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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11
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Amalgamated (16mm) Film Distributors to incorporate video division in Australasian Cinema (24/6/1983) vol.12 iss.11 p.1
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Amazon gets into the movie business in Australian Financial Review [General News] (21/01/2015) p.37
Call No: SUBJECT CLIPPINGS FILE; AMAZONPhysDes: Clippings File ArticleSubject: AMAZON ; STREAMING USE: VIDEO ON DEMAND Summary: Amazon is announcing that it will produce and release films for both theatrical and video streaming relaese. Currently only to be available in the US.
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AMERICAN VIDEOGRAPHER September 1998.
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AMERICAN VIDEOGRAPHER April 1999.
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AMERICAN VIDEOGRAPHER April 1998.
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Andre Blay heading newly created Embassy Home Entertainment in Australasian Cinema (27/8/1982) vol.11 iss.15 p.25
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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Archive forges bond with VIDA in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.2
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Aussie preschool DVD solution boosts sales in Kidscreen (Nov/Dec 2006) p.27
Call No: DVD RESEARCH FOLDER; DVD Research FolderAuthor: Castleman, Lana Subject: INDUSTRY, VIDEO. AUSTRALIA ; DVD, TV SHOWS ON ; VILLAGE ROADSHOW ; CHILDREN, PROGRAMMES FOR Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales
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Aust. movie giant, Roadshow Film Dist., launch Roadshow Home Video in Australasian Cinema (28/5/1982) vol.11 iss.9 p.7
PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; ENDLESS LOVE (US, Franco Zeffirelli, 1981) ; ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980) ; VILLAGE ROADSHOW Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.
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Australia's first 3-D video movie in Australasian Cinema (16/07/1982) vol.11 iss.12 p.26
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Australian Association of Film and Video Libraries Newsletter / Australian Association of Film and Video Libraries [East Melbourne]: The Association, 1981-.
Call No: held no.12-35 July 1983-Mar. 1993 incompleteCorpAuthor: Australian Association of Film and Video Libraries; Australian Association of Film and Video Libraries. Victorian Branch; Newsletter (Australian Association of Film and Video Libraries)Source: ATPlace: [East Melbourne]Publisher: The AssociationPubDate: 1981-PhysDes: v. ; 21 cmSubject: Australian Association of Film and Video Libraries Periodicals Notes: From no. 5: 32 cm; Some issues have Victorian Branch printed on them; Film & videotape recording libraries: Organisations. Australia. Australian Association of Film and Video Libraries. Serials (ANB/PRECIS SIN 0556726); Caption titleISSN: 0728-3717LON: ans00728371; 2100096 2650292
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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book
Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian video censorship classifications 88 Richmond North, Vic.: General Magazine Co., 1988.
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festival catalogue
The Australian video festival Sydney: The Festival,
Call No: FESTIVAL CATALOGUE SHELVES; held 1986-1990, 1992Source: ATPlace: SydneyPublisher: The FestivalSubject: FESTIVALS. AUSTRALIAN VIDEO Notes: Cover titleLON: 5490110; 6588281; 6588289; 11364561; 10537530; 6588255; 6588228; 6606122
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journal article
Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; DR STRANGELOVE (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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The autobiography of video : the life and times of a memory technology / Ina Blom Berlin: Sternberg Press, 2016.
Call No: 771 BLOAuthor: Blom, Ina Source: GPlace: BerlinPublisher: Sternberg PressPubDate: 2016PhysDes: 242 pages : illustrations (some color) ; 23 cmSubject: VIDEO ART Summary: "In this innovative text, Ina Blom traces the autobiography of video as enacted in the field of early analog video art. She documents, among other things, the becoming of video through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. This is a book about technology and social memory in the field of twentieth-century art." -- taken from back coverNotes: Includes bibliographical references and notes.ISBN: 9783956791895Contents: Acknowledgements -- Chapter One: Introduction, The Autobiography of Video -- Chapter Two: Video and Autobiography versus the Autobiography of Video -- Chapter Three: Becoming Video (The Prehension of Painting) -- Chapter Four: Video Life -- Chapter Five: Video Times -- Chapter Six: Inside Equipment (Studio Practice) -- Chapter Seven: Passive Viewing, Video Watching Television -- Chapter Eight: Love, Sync, and Possession -- Notes -- Bibliography -- Image Credits
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The avengers : Toby Miller Bath: Bath Press, 1997.
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journal article
Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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Battle hots up over next generation DVD standard in Australian Financial Review (09/01/2007) p.39
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; SONY CORPORATION ; TOSHIBA CORPORATION Summary: There are two DVD formats developed
– the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content
– The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content
– Conventional DVDs hold a mere 5 gigabytes
Both discs formats are not compatible for the same playing systems which has created competition within the industry
– Warner brothers and Paramount are releasing discs with both formats.
– MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray.
– Universal has opted for exclusive release on HD–DVD
– Sony’s Playstation 3 has Blu-ray drives
– Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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BENNY'S VIDEO : (AU/SZ, Michael Haneke, 1992)
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Between imagination and reality : The ICA Biennial of Independent Film and Video / Selector: Tilda Swinton. Essays: Moira Sweeney, Peter Wollen London: Institute of Contemporary Arts, 1990.
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journal article
Between pirates & porn brokers bonafide distributors & dealers walk a precarious plank in Australasian Cinema (27/5/1983) vol.12 iss.9 p.4
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The big E in video is coming in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
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Big role for Australian Film Producers' Assoc. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Bill Collins joins Video Classics in major promotional deal in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACKS AND THE CINEMA. UK ; BLACK FILMMAKERS. UK ; BLACKS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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Blow to the video vendors : Import duty up from 2 to 37 per cent in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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Bold new world in Daily Telegraph [Switched On] (7/06/2017) p.25
Call No: SUBJECT CLIPPINGS FILE; FOXTELAuthor: Byrnes, Holly PhysDes: Clippings File ArticleSubject: FOXTEL ; VIDEO ON DEMAND Summary: A new streaming service is being offered from Foxtel, which is called Foxtel Now
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Boom time for streaming services in Sunday Age (29/05/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Newsome, Brad PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND Summary: Article about the shows available for viewing on Australian streaming services from Netflix, Stan, Presto and ABC iViewNotes: similar article. 'Bloodline one of a top crop from streaming services', Sydney Morning Herald. same date. p. 24
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Broadcasters set to turn online into top viewing in Australian Financial Review [Marketing & Media] (7/09/2015) p.37
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: McIntyre, Paul PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND Summary: Keith Eadie, Cheif marketing officer for TubeMogul predicts a shift in viewership arguing that mid-level and user generated content would lose out to premium broadcast style shows that are delivered across and digital channel (live and catch-up). Seven Network annousced in August its Plus& app will stream its three channels live across any device as part of its 'content everywhere' strategy.
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Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4
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CBS/FOX/Video snap-up "Dundee" in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.20
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newspaper article
Chinese workers flex market muscle in Australian Financial Review (19/03/2007) p.63
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gronow, Nick Subject: CHINA ; INDUSTRY, VIDEO Summary: Starts of article mentions how Chinese mass production reduced the price of DVD players dropped 73% to $US 27in 2005. But now China’s prosperity will drive manufacturing prices upwards.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Cinema in the digital age / Rombes, Nicholas New York: New York Columbia University Press, 2017.
Call No: 62 ROMAuthor: Rombes, Nicholas Edition: Revised editionPlace: London; New YorkPublisher: New York Columbia University PressPubDate: 2017PhysDes: 22 b& w illustrationsSubject: DIGITAL CINEMA ; NOSTALGIA ; FILMMAKING ; DISTRIBUTION ; DIGITAL DISTRIBUTION ; MEDIA AND THE CINEMA ; EDITING ; PHILOSOPHY AND THE CINEMA ; VIDEO FORMATS ; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014) ; THEORY ; SPECTATORSHIP ; BLUE VELVET (US, David Lynch, 1986) ; APPLE ; COMPUTER GENERATED IMAGERY ; POSTMODERNISM AND THE CINEMA ; FORMATS ; CINEMATOGRAPHY Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.Notes: Includes bibliographical references.ISBN: 9780231167550Donation: Senses of CinemaContents: Machine generated contents note: 1.Accelerationism
2.The Adorno Paradox
3.Against Method
4.Analog/ Digital Splice
5.Blood, Simple
6.Boredom and Analog Nostalgia
7.The Digital Spectacular
8.Disposable Aesthetics
9.DV Humanism
10.Filmless Films
11.Frame Dragging
12.The Ideology of the Long Take
13.Image/ Text
14.Incompleteness
15.Interfaces
16.iPod Experiment
17.Ironic Mode
18.Looking at Yourself Looking
19.The Lost Underground
20.Love in the Time of Fragments
21.Media as Its Own Theory
22.Mobile Viewing
23.Moving Space in the Frame, and a Note on Film Theory
24.Natural Time
25.Nonlinear
26.Paranormal Activity 2
27.Pausing
28.Punk
29.Realism
30.Real Time
31.The Real You
32.The Reality Industrial Complex
33.Remainders
34.Sampling
35.Secondary Becomes Primary
36.Self-Deconstructing Narratives
37.Shaky Camera
38.Shoot!
39.Simultaneous Cinema
40.Small Screens
Contents note continued: 41.Target Video
42.Time, Memory
43.Time-Shifting
44.Tmesis: Skimming and Skipping
45.Undirected Films
46.Viewer Participation
47.Virtual Humanism: Part 1
48.Virtual Humanism: Part 2
49.Visible Language, Spring 1977
50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project
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CIVIC VIDEO
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CIVIC VIDEO
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Clearance promised on video backlog of 2,800 titles in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.2
Subject: AUSTRALIA ; VIDEO, FILMS ON Summary: Article on how VIDA's pressure on the Federal Attorney General has led to a promise in dealing with the censorship/classification backlog
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newspaper article
The confused evolution on demand TV in Sunday Age [General News] (13/09/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND ; MR ROBOT [TV] (US, Sam Esmail, 2015) Summary: This article highlights the multitude of ways in which viewers can consume a popular show (such as Mr Robot) depending on how much thay want to wait or pay. There is a lot of confusion around who holds exclusive rights to screen a 'hot' show in Australia.
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: HOLLYWOOD ; INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
Checked: 31/08/2021 1:18:10 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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CORPORATE VIDEO
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Crime pays on 'the free Netflix' in Weekend Australian (29/07/2017) p.3
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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The diary : streaming action in The Australian (15/02/2016) p.24
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Digital exposes the video star in Australian Financial Review (12/03/2007) p.61
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Connors, Emma Subject: INDUSTRY, VIDEO. AUSTRALIA ; VIDEO EZY ; BLOCKBUSTER ; QUICKFLIX ; REELTIME MEDIA Summary: Video Ezy plans to take over Blockbuster Video in Australia which would give them 40% of Oz rental store market.
This article also focuses on the new digital technologies that are opening the rental market up to other businesses.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Businesses mentioned:
Video Ezy/Civic Video
Blockbuster
Quickflix
Reeltime Media
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Interim
book
Discussion paper - establishing a national screen art network / Brian Doherty, Susan Charlton and Maria Haros [Australia]: [s.n.], 1997.
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Disney plots Australian SVOD service in Australian Financial Review (15/02/2016) p.31
Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY PRODUCTIONSAuthor: White, Dominic -- Mason, Max PhysDes: Clippings File ArticleSubject: WALT DISNEY PRODUCTIONS ; VIDEO ON DEMAND Summary: Walt Disney Company is considering releasing a subscription video on demand service for Australia. Report on what this means for other subscription TV services in Australia, especially Foxtel
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Divided lenses : screen memories of war in East Asia / edited by Michael Berry and Chiho Sawada Honolulu: University of Hawai'i Press, 2016.
Call No: 737(5-012) DIVSource: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: 2016PhysDes: viii, 331 pages : illustrations ; 24 cmSubject: WAR AND THE CINEMA ; WAR FILMS ; WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS ; WORLD WAR II FILMS. JAPAN ; WORLD WAR II FILMS. USA ; WORLD WAR II FILMS. CHINA ; KOREAN WAR FILMS ; SECOND SINO-JAPANESE WAR FILMS ; TAIWAN ; MANGA ; VIDEO GAMES ; COMPUTER GAMES ; NATIONALISM AND THE CINEMA ; RACIAL STEREOTYPES IN FILMS ; ASIANS IN FILMS ; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002) ; BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973) ; CHILDREN OF HUANG SHI, THE (AT/C/GE, Roger Spottiswoode, 2007) ; FRIENDS (JP/KO, 2002) ; SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007) Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from coverNotes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and indexISBN: 9780824851514Donation: donated by Senses of CinemaContents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot
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DRUG FREE KIDS - A PARENTS GUIDE : [TV] (US, Video Associates [prod.], 1986?)
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DVD letterbox in The Australian (28/10/2006) p.25
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: DISTRIBUTION. DVD. AUSTRALIA ; QUICKFLIX ; VIDEO EZY Summary: Saying that the DVD rental sector is still thriving in Australia, even though the DVD sell-through market is very strong. Talks about the important rental company Video Ezy and the online rental Quickflix.; There is also a couple of paragraphs on the trend of franchise movies released straight onto DVD.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "I know I'm not the only binge purchaser with unwrapped DVDs cluttering up valuable shelf space. Perhaps renting made sense after all"; -- $1 billion on DVD purchases last year compared with $365 million on rentals.; -- Paul Uniacke - Mg Dir Video Ezy. "Selling DVDs accounts for half the revenue of a number of Video Ezy stores. "But that doesn't mean we're giving up renting, because rentals are up compared with last year."
