journal article
55th Academy Award Winners in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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BARRY : (US, Vikram Gandhi, 2016)
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journal article
Columbia International Worldwide Convention in conjunction with the gala opening of "Annie" at N.Y's Radio City Music Hall in Australasian Cinema (23/07/1982) vol.11 iss.13 p.4-5
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Columbia product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
PhysDes: ArticleSubject: COLUMBIA PICTURES ; BOOT, DAS (GW, Wolfgang Petersen, 1981) ; SILENT RAGE (US, Michael Miller, 1982) ; ANNIE (US, John Huston, 1982) ; THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982) ; HANKY PANKY (US, Sidney Poitier, 1982) ; RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982) ; GANDHI (UK/II, Richard Attenborough, 1982) ; BLUE THUNDER (US, John Badham, 1983) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) Summary: List of current, coming, and completed films for Columbia Pictures.
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journal article
Focus on Films in Australasian Cinema (29/4/1983) vol.12 iss.7 p.3
Author: Salter, Denbeigh PhysDes: ArticleSubject: GANDHI (UK/II, Richard Attenborough, 1982) ; VERDICT, THE (US, Sidney Lumet, 1982) ; LOCAL HERO (UK, Bill Forsyth, 1983) ; TOOTSIE (US, Sydney Pollack, 1982) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) Summary: Denbeigh Salter's thought on Gandhi, The Verdict, Local Hero, Tootise and The World According to Garo.
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title clippings file
GANDHI : (UK/II, Richard Attenborough, 1982)
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Gandhi : how truthful is the movie? in Video Age (March 1984) vol.3 iss.3 p.9
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Gandhi in Metro (1983) iss.61 p.31
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Gandhi in Metro (1983) iss.61 p.29-31
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[Gandhi : Ben Kingsley as Gandhi sits in contemplation] c. 1982.
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[Gandhi : Director Richard Attenborough talks to Ben Kingsley as Gandhi on the set of Gandhi] Indo-British films, Ltd., Columbia pictures, c.1982.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Indo-British films, Ltd.; Columbia picturesPubDate: c.1982PhysDes: 1 photograph : b&w ; 21 x 26 cm.Subject: GANDHI (UK/II, Richard Attenborough, 1982) ; Attenborough, Richard ; KINGSLEY, BEN Summary: Two men are talking, one is sitting on the floor of a room next to an open doorway wearing a basic loincloth and the other man stands outside leaning in through the doorway wearing a cardigan and floppy hat. Both men wear glassesNotes: Informative label attached to reverse by adhesive tape.; White border surrounds image.; Bottom of image contains production information and copyright instructions.
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[Gandhi : Harsh Nayyar as Godse stands in front of Ben Kingsley as Gandhi who is flanked by his nieces Supriya Pathak as Manu and Nina Gupta as Baha] Indo-British films, Columbia pictures, c. 1982.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Indo-British films; Columbia picturesPubDate: c. 1982PhysDes: 1 photograph : b&w ; 21 x 26 cm.Subject: GANDHI (UK/II, Richard Attenborough, 1982) ; KINGSLEY, BEN Summary: In a crowded scene a man dressed in white and wearing glasses looks at a man who is facing him. The man dressed in white has two young women beside him that he is resting himself on.Notes: Publication information appears below image on front of photograph; Image surrounded by white border; Note attached to reverse by adhesive tape
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journal article
Gandhi in Bombay in Metro (1983) iss.61 p.32
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[Gandhi : Mourners watch as the funeral procession of Ben Kingsley as Mahandas Gandhi progresses down the road] Indo-British films, Columbia pictures, c. 1982.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Indo-British films; Columbia picturesPubDate: c. 1982PhysDes: 1 photograph : b&w ; 21 x 26 cm.Subject: KINGSLEY, BEN ; GANDHI (UK/II, Richard Attenborough, 1982) ; Attenborough, Richard Summary: There is a mass of people lining a road where a procession is taking place. Military men are leading the procession with a float covered in flowers taking the centre stage of the procession.Notes: Notes adhered to reverse of photograph with plastic adhesive tape.; White border surrounds image; Copyright distribution information is located immediately below image on front of photograph.
