Search Catalogue

Author: de Cleen, Edmund
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; CENSORSHIP
Summary: Article on film censorship in Belgium which largely does not exist.

Call No: 71(4-11)(03) HIB
Author: Hibbin, Nina
Place: London New York
Publisher: A. Zwemmer A. S. Barnes
PubDate: [c1969]
PhysDes: 239 p. : ill., ports ; 21 cm
Subject: EASTERN EUROPEAN COUNTRIES; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. GERMANY; INDUSTRY, FILM. USSR
Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURB
ISBN: 0498074218
LON: 33889

Author: Wood, Robin
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; BERGMAN, INGMAR; SWEDEN; SJOSTROM, VICTOR
Summary: First in a series of articles by Robin Wood on the national Swedish cinema.

Author: Wood, Robin
PhysDes: Article
Subject: SWEDEN; EROTIKON (SW, Mauritz Stiller, 1920); STILLER, MAURITZ; SJOSTROM, VICTOR; INDUSTRY, FILM. EUROPEAN COUNTRIES
Summary: Second part of Robin Wood's look at Swedish national cinema. Here he analyses the films of Mauritz Stiller and Victor Sjostrom.

Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: Media Salles
Source: IT
Place: Milan
Publisher: Media Salles
PubDate: 1999-
PhysDes: vol.
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES
Order Notes: Current

Call No: 201(4) EUR; Held 1998-2000
Copy Management: Copy 1; Copy 2
CorpAuthor: Media Salles
Edition: 8th ed.
Place: Milano
Publisher: Media Salles
PubDate: 1999
PhysDes: 149 p.
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; STATISTICS. EUROPEAN COUNTRIES
Notes: Description based on: 1999
ISBN: 8890036621

Call No: 201(4) JAC
Author: Jackel, Anne
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 168 p.. ill.. 24 cm.
Series: International screen industries
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; FINANCING. EUROPEAN COUNTRIES; COPRODUCTION. EUROPEAN COUNTRIES; ART CINEMA. EUROPEAN COUNTRIES; STATE AND THE CINEMA. EUROPEAN COUNTRIES; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; PRODUCTION. EURPOEAN COUNTRIES; DISTRIBUTION. EUROPEAN COUNTRIES; EXHIBITION. EUROPEAN COUNTRIES; BOX OFFICE
Notes: Includes bibliographical references and index
ISBN: 0-85170-948-6

Author: Thoms, Albie
PhysDes: Article
Subject: UNDERGROUND FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; KUBELKA, PETER; BARUCHELLO, GIANFRANCO; INDEPENDENT DIRECTORS; INDEPENDENT FILMS; AVANT-GARDE FILMS. EUROPEAN COUNTRIES
Summary: Second instalement of Thoms' articles on underground filmmaking in Europe, focusing on wider European countries and the avant garde scene.

Author: Zaagsma, Frank
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); CSEND ES KIALTAS (HU, Miklos Jancso, 1968)
Summary: Zaagsma interviews Hungarian filmmaker Miklos Jancso on Hungarain cinema and his films.

Author: Kennedy, Byron
PhysDes: Article
Subject: KENNEDY, BYRON; CANNES FILM FESTIVAL; INDUSTRY, FILM. USA; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. ASIAN COUNTRIES
Summary: Filmmaker and writer Byron Kennedy on the current state of the film industry on a global level. Kennedy had recently returned from a study tour of America, Asia, and Europe. Kennedy gives advice to emerging Australian filmmakers on production, marketing and distribution.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES

Author: Lothwall, Lars-Olof
PhysDes: Article
Subject: TROELL, JAN; INDUSTRY, FILM. EUROPEAN COUNTRIES
Summary: Interview with Jan Troell, Swedish director of the Academy Award nominated THE EMIGRANTS.

Call No: 201 DAL
Author: Dale, Martin
Place: London Herndon, VA, USA
Publisher: Cassell
PubDate: 1997
PhysDes: xi, 340 p. : ill. ; 23 cm
Subject: INDUSTRY, FILM. UK; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. USA; INDEPENDENT PRODUCTION; GOVERNMENT AID. EUROPEAN COUNTRIES; QUOTA. EUROPEAN COUNTRIES; DISTRIBUTORS; ALMODOVAR, PEDRO; PUTTNAM, DAVID; BERLUSCONI, SILVIO; BERRI, CLAUDE; BESSON, LUC
Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heard
Notes: Includes bibliographical references (p. 332-334) and index
ISBN: 0304333867; 0304333875 (pbk.)
LON: gb 97034316; 13222852