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DVDs post blockbuster year in Australian Financial Review (16/02/2007) p.3
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Connors, Emma Subject: DVD, FILMS ON ; INDUSTRY, VIDEO. AUSTRALIA ; DVD, TV SHOWS ON ; BLOCKBUSTERS ; AUSTRALIA 2000s Summary: Blockbuster titles push DVD sales in Australia up in 2006. Very stats based article on DVD sales increase.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: 65.2 million titles worth 1.02 billion sold. Only 1% sales VHS
DVD sales up 14 % whilst revenue up 15% on 2005
TV series made 26% of total sales
Broadening of retail sales from mass retail to petrol stations
Impact of rental online services suggested with sales to rentals up 22% but revenue up 5%
No expectation that online channels will impact on DVD in 2007.
Films Mentioned:
Harry Potter and the Goblet of Fire
Pirates of the Carribean
Ice Age 2
Kenny (as independent success)
TV mentioned
House
Little Britain
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An eccentric orbit : video art in Australia : an exhibition organised organised by the American Federation of Arts New York: American Federation of Arts, c1994.
Call No: 175AN ANSource: USPlace: New YorkPublisher: American Federation of ArtsPubDate: c1994PhysDes: 28 p. : ill. ; 30 cmSubject: VIDEO ART ; VIDEO INSTALLATIONS Summary: a booklet based on the an exhibition of over 30 Australian based video artistsNotes: Financial assistance provided by the Australian Film CommissionISBN: 0646198998
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The economic consequences of DVD regional restrictions in Economic Papers (March 2002) vol.21 iss.1 p.32-45
Call No: DVD RESEARCH FOLDER; DVD Research FolderAuthor: Dunt, Emily ; Gans, Joshua S. ; King, Stephen P. Subject: INDUSTRY, VIDEO. AUSTRALIA Summary: How technology based restrictions and parallel imporation laws have created geographically distinct markets for DVDs. The paper argues that for maximum economic benefits Australia (with other Governments) should remove the technical restrictions and parallel importation laws.
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Editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987.
Call No: 241(-4) LEVAuthor: Levy, Wayne Edition: 1987Place: Cibinong, IndonesiaPublisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan NasionalPubDate: 1987PhysDes: 23 leaves : illustrated ; 23 cmSubject: VIDEO PHOTOGRAPHY ; EDITING Language: English
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ELECTRONIC VIDEO RECORDING
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Ephemeral media : Transitory screen culture from television to YouTube / Paul Grainge Houndsmill, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011.
Call No: 77 EPHAuthor: Grainge, Paul, 1972 - Place: Houndsmill, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2011PhysDes: viii, 236 pages : illustrations ; 24 cm.Subject: CONVERGENCE ; INTERNET AND THE CINEMA ; INTERNET AND TV ; SOCIAL MEDIA AND THE CINEMA ; ONLINE VIDEO PROGRAMMING ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTERS AND THE CINEMA ; YOUTUBE ; ADVERTISING Summary: "From the television interstitials that appear between programmes to the brief clips and videos that proliferate on YouTube, contemporary screen culture is populated by short-forms that make claims for our attention. Ephemeral Media provides a unique focus on these fleeting but increasingly ubiquitous texts. Through case studies in television and web entertainment, this original book looks at the production of media at the edges, within the junctions, and that surround the output of networks and studios. Analyzing promos and idents, emergent forms of online TV and web drama, and the burgeoning world of worker- and user-generated content, this new collection also examines screen forms that circulate "between," "beyond" and "below" the TV programs and films traditionally privileged within screen studies. With essays by leading international scholars in television, film and new media studies, as well as interviews with key industry figures, Ephemeral Media explores the practices, strategies and textual forms helping producers (and viewers) negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, Ephemeral Media provides a new perspective on the transitory, and transitional, nature of screen culture in the early 21st century"-- BlurbNotes: Formerly CIP.
Includes bibliographical references and indexISBN: 9781844574346Donation: Adrian MilesContents: Introduction: Ephemeral media, Paul Grainge -- I Media transition and transitory media -- 1. The recurrent, the recombinatory, and the ephemeral: William Uricchio -- 2. Television, abridged: ephemeral texts, monumental seriality and TV-Digital media convergence, Max Dawson -- II Between: interstitials and idents -- 3. Interstitials: how the 'bits in between' define the programmes, John Ellis -- 4. 'Music is Half the Picture': the soundworld of television idents, Mark Brownrigg and Peter Meech -- 5. TV promotion and broadcast design: An interview with Charlie Mawer, Red Bee Media -- III Beyond: online TV and web drama -- 6. The evolving media ecosystem: An interview with Victoria Jaye, BBC, Elizabeth Jane Evans -- 7. Beyond the broadcast text: new economies and temporalities of online TV, JP Kelly -- 8. Time slice: web drama and the attention economy, Jon Dovey -- 9. 'Carnaby Street, 10am': KateModern and the ephemeral dynamics of online drama, Elizabeth Jane Evans -- IV Below: worker- and user-generated content -- 10. Corporate and worker ephemera: the industrial promotional surround, paratexts and worker blowback, John T. Caldwell -- 11. Reenactment: fans performing movie scenes from the stage to YouTube, Barbara Klinger -- 12. Digital intimacies: aesthetic and affective strategies in the production and use of online video, Rosamund Davies.
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Esec. appointment to VCOA of Australia in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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Extended Play for streaming Foxtel in The Australian (07/09/2016) p.21
Call No: SUBJECT CLIPPINGS FILE; FOXTELAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: PAY TV. AUSTRALIA ; VIDEO ON DEMAND ; FOXTEL Summary: Foxtel is planning to offer an on-demand streaming service to compete with other services in the Australian market. Some details on the deal Foxtel has with HBO and some upcoming Foxtel productions. Quotes from Foxtel chief Peter Tonagh
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Fans homing in on cheap DVDs in Sunday Times (07/03/2004) p.27
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Royall, Ian Subject: DISTRIBUTION. DVD. AUSTRALIA ; HOME VIDEO MARKETING ; AUSTRALIAN VISUAL SOFTWARE DISTRIBUTORS ASSOCIATION ; BUSH, SIMON Summary: The slashing of DVD prices fuels high sales of the product. The article looks at the shortening of cinema to DVD sales release and why DVD is a popular format. Good article!Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Big chains such as Big W, Kmart and Target are driving prices on DVDs and CDs down to bare margins to lure customers. Full retail price for a new movie is usually more than $40, but the chains are marking them down to about $27, while the same titles sell in specialist retailers for $36 to $40."; -- ""Studios are making decisions now as to whether to fund movies, based on follow-through sales to DVD and video" Mr Bush said."; -- "Distributors also have shortened the time between cinema release and DVD release. Initially it was to beat piracy, but the extra incentive is to get the movie out while it's still fresh in the public's mind. A few years ago, the gap between cinema and DVD release was as much as 18 months. Now, it can be as brief as three months, depending on the studio and the type of movie."
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Feature - duplication & DVD in Encore (May 2000) vol.18 iss.4 p.41-44
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Federal police seize tapes in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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FESTIVALS. ADELAIDE [VARIOUS]
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FESTIVALS. AUSTRALIA [VARIOUS]
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FESTIVALS BRISBANE QUEER FILM AND VIDEO
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FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO URL status: URL: 'http://file://Q:/S/FESTIVALS.MELBOURNE.QUEER.zip'
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FESTIVALS. NEW YORK. JEWISH FILM AND VIDEO
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FESTIVALS. NEW YORK [VARIOUS]
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FESTIVALS. PERTH. WA FILM & VIDEO
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FESTIVALS. SYDNEY. AUSTRALIAN VIDEO
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Film and video production and distribution, Australia, 1993-94 [Canberra]: Australian Bureau of Statistics, 1996.
Call No: 21(94) "1993-94" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1996PhysDes: vi, 38 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tablesISBN: 0642207305LON: 12274947
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Film art phenomena / Nicky Hamlyn London: British Film Institute, 2003.
Call No: 771 HAMAuthor: Hamlyn, Nicky CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: 224 p. : ill. ; 24cmSubject: ART CINEMA ; AESTHETICS ; VIDEO ART ; EXPERIMENTAL FILMS ; BRAKHAGE, STAN ; LE GRICE, MALCOLM ; SNOW, MICHAEL ; SHERWIN, GUY ; SMITH, JOHN ; HALL, DAVID ; HILL, TONY ; LARCHER, DAVID ; RABAN, WILLIAM Summary: "Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow as well as younger artists such as Karen Mirza and Brad Butler, Jennifer Nighting ale, and Colin Crockatt, among many others. Film Art Phenomena is a crucial intervention in debates about the modes of film-making that diverge from and oppose the mainstream." -- Back coverNotes: Includes bibliography p. 188; includes index p. 195ISBN: 0851709710. mContents: I. MEDIA -- 1. Film and video -- 2. Digital media -- 3. Expanded technologies -- 4. Installation and its audience -- II. THE APPARATUS -- 5. The frame and its dissolution -- 6. Framing -- 7. Holding the camera -- 8. Point of view -- III. AESTHETICS -- 9. Space -- 10. Location -- 11. Interactivity -- 12. Sound, sync, performance -- 13. Film, art, ideology
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Film on video : the essential 100 1993.
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Film policy : international, national, and regional perspectives / edited by Albert Moran New York: Routledge, 1996.
Call No: 205 FILAuthor: Moran, Albert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 285 pSubject: GOVERNMENT CONTROL ; STATE AND THE CINEMA ; HOLLYWOOD ; INDUSTRY, VIDEO. USA ; DISTRIBUTION ; INDUSTRY, FILM ; COPRODUCTION. FRANCE ; COPRODUCTION. UK ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. CANADA ; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. INDONESIA ; INDUSTRY, FILM. SINGAPORE ; AUSTRALIAN ABORIGINAL CINEMA ; MAORI CINEMA ; INDIGENOUS PEOPLE'S CINEMA. CANADA Notes: Includes bibliographical references and indexISBN: 0415097916 (pbk.); 0415097908 (hardcover)LON: 12158074
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FILMS ON VIDEO
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: FILMS ON VIDEO
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First it took TV... in The Australian [The Deal] (21/04/2017) p.14
Call No: SUBJECT CLIPPINGS FILE; NETFLIXAuthor: Burke, Justin PhysDes: Clippings File ArticleSubject: NETFLIX ; DUBBING ; VIDEO ON DEMAND Summary: A profile piece on the streaming media company Netflix, and their plans for the future
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Fleshing out the debate on porn in Australian Financial Review (30/01/2007) p.28
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; HIGH DEFINITION DVD, PORNOGRAPHIC ; DAVOUDIAN, ALI Summary: The war between the High definition DVD formats (Blu-ray and HD-DVD) have effected the adult industry as to which direction the industry will take in pressing their adult content DVDs. The article suggests that the adult industry cemented the prominence of the VHS video format when home video porn films were pressed on VHS instead of Betamax. The adult industry could also have the same effect on the Blu-ray and HD-DVD war.
Ali Davoudian, founder of the adult entertainment company digital playground – stated his company would go with the HD-DVD as the technology of choice for high definition porn films, because Sony was against the use of Blu-ray format for such purposes. However he has also been quoted as saying that he prefers Blu-ray technology as Blu-ray disks have a higher capacity than HD-DVD.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
The Rescuers
Big booty Revenge 2
Strap Attack 5
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Four video streamers not sustainable, says Hollywood expert in Sydney Morning Herald [Business News] (4/05/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Lynch, Jared PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND Summary: Seth Shapiro says that Australia's Subscriber Video On Demand companies will struggle to gain a foothold in the competitive market.
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Four video streamers not sustainable, says Hollywood expert in Canberra Times [Business News] (4/05/2015) p.8
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Lynch, Jared PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND Summary: Seth Shapiro says that Australia's Subscriber Video On Demand companies will struggle to gain a foothold in the competitive market.
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Foxtel value rated lowest in consumer survey of paid viewing in The Age (7/04/2017) p.21
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Battersby, Lucy PhysDes: Clippings File ArticleSubject: FOXTEL ; VIDEO ON DEMAND ; AUDIENCE RESEARCH. AUSTRALIA Summary: Report on Canstar Blue survey that ranks the satisfaction ratings for the various streaming services and the pay-tv channel Foxtel. the providers costs and services are listed for Foxtel, Netflix, Fetch, Stan, and Bigpond Movies
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From reel to unreal : Future opportunities for Australia's film, animation, special effects and electronic games industries / The Parliament of the Commonwealth of Australia Canberra, Australia: The Parliament of the Commonwealth of Australia, 2004.
Call No: 205.1(94) FROCorpAuthor: The Parliament of the Commonwealth of AustraliaPlace: Canberra, AustraliaPublisher: The Parliament of the Commonwealth of AustraliaPubDate: 2004PhysDes: 24 cm; 250 ppSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : ACT ; ANIMATION. AUSTRALIA ; SPECIAL EFFECTS. AUSTRALIA ; VIDEO GAMES. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET ; LABOUR. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.Notes: Government reportISBN: 0642784698
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Funny Frames : the filmic concepts of Michael Haneke / by Oliver C. Speck New York : London: Continuum, 2010.
