personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LAURIE, HUGH
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: LINLEY, MICHAEL ARTHUR
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LOHAN, LINDSAY
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ISITT, DEBBIE
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LEAF, DAVID
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journal article
in Velvet Light Trap (Fall 2005) iss.56
Call No: DVD RESEARCH FOLDERSubject: DVD ; DVD, FILMS ON ; HOME EQUIPMENT ; HOME EXHIBITION ; PRESERVATION OF FILMS ; CRITERION COLLECTION ; MANGA ; BROOKER, WILL ; AROSTEGUY, SUSAN ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KAHN, NATHANIEL
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LENNON, JOHN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LETH, JORGEN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LEVY, GEOFF
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LEWIS, JOHN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LENNON, JULIAN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KINDERSLEY, KIM
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journal article
in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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: All their loving... Fangirls unite in Sunday Age [General News] (8/11/2015) p.4
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2 create in Sydney Morning Herald (22/02/2013) p.24
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3
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festival catalogue
3rd International animation film festival in New York : September 30 - October 4 1975 / International animation film festival in New York US: [s.n], 1975.
Call No: FESTIVAL CATALOGUE SHELVESCorpAuthor: International animation film festival in New YorkSource: USPlace: USPublisher: [s.n]PubDate: 1975PhysDes: 34 p. : ill. ; 27 cmSubject: FESTIVALS. NEW YORK ; ANIMATION ; DISNEY, WALT ; JONES, CHUCK ; AVERY, TEX ; LANTZ, WALTER Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz
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book
4 great comedians: Chaplin, Lloyd, Keaton, Langdon / by Donald W. McCaffrey London New York: Zwemmer Barnes, 1968.
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book
The 9.5mm vintage film encyclopaedia / Pedler & Wyatt; foreword by Kevin Brownlow; revised edition compiled and edited by Patrick Moules Kibworth Beauchamp: Matador,
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013 Labour handbook : The Australian film and television labour handbook Sydney: 013 Publishing, 1999.
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journal article
16 mm : The American Dreamer in Films and filming (April 1972) vol.18 iss.7 p.75-76
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newspaper article
18 teasers to stave off the Hunger pangs in Sunday Telegraph [Insider] (15/11/2015) p.116
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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festival catalogue
20th London lesbian and gay film festival : 29 March - 12 April 2006 / London lesbian and gay film festival London, UK: [s.n.], 2006.
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journal article
$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5
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Yet to catalogue
book
35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
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48 Shades in Empire (Australian Ed.) (September 2006) iss.66 p.29
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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journal article
55th Academy Award Winners in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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100 Anime / Brophy, Philip London: British Film Institute, 2005.
Call No: 772 (52) BROAuthor: Brophy Philip CorpAuthor: BFIPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 17 cm; 262 ppSeries: BFI Screen GuidesSubject: NEON GENESIS EVANGELION (JA, 199?) ; AKIRA (JA, Katsuhiro Otomo, 1989) ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; STEAMBOY (JA, Katsuhiro Otomo, 2004) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; JAPAN ; ANIMATION ; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]ISBN: 1844570843
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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newspaper article
$120m lego movie boost to animation studio (08/03/2015) p.18
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$135m first-half profit for Seven West Media in Australian Financial Review (18/02/2016) p.31
Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORKAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: SEVEN NETWORK ; LICENCES. AUSTRALIA Summary: Report on the financial earnings for Seven West Media and comments by company CEO Tim Worner about Seven's future in regards to the federal election and his hope that media reform will happen in Australia
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1000 women in horror / by Alexandra Heller-Nichols Orlando: BearManor Media, 2020.
Call No: 735.2-02 HELAuthor: Heller-Nichols, Alexandra Edition: 2020Place: OrlandoPublisher: BearManor MediaPubDate: 2020PhysDes: 592 pages ; illus. ; 27cmSubject: HORROR FILMS ; WOMEN AND THE CINEMA ; WOMEN FILMMAKERS ; WOMEN, FILMS MADE BY ; LOVE WITCH, THE (US, Anna Biller, 2016) Summary: Blowing a kiss back through time and space from Aaliyah to Jill Rae Zurborg, 1000 Women in Horror, 1895-2018 is a love letter to both the stars and the often-invisible women who have made the genre what it is today. From Classical Hollywood to alt-Nollywood, mumblegore to J-horror, this book offers a tiny global snapshot of the vast number of women who have worked in the creation of dark and spooky movies for well over a century, both behind and in front of the camera, and in films both widely known and comparatively obscure.
Featuring a selected filmography of over 700 feature films directed or co-directed by women, this book also features interviews with Rutanya Alda, Tara Anaïse, Tonjia Atomic, Anna Biller, Axelle Carolyn, Aislinn Clarke, BJ Colangelo, Mattie Do, Julia Ducournau, Jordan Hall, Catherine Hardwicke, Katherine Kean, Karen Lam, Izzy Lee, Barbara Magnolfi, Marsha Mason, Donna McRae, Patrushkha Mierzwa, Hannah Neurotica, Alexandra Paul, Isabel Peppard, Cassandra 'Elvira' Peterson, Debbie Rochon, Mia'Kate Russell, Gigi Saul Guerrero, Elizabeth Shepherd, Jen and Sylvia Soska, Brinke Stevens, Barbie Wilde and Silvana Zancolò. -- Book jacketISBN: 9781629333878
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journal article
The 1933 show in National Film Theatre (Sep/Oct 1983) p.10-15
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The 1933 show in National Film Theatre (Sept/Oct 1983) p.10-15
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The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19
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journal article
The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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Interim
book
1993 1994 BFI gay and lesbian catalogue London: British Film Institute, 1994.
Call No: REFERENCE SECTION; 027(41)"1993/4" LESCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePubDate: 1994PhysDes: 30 cm ; 48 p.Subject: HOMOSEXUALITY AND THE CINEMA Notes: catalogue
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The 2004 awards in Empire (Australian Ed.) (June 2004) iss.39 p.75-82
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Levy Collection
book
5001 nights at the movies : an a-z film guide for cinema, tv and video viewers / Pauline Kael London: Arrow Books, 1987.
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journal article
450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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The A.F.I.s: turning Japanese in Empire (Australian Ed.) (January 2004) iss.34 p.22
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poster
[A little bit of soul : poster] AT: 1998.
Call No: P LITPlace: ATPubDate: 1998PhysDes: 1 poster : colour ; 66 x 34 cmSubject: LITTLE BIT OF SOUL, A (AT, Peter Duncan, 1998) Summary: Text: "In love, science and politics, anything is possible if you're willing to give up..."
"A devilishly funny romantic comedy."
Image: At the upper center of the poster, there is a facial shot/portrait of a man whose image has been drawn on with red markers giving him horns and facial hair to resemble a devil. Below this image are three people, two of which are holding the red markers. One person, a woman wearing a yellow shirt and holding a riding whip, stands alone on the left of the poster. On the right, two people kiss while one of them holds a red marker to the portrait.Notes: Folds and creases
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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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Interim
book
Abbas Kiarostami : visions of the artist London, UK: 2005.
Call No: 81KIACorpAuthor: Iran Heritage FoundationSource: UKPlace: London, UKPubDate: 2005PhysDes: 33 p ; 21 cmSubject: KIAROSTAMI, ABBAS ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].Notes: Programme booklet
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Abbas Kiarostami / Mehrnaz Saeed-Vafa and Jonathan Rosenbaum Urbana, Ill ; Chicago: University of Illinois, 2003.
Call No: 81KIA SAEAuthor: Saeed-Vaffa, Mehrnaz ; Rosenbaum, Jonathan Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of IllinoisPubDate: 2003PhysDes: ix, 151 p. : ill. ; 22 cmSeries: Contemporary film directorsSubject: IRAN ; DOCUMENTARY DRAMAS ; KIAROSTAMI, ABBAS ; Rosenbaum, Jonathan ; SAEED-VAFFA, MEHRNAZ ; ABC AFRICA (IR, Abbas Kiarostami, 2001) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; MASHGH-E SHAB (IR, Abbas Kiarostami, 1989) ; ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992) ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]ISBN: 0252071115
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Abel Gance / Steven Philip Kramer Boston: Twayne Publishers, May 1978.
Call No: 81 GAN KRAAuthor: Kramer, Steven Philip Edition: 1978Source: USPlace: BostonPublisher: Twayne PublishersPubDate: May 1978PhysDes: 200 p. : ill. ; 21 cm.Series: Twayne's theatrical arts seriesSubject: GANCE, ABEL ; GANCE, ABEL ; J'ACCUSE (FR, Abel Gance, 1938) ; NAPOLEON (FR, Abel Gance, 1927) ; ROUE, LA (FR, Abel Gance, 1922) ; GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936) Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195.ISBN: 0805792546
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journal article
ABKO films to make Sam Cooke biopic in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
Subject: INDUSTRY, FILM Summary: Article on the announcement of 'A Change Is Gonna Come'
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987.