Call No: 802 PRO v.15
Author: Cowie, Peter; Edelmann, Pascal
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2007
PhysDes: xxxii, 356 pages : illustrations ; 21 cm
Subject: DOGMA; EUROPEAN CINEMA; FILMMAKING; FILM STUDY AND RESEARCH; HOMOSEXUALITY AND THE CINEMA; INDEPENDENT FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; ALMODOVAR, PEDRO; ANGELOPOULOS, THEO; BARDEM, JAVIER; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; CANTET, LAURENT; DARDENNE, JEAN-PIERRE & LUC; HOLLAND, AGNIESZKA; JACOB, IRENE; LOACH, KENNETH; MAKAVEJEV, DUSAN; MOREAU, JEANNE; DE OLIVEIRA, MANOEL; OZON, FRANCOIS; RIKLIS, ERAN; STORARO, VITTORIO; STEEN, PAPRIKA; SZABO, ISTVAN; TANOVIC, DANIS; THOMAS, JEREMY; ULLMANN, LIV; Wenders, Wim; WINTERBOTTOM, MICHAEL; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997)
Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurb
Notes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film Academy
ISBN: 9780571235292
Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA

Call No: 201(4) FIN
Author: Finney, Angus, 1964
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: x, 262 p. ; 24 cm
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; EDUCATION, FILM. EUROPEAN COUNTRIES; STARS. EUROPEAN COUNTRIES; DISTRIBUTION. EUROPEAN COUNTRIES; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES; POLYGRAM; EURIMAGES; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); TRAINSPOTTING (UK, Danny Boyle, 1996); FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994); ROB ROY (US, Michael Caton-Jones, 1995); TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994); BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); GUILTRIP (IE, Gerard Stembridge, 1995); ANTONIA (NE/BE/UK, Marleen Gorris, 1995); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995)
Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255
ISBN: 0304333026 (pbk)
LON: abn96337602; 12766083

Author: Lothwall, Lars-Olof
PhysDes: Article
Subject: BJORKMAN, STIG; CENSORSHIP. AUSTRALIA; INDUSTRY, FILM. EUROPEAN COUNTRIES
Summary: Interview with Stig Bjorkman on his latest film GEORGIA, GEORGIA and the controversy his previous film I LOVE, YOU LOVE caused with Australian censors.

Author: Monton, Vincent
PhysDes: Article
Subject: 16 MM FILMS; TECHNOLOGICAL DEVELOPMENTS; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. AUSTRALIA
Summary: Article discussing the use of shooting on Super 16 when making films, a particularly common practice in Sweden, and where and how it is being used in Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; VIDEO, FILMS ON; VIOLENCE IN FILMS; DISTRIBUTION
Summary: Article on new anti-violence video law in Sweden.

Call No: 20 DAW
Author: Dawson, Andrew; Holmes, Sean P.
Source: UK
Place: London
Publisher: Bloomsbury Academic
PubDate: 2012
PhysDes: xii, 207 pages ; 24 cm
Subject: INDUSTRY, FILM. USA; INDUSTRY, FILM. UK; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, TV.; PRODUCTION. EUROPEAN COUNTRIES; PRODUCTION. USA; PRODUCTION COSTS; GLOBAL TELEVISION; BOLLYWOOD
Summary: "The book looks at the experience of industry workers in film and television production in a variety of social, economic, political and cultural contexts. It provides a detailed analysis of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key theoretical and methodological questions that attach to the study of film and television production. Working in the Global Film and Television Industries looks at film and television production not only in Hollywood and Western Europe but also in less familiar settings such as the Soviet Union, India, Nigeria, and the Democratic Republic of Congo." -- BOOK BLURB
Notes: Includes index and bibliography
ISBN: 9781780930237
Contents: 1.New perspectives on working in the global film and television industries / Sean P. Holmes -- Section I Systems of production -- 2.Labouring in Hollywood's motion picture industry and the legacy of `flexible specialization' / Andrew Dawson -- 3.Soviet film-making under the `producership' of the party state (1955-85) / Galina Gornostaeva -- 4.Making films in Scandinavia: Work and production infrastructure in the contemporary regional sector / Olof Hedling -- Section II Manoeuvrable spaces -- 5.No room for manoeuvre: Star images and the regulation of actors' labour in silent-era Hollywood / Sean P. Holmes -- 6.Working as a freelancer in UK television / Richard Paterson -- 7.Behind the scenes: The working conditions of technical workers in the Nigerian film industry / Ikechukwu Obiaya -- Section III Patronage and clientelism -- Contents note continued: 8.Fathers, patrons and clients in Kinshasa's media world: Social and economic dynamics in the production of television drama / Katrien Pype -- 9.Les chefs-operatrices: Women behind the camera in France / Alison Smith -- Section IV Creative agency -- 10.Cornel Lucas: Stills photography and production culture in 1950s British film / Linda Marchant -- 11.Making faces: Competition and change in the production of Bollywood film star looks / Clare M. Wilkinson-Weber