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Call No: 029(94 / 931)
CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film Commission
Source: AT
Publisher: Australian Catalogue Publishing
PhysDes: 470 p. ; 30 cm
Subject: AUSTRALIA; NEW ZEALAND; DISTRIBUTION. AUSTRALIA; FILM; FILMOGRAPHIES
Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- Introduction
Notes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film Corporation
ISSN: 1035-8005
Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ACTORS. NEW ZEALAND

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL OR NOTHING: NEW ZEALAND ALL BLACK [TV] (NZ, 2018-)

PhysDes: Article
Subject: AMALGAMATED HOLDINGS; INDUSTRY, FILM. NEW ZEALAND
Summary: Item announcing Amalgamated Theatres now being owned by Chase Holdings.

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: 70"01" (9) AOT
Author: Dennis, Jonathan; Usai, Paora Cherchi; Baylis, Ann; Harris, Witarina
CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy)
Place: Wellington, N.Z.
Publisher: Moa Films
PubDate: 1993
PhysDes: 44 p. : ill., ports ; 26 cm
Subject: AUSTRALIA. 1895-1930; NEW ZEALAND. 1895-1930; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and index
ISBN: 0473021730 (pbk.) : $15.00
LON: zbn93104287; 10665575

Call No: 414(93) ATT
Source: NZ
Publisher: Broadcasting Standards Authority
PubDate: c2001
PhysDes: 22 p. : ill. ; 30 cm
Subject: AUDIENCE RECEPTION. NEW ZEALAND
Notes: In English, with foreword in Ma¯ori, and executive summary in English and Ma¯ori
Language: Maori -- English

Call No: 027(93) AUS
Place: Albert Park, Victoria
Publisher: Australian Catalogue Publishing
PhysDes: v. ill. ; 30cm
Subject: DISTRIBUTION. AUSTRALIA; DISTRIBUTION. NEW ZEALAND; DOCUMENTARIES
Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- Introduction
Notes: Held: 1993 to 1994; 1991 to 1992; 1990 to 1991; 1989 to 1990;
ISSN: 1035-5302
Contents: Forward and introduction -- Category headings -- Distributor's codes and addresses -- Section 1: Feature films -- Section 2: Educational and special interest programmes -- Title index -- Directors' index

Call No: 161(94)AUS
Place: AT
Publisher: Australian Film Commission
PubDate: 1990
Subject: TELEVISION. AUSTRALIA; BROADCASTING. AUSTRALIA; SPECIAL BROADCASTING SERVICE; CHANNEL FOUR; TELEVISION. NEW ZEALAND; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA
Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."
Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka

Call No: 205.1 MAY
Author: May, Harvey
Source: AT
Place: Sydney; Brisbane, Queensland
Publisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media Policy
PubDate: 2002
PhysDes: 72 pages : 30cm.
Series: Screen Industry, Culture and Policy Research Series
Subject: CULTURE AND THE CINEMA; PROGRAMME POLICY; TELEVISION. AUSTRALIA; TELEVISION. UK; TELEVISION. NEW ZEALAND; TELEVISION. USA; ETHNIC GROUPS ON TV. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV
Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summary
Notes: Includes appendix of acronyms
ISBN: 0958015244
Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series

Call No: 761(931/94)(097.1) COL
Author: Colligan, Mimi
Source: AT
Place: Carlton South, Vic.
Publisher: Melbourne University Press
PubDate: 2002
PhysDes: xvi, 250 p. : ill. (some col.), ports, plans ; 22 cm x 28 cm
Subject: ART AND THE CINEMA; DOCUMENTARIES; PRE-CINEMA HISTORY; AUSTRALIA; NEW ZEALAND; ENTERTAINMENT. AUSTRALIA
Summary: "Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. These spectacular representations of scenery, current events or recent battles abroad were indeed documentaries on canvas-the first travelogues. The phenomenon of complex circular panoramas and dioramas took root in Australia and New Zealand in the 1850s. They drew enthusiastic crowds, brought good work for local artists, and propogated the glories of empire in all the capital cities they toured. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era. " -- BOOK JACKET
Notes: Includes bibiographical references and index; Bibliography: p 236-240
ISBN: 0522850197
Contents: -- acknowledgments -- picture show terminology -- preface -- introduction -- 1. Grand Tours for a Shilling: The English background -- 2. Moving Panoramas: Presenting the world and local exploits -- 3. Panorama Business: Far-off battles and armchair travel -- 4. Across the Stage: Moving panoramas in Australian theatre -- 5. Vesuvius in Melbourne: Outdoor modelled panoramas and fireworks -- 6. Pompeii in Australia: Pain's pyrotechnics and modelled panoramas -- 7. At the Battles: Cycloramas in Australia -- 8. Exhibiting Old Melbourne: The cyclorama of early Melbourne -- 9. Around the Country: The intercolonial cyclorama circuit -- 10. On the Move: The decline of panoramic picture shows -- list of illustrations -- notes -- select bibliography -- index --

