Search Catalogues

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 DAY 2 TRACKS (AT, Shalom Almond & Tasmin Sharp, 2000)

Call No: S TWO
Author: Stein, Todd
Edition: Shooting Script
Place: AT/US
PubDate: 2015 Feb. 18
PhysDes: 101 leaves ; 30 cm.
Subject: [TWO TWENTY-TWO] 2:22 (AT/US, Paul Currie, 2017)
Summary: "A clever, roller-coaster thriller that centers on Dylan an air traffic controller who is given a jolt when he narrowly escapes being responsible for a mid air collision between two passenger planes. Caused by a mysterious blinding light that happened at 2:22, these strange occurrences continue and lead Dylan to meet Sarah, with whom he feels inexplicably linked. Together the two discover uncanny similarities with their current predicament and a double murder committed a generation ago. With a grim fate looming, Dylan must solve the mystery of 2:22 to preserve a love whose second chance has finally come." Written by AnonymousB - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S 237
Author: Thalluri, Murali K
Place: AT
PubDate: [2006]
PhysDes: 96 leaves
Subject: TWO THIRTY SEVEN 2:37 (AT, Murali K. Thalluri, 2006)
Notes: Includes separate final transcript including ADR; Production script; Donated by the Australian Film Institute

Call No: TITLLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: Bearns, Georgina
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: The final film from the Hunger Games series is about to be released. Geogina Bearns lists 18 reasons to watch the film.

Call No: SUBJECT CLIPPINGS FILE; ANIMAL LOGIC
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ANIMAL LOGIC; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); LEGO MOVIE 2, THE: THE SECOND ACT (DK/NO/AT/US, Mike Mitchell, 2019)

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: AGENT CODY BANKS 2: DESTINATION LONDON (US, Kevin Allen, 2004)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALL DOGS GO TO HEAVEN 2 (US, Larry Leker, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMAZING SPIDERMAN 2, THE (US, Marc Webb, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN NINJA 2: THE CONFRONTATION (US, Sam Firstenberg, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICAN PIE 2 (US, J.B. Rogers, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANCHORMAN 2: THE LEGEND CONTINUES (US, Adam McKay, 2013)

Call No: 792INF MAR
Author: Marchetti, Gina
Source: HK
Place: Hong Kong
Publisher: Hong Kong University Press
PubDate: 2007
PhysDes: xii, 210 pages : illustrations ; 19 cm
Series: The New Hong Kong Cinema
Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003)
Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB
Notes: Includes bibliographical references
ISBN: 9789622098015
Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema

Call No: 772(520) NAP; 2 copies
Author: Napier, Susan
Edition: Revised
Source: US/UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 355 p. ; 24 cm
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995) SEE KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989)
Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB
Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.
ISBN: 9781403970527
Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --

Call No: S ANT
PubDate: [1983]
PhysDes: 33 leaves
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983)
Notes: Unpublished script

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Australian Broadcasting Corporation
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983); AUSTRALIAN BROADCASTING CORPORATION
Summary: Group of twelve doctors rest by their skidoos during the International Biomedical Expedition to the Antarctic while ttravelling inland toward the South Pole
Notes: Still from television programme.; Fingerprints visible on reverse of the photograph.; Paper note attached to reverse of photograph with plastic adhesive tape which is deteriorating leaving yellowing stains.; Film synopsis on reverse

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 20 x 25 cm.
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983)
Summary: 2 black and white photographs/still images from the documentary film - one of director David Parer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ARTHUR [TWO] 2: ON THE ROCKS (US, Bud Yorkin, 1988)

Call No: 735.2(94) RAY
Author: Rayner, Jonathan
Edition: 2022
Place: Cardiff
Publisher: University of Wales Press
PubDate: 2022
PhysDes: x, 294 pages : illustrated ; 23 cm
Series: Gothic Literary Studies
Subject: HORROR FILMS. AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); DYING BREED (AT, Jody Dwyer, 2008); KILLING GROUND (AT, Damien Power, 2016); LOST GULLY ROAD (AT, Donna McRae, 2017); LOVED ONES, THE (AT, Sean Byrne, 2009); MAD MAX (AT, George Miller, 1979); MYSTERY ROAD (AT Ivan Sen, 2013); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); WOLF CREEK (AT, Greg McLean, 2005); WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web site
ISBN: 9781786838896
Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index

Call No: 753.5 MSC
Author: McSweeney, Terence
Source: US/UK
Place: London
Publisher: Wallflower Press published by Columbia University Press
PubDate: c2018
PhysDes: vii, 310 pages : illustrations ; 24 cm
Subject: SUPERHEROES IN FILMS; HEROS IN FILMS; COMIC STRIP CHARACTERS IN FILMS; CRITICISM; MARVEL ENTERTAINMENT; IRON MAN (US, Jon Favreau, 2008); IRON MAN 2 (US, Jon Favreau, 2010); THOR (US, Kenneth Branagh, 2011); INCREDIBLE HULK, THE (US, Louis Leterrier, 2008); CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011); AVENGERS, THE (US, Joss Whedon, 2012); IRON MAN 3 (US/CN, Shane Black, 2013); THOR: THE DARK WORLD (US, Alan Taylor, 2013); CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014); GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014); ANT-MAN (US, Peyton Reed, 2015); AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015); CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9780231186254
Donation: Senses of Cinema
Contents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.

