Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN LOVE STORY, AN (US, Jennifer Fox, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPITALISM : A LOVE STORY (US, Michael Moore, 2009)

Author: Krauth, Kirsten
PhysDes: Conference report; Illustration(s)
Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999; DIGITAL BROADCASTING; SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999); AMERICAN LOVE STORY, AN (US, Jennifer Fox, 1999)
Summary: Report on the Australian International Documentary Conference held in Adelaide, November 1999, which focused on the issues of ethics, globalism and the impact of digital technologies. The article also looks at new avenues of distribution for documentary films, the Internet and CD/DVD-ROM. A given example is Film Australia's The Mabo CD-ROM Online project.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989)

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; FIVE EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE (IT/GW, Luchino Visconti, 1969); CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 744(=924)(73) GON
Author: Gonshak, Henry
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: [2015]
PhysDes: x, 357 pages : illustrations ; 24 cm
Series: Film and History
Subject: WORLD WAR II FILMS; WORLD WAR II FILMS. USA; WORLD WAR II AND THE CINEMA; JEWS IN FILMS. USA; JEWS AND THE CINEMA; HOLOCAUST IN FILMS; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); HITLER'S CHILDREN (US, Edward Dymtryk, 1943); DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959); JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961); PAWNBROKER, THE (US, Sidney Lumet, 1964); CABARET (US, Bob Fosse, 1972); ODESSA FILE, THE (UK/GW, Ronald Neame, 1974); MARATHON MAN (US, John Schlesinger, 1976); BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989); SCHINDLER'S LIST (US, Steven Spielberg, 1993); MOTHER NIGHT (US, Keith Gordon, 1996); GREY ZONE, THE (US, Tim Blake Nelson, 2001)
Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the Introduction
Notes: Includes bibliographical references (pages 343-349) and index
Contents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN AND YOKO: A LOVE STORY (US, Sandor Stern, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: LANDMINES A LOVE STORY (AT, Dennis O'Rourke, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEATHER JACKET LOVE STORY (US, David DeCoteau, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LENS LOVE STORY (AT, Sonia Whiteman, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LOVE STORY (US, Arthur Hiller, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE STORY (NZ, Florian Habicht, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LUNATICS : A LOVE STORY (US, Tosh Becker, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY DOG: AN UNCONVENTIONAL LOVE STORY (US, Mark St. Germain, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAPOLEON & JOSEPHINE: A LOVE STORY (US, Richard T. Heffron, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOT A LOVE STORY: A FILM ABOUT PORNOGRAPHY (CN, Bonnie Sherr Klein, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OMELETTE: A MULTICULTURAL LOVE STORY (AT, Christina Heristanidis, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ORANGE LOVE STORY (AT, Tom Cowan, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PYROMANIAC'S LOVE STORY, A (US, Joshua Brand, 1995)

Call No: 626:159.964.2 GRE
Author: Greenberg, Harvey R
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: 277 p. : ill. ; 24 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; CASABLANCA (US, Michael Curtiz, 1942); MALTESE FALCON, THE (US, John Huston, 1941); RED DAWN (US, John Milius, 1984); FIRST BLOOD (US, Ted Kotcheff, 1982); PSYCHO (US, Alfred Hitchcock, 1960); ALIEN (UK, Ridley Scott, 1979); BOSTONIANS, THE (UK, James Ivory, 1984); ALWAYS (US, Steven Spielberg, 1989); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); WORKING GIRL (US, Mike Nichols, 1988)
Summary: Screen Memories delves into the psychological aspects of mainstream American movies ranging from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Greenberg writes in a candid, entertaining style that will appeal to cineasts and scholars alike. Beginning with a basic overview of psychoanalytic film criticism, Greenberg directs his focus on characters, motivations, and conflicts in detective, war, science fiction, and horror movies, as well as cult cinema. In "On the McMovie," he probes the hollow, escapist fare that emerged from Hollywood in the 1970s and 1980s and embraced nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in such McMovies as Rambo and Top Gun; Screen Memories concludes by addressing two important films of the late 1980s. Greenberg decries Working Girl as a "Co-opt" film with a seemingly liberal agenda, which nevertheless mocks and subverts the very social advances it appears to affirm. But Enemies: A Love Story - with its humor, manic energy, and theme of renewal in the teeth of death - is seen as evidence of a tentative but hopeful return to quality in Hollywood
Notes: Includes bibliographical references (p. [241]-268) and index
ISBN: 0231072864 (acid-free paper)
LON: 92041710; 9733268

Call No: 224 MCK
Author: McKee, Robert, 1941
Source: UK
Place: London
Publisher: Methuen
PubDate: 1999
PhysDes: [xi], 466 p. ; 23 cm
Series: Methuenfilm
Subject: SCRIPTWRITING; DIALOGUE; ENDINGS OF FILMS; AUDIENCES; ADAPTATIONS; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961); ALIEN (UK, Ridley Scott, 1979); CASABLANCA (US, Michael Curtiz, 1942); CHINATOWN (US, Roman Polanski, 1974); LOVE STORY (US, Arthur Hiller, 1970)
Notes: Includes index; Bibliography: p. 421-422; Filmography: p. 423-455
ISBN: 0413715604 (pbk.) : ¦12.99
LON: 20148607