Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan
London New York: Routledge, 1999.
Call No: 753 ADA Author: Cartmell, Deborah; Whelehan, Imelda Source: US/UK Place: London New York Publisher: Routledge PubDate: 1999 PhysDes: xvii, 247 p. : ill. ; 24 cm Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB Notes: Includes bibliographical references (p. 226-238) and index ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper) LON: 14255526 Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan More info
Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner
Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUS Author: Tulloch, John, 1942; Turner, Graeme Place: Sydney Publisher: Allen & Unwin PubDate: 1989 PhysDes: xv, 204 p. ; 22 cm Series: Australian cultural studies Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1995?); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and index ISBN: 0043800300 (pbk.) : price unknown LON: 6398616 More info
Bollywood : the Indian cinema story / Nasreen Munni Kabir
London: Channel 4 Books, 2001.
Call No: 71(540) KAB Author: Kabir, Nasreen Munni Source: UK Place: London Publisher: Channel 4 Books PubDate: 2001 PhysDes: 230 p.,  p. of plates ; 24 cm Subject: BOLLYWOOD; HEROS IN FILMS; HEROINES IN FILMS; MYTH AND THE CINEMA. INDIA; TELEVISION AND THE CINEMA; VILLAINS IN FILMS; AKHTAR, JAVED; ANAND, DEV; BACHCHAN, AMITABH; BHANSALI, SANJAY LEELA; BURMAN, S.D; DARSHAN, DHARMESH; DESAI, MANMOHAN; DIXIT, MADHURI; DUTT, GURU; JOHAR, KARAN; KAPOOR, RAJ; KHAN, MENBOOB; KHAN, SHAHRUKH; KUMAR, DILIP; ROY, BIMAL; SIPPY, RAMESH; AAN (II, Menboob, 1952); BHARAT MATA (II, Mehboob, 1957); PYASSA (II, Guru Dutt, 1957); RAMAYAMA (II, Ramanand Sagar, 1987-); RAJA HINDUSTANI (II, Dharmesh Darshan, 1996); SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X More info
Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann
Amsterdam: Amsterdam University Press, 1998.
Cinema futures: Cain, Abel or cable? : The screen arts in the digital age / Thomas Elsaesser
Amsterdam: Amsterdam University Press, 1998.
Call No: 202 CIN Author: Elsaesser, Thomas
Hoffmann, Kay Place: Amsterdam Publisher: Amsterdam University Press PubDate: 1998 PhysDes: 312 pages : ill. ; 25 cm Series: Film culture and translation Subject: DIGITAL CINEMA; DIGITAL DISTRIBUTION; DIGITAL MEDIA AND THE CINEMA; DIGITAL TELEVISION; COMPUTERS AND THE CINEMA; TELEVISION AND THE CINEMA; TELEVISION AND THE ARTS; TELEVISION, FILMS SHOWN ON; VIRTUAL REALITY Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- Blurb Notes: Includes bibliographical references, notes and index ISBN: 9053563121 Donation: Adrien Miles Contents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser
19. The television screen: from spoil-sport to game-maker / Ed Tan
20. Random access rules / Grahame Weinbren
21. Electronic cinema: On the way to the digital / Kay Hoffmann
22. The assault of computer-generated worlds on the rest of time / Martin Emele More info
Cinema, television : les chaines de la creation : colloque international du 6 au 7 octobre 1983 ... au Goethe Institut ... Paris / [realise par Clara Burckner et al.]
Paris: L'Institut, 1983?].
A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye
Hoboken, New Jersey: Wiley-Blackwell, 2019.
Available at ProQuest (RMIT login required) Call No: 71(94) COM Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie Source: US/UK Place: Hoboken, New Jersey Publisher: Wiley-Blackwell PubDate: 2019 PhysDes: xxii, 581 pages ; 26 cm Series: Wiley Blackwell companions to national cinema Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; AUSTRALIAN ABORIGINAL CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX : FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (AT/US/DK, Phil Lord & Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket Notes: Includes bibliographical references and index -- signed by Felicity Collins ISBN: 9781118942529 Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark More info
Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith
London New York: Routledge, 1998.