Call No: 81HAN SPEAuthor: Speck, Oliver C. Source: US/UKPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: viii, 260 p. : ill. ; 24 cmSubject: THEORY ; VIOLENCE IN FILMS ; RACIAL PROBLEMS IN FILMS ; HANEKE, MICHAEL ; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992) ; FUNNY GAMES (AT, Michael Haneke, 1997) ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
SEE
PIANISTE, LA ; PIANISTE, LA (AU/FR, Michael Haneke, 2001) ; TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003)
SEE
TEMPS DU LOUP, LE ; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009)
SEE
DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE ; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781441192851Donation: Donated by Senses of Cinema, 2013Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --
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Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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Game on : the history and culture of videogames / [edited by Lucien King] London: Laurence King Publishing, 2008.
Call No: 175 GAM KINSource: UKPlace: LondonPublisher: Laurence King PublishingPubDate: 2008PhysDes: 143 p. : col. ill. ; 28 cmSubject: VIDEO GAMES ; JENKINS, HENRY ; POKEMON: THE FIRST MOVIE (JA/US, Michael Haigney & Kunohiko Yuyama, 1999) Summary: "Games are a key part of contemporary culture worldwide, familiar to millions of us even if we never actually play them. They have influenced music, art and film, and characters from Mario to Lara Croft have become modern cultural icons. Game On examines the world of videogames from a global perspective, exploring key themes, from the design of characters and games environments to multi-player online gaming and future technical developments."--Booktopia websiteNotes: First published to coincide with the exhibition Game On at the Barbican Gallery, Barbican Centre, London, Thursday 16 May - Sunday 15 September, 2002.
Published for the Australian presentation of Game On at the Australian Centre for the Moving Image, Federation Square, Melbourne, Thursday 6 March - Sunday 13 July, 2008.
Includes indexISBN: 9781920805241
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Games industry hopes to push right buttons with politicians in The Australian [IT Today] (14/07/2015) p.29
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GL Film Enterprises represented in US in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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A glossary of TVI terms / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987.
Call No: 038(-4) LEVAuthor: Levy, Wayne Edition: 1987Place: Cibinong, IndonesiaPublisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan NasionalPubDate: 1987PhysDes: iii,46 pages : illustrated ; 30cmSubject: VIDEO AND TELEVISION
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Happy Feet DVD to tap multimillions in Australian Financial Review (01/03/2007) p.23
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Kitney, Damon Subject: VILLAGE ROADSHOW ; INDUSTRY, VIDEO ; HAPPY FEET (AT/ US, George Miller, 2006) Summary: Saying that already successful financial year for Village Roadshow (due to restructure of its assets) should be boosted significantly by DVD profits for Happy Feet.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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journal article
Has the industry stabalised? in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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Heston on video threat in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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High theory/low culture : analysing popular television and film / Colin MacCabe, editor Manchester, UK: Manchester University Press, 1986.
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A history of 1970s experimental film : Britain's decade of diversity / Patti Gaal-Holmes London: Palgrave Macmillan, 2015.
Call No: 771(410) GAAAuthor: Gaal-Holmes, Patti Source: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2015PhysDes: xviii, 231 pages ; 23 cm.Subject: EXPERIMENTAL FILMS. UK ; EXPERIMENTAL FILMS ; BRAKHAGE, STAN ; DWOSKIN, STEPHEN ; GIDAL, PETER ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975) ; LE GRICE, MALCOLM ; MARXISM AND THE CINEMA ; MCCALL, ANTHONY ; VIDEO ART ; WARHOL, ANDY ; WOLLEN, PETER Summary: "This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade"-- TROVENotes: Includes bibliographical references and indexISBN: 9781349474912Language: EnglishContents: Introduction -- 1. Questions of history -- 2. Institutional frameworks and organisational strategies -- 3.Experimental film and other visual arts -- 4. Visionary, mythopoeia and diary films -- 5. Experiments with structure and material -- 6. Women and film -- Conclusion: (Re)cognitions and (Re)considerations for This History -- Notes -- Bibliography -- IndexID2: 343
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A history of experimental film and video : from the canonical avant-garde to contemporary British practice / A.L. Rees London: bfi Publishing, 2011.
Call No: 771 REEAuthor: Rees, A. L. Edition: 2nd EditionSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2011PhysDes: viii, 196 : ill. ; 25 cm.Subject: EXPERIMENTAL FILMS ; VIDEO ART ; ART CINEMA ; AVANT-GARDE FILMS Summary: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse.
In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts.
The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussedNotes: Includes bibliographical references and index.ISBN: 9781844576203Contents: Pt. 1. The canonical avant-garde. Origins of the moving image (1780-1880). Photography. Art and the avant-garde: summary 1909-20. The cubists. Primitives and pioneers (1880-1915). Futurists. Abstract film. The comic burlesque. The Art Cinema and its circuit. Cine-poems and lyric abstraction. Origins of abstract film. The absolute film. Cubism and poular film. Dada and surrealist film. The French avant-garde 1924-32. Voice and vision in the pre-war avant-garde. Transition: into the 1930s and documentary. Reviewing the first avant-garde. Origins of the post-war avant-garde. Underground. Two avant-gardes (mark 1)? Structural -- Pt. 2. Britain, 1966-98. English structuralists. Primitives and post-structuralists. Video stirs. Art and politics. A cinema of small gestures. Rebel waves. Art Cinema's odd couple: Derek Jarman and Peter Greenaway. New pluralism. Black British. Electronic arts. yBa. 'Where are we now?'. Points of resistance.
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A history of video art : the development of form and function / Meigh-Andrews, Chris United Kingdom: Berg, 2006.
Call No: 771 MEIAuthor: Meigh-Andrews, Chris Place: United KingdomPublisher: BergPubDate: 2006PhysDes: 318 p., [8] p. of plates : ill. (some col.) ; 25 cmSubject: VIDEO ART ; EXPANDED CINEMA ; AVANT-GARDE FILMS ; UNDERGROUND FILMS ; SNOW, MICHAEL ; VIOLA, BILL Summary: "'A History of Video Art' is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history. A History of Video Art also sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate." -- Publisher's website.Notes: Formerly CIP.
Includes bibliographical references (p. [305]-310) and indexISBN: 1845202198
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Hollywood gamers : digital convergence in the film and video game industries / Robert Alan Brookey Bloomington: Indiana University Press, 2010.
Call No: 336.3 BROAuthor: Brookey, Robert Alan Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 2010PhysDes: x, 174 p. ; 23 cmSubject: VIDEO GAMES ; VIDEO GAMES AND THE CINEMA ; COMPUTER GAMES ; COMPUTER GAMES AND THE CINEMA Summary: "For years, major film studios have licensed products related to their most popular films; video game spin-offs have become an important part of these licensing practices. Where blockbuster films are concerned, the video game release has become the rule rather than the exception. In Hollywood Gamers, Robert Alan Brookey explores the business conditions and technological developments that have facilitated the convergence of the film and video game industries. Brookey treats video games as rhetorical texts and critically examines several games to determine how specific industrial conditions are manifest in game design. Among the games (and films) discussed are Lord of the Rings, The Godfather, Spider-Man, and Iron Man."--From publisher description.Notes: includes bibliographical references; includes indexISBN: 9780253222312Contents: Playing together -- Playing the games, being the heroes -- Coppola sleeps with the fishes -- Marvel goes to the movies -- Disney saves the world(s) -- What shall we play next?
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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Hollywood's copyright wars : from Edison to the internet / Peter Decherney New York: Columbia University Press, 2013.
Call No: 432.4 DECAuthor: Decherney, Peter Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2013PhysDes: xii, 287 pages : illustrations ; 23 cmSubject: AUTHORSHIP ; COPYRIGHT ; COPYRIGHT. USA ; HISTORY OF CINEMA ; HOLLYWOOD ; HOME VIDEO ; INTERNET ; INTERNET AND THE CINEMA ; LAW AND THE CINEMA ; LAW AND TV ; PARODY ; PIRACY ; PLAGIARISM ; CHAPLIN, CHARLES ; EDISON, THOMAS ALVA ; LUCAS, GEORGE ; MOTION PICTURE ASSOCIATION OF AMERICA ; YOUTUBE Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURBNotes: Contains list of illustrations and indexISBN: 9780231159470
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The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017.
Call No: 737(73) BINAuthor: Binns, Daniel Edition: 2017Place: Bristol, UK ; Chicago, USAPublisher: Intellect BooksPubDate: 2017PhysDes: 172 pages : illustrated ; 23 cmSubject: WAR FILMS. USA ; VIETNAM WAR FILMS. USA ; WORLD WAR II FILMS. USA ; VIDEO GAMES ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COPPOLA, FRANCIS FORD ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; M*A*S*H (US, Robert Altman, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon.
Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web siteISBN: 9781783207541Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.
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subject clippings file
HOME VIDEO
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: HOME VIDEO
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subject clippings file
HOME VIDEO MARKETING
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journal article
Hoyts acquire video rights to 25 titles in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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journal article
Hoyts and "RCA-Columbia Pictures Video" arrive at marketing agreement in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18
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Illuminating video : an essential guide to video art / edited by Doug Hall and Sally Jo Fifer ; preface by David Bolt ; foreword by David Ross ; introduction by Doug Hall and Sally Jo Fifer New York, N.Y.: Aperture in association with the Bay Area Video Coalition, 1990.
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newspaper article
In the galleries : Transmission: legacies of the television age in The Age [Spectrum] (11/07/2015) p.11
Call No: SUBJECT CLIPPINGS FILE; ART AND TVAuthor: Rule, Dan PhysDes: Clippings File ArticleSubject: ART AND TV ; VIDEO ART Summary: Notes on an upcoming exhibition titled 'Transmission: legacies of the television age' at Melbourne's National Gallery of Victoria, which features artworks that reference television, including video artists such as Miranda July and Tracey Moffatt
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journal article
Increase duty on video tapes causes rush on imports in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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INDUSTRY, VIDEO
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INDUSTRY, VIDEO. AUSTRALIA
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Interzone : media arts in Australia / Darren Tofts Fishermens Bend, Vic.: Craftsman House, 2005.
Call No: 771(94) INTAuthor: Tofts, Darren Source: ATPlace: Fishermens Bend, Vic.Publisher: Craftsman HousePubDate: 2005PhysDes: 145 p. ; 24 cmSeries: New ArtSubject: VIDEO ART ; EXPERIMENTAL FILMS. AUSTRALIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI) ; AESTHETICS ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; TECHNICAL DEVELOPMENTS Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].ISBN: 097573038X
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Introduction to documentary / Bill Nichols Bloomington IN: Indiana University Press, 2001.
Call No: 761 NICAuthor: Nichols, Bill Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 2001PhysDes: 223 p. ; ill. ; 23 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHICS AND THE CINEMA ; FEMINISM AND THE CINEMA ; REALISM IN FILMS ; SOCIAL PROBLEMS IN FILMS ; VIDEO, FILMS ON ; VOICE OVER ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) Summary: Introduction to Documentary provides an overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visiual evidence and persuasive strategies, this book spells out the distinguishing qualities of documentary. This book offers suggestive answers to basic issues that have stood at the centre of all debate on documentary from its very beginnings to today. It covers questions of ethics, form, modes, voice, history, and politics among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner.Notes: Includes Notes on source material pp.179-190; Filmography pp.191-201; List of Distributors pp.201-218; Index pp.219-223ISBN: 0253214696Contents: 1. Why are ethical issues central to documentary filmmaking -- 2. How do documentaries differ from other types of film -- 3. What gives documentary films a voice of their own? -- 4. What are documantaries about? -- 5. How did documentary filmmaking get started? -- 6. What types of documentary are there? -- 7. How have documentaries addressed social and political issues? -- 8. How can we write effectively about documentary?URL status: URL: 'http://-'
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journal article
It's no longer possible to ignore pirates so let's learn from them in Encore (September 2012) p.6
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Iterations : the new image / exhibition curated by Timothy Druckrey and Charles Stainback ; edited by Timothy Druckrey New York : International Center of Photography ; Cambridge, Massachusetts :: MIT Press, 1993.
Call No: 604DRUAuthor: Druckrey, Timothy Place: New York : International Center of Photography ; Cambridge, Massachusetts :Publisher: MIT PressPubDate: 1993PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cmSubject: VIDEO ART ; EXPERIMENTAL FILMS ; AESTHETICS ; TECHNOLOGY AND THE CINEMA ; TECHNICAL DEVELOPMENTS ; EXHIBITION. USA Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196ISBN: 026204143X
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John Smith : Film and Video Works 1972-2002 / Josephine Lanyon / Mark Cosgrove Bristol: Picture This Moving Image, Watershed Media Centre, 2002.