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journal article
Gandhi UNICEF premieres gross $44,000 in Australasian Cinema (29/4/1983) vol.12 iss.7 p.6
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Goldcrest's Tiger in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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Levy Collection
book
Hours in the dark : essays on cinema / T.G. Vaidyanathan Delhi: Oxford University Press, 1996.
Call No: 62 VAIAuthor: Vaidyanathan, T.G. Source: IIPlace: DelhiPublisher: Oxford University PressPubDate: 1996PhysDes: 289 p ; 22cmSubject: CRITICISM ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ROSELAND (US, James Ivory, 1977) ; PADRE PADRONE (IT, Paolo Taviani & Vittorio Taviani, 1977) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CAPE FEAR (US, Martin Scorsese, 1991) ; GANDHI (UK/II, Richard Attenborough, 1982) ; JUNOON (II, Shyam Benegal, 1979) ; TRIKAL (II, Shyam Benegal, 1986) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; NAYAK (II, Satyajit Ray, 1966) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Summary: " T. G Vaidyanathan has been the reviewer most film-makers, critics and movie-goers have always paid attention to. This collection of essays covers nearly three decades of film criticism by him. The book gathers together his essays on individual films in several languages, both Indian and foreign. The essays are energetic and acerbic, often partisan, but never dull. Written in an approachable style, they bring alive years of movie-watching in a manner neither entirely journalistic nor academic. The films discussed range from the Taviani brothers' Padre Padrone to Jonathon Demme's The Silence of the lambs and Benegal's Trikaal. There is a special section on Satyajit Ray, general pieces on the concerns of modern cinema in India, as well as accounts of Vaidyanathyan's encounters with directors such as Roman Polanski and Tomas Gutierrez Alea. The book includes an annotated bibliography with suggestions for further reading" - BOOK JACKETNotes: Includes bibliographical references (p. [279]-289)ISBN: 019563764XDonation: donated by the family of Wayne Levy, 2006Contents: preface -- perspectives from the west -- 1. towards a century of cinema -- 2 -- denouement in the modern film -- 3 --- western or anti-western ? -- 4 -- the Welles charisma -- 5 -- fassbinder: breaking the heart without betraying the mind -- 6 -- Bergman's swan song -- 7 -- Michelangelo Antonioni, Blow-up (1966) -- 8 -- Costa-Gavras, Z (1969) -- 9 -- Milos Foreman, One Flew Over the Cuckoo's Nest (1975) -- 10 -- Francis Ford Coppola, Godfather Part II (1975) -- 11 -- James Ivory, Roseland (1977) -- 12 -- Vittorio and Paulo Taviani, PAdre Padrone (1977) -- 13 -- Steven Spielberg, Close Encounters of the Third Kind (1977) -- 14 -- Hugh Hudson, Chariots of Fire (1981) -- 15 -- Jordan Demme, The Silence of the Lambs (1991) -- 16 -- Martin Scorcese, Cape Fear (1991) -- Some aspects of Modern Indian Cinema: -- 1 --- The problems of post-colonial cinema -- 2 -- art and commerce: is there a choice? -- 3 -- films from literature -- 4 -- Richard Attenborough, Gandhi (1982) -- 5 -- Aparna Sen, 36 Chowinghee Lane (1981) -- 6 -- Aparna Sen, Paroma (1985) -- Shyam Benegal, Junoon (1978) -- 8 -- Shyam Benegal, Trikaal (1985) -- Satyajit Ray: Artist and craftsman -- 1 -- The humanism of Ray -- 2 -- Pather Panchali (1955) -- 3 -- Death in the Apu trilogy -- 4 -- Nayak (1966) -- 5 -- Seemabaddha (1971) -- 6 -- Shantranj Ke Khiladi (1977) -- A view of the south -- 1 -- Kannada cinema: an overview -- 2 -- the cinema