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1945-1950 Die Deutschen filme = 1945-1950 The German film : eine Ubersicht = a summary / Der Neue Film Wiesbaden-Biebrich, Germany: Der Neue Film, [1950?].
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The ambiguous image : narrative style in modern European cinema / Roy Armes London: Secker and Warburg, 1976.
Call No: 71(4) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Secker and WarburgPubDate: 1976PhysDes: 255 p. : ill., ports. ; 22 cmSeries: Cinema twoSubject: EUROPEAN COUNTRIES ; NARRATIVE IN FILMS Notes: Includes index; Bibliography: p. 243-250ISBN: 0436018004 : ª6.50; 0436018012 (pbk.) : ª5.50LON: 796984 796984
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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Cinema and nation / [edited by] Mette Hjort and Scott MacKenzie London New York: Routledge, 2000.
Call No: 408.1 CINAuthor: Hjort, Mette ; MacKenzie, Scott, 1967 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: xvi, 332 p., ill., 25 cmSubject: NATIONAL IDENTITY AND THE CINEMA ; COPRODUCTION. EUROPEAN COUNTRIES ; UNITED KINGDOM : SCOTLAND ; INDONESIA ; POLAND ; TURKEY ; INDIA ; GERMANY ; STATE AND THE CINEMA ; CAPRA, FRANK Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema.
In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad.
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No priceLON: 21459338
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Cinema at the edges : new encounters with Julio Medem, Bigas Luna and Jose Luis Guerin New York: Berghahn Books, 2014.
Call No: 802.25(460) LOXAuthor: Loxham, Abigail Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2014PhysDes: vii, 193 pages : illustrations ; 24 cmSubject: MEDEM, JULIO ; BIGAS LUNA ; GUERIN, JOSE ; SPAIN ; EUROPEAN COUNTRIES ; DIRECTORS. SPAIN Summary: "The works of popular Spanish film directors Julio Medem, Juan Jose Bigas Luna and Jose Guerin are newly appraised in relation to their engagement with alternative national and cinematic subjectives. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting the ways in which these directors make recourse to hybridity, contact and interface to overcome the binary power dynamic previously thought to be a feature of cinema. This book explores their status as solely 'Spanish' filmmakers while focusing on their diverse and immensely creative output, offering new readings that engage with current debates in visual culture surrounding psychoanalytic theory, phenomenology and theories of documentary practice." -- BOOK BLURBNotes: Includes bibliographical references and index; Includes filmographyISBN: 9781782383048Donation: donated by Senses of Cinema, 2014Contents: Introduction: Defining the Edge -- Chapter 1. (Re-)Defining Spanish Cinema? -- Chapter 2. Julio Medem: At the Margins of the Self -- Chapter 3. Bigas Luna: Physical Frontiers -- Chapter 4. Jose Luis Guerin: Between Reality and Fiction -- Conclusion: Looking Forward to the Past
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Cinema cities, media cities : The contemporary international studio complex / Australian Film Commission Sydney: Australian Film Commission, 2003.
Call No: 210.31 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Place: SydneyPublisher: Australian Film CommissionPubDate: 2003PhysDes: 28 cm; 117 ppSeries: Screen Industry, Culture and Policy ResearchSubject: STUDIOS, FILM. AUSTRALIA ; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES ; STUDIOS, FILM. AUSTRALIA: VICTORIA ; STUDIO SYSTEM ; STUDIO SHOOTING ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION. AUSTRALIA ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. UK ; PRODUCTION. USA ; PRODUCTION COMPANIES & STUDIOS ; GOVERNMENT AID ; FOX STUDIOS AUSTRALIA ; HOLLYWOOD Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]ISBN: 0958015279
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Cinema today / Buscombe, Edward London: Phaidon Press, 2003.
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journal article
Cinema Without Censor in Lumiere (August 1970) vol.1 iss.3 p.30-31
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Cities in film : architecture, urban space and the moving image : an international interdisciplinary conference, university of Liverpool, 26-28th March 2008 / edited by Julia Hallman (... et al.) Liverpool, UK: School of Architecture. the University of Liverpool, 2008.
Call No: 161CIT [72]CorpAuthor: University of LiverpoolPlace: Liverpool, UKPublisher: School of Architecture. the University of LiverpoolPubDate: 2008PhysDes: 283 p. : ill., ports ; 25 cmSubject: AESTHETICS ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; CONFERENCES. UK. ; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES ; CULTURE AND THE CINEMA. UK Summary: 'City in Film' will explore the relationship between film, architecture and the urban landscape drawing on interests in film, architecture, urban studies and civic design, cultural geography, cultural studies and related fields. The conference is part of University of Liverpool's contribution to the European Capital of Culture 2008, and aims to foster interdisciplinary dialogues around architectural and film history and theory, film and urban space, and to point towards new intellectual frameworks for discussion. It seeks to draw on the work of theorists and practitioners engaged in ideas in these areas, examining film in the context of urban design and development and exploring in particular the contested social, cultural and political terrain that underpins these practices. We particularly welcome contributions on non-fiction film, documentaries, actuality and amateur film, the influence of film on urban and architectural design, and the role of film in the construction of virtual environments and spaces of memoryNotes: Includes bibliographical referencesISBN: 9780955788413Donation: Deb Verhoeven
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East European cinemas / edited by Aniko Imre New York; London: Routledge, 2006.
Call No: 71(48) IMRPlace: New York; LondonPublisher: RoutledgePubDate: 2006PhysDes: xxvi, 259 p. ; 23 cmSeries: AFI film readersSubject: EASTERN EUROPEAN COUNTRIES ; FEMINISM AND THE CINEMA ; POLITICS AND THE CINEMA ; GENDER AND THE CINEMA Summary: Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them--whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional "area studies" approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society. [Taken from back cover.]ISBN: 041597268X
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Eastern Europe : an illustrated guide London New York: A. Zwemmer A. S. Barnes, [c1969].
Call No: 71(4-11)(03) HIBAuthor: Hibbin, Nina Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [c1969]PhysDes: 239 p. : ill., ports ; 21 cmSubject: EASTERN EUROPEAN COUNTRIES ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. GERMANY ; INDUSTRY, FILM. USSR Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURBISBN: 0498074218LON: 33889
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EASTERN EUROPEAN COUNTRIES
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The education of the filmmaker in Europe, Australia, and Asia / edited by Mette Hjort New York: Palgrave Macmillan, 2013.