Call No: 81SMI LANAuthor: Lanyon, Josephine ; Cosgrove, Mark ; Parker, Cornelia ; Rees, Al ; Bourn, Ian ; Hamlyn, Nicky ; Elwes, Kate ; Smith, John CorpAuthor: Picture This Moving Image; Watershed Media Centre; The Arts Council of EnglandSource: UKPlace: BristolPublisher: Picture This Moving Image; Watershed Media CentrePubDate: 2002PhysDes: 135 p. ; ill. ; 21.5 cmSubject: SMITH, JOHN ; EXPERIMENTAL FILMS ; EXPERIMENTAL FILMS. UK ; VIDEO ART ; BLIGHT (UK, John Smith, 1996) ; GIRL CHEWING GUM, THE (UK, John Smith, 1976) Summary: Published to accompany a retrospective touring exhibition. Includes several essays on the work of John Smith plus an interview with the director. Also includes stills and spoken texts.Notes: Includes filmography; Includes selected list of screenings and exhibitions 1974-1998; Includes list of television screenings; Includes list of prizes; Includes bibliography p.135ISBN: 0 9539872 48
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journal article
Jolly Rogers furled again! in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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The last picture show : Britain's changing film audience / David Docherty, David Morrison and Michael Tracey London: BFI Pub., 1987.
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journal article
Letter to the Editor : Hotelevision: motion picture distributors ultimate responsibility! in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12
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newspaper article
Lion at gate bares its fangs in Australian Financial Review (14/02/2007) p.45
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Mitchell, Sue Subject: LIONS GATE ; INDUSTRY, VIDEO. AUSTRALIA ; MAGNA PACIFIC HOLDINGS Summary: Lionsgate imploring investors to let them buy out Australian DVD distributor Magna Pacific. They do this by saying that Magna Pacific is in bad shape etc. Magna Pacific do not agree with this take over.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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newspaper article
The long wait for entertainment in The Age (16/03/2006) p.16
Call No: DVD RESEARCH FOLDERAuthor: Kalina, Paul Subject: INDUSTRY, VIDEO. AUSTRALIA ; IMPORT OF DVD ; DISTRIBUTION. DVD. AUSTRALIA ; PARALLEL IMPORTING ; DVD, TV SHOWS ON Summary: Documents frustrations that Australian's face when they wish to view a DVD that is not produced in the Region Four coding for Australia. It is illegal (called parallel importing) to purchase (for example) a Region One DVD if the Region Four DVD has not been produced. Lists opinion of retailers and government bodies on the Parallel Importing laws and also how Australia tries to organise Region Four DVDs as soon as possibleNotes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- George Papadopoulos Accent Film Entertainment - Parallel importing bad; -- Keren Wicks Network Video - Parallel importing good; -- Australian Federation Against Copyright Theft - policing ban on parallel imports.
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journal article
Lorimar readies for VIDCOM market in Australasian Cinema (29/10/1982) vol.11 iss.19 p.23
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Love, Mortality and the Moving Image / by Emma Wilson Basingstoke, England: Palgrave Macmillan, 2012.
Call No: 747.19 WILAuthor: Wilson, Emma Source: UK/USPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2012PhysDes: ix, 184 p., [8] p. of plates : col. ill. ; 23 cmSubject: LOVE IN FILMS ; DEATH IN FILMS ; VIDEO ART Summary: "In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study scrutinizes emotions and sensations surrounding mortality and longing. Its focus is on love, tenderness, and eroticism, on the undoing of the self in desire and loss, and on the pursuit of relations with a missing other. In dialogue with Judith Butler on greivability, and Giorgio Agamben on bare life, Emma Wilson traces connections between imaging of intimate losses and public acts of mourning in response to atrocity, the Shoah and Hurricane Katrina. The book lays out a series of sensitive new readings of works by Agnes Varda, Pedro Almodovar, Ingmar Bergman, Sophie Calle, and many others. Attending to images of tactility, to fine details of texture, light, and affect, it re-imagines the role of the sensuous in lens-based art. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780230308398Contents: -- acknowledgments -- plates -- introduction -- 1.Love -- 2.Mother -- 3.Child -- 4.Coma -- 5.Pieta -- 6.Touch -- 7.Home -- Conclusion -- Notes -- References -- Moving Image Artworks -- index --
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journal article
Magistrate says penalties ludicrous for pirating videotapes in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.4
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journal article
Major brewing company awards video movie contract in Australasian Cinema (16/07/1982) vol.11 iss.12 p.10
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journal article
Major int'l. film and video event for Sydney in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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Mechademia 4 : War/Time / edited by Frenchy Lunning London: University of Minnesota Press, c2009.
Call No: 772(520):737.0 MECAuthor: Lunning, Frenchy Source: USPlace: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: c2009PhysDes: xiv, 338 p. : ill. ; 26 cmSeries: Mechademia ; v. 4Subject: ANIMATION ; ANIMATION. JAPAN ; COMIC STRIPS ; COMIC STRIPS AND THE CINEMA ; JAPAN ; POPULAR CULTURE AND THE CINEMA ; POPULAR CULTURE AND THE CINEMA. JAPAN ; VIDEO GAMES ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARU NO HAKA (JA, Isao Takahata, 1989) ; NEON GENESIS EVANGELION (JA, 199?) Summary: "The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the country's militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propoganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture." -- BOOK BLURBISBN: 9780816667499Contents: -- preface: war/time / Thomas Lamarre -- [Part 1]. Legacies of sovereignty. The filmic time of coloniality: on Shinkai Makoto's The Place promised in our early days / Gavin Walker -- Theorizing manga: nationalism and discourse on the role of wartime manga / Rei Okamoto Inouye -- Transcending the victim's history: Takahata Isao's Grave of the fireflies / Wendy Goldberg. [Part 2]. Control room. Gothic politics: Oshii, war, and life without death / Tom Looser -- Oshii Mamoru's Patlabor 2: terror, theatricality, and exceptions that prove the rule / Mark Anderson -- Waiting for the messiah: the becoming-myth of Evangelion and Densha otoko / Christophe Thouny -- War by metaphor in Densha otoko / Michael Fisch. [Part 3]. History/memory. Imagined history, fading memory: mastering narrative in Final Fantasy X / Dennis Washburn -- Haunted travelogue: hometowns, ghost towns, and memories of war / Michael Dylan Foster -- Three views of the rising sun, obliquely: Keiji Nakazawa's A-bomb, Osamu Tezuka's Adolf, and Yoshinori Kobayashi's Apologia / Sheng-Mei Ma -- Virtual creation, simulated destruction, and manufactured memory at the Art Mecho Museum in Second life / Christopher Bolton. [Part 4]. Genre violence. Ninja, Hidden Christians, and the two Ferreiras: On Endo Shusaku and Yamada Futaro / Takayuki Tatsumi ; translated by Seth Jacobowitz -- Monsters at war: the great Yo¯kai Wars, 1968-2005 / Zilia Papp -- From Jusuheru to Jannu: girl knights and christian witches in the work of Miuchi Suzue / Rebecca Suter. [Part 5]. Mobilization/Domestication. Empire through the eyes of a Yapoo: male abjection in the cult classic Beast Yapoo / Christine Marran -- Nippon ex machina: Japanese postwar identity in robot anime and the case of UFO Robo Grendizer / Marco Pellitteri -- Kobayashi Yoshinori is dead: imperial war/sick liberal peace/neoliberal class war / Mark Driscoll -- Manga: a comic interlude from Darumasan-ga-koronda, "Land mine in Central Park" / Yoji Sakate ; translated by Manami Shima, art by Chinami Sango -- Review and commentary -- two phases of Japanese illustrated fiction / Charles Shiro Inouye -- paradise lost...and found? / Paul Jackson -- molten hot: Japanese gal subcultures and fashions / Theresa M. Winge -- monstrous toys of capitalism / Brent Allison -- if Casshern doesn't do it, who will? / Deborah Shamoon -- psychoanalytic cyberpunk midsummer-night's dreamtime: Kon Satoshi's Paprika / Timothy Perper and Martha Cornog -- Torendo -- interview with Murase Shuko and Sato Dai / Deborah Scally, Angela Drummond - Mathews and Marc Hairston --
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The media & communications in Australia / edited by Stuart Cunningham and Graeme Turner Crows Nest, NSW: Allen & Unwin, 2002.
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Media cultures : reappraising transnational media / edited by Michael Skovmand and Kim Christian Schrªder London New York: Routledge, 1992.
Call No: 408.3 MEDAuthor: Skovmand, Michael ; Schrªder, Kim Place: London New YorkPublisher: RoutledgePubDate: 1992PhysDes: viii, 222 p. ; 22 cmSubject: MEDIA ; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES ; NEWS PROGRAMMES ; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES ; AUDIENCES ; CULT FILMS ; INTERNATIONAL BROADCASTING ; NATIONAL CULTURE AND TV ; SYDICATION ; POSTMODERNISM AND TV/VIDEO ; PUBLIC BROADCASTING ; GULF WAR ON TV ; BRITISH BROADCASTING CORPORATION ; CABLE NEWS NETWORK ; NORSK RIKSKRINGKASTING ; BOGART, HUMPHREY ; POTTER, DENNIS ; CASABLANCA (US, Michael Curtiz, 1942) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; WHEEL OF FORTUNE [TV] (US, 1975-) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) Notes: Includes bibliographical references and indexISBN: 0415063841; 041506385X (pbk.)LON: 8457888
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The media in Australia : industries, texts, audiences / edited by Stuart Cunningham and Graeme Turner St Leonards, N.S.W.: Allen & Unwin, 1997.
Call No: 401(94) MEDAuthor: Cunningham, Stuart ; Turner, Graeme Edition: 2nd edPlace: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1997PhysDes: xviii, 490 p. : ill. ; 23 cmSubject: MEDIA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; ADVERTISING. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA ; PAY TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; VIOLENCE ON TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; WOMEN AND TV. AUSTRALIA ; HOME VIDEO. AUSTRALIA ; RATINGS. AUSTRALIA ; Australian Broadcasting Tribunal ; COUNTRY PRACTICE, A [TV] (AT, 1981-1995?) ; PERFECT MATCH [TV] (AT, 1984-89?) Notes: Includes index; Bibliography: p. 441-467ISBN: 1864482737LON: 12826003
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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newspaper article
Media rules have become ridiculous in Australian Financial Review (26/10/2015) p.38
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Media streaming and broadband in Australia : report to the Australian Broadcasting Authority / prepared by the Centre for Telecommunications Information Networking Sydney: Australian Broadcasting Authority, 2002.
Call No: 30(94) MEDSource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 2002PhysDes: 80 pages : illustration ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET AND THE CINEMA. AUSTRALIA ; INTERNET AND TV. AUSTRALIA ; MOBILE AND ONLINE MEDIA ; MOBILE ONLINE MEDIA. AUSTRALIA ; VIDEO ON DEMAND Summary: A study on the potential uses of streaming technology and how this compares with other viewing technological advances that will become available mainly due to broadband technologyContents: About CTIN -- Executive summary -- 1. Introduction -- 2. The techologies of streaming and broadband -- 3. Estimates of streaming demand in Australia -- 4. The potential impact of corporate strateigs on streaming in Australia -- 5. Regulatory presssure points -- 6. Appendix 1: Packet versus circuit networks -- Appendix 2: identitites and links among existing corporations -- Bibliography -- Glossary
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festival catalogue
Melbourne Queer Film & Video Festival : [programme] [Parkville, Vic.]: The Festival,
Call No: FESTIVAL CATALOGUE SHELVES; held 1992-2000CorpAuthor: Melbourne Queer Film and Video FestivalSource: ATPlace: [Parkville, Vic.]Publisher: The FestivalPhysDes: v. : ill. ; 30 cmSubject: FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO ; FESTIVALS. MELBOURNE. QUEER FILM ; HOMOSEXUALITY IN FILMS Notes: Cover title; Description based on: 5th (1995); became the Melbourne Queer Film Festival in 2001; Programmes available for download from http://www.mqff.com.au/index.phpLON: 11544733
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festival catalogue
Midsumma festival
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title clippings file
MISLEADING CASES : (AT, Video Education Australasia, 1984)
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title clippings file
[MISTER] MR. MIKE'S MONDO VIDEO : (US, Michael O'Donoghue, 1979)
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journal article
More successful raids on video "pirates" in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
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journal article
Moves into fair marketing of videotapes to go before U.S. congress in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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cd-rom
The movies Lionhead Studios; Activision [distributor], c2002-2005.
Call No: E97(099-49) MOVPublisher: Lionhead Studios; Activision [distributor]PubDate: c2002-2005PhysDes: 3 CD-ROMs : col. ill. ; 4 3/4 in. + 1 booklet (44 p.)Subject: VIDEO GAMES AND THE CINEMA ; VIDEO GAMES Summary: Summary: "Behind every box office hit and Hollywood star is a movie mogul who makes it happen. In The Movies, that mogul is you. Create your own studio from the ground up."--ContainerNotes: Moderate violence, sexual referencesTechnical Details: System requirements: Windows 98SE/ME/2000/XP; Pentium or Athlon 800 MHz processor; 256MB RAM; 8 x speed CD drive; 2.4 GB free hard disk space; Direct X 9.0 compatible 16 bit sound card; Windows Media Player 9.0; 800 x 600 screen resolution; 3D hardware accelerator card required
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journal article
MPEAQ convention address in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.17
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subject clippings file
MUSIC VIDEO
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: MUSIC VIDEO Notes: import_Batch10C_simon Strong
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subject clippings file
NATIONAL LIBRARY'S FILM AND VIDEO LENDING COLLECTION
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newspaper article
Netflix after more Australian content in Saturday Age (11/6/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: NETFLIX ; VIDEO ON DEMAND ; PRODUCTION, TV. AUSTRALIA Summary: Report on the streaming video on demand services wishes for more suitable Australian content, with the success of shows like MISS FISHER'S MURDER MYSTERIES, WENTWORTH, and WOLF CREEK
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video on demand
Netflix, amazon fuel office demand in Australian Financial Review [Property] (27/02/2017) p.34
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Piper, Nicole PhysDes: ClippingsSubject: VIDEO ON DEMAND Summary: The boom in streaming services and the digital media and entertainment world has resulted in a surge of real estate purchases. Companies such as Netflix and Amazon are buying big office spaces that reflect the demand and production needs of this industry ector.
