Search Catalogue

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: 79ALV LUM
Author: Lumby, Catharine
CorpAuthor: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press .
PubDate: 2008
PhysDes: 77 p. : ill, ports. ; 19 cm
Series: Australian screen classics
Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; SEXUALITY AND THE CINEMA; BLUNDELL, GRAEME; ALVIN PURPLE (AT, Tim Burstall, 1973)
Summary: Alvin Purple was the most commercially successful Australian movie of the 1970s. Catharine Lumby takes a fresh look at the film, the social and political era, in which it was made, and the forces which fueled its success.
Notes: The Australian Screen Classics series is edited by Jane Mills; Bibliography: p.77-78
ISBN: 9780868198446

Call No: F027(41) ARTIFICIAL "1980" ART
PubDate: 1980
Subject: DISTRIBUTORS
Notes: catalogue pamphlet

Call No: F027(41) ARTIFICIAL "1978" ART
CorpAuthor: Artificial Eye
PubDate: 1978
Subject: DISTRIBUTORS
Notes: catalogue pamphlet

Call No: REFERENCE SECTION; 027(41) ARTIFICIAL ART "1983" ART
PubDate: 1983
Subject: DISTRIBUTORS
Notes: catalogue pamphlet

Call No: REFERENCE SECTION; 027(41) ARTIFICIAL "1984" ART
PubDate: 1984
Subject: DISTRIBUTORS
Notes: catalogue pamphlet

Call No: REFERENCE SECTION; 027(41) ARTIFICIAL EYE "1987"
PubDate: 1987
Subject: DISTRIBUTORS
Notes: catalogue pamphlet

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN INDEPENDENT DISTRIBUTORS ASSOCIATION

Call No: 722.81 SCH
Author: Schaefer, Eric, 1959
Place: Durham
Publisher: Duke University Press
PubDate: 1999
PhysDes: p. cm
Subject: EXPLOITATION FILMS; BURLESQUE; CENSORSHIP; DRUGS IN FILMS; SEX FILMS; NUDITY IN FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; PROSTITUTES IN FILMS
Notes: Filmography: p; Includes bibliographical references and index
ISBN: 0822323532 (cloth : alk. paper); 0822323745 (paper : alk. paper)
LON: 14489922

Call No: 44(73) GAR
Author: Gardner, Gerald C
Edition: 1st ed
Source: US
Place: New York
Publisher: Dodd, Mead
PubDate: 1987
PhysDes: xxiv, 226 p. ; 24 cm
Subject: Motion Picture Producers and Distributors of America.; CENSORSHIP. USA; HAYS, WILL; BREEN, JOSEPH
Notes: Includes index
ISBN: 0396089038
LON: 5427052

Call No: REFERENCE SECTION; 027(41) CINEGATE
CorpAuthor: Cinegate
PubDate: UK
Subject: DISTRIBUTORS
Notes: catalogue pamphlet

Call No: 802.25 MAC
Author: MacDonald, Scott
Edition: 2005
Place: Berkeley and Los Angeles, California
Publisher: University of California Press
PubDate: 2005
PhysDes: 410 p. ; 23 cm
Series: A critical cinema
Subject: STAN BRAKHAGE; EXPERIMENTAL FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; INDEPENDENT FILMMAKERS
Summary: A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume. -- publisher's blurb
ISBN: 9780520242715
Contents: Introduction P. Adams Sitney Stan Brakhage Jill Godmilow (and Harun Farocki) Peter Kubelka Jim McBride Abigail Child Chuck Workman Chantl Akerman Lawrence Brose Peter Forgacs Shirin Neshat Ellen Spiro Filmography Bibliography Index

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Royall, Ian
Subject: DISTRIBUTION. DVD. AUSTRALIA; HOME VIDEO MARKETING; AUSTRALIAN VISUAL SOFTWARE DISTRIBUTORS ASSOCIATION; BUSH, SIMON
Summary: The slashing of DVD prices fuels high sales of the product. The article looks at the shortening of cinema to DVD sales release and why DVD is a popular format. Good article!
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- "Big chains such as Big W, Kmart and Target are driving prices on DVDs and CDs down to bare margins to lure customers. Full retail price for a new movie is usually more than $40, but the chains are marking them down to about $27, while the same titles sell in specialist retailers for $36 to $40."; -- ""Studios are making decisions now as to whether to fund movies, based on follow-through sales to DVD and video" Mr Bush said."; -- "Distributors also have shortened the time between cinema release and DVD release. Initially it was to beat piracy, but the extra incentive is to get the movie out while it's still fresh in the public's mind. A few years ago, the gap between cinema and DVD release was as much as 18 months. Now, it can be as brief as three months, depending on the studio and the type of movie."

