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PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; VIDEO AND TELEVISION; INDUSTRY, FILM. AUSTRALIA
Summary: Brief article on the up-coming second annual Australasian Video Convention.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; UNITED INTERNATIONAL PICTURES; PIRACY; VIDEO, FILMS ON
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; FILMWAYS; ROCKY III (US, Sylvester Stallone, 1982); VIDEO, FILMS ON
Summary: Film news from across Australia

PhysDes: Article
Subject: AMALGAMATED HOLDINGS; TWENTIETH CENTURY-FOX; VIDEO AND THE CINEMA. AUSTRALIA
Summary: Article on Amalgamated (16mm) Film Distributors plans to extend their film library to include a "non theatrical" video division.

Call No: SUBJECT CLIPPINGS FILE; AMAZON
PhysDes: Clippings File Article
Subject: AMAZON; STREAMING USE: VIDEO ON DEMAND
Summary: Amazon is announcing that it will produce and release films for both theatrical and video streaming relaese. Currently only to be available in the US.

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: September 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1999
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

PhysDes: Article
Subject: EMBASSY ROADSHOW; VIDEO, FILMS ON; DISTRIBUTION
Summary: Article on Embassy's newly created Embassy Home Entertainment video distributors and where Andre Blay plans to take the company.

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: report on the success of Angus & Robertson video libraries in Melbourne.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; TRADE FAIRS. AUSTRALIA; CENSORSHIP. AUSTRALIA; VIDEO, FILMS ON
Summary: An in-depth look at topics covered at the Movie Market '82 Convention, with large exerts from Jim Sourris' (President, MPEAQ) speech.

Subject: VIDEO AND THE CINEMA. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIA
Summary: Article on VIDA's contribution to the National Film and Sound Archive

Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Call No: DVD RESEARCH FOLDER; DVD Research Folder
Author: Castleman, Lana
Subject: INDUSTRY, VIDEO. AUSTRALIA; DVD, TV SHOWS ON; VILLAGE ROADSHOW; CHILDREN, PROGRAMMES FOR
Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales

PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; MAD MAX (AT, George Miller, 1979); ENDLESS LOVE (US, Franco Zeffirelli, 1981); ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980); VILLAGE ROADSHOW
Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.

PhysDes: Article
Subject: VIDEO CLASSICS; 3-D FILMS; NUDITY IN FILMS
Summary: Article on 'Electric Blue 008', a 3-D video being released through Video Classics.

Call No: held no.12-35 July 1983-Mar. 1993 incomplete
CorpAuthor: Australian Association of Film and Video Libraries; Australian Association of Film and Video Libraries. Victorian Branch; Newsletter (Australian Association of Film and Video Libraries)
Source: AT
Place: [East Melbourne]
Publisher: The Association
PubDate: 1981-
PhysDes: v. ; 21 cm
Subject: Australian Association of Film and Video Libraries Periodicals
Notes: From no. 5: 32 cm; Some issues have Victorian Branch printed on them; Film & videotape recording libraries: Organisations. Australia. Australian Association of Film and Video Libraries. Serials (ANB/PRECIS SIN 0556726); Caption title
ISSN: 0728-3717
LON: ans00728371; 2100096 2650292

Call No: 201(94) AUS
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 1988
PhysDes: 1 v. : ill. ; 25 cm
Subject: STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; CINEMAS. AUSTRALIA; TELEVISION. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; PRODUCTION. AUSTRALIA; FINANCING. AUSTRALIA
Summary: Statistics gathered on the Australian film (and television) industry between 1980-1987 are presented in relation to the areas of: financing, production, distribution and exhibition, video, and television broadcasting.
ISSN: 10315462

Call No: 171(94) AUS
CorpAuthor: Australian Film Commission
Source: AT
Place: Pymble, N.S.W
Publisher: Playbill in association with the Australian Film Fair
PubDate: 1983
PhysDes: 191 pages. ; 21 cm
Subject: AUSTRALIAN FILM FAIR; AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM INSTITUTE; HOME VIDEO; HOME VIDEO. AUSTRALIA; CABLE TV. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Directory of the first Australian Film Fair. Includes short articles, the Australian Film Fair programme and trade directories.
Notes: Includes index
ISBN: 0959300686

Call No: 441.4(94) AUS
Place: Richmond North, Vic.
Publisher: General Magazine Co.
PubDate: 1988
PhysDes: xv, 318 p. : ill. (some col.) ; 32 cm
Subject: VIDEO, FILMS ON. AUSTRALIA; RATING FOR FILMS. AUSTRALIA; CENSORSHIP. AUSTRALIA
ISBN: 0731641086
LON: 6339077

Call No: FESTIVAL CATALOGUE SHELVES; held 1986-1990, 1992
Source: AT
Place: Sydney
Publisher: The Festival
Subject: FESTIVALS. AUSTRALIAN VIDEO
Notes: Cover title
LON: 5490110; 6588281; 6588289; 11364561; 10537530; 6588255; 6588228; 6606122

Author: Lehman, Peter
PhysDes: Article
Subject: AUTEUR THEORY; COME AND GET IT (US, Howard Hawks and William Wyler, 1936); LADY IN THE LAKE (US, Robert Montgomery, 1946); DR STRANGELOVE (UK, Stanley Kubrick, 1964); VIDEO, FILMS ON; CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959)
Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.

Call No: 771 BLO
Author: Blom, Ina
Source: G
Place: Berlin
Publisher: Sternberg Press
PubDate: 2016
PhysDes: 242 pages : illustrations (some color) ; 23 cm
Subject: VIDEO ART
Summary: "In this innovative text, Ina Blom traces the autobiography of video as enacted in the field of early analog video art. She documents, among other things, the becoming of video through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. This is a book about technology and social memory in the field of twentieth-century art." -- taken from back cover
Notes: Includes bibliographical references and notes.
ISBN: 9783956791895
Contents: Acknowledgements -- Chapter One: Introduction, The Autobiography of Video -- Chapter Two: Video and Autobiography versus the Autobiography of Video -- Chapter Three: Becoming Video (The Prehension of Painting) -- Chapter Four: Video Life -- Chapter Five: Video Times -- Chapter Six: Inside Equipment (Studio Practice) -- Chapter Seven: Passive Viewing, Video Watching Television -- Chapter Eight: Love, Sync, and Possession -- Notes -- Bibliography -- Image Credits

Call No: 79AVE MIL
Author: Miller, Toby 1958
Place: Bath
Publisher: Bath Press
PubDate: 1997
PhysDes: vii, 192 p. : ill. ; 24cm
Subject: POSTMODERNISM AND TV/VIDEO; SEX AND TV; AVENGERS, THE [TV] (UK, 1961-69)
ISBN: 0851705588 (pbk.)
LON: abn98003809; 13617304

Author: Stevenson, Ray
PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; VIDEOTAPE DUPLICATION; PIRACY; INDUSTRY, FILM. AUSTRALIA
Summary: Address by Ray Stevenson on how video piracy is ruining the film indutsry and what the Australian Film Security Office is doing to prevent this.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Gliddon, Joshua
Subject: INDUSTRY, VIDEO; BLU-RAY; HIGH DEFINITION DVD; SONY CORPORATION; TOSHIBA CORPORATION
Summary: There are two DVD formats developed – the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content – The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content – Conventional DVDs hold a mere 5 gigabytes Both discs formats are not compatible for the same playing systems which has created competition within the industry – Warner brothers and Paramount are releasing discs with both formats. – MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray. – Universal has opted for exclusive release on HD–DVD – Sony’s Playstation 3 has Blu-ray drives – Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992)

Call No: 71(41) SWI
Author: Swinton, Tilda; Sweeney, Moira; Wollen, Peter
Place: London
Publisher: Institute of Contemporary Arts
PubDate: 1990
PhysDes: 36 p. : illus. ; 21 cm
Subject: EXPERIMENTAL FILMS. UK; VIDEO ART
ISBN: 0905263081

Author: Hayden, Syd
PhysDes: Article
Subject: PORNOGRAPHY; PORNOGRAPHIC VIDEO; PORNOGRAPHIC FILMS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; PIRACY
Summary: Editorial on the mass of pornography (legal or otherwise) available on video in Australia.

PhysDes: Article
Subject: EMBASSY ROADSHOW; PUBLISHING AND BROADCASTING VIDEO; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Article on the joint venture between Publishing and Broadcasting Video, and Embassy Home Entertrainent of video distribution in Australia.

Author: Mitchell, James
PhysDes: Article
Subject: AMERICAN FILM MARKET; FILM AND TELEVISION PRODUCTION ASSOCIATION OF AUSTRALIA; PIRACY. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: James Mitchell stating the importance of the Film & Television Association of Australia which has helped secure government aid for Australian productions (under Division 10BA) and has helped reduce video piracy. The F.T.A.A. will be present at the American Film Market.

PhysDes: Article
Subject: COLLINS, BILL; VIDEO CLASSICS; ADVERTISING FOR FILMS
Summary: Article on new marketing deal between Video Classics and Bill Collins.

Call No: 451-054(=9) BLA
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: Institute of Contemporary Arts
PubDate: 1988
PhysDes: 62 p. : ill. ; 30 cm
Series: ICA documents ; 7
Subject: NATIONAL IDENTITY IN FILMS. UK; BLACKS AND THE CINEMA. UK; BLACK FILMMAKERS. UK; BLACKS IN FILMS. UK; ASIANS IN FILMS. UK; BLACK AUDIO FILM COLLECTIVE; SANKOVA FILM AND VIDEO COLLECTIVE; CHANNEL FOUR; HANDSWORTH SONGS (UK, John Akomfrah, 1986); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986)
Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical references
ISBN: 0905263960
LON: 6631335

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; IMPORT OF FILMS
Summary: Article on new import duty for video tapes

Call No: SUBJECT CLIPPINGS FILE; FOXTEL
Author: Byrnes, Holly
PhysDes: Clippings File Article
Subject: FOXTEL; VIDEO ON DEMAND
Summary: A new streaming service is being offered from Foxtel, which is called Foxtel Now

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Newsome, Brad
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND
Summary: Article about the shows available for viewing on Australian streaming services from Netflix, Stan, Presto and ABC iView
Notes: similar article. 'Bloodline one of a top crop from streaming services', Sydney Morning Herald. same date. p. 24

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: McIntyre, Paul
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND
Summary: Keith Eadie, Cheif marketing officer for TubeMogul predicts a shift in viewership arguing that mid-level and user generated content would lose out to premium broadcast style shows that are delivered across and digital channel (live and catch-up). Seven Network annousced in August its Plus& app will stream its three channels live across any device as part of its 'content everywhere' strategy.

Author: Chissick, Jonathan: General Manager, Hoyts
Subject: HOYTS; AUSTRALIA; INDUSTRY, FILM; INDUSTRY, VIDEO; INDUSTRY, VIDEO. AUSTRALIA
Summary: Chissick on how Hoyts has performed during 1984/85, with mention to marketing stratergies

Subject: CROCODILE DUNDEE (AT, Peter Faiman, 1986); CBS; FOX STUDIOS RT TWENTIETH CENTURY-FOX; VIDEO, FILMS ON
Summary: Article on the CBS/FOX purchase of the 'Crocodile Dundee' video rights

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Gronow, Nick
Subject: CHINA; INDUSTRY, VIDEO
Summary: Starts of article mentions how Chinese mass production reduced the price of DVD players dropped 73% to $US 27in 2005. But now China’s prosperity will drive manufacturing prices upwards.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: 62 ROM
Author: Rombes, Nicholas
Edition: Revised edition
Place: London; New York
Publisher: New York Columbia University Press
PubDate: 2017
PhysDes: 22 b& w illustrations
Subject: DIGITAL CINEMA; NOSTALGIA; FILMMAKING; DISTRIBUTION; DIGITAL DISTRIBUTION; MEDIA AND THE CINEMA; EDITING; PHILOSOPHY AND THE CINEMA; VIDEO FORMATS; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014); THEORY; SPECTATORSHIP; BLUE VELVET (US, David Lynch, 1986); APPLE; COMPUTER GENERATED IMAGERY; POSTMODERNISM AND THE CINEMA; FORMATS; CINEMATOGRAPHY
Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
Notes: Includes bibliographical references.
ISBN: 9780231167550
Donation: Senses of Cinema
Contents: Machine generated contents note: 1.Accelerationism 2.The Adorno Paradox 3.Against Method 4.Analog/ Digital Splice 5.Blood, Simple 6.Boredom and Analog Nostalgia 7.The Digital Spectacular 8.Disposable Aesthetics 9.DV Humanism 10.Filmless Films 11.Frame Dragging 12.The Ideology of the Long Take 13.Image/ Text 14.Incompleteness 15.Interfaces 16.iPod Experiment 17.Ironic Mode 18.Looking at Yourself Looking 19.The Lost Underground 20.Love in the Time of Fragments 21.Media as Its Own Theory 22.Mobile Viewing 23.Moving Space in the Frame, and a Note on Film Theory 24.Natural Time 25.Nonlinear 26.Paranormal Activity 2 27.Pausing 28.Punk 29.Realism 30.Real Time 31.The Real You 32.The Reality Industrial Complex 33.Remainders 34.Sampling 35.Secondary Becomes Primary 36.Self-Deconstructing Narratives 37.Shaky Camera 38.Shoot! 39.Simultaneous Cinema 40.Small Screens Contents note continued: 41.Target Video 42.Time, Memory 43.Time-Shifting 44.Tmesis: Skimming and Skipping 45.Undirected Films 46.Viewer Participation 47.Virtual Humanism: Part 1 48.Virtual Humanism: Part 2 49.Visible Language, Spring 1977 50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CIVIC VIDEO

Subject: AUSTRALIA; VIDEO, FILMS ON
Summary: Article on how VIDA's pressure on the Federal Attorney General has led to a promise in dealing with the censorship/classification backlog

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; MR ROBOT [TV] (US, Sam Esmail, 2015)
Summary: This article highlights the multitude of ways in which viewers can consume a popular show (such as Mr Robot) depending on how much thay want to wait or pay. There is a lot of confusion around who holds exclusive rights to screen a 'hot' show in Australia.