Call No: 451-054(=1-81) JENAuthor: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication ProgrammePubDate: 1987PhysDes: iv, 167 leaves ; 30 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977) ; ELIZA FRASER (AT, Tim Bustall, 1976) ; MANGANINNIE (AT, John Honey, 1980) ; BACKLASH (AT, Bill Bennett, 1986) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67LON: abn89090906; 9151758
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About 'India Song' and Marguerite Duras in Undercut (Aug 1981) vol.2 p.18-21
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how to change the world (canada/uk, jerry rothwell, 2015)
About life in AFR Weekend [Weekend Fin] (19 Sep 15) p.51
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newspaper article
Abraham Jerome 'Jock' Levy 1916 - 2016 in Sydney Morning Herald
Call No: PERSONALITY CLIPPINGS FILE; LEVY, ABRAHAM JEROME JOCKPhysDes: Clippings File ArticleSubject: LEVY, ABRAHAM JEROME JOCK Summary: Obituary of Jock Levy, an actor and filmmaker known for his invovlement with the Waterside Workers Federation Film Unit and the film THE HUNGRY MILES
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Absalom's outback / John Mabey Sydney: Australian Broadcasting Commission in association with Rigby, 1981.
Call No: 79JAC MABAuthor: Mabey, John Source: ATPlace: SydneyPublisher: Australian Broadcasting Commission in association with RigbyPubDate: 1981PhysDes: 112 p. : col. ill. ; 26 cmSubject: JACK ABSALOM'S AUSTRALIA'S OUTBACK JOURNEY [TV] (AT, 1981) Summary: Includes chapters on Aborigines of the Everards and the Flinders Ranges; stories and recent history of Pitjantjatjara and Ardjamunda people of these areasISBN: 0642975973Donation: donated by the family of Wayne Levy, 2006
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Absent wives in Australian Financial Review (4/10/2014) p.51
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Academy Award-winner Andrew Lesnie dies at 59 in The Australian (29/04/2015) p.3
Call No: PERSONALITY CLIPPINGS FILE; LESNIE, ANDREWAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: LESNIE, ANDREW Summary: Report on the death of Australian cinematographer Andrew Lesnie
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The accent is on perfection in Herald Sun [Hit] (21/01/2016) p.36
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Accent on origins for Weaver : Chameleonic star Jacki Weaver's latest film - a comedy about euthanasia - brought a welcome return to home soil in The Age [Spectrum] (1/08/2015) p.10
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001.
Call No: 462-054.72 NAFAuthor: Naficy, Hamid Source: USPlace: Princeton, N.J.Publisher: Princeton University PressPubDate: 2001PhysDes: v, 374 p. : ill. ; 24 cmSubject: NATIONAL CULTURE AND THE CINEMA ; EMIGRANT FILM WORKERS ; EGOYAN, ATOM ; KHLEIFI, MICHEL ; NAIR, MIRA ; SOLANAS, FERNANDO E. ; AKERMAN, CHANTAL ; NADERI, AMIR ; MEKAS, JONAS ; MARKER, CHRIS ; GITAI, AMOS ; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index.ISBN: 0691043914
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Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2
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Access video Carlton, Vic.: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative, 1977.
Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource CentreSource: ATPlace: Carlton, Vic.Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operativePubDate: 1977PhysDes: v. : ill. ; 29 cmSubject: OPEN CHANNEL ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Notes: Cover title; Continues Access video newsISSN: 0158-989XLON: abn83046910; 2611345
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Access video news / National Access Media Association Melbourne: Video Resource Centre, 1975-1977.
Call No: held under ACCESS VIDEO; held vol.1 no 2 Sep 1975 - vol.6 no.3 Winter 1980 (incomplete)CorpAuthor: National Access Media Association; Video Resource Centre (Melbourne, Vic.)Source: ATPlace: MelbournePublisher: Video Resource CentrePubDate: 1975-1977PhysDes: 3 v. : ill. ; 29 cmSubject: OPEN CHANNEL ; INDUSTRY, TV. AUSTRALIA Notes: Caption title; Continued by Access newsISSN: 0313-726LON: abn84223888; 3419071
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Accident (1967) in Hobart film news (November/December 1979) vol.32 iss.10 p.4-5, 8
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Ace Buys Perth Properties in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia
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Ace of space in Sunday Herald Sun [Scene] (19/03/2017) p.4
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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Across the sea : Japan Cultural Centre news North Sydney: Japan Cultural Centre, Sydney, 1993.
Call No: held no.3- Oct. 1993- lacks no.6,8-9,14-15,19CorpAuthor: Japan Cultural Centre (Sydney, N.S.W.)Source: ATPlace: North SydneyPublisher: Japan Cultural Centre, SydneyPubDate: 1993Subject: JAPAN ISSN: 1328-4592Order Notes: CurrentFrequency: Quarterly, Apr. 1997; Formerly: Bimonthly, June 1993-Feb. 1997LON: abn93333646; 10389497
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Acting's real deal in Sunday Age [M] (09/08/2015) p.4
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Action adventure with a gruelling schedule in Encore (14-27 Aug 1986) vol.4 iss.14 p.31-32
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19
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Activism, community and governance : Barry Barclay's The Kaipara affair in Studies in Australasian cinema (2007) vol.1 iss.2 p.147-159
Author: Murray, Stuart PhysDes: ArticleSubject: KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: This article discusses the most recent film made by Maori film-maker Barry Barclay, the 2005 documentary feature The Kaipara affair, which centres on disputes over fishing rights in the Kaipara harbour in the North Island of New Zealand. It sees the film as a continuation of Barclay's method of activist film-making, which demands that Indigenous communities are represented through cultural modes and forms that extend from within the communities themselves. It also stresses the ways in which Barclay's film-making method revises a number of the traditions of activist documentary film-making. Finally, the article examines the controbersy surrounding the recutting of the film for screening on national television, seeing the event as symptomatic of the cultural tensions that exist in New Zealand over the representation of Maori activism. -- ABSTRACT
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Des Adams new chairman in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
SEE
DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
SEE
FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
SEE
BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
SEE
TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
SEE
ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Adapting Australian film : Ray Lawrence from Bliss to Jindabyne in Studies in Australasian cinema (2009) vol.3 iss.3 p.295-308
Author: Rayner, Jonathan PhysDes: ArticleSubject: ADAPTATIONS. AUSTRALIA ; LAWRENCE, RAY ; BLISS (AT, Ray Lawrence, 1985) ; LANTANA (AT, Ray Lawrence, 2001) ; JINDABYNE (AT, Ray Lawrence, 2005) Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract
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Adding to shock value in Weekend Australian [Review] (22/10/2016) p.14
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972.
Call No: 81TRU MANAuthor: Trumbo, Dalton Source: CNPlace: TorontoPublisher: Bantam BooksPubDate: 1972PhysDes: 620 p. ; 18cmSubject: TRUMBO, DALTON ; GUY NAMED JOE, A (US, Victor Fleming, 1943) ; EXODUS (US, Otto Preminger, 1960) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; SPARTACUS (US, Stanley Kubrick, 1960) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]Notes: Includes indexISBN: 55306951195
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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Adrienne Pickering in Sun Herald [Sunday Life] (16/04/2017) p.1
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19
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Adventures in the b-movie trade / Brian Trenchard-Smith [USA]:
Call No: 81 TRE TREAuthor: Trenchard-Smith, Brian Edition: 2020Place: [USA]PhysDes: 580 pages : illustrated ; 26 cmSubject: TRENCHARD-SMITH, BRIAN ; PAGE, GRANT ; LEE, BRUCE ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976) ; STUNT ROCK (NE, Brian Trenchard-Smith, 1978) ; BMX BANDITS (AT, Brian Trenchard-Smith, 1983) ; FROG DREAMING (AT, Brian Trenchard-Smith, 1985) ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurbISBN: 9798985674705
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22
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[Adventures of Barry McKenzie : stills file]
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[Adventures of Priscilla, Queen of the desert, The : stills file] / Lockwood, Elise Roadshow Film Distributors,
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Un Aereo per Baalbeck (1963) in Australian film guide vol.1 iss.12 p.44
Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: ArticleSubject: AEREO PER BAALBECK, UN (IT/FR/LE, Marcello Giannini, 1964) ; FBI OPERAZIONE BAALBECK (IT/FR/LE, Marcello Giannini, 1964) ; LAST PLANE TO BAALBEK (IT/FR/LE, Marcello Giannini, 1964) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - Although the article refers to the film as "Un Aereo per Baalbeck" that was the working title only, with the film more commonly known as "F.B.I. Operazione Baalbeck". - "Last Plane to Baalbek" (English title)
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017.
