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Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, PETER JACKSON, 2001); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: TITLE CLIPPINGS FILE; FORTUNATELY, THE MILK (in production)
Author: Maddox, Garry
PhysDes: Article
Subject: FORTUNATELY, THE MILK (in production); DEPP, JOHNNY
Summary: Short piece on Depp's potential involvement in a Neil Gaiman adaptation to be shot in Australia.

Call No: 451-03(94) MCK
Author: McKinnon, Scott
Source: UK/US
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2016
PhysDes: x, 272 pages : illustrations ; 23 cm
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY IN FILMS. AUSTRALIA; SEXUALITY AND THE CINEMA; AUSTRALIA; BROKEBACK MOUNTAIN (US, Ang Lee, 2005); PHILADELPHIA (US, Jonathan Demme, 1993); MILK (US, Gus Van Sant, 2008)
Summary: "Cinema has long played a major role in the formation of community among marginalized groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories, and a striking range of films, all deployed to answer the question of understanding cinema-going as a moment of connection to community and identity how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781783205967
Contents: -- acknowledgments -- introduction -- part one:Friends of Dorothy in the Emerald City -- chapter 1 The 1950s -- Censored from view for all to see -- Gay space, cinema-going and censorship in 1950s Sydney -- Regular guys and `sister boys': Tea and Sympathy -- Friends of Tom Lee: Rebel without a Cause, Cat on a Hot Tin Roof and Some Like it Hot -- chapter 2 The 1960s -- Undeniable -- Gay space, cinema-going and censorship in 1960s Sydney -- Poor unfortunate souls: victim and Advise and Consent -- The real lives of English youth: A Taste of Honey, The Leather Boys and If... -- chapter 3 The 1970s -- Strike up the band -- Gay space, cinema-going and censorship in 1970s Sydney -- A memory of times gone by: The Boys In the Band -- The thrill of the new: Sunday Bloody Sunday and A Very Natural Thing -- chapter 4 The 1980s - Arriving at last, leaving too soon -- Gay space, cinema-going and censorship in 1980s Sydney -- The Hollywood gaze: Fame, Partners, Cruising and Making Love -- an independent eye: Taxi Zum Klo -- chapter 5 The 1990s -- When we were cool -- Gay space, cinema-going and censorship in 1990s Sydney -- Made for them or watched by us? The Sum of Us -- To enlighten and remember: Philadelphia and Longtime Companion -- chapter 6 The 2000s -- In the shadow of the mountain -- Gay space, cinema-going and censorship in 2000s Sydney -- The film that got us good: Brokeback Mountain -- Staying home or going to the festival: Another Gay Movie and Shelter -- part Two Memories of Dorothy: Memory, Movies, Gay Men -- ch. 7 Gay kids at the movies -- Movie memory and queer childhoods -- On-screen memories: Childhood -- Remembering childhood cinema-going -- chapter 8 Others like us - Movie memory and the search for community -- Movie memories at the movies: Identity -- Learning, reciting and refuting memory -- chapter 9 We were there - Movie memory and the search for a queer past -- Heroes and villains: Braveheart and Alexander -- Creating `our' history: Stonewall and Milk -- Conclusion: Gay men at the movies --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LETTER TO HARVEY MILK, A (US, Yariv Kohn, 198?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MILK (AT, Mairi Cameron, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MILK (US, Gus Van Sant, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MILK AND HONEY (CN/UK, Rebecca Yates & Glen Salzman, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: MILK MONEY (US, Richard Benjamin, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-R Press kit
Subject: MILK OF SORROW, THE (SP/PE, Claudia Llosa, 2009)
ID2: 248

Call No: 760-032 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham [North Carolina]
Publisher: Duke University Press
PubDate: 2013
PhysDes: xxx, 322 pages : illustrations ; 24 cm
Subject: AESTHETICS; BISEXUALITY AND THE CINEMA; BISEXUALITY IN FILMS; DOCUMENTARIES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SAN FRANCISCO IN FILMS; SEXUALITY AND THE CINEMA; SEX IN FILMS; THEORY; CHEANG, SHU-LEA; CONDON, BILL; DEITCH, DONNA; DUNYE, CHERYL; FASSBINDER, RAINER WERNER; JARMAN, DEREK; LEE, ANG; RIPSTEIN, ARTURO; TECHINE, ANDRE; VACHON, CHRISTINE; VAN SANT, GUS; WONG KAR WAI; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BOYS DON'T CRY (US, Kimberly Peirce, 1999); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); GO FISH (US, Rose Troche, 1994); KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010); MILK (US, Gus Van Sant, 2008); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); TARNATION (US, Jonathan Caouette, 2003); TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984); WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996)
Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURB
Notes: Includes bibliographic references and index -- includes filmography
ISBN: 9780822354284
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRICE OF MILK, THE (NZ, Harry Sinclair, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPILT MILK (AT, John Prescott, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984)