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: HOLLYWOOD; INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
URL status: URL: 'http://-' Checked: 31/08/2021 1:18:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CORPORATE VIDEO

Call No: SUBJECT CLIPPINGS FILE; SPECIAL BROADCASTING SERVICE
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; SPECIAL BROADCASTING SERVICE; CRIME ON TV; CRIME DRAMAS
Summary: SBS is having some success with their SBS OnDemand streaming service with a focus on crime fiction

Call No: 401"313" CUL
Author: Hayward, Philip
Place: London
Publisher: J. Libbey
PubDate: 1990]
PhysDes: viii, 248 p. : ill. ; 25 cm
Subject: POPULAR CULTURE AND THE CINEMA; VIDEO ART; MUSIC TELEVISION; TECHNOLOGY AND THE CINEMA; COMPUTERS AND THE CINEMA; DIGITAL TECHNOLOGY; SOUND; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COLORS (US, Dennis Hopper, 1988)
Notes: Spine title: Culture, technology & creativity; Includes bibliographical references and index
ISBN: 0861962664
LON: 7559951

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Davidson, Darren -- Mitchell, Jake
PhysDes: Clippings File Article
Subject: WIN CORPORATION; NINE NETWORK; VIDEO ON DEMAND
Summary: Report on Bruce Gordon from WIN Corporation looking to bring an injuction against Nine Network streaming shows into regional Australia

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Connors, Emma
Subject: INDUSTRY, VIDEO. AUSTRALIA; VIDEO EZY; BLOCKBUSTER; QUICKFLIX; REELTIME MEDIA
Summary: Video Ezy plans to take over Blockbuster Video in Australia which would give them 40% of Oz rental store market. This article also focuses on the new digital technologies that are opening the rental market up to other businesses.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: Businesses mentioned: Video Ezy/Civic Video Blockbuster Quickflix Reeltime Media

Call No: 201.26(94) DOH
Author: Doherty, Brian; Charlton, Susan; Haros, Maria
Source: AT
Place: [Australia]
Publisher: [s.n.]
PubDate: 1997
Subject: STATE AND THE CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; VIDEO ART; MULTIMEDIA. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ARTS PROGRAMMES

Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY PRODUCTIONS
Author: White, Dominic -- Mason, Max
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; VIDEO ON DEMAND
Summary: Walt Disney Company is considering releasing a subscription video on demand service for Australia. Report on what this means for other subscription TV services in Australia, especially Foxtel

Call No: 737(5-012) DIV
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2016
PhysDes: viii, 331 pages : illustrations ; 24 cm
Subject: WAR AND THE CINEMA; WAR FILMS; WORLD WAR II AND THE CINEMA; WORLD WAR II FILMS; WORLD WAR II FILMS. JAPAN; WORLD WAR II FILMS. USA; WORLD WAR II FILMS. CHINA; KOREAN WAR FILMS; SECOND SINO-JAPANESE WAR FILMS; TAIWAN; MANGA; VIDEO GAMES; COMPUTER GAMES; NATIONALISM AND THE CINEMA; RACIAL STEREOTYPES IN FILMS; ASIANS IN FILMS; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002); BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973); CHILDREN OF HUANG SHI, THE (AT/C/GE, Roger Spottiswoode, 2007); FRIENDS (JP/KO, 2002); SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007)
Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from cover
Notes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and index
ISBN: 9780824851514
Donation: donated by Senses of Cinema
Contents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRUG FREE KIDS - A PARENTS GUIDE [TV] (US, Video Associates [prod.], 1986?)

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Zion, Lawrie
Subject: DISTRIBUTION. DVD. AUSTRALIA; QUICKFLIX; VIDEO EZY
Summary: Saying that the DVD rental sector is still thriving in Australia, even though the DVD sell-through market is very strong. Talks about the important rental company Video Ezy and the online rental Quickflix.; There is also a couple of paragraphs on the trend of franchise movies released straight onto DVD.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- "I know I'm not the only binge purchaser with unwrapped DVDs cluttering up valuable shelf space. Perhaps renting made sense after all"; -- $1 billion on DVD purchases last year compared with $365 million on rentals.; -- Paul Uniacke - Mg Dir Video Ezy. "Selling DVDs accounts for half the revenue of a number of Video Ezy stores. "But that doesn't mean we're giving up renting, because rentals are up compared with last year."

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Connors, Emma
Subject: DVD, FILMS ON; INDUSTRY, VIDEO. AUSTRALIA; DVD, TV SHOWS ON; BLOCKBUSTERS; AUSTRALIA 2000s
Summary: Blockbuster titles push DVD sales in Australia up in 2006. Very stats based article on DVD sales increase.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: 65.2 million titles worth 1.02 billion sold. Only 1% sales VHS DVD sales up 14 % whilst revenue up 15% on 2005 TV series made 26% of total sales Broadening of retail sales from mass retail to petrol stations Impact of rental online services suggested with sales to rentals up 22% but revenue up 5% No expectation that online channels will impact on DVD in 2007. Films Mentioned: Harry Potter and the Goblet of Fire Pirates of the Carribean Ice Age 2 Kenny (as independent success) TV mentioned House Little Britain

Call No: 175AN AN
Source: US
Place: New York
Publisher: American Federation of Arts
PubDate: c1994
PhysDes: 28 p. : ill. ; 30 cm
Subject: VIDEO ART; VIDEO INSTALLATIONS
Summary: a booklet based on the an exhibition of over 30 Australian based video artists
Notes: Financial assistance provided by the Australian Film Commission
ISBN: 0646198998

Call No: DVD RESEARCH FOLDER; DVD Research Folder
Author: Dunt, Emily; Gans, Joshua S.; King, Stephen P.
Subject: INDUSTRY, VIDEO. AUSTRALIA
Summary: How technology based restrictions and parallel imporation laws have created geographically distinct markets for DVDs. The paper argues that for maximum economic benefits Australia (with other Governments) should remove the technical restrictions and parallel importation laws.

Call No: 241(-4) LEV
Author: Levy, Wayne
Edition: 1987
Place: Cibinong, Indonesia
Publisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional
PubDate: 1987
PhysDes: 23 leaves : illustrated ; 23 cm
Subject: VIDEO PHOTOGRAPHY; EDITING
Language: English

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ELECTRONIC VIDEO RECORDING

Call No: 77 EPH
Author: Grainge, Paul, 1972 -
Place: Houndsmill, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: viii, 236 pages : illustrations ; 24 cm.
Subject: CONVERGENCE; INTERNET AND THE CINEMA; INTERNET AND TV; SOCIAL MEDIA AND THE CINEMA; ONLINE VIDEO PROGRAMMING; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; YOUTUBE; ADVERTISING
Summary: "From the television interstitials that appear between programmes to the brief clips and videos that proliferate on YouTube, contemporary screen culture is populated by short-forms that make claims for our attention. Ephemeral Media provides a unique focus on these fleeting but increasingly ubiquitous texts. Through case studies in television and web entertainment, this original book looks at the production of media at the edges, within the junctions, and that surround the output of networks and studios. Analyzing promos and idents, emergent forms of online TV and web drama, and the burgeoning world of worker- and user-generated content, this new collection also examines screen forms that circulate "between," "beyond" and "below" the TV programs and films traditionally privileged within screen studies. With essays by leading international scholars in television, film and new media studies, as well as interviews with key industry figures, Ephemeral Media explores the practices, strategies and textual forms helping producers (and viewers) negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, Ephemeral Media provides a new perspective on the transitory, and transitional, nature of screen culture in the early 21st century"-- Blurb
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 9781844574346
Donation: Adrian Miles
Contents: Introduction: Ephemeral media, Paul Grainge -- I Media transition and transitory media -- 1. The recurrent, the recombinatory, and the ephemeral: William Uricchio -- 2. Television, abridged: ephemeral texts, monumental seriality and TV-Digital media convergence, Max Dawson -- II Between: interstitials and idents -- 3. Interstitials: how the 'bits in between' define the programmes, John Ellis -- 4. 'Music is Half the Picture': the soundworld of television idents, Mark Brownrigg and Peter Meech -- 5. TV promotion and broadcast design: An interview with Charlie Mawer, Red Bee Media -- III Beyond: online TV and web drama -- 6. The evolving media ecosystem: An interview with Victoria Jaye, BBC, Elizabeth Jane Evans -- 7. Beyond the broadcast text: new economies and temporalities of online TV, JP Kelly -- 8. Time slice: web drama and the attention economy, Jon Dovey -- 9. 'Carnaby Street, 10am': KateModern and the ephemeral dynamics of online drama, Elizabeth Jane Evans -- IV Below: worker- and user-generated content -- 10. Corporate and worker ephemera: the industrial promotional surround, paratexts and worker blowback, John T. Caldwell -- 11. Reenactment: fans performing movie scenes from the stage to YouTube, Barbara Klinger -- 12. Digital intimacies: aesthetic and affective strategies in the production and use of online video, Rosamund Davies.

PhysDes: Article
Subject: VIDEO AND THE CINEMA. AUSTRALIA; COPYRIGHT. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Announcement of Joanna Simpson to deputy director general of Video Copyright Owners Association of Australia.

Call No: SUBJECT CLIPPINGS FILE; FOXTEL
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: PAY TV. AUSTRALIA; VIDEO ON DEMAND; FOXTEL
Summary: Foxtel is planning to offer an on-demand streaming service to compete with other services in the Australian market. Some details on the deal Foxtel has with HBO and some upcoming Foxtel productions. Quotes from Foxtel chief Peter Tonagh

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Royall, Ian
Subject: DISTRIBUTION. DVD. AUSTRALIA; HOME VIDEO MARKETING; AUSTRALIAN VISUAL SOFTWARE DISTRIBUTORS ASSOCIATION; BUSH, SIMON
Summary: The slashing of DVD prices fuels high sales of the product. The article looks at the shortening of cinema to DVD sales release and why DVD is a popular format. Good article!
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- "Big chains such as Big W, Kmart and Target are driving prices on DVDs and CDs down to bare margins to lure customers. Full retail price for a new movie is usually more than $40, but the chains are marking them down to about $27, while the same titles sell in specialist retailers for $36 to $40."; -- ""Studios are making decisions now as to whether to fund movies, based on follow-through sales to DVD and video" Mr Bush said."; -- "Distributors also have shortened the time between cinema release and DVD release. Initially it was to beat piracy, but the extra incentive is to get the movie out while it's still fresh in the public's mind. A few years ago, the gap between cinema and DVD release was as much as 18 months. Now, it can be as brief as three months, depending on the studio and the type of movie."

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: VIDEODISCS; VIDEO, FILMS ON; INDUSTRY, VIDEO. AUSTRALIA
Summary: Griffiths reports on the duplication industry, where there are different views on the penetration of DVD.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; VIDEO, FILMS ON; COPYRIGHT. AUSTRALIA; PIRACY. AUSTRALIA
Summary: Article on police raids throughout Queensland over pirated video tapes.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. ADELAIDE [VARIOUS]; FESTIVALS. ADELAIDE FILM EVENT; FESTIVALS. ADELAIDE FRINGE; FESTIVALS. ADELAIDE SHORTS FILM; FESTIVALS. ADELAIDE. ARTS; FESTIVALS. ADELAIDE. NEW FILM AND VIDEO; FESTIVALS. ADELAIDE. YOUNG FILM-MAKERS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA [VARIOUS]; FESTIVALS. AUSTRALIA. SIDE ON AUSTRALIA NETFEST; FESTIVALS. AUSTRALIA. SHORTS OUTBACK; FESTIVALS. AUSTRALIA. SCI-FI; FESTIVALS. AUSTRALIA. SITCOM; FESTIVALS. AUSTRALIA. SNOWYFEST; FESTIVALS. AUSTRALIA. SUNSCREEN INDEPENDENT MUSIC VIDEO; FESTIVALS. AUSTRALIA. TRASHARAMA A-GO-GO; FESTIVALS. AUSTRALIA. WHAT'S UP SKIP; FESTIVALS. AUSTRALIA. LA SCALA OPERA SERIES; FESTIVALS. AUSTRALIA. HOPE AWARDS; FESTIVALS. AUSTRALIA. IN THE BIN; FESTIVALS. AUSTRALIA. OPTUS SCHOOL STUDENT; FESTIVALS. BLUE MOUNTAINS. SHORT FILM; FESTIVALS. BATHURST; FESTIVALS. BUNINYONG

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS BRISBANE QUEER FILM AND VIDEO

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO
URL status: URL: 'http://file://Q:/S/FESTIVALS.MELBOURNE.QUEER.zip' Checked: 31/08/2021 12:42:36 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. NEW YORK. JEWISH FILM AND VIDEO

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. NEW YORK [VARIOUS]; FESTIVALS. NEW YORK. AFRICAN; FESTIVALS. NEW YORK. ASIAN-AMERICAN; FESTIVALS. NEW YORK. HUMAN RIGHTS WATCH; FESTIVALS. NEW YORK. MANHATTAN SHORT; FESTIVALS. NEW YORK. MARGARET MEAD; FESTIVALS. NEW YORK. NEW DIRECTORS / NEW FILMS; FESTIVALS. NEW YORK. UNDERGROUND; FESTIVALS. NEW YORK. URBANWORLD; FESTIVALS. NEW YORK. VIDEO; FESTIVALS. NEW YORK. WOMEN'S

