title clippings file
AMANDLA! A REVOLUTION IN FOUR PART HARMONY : (US, Lee Hirsch, 2001)
More info
title clippings file
BLACK PANTHERS : VANGAURD OF THE REVOLUTION, THE : ([US], Stanley Nelson, 2015)
More info
journal article
The Blue Revolution in Encore (10-23 September 1987) vol.5 iss.16 p.6
More info
title clippings file
BLUE REVOLUTION, THE : [TV] (AT/UK/US, Peter Butt, 1989)
More info
journal article
British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
Subject: GOLDCREST FILMS ; INDUSTRY, FILM. UK ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; MISSION, THE (UK, Roland Joffe, 1986) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; HUDSON, HUGH ; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
More info
title clippings file
CHATEAU CHUNDER: A WINE REVOLUTION : (AT/UK, Stephen Oliver, 2012)
More info
book
Children of the revolution / Peter Duncan Sydney: Currency Press, 1996.
More info
title clippings file
CHILDREN OF THE REVOLUTION : (AT, Peter Duncan, 1996)
More info
journal article
Children of the revolution - Cuba 1977 in Finland Filmland (1979) iss.1 p.64
More info
still
[Children of the revolution : stills file] Shanahan Management Pty Ltd,
More info
title clippings file
CHINA IN REVOLUTION, 1911-1949 : [TV] (US, 1989)
More info
journal article
Eine Deutsche revolution in Kino (Export-Union des Deutschen film) vol.2 iss.82 p.25-26
More info
journal article
Donald Sutherland joins case of 'Revolution' in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.2
More info
book
Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
More info
book
Film and revolution / James Roy MacBean Bloomington: Indiana University Press, c1975.
Call No: 745.1 MACAuthor: MacBean, James Roy Place: BloomingtonPublisher: Indiana University PressPubDate: c1975PhysDes: viii, 339 p. : ill. ; 29 cmSubject: REVOLUTIONARY THEMES IN FILMS ; MARXISM AND THE CINEMA ; REVOLUTION AND THE CINEMA ; GORIN, JEAN-PIERRE ; GODARD, JEAN-LUC ; METZ, CHRISTIAN ; VERTOV, DZIGA ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) ; PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; MADE IN U.S.A. (FR, Jean-Luc Godard, 1966) ; ICE (US, Robert Kramer, 1970) ; CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971) ; LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) Notes: Includes bibliographical references and indexISBN: 0253321891; 0253201918(pbk.)LON: 737743URL status: URL: 'http://-'
Checked: 31/08/2021 12:58:42 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
title clippings file
FIRST DESCENT THE STORY OF THE SNOWBOARDING REVOLUTION : (US, Kevin Harrison & Kemp Curley, 2005)
More info
title clippings file
FRIENDLY PERSUASION: IRANIAN CINEMA AFTER THE REVOLUTION : (US, Jamsheed Akrami, 2000)
More info
title clippings file
GOING VERTICAL: THE SHORTBOARD REVOLUTION : (US/AT, David Bradbury, 2009)
More info
title clippings file
HEMP REVOLUTION, THE : (US, Anthony Clarke, 1995)
More info
title clippings file
HIPPIE REVOLUTION, THE : (US, Jack O'Connell, 1996)
More info
title clippings file
HISTORIAS DE LA REVOLUTION : (CU, Tomás Gutiérrez Alea, 1960)
More info
book
Kino-eye : the writings of Dziga Vertov / edited with an introduction by Annette Michelson ; translated by Kevin O'Brien Berkeley, Ca.: University of California Press, 1984.
Call No: 81VER KINAuthor: Vertov, Dziga, 1896-1954 ; Michelson, Annette Source: USPlace: Berkeley, Ca.Publisher: University of California PressPubDate: 1984PhysDes: lxi, 344 p. : ill. ; 23 cmSubject: ART CINEMA ; CINEMATOGRAPHY ; DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; EDITING ; INDUSTRY, FILM. USSR ; NEWSREELS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA ; SOCIALISM AND THE CINEMA ; WOMEN AND THE CINEMA ; VERTOV, DZIGA ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; KINOGLAZ (UR, Dziga Vertov, 1924) ; KOLYBELNAYA (UR, Dziga Vertov, 1937) ; LULLABY (UR, Dziga Vertov, 1937) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURBNotes: Includes index; Filmography: p. [330]-334ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)LON: 82011189; 2248486
More info
title clippings file
MABO - THE NATIVE TITLE REVOLUTION[MM] : (AT, Rob Wellington, 2000)
More info
book
Memories of underdevelopment : the revolutionary films of Cuba New York: Grossman Publishers, 1973.
