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Author: Rhodie, Sam
PhysDes: Article; Bibliography; Illustration(s)
Subject: ITALY; NEOREALISM

Call No: 64NEO SCH
Author: Schoonover, Karl
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2012
PhysDes: xxxiii, 283 pages : illustrations ; 23 cm
Subject: NEOREALISM; ITALIAN CINEMA
Summary: "Film history identifies Italian neorealism as the exempler of national cinema, a specificially domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films -- including such classics as Rome Open City, Paisan, Shoeshine, and Bicycle Thieves -- should be understood less as national products and more as complex agents of a postwar reorganization of global politics. In his readings on crucial films and newly discovered documents from the archives of neorealism's international distribution, Karl Schoonover reveals how these movies use images of the imperiled body to reconstitute the concept of the human and to recalibrate the scale of human community. Brutal Vision fundamentally revises ideas of cinematic specificity, the human, and geopolitical scale that we inherit from neorealism and its postwar milieu -- ideas that continue to set the terms for political filmmaking today." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9780816675548
Contents: Introduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion

Call No: 67(44) CAH
Author: Hillier, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1985
PhysDes: xiii, 312 p. ; 25cm
Subject: NEOREALISM; HOLLYWOOD; NOUVELLE VAGUE
Notes: Translations from the French; Includes bibliographies and index
LON: 3696097 3696097

Call No: 67(44) CAH
Author: Hillier, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1986
PhysDes: xiv, 363 p. ; 24 cm
Subject: NEOREALISM; NOUVELLE VAGUE; HOLLYWOOD
Notes: Translations from the French; Includes index; Bibliography: p. 335-353
ISBN: 0710203063 : ª18.95 : CIP rev
LON: 4501613

Call No: 70(04) CIN
Author: Cook, Pam; Bernink, Mieke
Edition: 2nd ed
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: x, 406 p. : ill. ; 30 cm
Subject: USA; STUDIOS, FILM. USA; STUDIO SYSTEM; STARS; NARRATIVE IN FILMS; EXPRESSIONISM; GERMANY; USSR; NEOREALISM; NOUVELLE VAGUE; UNITED KINGDOM; HOLLYWOOD; ART CINEMA; ASIAN COUNTRIES; AVANT-GARDE FILMS; THIRD CINEMA; THIRD WORLD; GENRES; WESTERNS; MELODRAMA; GANGSTER FILMS; FILM NOIR; HORROR FILMS; MUSICALS; YOUNG PEOPLE IN FILMS; COMEDIES; ACTION FILMS; AUTHORSHIP; AUTEUR THEORY; STRUCTURALISM; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RESEARCH; SARRIS, ANDREW
Notes: Previous ed.: 1985
ISBN: 0851707297; 0851707262 (pbk.) ª23.99; 0851707297; 0851707262 (pbk.)
LON: 14510520

Call No: 71(45) CIN
Author: Blasetti, Alexandre; Rondi, Jean Louis
Source: IT
Place: Rome
Publisher: Carlo Bestetti
PubDate: [1950?]
PhysDes: 213 p. : ill., ports. ; 31 cm
Subject: ITALY; NATIONAL CULTURE AND THE CINEMA; NEOREALISM
Notes: Authors: Zavattini, Cesar (preface); Carancini, Gaetan; Meccoli, Dominque; Marinucci, Vinicio; Guidi, Guidarino; Giannelli, E.; Verdone, Marius; Includes bibliography; Includes filmography of Italian films from 1945-1950; Includes index
Language: French

Call No: 70 KIN
Author: Kinder, Marsha; Houston, Beverle, joint author
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: [1972]
PhysDes: xv, 395 p. illus. 24 cm
Subject: HISTORY OF CINEMA; ETHNOGRAPHIC FILMS; WAR IN FILMS; ROCK FILMS; NEOREALISM; NOUVELLE VAGUE; POLITICAL FILMS
Notes: Includes bibliographical references
ISBN: 0155077503
LON: 59937

