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Call No: 81MAYSLES ALB
Source: US
Place: Jackson, Miss.
Publisher: University of Mississippi
PubDate: 2010
PhysDes: xxxix, 188 p. ; 24 cm
Series: Conversations with filmmakers series
Subject: MAYSLES, ALBERT; MAYSLES, DAVID; MAYSLES, ALBERT & DAVID
ISBN: 9781604733655
Contents: Albert and David Maysles / Mark Shivas -- The Maysles Brothers and "direct cinema" / Maxine Haleff -- A discussion with the Maysles Brothers / James Blue -- An interview with the Maysles Brothers / Jonas Mekas -- A interview with Albert and David Maysles / Bob Sitton-- Salesman / Alan Rosenthal -- Circumstantial evidence : an interview with David and Albert Maysles / Robert Phillip Kolker -- Seeking to take the longest journey : a conversation with Albert Maysles / Calvin Pryluck -- Who's who in filmmaking : Albert Maysles / Judith Trojan -- "Doco direct" et al / Jane Castle -- Real artists shoot "real farmers" / Brooke Comer -- The making of concert of wills : making the Getty Center / Ann Hassett -- Man of the people / Brooke Comer -- Albert Maysles : all you need is love / Jackson Pellow -- Stories that tell themselves / Anne S. Lewis -- Albert Maysles / Liz Stubbs -- The force of reality in direct cinema : an interview with Albert Maysles / Sharon Zuber -- Maysles on DIFF, Castro, flies on walls, and the poetic eye / Marty Mapes -- Albert Maysles / Shana Liebman -- "A Bible salesman or the Rolling Stones : they're all just people" / Geoffrey Macnab -- Uncontrolled cinema : Albert Maysles / Williams Cole -- Reel life / Lance Avery Morgan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEALES OF GREY GARDENS, THE (US, Albert Maysles & David Maysles, 2006)

Call No: 761.2(73) MAM
Author: Mamber, Stephen
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: [1974]
PhysDes: vi, 288 p. : ill. ; 23 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; FONDA, JANE; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
LON: 508990
Contents: Cinema verite: definitions and background -- Drew Associates -- Direct cinema and crisis structure -- The Maysles brothers -- D. A. Pennebaker -- Richard Leacock -- Frederick Wiseman -- Conclusion

Call No: 761.2(73) MAM COPY 2
Author: Mamber, Stephen
Source: UK
Place: Cambridge, MA
Publisher: MIT Press
PubDate: c1974
PhysDes: vi, 288 p. : ill. ; 24 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; FONDA, JANE; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
Donation: donated by the family of Wayne Levy, 2006

Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; AUSTRALIAN ABORIGINES IN FILM; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); FOUR CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); BIG BROTHER [TV] (AT, 2001); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O' Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); CHRONIQUE D' UN ETE (FR, Jean Rouch & Edgar Morin, 1961); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
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Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYSLES, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYSLES, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHOMAN (US, Albert Maysles & David Maysles, 1963)