More info
book
Mexican national cinema / Andrea Noble Abingdon, Oxon, UK: Routledge, 2005.
Call No: 71(72) NOBAuthor: Noble, Andrea Source: UKPlace: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2005PhysDes: viii, 224p. : ill. ; 23cmSubject: MEXICO ; MEXICO IN FILMS ; NATIONAL CULTURE AND THE CINEMA. MEXICO ; NATIONAL CULTURE IN FILMS. MEXICO ; INDUSTRY, FILM. MEXICO ; AUDIENCES. MEXICO ; MOVEMENTS AND STYLES IN FILM HISTORY ; POLITICS IN FILMS. MEXICO ; POLITICAL FILMS. MEXICO ; REVOLUTION AND THE CINEMA. MEXICO ; DOCUMENTARY FILMS. MEXICO ; MELODRAMA. MEXICO ; MUJER DEL PUERTO, LA (MX, Arcady Boytler, 1933) ; MUJER DEL PUERTO, LA (MX, Arturo Ripstein, 1991) ; MARIA CANDELARIA (MX, Emilio Fernández, 1943) ; FAMILIA DE TANTAS, UNE (MX, Alejandro Galindo, 1948) ; CASTILLO DE LA PUREZA, EL (MX, Arturo Ripstein, 1972) ; MIDAQ ALLEY [CALLEJON DE LOS MILAGROS, EL] (MX, Jorge Fons, 1995) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ESPALDAS MOJADAS (MX, Alejandro Galindo, 1955) ; JARDIN DEL EDÉN, EL (MX, María Novaro, 1994) ; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: Mexican National Cinema offers an account of the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the "Golden Age" of the 1940s and the Nuevo Cine of the 1960s, to the renaissance in Mexican cinema in the 1990s.
The book moves from broad historical and theoretical context, particularly theories of nation, emergent discourses of "mexicanidad" and the establishment and development of the Mexican industry, towards readings of key film texts and genres. Individual chapters discuss the relationship between Hollywood cinema and Mexican cinema, the stars of the "Golden Age," the role of foreign auteurs in the founding of Mexican cinema, tensions in the industry in the 1960s, and the national and international reception of contemporary films and film-makers. The author then examines the portrayal of Mexican nationhood through critical analysis of film genres including Revolutionary films, machismo and "mexicanidad," the prostitute, and the work of female auteurs.ISBN: 0415230101
More info
book
My indecision is final : the rise and fall of Goldcrest films / Jake Eberts, Terry Ilott London: Faber and Faber, 1990.
Call No: 19GOL EBEAuthor: Eberts, Jake, 1941 ; Ilott, Terry Place: LondonPublisher: Faber and FaberPubDate: 1990PhysDes: xxi, 678 p., [16] p. of plates : ill., facsims., ports ; 20 cmSubject: Attenborough, Richard ; PUTTNAM, DAVID ; EBERTS, JAKE ; JOFFE, ROLAND ; SMITH, IAIN ; HELLMAN, JEROME ; HUDSON, HUGH ; WINKLER, IRWIN ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; MISSION, THE (UK, Roland Joffe, 1986) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; GANDHI (UK/II Richard Attenborough, 1982) ; EMERALD FOREST, THE (UK, John Boorman, 1985) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; GOLDCREST FILMS ; WARNER BROS. Notes: Includes indexISBN: 0571148891 (pbk) : ¦9.99LON: bnb57114889; 8881217
More info
title clippings file
PICTURES FROM A REVOLUTION : (US, Susan Meiselas & Richard P. Rogers & Alfred Guzzetti, 1991)
More info
title clippings file
PUPONS DE LA REVOLUTION, LES [TV] : (FR, ?, 1989-)
More info
title clippings file
QUEERCORE: HOW TO PUNK A REVOLUTION : (GG, Yony Leyser, 2017)
More info
title clippings file
RED LIGHT REVOLUTION : (C, Sam Voutas, 2010)
More info
title clippings file
REVOLUTION : (UK/NO, Hugh Hudson, 1985)
More info
title clippings file
REVOLUTION! : (US, Jeff Kahn, 1991)
More info
journal article
'Revolution' completes four months lensing in England in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.22
More info
title clippings file
REVOLUTION FRANCAISE, LA : (FR/GW/IT/CN, Robert Enrico & Richard Heffron, 1989)
More info
Online resource
digital clippings file
REVOLUTION OF OUR TIMES : (HK, Kiwi Chow, 2021) Digital clippings file available
More info
title clippings file
REVOLUTION SCHOOL [TV] : (AT, 2016)
More info
subject clippings file
REVOLUTION STUDIOS
More info
title clippings file
REVOLUTION [TV] : US, 2012 - 14)
More info
title clippings file
SECRET DISCO REVOLUTION : (CN/FR/US/UK/UAE, Jamie Kastner, 2012)
More info
book
Shadows on the past : studies in the historical fiction film / Leger Grindon Philadelphia: Temple University Press, 1994.
