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The 1993 to 1994 Australian and New Zealand catalogue of New Films and Videos Australian Catalogue Publishing,
Call No: 029(94 / 931)CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film CommissionSource: ATPublisher: Australian Catalogue PublishingPhysDes: 470 p. ; 30 cmSubject: AUSTRALIA ; NEW ZEALAND ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- IntroductionNotes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film CorporationISSN: 1035-8005Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --
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ACTORS. NEW ZEALAND
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ALL OR NOTHING: NEW ZEALAND ALL BLACK [TV] : (NZ, 2018-)
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journal article
Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Aotearoa and the sentimental strine : making films in Australia & New Zealand in the silent period / special consultant & editor of the catalogue, Jonathan Dennis ; film selection by Paora Cherchi Usai & Jonathan Dennis Wellington, N.Z.: Moa Films, 1993.
Call No: 70"01" (9) AOTAuthor: Dennis, Jonathan ; Usai, Paora Cherchi ; Baylis, Ann ; Harris, Witarina CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy)Place: Wellington, N.Z.Publisher: Moa FilmsPubDate: 1993PhysDes: 44 p. : ill., ports ; 26 cmSubject: AUSTRALIA. 1895-1930 ; NEW ZEALAND. 1895-1930 ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and indexISBN: 0473021730 (pbk.) : $15.00LON: zbn93104287; 10665575
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Attitudes towards good taste and decency in broadcasting among Ma¯ori Broadcasting Standards Authority, c2001.
Call No: 414(93) ATTSource: NZPublisher: Broadcasting Standards AuthorityPubDate: c2001PhysDes: 22 p. : ill. ; 30 cmSubject: AUDIENCE RECEPTION. NEW ZEALAND Notes: In English, with foreword in Ma¯ori, and executive summary in English and Ma¯oriLanguage: Maori -- English
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Australia and New Zealand catalogue of new films and videos Albert Park, Victoria: Australian Catalogue Publishing,
Call No: 027(93) AUSPlace: Albert Park, VictoriaPublisher: Australian Catalogue PublishingPhysDes: v. ill. ; 30cmSubject: DISTRIBUTION. AUSTRALIA ; DISTRIBUTION. NEW ZEALAND ; DOCUMENTARIES Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- IntroductionNotes: Held: 1993 to 1994; 1991 to 1992; 1990 to 1991; 1989 to 1990;ISSN: 1035-5302Contents: Forward and introduction -- Category headings -- Distributor's codes and addresses -- Section 1: Feature films -- Section 2: Educational and special interest programmes -- Title index -- Directors' index
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Interim
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Broadcast in colour : cultural diversity and television programming in four countries / by Harvey May Brisbane, Queensland: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2002.
Call No: 205.1 MAYAuthor: May, Harvey Source: ATPlace: Sydney; Brisbane, QueenslandPublisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media PolicyPubDate: 2002PhysDes: 72 pages : 30cm.Series: Screen Industry, Culture and Policy Research SeriesSubject: CULTURE AND THE CINEMA ; PROGRAMME POLICY ; TELEVISION. AUSTRALIA ; TELEVISION. UK ; TELEVISION. NEW ZEALAND ; TELEVISION. USA ; ETHNIC GROUPS ON TV. AUSTRALIA ; AUSTRALIAN ABORIGINALS ON TV Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summaryNotes: Includes appendix of acronymsISBN: 0958015244Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series
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Canvas Documentaries : panoramic entertainments in nineteenth-century Australia and New Zealand / by Mimi Colligan Carlton South, Vic.: Melbourne University Press, 2002.
Call No: 761(931/94)(097.1) COLAuthor: Colligan, Mimi Source: ATPlace: Carlton South, Vic.Publisher: Melbourne University PressPubDate: 2002PhysDes: xvi, 250 p. : ill. (some col.), ports, plans ; 22 cm x 28 cmSubject: ART AND THE CINEMA ; DOCUMENTARIES ; PRE-CINEMA HISTORY ; AUSTRALIA ; NEW ZEALAND ; ENTERTAINMENT. AUSTRALIA Summary: "Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. These spectacular representations of scenery, current events or recent battles abroad were indeed documentaries on canvas-the first travelogues. The phenomenon of complex circular panoramas and dioramas took root in Australia and New Zealand in the 1850s. They drew enthusiastic crowds, brought good work for local artists, and propogated the glories of empire in all the capital cities they toured. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era. " -- BOOK JACKETNotes: Includes bibiographical references and index; Bibliography: p 236-240ISBN: 0522850197Contents: -- acknowledgments -- picture show terminology -- preface -- introduction -- 1. Grand Tours for a Shilling: The English background -- 2. Moving Panoramas: Presenting the world and local exploits -- 3. Panorama Business: Far-off battles and armchair travel -- 4. Across the Stage: Moving panoramas in Australian theatre -- 5. Vesuvius in Melbourne: Outdoor modelled panoramas and fireworks -- 6. Pompeii in Australia: Pain's pyrotechnics and modelled panoramas -- 7. At the Battles: Cycloramas in Australia -- 8. Exhibiting Old Melbourne: The cyclorama of early Melbourne -- 9. Around the Country: The intercolonial cyclorama circuit -- 10. On the Move: The decline of panoramic picture shows -- list of illustrations -- notes -- select bibliography -- index --
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Interim
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Catalogue of New Zealand films : 1962 edition
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journal article
CBS Prods. in distribution deal with Hoyts in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.17
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997.
Call No: 71(931) CHUAuthor: Churchman, Geoffrey B. Source: NZPlace: WellingtonPublisher: IPL Publishing ServicesPubDate: 1997PhysDes: 144 p. ; col. and b+w ill. : 29 cmSubject: INDUSTRY, FILM. NEW ZEALAND ; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.Notes: Includes select bibliographyISBN: 09088776963Language: English
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CENSORSHIP. NEW ZEALAND
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journal article
Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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COAST NEW ZEALAND [TV] : (NZ, 2015)
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coast new zealand [tv] (nz, 2015)
Coasting to NZ on Oliver's 'magic carpet' : TV presenter Neil Oliver explores fresh territory with the first season of Coast New Zealand in Canberra Times [TV Guide] (9/5/2016) p.7
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: HOLLYWOOD ; INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, PETER JACKSON, 2001) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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The data book : New Zealand's screen production directory Auckland: Mediaweb Ltd in association with Images & Sound and Onfilm magazine, 2012.
Call No: 058.7(931)DATEdition: 2012Place: AucklandPublisher: Mediaweb Ltd in association with Images & Sound and Onfilm magazinePubDate: 2012PhysDes: 210 p. ; 30 cmSubject: NEW ZEALAND ; PRODUCTION ISBN: 047300627
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journal article
Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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Directory of world cinema : Australia & New Zealand 2 / edited by Ben Goldsmith, Mark David Ryan and Geoff Lealand Bristol, U.K. ; Chicago, USA: Intellect Books, 2015.