Call No: 510 EDUAuthor: Hjort, Mette (ed.) Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2013PhysDes: xii, 269 p : ill.; 24 cmSeries: Global cinemaSubject: EDUCATION, FILM ; EDUCATION, FILM. AUSTRALIA ; EDUCATION, FILM. ASIA ; EDUCATION, FILM. EUROPEAN COUNTRIES ; FILMMAKING Summary: "Practice-based film education is a crucial element in the institutional landscape of film. Despite its institutional significance, its decisive impact on the dynamics of entire film industries, the aspirations of film practioners, and the content and form of the films that are produced, practice-based film education is still a neglected topic in film scholarship. The Education of the Filmmaker in Europe, Australia, and Asia is an attempt to begin to fill the lacuna in question by looking at film training programs in countries such as Lithuania, Scotland, Sweden, Australia, Japan, and others. Examining aspects of flimmaking such as environmental impact, influences on local culture, and sway over city policy, this book looks at how training of filmmakers reaches beyond the films themselves to all aspects of culture and society. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780230341432Contents: -- list of figures -- acknowlegments -- Mette Hjort: More than film school: why the full spectrum of practice-based film education warrants attention -- Europe -- Renata Sukaityte: Practice-based film education in Lithuania: main actors and sites of struggle -- Charlie Cauchi: mapping film education and training on the Island of Malta -- Duncan Petrie: The struggle for a Scottish national film school -- Anna Stenport: "We train auteurs": education, de-centralization, regional funding, and niche marketing in the new Swedish cinema -- Barton Byg and Evan Torner: Divided dirigisme: nationalism, regionalism and reform in the German film academies -- Marijke de Valck: Sites of initiation: film training programs at film festivals -- Australia and Asia -- Ben Goldsmith and Tom O'Regan: beyond the modular film school: Australian film and television schools and their digital transitions -- Yoshiharu Tezuka: Dynamics of the cultures of discontent: how is globalization transforming the training of filmmakers in Japan? -- Moinak Biswas (India): learning with images in the digital age -- Yomi Braester: film schools in the PRC: professionalization and its discontents -- Stephen Chan: Film education in Hong Kong: new challenges and opportunities -- notes on contributors -- bibliography -- index --
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journal article
Essays on the Swedish cinema : Part one- an introduction in Lumiere (March, 1974) iss.32 p.22-24
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journal article
Essays on the Swedish cinema : Part two- Stiller and Sjostrom in Lumiere (April/May, 1974) iss.33 p.14-19, 36
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The Euro-American cinema / Peter Lev Austin: University of Texas Press, 1993.
Call No: 408.3 LEVAuthor: Lev, Peter, 1948 Edition: 1st edSource: USPlace: AustinPublisher: University of Texas PressPubDate: 1993PhysDes: xv, 170 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: ART CINEMA. USA ; POPULAR CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM ; USA ; EUROPEAN COUNTRIES ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PARIS, TEXAS (GW/US, Wim Wenders, 1984) ; RACCONTI DI CANTERBURY, I (IT/FR, Pier Paolo Pasolini, 1973) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) Summary: "Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blens, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives an overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art-film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment.
The second part of Lev's study examines in detail five examples of the Euro-American art film: Contempt (Jean-Luc Godard, 1963), Blow-up (Michelangelo Antonioni, 1966), The Canturbury Tales (Pier Paolo Pasolini, 1972), and The Last Emperor (Bernardo Bertolucci, 1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema." -- Back coverNotes: Filmography: p. [141]-156; Includes bibliographical references (p. [157]-160) and indexISBN: 0292746784 (pbk. : alk. paper); 0292746776 (cloth : alk. paper)LON: 9657097
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European cinema : an introduction / [edited by] Jill Forbes and Sarah Street Hampshire, [Eng.] New York: Palgrave, 2000.
Call No: 71(4) FORAuthor: Street, Sarah ; Forbes, Jill Place: Hampshire, [Eng.] New YorkPublisher: PalgravePubDate: 2000PhysDes: xvi, 216 p. : ill. ; 24 cmSubject: EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; STUDIOS, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; GENRES. EUROPEAN COUNTRIES ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; OSOSHIKI (JA, Juzo Itami, 1984) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; CARMEN (SP, Carlos Saura, 1983) ; GOOD MORNING BABILONIA (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987) ; VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994) ; HAINE, LA (FR, Mathieu Kassovitz, 1995) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; SIBIRSKIJ CIRJUL'NIK (RU/FR/IT/CZ, Nikita Mihalkov, 1998) Notes: Includes bibliographical references and indexesISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)LON: 21467101
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European cinema journal Milan: Media Salles, 1999-.
Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Media SallesSource: ITPlace: MilanPublisher: Media SallesPubDate: 1999-PhysDes: vol.Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES Order Notes: Current
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book
European cinema yearbook Milano: Media Salles, 1999.
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EUROPEAN COUNTRIES
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book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
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European television industries / Petros Iosifidis, Jeanette Steemers and Mark Wheeler London: bfi Publishing, 2005.
Call No: 20(4)"313" IOFAuthor: Iosifidis, Petros ; Steemers, Jeanette ; Wheeler, Mark Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 186 p. : ill., ports. ; 24 cmSubject: PUBLIC BROADCASTING ; DIGITAL TELEVISION ; EUROPEAN COUNTRIES ; NEWS CORPORATION ; ADVERTISING ; Canal Plus ; WHO WANTS TO BE A MILLIONAIRE (AT, 1999-) Summary: Television in Europe operates in an increasingly globalised communications market characterised by commercialisation, fragmentation and transnational ownership. Digital transmission has resulted in an abundance of televisual offerings, operating in a less heavily regulated dual system of competitive private and publicly owned television channels.Concentrating on the historical , economic, cultural, technological, and political factors behind change, the book provides an opportunity to construct a conceptual and analytical base on which to judge future developments in television in Europe.[taken from back cover]Notes: Includes bibliographical references and indexISBN: 1844570592
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journal article
European Underground in Lumiere (November-December 1971) iss.12 p.36-38
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Exception taken : how France has defied Hollywood's new world order / Jonathan Buchsbaum New York: Columbia University Press, 2017.