Call No: 741 GRIAuthor: Grindon, Leger, 1949 Place: PhiladelphiaPublisher: Temple University PressPubDate: 1994PhysDes: xii, 250 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: HISTORICAL FILMS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA. FRANCE ; ROSSELLINI, ROBERTO ; BEATTY, WARREN ; GRAMSCI, ANTONIO ; WANGER, WALTER ; REIGN OF TERROR (US, Anthony Mann, 1949) ; SENSO (IT, Luchino Visconti, 1954) ; PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; REDS (US, Warren Beatty, 1981) Notes: Includes bibliographical references (p. 227-244) and indexISBN: 1566391822 (pbk.) : $18.95; 1566391814 (alk. paper) : $44.95LON: 93033042; 10438205
More info
book
"Show us life" : toward a history and aesthetics of the committed documentary / edited by Thomas Waugh Metuchen, N.J.: Scarecrow Press, 1984.
Call No: 761 SHOAuthor: Waugh, Thomas, 1948 Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1984PhysDes: xxvii, 508 p. : ill. ; 23 cmSubject: NEWSREELS ; FEMINISM AND THE CINEMA ; DOCUMENTARY FILMS ; DOCUMENTARY FILMS. THIRD WORLD ; ALVAREZ, SANTIAGO ; VERTOV, DZIGA ; SHUB, ESTHER ; BRECHT, BERTOLT ; GODARD, JEAN-LUC ; IVENS, JORIS ; RENOIR, JEAN ; SOLANAS, FERNANDO E. ; VAN DONGEN, HELEN ; STRAND, PAUL ; SCHEUMANN, PETER ; MIEVILLE, ANNE-MARIE ; KOPPLE, BARBARA ; GUZMAN, PATRICIO ; GETINO, OCTAVIO ; ELAM, JOANN ; ALLENDE, SALVADOR ; BIRRI, FERNANDO ; HURWITZ, LEO ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970) ; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) ; SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) ; ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976) ; WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975) ; HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972) ; POR PRIMERA VEZ (CU, Octavio Cortazar, 1967) ; NOW (CU, Santiago Alvarez, 1965) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; RAPE (US, JoAnn Elam, 1975) ; KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKSNotes: Includes bibliographies and indexesISBN: 0810822172 (pbk.); 0810817063LON: 84005603; 3178777Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John RamirezURL status: URL: 'http://-'
Checked: 31/08/2021 12:36:45 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
title clippings file
SLOW FOOD REVOLUTION : (AT, Carlo Buralli, 2003)
More info
title clippings file
START THE REVOLUTION WITHOUT ME : (US, Bud Yorkin, 1969)
More info
title clippings file
START THE REVOLUTION WITHOUT ME : (US, Bud Yorkin, 1969)
More info
Online resource
digital clippings file
STEAK REVOLUTION : (FR/UK/US/SW/SP/JA/IT/CN/BL/BE/AG/GG, Franck Ribière, 2014) Digital clippings file available
More info
title clippings file
UNCOMPROMISING REVOLUTION, THE : (US, Saul Landau, 1988)
More info
title clippings file
WOMEN ART REVOLUTION : (US, Lynn Hershman-Leeson, 2010)
More info
