM, Claire Denis, 2009)
Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURB
Notes: Includes list of illustrations, bibliographic references and index
ISBN: 9781848859548
Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen' --Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy -- -- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams -- -- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy -- --Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy --Bibliography -- Index

Call No: 408.1(44) BUS
Author: Buss, Robin
Place: London
Publisher: Batsford
PubDate: 1988
PhysDes: 165 p., [32] p. of plates : ill. ; 25 cm
Subject: NATIONAL CULTURE AND THE CINEMA. FRANCE; FRANCE; SOCIETY AND THE CINEMA. FRANCE; FILMOGRAPHIES. FRANCE; HISTORICAL FILMS. FRANCE; FAMILY IN FILMS. FRANCE; BRESSON, ROBERT; CHABROL, CLAUDE; GODARD, JEAN-LUC; MALLE, LOUIS; PAGNOL, MARCEL; RENOIR, JEAN; CARNE, MARCEL; CLAIR, RENE; DEMY, JACQUES; DUVIVIER, JULIEN; GABIN, JEAN; GANCE, ABEL; TRUFFAUT, FRANCOIS; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984)
Notes: French cinema films,. 1900-1985. Social aspects (BNB/PRECIS); Includes index; Filmography: p. 91-156
ISBN: 0713453605
LON: 5952835

Call No: 451-01(73) JEF
Author: Jeffords, Susan, 1953
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: 212 p. : ill. ; 23 cm
Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988)
Notes: Includes bibliographical references (p. [205]-208) and index
ISBN: 0813520029; 0813520037 (pbk.)
LON: 9874831

Call No: 735.2 WIL
Author: Williams, Tony
Edition: Updated ed.
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c2014
PhysDes: Tony Williams
Subject: ADAPTATIONS. KING, STEPHEN; FAMILY IN FILMS; HORROR FILMS. USA; PSYCHO (US, Alfred Hitchcock, 1960); POLTERGEIST (US, Tobe Hooper, 1982); POLTERGEIST II: THE OTHER SIDE (US, Brian Gibson, 1986); NIGHTMARE ON ELM STREET (US, Wes Craven, 1984); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974)
Summary: Hearths of Darkness traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and shortlived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me, Carrie, The Exorcist, Exorcist 2, and The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Tony Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s. After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.-[taken from publishers site]
Notes: Includes bibliographical references (pages 333-346) and index
ISBN: 9781628461909
Contents: Introduction: family assault in the American horror film -- Classical shapes of rage: universal and beyond -- Lewton or "the ambiguities" -- To Psycho and beyond: the Hitchcock connection -- Return of the native: the satanic assaults -- Far from Vietnam: the family at war -- Sacrificial victims -- Chain saw massacres: the apocalyptic dimension -- The return of Kronos -- Poltergeist and Freddy's nightmares -- The King adaptations -- Into the nineties -- Postscript.

Call No: 409.1(73) MED
Author: Medved, Michael
Edition: 1st ed
Source: US
Place: New York, NY [Grand Rapids, Mich.]
Publisher: HarperCollins Zondervan
PubDate: 1992
PhysDes: xiii, 386 p. ; 25 cm
Subject: HOLLYWOOD; POPULAR CULTURE AND THE CINEMA. USA; CENSORSHIP. USA; JEWS AND THE CINEMA. USA; FAMILY IN FILMS. USA; MARRIAGE IN FILMS. USA; RELIGION AND THE CINEMA. USA; VIOLENCE IN FILMS. USA; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988)
Summary: "Why does popular culture seem so consistently hostile to the values most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbates every serious social problem we face, from teenage pregnancies to violence in the streets." [Taken from book jacket]
Notes: Includes bibliographical references (p. [347]-370) and index
ISBN: 006016882X
LON: 92052604; 9162681

Call No: 744.7 CIT
Author: Citron, Michelle
Edition: 1999
Place: Minneapolis; London
Publisher: University of Minnesota Press
PubDate: 1999
PhysDes: 212 pages : illustrated; 26 cm
Series: Visible Evidence; 4
Subject: SOCIAL HISTORY AND THE CINEMA; HOME MOVIES; FAMILY IN FILMS. USA; CITRON, MICHELLE
ISBN: 9780816632626
Donation: Sue Hardisty

