book
Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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Alvin Purple / Catharine Lumby Strawberry Hills, NSW: Currency Press ., 2008.
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Interim
book
Artifical Eye film catalogue 1980 1980.
Call No: F027(41) ARTIFICIAL "1980" ARTPubDate: 1980Subject: DISTRIBUTORS Notes: catalogue pamphlet
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Interim
book
Artificial Eye film catalogue : spring 1978 1978.
Call No: F027(41) ARTIFICIAL "1978" ARTCorpAuthor: Artificial EyePubDate: 1978Subject: DISTRIBUTORS Notes: catalogue pamphlet
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Interim
book
Artificial Eye film catalogue supplement 1983 1983.
Call No: REFERENCE SECTION; 027(41) ARTIFICIAL ART "1983" ARTPubDate: 1983Subject: DISTRIBUTORS Notes: catalogue pamphlet
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Interim
book
Artificial Eye film catalogue supplement 1984 1984.
Call No: REFERENCE SECTION; 027(41) ARTIFICIAL "1984" ARTPubDate: 1984Subject: DISTRIBUTORS Notes: catalogue pamphlet
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Interim
book
Artificial Eye film catalogue supplement 1987 1987.
Call No: REFERENCE SECTION; 027(41) ARTIFICIAL EYE "1987"PubDate: 1987Subject: DISTRIBUTORS Notes: catalogue pamphlet
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AUSTRALIAN INDEPENDENT DISTRIBUTORS ASSOCIATION
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book
"Bold! Daring! Shocking! True!" : a history of exploitation films, 1919-1959 / Eric Schaefer Durham: Duke University Press, 1999.
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book
The censorship papers : movie censorship letters from the Hays office, 1934-1968 / by Gerald Gardner New York: Dodd, Mead, 1987.
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Interim
book
Cinegate film catalogue UK.
Call No: REFERENCE SECTION; 027(41) CINEGATECorpAuthor: CinegatePubDate: UKSubject: DISTRIBUTORS Notes: catalogue pamphlet
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book
A critical cinema 4 : Interviews with independent filmmakers / MacDonld, Scott Berkeley and Los Angeles, California: University of California Press, 2005.
Call No: 802.25 MACAuthor: MacDonald, Scott Edition: 2005Place: Berkeley and Los Angeles, CaliforniaPublisher: University of California PressPubDate: 2005PhysDes: 410 p. ; 23 cmSeries: A critical cinemaSubject: STAN BRAKHAGE ; EXPERIMENTAL FILMS ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; INDEPENDENT FILMMAKERS Summary: A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.
A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume. -- publisher's blurbISBN: 9780520242715Contents: Introduction
P. Adams Sitney
Stan Brakhage
Jill Godmilow (and Harun Farocki)
Peter Kubelka
Jim McBride
Abigail Child
Chuck Workman
Chantl Akerman
Lawrence Brose
Peter Forgacs
Shirin Neshat
Ellen Spiro
Filmography
Bibliography
Index
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newspaper article
Fans homing in on cheap DVDs in Sunday Times (07/03/2004) p.27
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Royall, Ian Subject: DISTRIBUTION. DVD. AUSTRALIA ; HOME VIDEO MARKETING ; AUSTRALIAN VISUAL SOFTWARE DISTRIBUTORS ASSOCIATION ; BUSH, SIMON Summary: The slashing of DVD prices fuels high sales of the product. The article looks at the shortening of cinema to DVD sales release and why DVD is a popular format. Good article!Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Big chains such as Big W, Kmart and Target are driving prices on DVDs and CDs down to bare margins to lure customers. Full retail price for a new movie is usually more than $40, but the chains are marking them down to about $27, while the same titles sell in specialist retailers for $36 to $40."; -- ""Studios are making decisions now as to whether to fund movies, based on follow-through sales to DVD and video" Mr Bush said."; -- "Distributors also have shortened the time between cinema release and DVD release. Initially it was to beat piracy, but the extra incentive is to get the movie out while it's still fresh in the public's mind. A few years ago, the gap between cinema and DVD release was as much as 18 months. Now, it can be as brief as three months, depending on the studio and the type of movie."