Call No: 71(94) WORAuthor: Goldsmith, Ben (ed.), Ryan, Mark David (ed.), Lealand, Geoff (ed.) Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: Intellect BooksPubDate: 2015PhysDes: 364 pages ; 24 cmSeries: Directory of world cinema ; 19Subject: WORLD CINEMA ; AUSTRALIA ; AUSTRALIAN ABORIGINAL CINEMA ; NEW ZEALAND ; MAORI CINEMA Summary: "Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries' cinema. Essays by leading critics and film scholars consider the significance of films of the outback and the beach, which is evoked as a liminal space in Long Weekend and a symbol of death in Heaven's Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong. Accompany the critical essays in this volume are more than 60 film reviews, complemented by full-colour film stills and significantly expanded references for further study. From The Piano to Red Dog, from Pictures to The Orator, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of two similar - but also different - and consistenly fascinating national cinemas." -- BOOK BLURBNotes: Includes recommended reading; Includes filmographyISBN: 9781841506340Contents: Introduction: Australia -- Film of the Year -- Red Dog -- Festival Focus -- Brisbane International Film Festival -- Australian Film Locations -- Marketing Mix -- Finding International Audiences -- Star Study -- Errol Flynn -- Directors -- Jane Campion -- Arthur and Corrine Cantrill -- Ken G Hall -- Brian Trenchard Smith -- Action and Adventure -- Australian Animated Feature Films -- Comedian Comedy -- Crime -- Australian Gothic -- Horror -- Road Movie -- Science Fiction -- Thriller -- War -- The Australian Western -- Introduction: New Zealand -- Crossing the Ditch -- Directors -- Women Directors of Feature Films in New Zealand -- Annie Goldson -- Gaylene Preston -- Director Studies -- Costa Botes -- Yvonne Mackay -- Merata Mita -- Barry Barclay -- Christine Jeffs -- Experimental and Documentary Film -- Theatrical Documentary in New Zealand 2012 -- Genres of New Zealand Experimental Film -- 'Principled Patriotism' -- Emerging Asian New Zealand Film-makers in New Zealand Cinema
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Directory of world cinema. Volume 3, Australia & New Zealand / edited by Ben Goldsmith and Geoff Lealand Bristol, UK: Intellect, 2010. Available at ProQuest (RMIT login required)
Call No: 71(93) DIRAuthor: Goldsmith, Ben (ed.) ; Lealand, Geoff (ed.) Place: Bristol, UKPublisher: IntellectPubDate: 2010PhysDes: 339 p. : ill. ; 30 cmSeries: Directory of world cinema ; v. 3Subject: AUSTRALIA ; NEW ZEALAND ; WORLD CINEMA ; HOLMES, CECIL ; Powell, Michael ; WEIR, PETER ; LUHRMANN, BAZ ; HORROCKS, SHIRLEY ; KOTHARI, SHUICHI ; WARD, VINCENT ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; PIANO, THE (AT, Jane Campion, 1993) ; WOLF CREEK (AT, Greg McLean, 2005) Summary: "This edition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, thier film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.Notes: Includes bibliographical referencesISBN: 9781841503684Contents: -- acknowledgments -- Introduction : Australian cinema -- Directors -- Cecil Holmes (1921-1994) -- Michael Powell (1905-1990) -- Peter Weir (1944-) -- Baz Luhrmann (1962-) -- Disability in the Australian cinema -- Short films -- Bushranger -- War cinema -- Crime -- Prison -- Period -- Comedy -- Coming of age -- Horror -- Road movies -- Science fiction and fantasy -- Ozploitation -- New Zealand: Introduction : New Zealand film in 2009: Geoff Lealand -- Experimental film: Martin Rumsby -- Directors -- Shirley Horrocks -- Shuichi Kothari -- Vincent Ward -- Genre and themes -- recommended reading -- Australia & New Zealand cinema online -- notes on contributors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=584346'
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DISTRIBUTION. NEW ZEALAND
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982.
Call No: 761(94) DOCCopy Management: Copy 1; Copy 2Author: Beilby, Peter ; Lansell, Ross CorpAuthor: Film VictoriaPlace: North MelbournePublisher: Cinema Papers in association with Film VictoriaPubDate: c1982PhysDes: 205 p. : ill., ports. ; 27 cmSubject: DOCUMENTARY FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; FILMMAKING, AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; INDUSTRY, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; PRODUCTION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA ; BAKER, SUZANNE ; EDWARDS, JOHN ; MCMAHON, TERENCE ; BRADBURY, DAVID ; NOONAN, CHRIS ; HURLEY, FRANK ; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.Notes: Includes indexISBN: 0959564721 : $12.95 AustLON: 2380995Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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EXHIBITION. NEW ZEALAND
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The Exhibitor Sydney, N.S.W.: Famous Lasky Film Service, 1923-1926.
Call No: MICROFILM - 24 Oct. 1923 - 8 Sept. 1926Source: ATPlace: Sydney, N.S.W.Publisher: Famous Lasky Film ServicePubDate: 1923-1926Subject: EXHIBITION. AUSTRALIA ; EXHIBITION. NEW ZEALAND ; EXHIBITION OF SILENT FILMS Notes: --"Devoted to the interests of the motion picture in Australia and New Zealand."--cover; --Description based on: v.2, no. 1 (2 Jan. 1924)
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Interim
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Film in South East Asia : views from the region : - essays on film in 10 South East Asia-Pacific Countries / edited by David Hanan Hanoi: South East Asia-Pacific Audio Visual Archive Association, 2001.
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Film-induced tourism Clevedon: Channel View Publications, 2005.
Call No: 230:33 BEEAuthor: Sue Beeton Place: ClevedonPublisher: Channel View PublicationsPubDate: 2005PhysDes: 270 p. ; 23 cmSeries: Aspects of TourismSubject: TRAVEL IN FILMS ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. USA ; LOCATION SHOOTING. UK ; ADVERTISING FOR FILMS ; NEW ZEALAND ; STUDIOS, FILM. AUSTRALIA Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]ISBN: 1845410149
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Film making in New Zealand : a brief historical survey / Clive Sowry ; editor, Jonathan Dennis Wellington, N.Z.: New Zealand Film Archive : Friends of the Film Archive, 1984.
Call No: 71(931) SOWAuthor: Sowry, Clive, 1955 ; Dennis, Jonathan CorpAuthor: New Zealand Film Archive; Friends of the Film Archive (N.Z.)Place: Wellington, N.Z.Publisher: New Zealand Film Archive : Friends of the Film ArchivePubDate: 1984PhysDes: 16 p. : ill., ports. ; 22 cmSubject: HISTORY OF CINEMA. NEW ZEALAND ; HAYWARD, RUDALL Notes: Revision of article previously published in Cinema papers special issue, The New Zealand film industry, May-June, 1980ISBN: 0959770607 (pbk.) : $2.50LON: zbn84008904; 3753056
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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Interim
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Film Society 98 : permanent collection sound features / featurettes catalogue / New Zealand Federation of Film Societies Wellington, New Zealand: New Zealand Federation of Film Societies, [1998?].
Call No: REFERENCE SECTION; 027(931) LANCorpAuthor: New Zealand Federation of Film SocietiesSource: NZPlace: Wellington, New ZealandPublisher: New Zealand Federation of Film SocietiesPubDate: [1998?]PhysDes: 1 v.Subject: NEW ZEALAND ; DISTRIBUTION. NEW ZEALAND ; SOCIETIES, FILM Notes: Catalogue for NZFFS' permanent collection of films. Includes features introductions and filmographies of filmmakers.
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FOOD SOURCE: NEW ZEALAND : [TV]
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The fourth eye : Maori media in Aotearoa New Zealand / Brendan Hokowhitu and Vijay Devadas Minneapolis: University of Minnesota Press, 2013.
Call No: 71(931=1-81) HOKAuthor: Hokowhitu, Brendan -- Devadas, Vijay Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2013PhysDes: l, 251 pages : illustrations, portraits ; 26 cmSubject: MAORI CINEMA ; MAORI IN FILMS ; NEW ZEALAND ; NEW ZEALAND IN FILMS Summary: "The Fourth Eye brings together Indigenous and noin-Indigenous scholars to provide a critical and comprehensive account of the intricate and complex relationship between the media and Maori culture. Examining the Indigenous mediascape, The Fourth Eye shows how Maori filmmakers, actors and media producers have depicted conflicts over citizenship rights and negotiated the representation of Indigenous people" - taken from back coverISBN: 9780816681044Contents: Machine generated contents note: pt. I Mediated Indigeneity: Representing the Indigenous Other -- 1.Governing Indigenous Sovereignty / Vijay Devadas -- 2.Postcolonial Trauma / Allen Meek -- 3.Promotional Culture and Indigenous Identity / Jay Scherer -- 4.Viewing against the Grain / Brendan Hokowhitu -- 5.Consume or Be Consumed / Suzanne Duncan -- pt. II Indigenous Media: Emergence, Struggles, and Interventions -- 6.Theorizing Indigenous Media / Brendan Hokowhitu -- 7.Te Hokioi and the Legitimization of the Maori Nation / Lachy Paterson -- 8.Barry Barclay's Te Rua / April Strickland -- 9.Reflections on Barry Barclay and Fourth Cinema / Stephen Turner -- pt. III Maori Television: Nation, Culture, and Identity -- 10.The Maori Television Service and Questions of Culture / Chris Prentice -- 11.Maori Television, Anzac Day, and Constructing "Nationhood" / Sue Abel -- 12.Indigeneity and Cultural Belonging in Survivor-Styled Reality Television from New Zealand / Joost De Bruin
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journal article
Greg Lynch Film Distrib's apptd. N.Z. agent in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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Headlands : moving images from Aotearoa/New Zealand / [programme notes prepared by Jonathan Dennis] Sydney: Museum of Contemporary Art, 1992.