Author: Parks, Lyn
PhysDes: Article
Subject: GREASE 2 (US, Patricia Birch, 1982)

Call No: 79LIF QUA
Author: Quantock, Rod
Source: AT
Place: Port Melbourne, Vic.
Publisher: Mammoth Australia
PubDate: 1992
PhysDes: 32 p. : ill. ; 25 cm
Subject: LIFT OFF: SERIES 2 [TV] (AT, Brendan Maher & Paul Nichola & Clarke Cameron & Boseley Ray, 1992)
Summary: Centred around the Backsacks, characters in the Lift off television series. For children.
ISBN: 1863301917
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MOMS 2, A [BAD MOMS CHRISTMAS, A] (US/C, Jon Lucas & Scott Moore, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD NEIGHBOURS 2 (US, Nicholas Stoller, 2016)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BAD SANTA 2 (US, Mark Waters, 2016)
URL status: URL: 'http://file://Q:/T/BAD_SANTA_TWO.zip' Checked: 31/08/2021 1:48:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Author: Wigney, James
PhysDes: Clippings File Article
Subject: BANKS, ELIZABETH; WILSON, REBEL; PITCH PERFECT (US, Jason Moore, 2012); PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Summary: Pitch Perfect 2 director Elizabeth Banks talks about the film and her career.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BARBERSHOP 2: BACK IN BUSINESS (US, Kevin Rodney Sullivan, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BASIC INSTINCT 2 (US, Michael Caton-Jones, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BASKET CASE 2 (US, Frank Henenlotter, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTY [NUMBER TWO] #2 (US, Andy Warhol, 1965)
ID2: 350

Call No: TITLE CLIPPINGS FILE; MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)
Summary: Review of the film MY BIG FAT GREEK WEDDING 2
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG MOMMA'S HOUSE 2 (US, John Whitesell, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BLACK MIC-MAC 2 (FR, Marco Pauly, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLAIR WITCH 2: BOOK OF SHADOWS (US, Joe Berlinger, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS IN LOVE 2 (US, Todd Downing & Patrick McGuinn, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS LIFE 2 (US, Nickolas Perry, Tom DeCerchio, Mark Christopher & Peggy Rajski, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRAT 2 (RU, Aleksej Balabanov, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAKIN' 2 ELECTRIC BOOGALOO (US, Sam Firstenberg, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARS 2 (US, John Lasseter/Brad Lewis, 2011)

Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: RIDE ALONG 2 (US, Tim Story, 2016)
Summary: Review of the film RIDE ALONG 2
Notes: same review - 'Buddy movie reworks cliched action, jokes' Canberra Times. 19 Feb 2016. p 6.
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: CHEAPER BY THE DOZEN 2 (US, Adam Shankman, 2005)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHILD'S PLAY 2 (US, John Lafia, 1990)

Call No: TITLE CLIPPINGS FILE; MONKEY KING 2, THE (CC, Cheang Pou-Soi, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MONKEY KING 2, THE (CC, Cheang Pou-Soi, 2016)
Summary: Review of the film THE MONKEY KING 2
Rating: 3 out of 5 stars

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Author: Lawson, Sylvia; Rosser, Edward
PhysDes: Article
Subject: CRITICISM; GODARD, JEAN-LUC; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938)
Summary: Reviews of Two or Three Things I Know About Her (FR, Jean-Luc Godard, 1967) and Sixty Glorious Years (UK, Herbert Wilcox, 1938)
Notes: Sixty Glorious Years has been renamed Queen of Destiny

