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D. A. Pennebaker / by Keith Beattie Urbana: University of Illinois Press, c2011.
Call No: 81PEN BEAAuthor: Beattie, Keith Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: c2011PhysDes: 176 p. : ill. ; 21 cmSeries: Contemporary film directorsSubject: CINEMA-DIRECT ; DOCUMENTARIES ; PENNEBAKER, D. A. ; DAYBREAK EXPRESS ; PRIMARY (US, Richard Leacock, Terry Macartney-Filgate, Albert Maysles and D.A. Pennebaker, 1961) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) Summary: "This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that empahasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of 'performing the real,' Keith Beattie's insightful analysis interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography" -- BOOK BLURBNotes: Includes bibliographical references (p.163-169) and indexISBN: 9780252078293Contents: -- acknowledgements -- performing the real -- concert film -- collaborative filmmaking -- portraiture -- rehearsal -- interview with D.A. Pennebaker -- filmography -- bibliography -- index --
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D.A. Pennebaker : interviews / edited by Keith Beattie and Trent Griffiths Jackson [Mississippi]: University of Mississippi, c2014.
Call No: 81PEN BEAAuthor: Beattie, Keith (ed.) ; Griffiths, Trent (ed.) Source: USPlace: Jackson [Mississippi]Publisher: University of MississippiPubDate: c2014PhysDes: xxxii, 217pages ; 24 cmSeries: Conversations with filmmakersSubject: CINEMA VERITE ; DOCUMENTARIES ; DOCUMENTARY FILMS ; PENNEBAKER, D. A. ; HEGEDUS, CHRIS ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) Summary: "This wide-ranging and insightful collection of interviews with D.A.Pennebaker (b.1925) spans the prolific career of this pioneer of observational cinema. From the 1950s to the present day, Pennebaker has made documentary films that have revealed the world of politics, celebrity culture, and the music industry. " -- BOOK BLURBNotes: Includes index; Includes bibliographical references, filmography and indexISBN: 9781628462029Donation: Donated by Senses of CinemaContents: -- the filmmaking of D.A. Pennebaker -- chronology -- filmography -- D.A. Pennebaker / G. Roy Levin (1970) -- Don't look back and Monterey pop: Donn Alan Pennebaker / Alan Rosenthal (1971) -- Donn looks back: cinema verite with Dylan, Bowie / Merrill Shindler (1976) -- Speaking of Samuel / Martyn Auty (1982) -- D. A. Pennebaker on the filming of Don't look back / Barbara Hogenson (1984) -- 1966 and all that: D. A. Pennebaker, filmmaker / Shelly Livson (1984) -- Looking back: D. A. Pennebaker interviewed by John Bauldie / John Bauldie (1986) -- Behind the public face of power: Martha Ansara interviews Chris Hegedus and D. A. Pennebaker / Martha Ansara (1994) -- The burning question: D. A. Pennebaker and Chris Hegedus / Kevin Macdonald and Mark Cousins (1996) -- Documentary film pioneer D. A. Pennebaker looks back and forward / Marc Savlov (1998)-- I film while leaping from my chair: D. A. Pennebaker on Bob Dylan, John Lennon, cinema verite, and Mary Poppins / David Dalton (1999) -- D. A. Pennebaker and Chris Hegedus: engineering nonfiction cinema / Liz Stubbs (2002) -- D.A. Pennebaker: at eighty, looking back and ahead / David D'arcy ( 2005) -- D.A. Pennebaker looks back / Carol Caffin (2007) -- Interview with D. A. Pennebaker and Chris Hegedus / John Berra (2008) -- Ninety years of cinematic confections: an interview with Chris Hegedus and D. A. Pennebaker / Dan Lybarger (2010) -- D.A. Pennebaker: interview / Sam Adams (2011) -- D. A. Pennebaker / Harvey Kubernik (2012) -- additional resources -- index --
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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Mapping the rockumentary : images of sound and fury / edited by Gunnar Iversen and Scott MacKenzie Edinburgh: Edinburgh University Press,
Call No: 751 MAPAuthor: Iversen, Gunnar ; MacKenzie, Scott Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPhysDes: 3587 pages : illustrated ; 24 cmSeries: Traditions in world cinemaSubject: ROCK FILMS ; DOCUMENTARIES ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; ROLLING STONES ; MADONNA ; DIXIE CHICKS: SHUT UP AND SING (US, Barbara Kopple & Cecilia Peck, 2006) ; DYLAN, BOB ; U2 RATTLE AND HUM (US, Phil Joanou, 1988) ; RUDE BOY (UK, David Mingay, 1980) ; LONG STRANGE TRIP (US, Amir Bar-Lev, 2017) ; CAVE, NICK ; MC5 - A TRUE TESTIMONIAL (US, David C Thomas, 2002) Summary: Mapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles, The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rocumentaries in film, television and on the internet, the book explores the form’s rich history from the 1950s to the present day – and beyond. -- publisher's web siteISBN: 9781474478021Contents: Notes on Contributors -- Introduction: Images of Sound and Fury / Gunnar Iversen and Scott MacKenzie.