Call No: 205.1(44) BUCAuthor: Buchsbaum, Jonathan Place: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: xxvii, 393 pages : illustrations, charts ; 23 cmSeries: Film and Culture seriesSubject: FRANCE ; GOVERNMENT AID ; GLOBALISATION ; Canal Plus ; EUROPEAN COUNTRIES Summary: "In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization.
Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema." FROM PUBLISHER'S WEBSITENotes: Includes list of figures, preface and list of abbreviations -- Includes bibliography and indexISBN: 9780231170673Language: EnglishDonation: Senses of CinemaContents: Introduction -- International domination by the U.S. film industry -- The Lang years -- European film policy and television without frontiers -- Gatt -- From Canal+ to Canal- -- Bilan(s) -- From cultural exception to cultural diversity -- Was the experience beneficial? -- Conclusion.
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Experimental cinema : the film reader / edited by Wheeler Winston Dixon and Gwendolyn Audrey Foster London: Routledge, 2002.
Call No: 385.83 DIXAuthor: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey Source: UKPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 356 p. : ill.; 23 cmSubject: EXPERIMENTAL FILMS ; AVANT-GARDE FILMS. USA ; AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; STRUCTURALISM ; DEREN, MAYA ; ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; BRAKHAGE, STAN ; CONNER, BRUCE ; SNOW, MICHAEL ; FRAMPTON, HOLLIS ; JULIEN, ISAAC ; DASH, JULIE ; HAMMER, BARBARA Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.ISBN: 0415277876
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festival catalogue
The fifth celtic film and television festival : Cardiff, Wales, April 1984 / The celtic film and television festival Wales: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVESPlace: WalesPublisher: [s.n.]PubDate: 1984PhysDes: 1 v. : ill. ; 30 cmSubject: FESTIVALS. WALES ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES ; TELEVISION. UK ; DOCUMENTARY FILMS Notes: The Fifth Celtic Film and Television Festival includes a selection of feature length films, short films, documentaries and television programs. The festival program has an emphasis on film and television from Celtic nations such as Wales, Ireland, Scotland and France. The catalogue also includes numerous black and white stills and film synopses. NB. The festival catalogue is in English, French and Welsh languages.
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Film : an international history of the medium / by Robert Sklar London: Thames & Hudson, 1993.
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Film-echo : verleih-katalog: fachzeitschrift de Deutschen filmtheaterwirtschaft = rental catalogue: journal of the German film theatre industry / Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = Central Association of German Film Theatres e.V. and its affiliates Wiesbaden: DEFA, 1952-60.
Call No: F023(430.1) FILCorpAuthor: Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = Central Association of German Film Theatres e.V. and its affiliatesPlace: WiesbadenPublisher: DEFAPubDate: 1952-60PhysDes: 30 cmSubject: FEDERAL REPUBLIC OF GERMANY ; DISTRIBUTION. EUROPEAN COUNTRIES Summary: Offizielles Organ des Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = official organ the Central Association of German Film Theater e.V. and its affiliatesNotes: German text
1952/53
1955/56
1956/57
1957/58
1958/59
1959/60Language: German
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book
The filming of modern life : European Avant-Garde Film of the 1920s / by Malcom Turvey Cambridge, Massachusetts: MIT Press, c2011.
Call No: 771(4) TURAuthor: Turvey, Malcolm Source: USPlace: Cambridge, MassachusettsPublisher: MIT PressPubDate: c2011PhysDes: xii, 213 p. : ill. ; 24 cmSubject: AVANT-GARDE FILMS ; AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; EUROPEAN CINEMA ; HISTORY OF CINEMA. 1920's ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Summary: "In the 1920s, the European avant-garde embraced the cinema, experimenting with the medium in radical ways. Painters including Hans Richter and Fernand Leger as well as filmmakers belonging to such avant-garde movements as Dada and surrealism made some of the most enduring and fascinating films in the history of cinema. In The Filming of Modern Life, Malcolm Turvey examines five films from the avant-garde canon and the complex, sometimes contradictory, attitudes toward modernity they express: Rhythm 21 (Hans Richter, 1921), Ballet mecanique (Dudley Murphy and Fernand Leger, 1924), Entr'acte (Francis Picabia and Rene Clair, 1924), Un chien Andalou (Salvador Dali and Luis Bunuel, 1929), and Man with a Movie Camera (Dziga Vertov, 1929). All exemplify major trends within European avant-garde cinema of the time, from abstract animation to "cinema pur." Turvey argues that these films share a concern with modernization and the rapid, dislocating changes it was bringing about. He critically addresses major theories of the avant-garde and its relation to modern life, including the claim that film is "distracting" in the same way as a modern environment, and he challenges the standard view of the avant-garde as implacably opposed to bourgeois modernity. In fact, he writes, not only was there considerable disagreement among avant-garde movements about what aspects of modern life needed transformation, but the positions of individual avant-garde artists toward modernization were complex, even contradictory. All five films that Turvey analyzes embrace and resist, in their own ways, different aspects of modernity. Although much has been written about each of these films, The Filming of Modern Life is the first book to examine them together, illuminating their shared concern with modernization and its consequences." -- BOOK JACKETNotes: "An October book"; Includes bibliographical references and indexISBN: 9780262015189Contents: -- acknowledgments -- introduction -- Abstraction and rhythm 21 -- "Cinema pur" and Ballet me´chanique -- Dada, Entr'acte and Paris qui dort -- Surrealism and Un chien andalou -- City symphony and Man with a movie camera -- Film, distraction, and modernity -- notes -- index --
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journal article
Films of change in Lumiere (January/February, 1974) iss.31 p.33-34
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Films of commitment : socialist cinema in Eastern Europe / Karoly Nemes ; [translated by AndrGas Boros-Kazai] [Budapest]: Corvina, c1985.
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journal article
A fistful of dollars in Sydney University Film Group Bulletin (Aug. 1971) iss.55 p.34
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From Moscow to Madrid : postmodern cities, european cinema / Ewa Mazierska and Laura Rascaroli London: I.B. Tauris, 2003.
