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Call No: 029(94 / 931)
CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film Commission
Source: AT
Publisher: Australian Catalogue Publishing
PhysDes: 470 p. ; 30 cm
Subject: AUSTRALIA; NEW ZEALAND; DISTRIBUTION. AUSTRALIA; FILM; FILMOGRAPHIES
Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- Introduction
Notes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film Corporation
ISSN: 1035-8005
Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ACTORS. NEW ZEALAND

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL OR NOTHING: NEW ZEALAND ALL BLACK [TV] (NZ, 2018-)

PhysDes: Article
Subject: AMALGAMATED HOLDINGS; INDUSTRY, FILM. NEW ZEALAND
Summary: Item announcing Amalgamated Theatres now being owned by Chase Holdings.

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: 70"01" (9) AOT
Author: Dennis, Jonathan; Usai, Paora Cherchi; Baylis, Ann; Harris, Witarina
CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy)
Place: Wellington, N.Z.
Publisher: Moa Films
PubDate: 1993
PhysDes: 44 p. : ill., ports ; 26 cm
Subject: AUSTRALIA. 1895-1930; NEW ZEALAND. 1895-1930; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and index
ISBN: 0473021730 (pbk.) : $15.00
LON: zbn93104287; 10665575

Call No: 414(93) ATT
Source: NZ
Publisher: Broadcasting Standards Authority
PubDate: c2001
PhysDes: 22 p. : ill. ; 30 cm
Subject: AUDIENCE RECEPTION. NEW ZEALAND
Notes: In English, with foreword in Ma¯ori, and executive summary in English and Ma¯ori
Language: Maori -- English

Call No: 027(93) AUS
Place: Albert Park, Victoria
Publisher: Australian Catalogue Publishing
PhysDes: v. ill. ; 30cm
Subject: DISTRIBUTION. AUSTRALIA; DISTRIBUTION. NEW ZEALAND; DOCUMENTARIES
Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- Introduction
Notes: Held: 1993 to 1994; 1991 to 1992; 1990 to 1991; 1989 to 1990;
ISSN: 1035-5302
Contents: Forward and introduction -- Category headings -- Distributor's codes and addresses -- Section 1: Feature films -- Section 2: Educational and special interest programmes -- Title index -- Directors' index

Call No: 161(94)AUS
Place: AT
Publisher: Australian Film Commission
PubDate: 1990
Subject: TELEVISION. AUSTRALIA; BROADCASTING. AUSTRALIA; SPECIAL BROADCASTING SERVICE; CHANNEL FOUR; TELEVISION. NEW ZEALAND; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA
Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."
Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka

Call No: 205.1 MAY
Author: May, Harvey
Source: AT
Place: Sydney; Brisbane, Queensland
Publisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media Policy
PubDate: 2002
PhysDes: 72 pages : 30cm.
Series: Screen Industry, Culture and Policy Research Series
Subject: CULTURE AND THE CINEMA; PROGRAMME POLICY; TELEVISION. AUSTRALIA; TELEVISION. UK; TELEVISION. NEW ZEALAND; TELEVISION. USA; ETHNIC GROUPS ON TV. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV
Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summary
Notes: Includes appendix of acronyms
ISBN: 0958015244
Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series

Call No: 761(931/94)(097.1) COL
Author: Colligan, Mimi
Source: AT
Place: Carlton South, Vic.
Publisher: Melbourne University Press
PubDate: 2002
PhysDes: xvi, 250 p. : ill. (some col.), ports, plans ; 22 cm x 28 cm
Subject: ART AND THE CINEMA; DOCUMENTARIES; PRE-CINEMA HISTORY; AUSTRALIA; NEW ZEALAND; ENTERTAINMENT. AUSTRALIA
Summary: "Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. These spectacular representations of scenery, current events or recent battles abroad were indeed documentaries on canvas-the first travelogues. The phenomenon of complex circular panoramas and dioramas took root in Australia and New Zealand in the 1850s. They drew enthusiastic crowds, brought good work for local artists, and propogated the glories of empire in all the capital cities they toured. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era. " -- BOOK JACKET
Notes: Includes bibiographical references and index; Bibliography: p 236-240
ISBN: 0522850197
Contents: -- acknowledgments -- picture show terminology -- preface -- introduction -- 1. Grand Tours for a Shilling: The English background -- 2. Moving Panoramas: Presenting the world and local exploits -- 3. Panorama Business: Far-off battles and armchair travel -- 4. Across the Stage: Moving panoramas in Australian theatre -- 5. Vesuvius in Melbourne: Outdoor modelled panoramas and fireworks -- 6. Pompeii in Australia: Pain's pyrotechnics and modelled panoramas -- 7. At the Battles: Cycloramas in Australia -- 8. Exhibiting Old Melbourne: The cyclorama of early Melbourne -- 9. Around the Country: The intercolonial cyclorama circuit -- 10. On the Move: The decline of panoramic picture shows -- list of illustrations -- notes -- select bibliography -- index --

Call No: F023(931)"1962" NEW
CorpAuthor: Tourist & Publicity Department New Zealand
Subject: NEW ZEALAND; FILMOGRAPHIES

Subject: KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); TARGET (US, Arthur Penn, 1985); BETTER OFF DEAD (US, Savage Steve Holland, 1985); TURTLE DIARY (UK, John Irvin, 1985); CBS; HOYTS; AUSTRALIA; NEW ZEALAND
Summary: Article on Hoyts distributing five CBS films in Australia and New Zeleand.

Call No: 71(931) CHU
Author: Churchman, Geoffrey B.
Source: NZ
Place: Wellington
Publisher: IPL Publishing Services
PubDate: 1997
PhysDes: 144 p. ; col. and b+w ill. : 29 cm
Subject: INDUSTRY, FILM. NEW ZEALAND; FILMMAKING
Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.
Notes: Includes select bibliography
ISBN: 09088776963
Language: English

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CENSORSHIP. NEW ZEALAND

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; DISTRIBUTION; DISTRIBUTION. NEW ZEALAND
Summary: Article on International Film Distribution changing its name to Kerridge Odeon Film Distribution and the success of the distributor chain in New Zealand.

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COAST NEW ZEALAND [TV] (NZ, 2015)

Call No: TITLE CLIPPINGS FILE; COAST NEW ZEALAND [TV] (NZ, 2015)
Author: Thomas, Sarah
PhysDes: Clippings
Subject: COAST NEW ZEALAND [TV] (NZ, 2015)
Summary: Short interview with presenter Neil Oliver.

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
URL status: URL: 'http://-' Checked: 31/08/2021 1:18:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: 058.7(931)DAT
Edition: 2012
Place: Auckland
Publisher: Mediaweb Ltd in association with Images & Sound and Onfilm magazine
PubDate: 2012
PhysDes: 210 p. ; 30 cm
Subject: NEW ZEALAND; PRODUCTION
ISBN: 047300627

Author: Cubitt, Sean
PhysDes: Article
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; DIGITAL TECHNOLOGY. NEW ZEALAND; DIGITAL PROJECTION; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND
Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: 71(94) WOR
Author: Goldsmith, Ben (ed.), Ryan, Mark David (ed.), Lealand, Geoff (ed.)
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect Books
PubDate: 2015
PhysDes: 364 pages ; 24 cm
Series: Directory of world cinema ; 19
Subject: WORLD CINEMA; AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; NEW ZEALAND; MAORI CINEMA
Summary: "Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries' cinema. Essays by leading critics and film scholars consider the significance of films of the outback and the beach, which is evoked as a liminal space in Long Weekend and a symbol of death in Heaven's Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong. Accompany the critical essays in this volume are more than 60 film reviews, complemented by full-colour film stills and significantly expanded references for further study. From The Piano to Red Dog, from Pictures to The Orator, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of two similar - but also different - and consistenly fascinating national cinemas." -- BOOK BLURB
Notes: Includes recommended reading; Includes filmography
ISBN: 9781841506340
Contents: Introduction: Australia -- Film of the Year -- Red Dog -- Festival Focus -- Brisbane International Film Festival -- Australian Film Locations -- Marketing Mix -- Finding International Audiences -- Star Study -- Errol Flynn -- Directors -- Jane Campion -- Arthur and Corrine Cantrill -- Ken G Hall -- Brian Trenchard Smith -- Action and Adventure -- Australian Animated Feature Films -- Comedian Comedy -- Crime -- Australian Gothic -- Horror -- Road Movie -- Science Fiction -- Thriller -- War -- The Australian Western -- Introduction: New Zealand -- Crossing the Ditch -- Directors -- Women Directors of Feature Films in New Zealand -- Annie Goldson -- Gaylene Preston -- Director Studies -- Costa Botes -- Yvonne Mackay -- Merata Mita -- Barry Barclay -- Christine Jeffs -- Experimental and Documentary Film -- Theatrical Documentary in New Zealand 2012 -- Genres of New Zealand Experimental Film -- 'Principled Patriotism' -- Emerging Asian New Zealand Film-makers in New Zealand Cinema