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book
Feature films catalogue Spring 1999 - Lighthouse Entertainment Group / Fortissimo Film Sales / Lighthouse Entertainment Group / Fortissimo Film Sales Amsterdam, Netherlands: Lighthouse Entertainment Group / Fortissimo Film Sales, [1999].
Call No: REFERENCE SECTION; 027(492) LIGSource: NEPlace: Amsterdam, NetherlandsPublisher: Lighthouse Entertainment Group / Fortissimo Film SalesPubDate: [1999]PhysDes: 20 p. ills.Subject: ASIAN COUNTRIES ; HONG KONG ; DISTRIBUTORS
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Interim
book
Films in distribution winter '76-77 / Artificial Eye Film Company 1977.
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book
The Hays office / by Raymond Moley Indianapolis New York: The Bobbs-Merrill company, [1945].
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book
A history of narrative film / David A. Cook New York: Norton, c1981.
Call No: 70 COOAuthor: Cook, David A Edition: 1st edPlace: New YorkPublisher: NortonPubDate: c1981PhysDes: xxiii, 721 p. : ill. ; 24 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. 1950's ; NARRATIVE IN FILMS ; STAR SYSTEM ; EXPRESSIONISM ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; ITALY ; NEOREALISM ; WAR AND THE CINEMA ; FILM NOIR ; NOUVELLE VAGUE ; WIDE-SCREEN SYSTEMS ; EASTERN EUROPEAN COUNTRIES ; JAPAN ; THIRD WORLD ; GERMAN FEDERAL REPUBLIC ; USSR ; MELIES, GEORGES ; PORTER, EDWIN S. ; GRIFFITH, DAVID WARK ; PUDOVKIN, VSEVELOD ; CHAPLIN, CHARLES ; Keaton, Buster ; VON STROHEIM, ERICH ; CITIZEN KANE (US, Orson Welles, 1941) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) Notes: Includes index; Bibliography: p. 671-692ISBN: 0393090221 (pbk.); 0393013707LON: 1583335 1583335
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book
Hollywood's overseas campaign : the North Atlantic movie trade, 1920-1950 / Ian Jarvie New York, N.Y.: Cambridge University Press, 1992.
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book
The Hollywood trust : trade associations and the rise of the studio system / Kia Afra London: Rowman & Littlefield, 2016.
Call No: 210.31 (73) AFRAuthor: Afra, Kia Edition: 2016Place: LondonPublisher: Rowman & LittlefieldPubDate: 2016PhysDes: xxvi, 292 p. : illus. ; 23 cmSubject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; MOTION PICTURE ASSOCIATION OF AMERICA ; HAYS, WILL ; ZUKOR, ADOLPH Notes: As the film industry was establishing itself at the start of the twentieth century, trade associations played a pivotal role in the emergence of the studio system. These producer-distributor trade associations were forums for internal and external conflicts, as well as the true sources of influence and power in early Hollywood.
In The Hollywood Trust: Trade Associations and the Rise of the Studio System, Kia Afra provides a detailed account of three successive trade organizations from 1915 to 1928. By examining the Motion Picture Board of Trade, the National Association of the Motion Picture Industry (NAMPI), and the Motion Picture Producers and Distributors of America (MPPDA), Afra outlines the relationships of power in Hollywood’s early years, asking questions such as: How and why did the studio system come about, and what were the industrial and institutional forces that impacted Hollywood’s development? In order to answer these crucial questions, The Hollywood Trust explores the role played by film industry trade associations in navigating important issues facing the burgeoning studio system, including censorship, public relations, trade practices, government regulation, film distribution, labor conflicts, taxes and tariffs, and exhibitor opposition.