Call No: F023(931)"1962" NEW
CorpAuthor: Tourist & Publicity Department New Zealand
Subject: NEW ZEALAND; FILMOGRAPHIES

Subject: KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); TARGET (US, Arthur Penn, 1985); BETTER OFF DEAD (US, Savage Steve Holland, 1985); TURTLE DIARY (UK, John Irvin, 1985); CBS; HOYTS; AUSTRALIA; NEW ZEALAND
Summary: Article on Hoyts distributing five CBS films in Australia and New Zeleand.

Call No: 71(931) CHU
Author: Churchman, Geoffrey B.
Source: NZ
Place: Wellington
Publisher: IPL Publishing Services
PubDate: 1997
PhysDes: 144 p. ; col. and b+w ill. : 29 cm
Subject: INDUSTRY, FILM. NEW ZEALAND; FILMMAKING
Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.
Notes: Includes select bibliography
ISBN: 09088776963
Language: English

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CENSORSHIP. NEW ZEALAND

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; DISTRIBUTION; DISTRIBUTION. NEW ZEALAND
Summary: Article on International Film Distribution changing its name to Kerridge Odeon Film Distribution and the success of the distributor chain in New Zealand.

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COAST NEW ZEALAND [TV] (NZ, 2015)

Call No: TITLE CLIPPINGS FILE; COAST NEW ZEALAND [TV] (NZ, 2015)
Author: Thomas, Sarah
PhysDes: Clippings
Subject: COAST NEW ZEALAND [TV] (NZ, 2015)
Summary: Short interview with presenter Neil Oliver.

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
URL status: URL: 'http://-' Checked: 31/08/2021 1:18:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: 058.7(931)DAT
Edition: 2012
Place: Auckland
Publisher: Mediaweb Ltd in association with Images & Sound and Onfilm magazine
PubDate: 2012
PhysDes: 210 p. ; 30 cm
Subject: NEW ZEALAND; PRODUCTION
ISBN: 047300627

Author: Cubitt, Sean
PhysDes: Article
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; DIGITAL TECHNOLOGY. NEW ZEALAND; DIGITAL PROJECTION; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND
Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: 71(94) WOR
Author: Goldsmith, Ben (ed.), Ryan, Mark David (ed.), Lealand, Geoff (ed.)
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect Books
PubDate: 2015
PhysDes: 364 pages ; 24 cm
Series: Directory of world cinema ; 19
Subject: WORLD CINEMA; AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; NEW ZEALAND; MAORI CINEMA
Summary: "Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries' cinema. Essays by leading critics and film scholars consider the significance of films of the outback and the beach, which is evoked as a liminal space in Long Weekend and a symbol of death in Heaven's Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong. Accompany the critical essays in this volume are more than 60 film reviews, complemented by full-colour film stills and significantly expanded references for further study. From The Piano to Red Dog, from Pictures to The Orator, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of two similar - but also different - and consistenly fascinating national cinemas." -- BOOK BLURB
Notes: Includes recommended reading; Includes filmography
ISBN: 9781841506340
Contents: Introduction: Australia -- Film of the Year -- Red Dog -- Festival Focus -- Brisbane International Film Festival -- Australian Film Locations -- Marketing Mix -- Finding International Audiences -- Star Study -- Errol Flynn -- Directors -- Jane Campion -- Arthur and Corrine Cantrill -- Ken G Hall -- Brian Trenchard Smith -- Action and Adventure -- Australian Animated Feature Films -- Comedian Comedy -- Crime -- Australian Gothic -- Horror -- Road Movie -- Science Fiction -- Thriller -- War -- The Australian Western -- Introduction: New Zealand -- Crossing the Ditch -- Directors -- Women Directors of Feature Films in New Zealand -- Annie Goldson -- Gaylene Preston -- Director Studies -- Costa Botes -- Yvonne Mackay -- Merata Mita -- Barry Barclay -- Christine Jeffs -- Experimental and Documentary Film -- Theatrical Documentary in New Zealand 2012 -- Genres of New Zealand Experimental Film -- 'Principled Patriotism' -- Emerging Asian New Zealand Film-makers in New Zealand Cinema

