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PhysDes: Article
Subject: ACADEMY AWARDS; GANDHI (UK/II, Richard Attenborough, 1982); KINGSLEY, BEN; STREEP, MERYL; GOSSETT, LOUIS, Jr.; LANGE, JESSICA; ROONEY, MICKEY; ATTENBOROUGH, RICHARD
Summary: List of Academy Award winners

Call No: 408.1(540) ROB
Author: Roberge, Gaston
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: 151p. : ill. ; 22cm
Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927)
Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb
ISBN: 0861320751
Donation: donated by the family of Wayne Levy, 2006
Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRY (US, Vikram Gandhi, 2016)

PhysDes: Article
Subject: ANNIE (US, John Huston, 1982); COLUMBIA PICTURES; GANDHI (UK/II, Richard Attenborough, 1982); CONFERENCES. USA
Summary: Article on the Columbia International Worldwide Convention in New York, cuopled with photographs of the event and the premiere of 'Annie'.

PhysDes: Article
Subject: COLUMBIA PICTURES; BOOT, DAS (GW, Wolfgang Petersen, 1981); SILENT RAGE (US, Michael Miller, 1982); ANNIE (US, John Huston, 1982); THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982); HANKY PANKY (US, Sidney Poitier, 1982); RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982); GANDHI (UK/II, Richard Attenborough, 1982); BLUE THUNDER (US, John Badham, 1983); TOOTSIE (US, Sydney Pollack, 1982); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983)
Summary: List of current, coming, and completed films for Columbia Pictures.

Author: Salter, Denbeigh
PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982); VERDICT, THE (US, Sidney Lumet, 1982); LOCAL HERO (UK, Bill Forsyth, 1983); TOOTSIE (US, Sydney Pollack, 1982); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982)
Summary: Denbeigh Salter's thought on Gandhi, The Verdict, Local Hero, Tootise and The World According to Garo.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Publicity
Subject: GANDHI (UK/II, Richard Attenborough, 1982)

Author: Ellington, Peter
PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982)
Summary: commentary on movie, ill.

Author: Grieve, Anna
PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982)
Summary: Review

Author: Nilvor, Tricia; Kon, Helen
PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982)
Summary: Interview; Port; Ill.

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: c. 1982
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: GANDHI (UK/II, Richard Attenborough, 1982); KINGSLEY, BEN; Attenborough, Richard
Summary: An old man wearing glasses and a white shawl sits in a room with little furnishings deep in thought.
Notes: White border surrounds image; Note attached to reverse with adhesive tape

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Indo-British films, Ltd.; Columbia pictures
PubDate: c.1982
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: GANDHI (UK/II, Richard Attenborough, 1982); Attenborough, Richard; KINGSLEY, BEN
Summary: Two men are talking, one is sitting on the floor of a room next to an open doorway wearing a basic loincloth and the other man stands outside leaning in through the doorway wearing a cardigan and floppy hat. Both men wear glasses
Notes: Informative label attached to reverse by adhesive tape.; White border surrounds image.; Bottom of image contains production information and copyright instructions.

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Indo-British films; Columbia pictures
PubDate: c. 1982
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: GANDHI (UK/II, Richard Attenborough, 1982); KINGSLEY, BEN
Summary: In a crowded scene a man dressed in white and wearing glasses looks at a man who is facing him. The man dressed in white has two young women beside him that he is resting himself on.
Notes: Publication information appears below image on front of photograph; Image surrounded by white border; Note attached to reverse by adhesive tape

Author: Zable, Arnold
PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982)
Summary: Ill.

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Indo-British films; Columbia pictures
PubDate: c. 1982
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: KINGSLEY, BEN; GANDHI (UK/II, Richard Attenborough, 1982); Attenborough, Richard
Summary: There is a mass of people lining a road where a procession is taking place. Military men are leading the procession with a float covered in flowers taking the centre stage of the procession.
Notes: Notes adhered to reverse of photograph with plastic adhesive tape.; White border surrounds image; Copyright distribution information is located immediately below image on front of photograph.

PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982); CHARITY APPEALS AND THE CINEMA
Summary: Article and photographs of Gandhi charity screenings across Australia.

PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982); Goldcrest Films
Summary: Article on Goldcrest's latest feature, set to be called 'Nine Tiger Man', and once again taking place in India after the success of 'Gandhi'.