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. PERTH. WA FILM & VIDEO

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SYDNEY. AUSTRALIAN VIDEO

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SAN FRANCISCO. SONOMA VALLEY; FESTIVALS. SAN FRANCISCO. INTERNATIONAL VIDEO; FESTIVALS. SAN FRANCISCO. MILL VALLEY; FESTIVALS. USA. BLACK HOLLYWOOD; FESTIVALS. USA. ISRAELI; FESTIVALS. USA. MTV; FESTIVALS. USA. SOUTH BY SOUTHWEST

Call No: 21(94) "1993-94" MCL
CorpAuthor: Australian Bureau of Statistics
Place: [Canberra]
Publisher: Australian Bureau of Statistics
PubDate: 1996
PhysDes: vi, 38 p. : ill. ; 30 cm
Subject: STATISTICS. AUSTRALIA; PRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA; INDUSTRY, VIDEO. AUSTRALIA
Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming format
Notes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tables
ISBN: 0642207305
LON: 12274947

Call No: 771 HAM
Author: Hamlyn, Nicky
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 224 p. : ill. ; 24cm
Subject: ART CINEMA; AESTHETICS; VIDEO ART; EXPERIMENTAL FILMS; BRAKHAGE, STAN; LE GRICE, MALCOLM; SNOW, MICHAEL; SHERWIN, GUY; SMITH, JOHN; HALL, DAVID; HILL, TONY; LARCHER, DAVID; RABAN, WILLIAM
Summary: "Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow as well as younger artists such as Karen Mirza and Brad Butler, Jennifer Nighting ale, and Colin Crockatt, among many others. Film Art Phenomena is a crucial intervention in debates about the modes of film-making that diverge from and oppose the mainstream." -- Back cover
Notes: Includes bibliography p. 188; includes index p. 195
ISBN: 0851709710. m
Contents: I. MEDIA -- 1. Film and video -- 2. Digital media -- 3. Expanded technologies -- 4. Installation and its audience -- II. THE APPARATUS -- 5. The frame and its dissolution -- 6. Framing -- 7. Holding the camera -- 8. Point of view -- III. AESTHETICS -- 9. Space -- 10. Location -- 11. Interactivity -- 12. Sound, sync, performance -- 13. Film, art, ideology

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: 1993
Subject: BEST FILMS; VIDEO, FILMS ON
Language: English

Call No: 205 FIL
Author: Moran, Albert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 285 p
Subject: GOVERNMENT CONTROL; STATE AND THE CINEMA; HOLLYWOOD; INDUSTRY, VIDEO. USA; DISTRIBUTION; INDUSTRY, FILM; COPRODUCTION. FRANCE; COPRODUCTION. UK; INDUSTRY, FILM. UK; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. CANADA; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. INDONESIA; INDUSTRY, FILM. SINGAPORE; AUSTRALIAN ABORIGINAL CINEMA; MAORI CINEMA; INDIGENOUS PEOPLE'S CINEMA. CANADA
Notes: Includes bibliographical references and index
ISBN: 0415097916 (pbk.); 0415097908 (hardcover)
LON: 12158074

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FILMS ON VIDEO

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Burke, Justin
PhysDes: Clippings File Article
Subject: NETFLIX; DUBBING; VIDEO ON DEMAND
Summary: A profile piece on the streaming media company Netflix, and their plans for the future

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Davidson, John
Subject: INDUSTRY, VIDEO; BLU-RAY; HIGH DEFINITION DVD; HIGH DEFINITION DVD, PORNOGRAPHIC; DAVOUDIAN, ALI
Summary: The war between the High definition DVD formats (Blu-ray and HD-DVD) have effected the adult industry as to which direction the industry will take in pressing their adult content DVDs. The article suggests that the adult industry cemented the prominence of the VHS video format when home video porn films were pressed on VHS instead of Betamax. The adult industry could also have the same effect on the Blu-ray and HD-DVD war. Ali Davoudian, founder of the adult entertainment company digital playground – stated his company would go with the HD-DVD as the technology of choice for high definition porn films, because Sony was against the use of Blu-ray format for such purposes. However he has also been quoted as saying that he prefers Blu-ray technology as Blu-ray disks have a higher capacity than HD-DVD.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: FILMS The Rescuers Big booty Revenge 2 Strap Attack 5

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Lynch, Jared
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND
Summary: Seth Shapiro says that Australia's Subscriber Video On Demand companies will struggle to gain a foothold in the competitive market.

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Lynch, Jared
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND
Summary: Seth Shapiro says that Australia's Subscriber Video On Demand companies will struggle to gain a foothold in the competitive market.

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Battersby, Lucy
PhysDes: Clippings File Article
Subject: FOXTEL; VIDEO ON DEMAND; AUDIENCE RESEARCH. AUSTRALIA
Summary: Report on Canstar Blue survey that ranks the satisfaction ratings for the various streaming services and the pay-tv channel Foxtel. the providers costs and services are listed for Foxtel, Netflix, Fetch, Stan, and Bigpond Movies

Call No: 205.1(94) FRO
CorpAuthor: The Parliament of the Commonwealth of Australia
Place: Canberra, Australia
Publisher: The Parliament of the Commonwealth of Australia
PubDate: 2004
PhysDes: 24 cm; 250 pp
Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; ANIMATION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; VIDEO GAMES. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET; LABOUR. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA
Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.
Notes: Government report
ISBN: 0642784698

Call No: 81HAN SPE
Author: Speck, Oliver C.
Source: US/UK
Place: New York : London
Publisher: Continuum
PubDate: 2010
PhysDes: viii, 260 p. : ill. ; 24 cm
Subject: THEORY; VIOLENCE IN FILMS; RACIAL PROBLEMS IN FILMS; HANEKE, MICHAEL; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992); FUNNY GAMES (AT, Michael Haneke, 1997); PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001) SEE PIANISTE, LA; PIANISTE, LA (AU/FR, Michael Haneke, 2001); TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003) SEE TEMPS DU LOUP, LE; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003); CACHE (FR/AU/GG/IT, Michael Haneke, 2005); WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009) SEE DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009)
Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781441192851
Donation: Donated by Senses of Cinema, 2013
Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --

Call No: 220"313" FUT
Author: Hayward, Philip; Wollen, Tana, 1957
CorpAuthor: Arts Council of Great Britain
Place: London
Publisher: BFI Pub. Arts Council of Great Britain
PubDate: 1993
PhysDes: xi, 212 p. : ill. (some col.) ; 22 cm
Subject: TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; IMAX; SPECIAL EFFECTS; COMPUTER GRAPHICS; HIGH DEFINITION TV; MULTIMEDIA; VIRTUAL REALITY; VIDEO GAMES; COMPUTERS AND THE CINEMA; CINEMASCOPE; DIGITAL TECHNOLOGY
Notes: Includes bibliographical references and index
ISBN: 085170400X (pbk.); 0851703844
LON: 10057800

Call No: 175 GAM KIN
Source: UK
Place: London
Publisher: Laurence King Publishing
PubDate: 2008
PhysDes: 143 p. : col. ill. ; 28 cm
Subject: VIDEO GAMES; JENKINS, HENRY; POKEMON: THE FIRST MOVIE (JA/US, Michael Haigney & Kunohiko Yuyama, 1999)
Summary: "Games are a key part of contemporary culture worldwide, familiar to millions of us even if we never actually play them. They have influenced music, art and film, and characters from Mario to Lara Croft have become modern cultural icons. Game On examines the world of videogames from a global perspective, exploring key themes, from the design of characters and games environments to multi-player online gaming and future technical developments."--Booktopia website
Notes: First published to coincide with the exhibition Game On at the Barbican Gallery, Barbican Centre, London, Thursday 16 May - Sunday 15 September, 2002. Published for the Australian presentation of Game On at the Australian Centre for the Moving Image, Federation Square, Melbourne, Thursday 6 March - Sunday 13 July, 2008. Includes index
ISBN: 9781920805241

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, GAMES. AUSTRALIA
Author: Sharma, Krishan
PhysDes: Clippings File Article
Subject: INDUSTRY, GAMES. AUSTRALIA; VIDEO GAMES. AUSTRALIA; COMPUTER GAMES. AUSTRALIA
Summary: Report on why the gaming industry in Australia is asking for government assistance

PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; VIDEO, FILMS ON
Summary: Announcement of GL Enterprises using Group One for their Cable TV and video sales.

Call No: 038(-4) LEV
Author: Levy, Wayne
Edition: 1987
Place: Cibinong, Indonesia
Publisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional
PubDate: 1987
PhysDes: iii,46 pages : illustrated ; 30cm
Subject: VIDEO AND TELEVISION

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Kitney, Damon
Subject: VILLAGE ROADSHOW; INDUSTRY, VIDEO; HAPPY FEET (AT/ US, George Miller, 2006)
Summary: Saying that already successful financial year for Village Roadshow (due to restructure of its assets) should be boosted significantly by DVD profits for Happy Feet.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Subject: INDUSTRY, FILM. AUSTRALIA; QUEENSLAND; VIDEO, FILMS ON
Summary: Article on the effect of V.H.S. and how Queensland still has a lost of cinemas with Val Morgan owning 85 per cent

PhysDes: Article
Subject: HESTON, CHARLTON; INDUSTRY, FILM. USA; PIRACY; PIRACY USA; VIDEO, FILMS ON
Summary: Article surmising Charlton Heston's speech to the U.S. Congress on proposed legislation that would compensate the film and television industries who have lost money to videos and video piracy.

Call No: 62:409(04) HIG
Author: MacCabe, Colin
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: 1986
PhysDes: x, 171 p. ; 23 cm
Series: Images of culture
Subject: POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND TV; VIDEO GAMES; NARRATIVE IN TV. US; MELODRAMA
Notes: Includes bibliographies
ISBN: 0719019508 : ª23.50; 0719019516 (pbk.)
LON: bnb71901950; 4374498

Call No: 771(410) GAA
Author: Gaal-Holmes, Patti
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: xviii, 231 pages ; 23 cm.
Subject: EXPERIMENTAL FILMS. UK; EXPERIMENTAL FILMS; BRAKHAGE, STAN; DWOSKIN, STEPHEN; GIDAL, PETER; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); LE GRICE, MALCOLM; MARXISM AND THE CINEMA; MCCALL, ANTHONY; VIDEO ART; WARHOL, ANDY; WOLLEN, PETER
Summary: "This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade"-- TROVE
Notes: Includes bibliographical references and index
ISBN: 9781349474912
Language: English
Contents: Introduction -- 1. Questions of history -- 2. Institutional frameworks and organisational strategies -- 3.Experimental film and other visual arts -- 4. Visionary, mythopoeia and diary films -- 5. Experiments with structure and material -- 6. Women and film -- Conclusion: (Re)cognitions and (Re)considerations for This History -- Notes -- Bibliography -- Index
ID2: 343

Call No: 771 REE
Author: Rees, A. L.
Edition: 2nd Edition
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2011
PhysDes: viii, 196 : ill. ; 25 cm.
Subject: EXPERIMENTAL FILMS; VIDEO ART; ART CINEMA; AVANT-GARDE FILMS
Summary: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed
Notes: Includes bibliographical references and index.
ISBN: 9781844576203
Contents: Pt. 1. The canonical avant-garde. Origins of the moving image (1780-1880). Photography. Art and the avant-garde: summary 1909-20. The cubists. Primitives and pioneers (1880-1915). Futurists. Abstract film. The comic burlesque. The Art Cinema and its circuit. Cine-poems and lyric abstraction. Origins of abstract film. The absolute film. Cubism and poular film. Dada and surrealist film. The French avant-garde 1924-32. Voice and vision in the pre-war avant-garde. Transition: into the 1930s and documentary. Reviewing the first avant-garde. Origins of the post-war avant-garde. Underground. Two avant-gardes (mark 1)? Structural -- Pt. 2. Britain, 1966-98. English structuralists. Primitives and post-structuralists. Video stirs. Art and politics. A cinema of small gestures. Rebel waves. Art Cinema's odd couple: Derek Jarman and Peter Greenaway. New pluralism. Black British. Electronic arts. yBa. 'Where are we now?'. Points of resistance.

Call No: 771 MEI
Author: Meigh-Andrews, Chris
Place: United Kingdom
Publisher: Berg
PubDate: 2006
PhysDes: 318 p., [8] p. of plates : ill. (some col.) ; 25 cm
Subject: VIDEO ART; EXPANDED CINEMA; AVANT-GARDE FILMS; UNDERGROUND FILMS; SNOW, MICHAEL; VIOLA, BILL
Summary: "'A History of Video Art' is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history. A History of Video Art also sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate." -- Publisher's website.
Notes: Formerly CIP. Includes bibliographical references (p. [305]-310) and index
ISBN: 1845202198

Call No: 336.3 BRO
Author: Brookey, Robert Alan
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2010
PhysDes: x, 174 p. ; 23 cm
Subject: VIDEO GAMES; VIDEO GAMES AND THE CINEMA; COMPUTER GAMES; COMPUTER GAMES AND THE CINEMA
Summary: "For years, major film studios have licensed products related to their most popular films; video game spin-offs have become an important part of these licensing practices. Where blockbuster films are concerned, the video game release has become the rule rather than the exception. In Hollywood Gamers, Robert Alan Brookey explores the business conditions and technological developments that have facilitated the convergence of the film and video game industries. Brookey treats video games as rhetorical texts and critically examines several games to determine how specific industrial conditions are manifest in game design. Among the games (and films) discussed are Lord of the Rings, The Godfather, Spider-Man, and Iron Man."--From publisher description.
Notes: includes bibliographical references; includes index
ISBN: 9780253222312
Contents: Playing together -- Playing the games, being the heroes -- Coppola sleeps with the fishes -- Marvel goes to the movies -- Disney saves the world(s) -- What shall we play next?