Call No: 70 JAC
Author: Jacobs, Lewis, comp
Place: New York
Publisher: Hopkinson and Blake
PubDate: [c1969]
PhysDes: 453 p. illus. 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; COLORIZATION; SOCIETY AND THE CINEMA; GERMANY; ANIMATED FILMS; CINEMA VERITE; AUTEUR THEORY; NOUVELLE VAGUE; MUSIC IN FILMS; NEOREALISM; AVANT-GARDE FILMS; MELIES, GEORGES; GRIFFITH, DAVID WARK; CLAIR, RENE; FORD, JOHN; PORTER, EDWIN S.; LESTER, RICHARD; DISNEY, WALT; BERGMAN, INGMAR; TRUFFAUT, FRANCOIS; SARRIS, ANDREW; KAEL, PAULINE; KUROSAWA AKIRA; RESNAIS, ALAIN; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; BASS, SAUL; MEKAS, JONAS; CITIZEN KANE (US, Orson Welles, 1941); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 438-439
LON: 5011
ID2: 291

Call No: 62 MAC
Author: MacCann, Richard Dyer
Edition: 1st ed
Place: N.Y.
Publisher: Dutton
PubDate: 1966
PhysDes: 384 p. : movie stills ; 18 cm
Subject: THEORY; AESTHETICS; DOCUMENTARIES; CINEMASCOPE; NEOREALISM; PUDOVKIN, VSEVELOD; CLAIR, RENE; HITCHCOCK, ALFRED; KNOX, ALEXANDER; NICHOLS, DUDLEY; BERGMAN, INGMAR; BALAZS, BELA; SENNETT, MACK; VORKAPICH, SLAVKO; RICHTER, HANS; Grierson, John; ZAVATTINI, CESARE; KRACAUER, SIEGFRIED; ROEMER, MICHAEL; BACHMANN, GIDEON; DREW, ROBERT; LEACOCK, RICHARD; PENNEBAKER, D. A.; DREYER, CARL TH.; VANDERBEEK, STAN; MEKAS, JONAS; KAEL, PAULINE; TRUFFAUT, FRANCOIS; Fellini, Federico
ISBN: 0525471812
LON: 21441213

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
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Call No: 62 DEN
Author: DeNitto, Dennis,
Place: New York
Publisher: Harper & Row
PubDate: c1985
PhysDes: xv, 544 p. : ill. ; 23 cm
Subject: THEORY; CRITICISM; EDITING; HISTORY OF CINEMA; REALISM IN FILMS; EXPRESSIONISM; MONTAGE; NEOREALISM; NOUVELLE VAGUE; COMEDIES; DOCUMENTARY FILMS; CINEMA VERITE; PROPAGANDA FILMS; WESTERNS; MUSICALS; VARIETE (G, E.A. Dupont, 1925); GOLD RUSH, THE (US, Charles Chaplin, 1925); PRODUCERS, THE (US, Mel Brooks, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); MAN OF ARAN (UK, Robert Flaherty, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); STAGECOACH (US, John Ford, 1939); SHANE (US, George Stevens, 1953); WILD BUNCH, THE (US, Sam Peckinpah, 1969); TOP HAT (US, Mark Sandrich, 1935); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); WEST SIDE STORY (US, Robert Wise, 1961); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956)
Notes: Includes indexes; Bibliography: p. 493-503
ISBN: 0060416297 (pbk.)
Order Received: 2000
Order Type: Donation
LON: 3664711

