Search Catalogue

Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: 335 p. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this item
ISBN: 058228094X
Donation: donated by the family of Wayne Levy, 2006

Call No: 753 BEJ
Copy Management: Copy 1; Copy 2
Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: xv, 335 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; LITERATURE AND THE CINEMA; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this item
ISBN: 058228094X
Order Received: 2000
Order Type: Donation
LON: 78026167; 1314099

Call No: 744(=924)(73) GON
Author: Gonshak, Henry
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: [2015]
PhysDes: x, 357 pages : illustrations ; 24 cm
Series: Film and History
Subject: WORLD WAR II FILMS; WORLD WAR II FILMS. USA; WORLD WAR II AND THE CINEMA; JEWS IN FILMS. USA; JEWS AND THE CINEMA; HOLOCAUST IN FILMS; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); HITLER'S CHILDREN (US, Edward Dymtryk, 1943); DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959); JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961); PAWNBROKER, THE (US, Sidney Lumet, 1964); CABARET (US, Bob Fosse, 1972); ODESSA FILE, THE (UK/GW, Ronald Neame, 1974); MARATHON MAN (US, John Schlesinger, 1976); BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989); SCHINDLER'S LIST (US, Steven Spielberg, 1993); MOTHER NIGHT (US, Keith Gordon, 1996); GREY ZONE, THE (US, Tim Blake Nelson, 2001)
Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the Introduction
Notes: Includes bibliographical references (pages 343-349) and index
Contents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: 027 (73) INT
CorpAuthor: Audio Film Centre
Edition: 1969
Place: New York
Publisher: Audio Film Centre
PubDate: 1969
PhysDes: [24 p.] : illus. ; 21 cm
Subject: DARLING (UK, John Schlesinger, 1965); PAWNBROKER, THE (US, Sidney Lumet, 1964); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); JULIET OF THE SPIRITS [GIULIETTA DEGLI SPIRITI] (IT, Federico Fellini, 1965); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); MIRACOLO A MILANO (IT, Vittorio de Sica, 1951); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PAWNBROKER, THE (US, Sidney Lumet, 1964)

Call No: 753.4 MIL
Author: Miller, Gabriel, 1948
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1980
PhysDes: xv, 208 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AUTHORSHIP; DIRECTORS; LITERATURE AND THE CINEMA; HESTER STREET (US, Joan Micklin Silver, 1975); GANGSTER, THE (US, Gordon Wiles, 1947); PATHS OF GLORY (US, Stanley Kubrick, 1957); PAWNBROKER, THE (US, Sidney Lumet, 1964); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); SUSAN LENOX: HER FALL AND RISE (US, Robert Z. Leonard, 1931); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: "This book retrieves the lost literary treasures that inspired eight popular films. Prompted by the widespread success of these films, Gabriel Miller here re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors - among them Sidney Lumet, Stanley Kubrick, John Huston, and Sidney Pollack. Each chapter offers a detailed interpretation of a particular film, its literary source, and the overall career of the novelist [...] Some of these interesting novels have never been dealt with at all; others have only recently attracted critical attention. The films, too, benefit from extended reassessment. Despite the fact that the movies were successful, moreso than the novels, they have attracted little in the way of useful analysis. Taken together, the double examination of the novel and film raises some important questions about the nature and problems of cinematic adaptation." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 199-203; Filmography: p. 196-198; Typo in the table of contents gives 'The Gangster' release date as 1957, it is actually 1947
ISBN: 0804426228 : $9.95
LON: 79048071; 1682173

Author: Hosford, Peter
PhysDes: Article
Subject: VIOLENCE IN FILMS; REPULSION (UK, Roman Polanski, 1965); POLANSKI, ROMAN; BONNIE AND CLYDE (US, Arthur Penn, 1967); CHASE, THE (US, Arthur Penn, 1966); PENN, ARTHUR; SIEGEL, DON; HELL IS FOR HEROES (US, Don Siegel, 1961); KILLERS, THE (US, Don Siegel, 1964); FULLER, SAMUEL; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962); ALDRICH, ROBERT; KAZAN, ELIA; ON THE WATERFRONT (US, Elia Kazan, 1954); PAWNBROKER, THE (US, Sidney Lumet, 1964); JAMES BOND IN FILMS
Summary: Essay discusses the importance of cinematic violence in terms of four categories with reference to particular films, acknowledging that violence can be beautiful.