Call No: 201(73) WAS
Author: Wasko, Janet
Place: Cambridge, U.K.
Publisher: Polity Press
PubDate: 1994
PhysDes: x, 308 p. ill. ; 23cm
Subject: USA; TECHNOLOGY AND THE CINEMA. USA; DISTRIBUTION. USA; PRODUCTION. USA; STUDIOS, FILM. USA; PAY TV. USA; INTERNATIONAL DISTRIBUTION. USA; CABLE TV. USA; INDUSTRY, VIDEO. USA; EXHIBITION. USA; COMPUTERS AND THE CINEMA. USA; INDUSTRY, FILM. USA; TECHNICAL DEVELOPMENTS. USA; PRODUCT PLACEMENT; MURDOCH, RUPERT; NEWS CORPORATION; TWENTIETH CENTURY-FOX; ORION PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; WALT DISNEY PRODUCTIONS; TIME WARNER
Notes: Includes index; Bibliography: p. [255]-301
ISBN: 0745603181; 074560319X (pbk.)
LON: 11620231

Call No: 432.4 DEC
Author: Decherney, Peter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2013
PhysDes: xii, 287 pages : illustrations ; 23 cm
Subject: AUTHORSHIP; COPYRIGHT; COPYRIGHT. USA; HISTORY OF CINEMA; HOLLYWOOD; HOME VIDEO; INTERNET; INTERNET AND THE CINEMA; LAW AND THE CINEMA; LAW AND TV; PARODY; PIRACY; PLAGIARISM; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; LUCAS, GEORGE; MOTION PICTURE ASSOCIATION OF AMERICA; YOUTUBE
Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURB
Notes: Contains list of illustrations and index
ISBN: 9780231159470

Call No: 737(73) BIN
Author: Binns, Daniel
Edition: 2017
Place: Bristol, UK ; Chicago, USA
Publisher: Intellect Books
PubDate: 2017
PhysDes: 172 pages : illustrated ; 23 cm
Subject: WAR FILMS. USA; VIETNAM WAR FILMS. USA; WORLD WAR II FILMS. USA; VIDEO GAMES; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COPPOLA, FRANCIS FORD; FULL METAL JACKET (UK, Stanley Kubrick, 1987); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); M*A*S*H (US, Robert Altman, 1969); PATTON (US, Franklin J. Schaffner, 1970); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); STEEL HELMET, THE (US, Samuel Fuller, 1951)
Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon. Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web site
ISBN: 9781783207541
Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HOME VIDEO

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HOME VIDEO MARKETING

Subject: HOYTS; VIDEO, FILMS ON
Summary: Article on Hoyts acquiring the video rights to 25 films

PhysDes: Article
Subject: VIDEO AND THE CINEMA. AUSTRALIA; HOYTS; COLUMBIA PICTURES; ADVERTISING FOR FILMS. AUSTRALIA
Summary: Article on the agreement reached between RCA/Columbia Pictures Video Pty. Ltd.and Hoyts Theatres Pty. Ltd. relating to the marketing of videos in Australia.

Call No: 771 ILL
Author: Hall, Doug, 1944; Fifer, Sally Jo
Place: New York, N.Y.
Publisher: Aperture in association with the Bay Area Video Coalition
PubDate: 1990
PhysDes: 566 p. : ill. ; 24 cm
Subject: VIDEO ART; VIDEO AND TELEVISION; VIDEO INSTALLATIONS; PERCEPTION; MUSEUM REACTION PIECE, THE [MM] (US, Howard Fried?, 1978-83)
Notes: Includes index; Bibliography: p. 526-556
ISBN: 0893813893 (hard); 0893813907 (pbk.)
LON: 8006458

Call No: SUBJECT CLIPPINGS FILE; ART AND TV
Author: Rule, Dan
PhysDes: Clippings File Article
Subject: ART AND TV; VIDEO ART
Summary: Notes on an upcoming exhibition titled 'Transmission: legacies of the television age' at Melbourne's National Gallery of Victoria, which features artworks that reference television, including video artists such as Miranda July and Tracey Moffatt

PhysDes: Article
Subject: VIDEO, FILMS ON; DISTRIBUTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Article on an Australian company making video tapes and thus causing an import duty to begin next month.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, VIDEO

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, VIDEO. AUSTRALIA

Call No: 771(94) INT
Author: Tofts, Darren
Source: AT
Place: Fishermens Bend, Vic.
Publisher: Craftsman House
PubDate: 2005
PhysDes: 145 p. ; 24 cm
Series: New Art
Subject: VIDEO ART; EXPERIMENTAL FILMS. AUSTRALIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI); AESTHETICS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNICAL DEVELOPMENTS
Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].
ISBN: 097573038X

Call No: 761 NIC
Author: Nichols, Bill
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 2001
PhysDes: 223 p. ; ill. ; 23 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHICS AND THE CINEMA; FEMINISM AND THE CINEMA; REALISM IN FILMS; SOCIAL PROBLEMS IN FILMS; VIDEO, FILMS ON; VOICE OVER; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT AND FOG (FR, Alain Resnais, 1995); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); THIN BLUE LINE, THE (US, Errol Morris, 1988)
Summary: Introduction to Documentary provides an overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visiual evidence and persuasive strategies, this book spells out the distinguishing qualities of documentary. This book offers suggestive answers to basic issues that have stood at the centre of all debate on documentary from its very beginnings to today. It covers questions of ethics, form, modes, voice, history, and politics among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner.
Notes: Includes Notes on source material pp.179-190; Filmography pp.191-201; List of Distributors pp.201-218; Index pp.219-223
ISBN: 0253214696
Contents: 1. Why are ethical issues central to documentary filmmaking -- 2. How do documentaries differ from other types of film -- 3. What gives documentary films a voice of their own? -- 4. What are documantaries about? -- 5. How did documentary filmmaking get started? -- 6. What types of documentary are there? -- 7. How have documentaries addressed social and political issues? -- 8. How can we write effectively about documentary?
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Author: Tedeschi, Enzo
PhysDes: Article
Subject: PIRACY; VIDEO ON DEMAND; DISTRIBUTION
Summary: Enzo Tedeschi advises content makers to utilise new distribution channels to capitalise on audience demand and deter piracy.

Call No: 604DRU
Author: Druckrey, Timothy
Place: New York : International Center of Photography ; Cambridge, Massachusetts :
Publisher: MIT Press
PubDate: 1993
PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cm
Subject: VIDEO ART; EXPERIMENTAL FILMS; AESTHETICS; TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; EXHIBITION. USA
Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].
Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196
ISBN: 026204143X

Call No: 81SMI LAN
Author: Lanyon, Josephine; Cosgrove, Mark; Parker, Cornelia; Rees, Al; Bourn, Ian; Hamlyn, Nicky; Elwes, Kate; Smith, John
CorpAuthor: Picture This Moving Image; Watershed Media Centre; The Arts Council of England
Source: UK
Place: Bristol
Publisher: Picture This Moving Image; Watershed Media Centre
PubDate: 2002
PhysDes: 135 p. ; ill. ; 21.5 cm
Subject: SMITH, JOHN; EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. UK; VIDEO ART; BLIGHT (UK, John Smith, 1996); GIRL CHEWING GUM, THE (UK, John Smith, 1976)
Summary: Published to accompany a retrospective touring exhibition. Includes several essays on the work of John Smith plus an interview with the director. Also includes stills and spoken texts.
Notes: Includes filmography; Includes selected list of screenings and exhibitions 1974-1998; Includes list of television screenings; Includes list of prizes; Includes bibliography p.135
ISBN: 0 9539872 48

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; PIRACY. AUSTRALIA; PIRACY RT: COPYRIGHT
Summary: results of a court case about video piracy

Call No: 410(41) DOC
Author: Docherty, David; Morrison, David, 1944; Tracey, Michael Whitehouse
Place: London
Publisher: BFI Pub.
PubDate: 1987
PhysDes: 152 p.
Subject: AUDIENCES. UK; STATISTICS. UK; VIDEO, FILMS ON, UK; AUDIENCE RESEARCH. UK
ISBN: 0851702015
LON: bnb85170201; 5363080

Author: Simpson, Joanna. Deputy Director General
PhysDes: Article
Subject: PIRACY. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; COPYRIGHT. AUSTRALIA
Summary: A response to the editorial on 29/10/1982 by the Video Copyright Owners Association of Australasia. It disputes the editors claims that nothing is being done to stop video piracy, especially the showing of domestic videos in public areas. The letter briefly explains what the V.C.O.A.A stands for and how it goes about dealing with copyright infriners.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Mitchell, Sue
Subject: LIONS GATE; INDUSTRY, VIDEO. AUSTRALIA; MAGNA PACIFIC HOLDINGS
Summary: Lionsgate imploring investors to let them buy out Australian DVD distributor Magna Pacific. They do this by saying that Magna Pacific is in bad shape etc. Magna Pacific do not agree with this take over.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: DVD RESEARCH FOLDER
Author: Kalina, Paul
Subject: INDUSTRY, VIDEO. AUSTRALIA; IMPORT OF DVD; DISTRIBUTION. DVD. AUSTRALIA; PARALLEL IMPORTING; DVD, TV SHOWS ON
Summary: Documents frustrations that Australian's face when they wish to view a DVD that is not produced in the Region Four coding for Australia. It is illegal (called parallel importing) to purchase (for example) a Region One DVD if the Region Four DVD has not been produced. Lists opinion of retailers and government bodies on the Parallel Importing laws and also how Australia tries to organise Region Four DVDs as soon as possible
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007).
Quotations: -- George Papadopoulos Accent Film Entertainment - Parallel importing bad; -- Keren Wicks Network Video - Parallel importing good; -- Australian Federation Against Copyright Theft - policing ban on parallel imports.

PhysDes: Article
Subject: VIDEO, FILMS ON; DISTRIBUTION
Summary: Brief article on what Lorimar hopes to achieve at VIDCOM

Call No: 747.19 WIL
Author: Wilson, Emma
Source: UK/US
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 184 p., [8] p. of plates : col. ill. ; 23 cm
Subject: LOVE IN FILMS; DEATH IN FILMS; VIDEO ART
Summary: "In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study scrutinizes emotions and sensations surrounding mortality and longing. Its focus is on love, tenderness, and eroticism, on the undoing of the self in desire and loss, and on the pursuit of relations with a missing other. In dialogue with Judith Butler on greivability, and Giorgio Agamben on bare life, Emma Wilson traces connections between imaging of intimate losses and public acts of mourning in response to atrocity, the Shoah and Hurricane Katrina. The book lays out a series of sensitive new readings of works by Agnes Varda, Pedro Almodovar, Ingmar Bergman, Sophie Calle, and many others. Attending to images of tactility, to fine details of texture, light, and affect, it re-imagines the role of the sensuous in lens-based art. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780230308398
Contents: -- acknowledgments -- plates -- introduction -- 1.Love -- 2.Mother -- 3.Child -- 4.Coma -- 5.Pieta -- 6.Touch -- 7.Home -- Conclusion -- Notes -- References -- Moving Image Artworks -- index --

Subject: AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; VIDEOTAPE DUPLICATION
Summary: Article on the firing of a Perth man for renting out pirated videas, and the court itselfs views on video piracy

PhysDes: Article
Subject: VIDEO CLASSICS; FILMS ON VIDEO; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; DISTRIBUTION. AUSTRALIA
Summary: Article on Hotel/Motel Cinema (a division of Video Classics) receiving a contract to play films at hotels belonging to Carlton and United brewaries in northern Queensland.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; FILM; VIDEO AND THE CINEMA. AUSTRALIA; TRADE FAIRS. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA
Summary: Article on the first ever Australian Film Fair, set for November in Sydney, and what it will entail.