Call No: 71(931) DENAuthor: Dennis, Jonathan CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: SydneyPublisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 39 p. : ill. ; 21 cmSubject: NEW ZEALAND Notes: Series presented at the MCA, Circular Quay/The Rocks, Sydney, 31 March-28 June 1992; Includes indexISBN: 047701576XLON: 10332407
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Historical dictionary of Australian and New Zealand cinema Lanham, Maryland: Scarecrow Press, Inc., 2005.
Call No: REFERENCE SECTION; 03(94:931) HISAuthor: Albert Moran & Errol Veith Place: Lanham, MarylandPublisher: Scarecrow Press, Inc.PubDate: 2005PhysDes: hardcover; 22 cm; 414 pSeries: Historical Dictionary of Literature and the ArtsSubject: AUSTRALIA ; NEW ZEALAND Summary: Whether it was Jane Campion’s The Piano, Mad Max with Mel Gibson, Crocodile Dundee with Paul Hogan, or The Lord of the Rings trilogy, we have all experienced the cinema of Australia and New Zealand. Historical Dictionary of Australian and New Zealand Cinema is an introduction and guide to the films of these countries. Although more scholarly than a cinema or fan magazine, it covers some of the same ground, with entries on exceptional producers, directors, writers, actors, and many films. It also presents the early pioneers, the cinemas themselves, film companies, and government bodies, and much more in its hundreds of dictionary entries. From a chronology that shows how these movies have evolved to an introduction that presents them more broadly, a clear portrait of the two countries’ films emerge. The bibliography is an excellent resource for further reading. [Taken from back cover.]ISBN: 081085459
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Historical dictionary of Australian and New Zealand Cinema / by Karina Aveyard, Albert Moran, and Errol Vieth Lanham, Maryland: Rowman & Littlefield, c2018.
Call No: REFERENCE SECTION; 03(94:931) HISAuthor: Aveyard, Karina ; Moran, Albert ; Vieth, Errol Edition: Second editionSource: AT/UK/USPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: c2018PhysDes: xxxv, 404 pages, 8 unnumbered pages of plates : illustrations ; 24 cmSeries: Historical dictionaries of literature and the artsSubject: AUSTRALIA ; NEW ZEALAND ; FILM ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND Summary: " Australian Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. Australian audiences make some of these films profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world's best in making films with international themes, other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country." -- BOOK BACK COVERNotes: Previous edition was written by Albert Moran and Errol Vieth and published by Scarecrow, 2005; Includes bibliographical references (pages 347-402)ISBN: 9781538111260Contents: -- editor's foreword -- preface -- reader's note -- Australia -- acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- New Zealand / Aotearoa -- Acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- bibliography -- about the authors --
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journal article
Holding hands again across the Tasman in Encore (May 2000) vol.18 iss.4 p.13
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serial
Illusions Wellington, N.Z.: Imaginary Partnership, 1986.
Call No: held no.1-no.23 Summer 1986-Winter 1994; no. 35- Winter 2003-CorpAuthor: Victoria University of Wellington. Drama Studies; Illusions (Wellington, N.Z.)Source: NZPlace: Wellington, N.Z.Publisher: Imaginary PartnershipPubDate: 1986PhysDes: v. : ill. ; 30 cmSubject: NEW ZEALAND Notes: Title from cover; Cassettes accompany some issuesISSN: 0112-9341Frequency: Three times a year, LON: sn 87020628; 5562767
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING hORNS (NZ,1976,) [TV] ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA - AUTUMN FIRES (NZ,1977) [TV] ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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INDUSTRY, FILM. NEW ZEALAND
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subject clippings file
INDUSTRY TV NZ
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journal article
Kerridge Odeon corporation opens the Regent Centre, Wellington, NZ in Australasian Cinema (16/7/1982) vol.11 iss.12 p.30
PhysDes: ArticleSubject: FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; ARTHUR (US, Steve Gordon, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; INDUSTRY, FILM. NEW ZEALAND ; CINEMAS. NEW ZEALAND ; NEW ZEALAND FILM COMMISSION Summary: Article and photographs from the opening of the Regent Centre in Wellington, New Zealand.
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journal article
Kerridge Odeon opens Regents I & II, N.Z. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.23
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newspaper article
Kiwis drop the axe on Max in The Australian (22/04/1980) p.-
Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)Author: - PhysDes: Clippings File ArticleSubject: CENSORSHIP. NEW ZEALAND ; MAD MAX (AT, George Miller, 1979) Summary: The New Zealand Film Censorship Board of Review have turned down the appeal on the ban of the film Mad Max
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newspaper article
The Last Picture Show? : country cinemas fear new video onslaught in Sydney Morning Herald (15/08/2001) p.3
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Maddox, Garry Subject: DVD ; DVD, FILMS ON ; EXHIBITION. AUSTRALIA ; EXHIBITION. NEW ZEALAND Summary: The difficulties country cinemas might face due to the DVD boom. Stats used to say that this will be a problem looks at NZ cinema.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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The Lord of the Rings location guidebook / Ian Brodie Auckland, NZ: Harper Collins, 2004.
Call No: 79 LOR BROAuthor: Brodie, Ian Edition: Extended ed.Source: NZPlace: Auckland, NZPublisher: Harper CollinsPubDate: 2004PhysDes: 176 p. : ill., col. maps, col. ports ; 23 cmSubject: LOCATION SHOOTING. NEW ZEALAND ; NEW ZEALAND ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; TOURISM AND THE CINEMA Summary: The book contains movie, and location photographs, maps, location, directions, touring information, and internet addresses from around New Zealand, and directly connected to the filming of The Lord of the Rings trilogyISBN: 1869505301
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newspaper article
Mad Max too violent for NZ film censor in The Australian (30/08/1979) p.3
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Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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Maoritanga in Whale rider and Once were warriors: a problematic rebirth through female leaders in Studies in Australasian cinema (2007) vol.1 iss.1 p.15-27
Author: De Souza, Pascale PhysDes: ArticleSubject: MAORI IN FILMS ; NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) Summary: Whale rider and Once were warriors portray families who struggle to reconcile their Maori identity with life in twentieth-century Aotearoa/New Zealand. The two movies mirror one another in so far as the former features a Maori chieft struggling to prevent the loss of Maori culture within his rural tribal group while the latter follows a nuclear family struggling to reconcile its urban identity with its rural Maori roots. Both movies pit an image of the city as an urban ghetto associated with 'social deprivation and lack of traditional culture' against that of the country as site of 'Maori cultural identity and salvation' (Spooner 2001: 95). The task of reconciling both falls to women who must undergo symbolical and/or actual death before being reborn as leaders. Though both movies conclude on a hopeful note, the path to reconciliation they suggest points 'to a contradiction which continues unresolved in practical reality' (Webster 1998: 39) and fails to address issues inherent in the concept of Maoritanga'
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Movie blockbusters / edited by Julian Stringer London: Routledge, 2003.
Call No: 721.303.311 STRAuthor: Stinger, Julian (ed.) Source: UKPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: 276 p. : ill. ; 24 cmSubject: BLOCKBUSTERS ; INDUSTRY, FILM. USA ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. KOREA ; INDUSTRY, FILM. ARGENTINA ; AWARDS. ACADEMY ; HOLLYWOOD ; SPIELBERG, STEVEN ; CAMERON, JAMES ; JAWS (US, Steven Spielberg, 1975) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TITANIC (US, James Cameron, 1997) ; CONTACT (US, Robert Zemeckis, 1997) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; STAR WARS (US, George Lucas, 1977) Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.ISBN: 0415256097
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NEW ZEALAND
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: NEW ZEALAND
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journal article
New Zealand a digital dinosaur? in Encore (Apr 2000) vol.18 iss.3 p.21
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New Zealand Cinema : interpreting the past / edited by Alistair Fox, Barry Keith Grant and Hilary Radner Bristol, UK: Intellect, 2011.
