book
The bent lens : a world guide to gay & lesbian film / [edited by Claire Jackson and Peter Tapp] Melbourne: Australian Catalogue Company, 1997.
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The bent lens : a world guide to gay & lesbian film / [edited by Claire Jackson and Peter Tapp] Melbourne: Australian Catalogue Company, 1997.
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Gay men at the movies : cinema, memory and the history of a gay male community / by Scott McKinnon Bristol, U.K. ; Chicago, USA: Intellect, 2016.
Call No: 451-03(94) MCKAuthor: McKinnon, Scott Source: UK/USPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2016PhysDes: x, 272 pages : illustrations ; 23 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; SEXUALITY AND THE CINEMA ; AUSTRALIA ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; MILK (US, Gus Van Sant, 2008) Summary: "Cinema has long played a major role in the formation of community among marginalized groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories, and a striking range of films, all deployed to answer the question of understanding cinema-going as a moment of connection to community and identity how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781783205967Contents: -- acknowledgments -- introduction -- part one:Friends of Dorothy in the Emerald City -- chapter 1 The 1950s -- Censored from view for all to see -- Gay space, cinema-going and censorship in 1950s Sydney -- Regular guys and `sister boys': Tea and Sympathy -- Friends of Tom Lee: Rebel without a Cause, Cat on a Hot Tin Roof and Some Like it Hot -- chapter 2 The 1960s -- Undeniable -- Gay space, cinema-going and censorship in 1960s Sydney -- Poor unfortunate souls: victim and Advise and Consent -- The real lives of English youth: A Taste of Honey, The Leather Boys and If... -- chapter 3 The 1970s -- Strike up the band -- Gay space, cinema-going and censorship in 1970s Sydney -- A memory of times gone by: The Boys In the Band -- The thrill of the new: Sunday Bloody Sunday and A Very Natural Thing -- chapter 4 The 1980s - Arriving at last, leaving too soon -- Gay space, cinema-going and censorship in 1980s Sydney -- The Hollywood gaze: Fame, Partners, Cruising and Making Love -- an independent eye: Taxi Zum Klo -- chapter 5 The 1990s -- When we were cool -- Gay space, cinema-going and censorship in 1990s Sydney -- Made for them or watched by us? The Sum of Us -- To enlighten and remember: Philadelphia and Longtime Companion -- chapter 6 The 2000s -- In the shadow of the mountain -- Gay space, cinema-going and censorship in 2000s Sydney -- The film that got us good: Brokeback Mountain -- Staying home or going to the festival: Another Gay Movie and Shelter -- part Two Memories of Dorothy: Memory, Movies, Gay Men -- ch. 7 Gay kids at the movies -- Movie memory and queer childhoods -- On-screen memories: Childhood -- Remembering childhood cinema-going -- chapter 8 Others like us - Movie memory and the search for community -- Movie memories at the movies: Identity -- Learning, reciting and refuting memory -- chapter 9 We were there - Movie memory and the search for a queer past -- Heroes and villains: Braveheart and Alexander -- Creating `our' history: Stonewall and Milk -- Conclusion: Gay men at the movies --
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[Morris loves Jack : stills file]
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The Oxford companion to Australian film / edited by Brian McFarlane, Geoff Mayer, Ina Bertrand Melbourne: Oxford University Press, 1999.
Call No: 71(94) OXF REFAuthor: Mayer, Geoff ; McFarlane, Brian, 1934 ; Bertrand, Ina, 1939 Place: MelbournePublisher: Oxford University PressPubDate: 1999PhysDes: 1 vSubject: AUSTRALIA ; AWARDS. AUSTRALIAN FILM INSTITUTE ; CITIES IN FILMS. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; FOOD IN FILMS ; GENRES. AUSTRALIA ; JEWS IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; LOST FILMS. AUSTRALIA ; PERIODICALS, FILM. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; MELODRAMA. AUSTRALIA ; MUSIC, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; RACIAL STEREOTYPES IN FILMS. AUSTRALIA ; RELIGION AND THE CINEMA. AUSTRALIA ; RURAL LIFE IN FILMS. AUSTRALIA ; SHORT FILMS. AUSTRALIA ; WAR AND THE CINEMA. AUSTRALIA ; MCCALLUM, JOHN ; MILLER, NATALIE ; NEVIN, ROBYN ; RABE, PAMELA ; RUSH, GEOFFREY ; TINGWELL, CHARLES (BUD) ; WILLIAMSON, DAVID ; WITHERS, GOOGIE Notes: Includes index; BibliographyISBN: 0195537971LON: 20072774
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newspaper article
Powerful emotional triangle in The Age [Arts & Entertainment] (27/08/2015) p.20
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The Queer Film Festival : popcorn and politics / by Stuart James Richards New York: Palgrave Macmillan, c2016.
Call No: 451-03 RICAuthor: Richards, Stuart James Source: AT/USPlace: New YorkPublisher: Palgrave MacmillanPubDate: c2016PhysDes: XIII, 256 pages : illustrations ; 22cmSeries: Framing Film FestivalsSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; HOMOSEXUALITY IN FILMS. USA ; FESTIVALS ; FESTIVALS. MELBOURNE. INTERNATIONAL LESBIAN AND GAY FILM ; FESTIVALS. MELBOURNE. QUEER FILM ; FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO Summary: "This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities’ arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events. " -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781137590343Contents: -- 1 introduction -- 2 The Queer Film Festival and the Creative Industries -- 3 The Queer Film Festival as a Social Enterprise -- 4 Queer Film Festival Programming and Homonormativity -- 5 the space of the Film Festival -- 6 conclusion -- index --
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[Resonance : stills file] / Toula Anastas Resonance Productions,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Resonance ProductionsPhysDes: 4 photographs : b&w ; 16 x 11 cmSubject: HOMOSEXUALITY IN FILMS. AUSTRALIA ; RESONANCE (AT, Stephen Cummins, 1993) Summary: 4 black and white photographs of 2 gay men kissing and boxing, Chad Courtney and Mathew Bergan; and a woman, Andrea Aloise, with man behind, Christopher Ryan.Notes: 1 duplicate
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[Sum of us, the : stills file]
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Twin peeks : Australian and NZ feature films / Deb Verhoeven Melbourne: Damned Publishing, 1999.
Call No: 71(94) TWIPlace: MelbournePublisher: Damned PublishingPubDate: 1999PhysDes: 558 p.Subject: AUSTRALIA ; NEW ZEALAND ; NATIONAL IDENTITY IN FILMS. NEW ZEALAND ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; HISTORY OF EXHIBITION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; AUSTRALIA. 1970's ; WARD, VINCENT ; HALL, KEN G. ; DARK CITY (US, Alex Proyas, 1997) ; BABE: PIG IN THE CITY (AT, George Miller, 1998) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; FLOATING LIFE (AT, Clara Law, 1996) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; ON THE BEACH (US, Stanley Kramer, 1959) ; YATGO HO YAN (HK, Samo Hung, 1997) ; RADIANCE (AT, Rachel Perkins, 1998) ; VACANT POSSESSION (AT, Margot Nash, 1995) ISBN: 1876310006LON: 20154200ID2: 29
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