Call No: 772(520):737.0 MEC
Author: Lunning, Frenchy
Source: US
Place: Minneapolis; London
Publisher: University of Minnesota Press
PubDate: c2009
PhysDes: xiv, 338 p. : ill. ; 26 cm
Series: Mechademia ; v. 4
Subject: ANIMATION; ANIMATION. JAPAN; COMIC STRIPS; COMIC STRIPS AND THE CINEMA; JAPAN; POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND THE CINEMA. JAPAN; VIDEO GAMES; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARU NO HAKA (JA, Isao Takahata, 1989); NEON GENESIS EVANGELION (JA, 199?)
Summary: "The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the country's militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propoganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture." -- BOOK BLURB
ISBN: 9780816667499
Contents: -- preface: war/time / Thomas Lamarre -- [Part 1]. Legacies of sovereignty. The filmic time of coloniality: on Shinkai Makoto's The Place promised in our early days / Gavin Walker -- Theorizing manga: nationalism and discourse on the role of wartime manga / Rei Okamoto Inouye -- Transcending the victim's history: Takahata Isao's Grave of the fireflies / Wendy Goldberg. [Part 2]. Control room. Gothic politics: Oshii, war, and life without death / Tom Looser -- Oshii Mamoru's Patlabor 2: terror, theatricality, and exceptions that prove the rule / Mark Anderson -- Waiting for the messiah: the becoming-myth of Evangelion and Densha otoko / Christophe Thouny -- War by metaphor in Densha otoko / Michael Fisch. [Part 3]. History/memory. Imagined history, fading memory: mastering narrative in Final Fantasy X / Dennis Washburn -- Haunted travelogue: hometowns, ghost towns, and memories of war / Michael Dylan Foster -- Three views of the rising sun, obliquely: Keiji Nakazawa's A-bomb, Osamu Tezuka's Adolf, and Yoshinori Kobayashi's Apologia / Sheng-Mei Ma -- Virtual creation, simulated destruction, and manufactured memory at the Art Mecho Museum in Second life / Christopher Bolton. [Part 4]. Genre violence. Ninja, Hidden Christians, and the two Ferreiras: On Endo Shusaku and Yamada Futaro / Takayuki Tatsumi ; translated by Seth Jacobowitz -- Monsters at war: the great Yo¯kai Wars, 1968-2005 / Zilia Papp -- From Jusuheru to Jannu: girl knights and christian witches in the work of Miuchi Suzue / Rebecca Suter. [Part 5]. Mobilization/Domestication. Empire through the eyes of a Yapoo: male abjection in the cult classic Beast Yapoo / Christine Marran -- Nippon ex machina: Japanese postwar identity in robot anime and the case of UFO Robo Grendizer / Marco Pellitteri -- Kobayashi Yoshinori is dead: imperial war/sick liberal peace/neoliberal class war / Mark Driscoll -- Manga: a comic interlude from Darumasan-ga-koronda, "Land mine in Central Park" / Yoji Sakate ; translated by Manami Shima, art by Chinami Sango -- Review and commentary -- two phases of Japanese illustrated fiction / Charles Shiro Inouye -- paradise lost...and found? / Paul Jackson -- molten hot: Japanese gal subcultures and fashions / Theresa M. Winge -- monstrous toys of capitalism / Brent Allison -- if Casshern doesn't do it, who will? / Deborah Shamoon -- psychoanalytic cyberpunk midsummer-night's dreamtime: Kon Satoshi's Paprika / Timothy Perper and Martha Cornog -- Torendo -- interview with Murase Shuko and Sato Dai / Deborah Scally, Angela Drummond - Mathews and Marc Hairston --

Call No: 401(94) MED
Author: Cunningham, Stuart; Turner, Graeme
CorpAuthor: Allen & Unwin
Source: Australia
Place: Crows Nest, NSW
Publisher: Allen & Unwin
PubDate: 2002
PhysDes: 382 p. ; 23 cm
Subject: MEDIA; AUDIENCES; TELECOMMUNICATIONS.AUSTRALIA; PAY TV; ADVERTISING; PUBLIC RELATIONS; VIDEO GAMES; COMPUTER GAMES; PUBLIC BROADCASTING
Notes: Index p.370-382 Bibliography: p. 344-369
ISBN: 1865086746

Call No: 408.3 MED
Author: Skovmand, Michael; Schrªder, Kim
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: viii, 222 p. ; 22 cm
Subject: MEDIA; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES; NEWS PROGRAMMES; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; AUDIENCES; CULT FILMS; INTERNATIONAL BROADCASTING; NATIONAL CULTURE AND TV; SYDICATION; POSTMODERNISM AND TV/VIDEO; PUBLIC BROADCASTING; GULF WAR ON TV; BRITISH BROADCASTING CORPORATION; CABLE NEWS NETWORK; NORSK RIKSKRINGKASTING; BOGART, HUMPHREY; POTTER, DENNIS; CASABLANCA (US, Michael Curtiz, 1942); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); WHEEL OF FORTUNE [TV] (US, 1975-); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); PENNIES FROM HEAVEN (US, Herbert Ross, 1981)
Notes: Includes bibliographical references and index
ISBN: 0415063841; 041506385X (pbk.)
LON: 8457888

Call No: 401(94) MED
Author: Cunningham, Stuart; Turner, Graeme
Edition: 2nd ed
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1997
PhysDes: xviii, 490 p. : ill. ; 23 cm
Subject: MEDIA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; ADVERTISING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; PAY TV. AUSTRALIA; PRODUCTION. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; OWNERSHIP. AUSTRALIA; POLITICS AND TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; VIOLENCE ON TV. AUSTRALIA; DRAMAS. AUSTRALIA; WOMEN AND TV. AUSTRALIA; HOME VIDEO. AUSTRALIA; RATINGS. AUSTRALIA; Australian Broadcasting Tribunal; COUNTRY PRACTICE, A [TV] (AT, 1981-1995?); PERFECT MATCH [TV] (AT, 1984-89?)
Notes: Includes index; Bibliography: p. 441-467
ISBN: 1864482737
LON: 12826003

Call No: 401.1 MED
Author: Alvarado, Manuel; Thompson, John O
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 364 p. ; 24 cm
Subject: MEDIA; ADVERTISING; RACE AND THE CINEMA; RACE AND TV; CULTURE AND THE CINEMA; BLACK FILMMAKERS. UK; POPULISM AND TV. AUSTRALIA; PROGRAMME CONTENT; BRAZIL; UNITED KINGDOM; SEX IN FILMS. UK; CLASS AND THE CINEMA. UK; REALISM IN FILMS. UK; AUSTRALIAN ABORIGINES AND TV; NEWSREELS. GERMANY; EL SALVADOR ON TV; DETECTIVES ON TV; MELODRAMA; VIDEO GAMES; BROADCASTING. UK; INDUSTRY, FILM. USA; GANDHI ((UK, Richard Attenborough, 1982); DALLAS [TV] (US, 1978-91); DYNASTY [TV] (US, 1981-89); MOONLIGHTING [TV] (US, 1985-89)
Notes: Includes bibliographical references and index
ISBN: 0851702589; 0851702597 (pbk)
LON: 6923029

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Editorial
PhysDes: Clippings File Article
Subject: NINE NETWORK; SEVEN NETWORK; VIDEO ON DEMAND; STATE AND TV. AUSTRALIA
Summary: Editorial that claims Australia's television ownership and reach laws have become outdated and need to be revised

Call No: 30(94) MED
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Authority
PubDate: 2002
PhysDes: 80 pages : illustration ; 30 cm
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET AND THE CINEMA. AUSTRALIA; INTERNET AND TV. AUSTRALIA; MOBILE AND ONLINE MEDIA; MOBILE ONLINE MEDIA. AUSTRALIA; VIDEO ON DEMAND
Summary: A study on the potential uses of streaming technology and how this compares with other viewing technological advances that will become available mainly due to broadband technology
Contents: About CTIN -- Executive summary -- 1. Introduction -- 2. The techologies of streaming and broadband -- 3. Estimates of streaming demand in Australia -- 4. The potential impact of corporate strateigs on streaming in Australia -- 5. Regulatory presssure points -- 6. Appendix 1: Packet versus circuit networks -- Appendix 2: identitites and links among existing corporations -- Bibliography -- Glossary

Call No: FESTIVAL CATALOGUE SHELVES; held 1992-2000
CorpAuthor: Melbourne Queer Film and Video Festival
Source: AT
Place: [Parkville, Vic.]
Publisher: The Festival
PhysDes: v. : ill. ; 30 cm
Subject: FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO; FESTIVALS. MELBOURNE. QUEER FILM; HOMOSEXUALITY IN FILMS
Notes: Cover title; Description based on: 5th (1995); became the Melbourne Queer Film Festival in 2001; Programmes available for download from http://www.mqff.com.au/index.php
LON: 11544733

Call No: FESTIVAL CATALOGUE SHELVES; held 1997
Source: AT
Subject: FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MISLEADING CASES (AT, Video Education Australasia, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [MISTER] MR. MIKE'S MONDO VIDEO (US, Michael O'Donoghue, 1979)

PhysDes: Article
Subject: VIDEO AND THE CINEMA. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; VIDEOTAPE DUPLICATION; COPYRIGHT. AUSTRALIA
Summary: Article on the successful 'Video82' conference where the Video Copyright Owners' Association of Australasia was present and explaining how video pirates are being caught.

PhysDes: Article
Subject: VIDEO, FILMS ON; COPYRIGHT. USA; COPYRIGHT; INDUSTRY, FILM. USA
Summary: Article on a current debate in America over videos and copyright law. If passed, it could mean that copyright holders are entitled to royalties on audio and video recordings on home VCRs.

Call No: E97(099-49) MOV
Publisher: Lionhead Studios; Activision [distributor]
PubDate: c2002-2005
PhysDes: 3 CD-ROMs : col. ill. ; 4 3/4 in. + 1 booklet (44 p.)
Subject: VIDEO GAMES AND THE CINEMA; VIDEO GAMES
Summary: Summary: "Behind every box office hit and Hollywood star is a movie mogul who makes it happen. In The Movies, that mogul is you. Create your own studio from the ground up."--Container
Notes: Moderate violence, sexual references
Technical Details: System requirements: Windows 98SE/ME/2000/XP; Pentium or Athlon 800 MHz processor; 256MB RAM; 8 x speed CD drive; 2.4 GB free hard disk space; Direct X 9.0 compatible 16 bit sound card; Windows Media Player 9.0; 800 x 600 screen resolution; 3D hardware accelerator card required

Author: Malone, Gail R.
PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; CLASSIFICATION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA
Summary: Speeach given by Gail R. Malone (chairman, Films Board of Review) at the Motion Picture Exhibitors Association of Queensland, mentioning the impact videos have had in classification debates and the importance of cinema classifications.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC VIDEO
Notes: import_Batch10C_simon Strong

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NATIONAL LIBRARY'S FILM AND VIDEO LENDING COLLECTION

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Lallo, Michael
PhysDes: Clippings File Article
Subject: NETFLIX; VIDEO ON DEMAND; PRODUCTION, TV. AUSTRALIA
Summary: Report on the streaming video on demand services wishes for more suitable Australian content, with the success of shows like MISS FISHER'S MURDER MYSTERIES, WENTWORTH, and WOLF CREEK

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Piper, Nicole
PhysDes: Clippings
Subject: VIDEO ON DEMAND
Summary: The boom in streaming services and the digital media and entertainment world has resulted in a surge of real estate purchases. Companies such as Netflix and Amazon are buying big office spaces that reflect the demand and production needs of this industry ector.

Call No: 386.5-5 LOB
Author: Lobato, Ramon
Edition: 2019
Place: New York
Publisher: New York University Press
PhysDes: xii, 236 pages : illustrated ; 21 cm
Series: Critical Cultural Communication
Subject: NETFLIX; VIDEO ON DEMAND; DIGITAL DISTRIBUTION
Summary: Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging—including Netflix, the world’s largest subscription video-on-demand service. Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age. Netflix Nations addresses a fundamental tension in the digital media landscape – the clash between the internet’s capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users (“this video is not available in your region”); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution. Contrary to popular belief, the story of Netflix is not just an American one. From Argentina to Australia, Netflix’s ascension from a Silicon Valley start-up to an international television service has transformed media consumption on a global scale. Netflix Nations will help readers make sense of a complex, ever-shifting streaming media environment. -- publisher's web site
ISBN: 9781479804948

Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: NETFLIX; STAN; PRODUCTION, TV. AUSTRALIA; VIDEO ON DEMAND; STATE AND TV. AUSTRALIA
Summary: Report on the chatter that streaming subscription services in Australia may need to produce more Australian productions to be allowed to continue to broadcast in Austalia

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION. AUSTRALIA
Author: Kalina, Paul
PhysDes: Clippings File Article
Subject: INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; LICENCES. AUSTRALIA; ROXBURGH, RICHARD; VIDEO ON DEMAND; OFFSPRING [TV] (AT, 2010)
Summary: Snippets on news in the Australian television industry. Stories include: muted reaction from Australian commercial TV broadcasters to the 25 percent cut to their broadcasting licence fee; Richard Roxburgh to author and illustrate a children's book; anticipation for the new season of OFFSPRING; Australian Productivity Commission making recommendations to the Copyright Act to allow Australian consumers to use VPN's to avoid geoblocking of TV streaming providers such as Netflix

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: AWARDS. MTV VIDEO MUSIC; HER HONOR [TV] in production; NEWTON'S LAW [TV] in production; ARE YOU BEING SERVED? [TV](UK, 2016)
Summary: Wrap up of articles on the television industry including: Judge Judy Sheindlin is to be the subject of a TV drama HER HONOR, ratings and downloads of the MTV Video Music Awards, new Claudia Karvan fronted show titled NEWTON'S LAW to begin shooting soon, remake of ARE YOU BEING SERVED? is panned in the UK

PhysDes: Article
Subject: VIDEO CLASSICS
Summary: Announcement of David Boward to assistant to the managing director at Video Classics

Subject: VIDEO AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; CINEMA BUILDINGS. AUSTRALIA
Summary: Report on new cinemas to be built in Australia post-video slump

PhysDes: Article
Subject: SEHNSUCHT DER VERONIKA VOSS, DIE (GW, Rainer Werner Fassbinder, 1982); FASSBINDER, RAINER WERNER; UNITED ARTISTS; VIDEO, FILMS ON; DISTRIBUTION
Summary: Announcement of United Artists releasing on video R.W. Fassbinder's 'Veronika Voss' in America and Canada as part of their Classic Releases.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Tovia, Joanna
Subject: VIDEO EZY; INDUSTRY, VIDEO. AUSTRALIA; UNIACKE, PAUL
Summary: About Video Ezy stores and its 90% owner Paul Uniacke. Talks about trends he sees in video rental market in australia.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- 1999 - Rentals used to make up 93% of revenue 2005 - 60 % of revenue thru rentals, the rest thru DVD sales phone products and snacks.; -- Playstation and XBOX games to be part of sales; -- Video Ezy to launch Video on Demand

Call No: DVD RESEARCH FOLDER
Author: Klinger, Barbara
Subject: HOME VIDEO MARKETING; HOME EXHIBITION; HOME EQUIPMENT
Summary: Looks at the Home Theatre Expereince, which does not only attempt to replicate the cinema but also creates a new way to view films.