A vital look at an under-reported aspect of the studio system, this volume fills a gap in the history of the American film industry. As such The Hollywood Trust will be of particular interest to scholars of film history, as well as those concerned with cultural history and the political economics of entertainment. -- publisher's blurbISBN: 9781442268289Contents: 1 Prelude to Association
2 The Motion Picture Board of Trade
3 NAMPI and the Prewar Period
4 NAMPI in Wartime
5 NAMPI in the Postwar Era
6 NAMPIs Decline
7 The MPPDAs Foundational Period
8 The MPPDA Wall Street and Theater Circuits
9 Testing the Limits of Expansion
Conclusion
Bibliography
Index
About the Author
Copyright
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Special issue
serial
Independent producers and distributors 2001 Hollywood Reporter, August 2001.
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book
An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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journal article
M.P.D.A. wants change to trailer legislation in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.3
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journal article
A matter of concern: N.S.W. Government Commission of Inquiry into Distribution and Exhibition of Australian Films in Australasian Cinema (25/2/1983) vol.12 iss.3 p.3
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subject clippings file
MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA
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The movie game : the film business in Britain, Europe, and America / Martin Dale London Herndon, VA, USA: Cassell, 1997.
Call No: 201 DALAuthor: Dale, Martin Place: London Herndon, VA, USAPublisher: CassellPubDate: 1997PhysDes: xi, 340 p. : ill. ; 23 cmSubject: INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. USA ; INDEPENDENT PRODUCTION ; GOVERNMENT AID. EUROPEAN COUNTRIES ; QUOTA. EUROPEAN COUNTRIES ; DISTRIBUTORS ; ALMODOVAR, PEDRO ; PUTTNAM, DAVID ; BERLUSCONI, SILVIO ; BERRI, CLAUDE ; BESSON, LUC Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heardNotes: Includes bibliographical references (p. 332-334) and indexISBN: 0304333867; 0304333875 (pbk.)LON: gb 97034316; 13222852
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The movie moguls : an informal history of Hollywood tycoons / Philip French Harmondsworth, Middlesex: Penguin, 1971.
Call No: 802.091.11 FREAuthor: French, Philip Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1971PhysDes: 208 p., [16] p. of plates ; 18 cmSubject: HISTORY AND THE CINEMA. USA ; HOLLYWOOD ; INDUSTRY, FILM ; Metro-Goldwyn-Mayer ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; UNITED ARTISTS ; WARNER BROS. ; COHN, HARRY ; DEMILLE, CECIL B. ; DISNEY, WALT ; KATZ, SAM ; KENNEDY JOSEPH P. ; LAEMMLE, CARL ; LASKY, JESSE ; SCHARY, DORE ; SCHULBERG, BUDD ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SHEARER, NORMA ; SKOURAS, SPYROS ; SINCLAIR, UPTON ; THALBERG, IRVING ; WANGER, WALTER ; STROHEIN, ERICH VON ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; ZUKOR, ADOLPH Notes: includes bibliographical references and indexISBN: 297762664Donation: donated by the family of Wayne Levy, 2006
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Interim
book
Nemo deux ans de cinema : les courts, moyens et longs metrages soutenus par THECIF Paris: Theatre Et Cinema En Ile De France (THECIF), [199?].
Call No: REFERENCE SECTION; 027(44) THECorpAuthor: THECIFSource: FRPlace: ParisPublisher: Theatre Et Cinema En Ile De France (THECIF)PubDate: [199?]PhysDes: 44 p. ills.Subject: FRANCE ; DISTRIBUTORS Language: French
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Overseas participation in film and television program production in Australia : a symposium held at the Australian Government Centre, Sydney, on 21 July 1974 / Symposium on Overseas Participation in Film and Television Program Production in Australia (1974 : Sydney, N.S.W.) [North Sydney]: Dept. of the Media, [1974].