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book
Netflix nation : the geography of digital distribution / Ramon Lobato New York: New York University Press,
Call No: 386.5-5 LOBAuthor: Lobato, Ramon Edition: 2019Place: New YorkPublisher: New York University PressPhysDes: xii, 236 pages : illustrated ; 21 cmSeries: Critical Cultural CommunicationSubject: NETFLIX ; VIDEO ON DEMAND ; DIGITAL DISTRIBUTION Summary: Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging—including Netflix, the world’s largest subscription video-on-demand service.
Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age.
Netflix Nations addresses a fundamental tension in the digital media landscape – the clash between the internet’s capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users (“this video is not available in your region”); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution.
Contrary to popular belief, the story of Netflix is not just an American one. From Argentina to Australia, Netflix’s ascension from a Silicon Valley start-up to an international television service has transformed media consumption on a global scale. Netflix Nations will help readers make sense of a complex, ever-shifting streaming media environment. -- publisher's web siteISBN: 9781479804948
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newspaper article
Netflix safe, so chill, but it's a drama for local TV in Saturday Age (24/06/2017) p.18
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newspaper article
Networking in Canberra Times [TV Guide] (09/05/2016) p.2
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION. AUSTRALIAAuthor: Kalina, Paul PhysDes: Clippings File ArticleSubject: INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; LICENCES. AUSTRALIA ; ROXBURGH, RICHARD ; VIDEO ON DEMAND ; OFFSPRING [TV] (AT, 2010) Summary: Snippets on news in the Australian television industry. Stories include: muted reaction from Australian commercial TV broadcasters to the 25 percent cut to their broadcasting licence fee; Richard Roxburgh to author and illustrate a children's book; anticipation for the new season of OFFSPRING; Australian Productivity Commission making recommendations to the Copyright Act to allow Australian consumers to use VPN's to avoid geoblocking of TV streaming providers such as Netflix
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newspaper article
Networking in Canberra Times [Tv Guide] (05/09/2016) p.2
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journal article
new appointment at Video Classics in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.2
PhysDes: ArticleSubject: VIDEO CLASSICS Summary: Announcement of David Boward to assistant to the managing director at Video Classics
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journal article
New cinemas for Oz in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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journal article
New Fassbinder to be UA's classics release in U.S. and Canada in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.9
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New life for big Ezy in Daily Telegraph (27/12/2005) p.43
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Tovia, Joanna Subject: VIDEO EZY ; INDUSTRY, VIDEO. AUSTRALIA ; UNIACKE, PAUL Summary: About Video Ezy stores and its 90% owner Paul Uniacke. Talks about trends he sees in video rental market in australia.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- 1999 - Rentals used to make up 93% of revenue
2005 - 60 % of revenue thru rentals, the rest thru DVD sales phone products and snacks.; -- Playstation and XBOX games to be part of sales; -- Video Ezy to launch Video on Demand
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The new media aristocrats : home theatre and the domestic film experience in Velvet Light Trap (Fall 1998) iss.42 p.4-19
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New player : Australia/film/version 1.0 / Tim Richards Melbourne: Ematic Pty Ltd, 1999.
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New video deal set up by Video Classics in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: VIDEO CLASSICS ; DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; UNITED INTERNATIONAL PICTURES ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; UNITED ARTISTS ; Metro-Goldwyn-Mayer ; ROCKY III (US, Sylvester Stallone, 1982) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; THING, THE (US, John Carpenter, 1982) ; SHOGUN ASSASSIN (US, Robert Huston, 1980) ; GREASE 2 (US, Patricia Birch, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) ; URBAN COWBOY (US, James Bridges, 1980) Summary: Article on deal struck between Video Classics and United International Pictures wherein Video Classics has exclusive rights to distributing numerous blockbusters on video in Australia through their VidAustralia outlet.
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New video movie releases from Filmways in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.3
PhysDes: ArticleSubject: VIDEO CLASSICS ; DISTRIBUTION. AUSTRALIA Summary: List of newly released films from Filmways (an offset of Video Classics). Films listed are; 'Play Dead', 'Licensed to Love and Hill', 'Madame Olga's Pupils', 'For Your Height Only', 'Zapper's Blade of Vengeance', 'Swedish Sex Service', 'Super Bug Rally' and 'Frankenstein Island'.
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Nine's three channels to be live-streamed in Sydney Morning Herald (26/10/2015) p.23
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[NINETEEN EIGHTY-EIGHT] 1988 - THE YEAR ON VIDEO : (AT, ?, 1988)
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No Activity excites Hollywood in Sydney Morning Herald [Business News] (28/9/15) p.20
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NONNO PEPE IS A VIDEO HEAD : (AT, Safina Uberoi, 1994)
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Not at a cinema near you : Australia's film distribution problem / Lauren Carroll Harris Strawberry Hills, N.S.W.: Currency House, November 2013.
Call No: 301.1-4(94)Author: Harris, Lauren Carrol Place: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: November 2013PhysDes: 90 p. ; 21cmSeries: Platform papers ; no.37Subject: DISTRIBUTION ; DISTRIBUTION. AUSTRALIA ; DIGITAL DISTRIBUTION ; VIDEODISCS ; VIDEO ON DEMAND Summary: "Lauren Carroll Harris' treatise on the state of distribution in Australia for locally produced feature films is a timely and provocative analysis of the existing structures and a powerful argument for adjustment and change in this post digital world.
Her reflections on a distribution led industry potentially replacing a production development led industry need to be seriously debated given our recent change of government and new management and key personnel at Screen Australia".
Antony I. Ginnane. -- publisher's web siteNotes: Includes reader's responses to previous Platform Papers.ISBN: 9780987211477
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NSW Department of Education makes a big splash into Filmpond in Australian Financial Review (07/07/2016) p.42
Call No: SUBJECT CLIPPINGS FILE; FILMPONDAuthor: Bailey, Michael PhysDes: Clippings File ArticleSubject: CORPORATE VIDEO ; FILMPOND Summary: Report on the corporate storytelling website service Filmpond. The service allows subscribers to create films with the assistance of graduate editors hired from Australia's film schools to create professional quality films.
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NSW Supreme Court acts against the copyright pirates in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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ONLINE VIDEO PROGRAMMING
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Orion Pictures Int'l. and RCIV join in major int.'l deal in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Our industry faced with unique problems in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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Oz 8th in world film rentals in Australasian Cinema (14/5/1982) vol.11 iss.8 p.1
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PBV set to release brilliant career in Australian Film Review (Aug 4-17 1983) vol.1 iss.13 p.5
PhysDes: ArticleSubject: PUBLISHING AND BROADCASTING VIDEO ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; CATHY'S CHILD (AT, Donald Crombie, 1979) ; CROSSTALK (AT, Mark Egerton, 1982) Summary: Short news article. Publishing and Broadcasting Video set to release four new titles in their Australian Video label: Cathy's Child, My Brilliant Career, The Night the Prowler, Crosstalk
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Pirate movies shown in country and suburban hotels : "Movies and Booze" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.28
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The place of artists' cinema : space, site and screen / Maeve Connolly Bristol, UK: Intellect Books, 2009.
Call No: 771 CONAuthor: Connolly, Maeve Edition: 1st edSource: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2009PhysDes: 276 p. : ill. (chiefly col.) ; 23 cmSubject: EXPERIMENTAL FILMS ; ART AND THE CINEMA ; VIDEO ART Summary: The Place of Artists' Cinema examines the social, political, cultural, and economic factors shaping the production, exhibition and circulation of artists' cinema in various contexts, from museums, biennial exhibitions and site-specific public art projects to commercial galleries, and art fairs.The book incorporates in-depth readings of recent works by twenty-four artists, including Doug Aitken, Carlos Amorales, Gerard Byrne, Tacita Dean, Jeremy Deller, Thomas Demand, Stan Douglas, Pierre Huyghe, Jaki Irvine, Isaac Julien, Aernout Mik, Shirin Neshat, Tobias Putrih, Anne Tallentire and Francesco Vezzoli, among others.ISBN: 978-1-84150-246-5Language: EnglishContents: Acknowledgements -- Introduction: The Place of Artists' Cinema -- Chapter 1 Between Space, Site and Screen -- Chapter 2 The Place of the Market -- Chapter 3 Multi-screen Projections and Museum Spaces -- Chapter 4 Event-sites and Documentary Dislocations -- Chapter 5 Cine-material Screens and Structures -- Conclusion: Materials, Places, and Social Relations -- Notes -- References -- Index
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Playing with power in movies, television, and video games : from Muppet Babies to Teenage Mutant Ninja Turtles / Marsha Kinder Berkeley: University of California Press, 1991.
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PLAYSTATION NETWORK VIDEO DELIVERY SERVICE
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Police sink private film ring in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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Porn gold : inside the pornography business / David Hebditch and Nick Anning London: Faber and Faber, 1988.
Call No: 20 HEBAuthor: Hebditch, David ; Anning, Nick Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 1988PhysDes: xiv, 401 p., [16] p. of plates, : ill. : 23 cmSubject: PORNOGRAPHIC FILMS ; PORNOGRAPHIC VIDEO ; PORNOGRAPHY AND THE CINEMA ; PORNOGRAPHY IN FILMS Notes: Includes notes and references; Includes indexISBN: 057114683XLevy Rating: 4Donation: donated by the family of Wayne Levy, 2006Contents: Introduction -- 1. The curious lech: pornware in the 1980s -- 2. Real boom states: the porn barons -- 3. The monkey inside yourself: the foot-soldiers of porn -- 4. One-handed magazines: pornography in print -- 5. The secret pages: men's magazines in Scandanavia -- 6. Out of the porn ghetto: hard-core Hollywood -- 7. Hooks to hang dreams on: the video revolution -- 8. The collectors: inside the child porn rings -- 9. Bizarre and inexplicable rites: the law -- 10. The wide blue yonder: pornography tomorrow
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Porngraphy and difference in UTS Review (May 1997) vol.3 iss.1 p.281-282
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PORNOGRAPHIC VIDEO
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Postmodernism London, [England]: Institute of Contemporary Arts, 1986.
Call No: 64POS ICACorpAuthor: Institute of Contemporary Arts (London, England)Place: London, [England]Publisher: Institute of Contemporary ArtsPubDate: 1986PhysDes: 72 p. : illSeries: ICA documents ; no. 4 [&] 5Subject: POSTMODERNISM AND TV/VIDEO ; STRUCTURALISM ISBN: 0905263952LON: bnb90526395; 5248280
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Postmodernism in the cinema / edited by Cristina Degli-Esposti New York: Berghahn Books, 1998.
Call No: 61 POS DEGAuthor: Degli-Esposti, Christina Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 1998PhysDes: viii, 264 p. : ill. ; 22 cmSubject: POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND TV/VIDEO ; POSTMODERNISM AND TV/VIDEO. USA ; POSTMODERNISM AND THE CINEMA. USA ; POSTMODERNISM AND THE CINEMA. JAPAN ; POSTMODERNISM AND THE CINEMA. POLAND ; POLAND ; TRAVEL IN FILMS ; FRANCE ; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; IMPERIALISM AND THE CINEMA. FRANCE ; HISTORY AND THE CINEMA ; ARABS IN FILMS ; RACIAL STEREOTYPES IN FILMS ; ANIMATION ; YOUNG PEOPLE, FILMS FOR ; ADAPTATIONS. FORSTER, E. M. ; ADAPTATIONS. GENET, JEAN ; AUTEUR THEORY ; DEGLI-ESPOSTI, CHRISTINA ; BARON, CYNTHIA ; KRAIDY, MARWAN ; WEINSTEIN, DAVID ; SHARY, TIMOTHY ; BRUNS, JOHN ; MAULE, ROSANNA ; FALKOWSKA, JANINA ; STRAIN, ELLEN ; BOLUS-REICHERT, CHRISTINE ; LAGA, BARRY ; DEUTELBAUM, MARSHALL ; HOLDEN-MOSES, PHILIP ; WILES, MARY ; ALTMAN, ROBERT ; JAMESON, FREDRIC ; ITAMI, JUZO ; FORSTER, E. M. ; COEN, JOEL & ETHAN ; KUROSAWA AKIRA ; GREENAWAY, PETER ; FASSBINDER, RAINER WERNER ; PLAYER, THE (US, Robert Altman, 1992) ; ALADDIN (US, John Musker & Ron Clements, 1992) ; SIMPSONS, THE [TV] (US, 1989-) ; BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989) ; WAYNE'S WORLD (US, Penelope Spheeris, 1992) ; SINGLES (US, Cameron Crowe, 1992) ; REALITY BITES (US, Ben Stiller, 1994) ; TAMPOPO (JA, Juzo Itami, 1986) ; A NOS AMOURS (FR, Maurice Pialat, 1983) ; MESSA E FINITA, LA (IT, Nanni Moretti, 1985) ; QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984) ; PSY (PL, Wladyslaw Pasikowski, 1993) ; CZLOWIEK Z ... (PL, Konrad Szolajski, 1993) ; WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991) ; ROOM WITH A VIEW, A (UK, James Ivory, 1986) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) ; COUP DE TORCHON (FR, Bertrand Tavernier, 1981) ; VICTOIRE EN CHANTANT, LA (FR/GW, Jean-Jacques Annaud, 1976) ; CHOCOLAT (FR, Claire Denis, 1988) ; BARTON FINK (US, Joel Cohen, 1991) ; DREAMS (US, Akira Kurosawa, 1990) ; DROWNING BY NUMBERS (UK, Peter Greenaway, 1988) ; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.ISBN: 1571811060Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary WilesID2: 291
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Press Release in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
PhysDes: ArticleSubject: TWENTIETH CENTURY-FOX ; COLUMBIA PICTURES ; DISTRIBUTION ; VIDEO AND THE CINEMA. AUSTRALIA Summary: Two press releases. The first from Fox/Columbia on Arthur Grifin leaving their organisation to become the managing director of RCA/Columbia Pictures Video Pty Ltd. The second is Grifin's own statement on his future career with RCA/Columbia and working in the video medium within Australia.