Call No: 633.22 COA
Author: Coates, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2010
PhysDes: 178 p. : col. ill. ; 26 cm.
Subject: COLOUR; COLORIZATION; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); SOLARIS (UR, Andrei Tarkovsky, 1972); STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); EUROPA (DK/FR/GG, Lars Von Trier, 1991); THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972)
Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]
Notes: Includes bibliographical references and index
ISBN: 9781844573141
Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 81TAR BRA
Author: Brancati, Simona
Edition: English
Source: US
Place: Washington, DC
Publisher: New Academia Publishing
PubDate: 2014
PhysDes: x, 186 pages : color facsimiles ; 23 cm.
Subject: TARANTINO, QUENTIN; PULP FICTION (US, Quentin Tarantino, 1994); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); RESERVOIR DOGS (US, Quentin Tarantino, 1992); TRUE ROMANCE (US, Tony Scott, 1993); NATURAL BORN KILLERS (US, Oliver Stone, 1994); [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); JACKIE BROWN (US, Quentin Tarantino, 1997); DEATH PROOF (US, Quentin Tarantino, 2007)
Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)
ISBN: 9780989916981
Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOUDY WITH A CHANCE OF MEATBALLS 2 (US, Cody Cameron/ Kris Pearn, 2013)

Call No: TITLE CLIPPINGS FILE; BAD SANTA 2 (US, Mark Waters, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BAD SANTA 2 (US, Mark Waters, 2016)
Summary: Review of the film BAD SANTA 2
Rating: 3.5 out of 5 stars

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONJURING 2, THE (US, James Wan, 2016)

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 751.1 CON
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2019
PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.
Series: Music and the moving image series
Subject: MUSICALS; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004); ACROSS THE UNIVERSE (US, Julie Taymor, 2007); FROZEN (US, Chris Buck & Jennifer Lee, 2013); MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008); MISERABLES, LES (UK, Tom Hooper, 2012); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004)
Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).
Notes: Includes bibliographical references and index.
ISBN: 9781474431682
Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRADLE 2 THE GRAVE (US, Andrzej Bartkowiak, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CREEPSHOW 2 (US, Michael Gornick, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CREMASTER 2 (US, Matthew Barney, 1999)

Author: White, Taylor L.
PhysDes: Article
Subject: CRITTERS 2: THE MAIN COURSE (US, Mick Garris, 1988)
Notes: On the film 'Critters 2' and interview with director, Mick Garris

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRITTERS 2: THE MAIN COURSE (US, Mick Garris, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRUEL INTENTIONS 2 (US, Roger Kumble, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D [TWO] 2: THE MIGHTY DUCKS (US, Sam Weisman, 1994)
ID2: 165

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DADDY'S HOME 2 (US, Sean Anders, 2017)

Call No: TITLE CLIPPINGS FILE; TED 2 (US, Seth McFarlane, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: TED 2 (US, Seth McFarlane, 2015)
Summary: Review of the film TED 2
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEADPOOL 2 (US, David Leitch, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DELTA FORCE 2: THE COLOMBIAN CONNECTION (US, Aaron Noris, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEMONI 2 - L`INCUBO RITORNIA (IT, Lamberto Bava, 1986)

Call No: TITLE CLIPPINGS FILE; ZOOLANDER 2 (US, Ben Stiller, 2016)
Author: Wilson, Jake
Subject: ZOOLANDER 2 (US, Ben Stiller, 2016)
Summary: Review of the film ZOOLANDER 2
Notes: article in The Age, 11 Feb 2016, p. 29 - 'Derek's back but sharp satire appears out of fashion -- article in Canberra Times, 13 Feb 2016, Panorama section, p. 22 - Blue Steel has lost its edge
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESPICABLE ME 2 (US, Pierre Coffin & Chris Renaud, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013); [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [TWO] 2 DADS AND ONE MOM [2 PAPAS ET LA MAMAN, LES] (FR, Jean-Marc Longval, 1996)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: DIE HARD 2 (US, Renny Harlin, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRTY DANCING: HAVANA NIGHTS [DIRTY DANCING 2] (US, Guy Ferland, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [DOCTOR] DR DOLITTLE 2 (US, Steve Carr, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOMESTIC VIOLENCE 2 (US, Frederick Wiseman, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOU SAN 2 (HK, Jing Wong, 1994); GOD OF GAMBLERS' RETURN (HK, Jing Wong, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHT AND A HALF] 8 1/2 WOMEN (US, Peter Greenaway, 2000)

Author: Lawrance, Peter
PhysDes: Article
Subject: BREAKIN' 2 ELECTRIC BOOGALOO (US, Sam Firstenberg, 1984)
Summary: Short Review