Call No: 451-053.6(73) COLAuthor: Colling, Samantha Place: New YorkPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: vii, 167 pages ; 24 cm.Subject: TEEN FILMS ; YOUNG PEOPLE IN FILMS ; MEAN GIRLS (US, Mark Waters, 2004) ; HAIRSPRAY (US, John Waters, 1988) ; HOUSE BUNNY, THE (US, Fred Wolf, 2008) ; WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index.ISBN: 9781501349010Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992.
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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AFC/AusFilm work AFM in Encore (12 Mar, 1999) vol.17 iss.4 p.5
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AFC Documentary Fellowship : carving out new territory for the documentary in Encore (24 April-6 May 1987) vol.5 iss.6 p.18-19
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AFC future options : small players in the corporation sector in Filmnews (Australia) (May-87) vol.XVII iss.4 p.3
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19
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Affair with 'our Nicole' rekindled in Daily Telegraph [Sydney Confidential] (20/05/2017) p.28
Call No: PERSONALITY CLIPPINGS FILE; KIDMAN, NICOLEAuthor: Rawsthorne, Sally PhysDes: Clippings File ArticleSubject: STARS. AUSTRALIA ; KIDMAN, NICOLE Summary: Looking at the recent postive press that actor Nicole Kidman has received recently for her roles in various films and tv shows
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L'Affaire d'une Nuit (1960) in Australian film guide vol.1 iss.12 p.44
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L'Affaire Lafarge (1938) in Australian film guide vol.1 iss.12 p.44
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L'Affare Beckett (1966) in Australian film guide vol.1 iss.12 p.49
Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: ArticleSubject: AFFARE BECKETT, L' (IT/FR, Osvaldo Civirani, 1966) ; JUNGLE DES TUEURS FRANCE, LA (IT/FR, Osvaldo Civirani, 1966) ; BECKETT AFFAIR, THE (IT/FR, Osvaldo Civirani, 1966) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). "L'Affare Beckett" is also known as "La Jungle des Tueurs France" (French title) and as "The Beckett Affair" (English title)
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Affective authorship : contemporary Asian Australian documentary in Studies in Australasian cinema (2008) vol.2 iss.2 p.157-170
Author: Smaill, Belinda PhysDes: ArticleSubject: DOCUMENTARY FILMS. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; ETHNIC GROUPS AND THE CINEMA ; PSYCHOLOGICAL EFFECTS OF FILMS ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; LETTERS TO ALI (AT, Clara Law, 2004) ; SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999) ; CHINESE TAKEAWAY (AT, Mitzi Goldman, 2002) Summary: Documentary is a genre not widely understood through its capacity to engage the emotions. This article works to acknowledge the affective labour performed by documentary and, more specifically, the way emotions give meaning to documentary subjects. The analysis explores the production of Asian Australian subjects as documentary authors in four prominent films produced over the previous decade: Chinese Takeaway (Mitzi Goldman, 2002), Sadness: A Monologue by William Yang (Tony Ayres, 1999), The Finished People (Khoa Do, 2003) and Letters to Ali (Clara Law. 2004). These texts allow for a fruitful examination of the way the emotions that shape the expression of these author-subjects, such as mourning and care, might impact on the documentary representation of cultural otherness. Asian Australian subjectivity coalesces in and around these texts in a manner that is founded on the activity of mourning. Included here are not only the bereavements of loved ones, but also the losses that are bound to the movements of modernity, such as the lost fullness which is the promise of diaspora, the failure or absence of universal citizenship and the lack of safety in life lived in advanced capitalism. This article explores not only the absences suggested in these films, but also how these absences present a site of ethical encounter for the viewer that both resists reducing and assimilating the Asian Australian author to a devalued ethnic other while also addressing a community of viewers through a relation of reciprocity based in caring attachments to the social realm. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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Affleck aims for gangster big-time but misses target in Daily Telegraph (26/01/2017) p.28
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Affleck goes in mob handed in Daily Telegraph (26/01/2017) p.28
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AFI contracts update in Filmnews (Australia) (Apr-87) vol.XVII iss.3 p.2
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AFI elects directors in Filmnews (Australia) (May-77) vol.VII iss.4 p.10
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1
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AFI-NFT merger set in Filmnews (Australia) (Apr-79) vol.IX iss.4 p.1
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AFI non-feature awards in Filmnews (Australia) (Jul-92) vol.XXII iss.6 p.2
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AFI's tasks in Filmnews (Australia) (Feb-90) vol.XX iss.1 p.2
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AFI takes a plunge in Filmnews (Australia) (Apr-88) vol.XVIII iss.3 p.3
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; INDEPENDENT DISTRIBUTION. AUSTRALIA Summary: Discusses AFI Distribution's strategies to gain larger audiences for independent Australian films in 1988, through subject campaigns, publicity to major market segments, an expanded home video rental market, and new pricing policies for home videos.Notes: Article
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AFI takes issue in Filmnews (Australia) (Sep-82) vol.XII iss.9 p.2
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AFM, Cape Town, Cannes, Sydney, and Karlovy Vary Film Festival in Australasian Cinema (16/4/1982) vol.11 iss.6 p.11
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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AFMA elects Andrew Vajna as president in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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[Afraid to dance : stills file] Seddell Pty Ltd,
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993.
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute,
Call No: 71 (6) AFRAuthor: Australian Film Institute Place: SydneyPublisher: Australian Film InstitutePhysDes: 32 unnumbered pages : illustrations ; 21 cmSubject: VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINYE (ML, Souleymane Cisse, 1982) ; NYMANTON (ML, Cheik Omar Sissoko, 1986) ; HARVEST: 3000 YEARS (ET, Haile Gerima, 1976) ; AFRICAN CAMERA (TI, Ferid Boughedir, 1983) ; WEST INDIES STORY (MU, Med Hondo, 1979) ; VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987) ; TOUKI BOUKI (SG, Djibril Diop Mambety, 1973) ; KADDU BEYKAT (SG, Safi Faye, 1975) ; BOPHA (US/SA, Daniel Riesenfeld, 1986) ; SONG OF THE SPEAR (UK, 1985) ; ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985) ; MANDELA (US, Peter Davis, 1986) ; CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987) ; SAMBIZANGA (AL, Sarah Maldoror, 1972) ; MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968) ; AFRICA ; AFRICA IN FILMS ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992.
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009.
Call No: 730.5.0(6) DOVAuthor: Dovey, Lindiwe Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2009PhysDes: xviii, 334 p. : ill.Series: Film and cultureSubject: AFRICA IN FILMS ; AFRICAN COUNTRIES ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS ; VIOLENCE IN FILMS ; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996) ; TSOTSI (UK/SA, Gavin Hood, 2005) ; WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998) ; CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995) ; KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001) ; GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVERISBN: 9780231147552Donation: donated by Senses of Cinema, 2012Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010'sAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: AUSTRALIA ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; SHERPA (AT/NP, Jennifer Peedom, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; GOLDSTONE (AT, Ivan Sen, 2016) ; JASPER JONES (AT, Rachel Perkins, 2017) ; LION (AT, Garth Davis, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo; foreword by Tamar Jeffers McDonald Detroit, Michigan: Wayne State University Press, 2021.
Call No: 733.3 AFTEdition: 2021Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2021PhysDes: xviii, 362 pages : illustrated ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: ROMANTIC COMEDY ; ALLEN, WOODY ; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014) ; CRAZY RICH ASIANS (US, Jon M. Chu, 2018) ; HONG SANG-SOO ; LINKLATER, RICHARD ; UP IN SMOKE (US, Lou Adler, 1978) ISBN: 9780814346747
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After Indonesia Calling : An exegesis submitted in part fulfillment of the requirements for a degree of Doctor of Philosophy / Submitted by John Hughes Melbourne: School of Media and Communication, College of Design and Social Context, RMIT University, November 2012.
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After the Co-op : the AFI or "the Cohen"? in Filmnews (Australia) (May-86) vol.XVI iss.2 p.5-6
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12
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The age of the dream palace : cinema and society in Britain 1930-1939 / Jeffrey Richards London Boston: Routlege & K. Paul, 1984.
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Ageing Wolverine's sharp new start in Sunday Age [M; Inside Out] (05/03/2017) p.11
Call No: TITLE CLIPPINGS FILE; LOGAN (US, James Mangold, 2017)Author: Mathieson, Craig PhysDes: Clippings File ArticleSubject: LOGAN (US, James Mangold, 2017) Summary: Review of the film LOGAN, starring Hugh JackmanRating: 4 out of 5 stars
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AI KAEN SEUPIKEU [I CAN SPEAK] : (KO, Kim Hyun Je-hoon, 2017)
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AIC newsletter : Arts Industry Council (Victoria) Melbourne: Arts Industry Council (Victoria),
Call No: held vol.10 no.1- Feb.1999-CorpAuthor: Arts Industry Council (Victoria)Source: ATPlace: MelbournePublisher: Arts Industry Council (Victoria)PhysDes: vol.Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA Order Notes: Current
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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Airport in Interview (1970) vol.1 iss.6 p.16-17
Author: Corliss, Richard PhysDes: ArticleSubject: SEATON, GEORGE ; HUNTER, ROSS ; AIRPORT (US, George Seaton, 1970) Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden filmNotes: Review
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The airways belong to you? in Lumiere (March-April, 1972) iss.14 p.28-29
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Akira Kurosawa and intertextual cinema / James Goodwin Baltimore: Johns Hopkins University Press, 1994.