Call No: 62 VAI
Author: Vaidyanathan, T.G.
Source: II
Place: Delhi
Publisher: Oxford University Press
PubDate: 1996
PhysDes: 289 p ; 22cm
Subject: CRITICISM; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); Z (FR/AE, Constantin Costa-Gavras, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); ROSELAND (US, James Ivory, 1977); PADRE PADRONE (IT, Paolo Taviani & Vittorio Taviani, 1977); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); CAPE FEAR (US, Martin Scorsese, 1991); GANDHI (UK/II, Richard Attenborough, 1982); JUNOON (II, Shyam Benegal, 1979); TRIKAL (II, Shyam Benegal, 1986); PATHER PANCHALI (II, Satyajit Ray, 1955); NAYAK (II, Satyajit Ray, 1966); SEEMABADDHA (II, Satyajit Ray, 1971); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Summary: " T. G Vaidyanathan has been the reviewer most film-makers, critics and movie-goers have always paid attention to. This collection of essays covers nearly three decades of film criticism by him. The book gathers together his essays on individual films in several languages, both Indian and foreign. The essays are energetic and acerbic, often partisan, but never dull. Written in an approachable style, they bring alive years of movie-watching in a manner neither entirely journalistic nor academic. The films discussed range from the Taviani brothers' Padre Padrone to Jonathon Demme's The Silence of the lambs and Benegal's Trikaal. There is a special section on Satyajit Ray, general pieces on the concerns of modern cinema in India, as well as accounts of Vaidyanathyan's encounters with directors such as Roman Polanski and Tomas Gutierrez Alea. The book includes an annotated bibliography with suggestions for further reading" - BOOK JACKET
Notes: Includes bibliographical references (p. [279]-289)
ISBN: 019563764X
Donation: donated by the family of Wayne Levy, 2006
Contents: preface -- perspectives from the west -- 1. towards a century of cinema -- 2 -- denouement in the modern film -- 3 --- western or anti-western ? -- 4 -- the Welles charisma -- 5 -- fassbinder: breaking the heart without betraying the mind -- 6 -- Bergman's swan song -- 7 -- Michelangelo Antonioni, Blow-up (1966) -- 8 -- Costa-Gavras, Z (1969) -- 9 -- Milos Foreman, One Flew Over the Cuckoo's Nest (1975) -- 10 -- Francis Ford Coppola, Godfather Part II (1975) -- 11 -- James Ivory, Roseland (1977) -- 12 -- Vittorio and Paulo Taviani, PAdre Padrone (1977) -- 13 -- Steven Spielberg, Close Encounters of the Third Kind (1977) -- 14 -- Hugh Hudson, Chariots of Fire (1981) -- 15 -- Jordan Demme, The Silence of the Lambs (1991) -- 16 -- Martin Scorcese, Cape Fear (1991) -- Some aspects of Modern Indian Cinema: -- 1 --- The problems of post-colonial cinema -- 2 -- art and commerce: is there a choice? -- 3 -- films from literature -- 4 -- Richard Attenborough, Gandhi (1982) -- 5 -- Aparna Sen, 36 Chowinghee Lane (1981) -- 6 -- Aparna Sen, Paroma (1985) -- Shyam Benegal, Junoon (1978) -- 8 -- Shyam Benegal, Trikaal (1985) -- Satyajit Ray: Artist and craftsman -- 1 -- The humanism of Ray -- 2 -- Pather Panchali (1955) -- 3 -- Death in the Apu trilogy -- 4 -- Nayak (1966) -- 5 -- Seemabaddha (1971) -- 6 -- Shantranj Ke Khiladi (1977) -- A view of the south -- 1 -- Kannada cinema: an overview -- 2 -- the cinema of girish Kasaravalli -- 3 -- Girish Kasaravalli, Tabrana KAthe (1987) -- 4 -- Girish Kasaravalli, Bannada Vesha (1988) -- 5 -- Girish Karnad, B.V Karanth, Vamsha Vrisksha (1971) -- 6 -- B.V Karanth, Chomana Dudi (1975) -- 7 -- Pattabhi Rama Reddy, Chanda Marutha (1977) -- 8 -- Prema Karanth, Phiyamma (1982) -- 9 -- Baragur Ramachandrappa, Kote (1989) -- 10 -- Adoor Gopalakrishnan, Swayamvaram (1972) -- 11 M. T Vasudevan Nair, Nirmalayam (1973) -- 12 -- P. Madhavan, Mythological Syndrome in Tamil Cinema -- 13 -- K. Balachander, Arangetram (1973) -- 14 -- J. Mahendran, Udhiri Pookal (1979) -- Conversations -- 1 -- Alea and the Cuban revolution -- 2 -- a portrait of Polanski -- 3 -- Youssef Chahine, 'Lilli Marlene' and the El Alamain Battle -- 4 -- Marianne Ahrne and the Invarare -- annotated bibliography --
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Call No: 81BAR MUR
Author: Murray, Stuart
Source: NZ
Place: Wellington
Publisher: Huia
PubDate: 2008
PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cm
Subject: CRITICISM; PRODUCTION; DIRECTION; DOCUMENTARY FILMS; NEW ZEALAND; MAORI CINEMA; MAORI IN FILMS; BARCLAY, BARRY; MATTER OF TASTE, A (NZ, Barry Barclay,1968); SPINNINING A YARN (NZ, Barry Barclay, 1971) ALL THAT WE NEED (NZ, Barry Barclay, 1972) THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972) IN THE COMPANY OF TREES (NZ, Barry Barclay,; ASHES (NZ,1975) [TV]; HUNTING hORNS (NZ,1976,) [TV]; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV]; IN SEARCH OF PAKEHATANGA - AUTUMN FIRES (NZ,1977) [TV]; AKU MAHI WHATU MAORI (NZ, 1977) [TV]; MY ART OF MAORI WEAVING (NZ,1977) [TV]; MAHAWELI (NZ, Barry Barclay,1979) NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985); KAMATE! KAMATE! (NZ, Barry Barclay, 1987); NGATI (NZ, Barry Barclay, 1987); TE UREWERA (NZ, 1987) [TV]; TE RUA(NZ/G Barry Barclay, 1991); STOREHOUSE, THE( NZ, Barry Barclay,1991); FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000); KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005)
Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.
Notes: Bibliography: p. 99-103; Includes filmography; Includes index
ISBN: 9781869693282