Call No: 71(93) DIR
Author: Goldsmith, Ben (ed.); Lealand, Geoff (ed.)
Place: Bristol, UK
Publisher: Intellect
PubDate: 2010
PhysDes: 339 p. : ill. ; 30 cm
Series: Directory of world cinema ; v. 3
Subject: AUSTRALIA; NEW ZEALAND; WORLD CINEMA; HOLMES, CECIL; Powell, Michael; WEIR, PETER; LUHRMANN, BAZ; HORROCKS, SHIRLEY; KOTHARI, SHUICHI; WARD, VINCENT; WHALE RIDER (NZ/GG, Niki Caro, 2002); PIANO, THE (AT, Jane Campion, 1993); WOLF CREEK (AT, Greg McLean, 2005)
Summary: "This edition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, thier film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.
Notes: Includes bibliographical references
ISBN: 9781841503684
Contents: -- acknowledgments -- Introduction : Australian cinema -- Directors -- Cecil Holmes (1921-1994) -- Michael Powell (1905-1990) -- Peter Weir (1944-) -- Baz Luhrmann (1962-) -- Disability in the Australian cinema -- Short films -- Bushranger -- War cinema -- Crime -- Prison -- Period -- Comedy -- Coming of age -- Horror -- Road movies -- Science fiction and fantasy -- Ozploitation -- New Zealand: Introduction : New Zealand film in 2009: Geoff Lealand -- Experimental film: Martin Rumsby -- Directors -- Shirley Horrocks -- Shuichi Kothari -- Vincent Ward -- Genre and themes -- recommended reading -- Australia & New Zealand cinema online -- notes on contributors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=584346' Checked: 31/08/2021 1:24:36 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DISTRIBUTION. NEW ZEALAND

Call No: 761(94) DOC
Copy Management: Copy 1; Copy 2
Author: Beilby, Peter; Lansell, Ross
CorpAuthor: Film Victoria
Place: North Melbourne
Publisher: Cinema Papers in association with Film Victoria
PubDate: c1982
PhysDes: 205 p. : ill., ports. ; 27 cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; GOVERNMENT ORGANIZATIONS. AUSTRALIA; FILMMAKING. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND; INDUSTRY, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA; PRODUCTION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; BAKER, SUZANNE; EDWARDS, JOHN; MCMAHON, TERENCE; BRADBURY, DAVID; NOONAN, CHRIS; HURLEY, FRANK; GRIERSON, JOHN
Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.
Notes: Includes index
ISBN: 0959564721 : $12.95 Aust
LON: 2380995
Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. NEW ZEALAND

Call No: MICROFILM - 24 Oct. 1923 - 8 Sept. 1926
Source: AT
Place: Sydney, N.S.W.
Publisher: Famous Lasky Film Service
PubDate: 1923-1926
Subject: EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND; EXHIBITION OF SILENT FILMS
Notes: --"Devoted to the interests of the motion picture in Australia and New Zealand."--cover; --Description based on: v.2, no. 1 (2 Jan. 1924)

Call No: 81 WAI BAN
Author: Bannister, Matthew
Edition: 2021
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: 304 pages : illustrated ; 23 cm
Subject: WAITITI, TAIKA; NEW ZEALAND; RACIAL ISSUES AND THE CINEMA; COMEDIES
Summary: Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi is the first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi’s feature films and places his other works and performances—short films, TV series, advertisements, music videos, and media appearances—in the fabric of popular culture. The book’s thesis is that Waititi’s playful comic style draws on an ironic reading of NZ identity as Antipodean camp, a style which reflects NZ’s historic status as colonial underdog. The first four chapters of Eye of the Taika explore Waititi’s early life and career, the history of New Zealand and its film industry, the history of local comedy and its undervaluation in favor of more "serious" art, and ethnicity in New Zealand comedy. Bannister then focuses on Waititi’s films, beginning with Eagle vs Shark (2007) and its place in "New Geek Cinema," despite being an outsider even in this realm. Bannister uses Boy (2010) to address the "comedian comedy," arguing that Waititi is a comedic entertainer before being a director. With What We Do in The Shadows (2014), Bannister explores Waititi’s use of the vampire as the archetypal immigrant struggling to fit into mainstream society, under the guise of a mockumentary. Waititi’s Hunt for the Wilderpeople (2016), Bannister argues, is a family-friendly, rural-based romp that plays on and ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok (2017) launched Waititi into the Hollywood realm, while introducing a Polynesian perspective on Western superhero ideology. Finally, Bannister addresses Jojo Rabbit (2019) as an "anti-hate satire" and questions its quality versus its topicality and timeliness in Hollywood. By viewing Waititi’s career and filmography as a series of pranks, Bannister identifies Waititi’s playful balance between dominant art worlds and emergent postcolonial innovations, New Zealand national identity and indigenous Aotearoan (and Jewish) roots, and masculinity and androgyny. Eye of the Taika is intended for film scholars and film lovers alike. -- publisher's web site
ISBN: 9780814345337

Call No: 71(59) FIL
Author: Hanan, David
Source: V
Place: Hanoi
Publisher: South East Asia-Pacific Audio Visual Archive Association
PubDate: 2001
PhysDes: 320 p. : ill. ; 24 cm
Subject: ASIAN COUNTRIES; AUSTRALIA; CAMBODIA; INDONESIA; MALAYSIA; NEW ZEALAND; PHILIPPINES; SINGAPORE; THAILAND; VIETNAM; SIHANOUK, NORODOM
ISBN: 0642705127

Call No: 230:33 BEE
Author: Sue Beeton
Place: Clevedon
Publisher: Channel View Publications
PubDate: 2005
PhysDes: 270 p. ; 23 cm
Series: Aspects of Tourism
Subject: TRAVEL IN FILMS; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. USA; LOCATION SHOOTING. UK; ADVERTISING FOR FILMS; NEW ZEALAND; STUDIOS, FILM. AUSTRALIA
Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]
ISBN: 1845410149

Call No: 71(931) SOW
Author: Sowry, Clive, 1955; Dennis, Jonathan
CorpAuthor: New Zealand Film Archive; Friends of the Film Archive (N.Z.)
Place: Wellington, N.Z.
Publisher: New Zealand Film Archive : Friends of the Film Archive
PubDate: 1984
PhysDes: 16 p. : ill., ports. ; 22 cm
Subject: HISTORY OF CINEMA. NEW ZEALAND; HAYWARD, RUDALL
Notes: Revision of article previously published in Cinema papers special issue, The New Zealand film industry, May-June, 1980
ISBN: 0959770607 (pbk.) : $2.50
LON: zbn84008904; 3753056

Call No: 205.1(94) FIL
Author: Moran, Albert
CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)
Place: [Queensland], Australia
Publisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University
PubDate: 1994
PhysDes: iii, 193 p. ; 30 cm
Series: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University
Subject: STATE AND THE CINEMA. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. UK; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. AUSTRALIA; QUOTA. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND TV; MAORI CINEMA; ADVERTISING FOR FILMS. AUSTRALIA; INDEPENDENT PRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; NEW SOUTH WALES FILM AND TELEVISION OFFICE; QUEENSLAND FILM DEVELOPMENT OFFICE
Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical references
ISBN: 0868575453
LON: 9849431

Call No: REFERENCE SECTION; 027(931) LAN
CorpAuthor: New Zealand Federation of Film Societies
Source: NZ
Place: Wellington, New Zealand
Publisher: New Zealand Federation of Film Societies
PubDate: [1998?]
PhysDes: 1 v.
Subject: NEW ZEALAND; DISTRIBUTION. NEW ZEALAND; SOCIETIES, FILM
Notes: Catalogue for NZFFS' permanent collection of films. Includes features introductions and filmographies of filmmakers.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOOD SOURCE: NEW ZEALAND [TV]