Call No: 81KUR GOOAuthor: Goodwin, James, 1945 Place: BaltimorePublisher: Johns Hopkins University PressPubDate: 1994PhysDes: xi, 265 p. : ill. ; 23 cmSubject: KUROSAWA AKIRA Notes: Includes bibliographical references (p. [245]-253) and indexISBN: 0801846609 (acid-free paper); 0801846617 (pbk. : acid-free paper)LON: 93015618; 9986196ID2: 291
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[Alan Hopgood Collection]
Call No: DONATION - ALAN HOPGOODSource: ATPhysDes: 1 boxSubject: HOPGOOD, ALAN ; ALVIN PURPLE (AT, Tim Burstall, 1973) ; ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974) ; BELLBIRD [TV] (AT, 1967-1977) ; PACIFIC BANANA (AT, John Lamond, 1981) Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection.
Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors.
Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research CollectionDonation: donated by Alan Hopgood, 2010ID2: 56
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Alan Ladd, Jr. appt'd pres./chief opperating officer MGM/UA Ent. in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
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Alarm bells for Aussie drama in The Australian [Media] (02/11/2015) p.29
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Aldous Huxley and film / by Virginia M. Clark Metuchen, N.J.: Scarecrow Press, 1987.
Call No: 81HUX VIRAuthor: Clark, Virginia M. (Virginia Martha) Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1987PhysDes: xii, 155 p., [14] p. of plates : ill. ; 22 cmSubject: HUXLEY, ALDOUS Notes: Includes index; Filmography: p. 131-134; Bibliography: p. 135-141ISBN: 0810820021LON: 87012308; 5331399
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Levy Collection
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Alex : In between / Maureen McCarthy Ringwood, Vic: Penguin Books, 1991.
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8
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Alexander Kluge & The occasional work of a female slave / edited by Jan Dawson South Perth, W.A.: Perth Film Festival, 1975.
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Alexander Korda : the man who could work miracles / Karol Kulik New Rochelle [N.Y.]: Arlington House, 1975.
Call No: 81KOR KULAuthor: Kulik, Karol, 1949 Place: New Rochelle [N.Y.]Publisher: Arlington HousePubDate: 1975PhysDes: 407 p., 16 leaves of plates : ill., ports. ; 22 cmSubject: KORDA, ALEXANDER Notes: Includes index; Bibliography: p. 388-394; Filmography: p. 337-384ISBN: 0870003356LON: abn80022143; 1776275
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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991.
Call No: 81HIT SHAAuthor: Sharff, Stefan Place: New YorkPublisher: Columbia University PressPubDate: 1991PhysDes: vii, 258 p. : ill. ; 24 cmSubject: HITCHCOCK, ALFRED ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; FRENZY (US, Alfred Hitchcock, 1972) ; FAMILY PLOT (US, Alfred Hitchcock, 1976) ; LANGUAGE AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0231069146 (acid-free paper)LON: 7477298Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --
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Alice doesn't : feminism, semiotics, cinema / Teresa de Lauretis Bloomington: Indiana University Press, 1984.
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Interim
book
Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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Crawford collection
still
[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?].
Call No: CRAWFORD STILL ALISource: ATPublisher: Crawford Productions [distributor]PubDate: [1986?]PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mmSubject: JONES, ROSEY ; WATERS, JOHN (AT) ; VAUGHAN, MARTIN ; STORM, ESBEN ; JACOBS, STEVE ; SMITHERS, JOY ; CRACKNELL, RUTH ; MAGUIRE, GERARD ; LUNNEY, BRENDON ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to NowhereNotes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storageDonation: Gift of Crawford Productions
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journal article
The Alien Queen - "Aliens" : Ingenious rod puppets designed by Doug Beswick made the Alien Queen come alive in combat in Cinefantastique (October 1986) vol.16 iss.4/5 p.10, 123
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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The alienated observed by an alien presence in Encore (27 Aug - 9 Sep 1987) vol.5 iss.15 p.20-21
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The alienated obseved by an alien presence in Encore (27 Aug - 9 Sep 1987) vol.5 iss.15 p.20-21
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All about Lawrence of Arabia / by Alistair MacLean ; illustrated by Gil Walker London: W.H. Allen, 1962.
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All investment in $7.3m film filled in Australasian Cinema (15/7/1983) vol.12 iss.12 p.24
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Along film row in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.6, 9
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland
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Along film row in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.4,7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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journal article
Along film row in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.6-7
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Along film row in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.7
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Along film row in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.6-7
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Along Film Row in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.6-7
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Along Film Row in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.6-7
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Along film row in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.6
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Along film row in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.6
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Along film row in Australasian Cinema p.6-7
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Along Film Row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.6
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Along film row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.9
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21
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Along film row in Australasian Cinema (15/7/1983) vol.12 iss.12 p.34, 36-37
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7
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Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11
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Along Film Row in Australasian Cinema p.10-12
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Along Film Row in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14-15
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7
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Along Film Row in Australasian Cinema (11/3/1983) vol.12 iss.4 p.6-7
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Along Film Row in Australasian Cinema (25/2/1983) vol.12 iss.3 p.6-8
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4, 6-7
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (25/6/1982) vol.11 iss.11 p.6-7
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7
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Along Film Row in Australasian Cinema (16/4/1982) vol.11 iss.6 p.10
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Along Film Row in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.10-12
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6
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Interim
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Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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Alyssa McClelland in Empire (Australian Ed.) (December 2004) iss.45 p.443
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title clippings file
I AM A CHILD GENIUS [TV] : (AT, 2007-)
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I Am A Fugitive From A Chain Gang in Metro (1997) iss.111 p.51
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I AM A GIRL : (AT/US/PP/CM/CB/AF, Rebecca Barry, 2013)
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I Am A Girl in Australian Cinematographer (December 2012) iss.56 p.30-37
Author: Daly, Nicola PhysDes: ArticleSubject: DOCUMENTARY FILMS ; BARRY, REBECCA ; I AM A GIRL (US, Rebecca Barry, 2013) Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea
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I AM A SINGER : (AT, Megan Heywood, 1997)
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I AM AN OLD TREE : (CN, Michael Rubbo, 1975)
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I AM BECAUSE WE ARE : (US, Nathan Rissman, 2008)
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I AM BIG BIRD: THE CAROLL SPINNEY STORY : (US, Dave LaMattina and Chad N. Walker, 2014)
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I AM CAIT [TV] : (US, 2015)
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I AM ELEVEN : (AT, Genevieve Bailey, 2011)
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AM FAA : (HK, Patrick Yau, 1998)
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I AM GRETA : (SW/US/GG/UK, Nathan Grossman, 2020) Digital clippings file available
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I AM HEATH LEDGER : (CN, Adrian Buitenhuis/Derik Murray, 2017) Digital clippings file available
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I AM LEGEND : (US, Francis Lawrence 2007)
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I AM MICHAEL : (US, Justin Kelly, 2015)
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I AM MOTHER : (AT, Grant Sputore, 2019)
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AM MUU GIAY GOT NHON : (V, Ham Tran, 2013)
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I AM NO BIRD : (AT, Em Baker, 2020)
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I AM NO GOD : (AT, Barrie Pattison, 1982)
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I AM NOT A SERIAL KILLER : (IE/UK, Billy O'Brien, 2016)
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I AM NOT A WITCH : (UK/FR, Rungano Nyoni, 2017)
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I AM NOT AN EASY MAN [JE NE SUIS PAS UN HOMME FACILE] : (FR, Eléonore Pourriat, 2020) Digital clippings file available
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I AM NOT YOUR NEGRO : (SZ/FR/BE, US, Raoul Peck, 2016) Digital clippings file available
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I AM NUMBER FOUR : (US, D J Caruso)
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I AM PAUL WALKER : (US, Adrian Buitenhuis, 2018)
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I AM SAM : (US, Jessie Nelson, 2001)
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I AM SEX ADDICT : (US, Caveh Zahedi, 2005)
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I AM THAT : (US, Joy Marzec, 2020)
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I AM THE CHEESE : (US, Robert Jiras, 1983)
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I AM THE FUTURE : (RH, Godwin Mawuru, 1994)
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I AM THE NIGHT [TV] : (US, 2019-)
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I AM TRYING TO BREAK YOUR HEART : (US, Sam Jones, 2002)
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I AM TRYING TO BREAK YOUR HEART : (US, Sam Jones, 2002)
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I AM WOMAN : (AT, Unjoo Moon, 2019) Digital clippings file available
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script
I am woman / screenplay by Emma Jensen Digital clippings file available
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Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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AMANTES PASAJEROS, LOS : SP, Pedro Almodovar, 2013
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The amazing careers of Bob Hope : from gags to riches / by Joe Morella, Edward Z. Epstein and Eleanor Clark London New York: W. H. Allen, 1974.