Call No: 71(73) CON Author: Neale, Stephen; Smith, Murray, 1962 Place: London New York Publisher: Routledge PubDate: 1998 PhysDes: xxii, 338 p. : ill. ; 24 cm Subject: USA; HOLLYWOOD; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACKS, FILMS MADE BY. USA; BLACKS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. -318) and index ISBN: 0415170095; 0415170109 (pbk.) LON: 98005952; 13736490 More info
The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko
Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CON Author: McDonald, Paul; Wasko, Janet Source: US Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria Publisher: Blackwell Publishing PubDate: 2008 PhysDes: 326 p. : ill. ; 25 cm Subject: HOLLYWOOD; INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover) Notes: Includes index ISBN: 9781405133883 URL status: URL: 'http://-'
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Details: Failed to send HTTP request (WinHttpSendRequest) More info
The effects of television / edited by James D. Halloran
London: Panther, 1970.
European Film Industries / Anne Jackel
London: British Film Institute, 2003.
The fifth celtic film and television festival : Cardiff, Wales, April 1984 / The celtic film and television festival
Wales: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVES Place: Wales Publisher: [s.n.] PubDate: 1984 PhysDes: 1 v. : ill. ; 30 cm Subject: FESTIVALS. WALES; FOREIGN FILMS
USE: IMPORT OF FILMS; SHORT FILMS; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; TELEVISION. UK; DOCUMENTARY FILMS Notes: The Fifth Celtic Film and Television Festival includes a selection of feature length films, short films, documentaries and television programs. The festival program has an emphasis on film and television from Celtic nations such as Wales, Ireland, Scotland and France. The catalogue also includes numerous black and white stills and film synopses. NB. The festival catalogue is in English, French and Welsh languages. More info
The film and the public / Roger Manvell
Harmondsworth, Middlesex: Penguin, 1955.
Hollywood in the age of television / edited by Tino Balio
Boston: Unwin Hyman, 1990.
Call No: 71(73) HOL Author: Balio, Tino Place: Boston Publisher: Unwin Hyman PubDate: 1990 PhysDes: 428 p. ; 24 cm Subject: USA; TELEVISION AND THE CINEMA Notes: Includes bibliographical references and index ISBN: 0044458371; 0044458363 (pbk.) LON: 7164383 More info
In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham
St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUN Author: Cunningham, Stuart Place: St Lucia, Qld Publisher: University of Queensland Press PubDate: 2008 PhysDes: xxxix, 294 p. ; 23 cm Subject: CULTURE AND THE CINEMA. AUSTRALIA; IMPERIALISM AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; BAXTER, JOHN; MURDOCH, RUPERT; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984); LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986); MAD MAX (AT, George Miller, 1979); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); NEIGHBOURS [TV] (AT, 1985-); OVERLANDERS, THE (UK, Harry Watt, 1946); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisher Notes: Includes bibliographical references and index ISBN: 9780702236709 More info
Italian national cinema, 1896-1996 / Pierre Sorlin
New York: Routledge, 1996.
Call No: 71(45) SOR Author: Sorlin, Pierre Place: New York Publisher: Routledge PubDate: 1996 PhysDes: viii, 202 p. : ill. ; 23 cm Series: National cinemas series Subject: ITALY; NEOREALISM; TELEVISION AND THE CINEMA. ITALY; FASCISM AND THE CINEMA. ITALY; DOCUMENTARY FILMS. ITALY; ANTONIONI, MICHELANGELO; BLASETTI, ALESSANDRO; PAGANO, BARTOLOMEO; NAZZARI, AMEDEO; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; Pasolini, Pier Paolo; Fellini, Federico Notes: Filmography: p. (181)-202; Includes bibliographical references and index ISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper) LON: 12008493 More info
The living screen : background to the film and television / by Roger Manvell
London: George C. Harrap, 1961.
Private screenings : television and the female consumer / Lynn Spigel and Denise Mann, editors
Minneapolis: University of Minnesota Press, 1992.