Call No: 71(931=1-81) HOK
Author: Hokowhitu, Brendan -- Devadas, Vijay
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2013
PhysDes: l, 251 pages : illustrations, portraits ; 26 cm
Subject: MAORI CINEMA; MAORI IN FILMS; NEW ZEALAND; NEW ZEALAND IN FILMS
Summary: "The Fourth Eye brings together Indigenous and noin-Indigenous scholars to provide a critical and comprehensive account of the intricate and complex relationship between the media and Maori culture. Examining the Indigenous mediascape, The Fourth Eye shows how Maori filmmakers, actors and media producers have depicted conflicts over citizenship rights and negotiated the representation of Indigenous people" - taken from back cover
ISBN: 9780816681044
Contents: Machine generated contents note: pt. I Mediated Indigeneity: Representing the Indigenous Other -- 1.Governing Indigenous Sovereignty / Vijay Devadas -- 2.Postcolonial Trauma / Allen Meek -- 3.Promotional Culture and Indigenous Identity / Jay Scherer -- 4.Viewing against the Grain / Brendan Hokowhitu -- 5.Consume or Be Consumed / Suzanne Duncan -- pt. II Indigenous Media: Emergence, Struggles, and Interventions -- 6.Theorizing Indigenous Media / Brendan Hokowhitu -- 7.Te Hokioi and the Legitimization of the Maori Nation / Lachy Paterson -- 8.Barry Barclay's Te Rua / April Strickland -- 9.Reflections on Barry Barclay and Fourth Cinema / Stephen Turner -- pt. III Maori Television: Nation, Culture, and Identity -- 10.The Maori Television Service and Questions of Culture / Chris Prentice -- 11.Maori Television, Anzac Day, and Constructing "Nationhood" / Sue Abel -- 12.Indigeneity and Cultural Belonging in Survivor-Styled Reality Television from New Zealand / Joost De Bruin

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; COMIN' AT YA! (US, Ferdinando Baldi, 1981)
Summary: Article on the new partnership between Greg Lynch Film Distributors and Proequity Entertainments Limited.

Call No: 71(931) DEN
Author: Dennis, Jonathan
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Place: Sydney
Publisher: Museum of Contemporary Art
PubDate: 1992
PhysDes: 39 p. : ill. ; 21 cm
Subject: NEW ZEALAND
Notes: Series presented at the MCA, Circular Quay/The Rocks, Sydney, 31 March-28 June 1992; Includes index
ISBN: 047701576X
LON: 10332407

Call No: REFERENCE SECTION; 03(94:931) HIS
Author: Albert Moran & Errol Veith
Place: Lanham, Maryland
Publisher: Scarecrow Press, Inc.
PubDate: 2005
PhysDes: hardcover; 22 cm; 414 p
Series: Historical Dictionary of Literature and the Arts
Subject: AUSTRALIA; NEW ZEALAND
Summary: Whether it was Jane Campion’s The Piano, Mad Max with Mel Gibson, Crocodile Dundee with Paul Hogan, or The Lord of the Rings trilogy, we have all experienced the cinema of Australia and New Zealand. Historical Dictionary of Australian and New Zealand Cinema is an introduction and guide to the films of these countries. Although more scholarly than a cinema or fan magazine, it covers some of the same ground, with entries on exceptional producers, directors, writers, actors, and many films. It also presents the early pioneers, the cinemas themselves, film companies, and government bodies, and much more in its hundreds of dictionary entries. From a chronology that shows how these movies have evolved to an introduction that presents them more broadly, a clear portrait of the two countries’ films emerge. The bibliography is an excellent resource for further reading. [Taken from back cover.]
ISBN: 081085459

Call No: REFERENCE SECTION; 03(94:931) HIS
Author: Aveyard, Karina; Moran, Albert; Vieth, Errol
Edition: Second edition
Source: AT/UK/US
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: c2018
PhysDes: xxxv, 404 pages, 8 unnumbered pages of plates : illustrations ; 24 cm
Series: Historical dictionaries of literature and the arts
Subject: AUSTRALIA; NEW ZEALAND; FILM; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND
Summary: " Australian Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. Australian audiences make some of these films profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world's best in making films with international themes, other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country." -- BOOK BACK COVER
Notes: Previous edition was written by Albert Moran and Errol Vieth and published by Scarecrow, 2005; Includes bibliographical references (pages 347-402)
ISBN: 9781538111260
Contents: -- editor's foreword -- preface -- reader's note -- Australia -- acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- New Zealand / Aotearoa -- Acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- bibliography -- about the authors --

Author: Wakefield, Philip
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NATIONAL CONTENT. AUSTRALIA; NATIONAL CONTENT. NEW ZEALAND
Summary: New Zealand may introduce local content quotas. If this happens, NZ programs will no longer be counted as Australian-made by the ABA.

Call No: held no.1-no.23 Summer 1986-Winter 1994; no. 35- Winter 2003-
CorpAuthor: Victoria University of Wellington. Drama Studies; Illusions (Wellington, N.Z.)
Source: NZ
Place: Wellington, N.Z.
Publisher: Imaginary Partnership
PubDate: 1986
PhysDes: v. : ill. ; 30 cm
Subject: NEW ZEALAND
Notes: Title from cover; Cassettes accompany some issues
ISSN: 0112-9341
Frequency: Three times a year, LON: sn 87020628; 5562767

Call No: 81BAR MUR
Author: Murray, Stuart
Source: NZ
Place: Wellington
Publisher: Huia
PubDate: 2008
PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cm
Subject: CRITICISM; PRODUCTION; DIRECTION; DOCUMENTARY FILMS; NEW ZEALAND; MAORI CINEMA; MAORI IN FILMS; BARCLAY, BARRY; MATTER OF TASTE, A (NZ, Barry Barclay,1968); SPINNINING A YARN (NZ, Barry Barclay, 1971) ALL THAT WE NEED (NZ, Barry Barclay, 1972) THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972) IN THE COMPANY OF TREES (NZ, Barry Barclay,; ASHES (NZ,1975) [TV]; HUNTING HORNS [TV] (NZ,1976); WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV]; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977); AKU MAHI WHATU MAORI (NZ, 1977) [TV]; MY ART OF MAORI WEAVING (NZ,1977) [TV]; MAHAWELI (NZ, Barry Barclay,1979) NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985); KAMATE! KAMATE! (NZ, Barry Barclay, 1987); NGATI (NZ, Barry Barclay, 1987); TE UREWERA (NZ, 1987) [TV]; TE RUA(NZ/G Barry Barclay, 1991); STOREHOUSE, THE( NZ, Barry Barclay,1991); FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000); KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005)
Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.
Notes: Bibliography: p. 99-103; Includes filmography; Includes index
ISBN: 9781869693282

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. NEW ZEALAND

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, TV. NEW ZEALAND

PhysDes: Article
Subject: FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); ARTHUR (US, Steve Gordon, 1981); SCARECROW, THE (NZ, Sam Pillsbury, 1982); INDUSTRY, FILM. NEW ZEALAND; CINEMAS. NEW ZEALAND; NEW ZEALAND FILM COMMISSION
Summary: Article and photographs from the opening of the Regent Centre in Wellington, New Zealand.

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; RACE FOR THE YANKEE ZEPHER (AT/NZ, David Hemmings, 1981); CHARITY APPEALS AND THE CINEMA; HEMMINGS, DAVID
Summary: Article and photos from the opening of Christchurch's new Regency Odeon cinema. The premiere film was 'The Race for the Yankee Zephyr'.

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: The New Zealand Film Censorship Board of Review have turned down the appeal on the ban of the film Mad Max

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Maddox, Garry
Subject: DVD; DVD, FILMS ON; EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND
Summary: The difficulties country cinemas might face due to the DVD boom. Stats used to say that this will be a problem looks at NZ cinema.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: 79 LOR BRO
Author: Brodie, Ian
Edition: Extended ed.
Source: NZ
Place: Auckland, NZ
Publisher: Harper Collins
PubDate: 2004
PhysDes: 176 p. : ill., col. maps, col. ports ; 23 cm
Subject: LOCATION SHOOTING. NEW ZEALAND; NEW ZEALAND; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); TOURISM AND THE CINEMA
Summary: The book contains movie, and location photographs, maps, location, directions, touring information, and internet addresses from around New Zealand, and directly connected to the filming of The Lord of the Rings trilogy
ISBN: 1869505301

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: Censorship of Mad Max in New Zealand due to clashes between motorcycle gangs and police

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Author: De Souza, Pascale
PhysDes: Article
Subject: MAORI IN FILMS; NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND; WHALE RIDER (NZ/GG, Niki Caro, 2002); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994)
Summary: Whale rider and Once were warriors portray families who struggle to reconcile their Maori identity with life in twentieth-century Aotearoa/New Zealand. The two movies mirror one another in so far as the former features a Maori chieft struggling to prevent the loss of Maori culture within his rural tribal group while the latter follows a nuclear family struggling to reconcile its urban identity with its rural Maori roots. Both movies pit an image of the city as an urban ghetto associated with 'social deprivation and lack of traditional culture' against that of the country as site of 'Maori cultural identity and salvation' (Spooner 2001: 95). The task of reconciling both falls to women who must undergo symbolical and/or actual death before being reborn as leaders. Though both movies conclude on a hopeful note, the path to reconciliation they suggest points 'to a contradiction which continues unresolved in practical reality' (Webster 1998: 39) and fails to address issues inherent in the concept of Maoritanga'

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ZEALAND

Author: Wakefield, Philip
PhysDes: Article
Subject: DIGITAL TECHNOLOGY. NEW ZEALAND; PAY TV. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND
Summary: While the pay TV channels secure audiences for digital broadcasting in New Zealand, the NZ government is slowly developing a policy for free-to-air broadcasters to begin digital broadcasting.