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Pressure for quota on Netflix in The Age (30/05/2016) p.21
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND ; STATE AND TV. EUROPEAN COUNTRIES ; PRODUCTION, TV. AUSTRALIA Summary: The European Union have imposed on streaming services a requirement that 20 percent of their libraries are made up of European content. Screen Producers Australia and the Nine Network discuss whether similar requirements should be made in AustraliaNotes: same article in Sydney Morning Herald. p 25
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Private screenings : television and the female consumer / Lynn Spigel and Denise Mann, editors Minneapolis: University of Minnesota Press, 1992.
Call No: 722-02 PRIAuthor: Spigel, Lynn ; Mann, Denise Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1992PhysDes: xiii, 293 p. : ill. ; 24 cmSeries: Camera obscura bookSubject: WOMEN AND TV ; WOMEN, PROGRAMMES FOR ; CONSUMERS AND TV ; SITUATION COMEDY ; POSTMODERNISM AND TV/VIDEO ; MELODRAMA ; SOAP OPERAS ; RACIAL STEREOTYPES ON TV ; FAMILY ON TV ; MARRIAGE ON TV ; STARS ; BLACKS ON TV ; CLASS AND TV ; FEMINISM AND TV ; TELEVISION AND THE CINEMA ; HOMOSEXUALITY ON TV ; GENDER AND TV ; GLESS, SHARON ; FOSTER, MEG ; DALY, TYNE ; CARROLL, DIAHANN ; KANTNER, HAL ; RAYE, MARTHA ; MARTHA RAYE SHOW, THE [TV] (US, 195?-55) ; JULIA [TV] (US, 1968-71) ; CAGNEY AND LACY [TV] (US, 1982-88) ; KATE AND ALLIE [TV] (US, 1984-88) ; GENERAL HOSPITAL [TV] (US, 1963-) ; GOLDBERGS, THE [TV] (1949-55?) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and indexISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)LON: 91040919; 8544849
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Publishing and broadcasting video on the rise in Australasian Cinema (16/07/1982) vol.11 iss.12 p.24
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Publishing & Broadcasting Video and SAFC announce major video distribution deal in Australasian Cinema (18/6/1982) vol.11 iss.10 p.2
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The Queer Film Festival : popcorn and politics / by Stuart James Richards New York: Palgrave Macmillan, c2016.
Call No: 451-03 RICAuthor: Richards, Stuart James Source: AT/USPlace: New YorkPublisher: Palgrave MacmillanPubDate: c2016PhysDes: XIII, 256 pages : illustrations ; 22cmSeries: Framing Film FestivalsSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; HOMOSEXUALITY IN FILMS. USA ; FESTIVALS ; FESTIVALS. MELBOURNE. INTERNATIONAL LESBIAN AND GAY FILM ; FESTIVALS. MELBOURNE. QUEER FILM ; FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO Summary: "This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities’ arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events. " -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781137590343Contents: -- 1 introduction -- 2 The Queer Film Festival and the Creative Industries -- 3 The Queer Film Festival as a Social Enterprise -- 4 Queer Film Festival Programming and Homonormativity -- 5 the space of the Film Festival -- 6 conclusion -- index --
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Rank film distributors enter Australian video market through Thorn EMI in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Re-viewing reception : television, gender, and postmodern culture / Lynne Joyrich Bloomington, Ind.: Indiana University Press, 1996.
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REAL AUSSIE VIDEO, THE : (AT, Tony Wright, 1986)
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Remembrance and the moving image / Ross Gibson (ed.) Melbourne, Australia: Australian Centre for the Moving Image, 2003.
Call No: 175 REMCorpAuthor: Australian Centre for the Moving ImagePlace: Melbourne, AustraliaPublisher: Australian Centre for the Moving ImagePubDate: 2003PhysDes: 22 cm; 151 ppSubject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI) ; BENNING, SADIE ; MARKER, CHRIS ; SOKUROV, ALEKSANDR ; SEN, IVAN ; VIDEO ART ; EXPERIMENTAL FILMS Summary: Memory works in a myriad ways: it can trick, it can go missing, it can confuse, and it can lay claim to undiscovered truths. The moving image has taken a wondrous path through memory over the last century. With the increasing creative potential of digital technologies, filmmakers and artists can express a multitude of parallel memories at once. This collection of works is not so much about what we remember, but how we remember through the moving image. Remembrance and the Moving Image is the first in a series of publications dedicated to the Exhibition Collection of the ACMI. [Taken from Preface.]Notes: Exhibition catalogueISBN: 192080501X
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Rental giant combats VOD with rival deilvery service in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Hull, David Subject: VIDEO ON DEMAND ; DIGITAL TECHNOLOGY. AUSTRALIA ; SET-TOP BOX ; VIDEO EZY ; UNIACKE, PAUL Summary: The Video Ezy rental chain is trying to secure it's position in the marketplace by introducing a video download system where customers can use a portable hard disk device (such as a memory stick) to download a film from a kiosk in store. Uniacke belives this will work in Australia as the video on demand (VOD) opportunities in Australia are not really there yet due to slow broadband. Very in depth article on new scheme.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).
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Report of the Joint Select Committee on Video Material, April 1988 Canberra: Australian Government Publishing Service, 1988.
Call No: 44(94) AUSCopy Management: vol. 1; vol. 2Author: Klugman, R. E. (Richard Emanuel), 1924 CorpAuthor: Australia. Parliament. Joint Select Committee on Video MaterialPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1988PhysDes: 2 v. (xxiii, 829 p.) : ill. ; 25 cmSubject: INDUSTRY, VIDEO. AUSTRALIA Notes: Chairman: R.E. Klugman; At head of title: The Parliament of the Commonwealth of Australia; "87/20 285."; AGPS cat. no. 8703318 (v. 1) ; 8806240 (v. 2); Includes bibliographical referencesISBN: 064407941X (v. 1); 0644079428 (v. 2); 0644071648 (set) : price unknownLON: 5814109
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Roadshow Home Video launches into Brisbane in Australasian Cinema (18/6/1982) vol.11 iss.10
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Roadshow to release Disney Home Video in Australia in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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Rocking around the clock : music television, postmodernism, and consumer culture / E. Ann Kaplan New York: Methuen, 1987.
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Roger Ebert's video companion Kansas City: Andrews and McMeel, c1993.
Call No: 03 EBE REFAuthor: Ebert, Roger Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1993PhysDes: v. ; 23 cmSubject: VIDEO, FILMS ON ; EBERT, ROGER ; MITCHUM, ROBERT ; Stewart, James ; BRANAGH, KENNETH ; CLARKE, ARTHUR C. ; JORDAN, MICHAEL ; MADONNA ; NOVAK, KIM ; PENN, SEAN ; THORNTON, BILLY BOB Summary: A collection of Roger Ebert's reviews that originally appeared in the Chicago Sun-TimesNotes: Reviews originally appeared in the Chicago sun-timesISSN: 1072-561XFrequency: AnnualLON: 10600884
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Screen tests in The Saturday Paper (18/02/2017) p.9
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Screening sex / Linda Williams Durham: Duke University Press, 2008.
Call No: 749 WILAuthor: Williams, Linda Source: USPlace: DurhamPublisher: Duke University PressPubDate: 2008PhysDes: x, 412 p. : ill. ; 25 cmSeries: A John Hope Franklin Center bookSubject: SEX AND THE CINEMA ; SEX FILMS ; SEX IN FILMS ; PORNOGRAPHIC FILMS ; PORNOGRAPHIC VIDEO ; FONDA, JANE ; BREILLAT, CATHERINE ; FLESH AND THE DEVIL (US, Clarence Brown, 1926) ; SHORTBUS (US, John Cameron Mitchell, 2006) ; INTIMACY (FR, Patrice Chereau, 2001) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; DEEP THROAT (US, Jerry Gerard, 1972) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) ; BLUE VELVET (US, David Lynch, 1986) ; AI NO CORRIDA (JA/FR, Nagisa Oshima, 1976) Summary: "For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema "grew up" in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations."
"Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies."--BOOK JACKET.Notes: Formerly CIP.; Includes bibliographical references (p. [379]-395) and index.ISBN: 9780822342854Contents: Of kisses and ellipses : the long adolescence of American movies (1896/1963) -- Going all the way : carnal knowledge on American screens (1961/1971) -- Going further : Last tango in Paris, Deep throat, and Boys in the sand (1971/1972) -- Make love, not war : Jane Fonda comes home (1968/1978) -- Hard-core eroticism : In the realm of the senses -- Primal scenes on American screens (1986/2005) -- Philosophy in the bedroom : hard-core art since the 1990s -- Conclusion: now playing on a small screen near you!
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Second American Film Market closes after record success in Australasian Cinema (30/4/1982) vol.11 iss.7 p.1
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Seeing through the eighties : television and Reaganism / Jane Feuer Durham: Duke University Press, 1995.
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Senate Select Committee on Video Material named in Australasian Cinema (Friday, 30/11/1984) vol.20 iss.13 p.5
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Seven's tennis app a smash hit in The Australian (20/01/2016) p.19
Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORKAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: SEVEN NETWORK ; SPORT AND TV. AUSTRALIA ; VIDEO ON DEMAND Summary: Seven Network have introduced a streaming app for the 2016 Australian Open Tennis Championships that has seen streams break Australian records. Discussion about the value of streaming live sports.
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The Sharp threat to Foxtel in Australian Financial Review (10/08/2015) p.1
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Shooting and editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987.
Call No: 23(-4) LEVAuthor: Levy, Wayne Edition: 1987Place: Cibinong, IndonesiaPublisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan NasionalPubDate: 1987PhysDes: 40 leaves : illustrated ; 30 cmSubject: VIDEO PHOTOGRAPHY ; EDITING
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Should Netflix be forced to screen more Australian content? in Crikey.com.au (9/05/2018) p.1
Call No: SUBJECT CLIPPINGS FILE; NETFLIXAuthor: Eltham, Ben PhysDes: Clippings File_ArticleSubject: NETFLIX ; MOBILE AND ONLINE MEDIA ; VIDEO ON DEMAND ; QUOTA. AUSTRALIA Summary: Examining the Australian content of material on Netflix and other Australian streaming providers and whether there should be some quotas put on these streaming services as there are on Australian TV broadcasters
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Silverstein & Massis' war against pirates in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Sixty major video dealers meet in N.Z. in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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Slow track for video-on-demand : SBS in Australian Financial Review [Companies and Martkets] (03/03/2015) p.20
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Snatched : Sex and Censorship in Australia Milsons Point NSW: Random House Australia, 2003.
Call No: 44(94) VNUAuthor: Vnuk, Helen Source: ATPlace: Milsons Point NSWPublisher: Random House AustraliaPubDate: 2003PhysDes: 254 p.Subject: CENSORSHIP. AUSTRALIA ; CENSORSHIP ; PORNOGRAPHIC VIDEO ; SEX AND TV ; LANGUAGE AND TV Summary: “Over the past decade, restrictions on the sexual content of magazines, films and other media have quietly tightened. Certain legal, consensual sex acts must now be edited out of X-rated videos before they can go on sale; Penthouse has been forbidden to run advice on how to go down on a woman; and Australian Women’s Forum wasn’t allowed to show photos of vaginas in a health article. In Snatched former Australian Women’s Forum editor Helen Vnuk takes a look at what we’re missing out on and why, and calls for major changes to Australia’s system of censorship.”
From back coverISBN: 1740510887
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SPA Calls for Netflix local content quota in Australian Financial Review (30/05/2016) p.31
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: PRODUCTION. EUROPEAN COUNTRIES ; VIDEO ON DEMAND Summary: The European Union has imposed a content quota for streaming services like Netflix, Amazon Prime, with a requirement that 20 percent of their library is dedicated to European content. This article looks at the call from Screen Producers Australia for streamers in the Australian market to do the same. Interivewed are representatives from Nine Network, Netflix, Ministry of th Communications
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no activity [tv] (at, 2015)
Stan comedy show wins over Hollywood execs in Australian Financial Review [Marketing and Media] (28/9/15) p.32
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Stan taps Aussie content in battle with Netflix in The Australian (03/08/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; STANAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND ; STAN ; NETFLIX Summary: Interview with Stan chief executive Mike Sneesby who discusses the companies strategy to promote Australian productions with its video on demand service
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"Starscreen" P & B's new theatrical arm in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
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Still life in real time : Theory after television / Richard Dienst Durham, N.C.: Duke University Press, 1994.