Call No: 71(4) MAZAuthor: Mazierska, Ewa ; Rascaroli, Laura Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2003PhysDes: xii, 260 p. : ill. ; 25 cmSubject: CITIES IN FILMS ; EUROPEAN COUNTRIES ; CLASS AND THE CINEMA ; ALMODOVAR, PEDRO ; CHELSOM, PETER ; LUNGIN, PAVEL ; MACHULSKI, JULIUSZ ; MARTONE, MARIO ; MICHELL, KEITH ; MORTE DI UN MATEMATICO NAPOLE TANO (IT, Mario Martone, 1992) ; AMORE MOLESTO, L' (IT, Mario Martone, 1995) ; BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BYE-BYE (FR, Karim Dridi, 1995) ; FLOR DE MI SECRETO, LA (SP, Pedro Almodovar, 1995) ; FUNNY BONES (US, Peter Chelsom, 1995) ; GIRL GUIDE (PL, Juliusz Machulski, 1995) ; KIKA (SP, Pedro Almodovar, 1993) ; KILER (PL, Juliusz Machulski, 1997) ; LUNA PARK (RU/FR, Pavel Lungin, 1992) ; MARIUS ET JEANETTE (FR, Robert Guediguian, 1997) ; NENETTE ET BONI (FR, Claire Denis, 1996) ; NOTTING HILL (UK, Roger Michell, 1998) ; SLIDING DOORS (US, Peter Howitt, 1998) ; TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990) ; TEATRO DI GUERRA (IT, Mario Martone, 1998) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; TWIN TOWN (UK, Kevin Allen, 1997) ; WONDERLAND (UK, Michael Winterbottom, 1999) Summary: Exploring the postmodern city in the context of European cinema.
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The German avante-garde film of the 1920's : Der Deutsche avant-garde film der 20er jahre / by Walter Schobert Munich, Germany: Goethe-Institut, 1989.
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A history of narrative film / David A. Cook New York: Norton, c1981.
Call No: 70 COOAuthor: Cook, David A Edition: 1st edPlace: New YorkPublisher: NortonPubDate: c1981PhysDes: xxiii, 721 p. : ill. ; 24 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. 1950's ; NARRATIVE IN FILMS ; STAR SYSTEM ; EXPRESSIONISM ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; ITALY ; NEOREALISM ; WAR AND THE CINEMA ; FILM NOIR ; NOUVELLE VAGUE ; WIDE-SCREEN SYSTEMS ; EASTERN EUROPEAN COUNTRIES ; JAPAN ; THIRD WORLD ; GERMAN FEDERAL REPUBLIC ; USSR ; MELIES, GEORGES ; PORTER, EDWIN S. ; GRIFFITH, DAVID WARK ; PUDOVKIN, VSEVELOD ; CHAPLIN, CHARLES ; Keaton, Buster ; VON STROHEIM, ERICH ; CITIZEN KANE (US, Orson Welles, 1941) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) Notes: Includes index; Bibliography: p. 671-692ISBN: 0393090221 (pbk.); 0393013707LON: 1583335 1583335
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The history of the British film 1929-1939 : film making in 1930s Britain / Rachael Low London Sydney: George Allen & Unwin, 1985.
Call No: 71(41) LOWAuthor: Low, Rachael CorpAuthor: British Film InstitutePlace: London SydneyPublisher: George Allen & UnwinPubDate: 1985PhysDes: xv, 452 p. : ill. ; 25cmSubject: INDUSTRY, FILM. UK ; HISTORY OF CINEMA. 1930's ; CENSORSHIP. UK ; QUOTA. EUROPEAN COUNTRIES Notes: Spine title: Film making in 1930s Britain; Published in association with the British Film Institute; Ill on lining papers; Bibliography: p282. - List of films : p287-413. - Includes indexISBN: 0047910429LON: bnb04791042; 3712956
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History on/and/in film : selected papers from the 3rd Australian History and Film Conference, Perth / edited by Tom O'Regan & Brian Shoesmith Perth, [W.A.]: History and Film Association of Australia (W.A.), 1987.
Call No: 45:93 HISAuthor: O'Regan, Tom, 1956 ; Shoesmith, Brian CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)Place: Perth, [W.A.]Publisher: History and Film Association of Australia (W.A.)PubDate: 1987PhysDes: 180 p. ; 30 cmSubject: HISTORY AND THE CINEMA ; HISTORICAL FILMS ; EUROPEAN COUNTRIES ; FRANCE ; INDIA ; JAPAN ; COMMONWEALTH FILM UNIT ; HISTORY OF EXHIBITION. AUSTRALIA ; AUSTRALIA. 1970's ; FASCISM AND THE CINEMA ; MARXISM AND THE CINEMA ; Grierson, John ; CHAUVEL, CHARLES ; HEIMAT [TV] (GW, Edgar Reitz, 1984) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; SEE IT NOW (US, Edward Murrow, 1954?) ; ROMAN SCANDALS (US, Frank Tuttle, 1933) ; ASSAULT ON SALAMAUA (AT, 1943) ; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976) Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985ISBN: 0729800563 (pbk.)LON: 5567713
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Hollywood androgyny / Rebecca Bell-Metereau New York: Columbia University Press, 1993.
Call No: 749.5 BELAuthor: Bell-Metereau, Rebecca Louise Edition: 2nd edPlace: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: xxii, 345 p. : ill. ; 23 cmSubject: TRANSVESTISM ; AIDS IN FILMS ; ART CINEMA. EUROPEAN COUNTRIES ; UNDERGROUND FILMS ; HOMOSEXUALITY IN FILMS ; SEX IN FILMS ; WESTERNS ; WILDER, BILLY ; GARBO, GRETA ; HEPBURN, KATHARINE ; CURTIS, TONY ; DIETRICH, MARLENE ; MADONNA ; MONROE, MARILYN ; SCOTT, RIDLEY ; ADLER, LOU ; DAY, DORIS ; CROSBY, BING ; EDWARDS, BLAKE ; GRANT, CARY ; LEMMON, JACK ; REA, STEPHEN ; SHERIDAN, ANN ; YENTL (US, Barbara Streisand, 1983) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; ALIEN [...] (UK/US, 1979-92) ; CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978) ; CALAMITY JANE (US, David Butler, 1953) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; PSYCHO (US, Alfred Hitchcock, 1960) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; BLUE VELVET (US, David Lynch, 1986) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; TOOTSIE (US, Sydney Pollack, 1982) ; SYLVIA SCARLETT (US, George Cukor, 1935) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; QUEEN CHRISTINA (US, Rouben Mamoulian, 1934) ; PLAINSMAN, THE (US, Cecil B. DeMille, 1936) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) Notes: Includes bibliographical references (p. [315]-327) and indexISBN: 0231084676 (acidb-sfree paper)LON: 10110408
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Hollywood in Europe : experiences of a cultural hegemony / edited by David W. Ellwood, Rob Kroes ; with contributions from Gian P. Brunetta ... [et al.] Amsterdam: VU University Press, 1994.