Call No: 210.4(94) RIC; FRONT DESK
Author: Richards, Tim
Source: AT
Place: Melbourne
Publisher: Ematic Pty Ltd
PubDate: 1999
PhysDes: 42 p.
Subject: COPYRIGHT. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; DISTRIBUTION. AUSTRALIA; FESTIVALS; INDEPENDENT PRODUCTION. AUSTRALIA

PhysDes: Article
Subject: VIDEO CLASSICS; DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; UNITED INTERNATIONAL PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; UNITED ARTISTS; Metro-Goldwyn-Mayer; ROCKY III (US, Sylvester Stallone, 1982); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); THING, THE (US, John Carpenter, 1982); SHOGUN ASSASSIN (US, Robert Huston, 1980); GREASE 2 (US, Patricia Birch, 1982); POLTERGEIST (US, Tobe Hooper, 1982); URBAN COWBOY (US, James Bridges, 1980)
Summary: Article on deal struck between Video Classics and United International Pictures wherein Video Classics has exclusive rights to distributing numerous blockbusters on video in Australia through their VidAustralia outlet.

PhysDes: Article
Subject: VIDEO CLASSICS; DISTRIBUTION. AUSTRALIA
Summary: List of newly released films from Filmways (an offset of Video Classics). Films listed are; 'Play Dead', 'Licensed to Love and Hill', 'Madame Olga's Pupils', 'For Your Height Only', 'Zapper's Blade of Vengeance', 'Swedish Sex Service', 'Super Bug Rally' and 'Frankenstein Island'.

Call No: SUBJECT CLIPPINGS FILE; NINE NETWORK
Author: White, Dominic -- Mason, Max
PhysDes: Clippings File Article
Subject: NINE NETWORK; VIDEO ON DEMAND; STATE AND TV. AUSTRALIA; SEVEN NETWORK
Summary: Report on Nine Network and the Seven Network looking to live stream its television broadcast and how this demonstrates the inadequices of the government legislation on television broadcasting, particularily around the reach rule

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: [NINETEEN EIGHTY-EIGHT] 1988 - THE YEAR ON VIDEO (AT, ?, 1988)

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Mason, Max
PhysDes: Clippings
Subject: NO ACTIVITY [TV] (AT, 2015); VIDEO ON DEMAND

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NONNO PEPE IS A VIDEO HEAD (AT, Safina Uberoi, 1994)

Call No: 301.1-4(94)
Author: Harris, Lauren Carrol
Place: Strawberry Hills, N.S.W.
Publisher: Currency House
PubDate: November 2013
PhysDes: 90 p. ; 21cm
Series: Platform papers ; no.37
Subject: DISTRIBUTION; DISTRIBUTION. AUSTRALIA; DIGITAL DISTRIBUTION; VIDEODISCS; VIDEO ON DEMAND
Summary: "Lauren Carroll Harris' treatise on the state of distribution in Australia for locally produced feature films is a timely and provocative analysis of the existing structures and a powerful argument for adjustment and change in this post digital world. Her reflections on a distribution led industry potentially replacing a production development led industry need to be seriously debated given our recent change of government and new management and key personnel at Screen Australia". Antony I. Ginnane. -- publisher's web site
Notes: Includes reader's responses to previous Platform Papers.
ISBN: 9780987211477

Call No: SUBJECT CLIPPINGS FILE; FILMPOND
Author: Bailey, Michael
PhysDes: Clippings File Article
Subject: CORPORATE VIDEO; FILMPOND
Summary: Report on the corporate storytelling website service Filmpond. The service allows subscribers to create films with the assistance of graduate editors hired from Australia's film schools to create professional quality films.

PhysDes: Article
Subject: VIDEO, FILMS ON; COPYRIGHT. AUSTRALIA; PIRACY. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Article on a court ruling against video piracy.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ONLINE VIDEO PROGRAMMING

Subject: ORION PICTURES; DISTRIBUTION UF: RELEASE : VIDEO DISTRIBUTION BT: INDUSTRY, FILM NT: ADVERTISING FOR FILMS : IMPORT OF FILMS : INDEPENDENT FILMS RT: BOX OFFICE : EXHIBITION : HOME VIDEO MARKETING
Summary: Article on the agreement between Orion Pictures and RCIV. Orion has given RCIV exclusive home video rights on 59 past, current and future films

Author: McKenzie,John A., C.E.O., Cinematograph Exhibtor's Association
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA
Summary: Article on how Australian cinema's have 'beaten' videos and how this framework should be implemented around the world

PhysDes: Article
Subject: VIDEO, FILMS ON; INDUSTRY, FILM. AUSTRALIA
Summary: Short article on the amount Australian's spend on video rentals.

PhysDes: Article
Subject: PUBLISHING AND BROADCASTING VIDEO; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); CATHY'S CHILD (AT, Donald Crombie, 1979); CROSSTALK (AT, Mark Egerton, 1982)
Summary: Short news article. Publishing and Broadcasting Video set to release four new titles in their Australian Video label: Cathy's Child, My Brilliant Career, The Night the Prowler, Crosstalk

PhysDes: Article
Subject: VIDEO AND THE CINEMA. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; VIDEOTAPE DUPLICATION; PIRACY. AUSTRALIA
Summary: Editorial on video piracy being rampant within hotels across Australia.

Call No: 771 CON
Author: Connolly, Maeve
Edition: 1st ed
Source: UK
Place: Bristol, UK
Publisher: Intellect Books
PubDate: 2009
PhysDes: 276 p. : ill. (chiefly col.) ; 23 cm
Subject: EXPERIMENTAL FILMS; ART AND THE CINEMA; VIDEO ART
Summary: The Place of Artists' Cinema examines the social, political, cultural, and economic factors shaping the production, exhibition and circulation of artists' cinema in various contexts, from museums, biennial exhibitions and site-specific public art projects to commercial galleries, and art fairs.The book incorporates in-depth readings of recent works by twenty-four artists, including Doug Aitken, Carlos Amorales, Gerard Byrne, Tacita Dean, Jeremy Deller, Thomas Demand, Stan Douglas, Pierre Huyghe, Jaki Irvine, Isaac Julien, Aernout Mik, Shirin Neshat, Tobias Putrih, Anne Tallentire and Francesco Vezzoli, among others.
ISBN: 978-1-84150-246-5
Language: English
Contents: Acknowledgements -- Introduction: The Place of Artists' Cinema -- Chapter 1 Between Space, Site and Screen -- Chapter 2 The Place of the Market -- Chapter 3 Multi-screen Projections and Museum Spaces -- Chapter 4 Event-sites and Documentary Dislocations -- Chapter 5 Cine-material Screens and Structures -- Conclusion: Materials, Places, and Social Relations -- Notes -- References -- Index

Call No: 412-053.2 KIN
Author: Kinder, Marsha
Place: Berkeley
Publisher: University of California Press
PubDate: 1991
PhysDes: xi, 266 p. : ill. ; 24 cm
Subject: CHILDREN AND THE CINEMA; CHILDREN AND TV; VIDEO GAMES; WIZARD, THE (US, Todd Holland, 1989); TEENAGE MUTANT NINJA TURTLES [...] (US, 1990-1993); TEENAGE MUTANT NINJA TURTLES [TV] (US, 1990-)
Notes: Includes bibliographical references (p. 233-245) and index
ISBN: 0520075706 (alk. paper)
LON: 91011252; 8112774

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PLAYSTATION NETWORK VIDEO DELIVERY SERVICE

PhysDes: Article
Subject: VIDEO, FILMS ON; PIRACY. AUSTRALIA; COPYRIGHT. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND
Summary: Article on recently seized pirated videos in Queensland.

Call No: 20 HEB
Author: Hebditch, David; Anning, Nick
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 1988
PhysDes: xiv, 401 p., [16] p. of plates, : ill. : 23 cm
Subject: PORNOGRAPHIC FILMS; PORNOGRAPHIC VIDEO; PORNOGRAPHY AND THE CINEMA; PORNOGRAPHY IN FILMS
Notes: Includes notes and references; Includes index
ISBN: 057114683X
Levy Rating: 4
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction -- 1. The curious lech: pornware in the 1980s -- 2. Real boom states: the porn barons -- 3. The monkey inside yourself: the foot-soldiers of porn -- 4. One-handed magazines: pornography in print -- 5. The secret pages: men's magazines in Scandanavia -- 6. Out of the porn ghetto: hard-core Hollywood -- 7. Hooks to hang dreams on: the video revolution -- 8. The collectors: inside the child porn rings -- 9. Bizarre and inexplicable rites: the law -- 10. The wide blue yonder: pornography tomorrow

Author: Lumby, Catharine
PhysDes: Book review
Subject: PORNOGRAPHIC VIDEO
Summary: A book reveiw of 'Porngraphy and difference', by Berkeley Kaite.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PORNOGRAPHIC VIDEO

Call No: 64POS ICA
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London, [England]
Publisher: Institute of Contemporary Arts
PubDate: 1986
PhysDes: 72 p. : ill
Series: ICA documents ; no. 4 [&] 5
Subject: POSTMODERNISM AND TV/VIDEO; STRUCTURALISM
ISBN: 0905263952
LON: bnb90526395; 5248280

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ARABS IN FILMS; RACIAL STEREOTYPES IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); COUP DE TORCHON (FR, Bertrand Tavernier, 1981); VICTOIRE EN CHANTANT, LA (FR/GW, Jean-Jacques Annaud, 1976); CHOCOLAT (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

PhysDes: Article
Subject: TWENTIETH CENTURY-FOX; COLUMBIA PICTURES; DISTRIBUTION; VIDEO AND THE CINEMA. AUSTRALIA
Summary: Two press releases. The first from Fox/Columbia on Arthur Grifin leaving their organisation to become the managing director of RCA/Columbia Pictures Video Pty Ltd. The second is Grifin's own statement on his future career with RCA/Columbia and working in the video medium within Australia.

Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; STATE AND TV. EUROPEAN COUNTRIES; PRODUCTION, TV. AUSTRALIA
Summary: The European Union have imposed on streaming services a requirement that 20 percent of their libraries are made up of European content. Screen Producers Australia and the Nine Network discuss whether similar requirements should be made in Australia
Notes: same article in Sydney Morning Herald. p 25

Call No: 722-02 PRI
Author: Spigel, Lynn; Mann, Denise
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1992
PhysDes: xiii, 293 p. : ill. ; 24 cm
Series: Camera obscura book
Subject: WOMEN AND TV; WOMEN, PROGRAMMES FOR; CONSUMERS AND TV; SITUATION COMEDY; POSTMODERNISM AND TV/VIDEO; MELODRAMA; SOAP OPERAS; RACIAL STEREOTYPES ON TV; FAMILY ON TV; MARRIAGE ON TV; STARS; BLACKS ON TV; CLASS AND TV; FEMINISM AND TV; TELEVISION AND THE CINEMA; HOMOSEXUALITY ON TV; GENDER AND TV; GLESS, SHARON; FOSTER, MEG; DALY, TYNE; CARROLL, DIAHANN; KANTNER, HAL; RAYE, MARTHA; MARTHA RAYE SHOW, THE [TV] (US, 195?-55); JULIA [TV] (US, 1968-71); CAGNEY AND LACY [TV] (US, 1982-88); KATE AND ALLIE [TV] (US, 1984-88); GENERAL HOSPITAL [TV] (US, 1963-); GOLDBERGS, THE [TV] (1949-55?); LEAVE IT TO BEAVER [TV] (US, 1957-63); FATHER KNOWS BEST [TV] (US, 1954-60); ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66)
Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and index
ISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)
LON: 91040919; 8544849

PhysDes: Article
Subject: PUBLISHING AND BROADCASTING VIDEO; ADVERTISING; ADVERTISING FOR FILMS. AUSTRALIA; VIDEO CLASSICS
Summary: Article on the success of Publishing and Broadcasting Video, their strong advertising campaigns, and recent company developments.

PhysDes: Article
Subject: BREAKER MORANT (AT, Bruce Beresford, 1980); CLUB, THE (AT, Bruce Beresford, 1980); STORM BOY (AT, Henri Safran, 1976); PUBLISHING AND BROADCASTING VIDEO; SOUTH AUSTRALIAN FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA
Summary: Article on video distribution deal between the South Australian Film Corporation and Publishing & Broadcasting Video. This is the first of it's kind in Australia for the South Australian government has aided the formation of distribution company Australian Video who will distribute Australian films.

Call No: 451-03 RIC
Author: Richards, Stuart James
Source: AT/US
Place: New York
Publisher: Palgrave Macmillan
PubDate: c2016
PhysDes: XIII, 256 pages : illustrations ; 22cm
Series: Framing Film Festivals
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. USA; FESTIVALS; FESTIVALS. MELBOURNE. INTERNATIONAL LESBIAN AND GAY FILM; FESTIVALS. MELBOURNE. QUEER FILM; FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO
Summary: "This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities’ arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781137590343
Contents: -- 1 introduction -- 2 The Queer Film Festival and the Creative Industries -- 3 The Queer Film Festival as a Social Enterprise -- 4 Queer Film Festival Programming and Homonormativity -- 5 the space of the Film Festival -- 6 conclusion -- index --

PhysDes: Article
Subject: RANK ORGANISATION; THORN EMI; VIDEO, FILMS ON; DISTRIBUTION. AUSTRALIA; TOWN LIKE ALICE, A (AT, David Stevens, 1980); LADY VANISHES (US, Alfred Hitchcock, 1938); BUGSY MALONE (UK, Alan Parker, 1976)
Summary: Article on Thorn EMI signing a deal with Rank film to release numerous Rank films on video within Australia.