Part One: Histories -- Music Makers of the Blue Ridge / Greil Marcus -- ‘I Don’t Make Culture, I Sell It!’: The Early History of Music Documentation, 1920s-1970s / Laura Niebling -- Monterey Pop and the Maturation of the Concert Film / Laurel Westrup -- The Sound of Rockumentary: A Consideration of the Documentary Soundtrack / Michael Baker -- False Endings / Scott MacKenzie.
Part Two: Gender -- ‘Start Me Up’: The Place and Displacement of Women in the Cinema of Rolling Stones / Catherine Strong and Stephen Gaunson -- Madonna on Film: Geopolitics, Globalization, and Gender Politics / Anna Westerstahl Stenport -- The Freedom to Speak: The Dixie Chicks, Observational Documentary, and Shut Up & Sing / Heather McIntosh -- Rock ‘n’ Roll Family Romances: Rockumentary as Male Melodrama / Gunnar Iversen -- Performing Dylan: The Many Lives of Bob Dylan in I’m Not There / Magdalena Fu¨rnkranz.
Part Three: Aesthetics and Politics -- U2’s Rattle and Hum: God, Sex, Rock and Roll and God Again / Karine Bertrand -- Punk City Symphony: The Clash and Rude Boy / Celine Bell -- Listening from the Empty Booth: Performing the Grateful Dead Community in Long Strange Trip / Randolph Jordan -- Minimum and Maximum Rock ‘n’ Roll: Nick Cave & the Bad Seeds, and Rockumentary Form / Anthony Kinik -- ‘Everything Was Stories’: The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus / Asbjørn Grønstad and Øyvind Vågnes.
Part Four: Counter-Cultures -- Chile: The Rock of Political Culture and the Hard Place of Cultural Policy / Jorge Saavedra Utman and Toby Miller -- Psychedelia and Rebelliousness in Times of Dictatorship: Argentinian Rockumentaries (1973-1983) / Javier Campo and Tomás Crowder-Taraborrelli -- Harmonium in California: Musically Imagined Communities and the Rockumentary Form / Eric Fillion -- Stations of the Crass: Counter-Culture and the Anarcho-Punk Movement / Asbjørn Tiller -- Cars and Guitars, or, Detroit and the MC5: On Representations of Music and Place in MC5: A True Testimonial / Lindsey Eckenroth.
Part Five: Futures -- Unknowable Dogs / Gary Kibbins -- ‘This is a F**king Business’: The Concert Tour in the 1970s Fiction Film / Julie Lobalzo Wright -- Live from the Cineplex: The Concert Film as Event Cinema since the 2000s / Ian Robinson -- Documenting Deities: Touch and K-pop Fandom on YouTube / Eric Chalfant and Ali Na -- Ritual in Transfigured Time / Greil Marcus.
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MONTEREY POP : (US, D. A. Pennebaker, 1968)
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The new documentary in action : a casebook in film making Berkeley: University of California Press, 1971.