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journal article
How to sell your film in Lumiere (August, 1973) iss.26 p.14-16
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subject clippings file
INDUSTRY, FILM. EUROPEAN COUNTRIES
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journal article
Jan Troell's The Emigrants in Lumiere (December, 1972) iss.19 p.31-33
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Making pictures : a century of European cinematography / created by IMAGO, the Federation of European Cinematography London: Aurum, 2003.
Call No: 633.3(4) MAKAuthor: Michael Leitch (ed.) CorpAuthor: ImagoSource: UKPlace: LondonPublisher: AurumPubDate: 2003PhysDes: 481 p. : ill. (some col.) ; 29 cmSubject: CINEMATOGRAPHY ; EUROPEAN COUNTRIES ; HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; NEOREALISM ; ITALY ; FRANCE ; GERMANY ; HUNGARY ; CZECHOSLOVAKIA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; NOUVELLE VAGUE ; MOVEMENTS IN FILM HISTORY ; NYKVIST, SVEN ; ROTUNNO, GIUSEPPE ; Cardiff, Jack ; BERTOLUCCI, BERNARDO ; MASTROIANNI, MARCELLO ; TOVOLI, LUCIANO Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]Notes: Includes bibliographical references and indexes.ISBN: 1854108891Language: EnglishContents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt
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Making worlds : Affect and collectivity in contemporary European cinema / Claudia Breger New York: Columbia University Press, 2020.
Call No: 744(4) BREAuthor: Breger, Claudia Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2020PhysDes: 8 unumbered pages, 336 pages : illustrations ; 23 cmSubject: WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) ; BIUTIFUL (MX/SP, Alejandro Inarritu, 2010) ; EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007) ; JODAEIYA NADER AZ SIMIN (IR, Asghar Farhadi, 2011) ; HAVRE, LE (FI/FR/GG, Aki Kaurismäki, 2011) ; MIES VAILLA MENNEISYYTTA (FI/GG/FR, Aki Kaurismaki, 2002) ; OTHER SIDE OF HOPE, THE [TOIVON TUOLLA PUOLEN] (GG/FI, Aki Kaurismäki , 2017) ; VIE DE BOHEME, LA (FI/FR, Aki Kaurismaki, 1992) ; AESTHETICS ; AUDIENCES ; BRECHT, BERTHOLD ; DELEUZE, GILLES ; EUROPEAN COUNTRIES ; FASSBINDER, RAINER WERNER ; GODARD, JEAN-LUC ; IMMIGRATION IN FILMS AND TELEVISION ; REFUGEES Summary: The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.
Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akin’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred -- publisher's websiteNotes: Includes bibliographical references (page 293-324) and index.ISBN: 9780231194198Contents: Affects in Configuration: Controversy and Conviviality in Fatih Akin's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akin's The Cut and Ari Kaurisma¨ki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World -- Epilogue: Reconfiguring Resistance.
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Media cultures : reappraising transnational media / edited by Michael Skovmand and Kim Christian Schrªder London New York: Routledge, 1992.
Call No: 408.3 MEDAuthor: Skovmand, Michael ; Schrªder, Kim Place: London New YorkPublisher: RoutledgePubDate: 1992PhysDes: viii, 222 p. ; 22 cmSubject: MEDIA ; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES ; NEWS PROGRAMMES ; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES ; AUDIENCES ; CULT FILMS ; INTERNATIONAL BROADCASTING ; NATIONAL CULTURE AND TV ; SYDICATION ; POSTMODERNISM AND TV/VIDEO ; PUBLIC BROADCASTING ; GULF WAR ON TV ; BRITISH BROADCASTING CORPORATION ; CABLE NEWS NETWORK ; NORSK RIKSKRINGKASTING ; BOGART, HUMPHREY ; POTTER, DENNIS ; CASABLANCA (US, Michael Curtiz, 1942) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; WHEEL OF FORTUNE [TV] (US, 1975-) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) Notes: Includes bibliographical references and indexISBN: 0415063841; 041506385X (pbk.)LON: 8457888
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The most important art : Eastern European film after 1945 / Mira Liehm, Antonin J. Liehm Berkeley: University of California Press, c1977.
Call No: 71(4-11) LIEAuthor: Liehm, Mira Place: BerkeleyPublisher: University of California PressPubDate: c1977PhysDes: 467 p. : ill. ; 25 cmSubject: EASTERN EUROPEAN COUNTRIES Notes: Includes indexes; Bibliography: p. 438-442ISBN: 0520031571 : $23.50LON: 951926
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The movie game : the film business in Britain, Europe, and America / Martin Dale London Herndon, VA, USA: Cassell, 1997.
Call No: 201 DALAuthor: Dale, Martin Place: London Herndon, VA, USAPublisher: CassellPubDate: 1997PhysDes: xi, 340 p. : ill. ; 23 cmSubject: INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. USA ; INDEPENDENT PRODUCTION ; GOVERNMENT AID. EUROPEAN COUNTRIES ; QUOTA. EUROPEAN COUNTRIES ; DISTRIBUTORS ; ALMODOVAR, PEDRO ; PUTTNAM, DAVID ; BERLUSCONI, SILVIO ; BERRI, CLAUDE ; BESSON, LUC Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heardNotes: Includes bibliographical references (p. 332-334) and indexISBN: 0304333867; 0304333875 (pbk.)LON: gb 97034316; 13222852
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Mythopoetic cinema : on the ruins of European identity / Ravetto-Biagioli, Kriss New York: Columbia University Press, 2017.