Call No: 408.1(931) NEWAuthor: Fox, Alistair (ed.) ; Grant, Barry Keith (ed.) ; Radner, Hilary (ed.) Source: UK/USPlace: Bristol, UKPublisher: IntellectPubDate: 2011PhysDes: 350 p. : ill. ; 23 cmSubject: FILM CULTURE ; MAORI CINEMA ; NEW ZEALAND ; NEW ZEALAND IN FILMS ; CULTURE AND THE CINEMA Summary: " New Zealand has produced one of the world's most vibrant film cultures - testament to the country's evolving history. From early silent features like The Te Kooti Trail to recent films such as River Queen, this book examines the role of cinema in building a shared sense of national identity. The works of key directors, including Peter Jackson, Jane Campion and Vincent Ward, are introduced in a new light, and select films are given in-depth coverage. With informative accounts of New Zealands fascintaing national cinema, this will be a must for film scholars around the globe. " -- BOOK BLURBISBN: 9781841504254Contents: -- Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te Kooti Trail (1927) and Rewi's Last Stand/The Last Stand (1940); Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures; Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages; Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950s New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films. Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa; Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography;bibliography; contributors; index --
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book
New Zealand cinema and its directors 1985.
Call No: REFERENCE SECTION; 023(931) NEWPubDate: 1985Subject: NEW ZEALAND ; FILMOGRAPHIES Notes: Catalogue for the film program New Zealand Cinema and its Directors which screened at the American Institute Theatre , Washington DC, 1-29 October 1985.
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book
New Zealand documentaries ...with perk [199?].
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book
New Zealand dramas ...with bounce 1997.
Call No: REFERENCE SECTION; 023(931) NEWCorpAuthor: New Zealand Film CommissionPubDate: 1997Subject: NEW ZEALAND ; FILMOGRAPHIES Notes: Catalogue
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book
New Zealand film and television : institution, industry, and cultural change / Trisha Dunleavy and Hester Joyce Bristol, U.K. ; Chicago, USA: Intellect, 2011.
Call No: 71(931) DUNAuthor: Dunleavy, Trisha ; Joyce, Hester Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2011PhysDes: 291 p. : ill. ; 24 cmSubject: NEW ZEALAND ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. NEW ZEALAND ; MAORI IN FILMS ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; NGATI (NZ, Barry Barclay, 1987) ; SHORTLAND STREET [TV] (NZ, 1992-) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; BOY (NZ, Taika Waititi, 2010) Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURBNotes: includes glossary of Maori terms; includes bibliographical references; includes indexISBN: 9781841504575Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --
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subject clippings file
NEW ZEALAND FILM ARCHIVE
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journal article
The New Zealand film archive in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.22
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serial
The New Zealand Film Archive newsletter / The New Zealand Film Archive Wellington, N.Z.: The Archive, 1981.
Call No: held no.2-26 Mar. 1982-Feb. 1991CorpAuthor: New Zealand Film ArchiveSource: NZPlace: Wellington, N.Z.Publisher: The ArchivePubDate: 1981PhysDes: v. ; 30 cmSubject: New Zealand Film Archive Periodicals LON: abn82021994; 2217765
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subject clippings file
NEW ZEALAND FILM COMMISSION
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annual report
New Zealand Film Commission Annual Report Wellington, N.Z.: Govt. Printer,
Call No: ANNUAL REPORT SHELVES; held 1997/98-2011CorpAuthor: New Zealand Film CommissionSource: NZPlace: Wellington, N.Z.Publisher: Govt. PrinterPhysDes: v. ; 24 cmSubject: NEW ZEALAND FILM COMMISSION Notes: Issue for 30 June 1990 covers 15 months; Description based on: 31 Mar. 1983; title from coverOrder Notes: CurrentFrequency: AnnualLON: 4325333
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serial
New Zealand film festival souvenir programme Wellington, New Zealand: New Zealand Film Festival Trust, 2000-.
Call No: FESTIVAL CATALOGUE SHELVES held 2000-Source: NZPlace: Wellington, New ZealandPublisher: New Zealand Film Festival TrustPubDate: 2000-Subject: FESTIVALS. NEW ZEALAND Order Notes: Current
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book
New Zealand filmmakers / edited by Ian Conrich and Stuart Murray Detroit, Mich: Wayne State University Press, C2007.
Call No: 71(931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart (ed) Source: USPlace: Detroit, MichPublisher: Wayne State University PressPubDate: C2007PhysDes: xiii, 374 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: MAORI CINEMA
RT: NEW ZEALAND ; LYE, LEN ; O'SHEA, JOHN ; PRESTON, GAYLENE ; BARCLAY, BARRY ; MITA, MERATA ; WELLS, PETER ; DONALDSON, ROGER ; MURPHY, GEOFFREY ; MUNE, IAN ; LAWRENCE, BRUNO ; LAING, JOHN ; REID, JOHN ; NARBEY, LEON ; WARD, VINCENT ; CAMPION, JANE ; MACLEAN, ALISON ; JACKSON, PETER (NZ) ; BLYTH, DAVID ; BAD BLOOD (NZ, Mike Newell, 1981) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; BOUNTY, THE (US, Roger Donaldson, 1984) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986) ; CADILLAC MAN (US, Roger Donaldson, 1990) ; DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; HOLY SMOKE (US, Jane Campion, 1999) Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence BaylerNotes: Bibliography: p. 349-353; Includes indexISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)
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book
New Zealand Films : catalogue 1967-68
Call No: F023(931)"1967/8" NEWCorpAuthor: New Zealand National Film UnitSubject: NEW ZEALAND ; FILMOGRAPHIES Notes: Catalogue
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festival catalogue
New Zealand international film festivals : [programme] / New Zealand international film festivals New Zealand: The Festival, 2000-2006.
Call No: FESTIVAL CATALOGUE SHELVES
held 2000-2001, 2003, 2006CorpAuthor: New Zealand Film Festival TrustSource: NZPlace: New ZealandPublisher: The FestivalPubDate: 2000-2006PhysDes: 4 v. : ill. ; 23-24 cmSubject: FESTIVALS. NEW ZEALAND ; WORLD CINEMA ; EUROPEAN CINEMA ; NEW ZEALAND IN FILMS Notes: The New Zealand International Film Festivals is a compilation of feature length films, documentaries, animated and short films that have previously toured the country under a different festival title. The festival program contains numerous black and white and colour stills, as well as film synopses of each film screened. Also includes an index. NB. Prior to 2003, the festival was titled: The New Zealand Film Festival.
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journal article
New Zealand notes in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.5
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journal article
New Zealand notes in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.7
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journal article
New Zealand Notes in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.7
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journal article
New Zealand Notes in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.34
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journal article
New Zealand notes in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.7
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journal article
New Zealand Notes in Australasian Cinema (16/9/1983) vol.12 iss.17 p.27
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journal article
New Zealand Notes in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.21
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journal article
New Zealand Notes in Australasian Cinema (24/6/1983) vol.12 iss.11 p.4
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New Zealand Notes in Australasian Cinema (29/4/1983) vol.12 iss.7 p.3
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New Zealand Notes in Australasian Cinema (11/3/1983) vol.12 iss.4 p.7
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journal article
New Zealand Notes in Australasian Cinema (11/2/1983) vol.12 iss.2 p.5
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journal article
New Zealand Notes : Wansbone, Ernie in Australasian Cinema (28/1/1983) vol.12 iss.1 p.10
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journal article
New Zealand Notes in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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journal article
New Zealand Notes in Australasian Cinema (12/11/1982) vol.11 iss.20 p.8
Author: Wansbone, Ernie PhysDes: ArticleSubject: INDUSTRY, FILM. NEW ZEALAND ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; PARADISE (CN, Stuart Gillard, 1982) ; MERRY CHRISTMAS MR. LAWRENCE (UK/JA, Nagisa Oshima, 1983) Summary: Film news from New Zealand.
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journal article
New Zealand Notes in Australasian Cinema (27/8/1982) vol.11 iss.15 p.36
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New Zealand Notes in Australasian Cinema (23/7/1982) vol.11 iss.13 p.3
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New Zealand Notes in Australasian Cinema (23/07/1982) vol.11 iss.13 p.3
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New Zealand Notes in Australasian Cinema (25/6/1982) vol.11 iss.11 p.4-5
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New Zealand Notes in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
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journal article
New Zealand Notes in Australasian Cinema (16/4/1982) vol.11 iss.6 p.11
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journal article
New Zealand Notes in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.11
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journal article
New Zealand notes with Ernie Wansbone in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.21
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New Zealand's new films
Call No: F023931)"year" NEWCorpAuthor: New Zealand Film CommissionSubject: NEW ZEALAND ; FILMOGRAPHIES Notes: Catalogues. Variously titled New Zealand's New Films (1981), New Zealand New Films (1982), New Films from New Zealand (1983/84) and New Zealand's 36 Feature Films (1985/86).