of girish Kasaravalli -- 3 -- Girish Kasaravalli, Tabrana KAthe (1987) -- 4 -- Girish Kasaravalli, Bannada Vesha (1988) -- 5 -- Girish Karnad, B.V Karanth, Vamsha Vrisksha (1971) -- 6 -- B.V Karanth, Chomana Dudi (1975) -- 7 -- Pattabhi Rama Reddy, Chanda Marutha (1977) -- 8 -- Prema Karanth, Phiyamma (1982) -- 9 -- Baragur Ramachandrappa, Kote (1989) -- 10 -- Adoor Gopalakrishnan, Swayamvaram (1972) -- 11 M. T Vasudevan Nair, Nirmalayam (1973) -- 12 -- P. Madhavan, Mythological Syndrome in Tamil Cinema -- 13 -- K. Balachander, Arangetram (1973) -- 14 -- J. Mahendran, Udhiri Pookal (1979) -- Conversations -- 1 -- Alea and the Cuban revolution -- 2 -- a portrait of Polanski -- 3 -- Youssef Chahine, 'Lilli Marlene' and the El Alamain Battle -- 4 -- Marianne Ahrne and the Invarare -- annotated bibliography --URL status: URL: 'http://-'
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING hORNS (NZ,1976,) [TV] ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA - AUTUMN FIRES (NZ,1977) [TV] ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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journal article
In search of Gandhi in Stills (January 1983) vol.1 iss.5 p.4-10
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journal article
Industry previews Academy Awards in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9
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journal article
Lord Grade's award winning deal "Ghandi" goes to TV for $7m. in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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My indecision is final : the rise and fall of Goldcrest films / Jake Eberts, Terry Ilott London: Faber and Faber, 1990.
Call No: 19GOL EBEAuthor: Eberts, Jake, 1941 ; Ilott, Terry Place: LondonPublisher: Faber and FaberPubDate: 1990PhysDes: xxi, 678 p., [16] p. of plates : ill., facsims., ports ; 20 cmSubject: Attenborough, Richard ; PUTTNAM, DAVID ; EBERTS, JAKE ; JOFFE, ROLAND ; SMITH, IAIN ; HELLMAN, JEROME ; HUDSON, HUGH ; WINKLER, IRWIN ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; MISSION, THE (UK, Roland Joffe, 1986) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; GANDHI (UK/II Richard Attenborough, 1982) ; EMERALD FOREST, THE (UK, John Boorman, 1985) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; Goldcrest Films ; WARNER BROS. Notes: Includes indexISBN: 0571148891 (pbk) : ¦9.99LON: bnb57114889; 8881217
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National identity in Indian popular cinema, 1947-1987 / Sumita S. Chakravarty Austin: University of Texas Press, 1993.
Call No: 71(540) CHAAuthor: Chakravarty, Sumita S Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1993PhysDes: 341 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: INDIA ; NATIONAL IDENTITY IN FILMS. INDIA ; MYTH AND THE CINEMA. INDIA ; REALISM IN FILMS. INDIA ; Ray, Satyajit ; KAPOOR, RAJ ; BACHCHAN, AMITABH ; AWAARA (II, Raj Kapoor, 1952) ; HUM DONO (II, Amar Jeet, 1962) ; BHARAT MATA (II, Mehboob, 1957) ; MUGHAL-E-AZAM (II, Kariim Asif, 1952) ; SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962) ; GANDHI (UK/II, Richard Attenborough, 1982) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Notes: Includes bibliographical references (p. 325-333) and indexISBN: 0292711565 (pbk. : alk. paper); 0292755511 (alk. paper)LON: 93016985; 9957067
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journal article
New Fairfield Forum Twin to open on March 17 in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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