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Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1972
PhysDes: 48 p. : ill. ; 28 cm
Subject: FESTIVALS. USA [VARIOUS]; HOLLYWOOD; FOREIGN FILMS USE: IMPORT OF FILMS; PREMINGER, OTTO; CAPRA, FRANK; WATKINS, PETER
Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.

Call No: 49:792(41)
Author: Brandt, George W.
Source: UK
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 1981
PhysDes: x, 276 p. : ill. ; 23 cm.
Subject: DRAMAS. UK; PLATER, ALAN; POTTER, DENNIS; WATKINS, PETER
Notes: Includes index.; Bibliography: p.260-271
ISBN: 0521293847 (pbk.)

Call No: 802.25 MAC
Author: MacDonald, Scott, 1942
Place: Berkeley London
Publisher: University of California Press
PubDate: 1992
PhysDes: x, 462 p. : ill., ports ; 24cm
Subject: BREER, ROBERT; SNOW, MICHAEL; MEKAS, JONAS; BAILLIE, BRUCE; ONO, YOKO; BENNING, JAMES; BORDEN, LIZZIE; MCELWEE, ROSS; FRIEDRICH, SU; MULVEY, LAURA; RAINER, YVONNE; TRINH, T. MINH-HA; REGGIO, GODFREY; WATKINS, PETER; MCCALL, ANTHONY; NOREN, ANDREW; ROBERTSON, ANNE; SEVERSON, ANNE
Notes: Bibliography: p437-447. -List of films: p423-435. -Includes index
ISBN: 0520079175 (cased) : No price; 0520079183 (pbk) : No price; 0520058011 (pbk); 0520058003 (cased)
LON: 9965582

Call No: 71(41) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Secker and Warburg
PubDate: 1978
PhysDes: [9], 374 p. : ill., ports ; 22cm
Series: Cinema two
Subject: UNITED KINGDOM; FREE CINEMA; RANK ORGANISATION; KORDA, ALEXANDER; Grierson, John; JENNINGS, HUMPHREY; BALCON, MICHAEL; Powell, Michael; DICKINSON, THOROLD; LOSEY, JOSEPH; KUBRICK, STANLEY; RUSSELL, KEN; LOACH, KENNETH; WATKINS, PETER
Notes: Bibl.: p.345-355. - Index
ISBN: 0436018020; 0436018039 (Pbk)
LON: 2723294

Call No: FESTIVAL CATALOGUE SHELVES held 1988
Source: US
Place: New York, NY
Publisher: [s.n.]
PubDate: 1988
PhysDes: v. ; 28 cm
Subject: FESTIVALS. NEW YORK; DOCUMENTARY FILMS; DEMME, JONATHAN; WATKINS, PETER
Notes: The Global Village Documentary Festival is an important American film festival that is devoted entirely to documentary films. The film festival program is in the form of a typed document and includes introductory notes and a list of the selected films with a synopsis of each film. Located in the Various US Film Festivals A-G section.
ID2: 112

Call No: 761 ROS
Author: Rosenthal, Alan, 1936
Place: Berkeley
Publisher: University of California Press
PubDate: 1971
PhysDes: 287 p. illus., ports. 24 cm
Subject: DOCUMENTARY FILMS; CINEMA-DIRECT; WISEMAN, FREDERICK; PENNEBAKER, D. A.; WATKINS, PETER; KING, ALLAN; LEITERMAN, RICHARD; SILVERSTEIN, MORTON; SAARE, ARLA; BARRON, ARTHUR; MCLAREN, NORMAN; FUNT, ALLEN; STONEY, GEORGE; CAWSTON, RICHARD; BURNLEY, FRED; MARRIED COUPLE, A (CN, Allan King, 1969); PAS DE DEUX (CN, Norman McLaren, 1968); WHAT DO YOU DO WITH A NAKED LADY? (US, Allen Funt, 1969); NEIGHBOURS (US, Norman McLaren, 1952); CATHY COME HOME (UK, Ken Loach, 1966); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); MONTEREY POP (US, D. A. Pennebaker, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: " Several case studies of feature films projects have been published, but til now we have had no equivalent basis for the understanding of documentary. This is the first casebook to focus exclusively on the nonfiction film maker: his revolutionary techniques, his particular conceptions of his work, his unique artistic strategies, his creative and practical problems. In creating this study Alan Rosenthal has interviewed film makers whose work lies on the active growing edge of the medium: director-producers, writers, cameramen, editors- men and women who have in recent years pushed back the boundaries of cinematic convention and profoundly influenced our notions of photography, acting, and editing. Some films are covered by interviews with several members of the creative team, whose differing perspectives help to shape the final work." -- BOOK BLURB
Notes: Interviews with film makers
ISBN: 0520018885
LON: 218982

