book
Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
More info
book
Film and revolution / James Roy MacBean Bloomington: Indiana University Press, c1975.
Call No: 745.1 MACAuthor: MacBean, James Roy Place: BloomingtonPublisher: Indiana University PressPubDate: c1975PhysDes: viii, 339 p. : ill. ; 29 cmSubject: REVOLUTIONARY THEMES IN FILMS ; MARXISM AND THE CINEMA ; REVOLUTION AND THE CINEMA ; GORIN, JEAN-PIERRE ; GODARD, JEAN-LUC ; METZ, CHRISTIAN ; VERTOV, DZIGA ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) ; PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; MADE IN U.S.A. (FR, Jean-Luc Godard, 1966) ; ICE (US, Robert Kramer, 1970) ; CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971) ; LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) Notes: Includes bibliographical references and indexISBN: 0253321891; 0253201918(pbk.)LON: 737743URL status: URL: 'http://-'
Checked: 31/08/2021 12:58:42 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
Kino-eye : the writings of Dziga Vertov / edited with an introduction by Annette Michelson ; translated by Kevin O'Brien Berkeley, Ca.: University of California Press, 1984.
Call No: 81VER KINAuthor: Vertov, Dziga, 1896-1954 ; Michelson, Annette Source: USPlace: Berkeley, Ca.Publisher: University of California PressPubDate: 1984PhysDes: lxi, 344 p. : ill. ; 23 cmSubject: ART CINEMA ; CINEMATOGRAPHY ; DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; EDITING ; INDUSTRY, FILM. USSR ; NEWSREELS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA ; SOCIALISM AND THE CINEMA ; WOMEN AND THE CINEMA ; VERTOV, DZIGA ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; KINOGLAZ (UR, Dziga Vertov, 1924) ; KOLYBELNAYA (UR, Dziga Vertov, 1937) ; LULLABY (UR, Dziga Vertov, 1937) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURBNotes: Includes index; Filmography: p. [330]-334ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)LON: 82011189; 2248486
More info
book
Memories of underdevelopment : the revolutionary films of Cuba New York: Grossman Publishers, 1973.
More info
book
Mexican national cinema / Andrea Noble Abingdon, Oxon, UK: Routledge, 2005.
Call No: 71(72) NOBAuthor: Noble, Andrea Source: UKPlace: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2005PhysDes: viii, 224p. : ill. ; 23cmSubject: MEXICO ; MEXICO IN FILMS ; NATIONAL CULTURE AND THE CINEMA. MEXICO ; NATIONAL CULTURE IN FILMS. MEXICO ; INDUSTRY, FILM. MEXICO ; AUDIENCES. MEXICO ; MOVEMENTS AND STYLES IN FILM HISTORY ; POLITICS IN FILMS. MEXICO ; POLITICAL FILMS. MEXICO ; REVOLUTION AND THE CINEMA. MEXICO ; DOCUMENTARY FILMS. MEXICO ; MELODRAMA. MEXICO ; MUJER DEL PUERTO, LA (MX, Arcady Boytler, 1933) ; MUJER DEL PUERTO, LA (MX, Arturo Ripstein, 1991) ; MARIA CANDELARIA (MX, Emilio Fernández, 1943) ; FAMILIA DE TANTAS, UNE (MX, Alejandro Galindo, 1948) ; CASTILLO DE LA PUREZA, EL (MX, Arturo Ripstein, 1972) ; MIDAQ ALLEY [CALLEJON DE LOS MILAGROS, EL] (MX, Jorge Fons, 1995) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ESPALDAS MOJADAS (MX, Alejandro Galindo, 1955) ; JARDIN DEL EDÉN, EL (MX, María Novaro, 1994) ; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: Mexican National Cinema offers an account of the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the "Golden Age" of the 1940s and the Nuevo Cine of the 1960s, to the renaissance in Mexican cinema in the 1990s.
The book moves from broad historical and theoretical context, particularly theories of nation, emergent discourses of "mexicanidad" and the establishment and development of the Mexican industry, towards readings of key film texts and genres. Individual chapters discuss the relationship between Hollywood cinema and Mexican cinema, the stars of the "Golden Age," the role of foreign auteurs in the founding of Mexican cinema, tensions in the industry in the 1960s, and the national and international reception of contemporary films and film-makers. The author then examines the portrayal of Mexican nationhood through critical analysis of film genres including Revolutionary films, machismo and "mexicanidad," the prostitute, and the work of female auteurs.ISBN: 0415230101
More info
book
Shadows on the past : studies in the historical fiction film / Leger Grindon Philadelphia: Temple University Press, 1994.
Call No: 741 GRIAuthor: Grindon, Leger, 1949 Place: PhiladelphiaPublisher: Temple University PressPubDate: 1994PhysDes: xii, 250 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: HISTORICAL FILMS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA. FRANCE ; ROSSELLINI, ROBERTO ; BEATTY, WARREN ; GRAMSCI, ANTONIO ; WANGER, WALTER ; REIGN OF TERROR (US, Anthony Mann, 1949) ; SENSO (IT, Luchino Visconti, 1954) ; PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; REDS (US, Warren Beatty, 1981) Notes: Includes bibliographical references (p. 227-244) and indexISBN: 1566391822 (pbk.) : $18.95; 1566391814 (alk. paper) : $44.95LON: 93033042; 10438205
More info