Call No: 451-058.81 LEI
Author: Leibman, Nina C. (Nina Clare), 1957
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: 338 p. : ill. ; 23 cm
Series: Texas film studies series
Subject: FAMILY IN FILMS; FAMILY ON TV; MARRIAGE IN FILMS; MARRIAGE ON TV; IMITATION OF LIFE (US, Douglas Sirk, 1959); ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66); BLUE DENIM (US, Philip Dunne, 1959); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); COURTSHIP OF EDDIE'S FATHER, THE (US, Vincente Minnelli, 1963); DONNA REED SHOW, THE [TV] (1958-65); EAST OF EDEN (US, Elia Kazan, 1955); FATHER KNOWS BEST [TV] (US, 1954-60); SUMMER PLACE, A (US, Delmer Davies, 1959); FEAR STRIKES OUT (US, Robert Mulligan, 1957); GIANT (US, George Stevens, 1956); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); LEAVE IT TO BEAVER [TV] (US, 1957-63); MY THREE SONS [TV] (US, 1960-72); NO DOWN PAYMENT (US, Martin Ritt, 1957); PEYTON PLACE (US, Mark Robson, 1957); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); SPLENDOR IN THE GRASS (US, Elia Kazan, 1961)
Notes: Filmography: p. [321]-329; Includes bibliographical references (p. [309]-320) and index
ISBN: 0292746849 (paper : alk. paper); 0292746830 (cloth : alk. paper)
LON: 11213012

Author: Hamilton, Lucy
PhysDes: Article; Bibliography; Illustration(s)
Subject: FAMILY IN FILMS; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996)
Summary: "The Long Kiss Goodnight" presents two maternal representations; the perfect nurturing mother and the fatal mother.

Call No: 735.2 CLO
Author: Clover, Carol J., 1940
Place: London
Publisher: B.F.I. Publishing
PubDate: 1992
PhysDes: 260 p. : ill. ; 25 cm
Subject: HORROR FILMS; SLASHER FILMS; CRIME IN FILMS; AUDIENCES; BISEXUALITY IN FILMS; DEVIL IN FILMS; ENDINGS OF FILMS; EXPLOITATION FILMS; FAMILY IN FILMS; LOOK IN FILMS; HOMOSEXUALITY IN FILMS; IDENTIFICATION; REPRODUCTION IN FILMS; SADISM / MASOCHISM IN FILMS; SUPERNATURAL IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); ALIEN [...] (UK/US, 1979-92); DELIVERANCE (US, John Boorman, 1972); EXORCIST, THE (US, William Friedkin, 1973); FRIDAY THE 13TH [...] (US, 1980-); HALLOWEEN (US, John Carpenter, 1978); HILLS HAVE EYES, THE (US, Wes Craven, 1978); HUNTER'S BLOOD (US, Robert C. Hughes, 1986); MS. 45 (US, Abel Ferrara, 1981); PEEPING TOM (UK, Michael Powell, 1960); POLTERGEIST (US, Tobe Hooper, 1982); PSYCHO (US, Alfred Hitchcock, 1960); SCANNERS (CN, David Cronenberg, 1981); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); WITCHBOARD (US, Kevin S. Tenney, 1987)
Notes: Includes bibliographical references (p. [237]-253) and index
ISBN: 0851704190 (pbk.); 0851703313
LON: 8882059

Call No: 71(46) MOD
Author: Talens, Jenaro, 1946; Zunzunegui DGiez, Santos
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: c1998
PhysDes: xxvi, 346 p. ; 22 cm
Subject: SPAIN; WAR IN FILMS. SPAIN; FASCISM AND THE CINEMA. SPAIN; CIFESA; NATIONAL IDENTITY IN FILMS. SPAIN; FAMILY IN FILMS. SPAIN; ALMODOVAR, PEDRO; BIGAS LUNA; IGLESIA, ELOY DE LA; ORDUNA, JUAN DE; GUTIERREZ ARAGON, MANUEL; PORTABELLA, PERE; VERBENA DE LA PALOMA, LA (SP, Jose Luis Saenz de Heredia, 1963); NOVIO A LA VISTA (SP, Luis G. Berlanga, 1953); ASIGNATURA PENDIENTE (SP, Jose-Luis Garci, 1977); PASODOBLE (SP, Jose Luis Garcia Sanchez, 1988); PADRE NUESTRO (SP, Francisco Regueiro, 1985); AMANTES (SP, Vincente Aranda, 1991); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973)
Notes: Includes bibliographical references and index
ISBN: 0816629749 (alk. paper); 0816629757 (pbk. : alk. paper)
LON: 13736504