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968.
Call No: 802.25(73) SARAuthor: Sarris, Andrew Edition: [1st ed.]Place: New YorkPublisher: DuttonPubDate: 1968PhysDes: 383 p. 22 cmSubject: DIRECTORS. USA ; LUBITSCH, ERNST ; LOSEY, JOSEPH ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; OPHULS, MAX ; VON STERNBERG, JOSEF ; PREMINGER, OTTO ; STURGES, PRESTON ; WALSH, RAOUL ; LEWIS, JERRY ; WELLES, ORSON LON: 31835
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serial
American cinematographer : Shooting in the U.K. July 1998.
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An American comedy / acted by Harold Lloyd ; directed by Wesley W. Stout New York: Longman, Green & Co., 1928.
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American dreaming : the films of John Cassavetes and the American experience / Raymond Carney Berkeley: University of California Press, 1985.
Call No: 81CAS CARAuthor: Carney, Raymond Place: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: x, 335 p. : ill. ; 24 cmSubject: CASSAVETES, JOHN ; FACES (US, John Cassavetes, 1968) ; GLORIA (US, John Cassavetes, 1980) ; HUSBANDS (US, John Cassavetes, 1970) ; KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976) ; MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971) ; SHADOWS (US, John Cassavetes, 1960) ; TOO LATE BLUES (US, John Cassavetes, 1961) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311ISBN: 0520050991LON: 3055051Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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American export monopoly calls the tune in Australian Financial Review (27/06/1972) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985.
Call No: 71(73) AMEAuthor: Balio, Tino Edition: Rev. edPlace: Madison, Wis.Publisher: University of Wisconsin PressPubDate: c1985PhysDes: xi, 664 p. : ill. ; 23 cmSubject: USA ; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50LON: 3666491 3666491
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The American film industry : A historical dictionary Westport, Connecticut: Greenwood Press, 1986.
Call No: 201(73) SLIAuthor: Slide, Anthony Place: Westport, ConnecticutPublisher: Greenwood PressPubDate: 1986PhysDes: 24 cm ; x,432 pagesSubject: INDUSTRY, FILM. USA ISBN: 0313246939AFIRC Location: Stacks
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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American Film Market sideline in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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American Film Marketing Assocn. appoints DDA in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987.
Call No: 735.2 WALAuthor: Waller, Gregory A. (Gregory Albert), 1950 Place: UrbanaPublisher: University of Illinois PressPubDate: c1987PhysDes: 228 p., [10] p. of plates : ill. ; 23 cmSubject: HORROR FILMS. USA ; DE PALMA, BRIAN ; POLANSKI, ROMAN ; HALLOWEEN (US, John Carpenter, 1978) ; HELL NIGHT (US, Thomas De Simone, 1981) ; HOWLING, THE (CN, Joe Dante, 1981) ; REPULSION (UK, Roman Polanski, 1965) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; EXORCIST, THE (US, William Friedkin, 1973) ; EYES OF LAURA MARS (US, Irvin Kershner, 1978) ; EYES OF A STRANGER (US, Ken Wiederhorn, 1981) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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American nightmare : Essays on the horror film / Edited by Robin Wood and Richard Lippe Toronto: Festival of Festivals, 1979.
Call No: 735.2 WOOAuthor: Wood, Robin ; Lippe, Richard Edition: 1979Place: TorontoPublisher: Festival of FestivalsPubDate: 1979PhysDes: 21 cm ; 100 pagesSubject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979) ; ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976) ; SISTERS (US, Brian De Palma, 1972) ; JAWS (US, Steven Spielberg, 1975) ; COHEN, LARRY ; ROMERO, GEORGE ; EXORCIST, THE (US, William Friedkin, 1973)
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Odyssee americaine. English / Elia Kazan ; edited by Michael Ciment London: Bloomsbury, 1988.
Call No: 81KAZ CIMAuthor: Kazan, Elia ; Ciment, Michel, 1938 Place: LondonPublisher: BloomsburyPubDate: 1988PhysDes: 237 p. : ill., ports ; 27cmSubject: KAZAN, ELIA Notes: Translation of: Une odyssee americaineISBN: 0747502412 (pbk) : ª12.95 : CIP revLON: bnb74750241; 5807928
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993.
Call No: 802.24(73) SCHAuthor: Wright, Thomas Lee, 1953 ; Schanzer, Karl Place: New YorkPublisher: Avon BooksPubDate: c1993PhysDes: xii, 274 p. ; 22 cmSubject: SCRIPTWRITERS. USA ; PRODUCTION DEALS ; VALDEZ, LUIS ; BLACK, SHANE ; CAMERON, JAMES ; PRICE, RICHARD ; RUBIN, BRUCE JOEL ; KHOURI, CALLIE ; ROBINSON, PHIL ALDEN ; SINGLETON, JOHN ; DIXON, LESLIE ; THOMPSON, CAROLINE ; KAZAN, NICHOLAS ; ESZTERHAS, JOE ; RASCOE, JUDITH ; GANZ, LOWELL ; MANDEL, BABALOO ; RICKMAN, THOMAS ; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.)LON: 9905548 9905548
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American silent film / William K. Everson New York: Oxford University Press, 1978.
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journal article
An American Werewolf in London in Films illustrated (August 1981) vol.10 iss.119 p.422-423
Author: Landis, John PhysDes: ArticleSubject: LANDIS, JOHN ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: John Landis talks about what triggered his interest in the supernatural and in metamorphosis. He particularly focuses on werewolf mythology and the idea of lycanthropy. Landis also lists a number of movies, predating his "An American Werewolf in London", that are metamorphosis themed, including "The Wolfman" and "A Midsummer Night's Dream"
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AMOUR IMPOSSIBLE, UN [IMPOSSIBLE LOVE, AN] : (FR/BE, Catherine Corsini, 2018)
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Ana Kokkinos : an oeuvre of outsiders / Kelly McWilliam Edinburgh: Edinburgh University Press, 2020.
Call No: 81 KOK MCWAuthor: McWilliam, Kelly Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: 130 pages : illustrations ; 22 cmSeries: Visionaries: thinking through female filmmakersSubject: KOKKINOS, ANA ; ONLY THE BRAVE (AT, Ana Kokkinos, 1994) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BOOK OF REVELATION (AT, Ana Kokkinos, 2005) ; BLESSED (AT, Ana Kokkinos, 2009) ; WOMEN FILMMAKERS ; WOMEN FILMMAKERS. AUSTRALIA Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover.Notes: Includes bibliographical references and index.
Bibliography: (pages 112-125)
Filmography: (pages 126-127)ISBN: 9781474431071Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index.
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Anarchists in films / by Pietro Ferrua Portland, Or.: P. Ferrua, 1983.
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981.
Call No: 201(73) ANAAuthor: Pirie, David Source: UKPlace: LondonPublisher: W. H. Smith & Son LtdPubDate: 1981PhysDes: 320 p. : illus. ; 26 cmSubject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies.Notes: Includes index.ISBN: 0711200645ID2: 228
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Online resource
digital clippings file
LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD : (US, Werner Herzog, 2016) Digital clippings file available
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newspaper article
And the winner is...Jackman's Logan in Weekend Australian [Review] (04/03/2017) p.15
Call No: TITLE CLIPPINGS FILE; LOGAN (US, James Mangold, 2017)Author: Romei, Stephen PhysDes: Clippings File ArticleSubject: LOGAN (US, James Mangold, 2017) Summary: Review of the film LOGAN, starring Australian actor Hugh JackmanRating: 4 out of 5 stars
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Andrew Lau and Alan Mak's Infernal Affairs - the trilogy / Gina Marchetti Hong Kong: Hong Kong University Press, 2007.
Call No: 792INF MARAuthor: Marchetti, Gina Source: HKPlace: Hong KongPublisher: Hong Kong University PressPubDate: 2007PhysDes: xii, 210 pages : illustrations ; 19 cmSeries: The New Hong Kong CinemaSubject: HONG KONG CINEMA ; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002) ; INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003) ; INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003) Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURBNotes: Includes bibliographical referencesISBN: 9789622098015Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema
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journal article
Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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journal article
Andy Pandy goes feral in Metro (2000) iss.121/122 p.60-66
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newspaper article
'Angel' investor in $1m wager in Saturday Age [Arts] (29/8/15) p.39
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journal article
Angel street - a sad surprise in Theatre Aust (November 1981) vol.6 iss.3 p.59
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journal article
Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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LOS ANGELES IN FILMS
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LOS ANGELES PLAYS ITSELF : (US, Thom Anderson, 2003)
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journal article
Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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journal article
Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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newspaper article
Animal magnetism in Sydney Morning Herald [Spectrum] (24/10/2015) p.16
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newspaper article
Animated fun that's more than a panda can bear in Sunday Telegraph [Insider] (20/03/2016) p.121
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017.