Call No: 408.1(931) NEW
Author: Fox, Alistair (ed.); Grant, Barry Keith (ed.); Radner, Hilary (ed.)
Source: UK/US
Place: Bristol, UK
Publisher: Intellect
PubDate: 2011
PhysDes: 350 p. : ill. ; 23 cm
Subject: FILM CULTURE; MAORI CINEMA; NEW ZEALAND; NEW ZEALAND IN FILMS; CULTURE AND THE CINEMA
Summary: " New Zealand has produced one of the world's most vibrant film cultures - testament to the country's evolving history. From early silent features like The Te Kooti Trail to recent films such as River Queen, this book examines the role of cinema in building a shared sense of national identity. The works of key directors, including Peter Jackson, Jane Campion and Vincent Ward, are introduced in a new light, and select films are given in-depth coverage. With informative accounts of New Zealands fascintaing national cinema, this will be a must for film scholars around the globe. " -- BOOK BLURB
ISBN: 9781841504254
Contents: -- Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te Kooti Trail (1927) and Rewi's Last Stand/The Last Stand (1940); Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures; Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages; Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950s New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films. Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa; Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography;bibliography; contributors; index --

Call No: REFERENCE SECTION; 023(931) NEW
PubDate: 1985
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogue for the film program New Zealand Cinema and its Directors which screened at the American Institute Theatre , Washington DC, 1-29 October 1985.

Call No: REFERENCE SECTION; 023(931) NEW
CorpAuthor: New Zealand Film Commission
PubDate: [199?]
Subject: NEW ZEALAND; DOCUMENTARIES; FILMOGRAPHIES
Notes: Catalogue

Call No: REFERENCE SECTION; 023(931) NEW
CorpAuthor: New Zealand Film Commission
PubDate: 1997
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogue

Call No: 71(931) DUN
Author: Dunleavy, Trisha; Joyce, Hester
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2011
PhysDes: 291 p. : ill. ; 24 cm
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND; MAORI IN FILMS; SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); NGATI (NZ, Barry Barclay, 1987); SHORTLAND STREET [TV] (NZ, 1992-); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WHALE RIDER (NZ/GG, Niki Caro, 2002); BOY (NZ, Taika Waititi, 2010)
Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURB
Notes: includes glossary of Maori terms; includes bibliographical references; includes index
ISBN: 9781841504575
Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ZEALAND FILM ARCHIVE

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE; PRESERVATION OF FILMS
Summary: Update on the New Zealand film archive's Manley Collection as well as the Edwin Coubray negatives.

Call No: held no.2-26 Mar. 1982-Feb. 1991
CorpAuthor: New Zealand Film Archive
Source: NZ
Place: Wellington, N.Z.
Publisher: The Archive
PubDate: 1981
PhysDes: v. ; 30 cm
Subject: New Zealand Film Archive Periodicals
LON: abn82021994; 2217765

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ZEALAND FILM COMMISSION

Call No: ANNUAL REPORT SHELVES; held 1997/98-2011; DIGITAL FILES; held 2007/08-2020/21
CorpAuthor: New Zealand Film Commission
Source: NZ
Place: Wellington, N.Z.
Publisher: Govt. Printer
PhysDes: v. ; 24 cm
Subject: NEW ZEALAND FILM COMMISSION
Notes: Issue for 30 June 1990 covers 15 months; Description based on: 31 Mar. 1983; title from cover
Order Notes: Current
Frequency: Annual
LON: 4325333

Call No: FESTIVAL CATALOGUE SHELVES held 2000-
Source: NZ
Place: Wellington, New Zealand
Publisher: New Zealand Film Festival Trust
PubDate: 2000-
Subject: FESTIVALS. NEW ZEALAND
Order Notes: Current

Call No: 71(931) NEW
Author: Conrich, Ian (ed); Murray, Stuart (ed)
Source: US
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: C2007
PhysDes: xiii, 374 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: MAORI CINEMA; NEW ZEALAND; LYE, LEN; O'SHEA, JOHN; PRESTON, GAYLENE; BARCLAY, BARRY; MITA, MERATA; WELLS, PETER; DONALDSON, ROGER; MURPHY, GEOFFREY; MUNE, IAN; LAWRENCE, BRUNO; LAING, JOHN; REID, JOHN; NARBEY, LEON; WARD, VINCENT; CAMPION, JANE; MACLEAN, ALISON; JACKSON, PETER (NZ); BLYTH, DAVID; BAD BLOOD (NZ, Mike Newell, 1981); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); BOUNTY, THE (UK/US, Roger Donaldson, 1984); BRAINDEAD (NZ, Peter Jackson, 1992); BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986); CADILLAC MAN (US, Roger Donaldson, 1990); DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence Bayler
Notes: Bibliography: p. 349-353; Includes index
ISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)

Call No: F023(931)"1967/8" NEW
CorpAuthor: New Zealand National Film Unit
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogue

Call No: FESTIVAL CATALOGUE SHELVES held 2000-2001, 2003, 2006
CorpAuthor: New Zealand Film Festival Trust
Source: NZ
Place: New Zealand
Publisher: The Festival
PubDate: 2000-2006
PhysDes: 4 v. : ill. ; 23-24 cm
Subject: FESTIVALS. NEW ZEALAND; WORLD CINEMA; EUROPEAN CINEMA; NEW ZEALAND IN FILMS
Notes: The New Zealand International Film Festivals is a compilation of feature length films, documentaries, animated and short films that have previously toured the country under a different festival title. The festival program contains numerous black and white and colour stills, as well as film synopses of each film screened. Also includes an index. NB. Prior to 2003, the festival was titled: The New Zealand Film Festival.

Author: Wansbone, Ernie
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Pieces of film news from New Zealand

Author: Wansbone, Ernie
Subject: NEW ZEALAND
Summary: Film news concerning New Zealand

Author: Wansbone, Ernie
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND
Summary: News items concerning New Zealand films

Author: Wansbone, Ernie
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand

Author: Wansbone, Ernie
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from across New Zealand

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Brief film related news from New Zealand

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Films news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); FRIDAY THE 13TH: THE FINAL CHAPTER (US, Joseph Zito, 1984); INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; ORION PICTURES
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; CINEMAS. NEW ZEALAND; ANNIE (US, John Huston, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Film news from New Zealand.

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; SAVAGE ISLANDS (NZ, Ferdinand Fairfax, 1983); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EVIL UNDER THE SUN (UK?, Guy Hamilton, 1982)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); PARADISE (CN, Stuart Gillard, 1982); MERRY CHRISTMAS MR. LAWRENCE (UK/JA, Nagisa Oshima, 1983)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; MERRY CHRISTMAS MR. LAWRENCE (UK/JA, Nagisa Oshima, 1983)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE; BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; COLUMBIA PICTURES; BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); O'NEAL, TATUM
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE; MUNE, IAN
Summary: various news items from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; ANNAKIN, KEN; CABLE TV; NEILL, SAM; DONALDSON, ROGER
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); TWENTIETH CENTURY-FOX; IN SPRING ONE PLANTS ALONE (NZ, Vincent Ward, 1982); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
Subject: NEW ZEALAND
Summary: Small news pieces on film and the film-world in New Zealand

Call No: F023931)"year" NEW
CorpAuthor: New Zealand Film Commission
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogues. Variously titled New Zealand's New Films (1981), New Zealand New Films (1982), New Films from New Zealand (1983/84) and New Zealand's 36 Feature Films (1985/86).

Author: Wakefield, Philip
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM COMMISSION
Summary: New Zealand will release a record number of films in 2000. This is partly due to New Zealand Film Commission initiatives, some of which have been controversial.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; POLYESTER (US, John Waters, 1981); RETURN OF THE JEDI (US, Richard Marquand, 1983)
Summary: Film news from New Zealand

PhysDes: Article
Subject: NEW ZEALAND FILM ARCHIVE; ARCHIVES & INSTITUTES, FILM
Summary: article on the success of the New Zealand Film Archive and its need for mroe space.