Call No: 62 DIEAuthor: Dienst, Richard Place: Durham, N.C.Publisher: Duke University PressPubDate: 1994PhysDes: xvi, 207 pages ; 23 cmSeries: Post-contemporary interventionsSubject: ALTHUSSER, LOUIS ; ADORNO, THEODOR W. ; CAPITALISM AND THE CINEMA ; DERRIDA, JACQUES ; PHILOSOPHY AND THE CINEMA ; GODARD, JEAN-LUC ; HEIDEGGER, MARTIN ; VIDEO RECORDERS Summary: "Five theoretical projects provide Still Life in Real Time with its framework: the cultural studies tradition of Raymond Williams; Marxist political economy; Heideggerian existentialism; Derridean deconstruction; and a Deleuzian anatomy of images. Drawing lessons from television programs like Twin Peaks and Crime Story, television events like the Gulf War, and television personalities like Madonna, Dienst produces a remarkable range of insights on the character of the medium and on the theories that have been affected by it." -- publisher's advertisementNotes: Includes index -- Includes bibliographical referencesISBN: 0822314665Donation: Adrian MilesContents: Part I: Televisual Flows -- The Outbreak of Television -- Image/Machine/Image: Marx and Metaphor in Television Theory -- Part II: Commercial Breaks -- History, the Eternal Rerun: On Crime Story -- Mondino, MTV, and the Laugh of Madonna -- "Appetite and satisfaction, a Golden Circle": Magic and commerce in Twin Peaks -- Part III: Theoretical images -- The dangers of being in a televisual world: Heidegger and the ontotechnological question -- From post cards to smart bombs (and back again): derrida and the televisual textual system -- Ineluctable modalities of the televisual
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Stream of hope in The Age [Green Guide] (04/06/2015) p.6
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: - PhysDes: Clippings File ArticleSubject: NETFLIX ; STAN ; VIDEO ON DEMAND Summary: Report on the various SVOD (Streaming Video on Demand) services in Australia that are producing exclusive content. Discusses two of the services, Stan, and Netflix in some detail
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Stream of hope in Canberra Times [TV Guide] (15/06/2015) p.5
Call No: VIDEO ON DEMANDPhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND ; STAN ; NETFLIX Summary: Stan is the first SVOD to commission exclusive content for it s service. Other subscription video-on-demand have been acquiring and licensing local content.
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Stuff it: the video essay in the digital age. / edited by Ursula Biemann. Zurich [Switzerland]: [Voldemeer Zurich?], 2003.
Call No: 771 BIEAuthor: Biemann, Ursula CorpAuthor: Institute for Theory of Art and DesignSource: SZPlace: Zurich [Switzerland]Publisher: [Voldemeer Zurich?]PubDate: 2003PhysDes: 166 p. ; ill. ; 24 cmSeries: Theorie: GestaltungSubject: VIDEO ART ; DIGITAL TECHNOLOGY ; LITERATURE AND THE CINEMA ; EXPERIMENTAL FILMS ; AESTHETICS Summary: 'Stuff it is a profusely illustrated collection of texts by video artists and cultural theorists who illuminate the video essay in its role as crossover and communicator between art, theory and critical practice in all its variations: from monologues of disembodyment to cartographies of diaspora experiences and transnational conditions, from the essay as the organisation of complex social shifts to its technological mutation and increasing digitisation. ' (back cover)Notes: Includes selected bibliography & videographyISBN: 9 783211 203187
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Submission to the Senate Select Committee on Video Material / by the Research Branch of the Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1985.
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journal article
Sweden bans violence on video in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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Swimming with the stream in Sunday Age (19/07/2015) p.4
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SYME HOME VIDEO
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Tape decks cleared for action... in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Technology killed the video store in Saturday Age [Melbourne Magazine] (10/05/2015) p.1
Call No: SUBJECT CLIPPINGS FILE; VIDEO CENTRESAuthor: Lewis, Daniel PhysDes: Clippings File ArticleSubject: VIDEO CENTRES Summary: Discusses the decline of video and dvd outlets in Australia.
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Telstra's TV coalition will help in Netflix war in The Australian (30/07/2015) p.22
Call No: SUBJECT CLIPPINGS FILE; TELSTRAAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: TELSTRA ; VIDEO ON DEMAND Summary: Report on a new video on demand service, Telstra TV, and how it will team up with local providers such as Stan, Presto, and Foxtel rather than compete against them and Netflix
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Tidal wave of video cassette dealers : Situation with pirating, now running wild in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.6
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Time zones : recent film and video / edited by Jessica Morgan and Gregor Muir London: Tate, 2004.
Call No: 771 TIMAuthor: Agacinski, Sylviane ; Muir, Gregor ; Morgan, Jessica CorpAuthor: Tate Modern (Gallery)Source: UKPlace: LondonPublisher: TatePubDate: 2004PhysDes: 112 pages : illustrations ; 22 cmSubject: VIDEO ART Summary: "Time zones is an important contribution to current understanding of the way in which perception of time is both altered and made apparent through time-based media. It explores questions around the nature of time and the way it is perceived in modern culture, issues forefronted in the work of the international selection of artists featured in the book. These include Francis Alys, Fikret Atay, Yael Bartana, Jeroen de Rijke and Willem de Rooij, Anri Sala, Bojan Sarcevic, Wolfgang Staehle, Fiona Tan and Yang Fudong, in all of whose work the passage of time is a central feature. Jessica Morgan and Gregor Muir offer insight into the work of the individual artists, while leading contemporary theorists Sylviane Agacinski, Peter Osborne and Irit Rogoff explore our changing perceptions of time from a critical and philosophical viewpoint." - taken from back coverNotes: Published to accompany an exhibition held at the Tate Modern, London, 6 October, 2004 - 2 January, 2005 -- Curators, Jessica Morgan and Gregor Muir -- Includes bibliographical references -- statement of responsibility taken from back coverISBN: 1854375490Contents: Francis Aly¨s -- Fikret Atay -- Yael Bartana -- Yang Fudong -- Jeroen de Rijke and Willem de Rooij -- Anri Sala -- Bojan Sarcevic -- Wolfgang Staehle -- Fiona Tan
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journal article
Toni Hamilton appointed nat'l. marketing manager of Roadshow Home Video in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
PhysDes: ArticleSubject: VIDEO, FILMS ON. AUSTRALIA ; ADVERTISING FOR FILMS ; INDUSTRY, FILM. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; CALIGULA (IT, Giovanni Tinto Brass, 1979) ; LOVE AT FIRST BITE (US, Stan Dragoti, 1979) Summary: Article on the success of Roadshow Home Video, and the announcement of their new marketing manager, Toni Hamilton.
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newspaper article
Top gear trio take $340m digital route in Australian Financial Review [International news] (01/08/2015) p.12
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journal article
Tribute to Myron Karlin in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14
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Turn on to change in Herald Sun (7/06/2017) p.11
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TURN UP YOUR VIDEO [TV] : (AT, 2000)
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Twelfth Annual Ohio University Film Conference : Documentary in Wide Angle (April 1991) vol.13 iss.2 p.[whole issue]
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journal article
Two ind. companies join forces to market video cassettes in Australasian Cinema (24/6/1983) vol.12 iss.11 p.3
PhysDes: ArticleSubject: VIDEO CLASSICS ; DISTRIBUTION. AUSTRALIA Summary: Article on the deal between Video Classica and AZ Associated Film Distribution Pty Ltd to broaden the range of films on video in Australia.
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journal article
Uniformity- the only way in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.2
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newspaper article
US streaming provider to launch Down Under in Smart Company
Call No: SUBJECT CLIPPINGS FILE; HAYUAuthor: SmartCompany PhysDes: Clippings File ArticleSubject: HAYU ; VIDEO ON DEMAND ; REALITY TV. AUSTRALIA Summary: Report on Hayu a new Australian video on demand service with a that will screen reality television shows. Hayu will be launched by NBCUniversal International
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Variety- Australia/New Zealand section in Variety (09/05/1984) vol.315 iss.2 p.263, 414-431
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. SYDNEY ; BOX OFFICE. AUSTRALIA ; VIDEO AND THE CINEMA. AUSTRALIA ; UNDERCOVER (AT, David Stevens, 1983) ; CONSTANCE (NZ, Bruce Morrison, 1984) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; AMONG THE CINDERS (NZ, Rolf Haedrich, 1984) ; VIGIL (NZ, Vincent Ward, 1984) ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CAREFUL HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; FAST TALKING (AT, Ken Cameron, 1984) ; FANTASY MAN (AT, John Meagher, 1984) ; RUN CHRISSIE RUN! (AT, Chris Langman, 1984) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes.
New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films.
Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.
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journal article
VIDA exec. o'seas researches copyright and censorship in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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journal article
VidAustralia wins railways contract in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.2
PhysDes: ArticleSubject: VIDEO CLASSICS ; DISTRIBUTION. AUSTRALIA Summary: Article on VidAustralia (a division of Video Classics)now supplying videos to long distance train travellers on Australian National.
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book
Video : the reflexive medium / Yvonne Spielmann ; translated from the original German, with a slightly expanded introduction for the English edition by Anja Welle and Stan Jones Cambridge, Mass.: MIT Press, 2008.
Call No: 771 SPIAuthor: Spielmann, Yvonne Source: USPlace: Cambridge, Mass.Publisher: MIT PressPubDate: 2008PhysDes: viii, 371 pages : illustrations ; 24 cmSeries: LeonardoSubject: VIDEO ART ; ACCONCI, VITO ; PAIK, NAM JUNE Summary: "In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, and current critical debates on new media still need to recognize this." - taken from back coverNotes: Includes bibliographical references and index. -- Translated from the German.ISBN: 9780262515177Contents: Introduction: the Audiovisual Medium -- 1. Video, a Technology, a Medium -- Media-theoretical Considerations -- The Visualization Debate -- Preconditions of the Technology and the Apparatus -- Matrix Phenomena -- 2. The Reflexive Medium -- Experimental Phase -- Guerilla Television -- Artistic Video -- Excursus on the Relationship of Film, Video, and Computer -- Experimental Video -- Video Cultures -- 3. Video Aesthetics -- Apparatus, Self-Reflexion, and Performance: Vito Acconci and Dennis Oppenheim -- Picture, Reproduction, Media Images: Ulrike Rosenbach, Joan Jonas, and Valie Export -- Video/ TV: Nam June Paik and Dara Birnbaum -- Video, Photo, and Film: Klaus vom Bruch and Peter Campus -- Structural Video: Michael Langoth, Les Levine, Jean-Francois Guiton, Richard Serra, and Dieter Kiessling -- Musicalization in Video: Robert Cahen -- Layering and Condensing: Peter Callas -- Video Scratching: Martin Arnold and Raphael Montanez Ortiz -- Video Void: David Larcher -- Micro/ Macro Dimensions: Nan Hoover -- Picture, Text, Voice, and Writing: Gary Hill -- Video and Computers: Steina and Woody Vasulka -- Video and Virtual Environment: Lynn Hershman -- Video, Poetics, and Hypermedia: Bill Seaman -- Video Installation: Eija-Lilsa Ahtila, Chantal Akerman, and Gillian Wearing -- Outlook: Complexity and Interactivity.
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VIDEO ALBUM 5: THE THURSDAY, THE : (US, George Kuchar, 1988)
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VIDEO AND JULIA : (NE, Sander Francken, 1981)
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VIDEO AND THE CINEMA. AUSTRALIA
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VIDEO ART
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: VIDEO ART
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Video Association Elects Executives in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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Video cassette revolution : The VCR in Australia / Michael Nugent Sydney, N.S.W.: Macquarie University, 2014.
Call No: 410.82 NUGAuthor: Nugent, Michael CorpAuthor: Macquarie UniversitySource: ATPlace: Sydney, N.S.W.Publisher: Macquarie UniversityPubDate: 2014PhysDes: 59 pages ; 30 cmSubject: VIDEO RECORDERS ; VIDEO, FILMS ON. AUSTRALIA ; VIEWERS. AUSTRALIA ; HOME EXHIBITION. AUSTRALIA ; HOME EQUIPMENT ; HOME VIDEO. AUSTRALIA Summary: "This thesis is to serve as a history of the Video Cassette Recorder (VCR) in Australia. It has been done because while there are numerous histories relating to other aspects of Australian media, the history of the VCR itself remains little more than an aspect of narratives focused on other phenomena. This was done through extensive examination of discursive sources, such as popular magazines, newspapers and trade journals. By reading these publications over the course of several years, I have been able to identify several trends unfolding over time, noting how popular conceptions of the technology have changed. By comparing these with work done on the history of home video in other countries, it allows for a greater understanding of what is unique to Australia’s history with the VCR. Perhaps the most significant finding is that the idea of what a VCR can offer is perpetually changing. What began as a simple means to record and playback programmes from television broadcasts quickly became a key part of commercial film distribution fundamentally altered the way in which people experience their television sets. As such, a struggle for position by producers, distributors and consumers erupted, as it irrevocably changed media in Australia." FROM ABSTRACTNotes: Thesis paper -- ringbound -- includes acknowledgements and bibliographyContents: Chapter 1. Introduction -- Chapter 2. The VCR in the public sphere -- Chapter 3. The VCR in the domestic sphere -- Chapter 4. The legacy of the VCR
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VIDEO CENTRES
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: VIDEO CENTRES
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Video cheats and rip off deals : Standard hiring contract to be considered by N.S.W. government in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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VIDEO CLASSICS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: VIDEO CLASSICS
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Video Classics and Media Home Entertainment Inc. in major deal for distribution for video movies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.5
PhysDes: ArticleSubject: VIDEO CLASSICS ; VIDEO, FILMS ON ; DISTRIBUTION. AUSTRALIA Summary: Article on the deal between Video Classics and Media Home Entertainment Inc. wherein Video Classics will be distributing Media Home Entertainment Inc. films across Australia.