Call No: 71(93) DIR
Author: Goldsmith, Ben (ed.); Lealand, Geoff (ed.)
Place: Bristol, UK
Publisher: Intellect
PubDate: 2010
PhysDes: 339 p. : ill. ; 30 cm
Series: Directory of world cinema ; v. 3
Subject: AUSTRALIA; NEW ZEALAND; WORLD CINEMA; HOLMES, CECIL; Powell, Michael; WEIR, PETER; LUHRMANN, BAZ; HORROCKS, SHIRLEY; KOTHARI, SHUICHI; WARD, VINCENT; WHALE RIDER (NZ/GG, Niki Caro, 2002); PIANO, THE (AT, Jane Campion, 1993); WOLF CREEK (AT, Greg McLean, 2005)
Summary: "This edition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, thier film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.
Notes: Includes bibliographical references
ISBN: 9781841503684
Contents: -- acknowledgments -- Introduction : Australian cinema -- Directors -- Cecil Holmes (1921-1994) -- Michael Powell (1905-1990) -- Peter Weir (1944-) -- Baz Luhrmann (1962-) -- Disability in the Australian cinema -- Short films -- Bushranger -- War cinema -- Crime -- Prison -- Period -- Comedy -- Coming of age -- Horror -- Road movies -- Science fiction and fantasy -- Ozploitation -- New Zealand: Introduction : New Zealand film in 2009: Geoff Lealand -- Experimental film: Martin Rumsby -- Directors -- Shirley Horrocks -- Shuichi Kothari -- Vincent Ward -- Genre and themes -- recommended reading -- Australia & New Zealand cinema online -- notes on contributors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=584346' Checked: 31/08/2021 1:24:36 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DISTRIBUTION. NEW ZEALAND

Call No: 761(94) DOC
Copy Management: Copy 1; Copy 2
Author: Beilby, Peter; Lansell, Ross
CorpAuthor: Film Victoria
Place: North Melbourne
Publisher: Cinema Papers in association with Film Victoria
PubDate: c1982
PhysDes: 205 p. : ill., ports. ; 27 cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; GOVERNMENT ORGANIZATIONS. AUSTRALIA; FILMMAKING. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND; INDUSTRY, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA; PRODUCTION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; BAKER, SUZANNE; EDWARDS, JOHN; MCMAHON, TERENCE; BRADBURY, DAVID; NOONAN, CHRIS; HURLEY, FRANK; GRIERSON, JOHN
Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.
Notes: Includes index
ISBN: 0959564721 : $12.95 Aust
LON: 2380995
Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. NEW ZEALAND

Call No: MICROFILM - 24 Oct. 1923 - 8 Sept. 1926
Source: AT
Place: Sydney, N.S.W.
Publisher: Famous Lasky Film Service
PubDate: 1923-1926
Subject: EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND; EXHIBITION OF SILENT FILMS
Notes: --"Devoted to the interests of the motion picture in Australia and New Zealand."--cover; --Description based on: v.2, no. 1 (2 Jan. 1924)

Call No: 81 WAI BAN
Author: Bannister, Matthew
Edition: 2021
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: 304 pages : illustrated ; 23 cm
Subject: WAITITI, TAIKA; NEW ZEALAND; RACIAL ISSUES AND THE CINEMA; COMEDIES
Summary: Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi is the first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi’s feature films and places his other works and performances—short films, TV series, advertisements, music videos, and media appearances—in the fabric of popular culture. The book’s thesis is that Waititi’s playful comic style draws on an ironic reading of NZ identity as Antipodean camp, a style which reflects NZ’s historic status as colonial underdog. The first four chapters of Eye of the Taika explore Waititi’s early life and career, the history of New Zealand and its film industry, the history of local comedy and its undervaluation in favor of more "serious" art, and ethnicity in New Zealand comedy. Bannister then focuses on Waititi’s films, beginning with Eagle vs Shark (2007) and its place in "New Geek Cinema," despite being an outsider even in this realm. Bannister uses Boy (2010) to address the "comedian comedy," arguing that Waititi is a comedic entertainer before being a director. With What We Do in The Shadows (2014), Bannister explores Waititi’s use of the vampire as the archetypal immigrant struggling to fit into mainstream society, under the guise of a mockumentary. Waititi’s Hunt for the Wilderpeople (2016), Bannister argues, is a family-friendly, rural-based romp that plays on and ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok (2017) launched Waititi into the Hollywood realm, while introducing a Polynesian perspective on Western superhero ideology. Finally, Bannister addresses Jojo Rabbit (2019) as an "anti-hate satire" and questions its quality versus its topicality and timeliness in Hollywood. By viewing Waititi’s career and filmography as a series of pranks, Bannister identifies Waititi’s playful balance between dominant art worlds and emergent postcolonial innovations, New Zealand national identity and indigenous Aotearoan (and Jewish) roots, and masculinity and androgyny. Eye of the Taika is intended for film scholars and film lovers alike. -- publisher's web site
ISBN: 9780814345337

