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Author: Margolis, Harriet
PhysDes: Book review; Illustration(s)
Subject: LAWRENCE, BRUNO
Summary: Review of 'Bruno', by Roger Booth.

Call No: 81LAW BOO
Author: Booth, Roger
Source: NZ
Place: Christchurch
Publisher: Canterbury University Press
PubDate: 1999
PhysDes: 344 p., 4 p. of plates : ill., ports. (some col.) ; 23 cm
Subject: ACTORS. NZ; COSI (AT, Mark Joffe, 1995); FRONTLINE [TV] (AT, 1994- ); INDECENT OBSESSION, AN (AT, Lex Marinos, 1985); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); SMASH PALACE (NZ, Roger Donaldson, 1981); LAWRENCE, BRUNO
Notes: Includes appendices and index
ISBN: 0908812833

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 15 x 10 cm + 4 transparencies : col. ; 35mm x 40 mm
Subject: SITCH, ROB; LAWRENCE, BRUNO; KENNEDY, JANE; MORA, TIRIEL; BISLEY, STEVE; WHYTE, ALISON; FRONTLINE [TV] (AT, 1994- )
Summary: One black and white photograph of Rob Sitch and four colour transparencies for the television series Frontline
Notes: Includes a document with captions for each transparency

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 21 photographs : b&w ; 13 x 18 cm.-20 x 25 cm
Subject: WATERS, JOHN (AT); FRIELS, COLIN; GYNGELL, KIM; LAWRENCE, BRUNO; FLAUS, JOHN; MARKWELL, TERRY; BELL, JOY; JOFFE, MARK; GRIEVOUS BODILY HARM (AT, Mark Joffe, 1988)
Summary: Twenty-one black and white photographs from the film Grievous bodily harm
Notes: Contains one duplicate and one image donated by Brian McFarlane

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LAWRENCE, BRUNO

Call No: 71(931) NEW
Author: Conrich, Ian (ed); Murray, Stuart (ed)
Source: US
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: C2007
PhysDes: xiii, 374 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: MAORI CINEMA; NEW ZEALAND; LYE, LEN; O'SHEA, JOHN; PRESTON, GAYLENE; BARCLAY, BARRY; MITA, MERATA; WELLS, PETER; DONALDSON, ROGER; MURPHY, GEOFFREY; MUNE, IAN; LAWRENCE, BRUNO; LAING, JOHN; REID, JOHN; NARBEY, LEON; WARD, VINCENT; CAMPION, JANE; MACLEAN, ALISON; JACKSON, PETER (NZ); BLYTH, DAVID; BAD BLOOD (NZ, Mike Newell, 1981); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); BOUNTY, THE (UK/US, Roger Donaldson, 1984); BRAINDEAD (NZ, Peter Jackson, 1992); BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986); CADILLAC MAN (US, Roger Donaldson, 1990); DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence Bayler
Notes: Bibliography: p. 349-353; Includes index
ISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)

Call No: CRAWFORD STILL FED
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 10 photographs : b&w ; 26 x 21 cm + 37 photographic proof sheets : b&w ; 26 x 21 cm - 31 x 24 cm + 107 slides : col. + 8 transparencies : col. ; 120 mm
Subject: TAYLOR, ROBERT; THORNTON, SIGRID; LAWRENCE, BRUNO; WENDT, NICKI; GRIFFITHS, RACHEL; HOSKING, PETER; MENGLET, ALEX; GOW, PETER; CHEN, STEPHANIE; RIGNEY, DANIEL; DELANEY, CON; SCEALY, GREG; FIANDER, LEWIS; D'AMICO, VINCE
Summary: Photographs and slides relating to 'The Feds'
Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographic proof sheets, slides with accompanying promotional sheets, slides without accompanying promotional sheets then transparencies. The larger 31 x 24 cm photographic proof sheets are held with the album in a separate archival pocket
Donation: Gift of Crawford Productions