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journal article
New Zealand slate spurred by Jackson in Encore (Feb 2000) vol.18 iss.1 p.13
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journal article
News from New Zealand in Australasian Cinema (22/7/1983) vol.12 iss.13 p.7
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journal article
News from the N.Z. film archive : Room to move in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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journal article
NZ Amalgamated theatres may grow in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
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newspaper article
NZ bans Mad Max in Sydney Morning Herald (03/07/1980) p.-
Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)PhysDes: Clippings File ArticleSubject: CENSORSHIP. NEW ZEALAND ; MAD MAX (AT, George Miller, 1979) Summary: Snippet on Mad Max's ban in New Zealand mentioning fears that young people, particularly Maoris may copy the violence in the film
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newspaper article
NZ bans 'Mad Max' in Canberra Times (05/07/1980) p.-
Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)Author: AAP PhysDes: Clippings File ArticleSubject: CENSORSHIP. NEW ZEALAND ; MAD MAX (AT, George Miller, 1979) Summary: On why Mad Max was banned in New Zealand, with reference to its possible influence of violent behaviour of Maoris towards police
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journal article
NZ Film Comm. wins funding but no tax benefits in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3
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NZ industry gets government boost in Encore (June 2000) vol.18 iss.5 p.11
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annual report
NZ on Air Annual report / Broadcasting Commission = Ripoata a-tau / Te Kahui Irirangi Wellington, N.Z.: The Commission, [1990.
Call No: SEE STAFF; held 1997/98-2010/11CorpAuthor: New Zealand. Broadcasting CommissionPlace: Wellington, N.Z.Publisher: The CommissionPubDate: [1990PhysDes: v. : ill., ports. ; 29-30 cmSubject: INDUSTRY, FILM. NEW ZEALAND Notes: Title from cover; At head of title: NZ on Air = Irirangi te MotuISSN: 1171-1922LON: 8661461 8661461
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journal article
NZ's first talkie: further 52' found in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3
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book
Our own image : A story of a Maori filmmaker / Barry Barclay Minneapolis, MN: University of Minnesota Press, 2015.
Call No: 81 BAR BARAuthor: Barclay, Barry Edition: 2015Place: Minneapolis, MNPublisher: University of Minnesota PressPubDate: 2015PhysDes: xiv, 100 : illus. ; 21 cmSubject: BARCLAY, BARRY ; NGATI (NZ, Barry Barclay, 1987) ; MAORI CINEMA ; NEW ZEALAND Notes: Acclaimed Maori filmmaker Barry Barclay’s Our Own Image relates the experiences of making his documentaries and his critically acclaimed feature-length film Ngati (1987), widely credited as the first fiction feature by a member of an indigenous community. Barclay details his views on the process of filmmaking within his own Maori community and discusses how his work differed from popular cinema, advocating for indigenous control, participation, and perspectives in media.
Our Own Image gives an in-depth depiction of the changes Barclay’s approach contributed to the field of documentaries, as well as displaying the respect for community Barclay brought to his filming technique. His insistence on letting people speak for themselves demonstrated authenticity to audiences, creating awareness of indigenous cinema in New Zealand and worldwide. -- publisher's blurbISBN: 9780816697618
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Out from nowhere : Pakeha anxieties in Ngati (Barclay, 1987), Once were warriors (Tamahori, 1994) and Whale rider (Caro, 2002) in Studies in Australasian cinema (2009) vol.3 iss.3 p.239-250
Author: Joyce, Hester PhysDes: ArticleSubject: INDUSTRY, FILM. NEW ZEALAND ; MAORI IN FILMS ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; IMPERIALISM AND THE CINEMA ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: This article explores the development of New Zealand cinema as one of unease, as reflective of the disintegration of the utopian dream inherent in the founding settler era. It examines three films from consecutive decades, Ngati (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002), and compares representations of Maori as illustrative of Pakeha (white settler) anxieties about Maori/Pakeha relations. It argues that while Ngati and Once Were Warriors contain elements of postcolonial critique, Whale Rider returns to a model of segregation, invoking spirituality of Maori as nostalgia for a lost utopian past. -- Abstract
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"Passage to India" raises $20,000 for RNZAF museum in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.1
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Peter Jackson / by Alfio Leotta New York : London: Bloomsbury, 2016.
Author: Leotta, Alfio Source: US/UKPlace: New York : LondonPublisher: BloomsburyPubDate: 2016PhysDes: xi, 285 pages ; 23 cmSeries: The Bloomsbury companions to contemporary filmmakersSubject: NEW ZEALAND ; JACKSON, PETER (NZ) Summary: " Peter Jackson is one of the most acclaimed and influential contemporary film-makers. This is the first book to combine the examination of Jackson's career with an in-depth critical analysis of his films, thus providing readers with the most comprehensive study of the New Zealand film-maker's body of work. The first section of the book concentrates on Jackson's biography, surveying the evolution of his career from the director of cult slapstick movies such as "Meet the Feebles" (1989) and "Braindead" (1992) to an entrepreneur responsible for the foundation of companies such as Wingnut Films and Weta Workshop, and finally to producer and director of mega blockbuster projects such as "The Lord of the Rings" (2001-2003) and "The Hobbit" (2012-2013).
The book further examines Jackson's work at the level of production, reception and textuality, along with key collaborative relationships and significant themes associated with Jackson's films. The examination of Peter Jackson's work and career ties into significant academic debates, including the relationship between national cinema and global Hollywood; the global dispersal of film production; the relationship between film authorship and industrial modes of production; the impact of the creative industries on the construction of national identity; and new developments in film technology." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781623566531Donation: Senses ofContents: Introduction / Biography / Context -- Key Collaborative Relationships -- Critical Essay 1: Peter Jackson and Film Landscape -- Critical Essay 2: Peter Jackson and Global Dispersal of Film Production -- A - Z Films / Themes / Key Concepts -- Conclusion.
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The piano / Gail Jones Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79PIA JONAuthor: Jones, Gail CorpAuthor: Australian Film Commission: National Film and Sound ArchiveSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 85 p. : ill. ; 20cmSeries: Australian Screen ClassicsSubject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; REGIONAL CINEMA. AUSTRALIA ; REGIONAL CINEMA. NEW ZEALAND ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. NEW ZEALAND ; NEW ZEALAND IN FILMS ; DISABLED IN FILMS ; SPEECH ; ROMANCE IN FILMS ; LOVE IN FILMS ; SEA IN FILMS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; RACE AND THE CINEMA. NEW ZEALAND ; MOTHERS IN FILMS ; CHILDREN IN FILMS ; MUSIC IN FILMS ; SILENCE IN FILMS ; EROTICISM IN FILMS ; VIOLENCE IN FILMS ; JANE CAMPION ; PIANO, THE (AT, Jane Campion, 1993) Summary: "When 'The Piano' opened in 1993 it was hailed by many as a modern masterpiece. Written and directed by Jane Campion, it won the Palme d'Or at Cannes, making her the first woman ever to win this prestigious award. It went on to win Academy Awards for Best Original Screenplay (Campion), Best Actress (Holly Hunter) and Best Supporting Actress (Anna Paquin).
"In this thoughtful and perceptive critique, Gail Jones assesses the film's unearthly and controversial visions, its poetic power and its capacity to entrance and to alienate."Notes: Includes notes, bibliography, filmography, 'The Piano' credits and synopses of other books in the 'Australian Screen Classics' series.ISBN: 9780868197999
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Remapping cinema, remaking history : XIVth Biennial Conference of the Film and History Association of Australia and New Zealand: Refereed Abstracts / edited by Catherine Fowler and Rochelle Simmons Dunedin, NZ: University of Otago - Department of Media, Film & Communication, 2008.