Call No: 408.1(4) RAVAuthor: Ravetto-Biagioli, Kriss CorpAuthor: ProQuestPlace: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: 314 pages : illustrations ; 24 cm.Subject: NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; RUSSKIJ KOVCHEG (RU, Aleksandr Sokurov, 2002) ; DESTRICTED (UK/US, various, 2006) ; NOTRE MUSIQUE (FR/SZ, Jean-Luc Godard, 2004) ; MEGALEXANDROS, O (GR/IT, Theo Angelopoulos, 1980) Summary: "In Mythopoetic Cinema, Kriss Ravetto-Biagoli explores how contemporary European filmmakers treat mythopoetics as a critical practice that questions the constant need to provide new identities in a new Europe, and with it a new European cinema after the fall of the Soviet Union. Examining the work of Alexander Sokurov, Theodoros Angelopoulos, Marina Abramovic, and Jean-Luc Godard, she analyzes the ways in which these filmmakers engage and evaluate the recent reconceptualization of Europe's borders, mythic figures, and identity paradoxes, as well as how their work questions the ability of the moving image to challenge conventional ways of understanding history."Notes: Also issued online.
ProQuest Ebook Central Rental.
Includes bibliographical references (pages 277-304) and index.
In English.ISBN: 9780231182195Contents: Introduction
Floating on the borders of Europe : Aleksandr Sokurov's Russian ark
O Megalexandros : falling in and out of dreams
In Balkan : Marina Abramovic and the politics of the suffering body
Notre musique : on the ruins of the divine
Epilogue : the politics of confrontation.
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Netherlands film catalogue / National Film Collection Canberra: National Library of Australia, [no date].
Call No: 027(492) NETCorpAuthor: National Film CollectionPlace: CanberraPublisher: National Library of AustraliaPubDate: [no date]PhysDes: 16 p. ; 24 cmSubject: NETHERLANDS ; DISTRIBUTION. EUROPEAN COUNTRIES Donation: Donated by Peter Datson
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New cinema in Eastern Europe London: Studio Vista, 1971.
Call No: 71(4-11) WHYAuthor: Whyte, Alistair Place: LondonPublisher: Studio VistaPubDate: 1971PhysDes: 159 p.; illus. 19 cmSubject: EASTERN EUROPEAN COUNTRIES Notes: Includes bibliographical references and indexISBN: 0289700957LON: 20043139
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New cinema in Europe London New York: Studio Vista Dutton, [1966].
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The new European cinema : redrawing the map / Rosalind Galt New York: Columbia University Press, 2006.
Call No: 71(4) "198-199" GALAuthor: Galt, Rosalind Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: viii, 296 p. : ill., maps ; 24 cmSeries: Film and cultureSubject: EUROPEAN COUNTRIES ; WORLD WAR II FILMS ; COLD WAR AND THE CINEMA ; GENRES ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART CINEMA ; UNITED KINGDOM ; NEOREALISM ; REED, CAROL ; WILDER, BILLY ; BENJAMIN, WALTER ; TORNATORE, GIUSEPPE ; SALVATORES, GABRIELE ; KUSTURICA, EMIR ; TRIER, LARS VON ; MEDITERRANEO (IT, Gabriele Salvatores, 1991) ; AFFAIRE DE FEMMES, UNE (FR, Claude Chabrol, 1988) ; NUOVO CINEMA PARADISO (IT/FR, Giuseppe Tornatore, 1988) ; POSTINO, IL (IT/FR/BE, Michael Radford, 1994) ; MEDITERRANEO (IT, Gabriele Salvatores, 1991) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; FOREIGN AFFAIR, A (US, Billy Wilder, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) Summary: The new European cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s [taken from back cover]Notes: Formerly CIP
Includes bibliographical references (p. [267]-277) and index
Filmography: p. [279]-284ISBN: 0231137176Contents: 1. Mapping European cinema in the 1990s -- 2. The dialectic of landscape in Italian popular melodrama -- 3. A conspiracy of cartographers? -- 4. Yugoslavia's impossible spaces -- 5. Back-projecting Germany -- 6. Toward a theory of European space
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The other side : European avant-garde cinema, 1960-1980 : a film exhibition / organized by the American Federation of Arts New York, N.Y.: The Federation, c1983.
Call No: 771.1 OTHAuthor: Cornwell, Regina, 1941 CorpAuthor: American Federation of ArtsPlace: New York, N.Y.Publisher: The FederationPubDate: c1983PhysDes: 91 p. : ill. ; 23 cmSubject: AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; HEIN, BIRGIT & WILHEIM ; KREN, KURT ; NEKES, WERNER ; POTTER, SALLY ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; TAIT, MARGARET ; Wenders, Wim ; ZWARTJES, FRANS ; WELSBY, CHRIS ; WYBORNY, KLAUS ; SMITH, JOHN ; LEGGETT, MIKE ; LE GRICE, MALCOM ; MOMMARTZ, LUTZ ; O., DORE ; GOTOVAC, TOMISLAV ; KRISTL, VLADO ; NOOIJER, PAUL DE ; BODY, GABOR ; BOLTANSKI, CHRISTIAN ; BARUCHELLO, GIANFRANCO Notes: Bibliography: p. 88-89; Includes filmographiesISBN: 0917418743 (pbk.)LON: 3032991
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Old collection
book
Polish documentary and educational films Warsaw: Film Polski,
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newspaper article
Pressure for quota on Netflix in The Age (30/05/2016) p.21
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND ; STATE AND TV. EUROPEAN COUNTRIES ; PRODUCTION, TV. AUSTRALIA Summary: The European Union have imposed on streaming services a requirement that 20 percent of their libraries are made up of European content. Screen Producers Australia and the Nine Network discuss whether similar requirements should be made in AustraliaNotes: same article in Sydney Morning Herald. p 25
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Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
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Special issue
serial
"RTL: EUROPE'S # 1" 23 November 1998.
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Screening Europe : image and identity in contemporary European cinema / edited by Duncan Petrie London: BFI Pub., 1992.