Call No: 761 ROSAuthor: Rosenthal, Alan, 1936 Place: BerkeleyPublisher: University of California PressPubDate: 1971PhysDes: 287 p. illus., ports. 24 cmSubject: DOCUMENTARY FILMS ; CINEMA-DIRECT ; WISEMAN, FREDERICK ; PENNEBAKER, D. A. ; WATKINS, PETER ; KING, ALLAN ; LEITERMAN, RICHARD ; SILVERSTEIN, MORTON ; SAARE, ARLA ; BARRON, ARTHUR ; MCLAREN, NORMAN ; FUNT, ALLEN ; STONEY, GEORGE ; CAWSTON, RICHARD ; BURNLEY, FRED ; MARRIED COUPLE, A (CN, Allan King, 1969) ; PAS DE DEUX (CN, Norman McLaren, 1968) ; WHAT DO YOU DO WITH A NAKED LADY? (US, Allen Funt, 1969) ; NEIGHBOURS (US, Norman McLaren, 1952) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: " Several case studies of feature films projects have been published, but til now we have had no equivalent basis for the understanding of documentary. This is the first casebook to focus exclusively on the nonfiction film maker: his revolutionary techniques, his particular conceptions of his work, his unique artistic strategies, his creative and practical problems. In creating this study Alan Rosenthal has interviewed film makers whose work lies on the active growing edge of the medium: director-producers, writers, cameramen, editors- men and women who have in recent years pushed back the boundaries of cinematic convention and profoundly influenced our notions of photography, acting, and editing. Some films are covered by interviews with several members of the creative team, whose differing perspectives help to shape the final work." -- BOOK BLURBNotes: Interviews with film makersISBN: 0520018885LON: 218982
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The new documentary in action : a casebook in film making / Alan Rosenthal Berkeley, Calif.: University of California Press, 1972.
Call No: 761 ROSAuthor: Rosenthal, Alan Edition: 1st pbk ed.Source: USPlace: Berkeley, Calif.Publisher: University of California PressPubDate: 1972PhysDes: 287 p. : ill. ; 20 cmSubject: DOCUMENTARY FILMS ; CINEMA-DIRECT ; WISEMAN, FREDERICK ; PENNEBAKER, D. A. ; WATKINS, PETER ; KING, ALLAN ; LEITERMAN, RICHARD ; SILVERSTEIN, MORTON ; SAARE, ARLA ; BARRON, ARTHUR ; MCLAREN, NORMAN ; FUNT, ALLEN ; STONEY, GEORGE ; CAWSTON, RICHARD ; BURNLEY, FRED ; MARRIED COUPLE, A (CN, Allan King, 1969) ; PAS DE DEUX (CN, Norman McLaren, 1968) ; WHAT DO YOU DO WITH A NAKED LADY? (US, Allen Funt, 1969) ; NEIGHBOURS (US, Norman McLaren, 1952) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: " Several case studies of feature films projects have been published, but til now we have had no equivalent basis for the understanding of documentary. This is the first casebook to focus exclusively on the nonfiction film maker: his revolutionary techniques, his particular conceptions of his work, his unique artistic strategies, his creative and practical problems. In creating this study Alan Rosenthal has interviewed film makers whose work lies on the active growing edge of the medium: director-producers, writers, cameramen, editors- men and women who have in recent years pushed back the boundaries of cinematic convention and profoundly influenced our notions of photography, acting, and editing. Some films are covered by interviews with several members of the creative team, whose differing perspectives help to shape the final work." -- BOOK BLURBNotes: Interviews with film makers.ISBN: 0520022548Donation: donated by the family of Wayne Levy, 2006Contents: -- acknowledgements -- introduction -- direct cinema: 1. a married couple: Allan King, producer-director, Richard Leiterman, photographer and associate director, Arla Saare, editor -- 2. High school: Frederick Wiseman, producer-director -- 3. Salesman, Albert Mayles, director-photographer, Charlotte Zwerin, editor -- Television journalism: 4. this week: Jeremy Irons, producer 5. what harvest for the reaper? Morton Silverstein, writer-producer, Laurence Solomon, editor -- 6: hard times in the country: Jack Willis, writer-producer -- 7: sixteen in the Webster Groves and the Berkeley Rebels: Arthur Barron, producer-director -- Reconstructions and reenactments: 8. the war game: Peter Watkins, writer-director -- 9: Cathy come home: Jeremy Standford, writer -- 10: the dream divided : Fred Burnley, writer-director -- Specials: 11: dont look back and monterey pop: Don Alan Pennebaker, director-photographer -- 12: royal family: Richard Cawston, producer-director, Antony Jay, commentary writer, 13: Dubrovnik festival: Jack Kuney, producer-director -- Sponsored films : 14. a cry for help: George Stoney, writer-director -- 15. the furure came yesterday: Antony Jay: writer-director -- Optical transformations: 17. neighbours and Pas de Deux, Norman McLaren, producer-director -- index --
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