Call No: 761 ROS
Author: Rosenthal, Alan
Edition: 1st pbk ed.
Source: US
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1972
PhysDes: 287 p. : ill. ; 20 cm
Subject: DOCUMENTARY FILMS; CINEMA-DIRECT; WISEMAN, FREDERICK; PENNEBAKER, D. A.; WATKINS, PETER; KING, ALLAN; LEITERMAN, RICHARD; SILVERSTEIN, MORTON; SAARE, ARLA; BARRON, ARTHUR; MCLAREN, NORMAN; FUNT, ALLEN; STONEY, GEORGE; CAWSTON, RICHARD; BURNLEY, FRED; MARRIED COUPLE, A (CN, Allan King, 1969); PAS DE DEUX (CN, Norman McLaren, 1968); WHAT DO YOU DO WITH A NAKED LADY? (US, Allen Funt, 1969); NEIGHBOURS (US, Norman McLaren, 1952); CATHY COME HOME (UK, Ken Loach, 1966); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); MONTEREY POP (US, D. A. Pennebaker, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: " Several case studies of feature films projects have been published, but til now we have had no equivalent basis for the understanding of documentary. This is the first casebook to focus exclusively on the nonfiction film maker: his revolutionary techniques, his particular conceptions of his work, his unique artistic strategies, his creative and practical problems. In creating this study Alan Rosenthal has interviewed film makers whose work lies on the active growing edge of the medium: director-producers, writers, cameramen, editors- men and women who have in recent years pushed back the boundaries of cinematic convention and profoundly influenced our notions of photography, acting, and editing. Some films are covered by interviews with several members of the creative team, whose differing perspectives help to shape the final work." -- BOOK BLURB
Notes: Interviews with film makers.
ISBN: 0520022548
Donation: donated by the family of Wayne Levy, 2006
Contents: -- acknowledgements -- introduction -- direct cinema: 1. a married couple: Allan King, producer-director, Richard Leiterman, photographer and associate director, Arla Saare, editor -- 2. High school: Frederick Wiseman, producer-director -- 3. Salesman, Albert Mayles, director-photographer, Charlotte Zwerin, editor -- Television journalism: 4. this week: Jeremy Irons, producer 5. what harvest for the reaper? Morton Silverstein, writer-producer, Laurence Solomon, editor -- 6: hard times in the country: Jack Willis, writer-producer -- 7: sixteen in the Webster Groves and the Berkeley Rebels: Arthur Barron, producer-director -- Reconstructions and reenactments: 8. the war game: Peter Watkins, writer-director -- 9: Cathy come home: Jeremy Standford, writer -- 10: the dream divided : Fred Burnley, writer-director -- Specials: 11: dont look back and monterey pop: Don Alan Pennebaker, director-photographer -- 12: royal family: Richard Cawston, producer-director, Antony Jay, commentary writer, 13: Dubrovnik festival: Jack Kuney, producer-director -- Sponsored films : 14. a cry for help: George Stoney, writer-director -- 15. the furure came yesterday: Antony Jay: writer-director -- Optical transformations: 17. neighbours and Pas de Deux, Norman McLaren, producer-director -- index --

Call No: 81WAT GOM
Author: Gomez, Joseph A
Place: Boston
Publisher: Twayne Publishers
PubDate: 1979
PhysDes: 214 p. : ill. ; 21 cm
Subject: WATKINS, PETER
Notes: Includes index; Bibliography: p. 199-203; Filmography: p. 204-210
ISBN: 0805792678
LON: 79012947; 1424408

Call No: 21(4) CRA
Author: Cramer, Michael
Place: Minneapolis, MN
Publisher: University of Minnesota Press
PubDate: 2017
PhysDes: xxiii,276 p. : illustrations ; 22 cm
Subject: TELEVISION, FILMS MADE FOR; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; ROSSELLINI, ROBERTO; WATKINS, PETER; GODARD, JEAN-LUC; WAR GAME, THE (UK, Peter Watkins, 1966); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997)
Summary: Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices. Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information. As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well. - publisher's web site
ISBN: 9781517900397
Contents: Contents -- Introduction. The Land beyond Cinema: Television and Utopian Method -- 1. The Promise of Television: Making Utopia Possible -- 2. Television as Enlightenment: Roberto Rossellini’s History Lessons -- 3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC -- 4. Radical Communications: Jean-Luc Godard on and around Television -- 5. Utopia after Television: Media Mutations and Transplantations -- Acknowledgments -- Notes -- Index
ID2: 286

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Publicity
Subject: WATKINS, PETER