Call No: 772 FURAuthor: Furniss, Maureen Edition: 2017Place: LondonPublisher: Thames & HudsonPubDate: 2017PhysDes: 464 pages : illustrated ; 28 cmSubject: ANIMATION ; PRE-CINEMA HISTORY ; ART AND THE CINEMA ; DISNEY, WALT ; EXPERIMENTAL FILMS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; STOP-MOTION TECHNIQUE ; JAPAN ; MIYAZAKI, HAYAO ; UPA ; COMIC STRIPS AND THE CINEMA ; COMIC STRIP CHARACTERS IN FILMS ; COMIC STRIP CHARACTERS ON TV ; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web siteISBN: 9780500252178
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006.
Call No: 81MIY CAVAuthor: Cavallaro, Dani Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company Inc.PubDate: 2006PhysDes: viii, 204p. ; 26cm.Subject: MANGA ; MIYAZAKI, HAYAO ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; ON YOUR MARK (JA, Hayao Miyaki, 1995) ; MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.Notes: Includes bibliography and index.
Filmography: p. 181-186.ISBN: 0786423692
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Anime Explosion! : The What? Why? & Wow! of Japanese Animation / Patrick Drazen Berkeley, Calif.: Stone Bridge Press, 2003.
Call No: 772 (52) DRAAuthor: Drazen, Patrick Source: USPlace: Berkeley, Calif.Publisher: Stone Bridge PressPubDate: 2003PhysDes: 369 p. : ill. ; 23 cmSubject: ANIMATION ; HOMOSEXUALITY IN FILMS. ASIA ; MIYAZAKI, HAYAO ; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000) ; MANGA Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion.Notes: Afterword: The Future of Anime: p.349-357
Bibliography: p.359-362
Index of Names and Titles: p.363-369
Includes Viewing NotesISBN: 1880656728
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Anime from Akira to Howl's Moving Castle : experienceing contemporary Japanese animation / Susan Napier Basingstoke, England: Palgrave Macmillan, 2005.
Call No: 772(520) NAP; 2 copiesAuthor: Napier, Susan Edition: RevisedSource: US/UKPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2005PhysDes: 355 p. ; 24 cmSubject: ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; MIYAZAKI, HAYAO ; AKIRA (JA, Katsuhiro Otomo, 1989) ; GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995)
SEE
KOKAKU KIDOTAI ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; BAREFOOT GEN (JA, Masaki Mori, 1983) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
SEE
MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989) Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURBNotes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.ISBN: 9781403970527Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --
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Ann Hui's Song of the exile / Audrey Yue Hong Kong: Hong Kong University Press, 2010.
Call No: 79KET YUEAuthor: Yue, Audrey Source: HKPlace: Hong KongPublisher: Hong Kong University PressPubDate: 2010PhysDes: xii, 148 p. : ill. ; 19 cmSeries: The New Hong Kong cinema seriesSubject: IMPERIALISM AND THE CINEMA ; HUI, ANN ; KE TU CHIU HEN (HK/TZ, Ann Hui, 1990) Summary: "With due emphases on diasporic intimacies, cine-feminism, and transcultural literacy, Audrey Yue has written a sensitive and lucid study, doing justice to a remarkable film by a remarkable director."---Rey Chow, Duke University --
"This book pushes the boundaries of existing studies on Hong Kong cinema studies. Yue provides us with innovative ways of reading intimacy in the diaspora: as nostalgia for the familiar or idealised; as cultural memories that make up diasporic archives; as modes of transformation of kinship Structures; as affects produced through new media technologies. The book concludes with a self-reflexive exploration of teaching Song in Australia. By situating the film under the rubric of critical multiculturalism, Yue demonstrates how the teaching of postcolonial cinema can be sustained as a political pedagogy that resists the pluralist demands of a neoliberal curriculum. This is a carefully researched, rigorously analytical and intellectually profound study that will make its mark in the fields of diaspora, transcultural communication and cinema studies."---Jacqueline Lo, Australian National University --
The resolutely independent filmmaker Ann On-wah Hui continues to inspire critical acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a pioneering career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. --
In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonate strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favourite among returning Hong Kong emigrants and international cinema students. --
This book examines how Hui challenges the myth of the original home as singular, familial and romantic, and constructs the second home as a new space for Hong Kong modernity. Yue also discusses the teaching of the film in the diaspora, demonstrating its potential as an affective and performative text of transcultural literacy and diasporic negotiations in the cross-cultural classroom. --Book Jacket.Notes: includes filmography; includes bibliographical referencesISBN: 9789888028757Contents: -- Series Preface -- Acknowledgements -- Introduction -- 1. The Diasporas of Hong Kong -- 2. Re-turn to Hong Kong: Authorship, Memory, Intimate Biography -- 3. Teaching Song of the Exile in the Diaspora: Minor Cinema, Transcultural Literacy and Border Pedagogy -- Notes -- Awards and Nominations -- Ann Hui's Filmography -- Bibliography --ID2: 91
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Annotated bibliography on Japanese Cinema / Sharon I. Clerke 1980.
Call No: 71(52)(01) CLEAuthor: Clerke, Sharon I. Source: ATPubDate: 1980PhysDes: 18 p. ; 30 cmSubject: JAPAN Summary: A bibliography of different books, and magazines, on Japanese Cinema
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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newspaper article
Another day in the life in Weekend Australian [Review] (23/08/2016) p.14
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journal article
Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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Anthony Burgess : A personal selection in National Film theatre (Jan 1984) p.10-13
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Anthony Minghella's The English Patient : Monoscopic seeing of novelistic heteroglossia in UTS Review (Nov 1998) vol.4 iss.2 p.57-79
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3
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Anzac Day March and Re-union 1983 1st Australian Cinema Unit Assoc. in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2
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Apa siapa orang film Indonesia, 1926-1978 / disusun oleh Sinematek Indonesia dengan bantuan Badan Penelitian dan Pengembangan Penerangan, Departemen Penerangan R.I. ; [gambar kulit, Syakier] [Jakarta]: Yayasan Artis Film : Sinematik Indonesia, 1979.
Call No: 71(594) SIACorpAuthor: Sinematik Indonesia; Indonesia. Badan Penelitian dan Pengembangan PeneranganEdition: Ed. 1Place: [Jakarta]Publisher: Yayasan Artis Film : Sinematik IndonesiaPubDate: 1979PhysDes: xv, 560 p. : ill. ; 23 cmSubject: INDONESIA Notes: Errata (2 p.) insertedLON: 1823032
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Ape : monster of the movies / David Annan New York: Bounty Books, 1975.
Call No: 735.2 ANNAuthor: Annan, David Source: USPlace: New YorkPublisher: Bounty BooksPubDate: 1975PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cmSubject: FANTASTIC FILMS ; KING KONG (NZ/US, Peter Jackson, 2005) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKETNotes: Published by Lorrimer under title, Ape; the kingdom of Kong.ISBN: 0517521563Donation: donated by the family of Wayne Levy, 2006Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77
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Apocalypse-cinema : 2012 and other ends of the world / Peter Szendy; translated by Will Bishop; Foreword by Samuel Webber New York: Fordham University Press, 2015.
Call No: 735.1 SZEAuthor: Szendy, Peter ; Bishop, Will ; Webber, Samuel Edition: 2015Place: New YorkPublisher: Fordham University PressPubDate: 2015PhysDes: xx, 160 p. : illustrations ; 22 cmSeries: French VoicesSubject: APOCALYPSE IN FILMS ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964) ; TERMINATOR, THE (US, James Cameron, 1984) ; [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; WATCHMEN (US, Zack Snyder, 2009) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; BLADE RUNNER (US, Ridley Scott, 1982) ; [TWELVE] MONKEYS (US, Terry Gilliam, 1995) ; ROAD, THE (US, John Hillcoat, 2009) ; BLOB, THE (US, Chuck Russell, 1988) Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.
Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.
The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.
In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web siteISBN: 9780823264810
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Apocalypse in Australian fiction and film : a critical study / by Roslyn Weaver Jefferson, N.C.: McFarland & Company Inc., c2011.
Call No: 408.1(94) WEAAuthor: Weaver, Roslyn Source: USPlace: Jefferson, N.C.Publisher: McFarland & Company Inc.PubDate: c2011PhysDes: x, 230 p. : ill., maps ; 23 cmSeries: Critical explorations in science fiction and fantasy ; 28Subject: APOCALYPSE IN FILMS ; DISASTERS IN FILMS ; SCIENCE-FICTION FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MAD MAX [...] (AT, 1979-85) ; TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010) Summary: "This volume explores the role of Australia in apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse undermines complacency, foretells environmental disasters, critiques colonization, and serves as a vehicle of protest for minority groups"--Provided by publisherNotes: Includes bibliographic references and indexISBN: 978-0-7864-6051-9Contents: 1. An apocalyptic map: new worlds and the colonization of Australia -- 2. The shield of distance: apocalypse in Australian literature after 1945 -- 3. An apocalyptic landscape: the Mad max films -- 4. Children of the apocalypse: Australian children's literature -- 5. (Re)writing the end of the world: apocalypse, race and indigenous literature -- 6. The end of the human: apocalypse, cyberpunk and the Parrish Plessis novelsID2: 189
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Appertiser for the finale in Weekend Australian [Review] (22/11/2014) p.15
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The archive presents in National film theatre (Oct/Nov 1983) p.44
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The archive project : the realist film unit in Cold War Australia / by John Hughes John Hughes, Early Works, Australian Teachers of Media Inc (ATOM), c2013.