Call No: 408.1(73) MOV
Author: Belton, John
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: 1996
PhysDes: viii, 279 p. : ill. ; 24 cm
Series: Rutgers depth of field series
Subject: NATIONAL IDENTITY IN FILMS. USA; CULTURE AND THE CINEMA. USA; POPULAR CULTURE AND THE CINEMA. USA; FILM NOIR. USA; FAMILY IN FILMS. USA; POSTMODERNISM AND THE CINEMA. USA; BLACKS IN FILMS. USA; POLITICS AND THE CINEMA. USA; SOCIETY AND THE CINEMA. USA; CONSUMERISM IN FILMS. USA; FASHION AND THE CINEMA. USA; NOSTALGIA IN FILMS. USA; POPULISM AND THE CINEMA. USA; GRIFFITH, DAVID WARK; BERKELEY, BUSBY; Lombard, Carole; DAMES (US, Ray Enright, 1934); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes bibliographical references (p. 265-269) and index
ISBN: 0813522277 (cloth : alk. paper); 0813522285 (pbk.)
LON: 11604013

Call No: REFERENCE SECTION; 036 GOL
Author: Goldstein, Ruth M.; Zornow, Edith
Edition: Rev. ed.
Source: US
Place: New York
Publisher: Ungar
PubDate: 1980
PhysDes: ix, 268 p. : ill. ; 22 cm
Subject: FAMILY IN FILMS; CHILDREN AND THE CINEMA; FILMOGRAPHIES
Summary: Films selected to be suitable for children
Notes: Includes indexes.; Filmography: p. 255-259.
ISBN: 0804461945 (pbk.)
Donation: donated by the family of Wayne Levy, 2006

Call No: 626:159.964.2 PSY
Author: Kaplan, E. Ann
Place: New York
Publisher: Routledge
PubDate: 1990
PhysDes: xi, 249 p. : ill. ; 24 cm
Series: AFI film readers
Subject: PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; AVANT-GARDE FILMS; FAMILY IN FILMS; TOURNEUR, JACQUES; PABST, GEORG WILHELM; THREE FACES OF EVE, THE (US, Nunnally Johnson, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); M (G, Fritz Lang, 1931); DUEL IN THE SUN (US, King Vidor, 1946); CAT PEOPLE (US, Jacques Tourneur, 1942); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); ADYNATA : MURDER IS NOT A STORY (US, Leslie Thornton, 1983); ANNE OF THE INDIES (UA, Jacques Tourneur, 1951)
Notes: Includes bibliographical references (p. 239-243) and indexes
ISBN: 041590028X; 0415900298 (pbk.)
LON: 89006339; 6416156

Call No: 744 HOO
Author: Hooks, Bell
Place: New York, NY
Publisher: Routledge
PubDate: 1996
PhysDes: 244 p. ; 24 cm
Subject: RACE AND THE CINEMA; SEX AND THE CINEMA; CLASS AND THE CINEMA; BLACKS IN FILMS; AVANT-GARDE FILMS; FAMILY IN FILMS; LOOK IN FILMS; SPECTATORSHIP; BLACKS AND THE CINEMA; DEATH IN FILMS; HOMOSEXUALITY IN FILMS; STRIPTEASE IN FILMS; YOUNG PEOPLE IN FILMS; FEMINISM AND THE CINEMA; Tarantino, Quentin; LEE, SPIKE; DASH, JULIE; CLARK, LARRY; JAFFA, ARTHUR; BURNETT, CHARLES; BILLOPS, CAMILLE; ALDERMAN, MARIE-FRANCE; WANG, WAYNE; LIVINGSTON, JENNIE; KILLER OF SHEEP (US, Charles Burnett, 1978); GIRL 6 (US, Spike Lee, 1996); CROOKLYN (US, Spike Lee, 1994); WAITING TO EXHALE (US, Forest Whitaker, 1995); LEAVING LAS VEGAS (US, Mike Figgis, 1995); EXOTICA (CN, Atom Egoyan, 1994); ATTENDANT, THE (UK, Isaac Julien, 1992); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991); KIDS (US, Larry Clark, 1995); HOOP DREAMS (US, Steve James, 1994); PARIS IS BURNING (US, Jennie Livingston, 1990); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); PULP FICTION (US, Quentin Tarantino, 1994)
Notes: Includes index
ISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)
LON: 96026474; 12664107