Call No: 64NEO GLO
Author: Giovacchini, Saverio; Sklar, Robert
Place: USA
Publisher: University Press of Mississippi
PubDate: 2012
PhysDes: ix, 272 p. : ill. ; 24 cm
Subject: NEOREALISM
Summary: Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was "Italianized" and coalesced into Italian "neorealism" and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism's success outside of Italy and examines how film cultures in Latin America, Asia, and the United States adjusted the style to their national and regional situations
Notes: Includes bibliographical references and index
ISBN: 9781617031229
Contents: Introduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Part one: Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920s 1950s: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- Part two: "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini --Part three: From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960s / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950s / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang Documenting the social reality of Brazil: Roberto Rossellini, the Paraban Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 70 RHO
Author: Rhode, Eric, 1934
Place: London
Publisher: A. Lane
PubDate: 1976
PhysDes: 674 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; USSR; NEOREALISM; NOUVELLE VAGUE; FRANCE; GERMANY; USA; GRIFFITH, DAVID WARK
Notes: Includes index; Bibliography: p. [641]-649
ISBN: 0713909722 : ª10.00
LON: 194037

Call No: 71(45) BON
Author: Bondanella, Peter E., 1943
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1983
PhysDes: viii, 440 p. : ill. ; 22 cm
Series: Ungar film library
Subject: ITALY; NEOREALISM; WESTERNS. ITALY; CAVANI, LILIANA; WERTMULLER, LINA; COMENCINI, LUIGI; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; ANTONIONI, MICHELANGELO; Fellini, Federico; BERTOLUCCI, BERNARDO; LEONE, SERGIO; Pasolini, Pier Paolo; FERRERI, MARCO; GERMI, PIETRO; LATTUADA, ALBERTO; MONICELLI, MARIO; PONTECORVO, GILLO; RISI, DINO; ROSI, FRANCESCO; TAVIANI, PAOLO & VITTORIO; OLMI, ERMANNO; PETRI, ELIO; BRUSATI, FRANCO; BELLOCCHIO, MARCO
Notes: Includes index; Bibliography: p. 413-421
ISBN: 0804420645 : $17.95; 0804460612 (pbk.) : $10.95
LON: 2315799 2315799