Call No: REFERENCE SECTION; 027(492) LIG
Source: NE
Place: Amsterdam, Netherlands
Publisher: Lighthouse Entertainment Group / Fortissimo Film Sales
PubDate: [1999]
PhysDes: 20 p. ills.
Subject: ASIAN COUNTRIES; HONG KONG; DISTRIBUTORS

Call No: F027(41) ARTIFICIAL "1976/7" ART
PubDate: 1977
Subject: ANGELOPOULOS, THEO; BERTOLUCCI, BERNARDO; GODARD, JEAN-LUC; MEKAS, JONAS; Mizoguchi, Kenji; STRAUB, JEAN-MARIE; DISTRIBUTORS
Notes: catalogue pamphlet

Call No: 44(73) MOL
Author: Moley, Raymond, 1886
Place: Indianapolis New York
Publisher: The Bobbs-Merrill company
PubDate: [1945]
PhysDes: 266 p. front., ports. 22 cm
Subject: HAYS, WILL; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA
Notes: "First edition."; Bibliographical foot-notes
LON: 1178188 1178188

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 302 JAR
Author: Jarvie, Ian
Source: US
Place: New York, N.Y.
Publisher: Cambridge University Press
PubDate: 1992
PhysDes: xvii, 473p. : ill. ; 23cm
Subject: INDUSTRY, FILM; INDUSTRY, FILM. USA; HISTORY OF CINEMA. USA; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HOLLYWOOD
Summary: Documents the US movie industry in the 1920-50's and how it dealt with overseas resistance to its product.
Notes: Includes bibliographical references and index
ISBN: 9780521041430
Language: English

Call No: 210.31 (73) AFR
Author: Afra, Kia
Edition: 2016
Place: London
Publisher: Rowman & Littlefield
PubDate: 2016
PhysDes: xxvi, 292 p. : illus. ; 23 cm
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; MOTION PICTURE ASSOCIATION OF AMERICA; HAYS, WILL; ZUKOR, ADOLPH
Notes: As the film industry was establishing itself at the start of the twentieth century, trade associations played a pivotal role in the emergence of the studio system. These producer-distributor trade associations were forums for internal and external conflicts, as well as the true sources of influence and power in early Hollywood. In The Hollywood Trust: Trade Associations and the Rise of the Studio System, Kia Afra provides a detailed account of three successive trade organizations from 1915 to 1928. By examining the Motion Picture Board of Trade, the National Association of the Motion Picture Industry (NAMPI), and the Motion Picture Producers and Distributors of America (MPPDA), Afra outlines the relationships of power in Hollywood’s early years, asking questions such as: How and why did the studio system come about, and what were the industrial and institutional forces that impacted Hollywood’s development? In order to answer these crucial questions, The Hollywood Trust explores the role played by film industry trade associations in navigating important issues facing the burgeoning studio system, including censorship, public relations, trade practices, government regulation, film distribution, labor conflicts, taxes and tariffs, and exhibitor opposition. A vital look at an under-reported aspect of the studio system, this volume fills a gap in the history of the American film industry. As such The Hollywood Trust will be of particular interest to scholars of film history, as well as those concerned with cultural history and the political economics of entertainment. -- publisher's blurb
ISBN: 9781442268289
Contents: 1 Prelude to Association 2 The Motion Picture Board of Trade 3 NAMPI and the Prewar Period 4 NAMPI in Wartime 5 NAMPI in the Postwar Era 6 NAMPIs Decline 7 The MPPDAs Foundational Period 8 The MPPDA Wall Street and Theater Circuits 9 Testing the Limits of Expansion Conclusion Bibliography Index About the Author Copyright

Call No: Journal Shelves. Hollywood Reporter
Publisher: Hollywood Reporter
PubDate: August 2001
Subject: INDEPENDENT PRODUCTION; DISTRIBUTORS; DISTRIBUTION; PRODUCERS
Language: English

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; CATALOGUING AND CLASSIFICATION OF FILMS; INDUSTRY, FILM. AUSTRALIA
Summary: Article on the MPDA wanting to screen trailers to films that have been classfified but not yet censored

PhysDes: Article
Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; DISTRIBUTION. AUSTRALIA
Summary: Brief announcement on the importance of writing into the Inquiry.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA

Call No: 201 DAL
Author: Dale, Martin
Place: London Herndon, VA, USA
Publisher: Cassell
PubDate: 1997
PhysDes: xi, 340 p. : ill. ; 23 cm
Subject: INDUSTRY, FILM. UK; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. USA; INDEPENDENT PRODUCTION; GOVERNMENT AID. EUROPEAN COUNTRIES; QUOTA. EUROPEAN COUNTRIES; DISTRIBUTORS; ALMODOVAR, PEDRO; PUTTNAM, DAVID; BERLUSCONI, SILVIO; BERRI, CLAUDE; BESSON, LUC
Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heard
Notes: Includes bibliographical references (p. 332-334) and index
ISBN: 0304333867; 0304333875 (pbk.)
LON: gb 97034316; 13222852