Call No: 71(59) FIL
Author: Hanan, David
Source: V
Place: Hanoi
Publisher: South East Asia-Pacific Audio Visual Archive Association
PubDate: 2001
PhysDes: 320 p. : ill. ; 24 cm
Subject: ASIAN COUNTRIES; AUSTRALIA; CAMBODIA; INDONESIA; MALAYSIA; NEW ZEALAND; PHILIPPINES; SINGAPORE; THAILAND; VIETNAM; SIHANOUK, NORODOM
ISBN: 0642705127

Call No: 230:33 BEE
Author: Sue Beeton
Place: Clevedon
Publisher: Channel View Publications
PubDate: 2005
PhysDes: 270 p. ; 23 cm
Series: Aspects of Tourism
Subject: TRAVEL IN FILMS; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. USA; LOCATION SHOOTING. UK; ADVERTISING FOR FILMS; NEW ZEALAND; STUDIOS, FILM. AUSTRALIA
Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]
ISBN: 1845410149

Call No: 71(931) SOW
Author: Sowry, Clive, 1955; Dennis, Jonathan
CorpAuthor: New Zealand Film Archive; Friends of the Film Archive (N.Z.)
Place: Wellington, N.Z.
Publisher: New Zealand Film Archive : Friends of the Film Archive
PubDate: 1984
PhysDes: 16 p. : ill., ports. ; 22 cm
Subject: HISTORY OF CINEMA. NEW ZEALAND; HAYWARD, RUDALL
Notes: Revision of article previously published in Cinema papers special issue, The New Zealand film industry, May-June, 1980
ISBN: 0959770607 (pbk.) : $2.50
LON: zbn84008904; 3753056

Call No: 205.1(94) FIL
Author: Moran, Albert
CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)
Place: [Queensland], Australia
Publisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University
PubDate: 1994
PhysDes: iii, 193 p. ; 30 cm
Series: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University
Subject: STATE AND THE CINEMA. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. UK; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. AUSTRALIA; QUOTA. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND TV; MAORI CINEMA; ADVERTISING FOR FILMS. AUSTRALIA; INDEPENDENT PRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; NEW SOUTH WALES FILM AND TELEVISION OFFICE; QUEENSLAND FILM DEVELOPMENT OFFICE
Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical references
ISBN: 0868575453
LON: 9849431

Call No: REFERENCE SECTION; 027(931) LAN
CorpAuthor: New Zealand Federation of Film Societies
Source: NZ
Place: Wellington, New Zealand
Publisher: New Zealand Federation of Film Societies
PubDate: [1998?]
PhysDes: 1 v.
Subject: NEW ZEALAND; DISTRIBUTION. NEW ZEALAND; SOCIETIES, FILM
Notes: Catalogue for NZFFS' permanent collection of films. Includes features introductions and filmographies of filmmakers.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOOD SOURCE: NEW ZEALAND [TV]

Call No: 71(931=1-81) HOK
Author: Hokowhitu, Brendan -- Devadas, Vijay
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2013
PhysDes: l, 251 pages : illustrations, portraits ; 26 cm
Subject: MAORI CINEMA; MAORI IN FILMS; NEW ZEALAND; NEW ZEALAND IN FILMS
Summary: "The Fourth Eye brings together Indigenous and noin-Indigenous scholars to provide a critical and comprehensive account of the intricate and complex relationship between the media and Maori culture. Examining the Indigenous mediascape, The Fourth Eye shows how Maori filmmakers, actors and media producers have depicted conflicts over citizenship rights and negotiated the representation of Indigenous people" - taken from back cover
ISBN: 9780816681044
Contents: Machine generated contents note: pt. I Mediated Indigeneity: Representing the Indigenous Other -- 1.Governing Indigenous Sovereignty / Vijay Devadas -- 2.Postcolonial Trauma / Allen Meek -- 3.Promotional Culture and Indigenous Identity / Jay Scherer -- 4.Viewing against the Grain / Brendan Hokowhitu -- 5.Consume or Be Consumed / Suzanne Duncan -- pt. II Indigenous Media: Emergence, Struggles, and Interventions -- 6.Theorizing Indigenous Media / Brendan Hokowhitu -- 7.Te Hokioi and the Legitimization of the Maori Nation / Lachy Paterson -- 8.Barry Barclay's Te Rua / April Strickland -- 9.Reflections on Barry Barclay and Fourth Cinema / Stephen Turner -- pt. III Maori Television: Nation, Culture, and Identity -- 10.The Maori Television Service and Questions of Culture / Chris Prentice -- 11.Maori Television, Anzac Day, and Constructing "Nationhood" / Sue Abel -- 12.Indigeneity and Cultural Belonging in Survivor-Styled Reality Television from New Zealand / Joost De Bruin