Call No: 45:93HISAuthor: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ) Source: NZPlace: Dunedin, NZPublisher: University of Otago - Department of Media, Film & CommunicationPubDate: 2008PhysDes: v, 223 p. ; 21 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; HOLLYWOOD MEMORY IN FILMS ; MOTION PICTURES EUROPEAN ; MOTION PICTURES - HISTORY ; NEW ZEALAND ; ASHBY, HAL ; SCHLESINGER, JOHN ; HALL, CONRAD ; COPPOLA, FRANCIS FORD ; NICHOLS, MIKE ; CIMINO, MICHAEL ; ALTMAN, ROBERT ; KUBRICK, STANLEY ; HILL, WALTER ; SPIELBERG, STEVEN ; KAURISMAKI, AKI ; MILLER, GEORGE ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; ONE FROM THE HEART (US, Francis Ford Coppola, 1982) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; WITCHES OF EASTWICK, THE (US, George Miller, 1987) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; GRADUATE, THE (US, Mike Nichols, 1967) ; STREETS OF FIRE (US, Walter Hill, 1984) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; KENNY (AT, Clayton Jacobson, 2006) ; SYLVIA (NZ, Michael Firth, 1985) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; THIS IS ENGLAND (UK, Shane Meadows, 2006) ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001) Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communitiesNotes: "27-30 November 2008"- cover includes bibliographical reference and indexISBN: 9780473138899; 9780473148867Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker
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Remapping cinema, remaking history : XIVth biennial Conference of the Film and History Association of Australia and New Zealand : volume 2 : select refereed papers / Edited by Hilary Radner and Pam Fossenn Dunedin, NZ: Centre for Research on National Identity, University of Otago,
Call No: 161(931) FHACorpAuthor: Film and History Association of Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)Edition: 2009Place: Dunedin, NZPublisher: Centre for Research on National Identity, University of OtagoPhysDes: vi,224 p. ; 21 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; AUSTRALIA ; NEW ZEALAND ISBN: 9780473148867Contents: Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker
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Reverse shots : indigenous film and media in an international context / edited by Wendy Gay Pearson and Susan Knabe Waterloo, Ontario, Canada: Wilfred Laurier University Press, c2015.
Call No: 451-054 (=1-81)(71):(93):(94) REVAuthor: Pearson, Wendy Gay (ed.) ; Knabe, Susan (ed.) Source: CNPlace: Waterloo, Ontario, CanadaPublisher: Wilfred Laurier University PressPubDate: c2015PhysDes: xi, 372 pages : illustrations ; 23 cmSeries: Film and media studies series; Film + media studiesSubject: CRITICISM ; MEDIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; INDIGENOUS ; AUSTRALIA ; NEW ZEALAND ; NEW ZEALAND
MAORI CINEMA ; NORWAY ; CANADA ; DIGITAL TECHNOLOGY ; AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND THE CINEMA ; AUSTRALIAN ABORIGINES AND TV ; AUSTRALIAN ABORIGINES IN FILMS ; AUSTRALIAN ABORIGINES ON TV ; RACIAL STEREOTYPES IN FILMS Summary: "From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity.
The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. "
--BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781554583355Contents: -- pt. I dream makers -- Introduction Globalizing Indigenous Film and Media / Susan Knabe -- One: He Who Dreams: Reflections on an Indigenous Life in Film / Michael Greyeyes -- pt. II decolonizing histories -- Two: Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices / Ernie Blackmore -- Three:Taking Pictures B(l)ack: The Work of Tracey Moffatt / Susan Knabe -- Four.The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema / Kerstin Knopf -- Five: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk / Colleen McGloin -- Six."Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes / Wendy Gay Pearson -- pt. III mediating practices -- Seven: Ka Whawhai Tonu Matou: Indigenous Television in Aotearoa/New Zealand / jo smith and Sue Abel -- Eight: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser / Jenny Fraser and Adam Szymanski -- Nine: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South / Erin Morton and Taryn Sirove -- pt. IV documentary approaches -- Ten: The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary / Stephen Foster and Mike Evans -- Eleven: "Whacking the Indigenous Funny Bone": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew / Ute Lischke -- Twelve: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro / Maeghan Pirie -- Thirteen:"I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History / Gail Vanstone -- pt. V other perspectives --Fourteen: Filming Indigeneity as Flanerie: Dialectic and Subtext in Terrance Odette's Heater / Tanis MacDonald -- Fifteen: Playing with Land Issues: Subversive Hybridity in The Price of Milk / Davinia Thornley -- glossary -- bibliography -- index --
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Roadshow entertains New Zealand exhibitors in Australasian Cinema (27/5/1983) vol.12 iss.9 p.3
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Selected papers : Film & history conference, Canberra Australia 2-5 December 2004 : 12th biennial conference of the Film and History Association of Australia and New Zealand / Conference of the Film and History Association of Australia and New Zealand (12th : 2004 : Canberra, A.C.T.) Canberra: National Film and Sound Archive, 2004.
Call No: 45:93 HISSource: ATPlace: CanberraPublisher: National Film and Sound ArchivePubDate: 2004PhysDes: 283 p. : ill. ; 30 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; AUSTRALIA ; NEW ZEALAND ISBN: 064236513XContents: 'Wot's in a name?' and how did we get here from there? / Ina Bertrand -- Telling the 'truth' and telling stories / Sue Maslin -- Offshore television: McCloud on the Sydney Harbour Bridge / Albert Moran -- Tracking David Gulpilil on screen: changing representations of indigenous identity / Jane Steinhaeuser -- Kitchen debates that break the silence: Aboriginalism and Aboriginality in cinematic discourse / Bruce Dennett -- A notional or a national cinema?: thinking (nothing) of the Australian sheep films -- Sunday too far away revisited / Vincent O'Donnell -- The work of Ayten Kuyululu in seventies Australia / Sue Hardisty -- Braided channels: reflections on a documentary filmmaker curating a social history exhibition in an era of representational contention / Trish FitzSimons -- The "global popular" and "quality" culture: LOTR and Pavement / Hilary Radner -- Nationalism as discourse: Snakeskin, Rain, and Whale rider as response / Harriet Margolis -- Constructing the Anzac image: a study of Australia's first three Gallipoli movies 1915-16 / Daniel Reynaud -- Early shots in Broken Hill: cinema and the Great War in Australia / Jeff Brownrigg -- The embodiment of a masculinist ideal: Snowy Baker and modern physical culture in Australia before World War I / Bronwyn Dowdall -- Melodramas of affliction: portraits of madness on screen / Fincina Hopgood -- The fall of a nation: Thomas Dixon's 'Mighty message of warning' / Jeanette Delamoir -- Projecting consent: the operations of Hollywood's peacetime propaganda films of World War II / Roger Westcombe -- From crystals to pixels: new technology in the documentary work of John Hughes / John Cumming -- The good, the bad and the ugly: endings of holocaust film narratives / Giacomo Lichtner -- Playing the changes: Australian film music, cultural identity and research methods / Pt 1 Bruce Johnson ; Pt 2 Gaye Poole -- Bazza's bawdy ballads ... and other aspects of the Barry McKenzie film musics / Rebecca Coyle and Michael Hannan -- Newsfront - a study of the impact of the experimental film movement on mainstream Australian cinema / Fiona Hooton -- The man they couldn't hang / Bob Pymm.
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Shaping the news in Metro (2000) iss.121/122 p.160-163
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Short cuts : final curtain for NZ Tropfest in Sydney Morning Herald (23/06/2016) p.16
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. TROPFESTAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. NEW ZEALAND ; FESTIVALS. AUSTRALIA. TROPFEST ; TROPFEST Summary: The 2017 New Zealand iteration of TROPFEST has been cancelled due to economic reasons and this short article describes whyNotes: similar article in The Age. p. 24 same date. Title: Tropfest NZ canned for lack of loot
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Sixty major video dealers meet in N.Z. in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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Stop press in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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Telling Stories: cinema, history & experience : The XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, Melbourne, November 16-19, 2006 / conference presented by RMIT and Monash University, co-convened by Adrian Danks, Con Verevis, Deb Verhoeven, and Deane Williams, with assistance from Ken Berryman (National Film and Sound Archive) [Melbourne]: [2006].