Call No: 79ARC HUGAuthor: Hughes, John Source: ATPublisher: John Hughes; Early Works; Australian Teachers of Media Inc (ATOM)PubDate: c2013PhysDes: xiii, 146 pages : illustrations (chiefly colour) ; 27 cmSubject: INDEPENDENT FILMMAKERS ; INDEPENDENT FILMMAKERS. AUSTRALIA ; FESTIVALS ; FESTIVALS. AUSTRALIA ; DOCUMENTARY FILMS ; COLD WAR FILMS. AUSTRALIA ; COLD WAR AND THE CINEMA. AUSTRALIA ; REALIST FILM UNIT AND ASSOCIATION, THE ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) Summary: "This 'book of the film' has been a long time in preparation.The Archive Project is an illustrated screenplay of the film of the same name that premiered at the Australian International Documentary Conference in 2006. The film quickly accumulated a number of awards and nominations including a Film Critics Circle of Australia Award for best feature documentary, a NSW Premiers History Prize, and nominations at the 2006 AFI Awards, the Australian Writers Guild Awards and the Australian Directors Guild Awards. The film won Best Tertiary Resource at the 2006 ATOM (Australian Teachers of Media) Awards. The book enhances the experience available through the film with greater editorial detail and rich pictorial documentation. Extra interviews included supplement a pictorial history of film culture and politics during Australia's cultural Cold War. An appendix lists all known screenings of the Melbourne Realist Film Association and breakout texts provide background information and succinct biographies of key players" -- BOOK BLURBNotes: Includes indexISBN: 9781742953281Donation: Donated by John HughesContents: -- acknowledgments -- preface -- introduction: Deane Williams -- the archive project screenplay -- chapter 1 days of hope -- chapter 2 workers' art -- chapter 3 the early films: "realism" -- chapter 4 these are our children -- chapter 5 screenings -- chapter 6 "adversely known" -- chapter 7 prices and the people -- chapter 8 a politics of fear -- chapter 9 phone taps and number plates -- chapter 10 vote 'no!' -- chapter 11 they chose peace -- chapter 12 after '56 -- interviews -- Phillip Adams -- Dick Mason -- Don Munro -- Dot Thompson -- Margaret Walker -- Realist film association screenings 1945-59 --
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Armand Assante is Mike Hammerin I, the jury : Film preview in Prevue (Dec/Jan 1983) vol.2 iss.10 p.32-37
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Armed with principles in Weekend Australian [Review] (05/11/2016) p.14
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An Army of Phantoms : American movies and the making of the Cold War / by J.Hoberman New York: The New Press, c2011.
Call No: 71(73) HOBAuthor: Hoberman, J. Source: US/UKPlace: New YorkPublisher: The New PressPubDate: c2011PhysDes: xxi, 383 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; USA ; FORT APACHE (US, John Ford, 1948) ; RIO GRANDE (US, John Ford, 1950) ; HIGH NOON (US, Fred Zinnemann, 1952) ; ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952) ; THEM! (US, Gordon Douglas, 1954) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade.
Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career.
Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe.
Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket.Notes: Includes bibliographical references (p. [341]-366) and indexISBN: 9781595580054Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --
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ARRETE OU JE CONTINUE : (FR, Sophie Fillieres, 2014)
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Arrows of desire : new directions in British film and video : an international tour / selected by Peter Wollen ; [notes by Michael O'Pray] London: ICA, Institute of Contemporary Arts, 1993?].
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Arrows of desire : the films of Michael Powell and Emeric Pressburger / Ian Christie London Boston: Faber and Faber, 1994.
Call No: 802(41) CHRAuthor: Christie, Ian, 1945 Edition: New edPlace: London BostonPublisher: Faber and FaberPubDate: 1994PhysDes: xx, 163 p. : ill. ; 22 cmSubject: PRESSBURGER, EMERIC ; Powell, Michael ; KORDA, ALEXANDER ; ARCHERS, THE Summary: Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film mastersNotes: Originally published : London : Waterstone, 1985; Includes bibliographical references (p. [117]-119) and index; Filmography (p. [120]-157)ISBN: 0571162711 (pbk)LON: 10846724
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Art history for filmmakers : the art of visual storytelling / Gillian McIver London: Bloomsbury, c2016.
Call No: 61:75 MCIAuthor: McIver, Gillian Source: US/UKPlace: LondonPublisher: BloomsburyPubDate: c2016PhysDes: 256 pages : illustrations (colour) ; 27 cmSubject: THEORY ; ART IN FILMS ; REALISM IN FILMS ; SEX AND THE CINEMA ; SEX IN FILMS ; VIOLENCE IN FILMS ; HORROR FILMS ; LANDSCAPES IN FILMS ; MOVEMENTS IN FILM HISTORY ; MOVEMENTS AND STYLES IN FILM HISTORY ; HEROS IN FILMS ; ART AND THE CINEMA Summary: "Since cinema's earliest days, literary adaptation has provided the movies with stories. But there is another way of looking at film, and that is through its close relationship with the visual arts. Art history for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. It reveals how the visual culture that gave rise to cinema has itself been shaped and informed by the development of painting, the oldest of the art forms.Featuring stunning images from classic films and iconic artwork, this book will build your appreciation of the history of art, enrich your understanding of the visual language of film, and help to feed that understanding into your own original filmmaking" -- BACK COVER BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781472580658Donation: Senses of CinemaContents: Introduction. How does art history relate to cinema history? -- A brief linear (traditional) history of art - -Toward an "alternative" history of art -- Visual culture and storytelling. Narrative and storytelling in art -- Color and narrative -- Kandinsky's color theory in painting and in cinema -- Perspective and composition -- Light -- Case study: Peter Greenaway and Dutch painting -- Realism. What is realism? - -What is representation? -- Art after photography: modern conceptions of realism in art -- Case study: Realism and the camera obscura -- Beyond realism. Fantasy worlds in cinema and art -- Oneiric: the world of dreams -- Surrealism -- Going beyond the real -- Case study: The Archers -- Sex and violence. Sex in art and cinema -- Violence in art and cinema -- Sex and violence -- Case study: Martin Scorsese and Caravaggio -- Horror. Religious horror -- Supernatural horror -- Body horror -- Monsters -- Case study: Guillermo del Toro and Francisco de Goya -- Landscape. Why landscape? -- Beautiful, picturesque, or sublime? -- The American landscape and the American West -- Case study: The road movie -- Heroes and heroic acts. History painting; victory, virtue, and the hero - -Heroism and the Western -- Case study: Subverting the heroic genre -- Modern movements. Culture or mass culture? -- expressionism -- Abstraction -- Abstract expressionism -- Minimalism -- Going "Beyond the West" -- Case study: Hokusai to Disney -- Conclusion. How can we use art history in filmmaking? Case studies --
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Art in stop-motion in Saturday Age [Spectrum] (20/06/2015) p.22-23
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Art into film July 1994.
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The art of horror in Lumina (2009) iss.1 p.84-91
Author: Cameron, Allan PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; GENRES ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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The Art of Jerry Lewis in Melbourne Film Bulletin (April 1970) iss.12 p.12-25
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The art of Judge Dredd : the movie / includes the complete shooting script of the film by William Wisher and Steven E. De Souza ; production art by Nigel Phelps and his team London: Boxtree, 1995.
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Call No: 761 CORAuthor: Corner, John, 1943 Place: Manchester New York, NY,Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1996PhysDes: 212 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; CINEMA VERITE ; LIVING ON THE EDGE (UK, Michael Grigsby, 1987) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; ROGER AND ME (US, Michael Moore, 1989) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; COAL FACE (UK, Alberto Cavalcanti, 1935) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; LOOK IN ON LONDON (UK, 1956) ; CATHY COME HOME (UK, Ken Loach, 1966) ; WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURBNotes: Includes bibliographical references (p. [197]-201) and indexISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)LON: 12095813
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992.
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992.
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Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1
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Artistic genius not just clowning around in The Age (27/10/2016) p.28
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996.
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Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994.
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The arts in the Australian corporate environment : a practical guide to the legal obligations of officers of arts organisations / Australia Council for the Arts Redfern, N.S.W.: The Council, c1993.