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journal article
Video Classics goes public in Australasian Cinema (24/6/1983) vol.12 iss.11 p.1
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Video Classics Ltd. isse fully subscribed on opening day in Australasian Cinema (15/7/1983) vol.12 iss.12 p.12
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Video counterfeiters convicted in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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VIDEO, FILMS ON
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VIDEO FOOL FOR LOVE : (AT, Robert Gibson, 1995)
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[Video fool for love, a : stills file]
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[VIDEO FOOL FOR LOVE : POSTER] AT:
Call No: P VIDPlace: ATPhysDes: 1 poster : col. ; 96 X 68 cm.Subject: VIDEO FOOL FOR LOVE (AT, Robert Gibson, 1995) Summary: Image: Out of focus close-up of woman looking away as man moves to kiss her. In the foreground on the right is a statue of a couple in a passionate embrace. The male figure is holding a video camera.
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VIDEO FORMATS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: VIDEO FORMATS
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VIDEO FROM RUSSIA : (UR, Dimitri Devyatkin, 1984)
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VIDEO GAMES Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: VIDEO GAMES URL status: URL: 'http://file://Q:/S/VIDEO_GAMES.zip'
Checked: 31/08/2021 12:59:44 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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VIDEO GAMES AND THE CINEMA
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VIDEO GAMES. AUSTRALIA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: VIDEO GAMES. AUSTRALIA URL status: URL: 'http://file://Q:/S/VIDEO_GAMES.AUSTRALIA.zip'
Checked: 31/08/2021 1:11:22 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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book
Video hire industry, Australia, 1999-2000 Canberra: Australian Bureau of Statistics, 2001.
Call No: 201(94) VIDCorpAuthor: Australian Bureau of StatisticsSource: ATPlace: CanberraPublisher: Australian Bureau of StatisticsPubDate: 2001PhysDes: 16 p. ; 30 cmSubject: INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the video hire outlets industry. Data includes: industry size; employment; income; expenses; net operating surplus; and industry value added; with breakdowns of key characteristics by business size and State. Also includes information on rental transactions and membershipNotes: ABS catalogue no. 8562.0; Caption titleISBN: 0642477396: $18.00LON: 22720393
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Video hits : art and music video / by Kathryn Weir and Nicholas Chambers South Brisbane, Queensland: Queensland Art Gallery, 2004.
Call No: 751.83 CHAAuthor: Chambers, Nicholas ; Weir, Kathryn Source: ATPlace: South Brisbane, QueenslandPublisher: Queensland Art GalleryPubDate: 2004PhysDes: 51 p. ; 18 cmSubject: EXHIBITION ; EXHIBITION. AUSTRALIA ; PROMOTIONAL VIDEOS ; VIDEO ART Summary: "From cliche to mini revolution, music videos have a few minutes of music and images to make their mark. Over the last 30 years, promotional films for bands have developed into a very influential cultural form, affecting film, advertising and, more generally, the pace and rhythm of visual culture. Today, the exploratory edges of music video reveal many intersections between visual artists and commercial videodirectors. Video Hits: Art & Music Video brings together works by music video directors and visual artists, and offers an original and challenging framework for the MTV generation to engage with a form of popular culture that has defined a new aesthetic." BOOK JACKETNotes: Published in association with an exhibition of the same title held at Queensland Art Gallery, South Brisbane, 21 February - 14 June, 2004.; Includes bibliographical references.ISBN: 1876509856Donation: Donated by Senses Of Cinema, 2009Contents: -- videos p3 -- Jump cut: music video aesthetics by Kathryn Weir p37 -- 'Pictures came and broke your heart' by Nicholas Chambers p43 -- playlist p48 --credits p50 --
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VIDEO HITS [TV] : (AT, 2008)
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Video movie distributor expands into W. Australia in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
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VIDEO ON DEMAND Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: VIDEO ON DEMAND URL status: URL: 'http://file://Q:/S/VIDEO_ON_DEMAND.zip'
Checked: 31/08/2021 12:59:41 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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journal article
Video Piracy Scuttled in Australasian Cinema (13/5/1983) vol.12 iss.8 p.10
PhysDes: ArticleSubject: PIRACY. AUSTRALIA ; VIDEO, FILMS ON Summary: News from a video-piracy case and a report on the largest synchronised police crack-down of pirated tapes in Australia.
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Video piracy takes another blow in Australasian Cinema (Francesca Gregorini) vol.11 iss.20 p.2
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book
Video playtime : The gendering of a leisure technology London: Routledge, 1992.
Call No: 410.82 GRAAuthor: Gray, Ann Edition: 1992Place: LondonPublisher: RoutledgePubDate: 1992PhysDes: x,270 p. ; 21 cmSeries: ComediaSubject: HOME VIDEO ; VIDEO RECORDERS ; VIDEO AND TELEVISION ; GENDER AND TELEVISION ISBN: 0415058651Contents: Acknowledgements -- Introduction -- 1 Questions of method -- 2 Organization of spare time -- 3 Viewing contexts and related texts -- 4 Viewing and reading preferences -- 5 Technology in the domestic environment -- 6 The VCR: time-shift -- 7 The VCR: hiring tapes -- 8 Gender and class in the household -- Appendix: sample details by socio-economic category -- Notes -- Bibliography -- Index.
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Video Power, NZ, celebrates second birthday in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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VIDEO RECORDERS
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VIDEO REWIND - ROLLING STONES, THE : (UK, J. Temple, 1984)
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Video streaming firms 'must have local content' in Australian Financial Review (2/10/2017) p.29
Call No: SUBJECT CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIAAuthor: Max Mason PhysDes: Clippings File ArticleSubject: NATIONAL CONTENT. AUSTRALIA ; VIDEO ON DEMAND ; NETFLIX ; AMAZON ; TAXES. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA Summary: Subscription video on-demand services such as Netflix, Stan and Amazon should have access to government production incentives, but they need to have local content obligations, Screen Producers Australia argues. m In its submission to the Turnbull government's Australian and Children's Screen Content Review, SPA argues, among 12 recommendations it is making, that government incentives should be platform agnostic, so that streaming services can have access to incentives, such as tax offsets.
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Video trader : 1999 yearbook Australia: Buena Vista Home Entertainment, 2000.
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Video trader 1997 yearbook / Video Trader Publications Crows Nest, NSW: Video trader Publications, 1997.
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Video trader 2000 yearbook / Video Trader Publications Sydney, NSW: Video Trader Publications, [2000].
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video art
Video violence in Sydney Morning Herald [Spectrum] (01/10/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; VIDEO ARTPhysDes: ClippingsSubject: VIDEO ART Summary: John McDonald reviews the work of artist/filmmaker John Akomfrah. 'Vertigo Sea' is showing as apart of a suite of exhibitions at the UNSW Galleries called Trouble Sea. McDonald talks favourably of the ideas and the imagery of the artists work however questions the removal of conventional cinematic narrative and therefore its overall effect on the viewer.
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Videocracy : how YouTube is changing the world... with double rainbows, singing foxes, and other trends we can't stop watching / Kevin Allocca London: Bloomsbury Publishing, 2018.
Call No: 408 ALLAuthor: Allocca, Kevin Place: LondonPublisher: Bloomsbury PublishingPubDate: 2018PhysDes: xv, 335 pages : illustrations ; 22 cm.Subject: YOUTUBE ; ONLINE VIDEO PROGRAMMING ; SOCIAL MEDIA AND THE CINEMA ; SPECTATORSHIP ; INTERNET Summary: From YouTube's Head of Culture and Trends, a rousing and illuminating behind-the-scenes exploration of internet video's massive impact on our world. Whether your favorite YouTube video is a cat on a Roomba, Gangnam Style, the Bed Intruder song, an ASAPscience explainer, Rebecca Black's Friday, or the Evolution of Dance, Kevin Allocca's Videocracy reveals how these beloved videos and famous trends--and many more--came to be and why they mean more than you might think. YouTube is the biggest pool of cultural data since the beginning of recorded communication, with four hundred hours of video uploaded every minute. (It would take you more than sixty-five years just to watch to watch the vlogs, music videos, tutorials, and other content posted in a single day!) This activity reflects who we are, in all our glory and ignominy. As Allocca says, if aliens wanted to understand our planet, he'd give them Google. If they wanted to understand us, he'd give them YouTube. In Videocracy, Allocca lays bare what YouTube videos say about our society and how our actions online--watching, sharing, commenting on, and remixing the people and clips that captivate us--are changing the face of entertainment, advertising, politics, and more. Via YouTube, we are fueling social movements, enforcing human rights, and redefining art--a lot more than you'd expect from a bunch of viral clips.Notes: Includes bibliographical references (pages 308-323) and index.ISBN: 9781408880272
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Videogames / James Newman London: Routledge, 2004.
Call No: 401 NEWAuthor: Newman, James Source: UKPlace: LondonPublisher: RoutledgePubDate: 2004PhysDes: 198 p. ; 22 cm.Subject: ENTERTAINMENT ; VIDEO GAMES ; COMPUTER GAMES Summary: An introduction to the world of videogames, providing a history of the videogame from its origins in the computer lab, to its contemporary status as a global entertainment industry.ISBN: 041528192X
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journal article
Vieo movie dist. expands into Q'land in Australasian Cinema (14/5/1982) vol.11 iss.8 p.7
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VIETNAM: AFTER THE FIRE : (UK, Video Education Australasia, 1990)
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Virtualities : television, media art, and cyberculture / Margaret Morse Indiana: Indiana University Press, 1998.
Call No: 771 MORAuthor: Morse, Margaret Source: USPlace: IndianaPublisher: Indiana University PressPubDate: 1998PhysDes: xii, 266 pages : illustrations ; 24 cmSeries: Theories of contemporary culture ; v. 21Subject: TELEVISION ; VIRTUAL REALITY ; VIDEO ART Summary: ""Virtualities" are found in forms of aesthetic expression supported by television, video, and the computer. Far from being liberating, these virtualities commonly cloak an impoverished public sphere by disguising impersonal relations as Utopian expression." - taken from back coverNotes: Includes bibliographical references (p. [243]-256) and index.ISBN: 0253211778Contents: Pt. 1. Virtualities as Fictions of Presence. 1. Virtualities: A Conceptual Framework. -- 2. The News As Performance: The Image As Event -- Pt. 2. Immersion in Image Worlds: Virtuality and Everyday Life. 3. Television Graphics and the Virtual Body: Words on the Move. -- 4. An Ontology of Everyday Distraction: The Freeway, the Mall, and Television. -- 5. What Do Cyborgs Eat? Oral Logic in an Information Society -- Pt. 3. Media Art and Virtual Environments. 6. The Body, the Image, and the Space-in-Between: Video Installation Art. -- 7. Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual.
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journal article
Visioncare's first national contract in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
Subject: VIDEO, FILMS ON. AUSTRALIA Summary: Article on Syme Media Developments and Videolink having chosen Visioncare as their national installation group
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journal article
Visionhire to distribute Sony Videotex equip. in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2
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journal article
W.A. overcomes diversity in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.2
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Warner Bros. topple records in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
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festival catalogue
Western Australian Film and Video Festival programme
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journal article
"Whither or wither film censorship?" : Talk given to the MPEAQ 37th Annual Convention in Australasian Cinema (6/8/1982) vol.11 iss.14 p.6
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newspaper article
WIN sues Nine over regional streaming in Australian Financial Review (11/02/2016) p.23
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journal article
Wollongong 'pirate' arrested in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1
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book
Yearbook videos : a collection of film and video art / Modern Image Makers Association Incorporated Melbourne: Modern Image Makers Association, [1986?].
Call No: F(027)(94)MODCorpAuthor: Modern Image Makers Association IncorporatedPlace: MelbournePublisher: Modern Image Makers AssociationPubDate: [1986?]PhysDes: 8 p. ; 30 cm.Subject: MODERN IMAGE MAKERS ASSOCIATION ; VIDEO ART ; EXPERIMENTAL FILMS. AUSTRALIA Contents: Film text, film, texture: a checklist of artists and sixteen millimetre film - Dirk De Bruyn -- Super 8: Definition and difference - Rolando Caputo -- In the video playground - Stephen Goddard -- Yearbook Vol. I: program notes -- Yearbook Vol. II: program notes -- Yearbook Vol. III: program notes -- Modern Image Makers Association.
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