Call No: 45:93 HISCorpAuthor: RMIT; Monash UniversitySource: ATPlace: [Melbourne]PubDate: [2006]PhysDes: 147p. ; 21 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; HISTORY OF TV ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; CONFERENCES. AUSTRALIA ; CONFERENCES. AUSTRALIA. FILM AND HISTORY ; CONFERENCES. AUSTRALIA. FILM AND HISTORY. 2006 ; CONFERENCES. AUSTRALIA. HISTORY AND FILM Summary: "The Film and History Conference is held every two years and is an opportunity for international film scholars, archivists, and filmmakers to present their thoughts on recent debates and events in the fields of: film history, national and transnational cinemas, film theory, film practice and the importance of cinema to specific communities...the XIIIth Biennial Conference of the Australian and New Zealand Film and History Association will adopt four main themes: Historical Film Theory and Criticism, Film, Memory and Allusion, The Social Experience of Cinema-going, The Junction of Television and Film" -- INTRODUCTIONNotes: This is copy 2, there is another copy listed on the system (different DB Textworks entry), but it cannot presently be located; Notes on conference: XIII Conference of the Film and History Association of Australia and New Zealand
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'The locals' and the global : transnational currents in contemporary New Zealand horror in Studies in Australasian cinema (2010) vol.4 iss.1 p.73-79
Author: Cameron, Allan PhysDes: ArticleSubject: NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND ; HORROR FILMS. NEW ZEALAND ; INDUSTRY, FILM. NEW ZEALAND ; FANTASTIC FILMS ; LOCALS, THE (NZ, Greg Page, 2003) ; BLACK SHEEP (NZ, Jonathan King, 2006) ; FERRYMAN, THE (NZ/UK, Chris Graham, 2007) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; PERFECT CREATURE (NZ/UK, Glenn Standring, 2006) Summary: Article arguing the connectedness between otherness of horror with the otherness of cultural identities within New Zealand horror film.Notes: Recent years have seen a conspicuous resurgence of the horror genre in New
Zealand cinema. What sets recent New Zealand horror films apart from their
local antecedents, however, is their self-conscious reframing of local identity
against an international backdrop. Contemporary Kiwi horrors such as The
Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend
horror’s characteristic focus on questions of otherness to the otherness of local
and global cultural identities. In this way, they subject New Zealand cinema’s
Gothic tradition to a type of remapping, in which the Gothic is ironized, hybridized
or displaced. In a number of these films (several of which are international
co-productions) the Gothic even comes untethered from the local landscape and
moves across national frontiers. By reworking the tropes of New Zealand horror,
these films take up the challenge of re-articulating New Zealand identities for
the early twenty-first century, producing a palimpsestic vision of nationhood
determined not by essences but by codes.--Abstract
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Transnational film culture in New Zealand / Simon Sigley Bristol, UK ; Chicago: Intellect Limited, 2012.
Call No: 409.1 (931) SIGAuthor: Sigley, Simon Place: Bristol, UK ; ChicagoPublisher: Intellect LimitedPubDate: 2012PhysDes: 208 p. ; 23 cmSubject: NEW ZEALAND ; NEW ZEALAND. 1895-1930 ; FILM CULTURE Summary: Simon Sigley tells the story of film culture in New Zealand from the establishment of the Auckland Film Society in the 1920s to the present day.
Rather than focusing on the work of individual filmmakers, Sigley approaches cinema as a form of social practice. He examines the reception of international film theories and discourses and shows how these ideas helped to shape distinct cultural practices, including new forms of reviewing; new methods of teaching; and new institutions such as film societies, art house cinemas, and film festivals. He goes on to trace the emergence in New Zealand of the full range of activities and institutions associated with a sophisticated film culture—including independent distribution and exhibition networks, film archives, university courses, a local feature film industry, and liberalized film censorship.
In doing so, Sigley makes a significant contribution to our understanding of the myriad ways film can shape our thinking, our icons, our institutions, and our conversations. A fascinating case history of how a culture can develop, Transnational Film Culture in New Zealand will be a welcome addition to the bookshelves of anyone interested in film culture and cultural history.Notes: Includes bibliographical references and index.ISBN: 9781841506609Contents: Chapter one: In defence of films as art -- The overseas context -- film availability in New Zealand -- The Aukland Film Society (1929) -- The Aukland Star film reviews --; Chapter two: Second thoughts about art -- The Wellington Film Society (1933) -- The road to ruin -- A parliamentary inquiry -- turning left -- The Federation of Film Societies -- The Film Institutes (1934-39) --; Chapter three: Thesis and antithesis - Tomorrow on film -- Early film criticism -- Defending the cinema -- The importance of documentaries -- The cinema and education -- Other contributions --; Chapter four: Public policy and private enterprise -- Institutions and agents -- The National Film Library -- Independent Film distribution -- Film criticism goes national --; Chapter five: Building the cultural infrastructure -- The revival -- Developing discursive practices -- Collaboration with business -- The perils of passivity --
Chapter six: Happy together: education, networks, festivals -- Magazines and film classes -- The winter film school -- Commerce and co-operation -- At the Art-house --; Chapter seven: 'Nouvelle Vague: film culture meets counterculture' -- The Aukland International Film Festival (1969) -- Youth culture and film censorship: 1930s redux -- Some conclusions --; Chapter eight: Between spectacle and memory -- Film mestival expansion -- Programming the nation - festival professionalisation -- Creating a memory site -- Born in poverty -- The last film search (1993-2000) -- Roadmap for the future --; Conclusion
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TVNZ stars in its own drama series in Encore (Mar 2000) vol.18 iss.2 p.24
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Twelve N.Z. titles at Cannes Fest. in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Twin peeks : Australian and NZ feature films / Deb Verhoeven Melbourne: Damned Publishing, 1999.
Call No: 71(94) TWIPlace: MelbournePublisher: Damned PublishingPubDate: 1999PhysDes: 558 p.Subject: AUSTRALIA ; NEW ZEALAND ; NATIONAL IDENTITY IN FILMS. NEW ZEALAND ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; HISTORY OF EXHIBITION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; AUSTRALIA. 1970's ; WARD, VINCENT ; HALL, KEN G. ; DARK CITY (US, Alex Proyas, 1997) ; BABE: PIG IN THE CITY (AT, George Miller, 1998) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; FLOATING LIFE (AT, Clara Law, 1996) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; ON THE BEACH (US, Stanley Kramer, 1959) ; YATGO HO YAN (HK, Samo Hung, 1997) ; RADIANCE (AT, Rachel Perkins, 1998) ; VACANT POSSESSION (AT, Margot Nash, 1995) ISBN: 1876310006LON: 20154200ID2: 29
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Variety- Australia/New Zealand Section in Variety (07/05/1986) vol.323 iss.2 p.346-363
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Variety- Australia/ New Zealand Section in Variety (04/05/1988) vol.331 iss.2 p.373-390
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Variety- Australia/New Zealand Section in Variety (07/05/1980) vol.299 iss.1 p.556-558
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Variety- Australia/New Zealand Section in Variety (10/1988) vol.332 iss.13 p.428-438
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Variety- Australia/ New Zealand Section in Variety (09/05/1979) vol.295 iss.1 p.81-83, 466-477
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; ADVERTISING FILMS ; THIRST (AT, Rod Hardy, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; JOURNALIST, THE (AT, Micheal Thornhill, 1979) ; GOVERNMENT AID. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Collection of articles featuring information on Australian and New Zealand films and film industries. Includes articles on Australian Government industry support, and Australian films at Cannes. Includes list of current New Zealand films, list of Australian films in production, and advertisements for THIRST, PATRICK and SNAPSHOT.
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Variety- Australia/ New Zealand Section in Variety (04/05/1983) vol.311 iss.1 p.163, 420-430
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; CENSORSHIP. NEW ZEALAND ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; UTU (NZ, Geoffrey Murphy, 1983) ; COPRODUCTION. AUSTRALIA Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY.
New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship.
Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.
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Variety- Australia/New Zealand Section in Variety (21/10/1987) vol.328 iss.13 p.20, 103, 244, 426-440
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; BOX OFFICE. AUSTRALIA ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on current box office films and takings, changes to do with distribution and acquisitions companies, films in production, Australian organisations at MIFED, and the expansion of Premier Film Marketing.
New Zealand article focuses on films screening at MIFED.
Advertising posters for EVIL ANGEL, HOWLING III: THE MARSUPIALS, DOGS IN SPACE, STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, A SOLDIER'S TALE, THE RIGHT HAND MAN, BELINDA, AS TIME GOES BY, NGATI
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Variety- Australia/New Zealand section in Variety (09/05/1984) vol.315 iss.2 p.263, 414-431
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. SYDNEY ; BOX OFFICE. AUSTRALIA ; VIDEO AND THE CINEMA. AUSTRALIA ; UNDERCOVER (AT, David Stevens, 1983) ; CONSTANCE (NZ, Bruce Morrison, 1984) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; AMONG THE CINDERS (NZ, Rolf Haedrich, 1984) ; VIGIL (NZ, Vincent Ward, 1984) ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CAREFUL HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; FAST TALKING (AT, Ken Cameron, 1984) ; FANTASY MAN (AT, John Meagher, 1984) ; RUN CHRISSIE RUN! (AT, Chris Langman, 1984) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes.