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; COMIN' AT YA! (US, Ferdinando Baldi, 1981)
Summary: Article on the new partnership between Greg Lynch Film Distributors and Proequity Entertainments Limited.

Call No: 71(931) DEN
Author: Dennis, Jonathan
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Place: Sydney
Publisher: Museum of Contemporary Art
PubDate: 1992
PhysDes: 39 p. : ill. ; 21 cm
Subject: NEW ZEALAND
Notes: Series presented at the MCA, Circular Quay/The Rocks, Sydney, 31 March-28 June 1992; Includes index
ISBN: 047701576X
LON: 10332407

Call No: REFERENCE SECTION; 03(94:931) HIS
Author: Albert Moran & Errol Veith
Place: Lanham, Maryland
Publisher: Scarecrow Press, Inc.
PubDate: 2005
PhysDes: hardcover; 22 cm; 414 p
Series: Historical Dictionary of Literature and the Arts
Subject: AUSTRALIA; NEW ZEALAND
Summary: Whether it was Jane Campion’s The Piano, Mad Max with Mel Gibson, Crocodile Dundee with Paul Hogan, or The Lord of the Rings trilogy, we have all experienced the cinema of Australia and New Zealand. Historical Dictionary of Australian and New Zealand Cinema is an introduction and guide to the films of these countries. Although more scholarly than a cinema or fan magazine, it covers some of the same ground, with entries on exceptional producers, directors, writers, actors, and many films. It also presents the early pioneers, the cinemas themselves, film companies, and government bodies, and much more in its hundreds of dictionary entries. From a chronology that shows how these movies have evolved to an introduction that presents them more broadly, a clear portrait of the two countries’ films emerge. The bibliography is an excellent resource for further reading. [Taken from back cover.]
ISBN: 081085459

Call No: REFERENCE SECTION; 03(94:931) HIS
Author: Aveyard, Karina; Moran, Albert; Vieth, Errol
Edition: Second edition
Source: AT/UK/US
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: c2018
PhysDes: xxxv, 404 pages, 8 unnumbered pages of plates : illustrations ; 24 cm
Series: Historical dictionaries of literature and the arts
Subject: AUSTRALIA; NEW ZEALAND; FILM; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND
Summary: " Australian Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. Australian audiences make some of these films profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world's best in making films with international themes, other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country." -- BOOK BACK COVER
Notes: Previous edition was written by Albert Moran and Errol Vieth and published by Scarecrow, 2005; Includes bibliographical references (pages 347-402)
ISBN: 9781538111260
Contents: -- editor's foreword -- preface -- reader's note -- Australia -- acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- New Zealand / Aotearoa -- Acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- bibliography -- about the authors --

Author: Wakefield, Philip
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NATIONAL CONTENT. AUSTRALIA; NATIONAL CONTENT. NEW ZEALAND
Summary: New Zealand may introduce local content quotas. If this happens, NZ programs will no longer be counted as Australian-made by the ABA.

Call No: held no.1-no.23 Summer 1986-Winter 1994; no. 35- Winter 2003-
CorpAuthor: Victoria University of Wellington. Drama Studies; Illusions (Wellington, N.Z.)
Source: NZ
Place: Wellington, N.Z.
Publisher: Imaginary Partnership
PubDate: 1986
PhysDes: v. : ill. ; 30 cm
Subject: NEW ZEALAND
Notes: Title from cover; Cassettes accompany some issues
ISSN: 0112-9341
Frequency: Three times a year, <summer 1991/1992-
LON: sn 87020628; 5562767

