book
David Lean and his films / by Alain Silver and James Ursini, foreword by Robert Wise Los Angeles: Silman-James Press, 1992.
Call No: 81LEA SILAuthor: Silver, Alain ; Ursini, James ; Wise, Robert (foreword) Edition: 1st Silman-James Press edition 1992Source: USPlace: Los AngelesPublisher: Silman-James PressPubDate: 1992PhysDes: 294 p. : ill. ; 23 cmSubject: Lean, David ; IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942) ; THIS HAPPY BREED (UK, David Lean, 1944) ; BLITHE SPIRIT (UK, David Lean, 1945) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; OLIVER TWIST (UK, David Lean, 1948) ; MADELEINE (UK, David Lean, 1950) ; BREAKING THE SOUND BARRIER (UK, David Lean, 1952) ; SOUND BARRIER, THE (UK, David Lean, 1952) ; HOBSON'S CHOICE (UK, David Lean, 1954) ; PASSIONATE FRIENDS, THE (UK, David Lean, 1949) ; SUMMER MADNESS (UK/US, David Lean, 1955) ; SUMMERTIME (UK/US, David Lean, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; DOCTOR ZHIVAGO (US, David Lean, 1965) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) Summary: "Updated and extensively revised, this first American edition of David Lean and His Films offers the reader an in-depth analysis, discussion, and critique of Lean's directorial output. In their film-by-film accounting of his work, authors Silver and Ursini uncover the themes and concerns that have been sustained throughout Lean's career." -- BOOK BLURBNotes: Includes bibliographical references (p. [275]-285) and index; Filmography: p. [241]-266ISBN: 1879505002Contents: -- acknowledgements -- foreword -- introduction -- 1: the early films: in which we serve (1942); this happy breed (1944); blithe spirit (1945) -- 2: brief encounter (1945) -- 3: the Dickens adaptations: great expectations (1946) and oliver twist (1948) -- 4: madeleine (1950) -- 5: the sound barrier (1952) -- 6: hobson's choice (1954) -- 7: the passionate friends (1949) and summer madness (1955) -- 8: the bridge on the river kwai (1957) -- 9: lawrence of arabia (1962) -- 10: doctor zhivago (1965) -- 11: ryan's daughter (1970) -- 12: a passage to india (1984) -- a personal afterword -- biography -- filmography -- footnotes -- selected bibliography -- index --
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book
The Epic Films of David Lean / by Constantine Santas Lanham, MD: Scarecrow Press, 2012.
Call No: 81LEA SANAuthor: Santas, Constantine Source: UKPlace: Lanham, MDPublisher: Scarecrow PressPubDate: 2012PhysDes: xli, 197 p. : ill. ; 24 cmSubject: Lean, David ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; DOCTOR ZHIVAGO (US, David Lean, 1965) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) Summary: "Widely regarded as one of cinema's most accomplished directors, David Lean helmed such classics as Brief Encounter, Great Expectations, and Oliver Twist. He twice received the Academy Award for best director, and two of his films - The Bridge on the River Kwai and Lawrence of Arabia - won the Oscar for best picture. Both are featured on the American Film Institute's Top 100, with Lawrence of Arabia in the top ten. Despite the awards and accolades for these motion pictures, many critics often look more favorably upon the smaller films that Lean produced earlier in his career, and in recent years his reputation as a director has diminished. In this study, Constantine Santas seeks to restore these now undervalued epics to the elevated esteem they once held. Without dismissing the earlier works or regarding them as irrelevant to Lean's evolution as an artist, this book shows that the epics are as worthy as any of Lean's previous films. In addition to Lean's academy-Award-winning blockbusters, Santas also provides close analytical looks at Doctor Zhivago, Ryan's Daughter, and the director's final film, A Passage to India.
Santas argues that the epics show a progression and refinement of Lean's work and are thematically broader and feature more complex characterization than his earlier films. In his analyses, Santas provides background material on the production of each epic; insights into structure, characters, techniques, and themes, and a look into the relationship between the films and their literary sources. Written in a clear and engaging manner, The Epic Films of David Lean will appeal not only to cinema students and scholars but also to general fans of David Lean and his work. " -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780810882102Donation: Donated by Senses of Cinema, 2013Contents: -- preface -- acknowledgments -- Introduction -- The bridge on the River Kwai (1957)-- Lawrence of Arabia (1962) -- Doctor Zhivago (1966) -- Ryan's daughter (1970) -- A passage to India (1984) -- Epilogue Nostromo: the epic continues -- appendix A: the early films of David Lean -- appendix B: DVD and Blu-ray editions -- bibliography -- index about the author --
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book
Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; FIVE EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE (IT/GW, Luchino Visconti, 1969) ; CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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journal article
Freddie Young, cameraman in Lumiere (September, 1972) iss.16 p.26-28
Author: Copping, Robin PhysDes: ArticleSubject: CAMERAS ; CINEMATOGRAPHY ; INDUSTRY, FILM. UK ; LIGHTING ; Lean, David ; YOUNG, FREDDIE ; ASPHYX, THE (UK, Peter Newbrook, 1973) ; DOCTOR ZHIVAGO (US, David Lean, 1965) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; QUEEN OF DESTINY (UK, Herbert Wilcox, 1938) ; RYAN'S DAUGHTER (UK, David Lean, 1970) Summary: Interview with cameraman Freddie Young, second person ever to receive the Alfred Hitchcock award for outstanding achievements in film from the British Film Industry. He discusses his career and cinematographic techniques, and his working relationship with director David Lean
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title clippings file
RYAN'S DAUGHTER : (UK, David Lean, 1970)
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