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; CINEMA MANAGEMENT
Summary: Article on Amalgamated Theatres' new owners looking to expand.

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: Snippet on Mad Max's ban in New Zealand mentioning fears that young people, particularly Maoris may copy the violence in the film

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: AAP
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: On why Mad Max was banned in New Zealand, with reference to its possible influence of violent behaviour of Maoris towards police

Subject: NEW ZEALAND; NEW ZEALAND FILM COMMISSION
Summary: Article on the New Zealand government giving more funding to the film industry, byt did not agree to tax benefits

Author: Wakefield, Phillip
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: The NZ Film Industry gets a boost of $22 million as part of a three-year $140 million arts recovery package.

Call No: SEE STAFF; held 1997/98-2010/11; DIGITAL FILES; held 1989/90-2020/21
CorpAuthor: New Zealand. Broadcasting Commission
Place: Wellington, N.Z.
Publisher: The Commission
PubDate: [1990
PhysDes: v. : ill., ports. ; 29-30 cm
Subject: INDUSTRY, FILM. NEW ZEALAND
Notes: Title from cover; At head of title: NZ on Air = Irirangi te Motu
ISSN: 1171-1922
LON: 8661461 8661461

Subject: NEW ZEALAND; NEW ZEALAND FILM ARCHIVE
Summary: Article on the finding of more fragments of New Zealand's first talking 'Down on the Farm', and reviews of the film

Call No: 81 BAR BAR
Author: Barclay, Barry
Edition: 2015
Place: Minneapolis, MN
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: xiv, 100 : illus. ; 21 cm
Subject: BARCLAY, BARRY; NGATI (NZ, Barry Barclay, 1987); MAORI CINEMA; NEW ZEALAND
Notes: Acclaimed Maori filmmaker Barry Barclay’s Our Own Image relates the experiences of making his documentaries and his critically acclaimed feature-length film Ngati (1987), widely credited as the first fiction feature by a member of an indigenous community. Barclay details his views on the process of filmmaking within his own Maori community and discusses how his work differed from popular cinema, advocating for indigenous control, participation, and perspectives in media. Our Own Image gives an in-depth depiction of the changes Barclay’s approach contributed to the field of documentaries, as well as displaying the respect for community Barclay brought to his filming technique. His insistence on letting people speak for themselves demonstrated authenticity to audiences, creating awareness of indigenous cinema in New Zealand and worldwide. -- publisher's blurb
ISBN: 9780816697618

Author: Joyce, Hester
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; MAORI IN FILMS; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; IMPERIALISM AND THE CINEMA; NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: This article explores the development of New Zealand cinema as one of unease, as reflective of the disintegration of the utopian dream inherent in the founding settler era. It examines three films from consecutive decades, Ngati (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002), and compares representations of Maori as illustrative of Pakeha (white settler) anxieties about Maori/Pakeha relations. It argues that while Ngati and Once Were Warriors contain elements of postcolonial critique, Whale Rider returns to a model of segregation, invoking spirituality of Maori as nostalgia for a lost utopian past. -- Abstract

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); NEW ZEALAND
Summary: Article on the success of 'A Passage to India' and the fundraiser for the RNZAF museum

Author: Leotta, Alfio
Source: US/UK
Place: New York : London
Publisher: Bloomsbury
PubDate: 2016
PhysDes: xi, 285 pages ; 23 cm
Series: The Bloomsbury companions to contemporary filmmakers
Subject: NEW ZEALAND; JACKSON, PETER (NZ)
Summary: " Peter Jackson is one of the most acclaimed and influential contemporary film-makers. This is the first book to combine the examination of Jackson's career with an in-depth critical analysis of his films, thus providing readers with the most comprehensive study of the New Zealand film-maker's body of work. The first section of the book concentrates on Jackson's biography, surveying the evolution of his career from the director of cult slapstick movies such as "Meet the Feebles" (1989) and "Braindead" (1992) to an entrepreneur responsible for the foundation of companies such as Wingnut Films and Weta Workshop, and finally to producer and director of mega blockbuster projects such as "The Lord of the Rings" (2001-2003) and "The Hobbit" (2012-2013). The book further examines Jackson's work at the level of production, reception and textuality, along with key collaborative relationships and significant themes associated with Jackson's films. The examination of Peter Jackson's work and career ties into significant academic debates, including the relationship between national cinema and global Hollywood; the global dispersal of film production; the relationship between film authorship and industrial modes of production; the impact of the creative industries on the construction of national identity; and new developments in film technology." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781623566531
Donation: Senses of
Contents: Introduction / Biography / Context -- Key Collaborative Relationships -- Critical Essay 1: Peter Jackson and Film Landscape -- Critical Essay 2: Peter Jackson and Global Dispersal of Film Production -- A - Z Films / Themes / Key Concepts -- Conclusion.

Call No: 79PIA JON
Author: Jones, Gail
CorpAuthor: Australian Film Commission: National Film and Sound Archive
Source: Australia
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2007
PhysDes: viii, 85 p. : ill. ; 20cm
Series: Australian Screen Classics
Subject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; REGIONAL CINEMA. AUSTRALIA; REGIONAL CINEMA. NEW ZEALAND; IMPERIALISM AND THE CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. NEW ZEALAND; NEW ZEALAND IN FILMS; PEOPLE WITH DISABILITIES IN FILMS; SPEECH; ROMANCE IN FILMS; LOVE IN FILMS; SEA IN FILMS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; RACE AND THE CINEMA. NEW ZEALAND; MOTHERS IN FILMS; CHILDREN IN FILMS; MUSIC IN FILMS; SILENCE IN FILMS; EROTICISM IN FILMS; VIOLENCE IN FILMS; JANE CAMPION; PIANO, THE (AT, Jane Campion, 1993)
Summary: "When 'The Piano' opened in 1993 it was hailed by many as a modern masterpiece. Written and directed by Jane Campion, it won the Palme d'Or at Cannes, making her the first woman ever to win this prestigious award. It went on to win Academy Awards for Best Original Screenplay (Campion), Best Actress (Holly Hunter) and Best Supporting Actress (Anna Paquin). "In this thoughtful and perceptive critique, Gail Jones assesses the film's unearthly and controversial visions, its poetic power and its capacity to entrance and to alienate."
Notes: Includes notes, bibliography, filmography, 'The Piano' credits and synopses of other books in the 'Australian Screen Classics' series.
ISBN: 9780868197999

Call No: 45:93HIS
Author: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)
Source: NZ
Place: Dunedin, NZ
Publisher: University of Otago - Department of Media, Film & Communication
PubDate: 2008
PhysDes: v, 223 p. ; 21 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; HOLLYWOOD MEMORY IN FILMS; MOTION PICTURES - EUROPEAN; MOTION PICTURES - HISTORY; NEW ZEALAND; ASHBY, HAL; SCHLESINGER, JOHN; HALL, CONRAD; COPPOLA, FRANCIS FORD; NICHOLS, MIKE; CIMINO, MICHAEL; ALTMAN, ROBERT; KUBRICK, STANLEY; HILL, WALTER; SPIELBERG, STEVEN; KAURISMAKI, AKI; MILLER, GEORGE; FRENCH CONNECTION, THE (US, William Friedkin, 1971); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); WITCHES OF EASTWICK, THE (US, George Miller, 1987); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); GRADUATE, THE (US, Mike Nichols, 1967); STREETS OF FIRE (US, Walter Hill, 1984); LONG GOODBYE, THE (US, Robert Altman, 1973); MCCABE AND MRS MILLER (US, Robert Altman, 1971); SHINING, THE (UK, Stanley Kubrick, 1980); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); KENNY (AT, Clayton Jacobson, 2006); SYLVIA (NZ, Michael Firth, 1985); RED ROAD (UK/DK, Andrea Arnold, 2006); THIS IS ENGLAND (UK, Shane Meadows, 2006); STALINGRAD (GG, Joseph Vilsmaier, 1992); BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001)
Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communities
Notes: "27-30 November 2008"- cover includes bibliographical reference and index
ISBN: 9780473138899; 9780473148867
Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker

Call No: 161(931) FHA
CorpAuthor: Film and History Association of Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)
Edition: 2009
Place: Dunedin, NZ
Publisher: Centre for Research on National Identity, University of Otago
PhysDes: vi,224 p. ; 21 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; AUSTRALIA; NEW ZEALAND
ISBN: 9780473148867
Contents: Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker

Call No: 451-054 (=1-81)(71):(93):(94) REV
Author: Pearson, Wendy Gay (ed.); Knabe, Susan (ed.)
Source: CN
Place: Waterloo, Ontario, Canada
Publisher: Wilfred Laurier University Press
PubDate: c2015
PhysDes: xi, 372 pages : illustrations ; 23 cm
Series: Film and media studies series; Film + media studies
Subject: CRITICISM; MEDIA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; INDIGENOUS; AUSTRALIA; NEW ZEALAND; NEW ZEALAND MAORI CINEMA; NORWAY; CANADA; DIGITAL TECHNOLOGY; ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS AND TV; ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS ON TV; ETHNIC GROUPS IN FILMS
Summary: "From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity. The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. " --BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9781554583355
Contents: -- pt. I dream makers -- Introduction Globalizing Indigenous Film and Media / Susan Knabe -- One: He Who Dreams: Reflections on an Indigenous Life in Film / Michael Greyeyes -- pt. II decolonizing histories -- Two: Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices / Ernie Blackmore -- Three:Taking Pictures B(l)ack: The Work of Tracey Moffatt / Susan Knabe -- Four.The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema / Kerstin Knopf -- Five: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk / Colleen McGloin -- Six."Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes / Wendy Gay Pearson -- pt. III mediating practices -- Seven: Ka Whawhai Tonu Matou: Indigenous Television in Aotearoa/New Zealand / jo smith and Sue Abel -- Eight: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser / Jenny Fraser and Adam Szymanski -- Nine: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South / Erin Morton and Taryn Sirove -- pt. IV documentary approaches -- Ten: The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary / Stephen Foster and Mike Evans -- Eleven: "Whacking the Indigenous Funny Bone": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew / Ute Lischke -- Twelve: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro / Maeghan Pirie -- Thirteen:"I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History / Gail Vanstone -- pt. V other perspectives --Fourteen: Filming Indigeneity as Flanerie: Dialectic and Subtext in Terrance Odette's Heater / Tanis MacDonald -- Fifteen: Playing with Land Issues: Subversive Hybridity in The Price of Milk / Davinia Thornley -- glossary -- bibliography -- index --

PhysDes: Article
Subject: FIRST BLOOD (US, Ted Kotcheff, 1982); EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND
Summary: Article and photographs of Roadshow and New Zealand exhibitors discussing future Roadshow films in New Zealand.

Call No: 302(94) ALL
Author: Allen, Julie K.
Edition: 2022
Place: Exeter
Publisher: University of Exeter Press
PhysDes: xx, 476 pages : illustrated ; 25 cm
Series: Exeter studies in film history
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. NEW ZEALAND; EXHIBITION. NEW ZEALAND; PATHE; ITALIAN CINEMA; SCANDINAVIAN COUNTRIES; GERMANY; UFA
Summary: Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life. Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions. This book’s treatment of the extensive circulation of European silent features and stars in Australasia reveals the vibrant transnationalism of silent film before the rise of Hollywood, and frames the emergence of art house cinema in the 1920s. -- publisher's web site
ISBN: 9781905816873
Contents: List of Figures -- Acknowledgments -- Part I: Film Distribution and Exhibition in Australasia before World War I -- 1. "A Window of the World": Distribution and Exhibition of Early Film in Settler-Colonial Australasia -- 2. The Anglo-American Fathers of the Australian Combine: Cosens Spencer, T. J. West, and J. D. Williams -- 3. Trans-Tasman Cinema Traffic: Film Distribution and Exhibition in New Zealand Through World War I -- Part II: European Films on Australasian Screens Through 1917 -- 4. "THEIR WORK STANDS SUPREME": Pathé Frères, Sarah Bernhardt, and French Art Films -- 5. "The most important event in the annals of the biograph in Australia": The Triumph of Italian Historical Epics -- 6. "Like the hallmark on silver": The Unquestioned Quality of Nordic Films -- 7. The Female Faces of German Film Abroad: Asta Nielsen, Henny Porten, and Madame Saharet -- 8. "We Fear No Combine": Clement Mason's European Film Imports in 1913 -- Part III: Competing with Hollywood on Quality -- 9. "Films as Foreign Offices:" Mason Super Films' Promotion of Swedish and Italian Art Film in Australasia, 1919-25 -- 10. The Rise of UFA, Cinema Art Films, and Anglo-German Solidarity against Hollywood -- Works Cited -- Appendix: Film List.

Call No: 45:93 HIS
Source: AT
Place: Canberra
Publisher: National Film and Sound Archive
PubDate: 2004
PhysDes: 283 p. : ill. ; 30 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; AUSTRALIA; NEW ZEALAND
ISBN: 064236513X
Contents: 'Wot's in a name?' and how did we get here from there? / Ina Bertrand -- Telling the 'truth' and telling stories / Sue Maslin -- Offshore television: McCloud on the Sydney Harbour Bridge / Albert Moran -- Tracking David Gulpilil on screen: changing representations of indigenous identity / Jane Steinhaeuser -- Kitchen debates that break the silence: Aboriginalism and Aboriginality in cinematic discourse / Bruce Dennett -- A notional or a national cinema?: thinking (nothing) of the Australian sheep films -- Sunday too far away revisited / Vincent O'Donnell -- The work of Ayten Kuyululu in seventies Australia / Sue Hardisty -- Braided channels: reflections on a documentary filmmaker curating a social history exhibition in an era of representational contention / Trish FitzSimons -- The "global popular" and "quality" culture: LOTR and Pavement / Hilary Radner -- Nationalism as discourse: Snakeskin, Rain, and Whale rider as response / Harriet Margolis -- Constructing the Anzac image: a study of Australia's first three Gallipoli movies 1915-16 / Daniel Reynaud -- Early shots in Broken Hill: cinema and the Great War in Australia / Jeff Brownrigg -- The embodiment of a masculinist ideal: Snowy Baker and modern physical culture in Australia before World War I / Bronwyn Dowdall -- Melodramas of affliction: portraits of madness on screen / Fincina Hopgood -- The fall of a nation: Thomas Dixon's 'Mighty message of warning' / Jeanette Delamoir -- Projecting consent: the operations of Hollywood's peacetime propaganda films of World War II / Roger Westcombe -- From crystals to pixels: new technology in the documentary work of John Hughes / John Cumming -- The good, the bad and the ugly: endings of holocaust film narratives / Giacomo Lichtner -- Playing the changes: Australian film music, cultural identity and research methods / Pt 1 Bruce Johnson ; Pt 2 Gaye Poole -- Bazza's bawdy ballads ... and other aspects of the Barry McKenzie film musics / Rebecca Coyle and Michael Hannan -- Newsfront - a study of the impact of the experimental film movement on mainstream Australian cinema / Fiona Hooton -- The man they couldn't hang / Bob Pymm.

Author: Debrett, Mary
PhysDes: Book review; Bibliography; Illustration(s)
Subject: TELEVISION. NEW ZEALAND; NEWS PROGRAMMES. NZ
Summary: A review of 'Shaping the news', by Sue Abel.

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. TROPFEST
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. NEW ZEALAND; FESTIVALS. AUSTRALIA. TROPFEST; TROPFEST
Summary: The 2017 New Zealand iteration of TROPFEST has been cancelled due to economic reasons and this short article describes why
Notes: similar article in The Age. p. 24 same date. Title: Tropfest NZ canned for lack of loot

PhysDes: Article
Subject: VIDEO CLASSICS; VIDEO, FILMS ON; INDUSTRY, FILM. NEW ZEALAND; DISTRIBUTION
Summary: Article on vieo dealers meeting in New Zealand, as well as future plans for Video Classics.

Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND
Summary: Two short news pieces on 'The Coolangatta Gold' and 'Came A Hot Friday'

Call No: 45:93 HIS
CorpAuthor: RMIT; Monash University
Source: AT
Place: [Melbourne]
PubDate: [2006]
PhysDes: 147p. ; 21 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND; HISTORY OF TV; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; CONFERENCES. AUSTRALIA. FILM AND HISTORY; CONFERENCES. AUSTRALIA. FILM AND HISTORY; CONFERENCES. AUSTRALIA. HISTORY AND FILM
Summary: "The Film and History Conference is held every two years and is an opportunity for international film scholars, archivists, and filmmakers to present their thoughts on recent debates and events in the fields of: film history, national and transnational cinemas, film theory, film practice and the importance of cinema to specific communities...the XIIIth Biennial Conference of the Australian and New Zealand Film and History Association will adopt four main themes: Historical Film Theory and Criticism, Film, Memory and Allusion, The Social Experience of Cinema-going, The Junction of Television and Film" -- INTRODUCTION
Notes: This is copy 2, there is another copy listed on the system (different DB Textworks entry), but it cannot presently be located; Notes on conference: XIII Conference of the Film and History Association of Australia and New Zealand

Author: Cameron, Allan
PhysDes: Article
Subject: NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND; HORROR FILMS. NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; FANTASTIC FILMS; LOCALS, THE (NZ, Greg Page, 2003); BLACK SHEEP (NZ, Jonathan King, 2006); FERRYMAN, THE (NZ/UK, Chris Graham, 2007); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006)
Summary: Article arguing the connectedness between otherness of horror with the otherness of cultural identities within New Zealand horror film.
Notes: Recent years have seen a conspicuous resurgence of the horror genre in New Zealand cinema. What sets recent New Zealand horror films apart from their local antecedents, however, is their self-conscious reframing of local identity against an international backdrop. Contemporary Kiwi horrors such as The Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend horror’s characteristic focus on questions of otherness to the otherness of local and global cultural identities. In this way, they subject New Zealand cinema’s Gothic tradition to a type of remapping, in which the Gothic is ironized, hybridized or displaced. In a number of these films (several of which are international co-productions) the Gothic even comes untethered from the local landscape and moves across national frontiers. By reworking the tropes of New Zealand horror, these films take up the challenge of re-articulating New Zealand identities for the early twenty-first century, producing a palimpsestic vision of nationhood determined not by essences but by codes.--Abstract

Call No: 409.1 (931) SIG
Author: Sigley, Simon
Place: Bristol, UK ; Chicago
Publisher: Intellect Limited
PubDate: 2012
PhysDes: 208 p. ; 23 cm
Subject: NEW ZEALAND; NEW ZEALAND. 1895-1930; FILM CULTURE
Summary: Simon Sigley tells the story of film culture in New Zealand from the establishment of the Auckland Film Society in the 1920s to the present day. Rather than focusing on the work of individual filmmakers, Sigley approaches cinema as a form of social practice. He examines the reception of international film theories and discourses and shows how these ideas helped to shape distinct cultural practices, including new forms of reviewing; new methods of teaching; and new institutions such as film societies, art house cinemas, and film festivals. He goes on to trace the emergence in New Zealand of the full range of activities and institutions associated with a sophisticated film culture—including independent distribution and exhibition networks, film archives, university courses, a local feature film industry, and liberalized film censorship. In doing so, Sigley makes a significant contribution to our understanding of the myriad ways film can shape our thinking, our icons, our institutions, and our conversations. A fascinating case history of how a culture can develop, Transnational Film Culture in New Zealand will be a welcome addition to the bookshelves of anyone interested in film culture and cultural history.
Notes: Includes bibliographical references and index.
ISBN: 9781841506609
Contents: Chapter one: In defence of films as art -- The overseas context -- film availability in New Zealand -- The Aukland Film Society (1929) -- The Aukland Star film reviews --; Chapter two: Second thoughts about art -- The Wellington Film Society (1933) -- The road to ruin -- A parliamentary inquiry -- turning left -- The Federation of Film Societies -- The Film Institutes (1934-39) --; Chapter three: Thesis and antithesis - Tomorrow on film -- Early film criticism -- Defending the cinema -- The importance of documentaries -- The cinema and education -- Other contributions --; Chapter four: Public policy and private enterprise -- Institutions and agents -- The National Film Library -- Independent Film distribution -- Film criticism goes national --; Chapter five: Building the cultural infrastructure -- The revival -- Developing discursive practices -- Collaboration with business -- The perils of passivity -- Chapter six: Happy together: education, networks, festivals -- Magazines and film classes -- The winter film school -- Commerce and co-operation -- At the Art-house --; Chapter seven: 'Nouvelle Vague: film culture meets counterculture' -- The Aukland International Film Festival (1969) -- Youth culture and film censorship: 1930s redux -- Some conclusions --; Chapter eight: Between spectacle and memory -- Film mestival expansion -- Programming the nation - festival professionalisation -- Creating a memory site -- Born in poverty -- The last film search (1993-2000) -- Roadmap for the future --; Conclusion

Author: Wakefield, Philip
PhysDes: Article
Subject: INDUSTRY, TV. NEW ZEALAND
Summary: New Zealand's government-owned broadcaster, TVNZ, is under fire from the government.

Subject: CANNES FILM FESTIVAL; INDUSTRY, FILM. NEW ZEALAND
Summary: Report on the New Zealand films that screened at Cannes

Call No: 71(94) TWI
Place: Melbourne
Publisher: Damned Publishing
PubDate: 1999
PhysDes: 558 p.
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL IDENTITY IN FILMS. NEW ZEALAND; NATIONAL IDENTITY IN FILMS. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; AUSTRALIA. 1970's; WARD, VINCENT; HALL, KEN G.; DARK CITY (US, Alex Proyas, 1997); BABE: PIG IN THE CITY (AT, George Miller, 1998); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FLOATING LIFE (AT, Clara Law, 1996); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); ON THE BEACH (US, Stanley Kramer, 1959); YATGO HO YAN (HK, Samo Hung, 1997); RADIANCE (AT, Rachel Perkins, 1998); VACANT POSSESSION (AT, Margot Nash, 1995)
ISBN: 1876310006
LON: 20154200
ID2: 29

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; BOX OFFICE. AUSTRALIA; DISTRIBUTION. AUSTRALIA; AUSTRALIAN FILM COMMISSION; GREATER UNION; BERESFORD, BRUCE; GOVERNMENT AID. AUSTRALIA
Summary: Collection of articles focusing on Australia and New Zealand. Numerous items- including articles and lists- on films screening at the upcoming Cannes film festival, current distribution of films within Australia and New Zealand, and various industry news. Also mentions Australian films screening within America, a production update for current Australian films in production, and features various film advertisments.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); ADVERTISING FOR FILMS. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; DISTRIBUTION. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Variety of articles on Australian and New Zealand films and film production. Various articles mention strength of Australian films in box office, the prescence of American films in Australian box office, changes to division 10BA, the Australia/New Zealand coproduction The Navigator. Contains a number of advertisements as well as references to upcoming Cannes Film Festival.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; VILLAGE ROADSHOW; NEW SOUTH WALES FILM CORPORATION; CANNES FILM FESTIVAL; GOVERNMENT AID. AUSTRALIA
Summary: Article on subsidising the Australian film industry. Article on current trends in Australian film production, focusing on the emergence of domestically targeted films and films with international appeal. Article on the NSWFC's upcoming production and distribution plans, particularly at Cannes. Mention of Wellington Film Festival. Mention of Roadshow at Cannes.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; BOX OFFICE. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; ECONOMICS AND THE CINEMA. AUSTRALIA; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987)
Summary: Various articles focusing on Australia and New Zealand film industries, with particular focus on the 1987 economic crash and the subsequent industry fall-out and recovery. Articles cover marketing, investing in films, current productions, and box office. Includes images of Australian advertisment.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; ADVERTISING FILMS; THIRST (AT, Rod Hardy, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); JOURNALIST, THE (AT, Micheal Thornhill, 1979); GOVERNMENT AID. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Collection of articles featuring information on Australian and New Zealand films and film industries. Includes articles on Australian Government industry support, and Australian films at Cannes. Includes list of current New Zealand films, list of Australian films in production, and advertisements for THIRST, PATRICK and SNAPSHOT.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; CENSORSHIP. NEW ZEALAND; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. NEW ZEALAND; AUSTRALIAN FILM AND TELEVISION SCHOOL; UTU (NZ, Geoffrey Murphy, 1983); COPRODUCTION. AUSTRALIA
Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY. New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship. Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; BOX OFFICE. AUSTRALIA; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA
Summary: Various articles on Australian and New Zealand film industries. Austrlian articles focus on current box office films and takings, changes to do with distribution and acquisitions companies, films in production, Australian organisations at MIFED, and the expansion of Premier Film Marketing. New Zealand article focuses on films screening at MIFED. Advertising posters for EVIL ANGEL, HOWLING III: THE MARSUPIALS, DOGS IN SPACE, STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, A SOLDIER'S TALE, THE RIGHT HAND MAN, BELINDA, AS TIME GOES BY, NGATI