Author: Allen, Wendy; Kent, Nicholas
PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982)
Summary: interview on making of Gandhi, col. ill

PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982); ACADEMY AWARDS; HOYTS
Summary: Article on the Australian film industry viewing the 55th Academy Awards at a Hoyts Centre.

PhysDes: Article
Subject: GANDHI (UK/II, Richard Attenborough, 1982); TELEVISION, FILMS SHOWN ON
Summary: Report on Lord Grade's television rights to 'Gandhi'.

Call No: 401.1 MED
Author: Alvarado, Manuel; Thompson, John O
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 364 p. ; 24 cm
Subject: MEDIA; ADVERTISING; RACE AND THE CINEMA; RACE AND TV; CULTURE AND THE CINEMA; BLACK FILMMAKERS. UK; POPULISM AND TV. AUSTRALIA; PROGRAMME CONTENT; BRAZIL; UNITED KINGDOM; SEX IN FILMS. UK; CLASS AND THE CINEMA. UK; REALISM IN FILMS. UK; AUSTRALIAN ABORIGINES AND TV; NEWSREELS. GERMANY; EL SALVADOR ON TV; DETECTIVES ON TV; MELODRAMA; VIDEO GAMES; BROADCASTING. UK; INDUSTRY, FILM. USA; GANDHI ((UK, Richard Attenborough, 1982); DALLAS [TV] (US, 1978-91); DYNASTY [TV] (US, 1981-89); MOONLIGHTING [TV] (US, 1985-89)
Notes: Includes bibliographical references and index
ISBN: 0851702589; 0851702597 (pbk)
LON: 6923029

Call No: 19GOL EBE
Author: Eberts, Jake, 1941; Ilott, Terry
Place: London
Publisher: Faber and Faber
PubDate: 1990
PhysDes: xxi, 678 p., [16] p. of plates : ill., facsims., ports ; 20 cm
Subject: Attenborough, Richard; PUTTNAM, DAVID; EBERTS, JAKE; JOFFE, ROLAND; SMITH, IAIN; HELLMAN, JEROME; HUDSON, HUGH; WINKLER, IRWIN; REVOLUTION (UK/NO, Hugh Hudson, 1985); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); MISSION, THE (UK, Roland Joffe, 1986); KILLING FIELDS, THE (UK, Roland Joffe, 1984); GANDHI (UK/II Richard Attenborough, 1982); EMERALD FOREST, THE (UK, John Boorman, 1985); ABSOLUTE BEGINNERS (UK, Julien Temple, 1986); MOSQUITO COAST, THE (US, Peter Weir, 1986); Goldcrest Films; WARNER BROS.
Notes: Includes index
ISBN: 0571148891 (pbk) : ¦9.99
LON: bnb57114889; 8881217

Call No: 71(540) CHA
Author: Chakravarty, Sumita S
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1993
PhysDes: 341 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: INDIA; NATIONAL IDENTITY IN FILMS. INDIA; MYTH AND THE CINEMA. INDIA; REALISM IN FILMS. INDIA; Ray, Satyajit; KAPOOR, RAJ; BACHCHAN, AMITABH; AWAARA (II, Raj Kapoor, 1952); HUM DONO (II, Amar Jeet, 1962); BHARAT MATA (II, Mehboob, 1957); MUGHAL-E-AZAM (II, Kariim Asif, 1952); SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962); GANDHI (UK/II, Richard Attenborough, 1982); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references (p. 325-333) and index
ISBN: 0292711565 (pbk. : alk. paper); 0292755511 (alk. paper)
LON: 93016985; 9957067

PhysDes: Article
Subject: TOOTSIE (US, Sydney Pollack, 1982); GANDHI (UK/II, Richard Attenborough, 1982); HOYTS; CINEMA BUILDINGS. AUSTRALIA
Summary: Article on the planned opening night for the new Hoyts cinema in Sydney.