journal article
Cinema Without Censor in Lumiere (August 1970) vol.1 iss.3 p.30-31
More info
book
Eastern Europe : an illustrated guide London New York: A. Zwemmer A. S. Barnes, [c1969].
Call No: 71(4-11)(03) HIBAuthor: Hibbin, Nina Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [c1969]PhysDes: 239 p. : ill., ports ; 21 cmSubject: EASTERN EUROPEAN COUNTRIES ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. GERMANY ; INDUSTRY, FILM. USSR Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURBISBN: 0498074218LON: 33889
More info
journal article
Essays on the Swedish cinema : Part one- an introduction in Lumiere (March, 1974) iss.32 p.22-24
More info
journal article
Essays on the Swedish cinema : Part two- Stiller and Sjostrom in Lumiere (April/May, 1974) iss.33 p.14-19, 36
More info
Serial
interim
European cinema journal Milan: Media Salles, 1999-.
Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Media SallesSource: ITPlace: MilanPublisher: Media SallesPubDate: 1999-PhysDes: vol.Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES Order Notes: Current
More info
Interim
book
European cinema yearbook Milano: Media Salles, 1999.
More info
Interim
book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
More info
journal article
European Underground in Lumiere (November-December 1971) iss.12 p.36-38
More info
journal article
Films of change in Lumiere (January/February, 1974) iss.31 p.33-34
More info
journal article
How to sell your film in Lumiere (August, 1973) iss.26 p.14-16
More info
subject clippings file
INDUSTRY, FILM. EUROPEAN COUNTRIES
More info
journal article
Jan Troell's The Emigrants in Lumiere (December, 1972) iss.19 p.31-33
More info
book
The movie game : the film business in Britain, Europe, and America / Martin Dale London Herndon, VA, USA: Cassell, 1997.
Call No: 201 DALAuthor: Dale, Martin Place: London Herndon, VA, USAPublisher: CassellPubDate: 1997PhysDes: xi, 340 p. : ill. ; 23 cmSubject: INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. USA ; INDEPENDENT PRODUCTION ; GOVERNMENT AID. EUROPEAN COUNTRIES ; QUOTA. EUROPEAN COUNTRIES ; DISTRIBUTORS ; ALMODOVAR, PEDRO ; PUTTNAM, DAVID ; BERLUSCONI, SILVIO ; BERRI, CLAUDE ; BESSON, LUC Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heardNotes: Includes bibliographical references (p. 332-334) and indexISBN: 0304333867; 0304333875 (pbk.)LON: gb 97034316; 13222852
More info
book
Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
More info
book
The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996.
Call No: 201(4) FINAuthor: Finney, Angus, 1964 Place: LondonPublisher: CassellPubDate: 1996PhysDes: x, 262 p. ; 24 cmSubject: INDUSTRY, FILM. EUROPEAN COUNTRIES ; EDUCATION, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; DISTRIBUTION. EUROPEAN COUNTRIES ; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES ; POLYGRAM ; EURIMAGES ; NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994) ; ROB ROY (US, Michael Caton-Jones, 1995) ; TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; GUILTRIP (IE, Gerard Stembridge, 1995) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; FLOR DE MI SECRETO, LA (SP, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255ISBN: 0304333026 (pbk)LON: abn96337602; 12766083
More info
journal article
Stig Bjorkman Versus The Producers in Lumiere (January-February, 1973) iss.20 p.18-21
More info
journal article
Super 16 in Australia in Lumiere (November, 1973) iss.29 p.38-40
More info
journal article
Sweden bans violence on video in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
More info
book
Working in the global film and television industries : creativity, systems, space, patronage / edited by Andrew Dawson & Sean P. Holmes London: Bloomsbury Academic, 2012.
Call No: 20 DAWAuthor: Dawson, Andrew ; Holmes, Sean P. Source: UKPlace: LondonPublisher: Bloomsbury AcademicPubDate: 2012PhysDes: xii, 207 pages ; 24 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, TV. ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. USA ; PRODUCTION COSTS ; GLOBAL TELEVISION ; BOLLYWOOD ; HOLLYWOOD Summary: "The book looks at the experience of industry workers in film and television production in a variety of social, economic, political and cultural contexts. It provides a detailed analysis of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key theoretical and methodological questions that attach to the study of film and television production. Working in the Global Film and Television Industries looks at film and television production not only in Hollywood and Western Europe but also in less familiar settings such as the Soviet Union, India, Nigeria, and the Democratic Republic of Congo." -- BOOK BLURBNotes: Includes index and bibliographyISBN: 9781780930237Contents: 1.New perspectives on working in the global film and television industries / Sean P. Holmes -- Section I Systems of production -- 2.Labouring in Hollywood's motion picture industry and the legacy of `flexible specialization' / Andrew Dawson -- 3.Soviet film-making under the `producership' of the party state (1955-85) / Galina Gornostaeva -- 4.Making films in Scandinavia: Work and production infrastructure in the contemporary regional sector / Olof Hedling -- Section II Manoeuvrable spaces -- 5.No room for manoeuvre: Star images and the regulation of actors' labour in silent-era Hollywood / Sean P. Holmes -- 6.Working as a freelancer in UK television / Richard Paterson -- 7.Behind the scenes: The working conditions of technical workers in the Nigerian film industry / Ikechukwu Obiaya -- Section III Patronage and clientelism --
Contents note continued: 8.Fathers, patrons and clients in Kinshasa's media world: Social and economic dynamics in the production of television drama / Katrien Pype -- 9.Les chefs-operatrices: Women behind the camera in France / Alison Smith -- Section IV Creative agency -- 10.Cornel Lucas: Stills photography and production culture in 1950s British film / Linda Marchant -- 11.Making faces: Competition and change in the production of Bollywood film star looks / Clare M. Wilkinson-Weber
More info