Call No: 632 WOO; Misplaced - Aug 10 2009
Author: Wood, Robin, 1931
Place: New York
Publisher: Columbia University Press
PubDate: c1998
PhysDes: x, 352 p. : ill. ; 23 cm
Series: Film and culture
Subject: NARRATIVE IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; MARRIAGE IN FILMS; FAMILY IN FILMS; ROMANTIC FILMS; WOMEN IN FILMS; RACE AND THE CINEMA; GENDER AND THE CINEMA; FASCISM AND THE CINEMA; RIVETTE, JACQUES; MCCAREY, LEO; Mizoguchi Kenji; OZU YASUJIRO; MANDINGO (US, Richard Fleischer, 1975); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); PERSONA (SW, Ingmar Bergman, 1966); LIFE CLASSES (CN, William D. MacGillivray, 1987); BEFORE SUNRISE (US, Richard Linklater, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); CELINE ET JULIE VONT EN BATEAU (FR, Jacques Rivette, 1974); AMOUR FOU, L` (FR, Jacques Rivette, 1968)
Notes: Includes index
ISBN: 0231076053 (paper : alk. paper); 0231076045 (cloth : alk. paper)
LON: 13757049
ID2: 291

Call No: 79SWE SWE
Source: AT
PubDate: 2009
PhysDes: ca. 280 p. : ill. ; 30cm
Subject: FAMILY IN FILMS; FAMILY IN FILMS. AUSTRALIA; CAMPION, JANE; SWEETIE (AT, Jane Campion, 1989)
Summary: This is a collection of items on Jane Campion's Sweetie. It contains a press kit, journal articles, book chapters, internet newspaper articles, and ordinary newspaper articles.
Notes: The items in this bound compilation were from Jane Campion items donated to the AFI Research Collection
Contents: -- press kit -- journal articles and book chapters -- internet newspaper articles -- newspaper articles --

Call No: 451-053.6 KAV
Author: Kaveney, Roz
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: copyright 2006
PhysDes: viii, 191 p. ; 24 cm.
Subject: DRUGS IN FILMS; FAMILY IN FILMS; RACE AND THE CINEMA; SEXUALITY AND THE CINEMA; TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; CLUELESS (US, Amy Heckerling, 1995); HEATHERS (US, Michael Lehmann, 1989); VERONICA MARS [TV] (US, 2004)
Summary: "Starting with the groundbreaking John Hughes movies of the 1980s, and with Lehman and Waters' sardonic comedy Heathers, Kaveney discusses the evolution of themes like the Mean Girl and the loss of virginity. She examines the metamorphosis of Jane Austen's novel Emma into the Beverly Hills comedy Clueless and the way the American Pie trilogy has subverted the gross-out sex comedy into a lesson in sexual manners. She looks at the link between these films and some of the most innovative teen television of the last two decades, including Popular, Buffy the Vampire Slayer and the teen detective show Veronica Mars. In the process, she demonstrates how teen films and tv series deal with the tragic and comic undersides of the American dream."--BOOK JACKET.
Notes: Includes indexes.
ISBN: 9781845111847
Contents: Teen dreams: the critic at the prom -- John Hughes and the creation of a genre -- The friends who are bad for you: Heathers -- The heirs of Heather: Cordelia, Nicole and other mean girls -- The canon as teen dream: Clueless and others -- The trouble with boys -- On being good at things: female competence and sexuality -- Watching the teen detective: Veronica Mars.

Call No: 71(94) TWI
Place: Melbourne
Publisher: Damned Publishing
PubDate: 1999
PhysDes: 558 p.
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL IDENTITY IN FILMS. NEW ZEALAND; NATIONAL IDENTITY IN FILMS. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; AUSTRALIA. 1970's; WARD, VINCENT; HALL, KEN G.; DARK CITY (US, Alex Proyas, 1997); BABE: PIG IN THE CITY (AT, George Miller, 1998); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FLOATING LIFE (AT, Clara Law, 1996); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); ON THE BEACH (US, Stanley Kramer, 1959); YATGO HO YAN (HK, Samo Hung, 1997); RADIANCE (AT, Rachel Perkins, 1998); VACANT POSSESSION (AT, Margot Nash, 1995)
ISBN: 1876310006
LON: 20154200
ID2: 29