Call No: 212.1(94) OVESource: ATPlace: [North Sydney]Publisher: Dept. of the MediaPubDate: [1974]PhysDes: 1 v. (various foliations) ; 30 cmSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION DEALS. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM DEVELOPMENT CORPORATION ; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA ; AUSTRALIAN WRITERS GUILD Contents: Opening address / James H Oswin, Secretary, Department of the Media and Chairman of the Symposium -- Paper on behalf of the Federation of Australian Commercial Television stations / Leonard Mauger -- Paper on behalf of the Australian Film Council / Anthony Buckley -- Paper on behalf of the Motion Picture Distributors' Association of Australia / Noel Ford -- Paper on behalf of the Film Production Association of Australia / John Daniell -- Paper on behalf of the Australian Writers Guild / Ted Roberts -- Paper on behalf of the Australian Film Development Corporation / Thomas Stacey -- Paper on behalf of the Producers' and Directors' Guild of Australia / Thomas Jeffrey -- Paper on behalf of the Australian Theatrical and Amusement Employees' Association / John McQuaid -- Summary of General Discussion -- List of participants
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journal article
Sammpy Parker app'd chairman, MPDA in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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Interim
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Sixpackfilm - Verleihkatalog / distribution catalogue 1999 Vienna: Sixpackfilm, February, 1999.
Call No: REFERENCE SECTION; 027(436) SIXCorpAuthor: SixpackfilmSource: AUPlace: ViennaPublisher: SixpackfilmPubDate: February, 1999PhysDes: 80 . ills.Subject: AUSTRIA ; DISTRIBUTORS
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Old collection
book
Upton Sinclair presents William Fox / Upton Sinclair Los Angeles CA: Sinclair Upton, c1933.
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book
What happens next : a history of American screenwriting / Marc Norman London: Aurum, 2007.
Call No: 802.24 NORAuthor: Marc Norman Edition: 2008Place: LondonPublisher: AurumPubDate: 2007PhysDes: 554 pages : illustrations ; 25 cmSubject: ACADEMY AWARDS ; BLACKLISTING. USA ; BEATTY, WARREN ; BOGART, HUMPHREY ; BRANDO, MARLON ; CHAYEFSKY, PADDY ; COLUMBIA PICTURES ; COPPOLA, FRANCIS FORD ; DEMILLE, CECIL B. ; EDISON, THOMAS ALVA ; FITZGERALD, F. SCOTT ; GOLDWYN, SAMUEL ; GRIFFITH, DAVID WARK ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; JONZE, SPIKE ; KEITEL, HARVEY ; KOCH, HOWARD ; KUBRICK, STANLEY ; LARDNER, RING, Jr. ; LOOS, ANITA ; MANKIEWICZ, HERMAN J. ; MANKIEWICZ, JOSEPH L. ; MILIUS, JOHN ; NICHOLSON, JACK ; PENN, ARTHUR ; PORTER, EDWIN S. ; SCHRADER, PAUL ; SOUTHERN, TERRY ; SPIELBERG, STEVEN ; STEWART, DONALD OGDEN ; TARANTINO, QUENTIN ; WEINSTEIN, HARVEY ; ZANUCK, DARRYL F. ; ZUKOR, ADOLPH ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; ALTERED STATES (US, Ken Russell, 1980) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EASY RIDER (US, Dennis Hopper, 1969) ; INFORMER, THE (US, John Ford, 1935) ; RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969) ; STAR WARS (US, George Lucas, 1977) ISBN: 9781845133245
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Women Make Movies ... film & video catalogue New York: Women Make Movies, Inc.,
Call No: REFERENCE SECTION; 027(73) WOM
Held 1992, 92/93, 2000, 2001CorpAuthor: Women Make Movies (Firm)Source: USPlace: New YorkPublisher: Women Make Movies, Inc.PhysDes: v. : ill. ; 28 cmSubject: DIRECTORS ; DISTRIBUTORS Notes: Some vols. called "... anniversary ..." e.g. 1992 called 20th anniversary, 1997 called 25th anniversary; Description based on: 1992Frequency: AnnualLON: 13765914
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