Call No: 408.1(4) SCRAuthor: Petrie, Duncan J., 1963 CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI Pub.PubDate: 1992PhysDes: viii, 120 p. ; 21 cmSeries: BFI working papersSubject: NATIONAL IDENTITY IN FILMS ; EUROPEAN COUNTRIES ; ART CINEMA. EUROPEAN COUNTRIES ; AKERMAN, CHANTAL ; JAMESON, FREDRIC ; GODARD, JEAN-LUC ; TEMPEST, THE (UK, Derek Jarman, 1979) ; EDWARD II (UK, Derek Jarman, 1991) ; CHOCOLAT (FR, Claire Denis, 1988) ; DOM ZA VESANJE (YU, Emir Kusturica, 1989) ; YOUNG SOUL REBELS (UK, Isaac Julien, 1991) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; MUJERES AL BORDE DE UN ATAQUE DE NERVIOS (SP, Pedro Almodovar, 1988) Notes: Proceedings of a conference sponsored by the British Film Institute at the National Film Theatre, London, in June 1991; Filmography: p. 114-120; Includes bibliographuical referencesISBN: 0851703216LON: bnb85170321; 9141124
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Screening modernism : European art cinema, 1950-1980 / Andras Balint Kovaccs Chicago: University of Chicago Press, 2007.
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Screening strangers : migration and diaspora in contemporary European cinema / Yosefa Loshitzky Bloomington IN: Indiana University Press, c2010.
Call No: 744.9[325.1](4) LOSAuthor: Loshitzky, Yosefa Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c2010PhysDes: 214 p. ; 23 cmSeries: New directions in national cinemasSubject: CULTURAL IMPERIALISM ; EUROPEAN CINEMA ; IMMIGRATION IN FILMS AND TELEVISION ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; RACE AND THE CINEMA ; REFUGEES ; WINTERBOTTOM, MICHAEL ; BESIEGED (IT, Bernardo Bertolucci, 1998) ; CODE 46 (UK/US, Michael Winterbottom, 2003) ; DIRTY PRETTY THINGS (UK, Stephen Frears, 2002) ; HAINE, LA (FR, Mathieu Kassovitz, 1995) ; IN THIS WORLD (UK, Michael Winterbottom, 2002) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) Summary: "Yosefa Loshitzky challenges the utopian notion of a post-national "New Europe" by focusing on the waves of migrants and refugees that some view as a potential threat to European identity, a concern heightened by the rhetoric of the war on terror, the London Underground bombings, and the riots in Paris's banliues. Opening a cinematic window onto this struggle, Loshitzky determines patterns in the representation and negotiation of European identity in several European films from the late twentieth and early twenty-first centuries, including Bernardo Bertolucci's Besieged, Stephen Frears's Dirty Pretty Things, Mathieu Kassovitz's La Haine, and Michael Winterbottom's In This World, Code 46, and The Road to Guantanamo." - BOOK BLURBNotes: Includes notes and indexISBN: 9780253221827
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Screening the past : memory and nostalgia in cinema / Pam Cook London ; New York: Routledge, 2005.
Call No: 409.1 COOAuthor: Cook, Pam Source: UKPlace: London ; New YorkPublisher: RoutledgePubDate: 2005PhysDes: xiii, 246 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA ; NOSTALGIA IN FILMS ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; GENDER AND THE CINEMA ; MEN IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; SEXUALITY AND THE CINEMA ; TYPE CHARACTERS IN FILMS ; MELODRAMA ; WESTERNS ; SCORSESE, MARTIN ; BIGELOW, KATHRYN ; HAYNES, TODD ; WONG KAR WAI ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; RAGING BULL (US, Martin Scorsese, 1980) ; MANDY (UK, Alexander Mackendrick, 1952) ; DANCE WITH A STRANGER (UK, Mike Newell, 1985) Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKETNotes: Includes bibliographical references and index (pp. 241-46)ISBN: 0415183758 (pbk. : alk. paper)Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow.
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newspaper article
SPA Calls for Netflix local content quota in Australian Financial Review (30/05/2016) p.31
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: PRODUCTION. EUROPEAN COUNTRIES ; VIDEO ON DEMAND Summary: The European Union has imposed a content quota for streaming services like Netflix, Amazon Prime, with a requirement that 20 percent of their library is dedicated to European content. This article looks at the call from Screen Producers Australia for streamers in the Australian market to do the same. Interivewed are representatives from Nine Network, Netflix, Ministry of th Communications
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Spaghetti westerns : cowboys and Europeans from Karl May to Sergio Leone / Christopher Frayling London Boston: Routledge & Kegan Paul, 1981.
Call No: 736.2 FRAAuthor: Frayling, Christopher Place: London BostonPublisher: Routledge & Kegan PaulPubDate: 1981PhysDes: xvi, 304 p. : ill. ; 24 cmSeries: Cinema and societySubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; BERTOLUCCI, BERNARDO ; EASTWOOD, CLINT ; FORD, JOHN ; MORRICONE, ENNIO ; SOLLIMA, SERGIO ; VOLONTE, GIAN MARIA ; WRIGHT, WILL ; MAY, KARL ; ECO, UMBERTO ; CORBUCCI, SERGIO ; DAMIANI, DAMIANO ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) Notes: Includes indexes; Bibliography: p. 289-294ISBN: 0710005040 (pbk.); 0710005032 (hard)LON: 1933684
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Spaghetti westerns : the good, the bad, and the violent : a comprehensive, illustrated filmography of 558 Eurowesterns and their personnel, 1961-1977 / by Thomas Weisser Jefferson, N.C.: McFarland, c1992.
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The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996.
Call No: 201(4) FINAuthor: Finney, Angus, 1964 Place: LondonPublisher: CassellPubDate: 1996PhysDes: x, 262 p. ; 24 cmSubject: INDUSTRY, FILM. EUROPEAN COUNTRIES ; EDUCATION, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; DISTRIBUTION. EUROPEAN COUNTRIES ; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES ; POLYGRAM ; EURIMAGES ; NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994) ; ROB ROY (US, Michael Caton-Jones, 1995) ; TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; GUILTRIP (IE, Gerard Stembridge, 1995) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; FLOR DE MI SECRETO, LA (SP, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255ISBN: 0304333026 (pbk)LON: abn96337602; 12766083
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journal article
Stig Bjorkman Versus The Producers in Lumiere (January-February, 1973) iss.20 p.18-21
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journal article
Super 16 in Australia in Lumiere (November, 1973) iss.29 p.38-40
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journal article
Sweden bans violence on video in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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journal article
Teaching contemporary European cinema in Metro education (1998) iss.16 p.20-23
Author: Arnold, Darren PhysDes: Article; Illustration(s)Subject: EUROPEAN COUNTRIES ; EDUCATION, FILM Summary: Arnold outlines a class structure for teaching contemporary European cinema at tertiary level and reflects on the success of the course.