Call No: 64POS JOY
Author: Joyrich, Lynne, 1959
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1996
PhysDes: 244 p. : ill. ; 24 cm
Series: Theories of contemporary culture ; v. 18
Subject: POSTMODERNISM AND TV/VIDEO; GENDER AND TV; MELODRAMA; FAMILY ON TV; FEMINISM AND TV; AUDIENCE RESEARCH; SPECTATORSHIP; CONSUMERISM ON TV; ROBOTS ON TV; CYBERNETICS AND TV; MIAMI VICE [TV] (US, 1984-90); MOONLIGHTING [TV] (US, 1985-89); COSBY SHOW, THE [TV] (US, 1984-92); PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91); MAX HEADROOM [TV] (US, 1987-89)
Notes: Includes bibliographical references (p. [179]-218) and index
ISBN: 025321078X (pbk. : alk. paper); 0253330769 (alk. paper)
LON: 96006931; 12195271

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity
Subject: REAL AUSSIE VIDEO, THE (AT, Tony Wright, 1986)

Call No: 175 REM
CorpAuthor: Australian Centre for the Moving Image
Place: Melbourne, Australia
Publisher: Australian Centre for the Moving Image
PubDate: 2003
PhysDes: 22 cm; 151 pp
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI); BENNING, SADIE; MARKER, CHRIS; SOKUROV, ALEKSANDR; SEN, IVAN; VIDEO ART; EXPERIMENTAL FILMS
Summary: Memory works in a myriad ways: it can trick, it can go missing, it can confuse, and it can lay claim to undiscovered truths. The moving image has taken a wondrous path through memory over the last century. With the increasing creative potential of digital technologies, filmmakers and artists can express a multitude of parallel memories at once. This collection of works is not so much about what we remember, but how we remember through the moving image. Remembrance and the Moving Image is the first in a series of publications dedicated to the Exhibition Collection of the ACMI. [Taken from Preface.]
Notes: Exhibition catalogue
ISBN: 192080501X

Call No: DVD RESEARCH FOLDER
Author: Hull, David
Subject: VIDEO ON DEMAND; DIGITAL TECHNOLOGY. AUSTRALIA; SET-TOP BOX; VIDEO EZY; UNIACKE, PAUL
Summary: The Video Ezy rental chain is trying to secure it's position in the marketplace by introducing a video download system where customers can use a portable hard disk device (such as a memory stick) to download a film from a kiosk in store. Uniacke belives this will work in Australia as the video on demand (VOD) opportunities in Australia are not really there yet due to slow broadband. Very in depth article on new scheme.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).

Call No: 44(94) AUS
Copy Management: vol. 1; vol. 2
Author: Klugman, R. E. (Richard Emanuel), 1924
CorpAuthor: Australia. Parliament. Joint Select Committee on Video Material
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1988
PhysDes: 2 v. (xxiii, 829 p.) : ill. ; 25 cm
Subject: INDUSTRY, VIDEO. AUSTRALIA
Notes: Chairman: R.E. Klugman; At head of title: The Parliament of the Commonwealth of Australia; "87/20 285."; AGPS cat. no. 8703318 (v. 1) ; 8806240 (v. 2); Includes bibliographical references
ISBN: 064407941X (v. 1); 0644079428 (v. 2); 0644071648 (set) : price unknown
LON: 5814109

PhysDes: Article
Subject: DISTRIBUTION; VIDEO, FILMS ON. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND
Summary: Article and photographs from Roadshow Home Video launch.

Subject: VIDEO, FILMS ON. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Article on the Disney/Roadshow video distribution deal

Call No: 751.83 KAP
Author: Kaplan, E. Ann
Place: New York
Publisher: Methuen
PubDate: 1987
PhysDes: ix, 196 p. : ill. ; 23 cm
Subject: MUSIC TELEVISION; PROMOTIONAL VIDEOS; POSTMODERNISM AND TV/VIDEO
Notes: Includes index; Videography: p.171-180; Bibliography: p.181-185
ISBN: 0416333702; 0416333907 (pbk.)
LON: 5018111 5018111

Call No: 03 EBE REF
Author: Ebert, Roger
Place: Kansas City
Publisher: Andrews and McMeel
PubDate: c1993
PhysDes: v. ; 23 cm
Subject: VIDEO, FILMS ON; EBERT, ROGER; MITCHUM, ROBERT; Stewart, James; BRANAGH, KENNETH; CLARKE, ARTHUR C.; JORDAN, MICHAEL; MADONNA; NOVAK, KIM; PENN, SEAN; THORNTON, BILLY BOB
Summary: A collection of Roger Ebert's reviews that originally appeared in the Chicago Sun-Times
Notes: Reviews originally appeared in the Chicago sun-times
ISSN: 1072-561X
Frequency: Annual
LON: 10600884

Call No: SUBJECT CLIPPINGS FILE; AUDIENCE RESEARCH. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; VIDEO ON DEMAND; AUDIENCE RESEARCH. AUSTRALIA
Summary: Report on the viewing audience of brodcast TV in Australia and the how and why viewing numbers seem to be dropping and if it is a problem for the broadcasters

Call No: 749 WIL
Author: Williams, Linda
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: x, 412 p. : ill. ; 25 cm
Series: A John Hope Franklin Center book
Subject: SEX AND THE CINEMA; SEX FILMS; SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHIC VIDEO; FONDA, JANE; BREILLAT, CATHERINE; FLESH AND THE DEVIL (US, Clarence Brown, 1926); SHORTBUS (US, John Cameron Mitchell, 2006); INTIMACY (FR, Patrice Chereau, 2001); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); DEEP THROAT (US, Jerry Gerard, 1972); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); BLUE VELVET (US, David Lynch, 1986); AI NO CORRIDA (JA/FR, Nagisa Oshima, 1976)
Summary: "For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema "grew up" in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations." "Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies."--BOOK JACKET.
Notes: Formerly CIP.; Includes bibliographical references (p. [379]-395) and index.
ISBN: 9780822342854
Contents: Of kisses and ellipses : the long adolescence of American movies (1896/1963) -- Going all the way : carnal knowledge on American screens (1961/1971) -- Going further : Last tango in Paris, Deep throat, and Boys in the sand (1971/1972) -- Make love, not war : Jane Fonda comes home (1968/1978) -- Hard-core eroticism : In the realm of the senses -- Primal scenes on American screens (1986/2005) -- Philosophy in the bedroom : hard-core art since the 1990s -- Conclusion: now playing on a small screen near you!

PhysDes: Article
Subject: DISTRIBUTION; HESTON, CHARLTON; INDUSTRY, FILM. USA; ADVERTISING FOR FILMS; VIDEO, FILMS ON
Summary: Article on the success of the American Film Market and what was achieved.

Call No: 408.1(73) FEU
Author: Feuer, Jane
Place: Durham
Publisher: Duke University Press
PubDate: 1995
PhysDes: x, 168 p. : ill. ; 24 cm
Series: Console-ing passions
Subject: POLITICS AND TV. USA; POPULAR CULTURE AND TV. USA; POSTMODERNISM AND TV/VIDEO. USA; MUSIC TELEVISION; POPULISM AND TV. USA; SOAP OPERAS. USA; DYNASTY [TV] (US, 1981-89); DALLAS [TV] (US, 1978-91); L.A. LAW [TV] (US, 1986-94); THIRTYSOMETHING [TV] (US, 1987-91)
Notes: Includes bibliographical references (p. 157-162) and index
ISBN: 0822316870 (pbk. : alk. paper); 0822316757 (alk. paper)
LON: 95006221; 11533368

Subject: VIDEO AND THE CINEMA. AUSTRALIA; CENSORSHIP. AUSTRALIA; CLASSIFICATION. AUSTRALIA
Summary: Article on the new censorship/classification committee consisting of senaters and what they will be looking for

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: SEVEN NETWORK; SPORT AND TV. AUSTRALIA; VIDEO ON DEMAND
Summary: Seven Network have introduced a streaming app for the 2016 Australian Open Tennis Championships that has seen streams break Australian records. Discussion about the value of streaming live sports.

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: White, Dominic -- McIntyre, Paul
PhysDes: Clippings File Article
Subject: NETFLIX; FOXTEL; TELEVISION. AUSTRALIA; VIDEO ON DEMAND; AUDIENCE RESEARCH. AUSTRALIA
Summary: Lenghty discussion about the impact of Netflix and other video on demand services in Australia and what the future holds for the various

Call No: 23(-4) LEV
Author: Levy, Wayne
Edition: 1987
Place: Cibinong, Indonesia
Publisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional
PubDate: 1987
PhysDes: 40 leaves : illustrated ; 30 cm
Subject: VIDEO PHOTOGRAPHY; EDITING

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Eltham, Ben
PhysDes: Clippings File_Article
Subject: NETFLIX; MOBILE AND ONLINE MEDIA; VIDEO ON DEMAND; QUOTA. AUSTRALIA
Summary: Examining the Australian content of material on Netflix and other Australian streaming providers and whether there should be some quotas put on these streaming services as there are on Australian TV broadcasters

PhysDes: Article
Subject: VIDEO, FILMS ON; PIRACY; COPYRIGHT; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974)
Summary: Article on Silvertsein and Alex Massis prosecuting video pirates across the world for copyright infringement. Article also discusses how the American Film Market Association can play a better role in preventing video piracy.

PhysDes: Article
Subject: VIDEO CLASSICS; VIDEO, FILMS ON; INDUSTRY, FILM. NEW ZEALAND; DISTRIBUTION
Summary: Article on vieo dealers meeting in New Zealand, as well as future plans for Video Classics.

Call No: SUBJECT CLIPPING FILE; VIDEO ON DEMAND
Author: White, Dominic
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; INDUSTRY, TV. AUSTRALIA; SBS INDEPENDENT
Summary: A majority of Australian TV viewers still don't pay to watch, therefore it will take some time for Netflix, stan and Presto to gain traction.

Call No: 44(94) VNU
Author: Vnuk, Helen
Source: AT
Place: Milsons Point NSW
Publisher: Random House Australia
PubDate: 2003
PhysDes: 254 p.
Subject: CENSORSHIP. AUSTRALIA; CENSORSHIP; PORNOGRAPHIC VIDEO; SEX AND TV; LANGUAGE AND TV
Summary: “Over the past decade, restrictions on the sexual content of magazines, films and other media have quietly tightened. Certain legal, consensual sex acts must now be edited out of X-rated videos before they can go on sale; Penthouse has been forbidden to run advice on how to go down on a woman; and Australian Women’s Forum wasn’t allowed to show photos of vaginas in a health article. In Snatched former Australian Women’s Forum editor Helen Vnuk takes a look at what we’re missing out on and why, and calls for major changes to Australia’s system of censorship.” From back cover
ISBN: 1740510887

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Mason, Max
PhysDes: Clippings File Article
Subject: PRODUCTION. EUROPEAN COUNTRIES; VIDEO ON DEMAND
Summary: The European Union has imposed a content quota for streaming services like Netflix, Amazon Prime, with a requirement that 20 percent of their library is dedicated to European content. This article looks at the call from Screen Producers Australia for streamers in the Australian market to do the same. Interivewed are representatives from Nine Network, Netflix, Ministry of th Communications

Call No: SUBJECT CLIPPINGS FILE; NO ACTIVITY [TV] (AT, 2015)
Author: Mason, Max
PhysDes: Clippings
Subject: NO ACTIVITY [TV] (AT, 2015); VIDEO ON DEMAND
Summary: Short article on local content on video-on-demand services

Call No: SUBJECT CLIPPINGS FILE; STAN
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; STAN; NETFLIX
Summary: Interview with Stan chief executive Mike Sneesby who discusses the companies strategy to promote Australian productions with its video on demand service

PhysDes: Article
Subject: PUBLISHING AND BROADCASTING VIDEO; DISTRIBUTION. AUSTRALIA; ADVERTISING FOR FILMS
Summary: Article on new distribution and marketing division of Publishing and Broadcasting Video, Starscreen.

Call No: 62 DIE
Author: Dienst, Richard
Place: Durham, N.C.
Publisher: Duke University Press
PubDate: 1994
PhysDes: xvi, 207 pages ; 23 cm
Series: Post-contemporary interventions
Subject: ALTHUSSER, LOUIS; ADORNO, THEODOR W.; CAPITALISM AND THE CINEMA; DERRIDA, JACQUES; PHILOSOPHY AND THE CINEMA; GODARD, JEAN-LUC; HEIDEGGER, MARTIN; VIDEO RECORDERS
Summary: "Five theoretical projects provide Still Life in Real Time with its framework: the cultural studies tradition of Raymond Williams; Marxist political economy; Heideggerian existentialism; Derridean deconstruction; and a Deleuzian anatomy of images. Drawing lessons from television programs like Twin Peaks and Crime Story, television events like the Gulf War, and television personalities like Madonna, Dienst produces a remarkable range of insights on the character of the medium and on the theories that have been affected by it." -- publisher's advertisement
Notes: Includes index -- Includes bibliographical references
ISBN: 0822314665
Donation: Adrian Miles
Contents: Part I: Televisual Flows -- The Outbreak of Television -- Image/Machine/Image: Marx and Metaphor in Television Theory -- Part II: Commercial Breaks -- History, the Eternal Rerun: On Crime Story -- Mondino, MTV, and the Laugh of Madonna -- "Appetite and satisfaction, a Golden Circle": Magic and commerce in Twin Peaks -- Part III: Theoretical images -- The dangers of being in a televisual world: Heidegger and the ontotechnological question -- From post cards to smart bombs (and back again): derrida and the televisual textual system -- Ineluctable modalities of the televisual

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; STAN; VIDEO ON DEMAND
Summary: Report on the various SVOD (Streaming Video on Demand) services in Australia that are producing exclusive content. Discusses two of the services, Stan, and Netflix in some detail

Call No: VIDEO ON DEMAND
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; STAN; NETFLIX
Summary: Stan is the first SVOD to commission exclusive content for it s service. Other subscription video-on-demand have been acquiring and licensing local content.