Call No: 71(45) ITA
Author: Bondanella, Peter
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 380 pages : illustrations ; 25 cm
Subject: ITALY; ITALY IN FILMS; NEOREALISM; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; FASCISM AND THE CINEMA. ITALY; HISTORY OF CINEMA. ITALY; REALISM IN FILMS; SCRIPTWRITING; HOLOCAUST IN FILMS; FASHION AND THE CINEMA; GANGSTER FILMS; WESTERNS. ITALY; WOMEN FILMMAKERS. ITALY; BLASETTI, ALESSANDRO; CAMERINI, MARIO; DE SICA, VITTORIO; LOREN, SOPHIA; LOLLOGRIGIDA, GINA; MONICELLI, MARIO; MORETTI, NANNI
Summary: "The Italian Cinema Book is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections [...] Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism." -- BOOK BLURB
Notes: Includes bibliographic references and index -- "A BFI book published by Palgrave Macmillan." - title page.
ISBN: 9781844574049
Contents: Introduction / Peter Bondanella; PART ONE THE SILENT ERA -- Silent Italian Cinema: An International Story / Giorgio Bertellini -- The Beginnings of Film Stardom and the Print Media of Divismo / John P. Welle -- The Diva Film: Context, Actresses, Issues / Angela Dalle Vacche -- Italian Silent Film Genres: Comics, Serials, Historical Epics and Strongmen / Jacqueline Reich; PART TWO THE BIRTH OF THE TALKIES AND THE FASCIST ERA -- Fascism and Italian Cinema / David Forgacs -- Italian Matinee Idols in the Era of the Talkies / Marcia Landy -- The First Comedy, Italian Style: Blasetti, Camerini and De Sica / Vito Zagarrio -- Censorship from the Fascist Period to the Present / Guido Bonsaver; PART THREE POSTWAR CINEMATIC CULTURE – REALISM AND BEYOND -- Neorealism and Left-wing Culture / Stephen Gundle -- Cityscapes and Cinematic Space / Mark Shiel -- Dislocated Spaces for New Thought: Paths of Nomadic Wandering in Neorealist Film and Literature / Torunn Haaland -- Seeing Anew: Children in Italian Cinema, 1944 to the Present / Giovanna De Luca -- Italian Cinema from the Perspective of Female Friendship / Danielle Hipkins --The Maggiorata or Sweater Girl of the 1950s: Mangano, Lollobrigida, Loren / Pauline Small -- Hollywood and Italy: Industries and Fantasies / Robert S. C. Gordon; PART FOUR THE GOLDEN AGE OF ITALIAN CINEMA -- Material Dreams: Costume and Couture Italian Style: From Hollywood on the Tiber to the Italian Screen / Reka Buckley --Italian Film Music / M. Thomas Van Order -- Production around 1960 / Christopher Wagstaff -- The Muscleman Peplum: From Le fatiche di Ercole (1958) to Hercules and the Princess of Troy (1965) / Jon Solomon -- Mondo Cane and the Invention of the Shockumentary / Gino Moliterno -- Spaghetti Westerns and Their Audience / Flavia Brizio-Skov -- Chronicles of a Hastened Modernisation: The Cynical Eye of the Commedia all'italiana / Remi Fournier Lanzoni -- The Political Film / Gaetana Marrone -- The Giallo and the Spaghetti Nightmare Film / Mikel J. Koven -- European Co-productions and Artistic Collaborations: The Italian Response to the Hollywood Studio System / Jean A. Gili -- How the Italians Happened to Cherish and Then to Disdain Their Cinema / Pierre Sorlin; PART FIVE AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION -- Scriptwriting, Italian Style: Scriptwriting for Fellini / Gianfranco Angelucci -- Modern Mob Movies: Twenty Years of Gangsters on the Italian Screen / Dana Renga -- Screening Terrorism: Cinematic Portrayals of the Italian Armed Struggle / Giancarlo Lombardi -- Italian Cinema and Holocaust Memory / Millicent Marcus -- Italian National Cinema: The Cinepanettone / Alan O'Leary -- Stars and Masculinity in Contemporary Italian Cinema / Catherine O'Rawe -- Women behind the Camera: New Horizons in Contemporary Cinema / Flavia Laviosa; PART SIX NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA -- Italian Cinema in the Post-national Age / Laura Rascaroli -- Post-colonial Theory and Italy's `Multicultural' Cinema / Aine O'Healy -- Italian Film Genres and Mario Bava / Mary P. Wood -- The Unwanted Guest: Some Remarks on Italian Cinema's Love Affair with Psychoanalysis / Fabio Vighi -- Fellini and Contemporary International Cinema / Peter Bondanella -- The Heritage of the Past and New Frontiers for the History of Italian Cinema / Gian Piero Brunetta.

Call No: 64NEO MAR
Author: Marcus, Millicent Joy
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1986
PhysDes: xix, 443 p. : ill. ; 23 cm
Subject: NEOREALISM; HISTORY OF CINEMA. ITALY; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); RISO AMARO (IT, Guiseppe de Santis, 1949); UMBERTO D. (IT, Vittorio De Sica, 1952); STRADA, LA (IT, Federico Fellini, 1954); SENSO (IT, Luchino Visconti, 1954); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); TEOREMA (IT, Pier Paolo Pasolini, 1968); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973); CRISTO SI E FERMATO A EBOLI (IT, Francesco Rosi, 1979); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); C'ERAVAMO TANTO AMATI (IT, Ettore Scola, 1974)
Notes: Includes index; Bibliography: p. [423]-436
ISBN: 0691054894 (alk. paper) : $48.00; 0691102082 (pbk.) : $17.50
LON: 86091473; 4757222

Call No: 71(45) SOR
Author: Sorlin, Pierre
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: viii, 202 p. : ill. ; 23 cm
Series: National cinemas series
Subject: ITALY; NEOREALISM; TELEVISION AND THE CINEMA. ITALY; FASCISM AND THE CINEMA. ITALY; DOCUMENTARY FILMS. ITALY; ANTONIONI, MICHELANGELO; BLASETTI, ALESSANDRO; PAGANO, BARTOLOMEO; NAZZARI, AMEDEO; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; Pasolini, Pier Paolo; Fellini, Federico
Notes: Filmography: p. (181)-202; Includes bibliographical references and index
ISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper)
LON: 12008493