Call No: 81BAR MUR
Author: Murray, Stuart
Source: NZ
Place: Wellington
Publisher: Huia
PubDate: 2008
PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cm
Subject: CRITICISM; PRODUCTION; DIRECTION; DOCUMENTARY FILMS; NEW ZEALAND; MAORI CINEMA; MAORI IN FILMS; BARCLAY, BARRY; MATTER OF TASTE, A (NZ, Barry Barclay,1968); SPINNINING A YARN (NZ, Barry Barclay, 1971) ALL THAT WE NEED (NZ, Barry Barclay, 1972) THERE&#039;S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972) IN THE COMPANY OF TREES (NZ, Barry Barclay,; ASHES (NZ,1975) [TV]; HUNTING HORNS [TV] (NZ,1976); WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV]; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977); AKU MAHI WHATU MAORI (NZ, 1977) [TV]; MY ART OF MAORI WEAVING (NZ,1977) [TV]; MAHAWELI (NZ, Barry Barclay,1979) NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985); KAMATE! KAMATE! (NZ, Barry Barclay, 1987); NGATI (NZ, Barry Barclay, 1987); TE UREWERA (NZ, 1987) [TV]; TE RUA(NZ/G Barry Barclay, 1991); STOREHOUSE, THE( NZ, Barry Barclay,1991); FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000); KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005)
Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.
Notes: Bibliography: p. 99-103; Includes filmography; Includes index
ISBN: 9781869693282

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. NEW ZEALAND

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, TV. NEW ZEALAND

PhysDes: Article
Subject: FRENCH LIEUTENANT&#039;S WOMAN, THE (UK, Karel Reisz, 1981); ARTHUR (US, Steve Gordon, 1981); SCARECROW, THE (NZ, Sam Pillsbury, 1982); INDUSTRY, FILM. NEW ZEALAND; CINEMAS. NEW ZEALAND; NEW ZEALAND FILM COMMISSION
Summary: Article and photographs from the opening of the Regent Centre in Wellington, New Zealand.

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; RACE FOR THE YANKEE ZEPHER (AT/NZ, David Hemmings, 1981); CHARITY APPEALS AND THE CINEMA; HEMMINGS, DAVID
Summary: Article and photos from the opening of Christchurch's new Regency Odeon cinema. The premiere film was 'The Race for the Yankee Zephyr'.

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: The New Zealand Film Censorship Board of Review have turned down the appeal on the ban of the film Mad Max

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Maddox, Garry
Subject: DVD; DVD, FILMS ON; EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND
Summary: The difficulties country cinemas might face due to the DVD boom. Stats used to say that this will be a problem looks at NZ cinema.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). <http://global.factiva.com>

Call No: 79 LOR BRO
Author: Brodie, Ian
Edition: Extended ed.
Source: NZ
Place: Auckland, NZ
Publisher: Harper Collins
PubDate: 2004
PhysDes: 176 p. : ill., col. maps, col. ports ; 23 cm
Subject: LOCATION SHOOTING. NEW ZEALAND; NEW ZEALAND; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); TOURISM AND THE CINEMA
Summary: The book contains movie, and location photographs, maps, location, directions, touring information, and internet addresses from around New Zealand, and directly connected to the filming of The Lord of the Rings trilogy
ISBN: 1869505301

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: Censorship of Mad Max in New Zealand due to clashes between motorcycle gangs and police

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond &amp; Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill &amp; Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan &amp; Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL&#039;S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, &#039;One in Seven&#039;, 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY&#039;RE A WEIRD MOB (AT, Michael Powell, 1966); THEY&#039;RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson &amp; Costa Botes, 1996); ROSIE&#039;S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Author: De Souza, Pascale
PhysDes: Article
Subject: MAORI IN FILMS; NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND; WHALE RIDER (NZ/GG, Niki Caro, 2002); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994)
Summary: Whale rider and Once were warriors portray families who struggle to reconcile their Maori identity with life in twentieth-century Aotearoa/New Zealand. The two movies mirror one another in so far as the former features a Maori chieft struggling to prevent the loss of Maori culture within his rural tribal group while the latter follows a nuclear family struggling to reconcile its urban identity with its rural Maori roots. Both movies pit an image of the city as an urban ghetto associated with 'social deprivation and lack of traditional culture' against that of the country as site of 'Maori cultural identity and salvation' (Spooner 2001: 95). The task of reconciling both falls to women who must undergo symbolical and/or actual death before being reborn as leaders. Though both movies conclude on a hopeful note, the path to reconciliation they suggest points 'to a contradiction which continues unresolved in practical reality' (Webster 1998: 39) and fails to address issues inherent in the concept of Maoritanga'

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ZEALAND

Author: Wakefield, Philip
PhysDes: Article
Subject: DIGITAL TECHNOLOGY. NEW ZEALAND; PAY TV. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND
Summary: While the pay TV channels secure audiences for digital broadcasting in New Zealand, the NZ government is slowly developing a policy for free-to-air broadcasters to begin digital broadcasting.