Call No: 771 BIE
Author: Biemann, Ursula
CorpAuthor: Institute for Theory of Art and Design
Source: SZ
Place: Zurich [Switzerland]
Publisher: [Voldemeer Zurich?]
PubDate: 2003
PhysDes: 166 p. ; ill. ; 24 cm
Series: Theorie: Gestaltung
Subject: VIDEO ART; DIGITAL TECHNOLOGY; LITERATURE AND THE CINEMA; EXPERIMENTAL FILMS; AESTHETICS
Summary: 'Stuff it is a profusely illustrated collection of texts by video artists and cultural theorists who illuminate the video essay in its role as crossover and communicator between art, theory and critical practice in all its variations: from monologues of disembodyment to cartographies of diaspora experiences and transnational conditions, from the essay as the organisation of complex social shifts to its technological mutation and increasing digitisation. ' (back cover)
Notes: Includes selected bibliography & videography
ISBN: 9 783211 203187

Call No: 44(94) SUB
Source: AT
Place: [North Sydney
Publisher: The Tribunal]
PubDate: 1985
PhysDes: 40 leaves ; 30 cm
Subject: CENSORSHIP. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; VIOLENCE IN FILMS. AUSTRALIA; VIOLENCE ON TV. AUSTRALIA; SEX IN FILMS. AUSTRALIA; SEX ON TV; AUDIENCE RESEARCH. AUSTRALIA; CLASSIFICATION. AUSTRALIA; RATING FOR TV. AUSTRALIA
Summary: Study of the effects of sex and violence on viewers, particularly children, and the usefulness of the classification system
Contents: Introduction -- Research on the effects of violence -- Public attitudes to televised violence and sex -- Attitudes to censorship -- Summary -- discussion of issues -- comments on the terms of reference -- references

PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; VIDEO, FILMS ON; VIOLENCE IN FILMS; DISTRIBUTION
Summary: Article on new anti-violence video law in Sweden.

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Francis, Hannah
PhysDes: Clippings File Article
Subject: STREAMING USE: VIDEO ON DEMAND; VIDEO ON DEMAND; NETFLIX; STAN; QUICKFLIX; PRESTO
Summary: Looking at the explosion of internet film and tv distribution services in Australia, and the impact it has had on the internet industry

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SYME HOME VIDEO

Author: Hayden, Syd
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON
Summary: Editorial on video distributors releasing films before they have finished their cinema run, and the danger this is to the industry.

Call No: SUBJECT CLIPPINGS FILE; VIDEO CENTRES
Author: Lewis, Daniel
PhysDes: Clippings File Article
Subject: VIDEO CENTRES
Summary: Discusses the decline of video and dvd outlets in Australia.

Call No: SUBJECT CLIPPINGS FILE; TELSTRA
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: TELSTRA; VIDEO ON DEMAND
Summary: Report on a new video on demand service, Telstra TV, and how it will team up with local providers such as Stan, Presto, and Foxtel rather than compete against them and Netflix

PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; PIRACY. AUSTRALIA
Summary: Article on the state of video piracy in Australia, calling for harsher punishment towards offenders and more protection for cinema owners who are forced to screen films already available on pirated video tapes.

Call No: 771 TIM
Author: Agacinski, Sylviane; Muir, Gregor; Morgan, Jessica
CorpAuthor: Tate Modern (Gallery)
Source: UK
Place: London
Publisher: Tate
PubDate: 2004
PhysDes: 112 pages : illustrations ; 22 cm
Subject: VIDEO ART
Summary: "Time zones is an important contribution to current understanding of the way in which perception of time is both altered and made apparent through time-based media. It explores questions around the nature of time and the way it is perceived in modern culture, issues forefronted in the work of the international selection of artists featured in the book. These include Francis Alys, Fikret Atay, Yael Bartana, Jeroen de Rijke and Willem de Rooij, Anri Sala, Bojan Sarcevic, Wolfgang Staehle, Fiona Tan and Yang Fudong, in all of whose work the passage of time is a central feature. Jessica Morgan and Gregor Muir offer insight into the work of the individual artists, while leading contemporary theorists Sylviane Agacinski, Peter Osborne and Irit Rogoff explore our changing perceptions of time from a critical and philosophical viewpoint." - taken from back cover
Notes: Published to accompany an exhibition held at the Tate Modern, London, 6 October, 2004 - 2 January, 2005 -- Curators, Jessica Morgan and Gregor Muir -- Includes bibliographical references -- statement of responsibility taken from back cover
ISBN: 1854375490
Contents: Francis Aly¨s -- Fikret Atay -- Yael Bartana -- Yang Fudong -- Jeroen de Rijke and Willem de Rooij -- Anri Sala -- Bojan Sarcevic -- Wolfgang Staehle -- Fiona Tan

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; ADVERTISING FOR FILMS; INDUSTRY, FILM. AUSTRALIA; MAD MAX (AT, George Miller, 1979); CALIGULA (IT, Giovanni Tinto Brass, 1979); LOVE AT FIRST BITE (US, Stan Dragoti, 1979)
Summary: Article on the success of Roadshow Home Video, and the announcement of their new marketing manager, Toni Hamilton.

Call No: TITLE CLIPPING FILES; TOP GEAR
Author: Garrahan, Matthew - Ahmed, Murad - Mance, Henry
PhysDes: Clippings File Article
Subject: TOP GEAR [TV] (UK, 2002-),; VIDEO ON DEMAND
Summary: Amazon signs Jeremy Clarkson, Richard Hammond and James May for a new Top Gear like show.

Author: Burke, Graham, Managing Director, Village Roadshow Corp.
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; VILLAGE ROADSHOW
Summary: Burke welcoming Karlin to the M.P.E. conference, along with his views on video

Author: Sexton, Jennifer
PhysDes: Clippings File Article
Subject: FOXTEL; VIDEO ON DEMAND
Summary: Report on new streaming service called Foxtel Now being launched in Australia

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TURN UP YOUR VIDEO [TV] (AT, 2000)

Author: Hall, Jeanne (ed)
PhysDes: Article
Subject: DOCUMENTARY FILMS; CONFERENCES. USA; TONGUES UNTIED (US, Marlon Riggs, 1989); HOMOSEXUALITY IN FILMS; HOME VIDEO; WISEMAN, FREDERICK
Summary: Collection of articles from the 12th annual Ohio University Film Conference which focused on documentary film and video. Topics looked at include gay representation in 'Tongues Untied', an analysis of a Brazilian documentary on America, the impact of home videos at weddings, the misconception of documentary cinema by viewers, and an analysis on Frederick Wiseman's 'Meat' and 'Primate'.

PhysDes: Article
Subject: VIDEO CLASSICS; DISTRIBUTION. AUSTRALIA
Summary: Article on the deal between Video Classica and AZ Associated Film Distribution Pty Ltd to broaden the range of films on video in Australia.

Subject: VIDEO, FILMS ON; CENSORSHIP; CENSORSHIP. AUSTRALIA
Summary: Article on the Video Industry Distributor's Association (VIDA) support for uniformity within censorship laws

Call No: SUBJECT CLIPPINGS FILE; HAYU
Author: SmartCompany
PhysDes: Clippings File Article
Subject: HAYU; VIDEO ON DEMAND; REALITY TV. AUSTRALIA
Summary: Report on Hayu a new Australian video on demand service with a that will screen reality television shows. Hayu will be launched by NBCUniversal International

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. SYDNEY; BOX OFFICE. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; UNDERCOVER (AT, David Stevens, 1983); CONSTANCE (NZ, Bruce Morrison, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); AMONG THE CINDERS (NZ, Rolf Haedrich, 1984); VIGIL (NZ, Vincent Ward, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CAREFUL HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); FAST TALKING (AT, Ken Cameron, 1984); FANTASY MAN (AT, John Meagher, 1984); RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes. New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films. Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.

Subject: CENSORSHIP; COPYRIGHT; INDUSTRY, FILM. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA
Summary: Article on Joanna Simpson of the Video Industry Distributors' Association attending the UNESCO conference on copyright, and then discussing censorship in London

PhysDes: Article
Subject: VIDEO CLASSICS; DISTRIBUTION. AUSTRALIA
Summary: Article on VidAustralia (a division of Video Classics)now supplying videos to long distance train travellers on Australian National.

Call No: 771 SPI
Author: Spielmann, Yvonne
Source: US
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: 2008
PhysDes: viii, 371 pages : illustrations ; 24 cm
Series: Leonardo
Subject: VIDEO ART; ACCONCI, VITO; PAIK, NAM JUNE
Summary: "In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, and current critical debates on new media still need to recognize this." - taken from back cover
Notes: Includes bibliographical references and index. -- Translated from the German.
ISBN: 9780262515177
Contents: Introduction: the Audiovisual Medium -- 1. Video, a Technology, a Medium -- Media-theoretical Considerations -- The Visualization Debate -- Preconditions of the Technology and the Apparatus -- Matrix Phenomena -- 2. The Reflexive Medium -- Experimental Phase -- Guerilla Television -- Artistic Video -- Excursus on the Relationship of Film, Video, and Computer -- Experimental Video -- Video Cultures -- 3. Video Aesthetics -- Apparatus, Self-Reflexion, and Performance: Vito Acconci and Dennis Oppenheim -- Picture, Reproduction, Media Images: Ulrike Rosenbach, Joan Jonas, and Valie Export -- Video/ TV: Nam June Paik and Dara Birnbaum -- Video, Photo, and Film: Klaus vom Bruch and Peter Campus -- Structural Video: Michael Langoth, Les Levine, Jean-Francois Guiton, Richard Serra, and Dieter Kiessling -- Musicalization in Video: Robert Cahen -- Layering and Condensing: Peter Callas -- Video Scratching: Martin Arnold and Raphael Montanez Ortiz -- Video Void: David Larcher -- Micro/ Macro Dimensions: Nan Hoover -- Picture, Text, Voice, and Writing: Gary Hill -- Video and Computers: Steina and Woody Vasulka -- Video and Virtual Environment: Lynn Hershman -- Video, Poetics, and Hypermedia: Bill Seaman -- Video Installation: Eija-Lilsa Ahtila, Chantal Akerman, and Gillian Wearing -- Outlook: Complexity and Interactivity.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIDEO ALBUM 5: THE THURSDAY, THE (US, George Kuchar, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: VIDEO AND JULIA (NE, Sander Francken, 1981)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: VIDEO AND THE CINEMA. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: VIDEO ART

PhysDes: Article
Subject: THORN EMI; VIDEO, FILMS ON; INDUSTRY, FILM. AUSTRALIA
Summary: Announcement of Les Smith from Thorn EMI to Chairman of the Video Copyright Owners Association of Australia.

Call No: 410.82 NUG
Author: Nugent, Michael
CorpAuthor: Macquarie University
Source: AT
Place: Sydney, N.S.W.
Publisher: Macquarie University
PubDate: 2014
PhysDes: 59 pages ; 30 cm
Subject: VIDEO RECORDERS; VIDEO, FILMS ON. AUSTRALIA; VIEWERS. AUSTRALIA; HOME EXHIBITION. AUSTRALIA; HOME EQUIPMENT; HOME VIDEO. AUSTRALIA
Summary: "This thesis is to serve as a history of the Video Cassette Recorder (VCR) in Australia. It has been done because while there are numerous histories relating to other aspects of Australian media, the history of the VCR itself remains little more than an aspect of narratives focused on other phenomena. This was done through extensive examination of discursive sources, such as popular magazines, newspapers and trade journals. By reading these publications over the course of several years, I have been able to identify several trends unfolding over time, noting how popular conceptions of the technology have changed. By comparing these with work done on the history of home video in other countries, it allows for a greater understanding of what is unique to Australia’s history with the VCR. Perhaps the most significant finding is that the idea of what a VCR can offer is perpetually changing. What began as a simple means to record and playback programmes from television broadcasts quickly became a key part of commercial film distribution fundamentally altered the way in which people experience their television sets. As such, a struggle for position by producers, distributors and consumers erupted, as it irrevocably changed media in Australia." FROM ABSTRACT
Notes: Thesis paper -- ringbound -- includes acknowledgements and bibliography
Contents: Chapter 1. Introduction -- Chapter 2. The VCR in the public sphere -- Chapter 3. The VCR in the domestic sphere -- Chapter 4. The legacy of the VCR

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: VIDEO CENTRES

PhysDes: Article
Subject: PIRACY. AUSTRALIA; VIDEO, FILMS ON; GOVERNMENT AID. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES
Summary: Article on the New South Wales Government crack-down on video piracy.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: VIDEO CLASSICS