Call No: 722-02 PRI Author: Spigel, Lynn; Mann, Denise Place: Minneapolis Publisher: University of Minnesota Press PubDate: 1992 PhysDes: xiii, 293 p. : ill. ; 24 cm Series: Camera obscura book Subject: WOMEN AND TV; WOMEN, PROGRAMMES FOR; CONSUMERS AND TV; SITUATION COMEDY; POSTMODERNISM AND TV/VIDEO; MELODRAMA; SOAP OPERAS; RACIAL STEREOTYPES ON TV; FAMILY ON TV; MARRIAGE ON TV; STARS; BLACKS ON TV; CLASS AND TV; FEMINISM AND TV; TELEVISION AND THE CINEMA; HOMOSEXUALITY ON TV; GENDER AND TV; GLESS, SHARON; FOSTER, MEG; DALY, TYNE; CARROLL, DIAHANN; KANTNER, HAL; RAYE, MARTHA; MARTHA RAYE SHOW, THE [TV] (US, 195?-55); JULIA [TV] (US, 1968-71); CAGNEY AND LACY [TV] (US, 1982-88); KATE AND ALLIE [TV] (US, 1984-88); GENERAL HOSPITAL [TV] (US, 1963-); GOLDBERGS, THE [TV] (1949-55?); LEAVE IT TO BEAVER [TV] (US, 1957-63); FATHER KNOWS BEST [TV] (US, 1954-60); ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and index ISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper) LON: 91040919; 8544849 More info
"Rock Pavilion"- a new TV mini-series with a difference : A development for 1984:
Australasian Cinema (15/7/1983) vol.12 iss.12 p.30 More info
Small screen aesthetics : from TV to the Internet / Glen Creeber
London: Palgrave Macmillan, 2013.
subject clippings file
TELEVISION AND THE CINEMA
Telling Stories: cinema, history & experience : The XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, Melbourne, November 16-19, 2006 / conference presented by RMIT and Monash University, co-convened by Adrian Danks, Con Verevis, Deb Verhoeven, and Deane Williams, with assistance from Ken Berryman (National Film and Sound Archive)
Call No: 45:93 HIS CorpAuthor: RMIT; Monash University Source: AT Place: [Melbourne] PubDate:  PhysDes: 147p. ; 21 cm Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND; HISTORY OF TV; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; CONFERENCES. AUSTRALIA; CONFERENCES. AUSTRALIA. FILM AND HISTORY; CONFERENCES. AUSTRALIA. FILM AND HISTORY. 2006; CONFERENCES. AUSTRALIA. HISTORY AND FILM Summary: "The Film and History Conference is held every two years and is an opportunity for international film scholars, archivists, and filmmakers to present their thoughts on recent debates and events in the fields of: film history, national and transnational cinemas, film theory, film practice and the importance of cinema to specific communities...the XIIIth Biennial Conference of the Australian and New Zealand Film and History Association will adopt four main themes: Historical Film Theory and Criticism, Film, Memory and Allusion, The Social Experience of Cinema-going, The Junction of Television and Film" -- INTRODUCTION Notes: This is copy 2, there is another copy listed on the system (different DB Textworks entry), but it cannot presently be located; Notes on conference: XIII Conference of the Film and History Association of Australia and New Zealand More info
Utopian television : Rossellini, Watkins, and Godard beyond cinema / Michael Cramer
Minneapolis, MN: University of Minnesota Press, 2017.
Call No: 21(4) CRA Author: Cramer, Michael Place: Minneapolis, MN Publisher: University of Minnesota Press PubDate: 2017 PhysDes: xxiii,276 p. : illustrations ; 22 cm Subject: TELEVISION, FILMS MADE FOR; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; ROSSELLINI, ROBERTO; WATKINS, PETER; GODARD, JEAN-LUC; WAR GAME, THE (UK, Peter Watkins, 1966); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) Summary: Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.
Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.
As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well. - publisher's web site ISBN: 9781517900397 Contents: Contents -- Introduction. The Land beyond Cinema: Television and Utopian Method -- 1. The Promise of Television: Making Utopia Possible -- 2. Television as Enlightenment: Roberto Rossellini’s History Lessons -- 3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC -- 4. Radical Communications: Jean-Luc Godard on and around Television -- 5. Utopia after Television: Media Mutations and Transplantations -- Acknowledgments -- Notes -- Index ID2: 286 More info