Call No: 802.091.11 FRE
Author: French, Philip
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1971
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: HISTORY AND THE CINEMA. USA; HOLLYWOOD; INDUSTRY, FILM; Metro-Goldwyn-Mayer; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; UNITED ARTISTS; WARNER BROS.; COHN, HARRY; DEMILLE, CECIL B.; DISNEY, WALT; KATZ, SAM; KENNEDY JOSEPH P.; LAEMMLE, CARL; LASKY, JESSE; SCHARY, DORE; SCHULBERG, BUDD; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SHEARER, NORMA; SKOURAS, SPYROS; SINCLAIR, UPTON; THALBERG, IRVING; WANGER, WALTER; STROHEIN, ERICH VON; ZANUCK, DARRYL F.; ZANUCK, RICHARD; ZUKOR, ADOLPH
Notes: includes bibliographical references and index
ISBN: 297762664
Donation: donated by the family of Wayne Levy, 2006

Call No: REFERENCE SECTION; 027(44) THE
CorpAuthor: THECIF
Source: FR
Place: Paris
Publisher: Theatre Et Cinema En Ile De France (THECIF)
PubDate: [199?]
PhysDes: 44 p. ills.
Subject: FRANCE; DISTRIBUTORS
Language: French

Call No: 212.1(94) OVE
Source: AT
Place: [North Sydney]
Publisher: Dept. of the Media
PubDate: [1974]
PhysDes: 1 v. (various foliations) ; 30 cm
Subject: COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; PRODUCTION DEALS. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; AUSTRALIAN FILM DEVELOPMENT CORPORATION; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; AUSTRALIAN WRITERS GUILD
Contents: Opening address / James H Oswin, Secretary, Department of the Media and Chairman of the Symposium -- Paper on behalf of the Federation of Australian Commercial Television stations / Leonard Mauger -- Paper on behalf of the Australian Film Council / Anthony Buckley -- Paper on behalf of the Motion Picture Distributors' Association of Australia / Noel Ford -- Paper on behalf of the Film Production Association of Australia / John Daniell -- Paper on behalf of the Australian Writers Guild / Ted Roberts -- Paper on behalf of the Australian Film Development Corporation / Thomas Stacey -- Paper on behalf of the Producers' and Directors' Guild of Australia / Thomas Jeffrey -- Paper on behalf of the Australian Theatrical and Amusement Employees' Association / John McQuaid -- Summary of General Discussion -- List of participants

PhysDes: Article
Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; WARNER BROS.
Summary: Announcement of Sammy Parker to managing director of Warner Bros. (Australia).

Call No: REFERENCE SECTION; 027(436) SIX
CorpAuthor: Sixpackfilm
Source: AU
Place: Vienna
Publisher: Sixpackfilm
PubDate: February, 1999
PhysDes: 80 . ills.
Subject: AUSTRIA; DISTRIBUTORS

Call No: 81FOX SIN
Author: Sinclair, Upton
Source: US
Place: Los Angeles CA
Publisher: Sinclair Upton
PubDate: c1933
PhysDes: xvii, 377 p. : front. (port.) ; 22 cm
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; FINANCING. USA
Language: English

Call No: 802.24 NOR
Author: Marc Norman
Edition: 2008
Place: London
Publisher: Aurum
PubDate: 2007
PhysDes: 554 pages : illustrations ; 25 cm
Subject: ACADEMY AWARDS; BLACKLISTING. USA; BEATTY, WARREN; BOGART, HUMPHREY; BRANDO, MARLON; CHAYEFSKY, PADDY; COLUMBIA PICTURES; COPPOLA, FRANCIS FORD; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; FITZGERALD, F. SCOTT; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HITCHCOCK, ALFRED; HUSTON, JOHN; JONZE, SPIKE; KEITEL, HARVEY; KOCH, HOWARD; KUBRICK, STANLEY; LARDNER, RING, Jr.; LOOS, ANITA; MANKIEWICZ, HERMAN J.; MANKIEWICZ, JOSEPH L.; MILIUS, JOHN; NICHOLSON, JACK; PENN, ARTHUR; PORTER, EDWIN S.; SCHRADER, PAUL; SOUTHERN, TERRY; SPIELBERG, STEVEN; STEWART, DONALD OGDEN; TARANTINO, QUENTIN; WEINSTEIN, HARVEY; ZANUCK, DARRYL F.; ZUKOR, ADOLPH; AMERICAN GRAFFITI (US, George Lucas, 1973); ALTERED STATES (US, Ken Russell, 1980); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BONNIE AND CLYDE (US, Arthur Penn, 1967); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EASY RIDER (US, Dennis Hopper, 1969); INFORMER, THE (US, John Ford, 1935); RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969); STAR WARS (US, George Lucas, 1977)
ISBN: 9781845133245

Call No: REFERENCE SECTION; 027(73) WOM Held 1992, 92/93, 2000, 2001
CorpAuthor: Women Make Movies (Firm)
Source: US
Place: New York
Publisher: Women Make Movies, Inc.
PhysDes: v. : ill. ; 28 cm
Subject: DIRECTORS; DISTRIBUTORS
Notes: Some vols. called "... anniversary ..." e.g. 1992 called 20th anniversary, 1997 called 25th anniversary; Description based on: 1992
Frequency: Annual
LON: 13765914