Author: Russell, Edward
PhysDes: Article
Subject: NEOREALISM; ROSSELLINI, ROBERTO; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); VISCONTI, LUCHINO; TERRA TREMA, LA (IT, Luchino Visconti, 1948); DE SICA, VITTORIO; SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949)
Summary: Essay on the beginnings of Italian Neorealism, and filmographies of the three main directors of the period: Rossellini, Visconti and De Sica.

Call No: 70 BOH
Author: Bohn, Thomas W., 1941; Stromgren, Richard L., 1932-, joint author; Johnson, Daniel H., 1940-, joint author
Place: Port Washington, N.Y.
Publisher: Alfred Pub. Co.
PubDate: [1975]
PhysDes: xvii, 537 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; NEOREALISM; HISTORY OF CINEMA. SILENT PERIOD; PRODUCTION COMPANIES & STUDIOS. USA; DOCUMENTARIES; PRE-CINEMA HISTORY; NOUVELLE VAGUE; COMEDIANS
Notes: Includes indexes; Bibliography: p. 513-520
ISBN: 088284024X : $8.00
LON: 737594

Call No: 633.3(4) MAK
Author: Michael Leitch (ed.)
CorpAuthor: Imago
Source: UK
Place: London
Publisher: Aurum
PubDate: 2003
PhysDes: 481 p. : ill. (some col.) ; 29 cm
Subject: CINEMATOGRAPHY; EUROPEAN COUNTRIES; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; NEOREALISM; ITALY; FRANCE; GERMANY; HUNGARY; CZECHOSLOVAKIA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; NOUVELLE VAGUE; MOVEMENTS IN FILM HISTORY; NYKVIST, SVEN; ROTUNNO, GIUSEPPE; Cardiff, Jack; BERTOLUCCI, BERNARDO; MASTROIANNI, MARCELLO; TOVOLI, LUCIANO
Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]
Notes: Includes bibliographical references and indexes.
ISBN: 1854108891
Language: English
Contents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NEOREALISM

Call No: 71(4) "198-199" GAL
Author: Galt, Rosalind
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: viii, 296 p. : ill., maps ; 24 cm
Series: Film and culture
Subject: EUROPEAN COUNTRIES; WORLD WAR II FILMS; COLD WAR AND THE CINEMA; GENRES; LANDSCAPES IN FILMS; REALISM IN FILMS; ART CINEMA; UNITED KINGDOM; NEOREALISM; REED, CAROL; WILDER, BILLY; BENJAMIN, WALTER; TORNATORE, GIUSEPPE; SALVATORES, GABRIELE; KUSTURICA, EMIR; TRIER, LARS VON; MEDITERRANEO (IT, Gabriele Salvatores, 1991); AFFAIRE DE FEMMES, UNE (FR, Claude Chabrol, 1988); NUOVO CINEMA PARADISO (IT/FR, Giuseppe Tornatore, 1988); POSTINO, IL (IT/FR/BE, Michael Radford, 1994); MEDITERRANEO (IT, Gabriele Salvatores, 1991); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995); EUROPA (DK/FR/GG, Lars Von Trier, 1991); FOREIGN AFFAIR, A (US, Billy Wilder, 1948); THIRD MAN, THE (UK, Carol Reed, 1949)
Summary: The new European cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s [taken from back cover]
Notes: Formerly CIP Includes bibliographical references (p. [267]-277) and index Filmography: p. [279]-284
ISBN: 0231137176
Contents: 1. Mapping European cinema in the 1990s -- 2. The dialectic of landscape in Italian popular melodrama -- 3. A conspiracy of cartographers? -- 4. Yugoslavia's impossible spaces -- 5. Back-projecting Germany -- 6. Toward a theory of European space

Author: Husson, R.
PhysDes: Article Notes
Subject: LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); DE SICA, VITTORIO; ZAVATTINI, CESARE; NEOREALISM
Summary: Brief points concerning the history of the director, de Sica; themes in the film, "Bicycle Thieves"; and characteristics of Neorealism.