Call No: 735.1 SPR
Author: Springer, Claudia
Source: US
Place: Austin, TX
Publisher: University of Texas Press
PubDate: c1996
PhysDes: x, 182 pages : illustrations ; 23 cm
Subject: AUTOMOBILES IN FILMS; BODY IN FILMS; COMIC STRIPS AND THE CINEMA; COMPUTERS AND THE CINEMA; COMPUTERS IN FILMS; COMPUTERS AND TV; FEMINISM AND THE CINEMA; FEMINISM AND TV; GENDER AND THE CINEMA; GENDER AND TELEVISION; POSTMODERNISM AND THE CINEMA; ROBOTS IN FILMS; ROBOTS ON TV; SCIENCE AND THE CINEMA; SCIENCE-FICTION FILMS; SEXUALITY AND THE CINEMA; TECHNOLOGY AND THE CINEMA; TECHNOLOGY AND TV; TECHNOLOGY IN FILMS; TECHNOLOGY ON TV; VIRTUAL REALITY; BLADE RUNNER (US, Ridley Scott, 1982); EVE OF DESTRUCTION (US, Duncan Gibbins, 1991); LAWNMOWER MAN, THE (US, Brett Leonard, 1992); ROBOCOP (US, Paul Verhoeven, 1987); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984)
Summary: "The love affair between humans and the machines that have made us faster and more powerful has expanded into cyberspace, where computer technology seems to offer both the promise of heightened erotic fulfilment and the threat of human obsolescence. In this pathfinding study, Claudia Springer explores the techno-erotic imagery in recent films, cyberpunk fiction, comic books, television, software, and writing on virtual reality and artificial intelligence to reveal how these futuristic images actually encode current debates concerning gender roles and sexuality." -- BOOK BLURB
Notes: Includes index
ISBN: 0292776977
Donation: M.S. Counihan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EQUALIZER 2 , THE (US, Antoine Fuqua, 2018)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXTERMINATOR 2 (US, Mark Buntzman, 1984)

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; PITCH PERFECT 2 (US, Elizabeth Banks, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Report on the strong showing of Pitch Perfect 2, and the overall strong performance of the Australian box office in 2015.
Notes: located in the BOX OFFICE. AUSTRALIA. 2015-2019 file

Call No: 675.1 FAV
Place: New York
Publisher: Macmillan Publishing Co., Inc.
PubDate: 1973
PhysDes: 301 p. ; 25 cm.
Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928)
Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.
Notes: Includes index.
Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 745.1 MAC
Author: MacBean, James Roy
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1975
PhysDes: viii, 339 p. : ill. ; 29 cm
Subject: REVOLUTIONARY THEMES IN FILMS; MARXISM AND THE CINEMA; REVOLUTION AND THE CINEMA; GORIN, JEAN-PIERRE; GODARD, JEAN-LUC; METZ, CHRISTIAN; VERTOV, DZIGA; WEEK-END (FR/IT, Jean-Luc Godard, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); MADE IN U.S.A. (FR, Jean-Luc Godard, 1966); ICE (US, Robert Kramer, 1970); CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971); LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968)
Notes: Includes bibliographical references and index
ISBN: 0253321891; 0253201918(pbk.)
LON: 737743
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: McDonald reviews MOCKINGJAY PART 2, the final installment of the Hunger Games franchise. The author is overall dissappointed with this film and feels it is the weakest of all four Hunger Games films.

Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: 335 p. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this item
ISBN: 058228094X
Donation: donated by the family of Wayne Levy, 2006

Call No: 753 BEJ
Copy Management: Copy 1; Copy 2
Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: xv, 335 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; LITERATURE AND THE CINEMA; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this item
ISBN: 058228094X
Order Received: 2000
Order Type: Donation
LON: 78026167; 1314099

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FINAL DESTINATION 2 (US/CN, David R. Ellis, 2003)
ID2: 107

Call No: TITLE CLIPPINGS FILE; CONJURING 2, THE (US, James Wan, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: CONJURING 2, THE (US, James Wan, 2016)
Summary: Review of the horror film THE CONJURING 2, directed by Australian James Wan
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORTRESS 2 (US/LU, Geoff Murphy, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: [FOUR] 4 MONTHS, [THREE] 3 WEEKS AND [TWO] 2 DAYS [PATRU LUNI TREI SAPTAMANI SI DOUA ZILE] (RM/BE, Cristian Mungiu, 2007)
ID2: 82

Call No: 81OZO ASI
Author: Asibong, Andrew
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: c2008
PhysDes: viii, 157 p. : ill. ; 21 cm
Series: French Film Directors
Subject: DIRECTORS. FRANCE; OZON, FRANCOIS; SITCOM (FR, Francois Ozon, 1998); REGARDE LA MER (FR, Francois Ozon, 1997); GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000); SOUS LE SABLE (FR, Francois Ozon, 2000); SWIMMING POOL (FR/UK, Francois Ozon, 2003); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)
Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmography
ISBN: 9780719074233
Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: FREE WILLY 2: THE ADVENTURE HOME (US, Dwight H. Little, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH PART 2 (US, Steve Miner, 1981)

Author: Jongeward, Steven
PhysDes: Article
Subject: FRIGHT NIGHT PART 2 (US, Tommy Lee Wallace, 1988)
Summary: On the film "Fright Night II" and interviews with director Tommy Lee Wallace and actor Roddy McDowall