Call No: 408.1(931) NEW
Author: Fox, Alistair (ed.); Grant, Barry Keith (ed.); Radner, Hilary (ed.)
Source: UK/US
Place: Bristol, UK
Publisher: Intellect
PubDate: 2011
PhysDes: 350 p. : ill. ; 23 cm
Subject: FILM CULTURE; MAORI CINEMA; NEW ZEALAND; NEW ZEALAND IN FILMS; CULTURE AND THE CINEMA
Summary: " New Zealand has produced one of the world's most vibrant film cultures - testament to the country's evolving history. From early silent features like The Te Kooti Trail to recent films such as River Queen, this book examines the role of cinema in building a shared sense of national identity. The works of key directors, including Peter Jackson, Jane Campion and Vincent Ward, are introduced in a new light, and select films are given in-depth coverage. With informative accounts of New Zealands fascintaing national cinema, this will be a must for film scholars around the globe. " -- BOOK BLURB
ISBN: 9781841504254
Contents: -- Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te Kooti Trail (1927) and Rewi's Last Stand/The Last Stand (1940); Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures; Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages; Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950s New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films. Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa; Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography;bibliography; contributors; index --

Call No: REFERENCE SECTION; 023(931) NEW
PubDate: 1985
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogue for the film program New Zealand Cinema and its Directors which screened at the American Institute Theatre , Washington DC, 1-29 October 1985.

Call No: REFERENCE SECTION; 023(931) NEW
CorpAuthor: New Zealand Film Commission
PubDate: [199?]
Subject: NEW ZEALAND; DOCUMENTARIES; FILMOGRAPHIES
Notes: Catalogue

Call No: REFERENCE SECTION; 023(931) NEW
CorpAuthor: New Zealand Film Commission
PubDate: 1997
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogue

Call No: 71(931) DUN
Author: Dunleavy, Trisha; Joyce, Hester
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2011
PhysDes: 291 p. : ill. ; 24 cm
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND; MAORI IN FILMS; SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); NGATI (NZ, Barry Barclay, 1987); SHORTLAND STREET [TV] (NZ, 1992-); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WHALE RIDER (NZ/GG, Niki Caro, 2002); BOY (NZ, Taika Waititi, 2010)
Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURB
Notes: includes glossary of Maori terms; includes bibliographical references; includes index
ISBN: 9781841504575
Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ZEALAND FILM ARCHIVE

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE; PRESERVATION OF FILMS
Summary: Update on the New Zealand film archive's Manley Collection as well as the Edwin Coubray negatives.

Call No: held no.2-26 Mar. 1982-Feb. 1991
CorpAuthor: New Zealand Film Archive
Source: NZ
Place: Wellington, N.Z.
Publisher: The Archive
PubDate: 1981
PhysDes: v. ; 30 cm
Subject: New Zealand Film Archive Periodicals
LON: abn82021994; 2217765

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ZEALAND FILM COMMISSION

Call No: ANNUAL REPORT SHELVES; held 1997/98-2011; DIGITAL FILES; held 2007/08-2020/21
CorpAuthor: New Zealand Film Commission
Source: NZ
Place: Wellington, N.Z.
Publisher: Govt. Printer
PhysDes: v. ; 24 cm
Subject: NEW ZEALAND FILM COMMISSION
Notes: Issue for 30 June 1990 covers 15 months; Description based on: 31 Mar. 1983; title from cover
Order Notes: Current
Frequency: Annual
LON: 4325333

Call No: FESTIVAL CATALOGUE SHELVES held 2000-
Source: NZ
Place: Wellington, New Zealand
Publisher: New Zealand Film Festival Trust
PubDate: 2000-
Subject: FESTIVALS. NEW ZEALAND
Order Notes: Current