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book
Theorising national cinema / Valentina Vitali and Paul Willemen (eds) London: British Film Institute, London, 2006.
Call No: 408.1 THEAuthor: Vitali, Valentina ; Willemen, Paul CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film Institute, LondonPubDate: 2006PhysDes: 326 p. ill. : 24 cmSubject: ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA ; JAPAN ; KOREA ; REPUBLIC OF IRELAND ; LATIN AMERICAN COUNTRIES ; KRACAUER, SIEGFRIED ; BURCH, NOEL ; RUSSIA ; FRANCE ; TAIWAN ; PALESTINE ; ARAB COUNTRIES ; INDIA ; ASIAN COUNTRIES ; EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY IN FILMS ; GLOBALISATION Summary: Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? Theorising National Cinema is a major contribution to work on national cinemas, by many of the leading scholars in the filed. It addresses the knotty and complex relationships between cinema and national identity, showing that the nationality of a cinema production company, and of the films it made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of the nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issue of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of transnational cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe.ISBN: 1844571203
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Interim
book
True variety : Funding the art of world cinema 2003.
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book
Utopian television : Rossellini, Watkins, and Godard beyond cinema / Michael Cramer Minneapolis, MN: University of Minnesota Press, 2017.
Call No: 21(4) CRAAuthor: Cramer, Michael Place: Minneapolis, MNPublisher: University of Minnesota PressPubDate: 2017PhysDes: xxiii,276 p. : illustrations ; 22 cmSubject: TELEVISION, FILMS MADE FOR ; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES ; ROSSELLINI, ROBERTO ; WATKINS, PETER ; GODARD, JEAN-LUC ; WAR GAME, THE (UK, Peter Watkins, 1966) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) Summary: Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.
Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.
As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well. - publisher's web siteISBN: 9781517900397Contents: Contents -- Introduction. The Land beyond Cinema: Television and Utopian Method -- 1. The Promise of Television: Making Utopia Possible -- 2. Television as Enlightenment: Roberto Rossellini’s History Lessons -- 3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC -- 4. Radical Communications: Jean-Luc Godard on and around Television -- 5. Utopia after Television: Media Mutations and Transplantations -- Acknowledgments -- Notes -- IndexID2: 286
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Working in the global film and television industries : creativity, systems, space, patronage / edited by Andrew Dawson & Sean P. Holmes London: Bloomsbury Academic, 2012.
Call No: 20 DAWAuthor: Dawson, Andrew ; Holmes, Sean P. Source: UKPlace: LondonPublisher: Bloomsbury AcademicPubDate: 2012PhysDes: xii, 207 pages ; 24 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, TV. ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. USA ; PRODUCTION COSTS ; GLOBAL TELEVISION ; BOLLYWOOD ; HOLLYWOOD Summary: "The book looks at the experience of industry workers in film and television production in a variety of social, economic, political and cultural contexts. It provides a detailed analysis of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key theoretical and methodological questions that attach to the study of film and television production. Working in the Global Film and Television Industries looks at film and television production not only in Hollywood and Western Europe but also in less familiar settings such as the Soviet Union, India, Nigeria, and the Democratic Republic of Congo." -- BOOK BLURBNotes: Includes index and bibliographyISBN: 9781780930237Contents: 1.New perspectives on working in the global film and television industries / Sean P. Holmes -- Section I Systems of production -- 2.Labouring in Hollywood's motion picture industry and the legacy of `flexible specialization' / Andrew Dawson -- 3.Soviet film-making under the `producership' of the party state (1955-85) / Galina Gornostaeva -- 4.Making films in Scandinavia: Work and production infrastructure in the contemporary regional sector / Olof Hedling -- Section II Manoeuvrable spaces -- 5.No room for manoeuvre: Star images and the regulation of actors' labour in silent-era Hollywood / Sean P. Holmes -- 6.Working as a freelancer in UK television / Richard Paterson -- 7.Behind the scenes: The working conditions of technical workers in the Nigerian film industry / Ikechukwu Obiaya -- Section III Patronage and clientelism --
Contents note continued: 8.Fathers, patrons and clients in Kinshasa's media world: Social and economic dynamics in the production of television drama / Katrien Pype -- 9.Les chefs-operatrices: Women behind the camera in France / Alison Smith -- Section IV Creative agency -- 10.Cornel Lucas: Stills photography and production culture in 1950s British film / Linda Marchant -- 11.Making faces: Competition and change in the production of Bollywood film star looks / Clare M. Wilkinson-Weber
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Interim
book
The Zanzibar films and the dandies of May 1968 / Sally Shafto New York NY: Zanzibar USA, 2000.
Call No: 771(44) SHAAuthor: Shafto, Sally Place: New York NYPublisher: Zanzibar USAPubDate: 2000PhysDes: 63 p; 21 cmSubject: ZANZIBAR FILMS ; GARREL, PHILIPPE ; FRANCE ; EXPERIMENTAL FILMS ; RAYNAL, JACKIE ; PRODUCTION. EUROPEAN COUNTRIES Summary: The first English-language account of this little-known chapter in French cinema history. Between 1968 and 1970, Sylvina Boissonnas, a young French heiress and patroness of the arts, financed the production of some fifteen films that would prove highly influential while remaining largely unknown outside of France. Under the banner of “Zanzibar Films” (a name taken from the Maoist island nation in East Africa), a decidely informal collective of about a dozen artists, writers, and students began to make their first films. While the New Wave filmmakers had been in their late twenties and early thirties when they began filmmaking, the Zanzibar directors were younger (Philippe Garrel, one of the key figures, was just twenty) and were inspired by the heady spirit and times of May 1968. These filmmakers quickly became the darlings of Henri Langlois, who often showed their films at the Cinémathèque Française in late-night screenings. Despite their diversity, the Zanzibar films were marked by minimal scripts, the use of nonactors and improvisation, and strong ties to both the art world and the world of fashion. (Several of the Zanzibar participants spent time in Warhol’s Factory in the mid-1960s.) Their films represented the French equivalent of the American underground, and these young cinéastes quickly became the radical dandies of May 1968.ISBN: 0970240201Donation: Donated by author
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