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. SYDNEY; BOX OFFICE. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; UNDERCOVER (AT, David Stevens, 1983); CONSTANCE (NZ, Bruce Morrison, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); AMONG THE CINDERS (NZ, Rolf Haedrich, 1984); VIGIL (NZ, Vincent Ward, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); FAST TALKING (AT, Ken Cameron, 1984); FANTASY MAN (AT, John Meagher, 1984); RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes. New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films. Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; DIRECTORS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; BOX OFFICE. AUSTRALIA; WINDRIDER (AT, Vincent Monton, 1986); GALLAGHER'S TRAVELS [TV] (AT, Michael Caulfield, 1986); AROUND THE WORLD IN 80 WAYS (AT, Stephen Maclean, 1986); QUEEN CITY ROCKERS (NZ, Bruce Morrison, 1987)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian directors currently active, Australian films in production, expected effects of changes in exchange rates and local distribution on purchasing at MIFED, Australian box office takings, and Australian organisations at MIFED. New Zealand article focuses on films to be screened at MIFED. Advertising posters for WINDRIDER, GALLAGHER'S TRAVELS, AROUND THE WORLD IN EIGHTY WAYS, and QUEEN CITY ROCKER.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; DISTRIBUTION. AUSTRALIA; BOX OFFICE. AUSTRALIA; JENNY KISSED ME (AT, Brian Trenchard-Smith, 1985)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian distributors' plans for MIFED, Australian films debuting at MIFED, Australian films currently in production, and Australian box office takings. New Zealand article focuses on New Zealand films screening at MIFED. Advertising poster for JENNY KISSED ME.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; AUSTRALIAN FILM AND TELEVISION SCHOOL; BOX OFFICE. AUSTRALIA; CANNES FILM FESTIVAL; LABORATORIES. AUSTRALIA; COPYRIGHT. AUSTRALIA; PIRACY. AUSTRALIA; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); HEATWAVE (AT, Phillip Noyce, 1981); COPRODUCTION; CARRY ME BACK (NZ, John Reid, 1982); SCARECROW, THE (NZ, Sam Pillsbury, 1982); FREEDOM (AT, Scott Hicks, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production. New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes. Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; FINANCING. AUSTRALIA; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982); BAD BLOOD (NZ, Mike Newell, 1981); SMASH PALACE (NZ, Roger Donaldson, 1981); SCARECROW, THE (NZ, Sam Pillsbury, 1982); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); FATTY FINN (AT, Maurice Murphy, 1980); HOODWINK (AT, Claude Whatham, 1981)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on the formation of new film funding companies, and the films A BURNING MAN and THE BEST OF FRIENDS currently in production. New Zealand articles focus on the New Zealand Film Unit, recently completed films BAD BLOOD, SMASH PALACE, and THE SCARECROW, and New Zealand films released since Cannes 1980. Advertising posters for BEYOND REASONABLE DOUBT, THE SCARECROW, GOODBYE PORK PIE, FATTY FINN, THE SEVENTH MATCH, HOODWINK, and A BURNING MAN.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; GOVERNMENT AID; CANNES FILM FESTIVAL; ADVERTISING FOR FILMS; SURFER, THE (AT, Frank Shields, 1987); GINNANE, TONY; DISTRIBUTION. AUSTRALIA
Summary: Various articles on Australian and New Zealand film industries. Austrlian articles focus on new releases and Antony Ginnane at Cannes, current films in production, and new film THE SURFER. New Zealand articles look at New Zealand's selections for Cannes, and government investment in the film industry. Includes various film poster advertisments for STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, MAURI, A SOLDIER'S TALE, NGATI, and RIKKY & PETE.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; YORAM GROSS FILM STUDIOS; GOVERNMENT AID. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA
Summary: Various articles on current Australian film industry, many of which focus on the reduction of films being financed, marketed, and purchased within the lead-up to the 1984 MIFED convention. Also mentions New Zealand film DEATH WARMED UP. Advertisement for Yoram Gross Productions.

Call No: REFERENCE SECTION; 058 INT "1991"
Author: Cowie, Peter
Place: London Hollywood
Publisher: Andre Deutsch Samuel French
PubDate: c1990
PhysDes: 504 p. : ill. (some col.), ports. ; 21 cm
Subject: NEW ZEALAND; FESTIVALS. TORONTO; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991)
ISBN: 0233986138
LON: 8734550

PhysDes: Article
Subject: VIDEO CLASSICS; INDUSTRY, FILM. NEW ZEALAND
Summary: Video Power, the New Zealand distribuot for Video Classics, is officially two years old

Call No: 410.81 WAT
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: UK
Place: Bristol, UK ; Chicago
Publisher: Intellect
PubDate: 2013
PhysDes: 418 p. ; 23 cm
Subject: THEORY; CINEMAS; CINEMAS. UK; NEWSREELS; AUDIENCE RECEPTION; AUDIENCES; AUDIENCES THEORY; AUDIENCE RESEARCH; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RESEARCH. UK; AUDIENCE RESEARCH. USA; AUDIENCE RECEPTION. NEW ZEALAND; AUDIENCE RECEPTION. AUSTRALIA; ITALY; NETHERLANDS; INDIA; BELGIUM; PORNOGRAPHY; INDEPENDENT FILMS
Summary: With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and effects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights into the ways in which new viewing arrangements and technologies influence how films are watched around the world.
Notes: Includes bibliographical references and index.
ISBN: 9781841505114
Contents: Foreword : Richard Maltby -- Introduction : New perspectives on movie-going, exhibition and reception --; Part one: Theoretical perspectives -- Chapter one: Cinema, modernity and audiences: Revisiting and expanding the debate: Daniel Biltereyst -- Chapter two: What is a cinema? Death, closure and the database: Deb Verhoeven -- Chapter three: A poetics of film-audience reception? Barbara Deming goes to the movies: Albert Moran -- Chapter four: The porous boundaries of newsreel memory research: Louise Anderson -- Chapter five: Why are children the most important audience for pornography in Australia?: Alan McKee --; Part two: The film industry - systems and practices -- Chapter six: Local promotion of a 'Picture Personality': a case study of the vitagraph girl: Kathryn Fuller-Seeley -- Chapter seven: 'Calamity howling': the advent of television and Australian cinema exhibition: Mike Walsh -- Chapter eight: A nation of film-goers: audiences, exhibition and distribution in New Zealand: Geoff Lealand -- Chapter nine: The critical reception of 'Certified Copy': original art or copy of a rom-com?: Eylem Akatav; Part three: Moview theatres - from Picture Palace to the Multiplex -- Chapter ten: Movie-going in the Shenandoah Valley of Virginia: A case study of place, transportation, audiences, racism, censorship and Sunday showings: Douglas Gomery -- Chapter eleven: From Mom-and-Pop to Paramount Publix: selling the community on the benefits of national theatre chains: Jeffrey Klenotic -- Chapter twelve: A progressive city and its cinemas: technology, modernity and the spectacle of abundance: Mark Jancovich and Lucy Faire with Sarah Stubbings -- Chapter thirteen: 'They don't need me in heaven...there are no cinemas there, ye know': cinema culture in Antwerp (Belgium) and the Empire of Georges Heylen, 1945-75: Kathleen Lotze and Philippe Meers -- Chapter fourteen: from out-of-town to the edge and back to the centre: multiplexes in Britain from the 1990s: Stuart Hanson --; Part four: on the margins -- Chapter fifteen: The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland): Ian Goode -- Chapter sixteen: 'A Popcorn-free zone': distinctions in independent film exhibition in Wellington, New Zealand: Ian Huffer -- Chapter seventeen: getting to see women's cinema: Julia Knight -- Chapter eighteen: Shifting fandoms of film, community and family: Tom Phillips --; Part five: Just watching movies? -- Chapter nineteen: watching popular films in the Netherlands, 1934-36: Clara Pafort-Overduin -- Chapter twenty: Contemporary Italian film-goers and their critics: Alan O'Leary and Catherine O'Rawe -- Chapter twenty one: Imagining a 'decent crowd' at the Indian multiplex: Adrian Mabbott Athique -- Chapter twenty two: The VHS generation and their movie experiences: Janna Jones --

Call No: FESTIVAL CATALOGUE SHELVES; held 1983, 1992-1995, 1997-1998
CorpAuthor: New Zealand Federation of Film Societies; Wellington Film Society
Source: NZ
Place: Wellington [N.Z.]
Publisher: Wellington Film Society
PubDate: 1983-1998
PhysDes: 6 v. : ill. ; 21-23 cm
Subject: FESTIVALS. WELLINGTON; FESTIVALS. NEW ZEALAND; WORLD CINEMA; EUROPEAN CINEMA; NEW ZEALAND IN FILMS
Notes: The Wellington Film Festival includes a selection of feature length films, short films, documentaries and animated films, as well as director retrospectives. The catalogues also include numerous black and white and colour stills and film synopses relating to each film that is screened. The 1994 festival catalogue also includes a separate pamphlet.
Frequency: Annual
LON: 13339652

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. NEW ZEALAND
Author: Geenty, Kate
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: An article about the decline of New Zealand film industry and production revenue.

Author: Lealand, Geoff; Smith, Paul
PhysDes: Article; Illustration(s)
Subject: MEDIA STUDIES. NEW ZEALAND
Summary: The authors discuss various resources available to media techers in New Zealand.