Author: Williams, Ross
PhysDes: Article
Subject: VISCONTI, LUCHINO; ROSSELLINI, ROBERTO; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; NEOREALISM; INDUSTRY, FILM. ITALY
Summary: Article on the post-war, neo-realist Italian cinema of Visconti, Fellini, Rossellini, Antonioni.

Call No: 626[159.964.2] MCG
Author: McGowan, Todd
Place: Albany, NY
Publisher: State University of New York Press
PubDate: c2007
PhysDes: xii, 254 p. ; 24 cm.
Subject: PSYCHOANALYSIS AND THE CINEMA; LACAN, JACQUES; SPECTATORSHIP; KUBRICK, STANLEY; LEE, SPIKE; MANN, MICHAEL; FELLINI, FEDERICO; NOUVELLE VAGUE; WELLES, ORSON; DENIS, CLAIRE; NEOREALISM; HOWARD, RON; SPIELBERG, STEVEN; GRIFFITH, DAVID WARK; TARKOVSKY, ANDREI; Wenders, Wim; LYNCH, DAVID
Summary: "Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenege the foundations of ideology." -- from the back cover. McGowan makes the argument for his theory with reference to the works of several directors and film movements.
Notes: Includes index.
ISBN: 9780791470398

Call No: 81ROS ROB
Author: Ranvaud, Don
Place: [London]
Publisher: BFI
PubDate: 1981
PhysDes: 84 p. : ill. ; 30 cm
Series: BFI dossier ; no. 8
Subject: ROSSELLINI, ROBERTO; ALLENDE, SALVADOR; VERDONE, MARIO; NEOREALISM
LON: abn84086525; 3148762

Author: Whitehall, Richard
PhysDes: Article Review
Subject: ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); VISCONTI, LUCHINO; EPIC FILMS; NEOREALISM
Summary: Review of Luchino Visconti's "Rocco and His Brothers", reading it as an 'epic' film. Article reproduced from "Motion" No. 6.

Call No: 70 MAS
Author: Mast, Gerald, 1940
Edition: 2d ed
Place: Indianapolis
Publisher: Bobbs-Merrill
PubDate: c1976
PhysDes: xii, 575 p. : ill. ; 23 cm
Subject: HISTORY OF CINEMA; GERMANY; USSR; HISTORY OF CINEMA. SOUND PERIOD; FRANCE; NEOREALISM; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; SENNETT, MACK
Notes: Includes index; Bibliography: p. 505-544
ISBN: 0672637197
LON: 388748 388748

Call No: 709 TRA
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2006
PhysDes: 266 p. : 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; GLOBALISATION; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; NEOREALISM; NOUVELLE VAGUE; EXPRESSIONISM; CZECHOSLOVAKIA; BRITAIN; DOGMA; COMMUNISM AND THE CINEMA; BRAZIL; ARGENTINA; AFRICA IN FILMS; ISRAEL; IRAN; INDIA; CHINA; MELODRAMA; SONGS IN FILMS; JAPAN; HORROR FILMS; USA
Summary: The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions – national, regional and global – all of which are in need of introduction, investigation and, in some cases, reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinemas.
ISBN: 0748618635

Author: Kael, Pauline and Manvell, Roger
PhysDes: Review
Subject: DE SICA, VITTORIO; UMBERTO D. (IT, Vittorio De Sica, 1952); SCIUSCIA (IT, Vittorio De Sica, 1946); NEOREALISM
Summary: Two separate reviews from other published works. 1. Review of "Umberto D" with regard to neorealist film, by Roger Manvell in "Film and the Public". 2. Brief review of "Sciusca" ("Shoeshine"), by Pauline Kael in "I lost it at the Movies".