Call No: 71(931) NEW
Author: Conrich, Ian (ed); Murray, Stuart (ed)
Source: US
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: C2007
PhysDes: xiii, 374 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: MAORI CINEMA; NEW ZEALAND; LYE, LEN; O&#039;SHEA, JOHN; PRESTON, GAYLENE; BARCLAY, BARRY; MITA, MERATA; WELLS, PETER; DONALDSON, ROGER; MURPHY, GEOFFREY; MUNE, IAN; LAWRENCE, BRUNO; LAING, JOHN; REID, JOHN; NARBEY, LEON; WARD, VINCENT; CAMPION, JANE; MACLEAN, ALISON; JACKSON, PETER (NZ); BLYTH, DAVID; BAD BLOOD (NZ, Mike Newell, 1981); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); BOUNTY, THE (UK/US, Roger Donaldson, 1984); BRAINDEAD (NZ, Peter Jackson, 1992); BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986); CADILLAC MAN (US, Roger Donaldson, 1990); DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); FORGOTTEN SILVER (NZ, Peter Jackson &amp; Costa Botes, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence Bayler
Notes: Bibliography: p. 349-353; Includes index
ISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)

Call No: F023(931)"1967/8" NEW
CorpAuthor: New Zealand National Film Unit
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogue

Call No: FESTIVAL CATALOGUE SHELVES held 2000-2001, 2003, 2006
CorpAuthor: New Zealand Film Festival Trust
Source: NZ
Place: New Zealand
Publisher: The Festival
PubDate: 2000-2006
PhysDes: 4 v. : ill. ; 23-24 cm
Subject: FESTIVALS. NEW ZEALAND; WORLD CINEMA; EUROPEAN CINEMA; NEW ZEALAND IN FILMS
Notes: The New Zealand International Film Festivals is a compilation of feature length films, documentaries, animated and short films that have previously toured the country under a different festival title. The festival program contains numerous black and white and colour stills, as well as film synopses of each film screened. Also includes an index. NB. Prior to 2003, the festival was titled: The New Zealand Film Festival.

Author: Wansbone, Ernie
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Pieces of film news from New Zealand

Author: Wansbone, Ernie
Subject: NEW ZEALAND
Summary: Film news concerning New Zealand

Author: Wansbone, Ernie
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND
Summary: News items concerning New Zealand films

Author: Wansbone, Ernie
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand

Author: Wansbone, Ernie
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from across New Zealand

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Brief film related news from New Zealand

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Films news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: DISMISSAL, THE [TV] (AT, George T. Miller &amp; others, 1983); FRIDAY THE 13TH: THE FINAL CHAPTER (US, Joseph Zito, 1984); INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; ORION PICTURES
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; CINEMAS. NEW ZEALAND; ANNIE (US, John Huston, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Film news from New Zealand.

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; SAVAGE ISLANDS (NZ, Ferdinand Fairfax, 1983); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EVIL UNDER THE SUN (UK?, Guy Hamilton, 1982)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); PARADISE (CN, Stuart Gillard, 1982); MERRY CHRISTMAS MR. LAWRENCE (UK/JA, Nagisa Oshima, 1983)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; MERRY CHRISTMAS MR. LAWRENCE (UK/JA, Nagisa Oshima, 1983)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE; BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; COLUMBIA PICTURES; BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); O&#039;NEAL, TATUM
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM ARCHIVE; MUNE, IAN
Summary: various news items from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; ANNAKIN, KEN; CABLE TV; NEILL, SAM; DONALDSON, ROGER
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; FRENCH LIEUTENANT&#039;S WOMAN, THE (UK, Karel Reisz, 1981); TWENTIETH CENTURY-FOX; IN SPRING ONE PLANTS ALONE (NZ, Vincent Ward, 1982); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980)
Summary: Film news from New Zealand.

Author: Wansbone, Ernie
Subject: NEW ZEALAND
Summary: Small news pieces on film and the film-world in New Zealand

Call No: F023931)"year" NEW
CorpAuthor: New Zealand Film Commission
Subject: NEW ZEALAND; FILMOGRAPHIES
Notes: Catalogues. Variously titled New Zealand's New Films (1981), New Zealand New Films (1982), New Films from New Zealand (1983/84) and New Zealand's 36 Feature Films (1985/86).

Author: Wakefield, Philip
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; NEW ZEALAND FILM COMMISSION
Summary: New Zealand will release a record number of films in 2000. This is partly due to New Zealand Film Commission initiatives, some of which have been controversial.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; POLYESTER (US, John Waters, 1981); RETURN OF THE JEDI (US, Richard Marquand, 1983)
Summary: Film news from New Zealand

PhysDes: Article
Subject: NEW ZEALAND FILM ARCHIVE; ARCHIVES &amp; INSTITUTES, FILM
Summary: article on the success of the New Zealand Film Archive and its need for mroe space.

PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; CINEMA MANAGEMENT
Summary: Article on Amalgamated Theatres' new owners looking to expand.

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: Snippet on Mad Max's ban in New Zealand mentioning fears that young people, particularly Maoris may copy the violence in the film