New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films.
Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.
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Variety- Australia/New Zealand section in Variety (22/10/1986) vol.324 iss.13 p.71, 413-420
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; DIRECTORS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; WINDRIDER (AT, Vincent Monton, 1986) ; GALLAGHER'S TRAVELS [TV] (AT, Michael Caulfield, 1986) ; AROUND THE WORLD IN 80 WAYS (AT, Stephen Maclean, 1986) ; QUEEN CITY ROCKERS (NZ, Bruce Morrison, 1987) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian directors currently active, Australian films in production, expected effects of changes in exchange rates and local distribution on purchasing at MIFED, Australian box office takings, and Australian organisations at MIFED.
New Zealand article focuses on films to be screened at MIFED.
Advertising posters for WINDRIDER, GALLAGHER'S TRAVELS, AROUND THE WORLD IN EIGHTY WAYS, and QUEEN CITY ROCKER.
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Variety- Australia/New Zealand section in Variety (16/10/1985) vol.320 iss.12 p.392-397
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Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
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Variety- Australia/New Zealand section in Variety (13/05/1981) vol.303 iss.2 p.320-332
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; FINANCING. AUSTRALIA ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; BAD BLOOD (NZ, Mike Newell, 1981) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; FATTY FINN (AT, Maurice Murphy, 1980) ; HOODWINK (AT, Claude Whatham, 1981) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on the formation of new film funding companies, and the films A BURNING MAN and THE BEST OF FRIENDS currently in production.
New Zealand articles focus on the New Zealand Film Unit, recently completed films BAD BLOOD, SMASH PALACE, and THE SCARECROW, and New Zealand films released since Cannes 1980.
Advertising posters for BEYOND REASONABLE DOUBT, THE SCARECROW, GOODBYE PORK PIE, FATTY FINN, THE SEVENTH MATCH, HOODWINK, and A BURNING MAN.
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Variety- Australia/ New Zealand Sections in Variety (06/05/1987) vol.327 iss.2 p.432-446
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; GOVERNMENT AID ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS ; SURFER, THE (AT, Frank Shields, 1987) ; GINNANE, TONY ; DISTRIBUTION. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on new releases and Antony Ginnane at Cannes, current films in production, and new film THE SURFER.
New Zealand articles look at New Zealand's selections for Cannes, and government investment in the film industry.
Includes various film poster advertisments for STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, MAURI, A SOLDIER'S TALE, NGATI, and RIKKY & PETE.
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Variety- Australia/ New Zealand Summary in Variety (24/10/1984) vol.316 iss.13 p.355-360
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Variety international film guide 1991 / edited by Peter Cowie London Hollywood: Andre Deutsch Samuel French, c1990.
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Video Power, NZ, celebrates second birthday in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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Watching films : new perspectives on movie-going, exhibition and reception / Karina Aveyard / Albert Moran Bristol, UK ; Chicago: Intellect, 2013.
Call No: 410.81 WATAuthor: Aveyard, Karina (ed.) ; Moran, Albert (ed.) Source: UKPlace: Bristol, UK ; ChicagoPublisher: IntellectPubDate: 2013PhysDes: 418 p. ; 23 cmSubject: THEORY ; CINEMAS ; CINEMAS. UK ; NEWSREELS ; AUDIENCE RECEPTION ; AUDIENCES ; AUDIENCES
THEORY ; AUDIENCE RESEARCH ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCE RESEARCH. UK ; AUDIENCE RESEARCH. USA ; AUDIENCE RECEPTION. NEW ZEALAND ; AUDIENCE RECEPTION. AUSTRALIA ; ITALY ; NETHERLANDS ; INDIA ; BELGIUM ; PORNOGRAPHY ; INDEPENDENT FILMS Summary: With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and effects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights into the ways in which new viewing arrangements and technologies influence how films are watched around the world.Notes: Includes bibliographical references and index.ISBN: 9781841505114Contents: Foreword : Richard Maltby -- Introduction : New perspectives on movie-going, exhibition and reception --; Part one: Theoretical perspectives -- Chapter one: Cinema, modernity and audiences: Revisiting and expanding the debate: Daniel Biltereyst -- Chapter two: What is a cinema? Death, closure and the database: Deb Verhoeven -- Chapter three: A poetics of film-audience reception? Barbara Deming goes to the movies: Albert Moran -- Chapter four: The porous boundaries of newsreel memory research: Louise Anderson -- Chapter five: Why are children the most important audience for pornography in Australia?: Alan McKee --; Part two: The film industry - systems and practices -- Chapter six: Local promotion of a 'Picture Personality': a case study of the vitagraph girl: Kathryn Fuller-Seeley -- Chapter seven: 'Calamity howling': the advent of television and Australian cinema exhibition: Mike Walsh -- Chapter eight: A nation of film-goers: audiences, exhibition and distribution in New Zealand: Geoff Lealand -- Chapter nine: The critical reception of 'Certified Copy': original art or copy of a rom-com?: Eylem Akatav; Part three: Moview theatres - from Picture Palace to the Multiplex -- Chapter ten: Movie-going in the Shenandoah Valley of Virginia: A case study of place, transportation, audiences, racism, censorship and Sunday showings: Douglas Gomery -- Chapter eleven: From Mom-and-Pop to Paramount Publix: selling the community on the benefits of national theatre chains: Jeffrey Klenotic -- Chapter twelve: A progressive city and its cinemas: technology, modernity and the spectacle of abundance: Mark Jancovich and Lucy Faire with Sarah Stubbings -- Chapter thirteen: 'They don't need me in heaven...there are no cinemas there, ye know': cinema culture in Antwerp (Belgium) and the Empire of Georges Heylen, 1945-75: Kathleen Lotze and Philippe Meers -- Chapter fourteen: from out-of-town to the edge and back to the centre: multiplexes in Britain from the 1990s: Stuart Hanson --; Part four: on the margins -- Chapter fifteen: The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland): Ian Goode -- Chapter sixteen: 'A Popcorn-free zone': distinctions in independent film exhibition in Wellington, New Zealand: Ian Huffer -- Chapter seventeen: getting to see women's cinema: Julia Knight -- Chapter eighteen: Shifting fandoms of film, community and family: Tom Phillips --; Part five: Just watching movies? -- Chapter nineteen: watching popular films in the Netherlands, 1934-36: Clara Pafort-Overduin -- Chapter twenty: Contemporary Italian film-goers and their critics: Alan O'Leary and Catherine O'Rawe -- Chapter twenty one: Imagining a 'decent crowd' at the Indian multiplex: Adrian Mabbott Athique -- Chapter twenty two: The VHS generation and their movie experiences: Janna Jones --
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festival catalogue
Wellington film festival / Wellington film festival Wellington [N.Z.]: Wellington Film Society, 1983-1998.
Call No: FESTIVAL CATALOGUE SHELVES; held 1983, 1992-1995, 1997-1998CorpAuthor: New Zealand Federation of Film Societies; Wellington Film SocietySource: NZPlace: Wellington [N.Z.]Publisher: Wellington Film SocietyPubDate: 1983-1998PhysDes: 6 v. : ill. ; 21-23 cmSubject: FESTIVALS. WELLINGTON ; FESTIVALS. NEW ZEALAND ; WORLD CINEMA ; EUROPEAN CINEMA ; NEW ZEALAND IN FILMS Notes: The Wellington Film Festival includes a selection of feature length films, short films, documentaries and animated films, as well as director retrospectives. The catalogues also include numerous black and white and colour stills and film synopses relating to each film that is screened. The 1994 festival catalogue also includes a separate pamphlet.Frequency: AnnualLON: 13339652
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newspaper article
'Wellywood' gets wobbles as hopes for a New Zealand film industry fade in The Australian [Business News] (15/04/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. NEW ZEALANDAuthor: Geenty, Kate PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. NEW ZEALAND Summary: An article about the decline of New Zealand film industry and production revenue.
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journal article
Where to find stuff : resourcing media teaching in New Zealand in Metro education (1999) iss.17/18 p.29-31
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