Call No: 435(94) ARTAuthor: McMahon, Michael, 1953 ; Symons, Marie-Louise CorpAuthor: Arthur Andersen & Co; Australia Council; Arts Law Centre of Australia; Companies Code and the artsPlace: Redfern, N.S.W.Publisher: The CouncilPubDate: c1993PhysDes: 43 p. ; 30 cmSubject: LAW AND THE CINEMA. AUSTRALIA Notes: "Originally published as The Companies Code & the arts: Prepared October 1984. Revised October 1989. This version June 1993" -- Cover verso; "The Guide was produced with the assistance of Arthur Andersen & Co, the Arts Law Centre of Australia, Michael McMahon and Marie-Louise Symons" -- P. 1ISBN: 1862571198LON: 9978708
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Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997.
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ARVINGERNE [TV] : (DK, 2014-)
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AS DE LA JUNGLE, LES [JUNGLE BUNCH, THE] : (FR, David Alaux, 2017)
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... as Lonely Hearts takes off in US in Aust F Rev (Sep29 - Oct 12 1983) vol.1 iss.17 p.11
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As time goes by : memoirs of a writer / by Howard Koch New York: Harcourt Brace Jovanovich, 1979.
Call No: 81KOC KOCAuthor: Koch, Howard Edition: 1st edPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1979PhysDes: xvii, 220 p., [4] leaves of plates : ill. ; 22 cmSubject: KOCH, HOWARD ISBN: 0151097690LON: 78022260; 1378935
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Ashes and diamonds / [screenplay by Jerzy Andrzejewski and Andrzej Wajda] [and] Kanal [screenplay by by Jerzy Stefan Stawinski] [and] A generation [screenplay by Bohdan Czeszko]; three films, by Andrzej Wajda [text prepared and translated by Boleshaw Sulik] London: Lorrimer, 1973.
Call No: 792 WAJAuthor: Andrzejewski, Jerzy, 1909 ; Wajda, Andrzej, 1926 ; Stawinski, Jerzy Stefan, 1921- Kanal. English. 1973 ; Czeszko, Bohdan. Pokolenie. English. 1973 Place: LondonPublisher: LorrimerPubDate: 1973PhysDes: 238 p. illus. 21 cmSubject: POKOLENIE (PL, Andrzej Wajda, 1954) ; KANAL (PL, Andrzej Wajda, 1956) ; ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) Notes: Original Polish films entitled, Pokolenie, Kanal, and Popio i diament; On spine: The Wajda trilogyISBN: 0900855967; 0900855959 (pbk.)LON: 348559 348559
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Asia-Pacific set to boom in Movie Trader (August 2000) p.14
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Asian cinema : a regional view / Olivia Khoo Edinburgh: Edinburgh University Press,
Call No: 71(5) KHOAuthor: Khoo, Olivia Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPhysDes: 160 pages : illustrated ; 24 cmSubject: ASIAN COUNTRIES ; BLOCKBUSTERS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; DISTRIBUTION ; FESTIVALS ; COPRODUCTION ; HOMOSEXUALITY IN FILMS ; REMAKES ; SHORT FILMS ; 3D DIGITAL ; TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; WOMEN FILMMAKERS Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web siteISBN: 9781474461764Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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Asian Film in Wide Angle (July 1989) vol.11 iss.3 p.[whole issue]
Author: Rothschild, Wayne (ed) PhysDes: ArticleSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. ISRAEL ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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festival catalogue
Aspen filmfest US: [1979 -].
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998.
Call No: 81MON WOLAuthor: Wolfe, Donald H. Source: USPlace: LondonPublisher: Little Brown and CompanyPubDate: 1998PhysDes: 532 p. : ill. ; 25 cmSubject: TWENTIETH CENTURY-FOX ; MONROE, MARILYN ; MILLER, ARTHUR ; MONTAND, YVES ; KENNEDY, JOHN F. ; SINATRA, FRANK ; ZANUCK, DARRYL F. ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; BUS STOP (US, Joshua Logan, 1956) ; LET'S MAKE LOVE (US, George Cukor, 1960) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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At Depp's defence in Sydney Morning Herald (5/6/2013) p.18
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Interim
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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At home with Sachin Joab in Daily Telegraph [Home] (04/06/2016) p.20
Call No: PERSONALITY CLIPPINGS FILE; JOAB, SACHINAuthor: Veerhuis, Jennifer PhysDes: Clippings File ArticleSubject: JOAB, SACHIN Summary: Interview with Australian actor Sachin Joab
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At the forefront of Australian film revival in The Age (28/03/2017) p.31
Call No: PERSONALITY CLIPPINGS FILE; IRVING, LOUISAuthor: Torsh, Daniela PhysDes: Clippings File ArticleSubject: IRVING, LOUIS Summary: Obituary of Australian Cinematographer Louis Irving
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festival catalogue
Athens international film festival : April 25 - May 3, 1986 / Athens international film festival US: [s.n.], 1986.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1986PhysDes: 63 p. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; IMPORT OF FILMS ; Powell, Michael Notes: The Athens international film festival includes a selection of feature length films, short films, animated films and documentary films. Highlights of the festival include a Michael Powell retrospective and a New French Cinema program. The catalogue also includes film summaries and numerous black and white stills.
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Attack of the leading ladies : gender, sexuality, and spectatorship in classic horror cinema / Rhona J. Berenstein New York: Columbia University Press, 1996.
Call No: 735.2 BERAuthor: Berenstein, Rhona J Place: New YorkPublisher: Columbia University PressPubDate: 1996PhysDes: xvi, 274 p. : ill. ; 24 cmSeries: Film and cultureSubject: SPECTATORSHIP ; HORROR FILMS ; WOMEN IN FILMS ; GENDER AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; GAZE IN FILMS Summary: "From the earliest days of Hollywood sound productions, horror proved to be a popular and lucrative genre. At the center of the industry's first cycle of horror films was the terrified woman. Eyes straining and mouth open wide as she emitted an ear-piercing scream, the damsel in distress awaited rescue from the monster's horrible attentions. Or so it semmed.
The first book to explore the gender dynamics of classic horror film, 'Attack of the leading ladies' addresses the roles of women both on- and off-screen. Combining close textual analysis with the study of advertising campaigns, reviews, fan magazines and censorship materials, Rhona J. Berenstein presents an in-depth look at such films as 'Bride of Frankenstein', 'Dr. X', 'Dracula', 'King Kong', 'Mad Love', 'Svengali', and 'White Zombie'."-- BOOK COVERNotes: Filmography: p. [237]-246; Includes bibliographical references (p. [247]-258) and indexISBN: 0231084633 (pbk. : alk. paper); 0231084625 (cloth : alk. paper)LON: 11723761Contents: Introduction: horror of classic horrors -- Spectatorship-as-drag: re-dressing classic horror cinema -- Horror for sale: the marketing and reception of classic horror cinema -- Looks could kill: the powers of the gaze in hypnosis films -- The interpretation of screams: female fear, homosocial desire, and mad-doctor movies -- White skin, white masks: Race, gender, and monstrosity in jungle-horror cinema
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995.
Call No: 410.3(94) ATTCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1995PhysDes: v, 46 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the surveyNotes: Includes tables; Catalogue no. 4114.0ISBN: 0642206996LON: 12020268
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989.
Call No: 49[659.1](94) APPAuthor: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.)Place: Kensington, NSW North Sydney, NSWPublisher: Communications Law Centre, University of New South Wales Australian Film CommissionPubDate: 1989PhysDes: 32 pages ; 30 cmSubject: STATISTICS. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; ADVERTISING STANDARDS. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of ReportNotes: A report prepared for the Australian Film Commission by the Communications Law CentreISBN: 0858237679LON: 6585339
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AU BOUT DES DOIGTS [IN YOUR HANDS] : (FR/BE, Ludovic Bernard, 2018)
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AU NOM DE LA TERRE [I CARE A LOT] : (UK/US, J Blakeson, 2020) Digital clippings file available
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Audiences warm to Schepsis's Iceman in Australian Film Review (May 10-23, 1984) vol.2 iss.6 p.6
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Audiences warm to Schepsis's Iceman in Australian Film Review (May 10-23 1984) vol.2 iss.6 p.6
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AUGE DEL HUMANO, EL : (AG/BL/PO, Eduardo Williams, 2016)
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Aunty must re-energise its audience in Canberra Times [TV Guide] (24/04/2017) p.3
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Mathieson, Craig PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; ABC IVIEW ; KATERING SHOW, THE [TV](AT, 2015-) ; YOU CAN'T ASK THAT [TV](AT, 2016) ; MY YEAR 12 LIFE [TV](AT, 2017) ; PLEASE LIKE ME [TV] (AT, 2013 - ) ; WARRIORS, THE [TV](AT, 2017) Summary: Commentary on a number of recent ABC shows, how they have performed, and what the ABC could do to ensure their productions are successfulNotes: A
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AURORE [I GOT LIFE] : (FR, Blandine Lenoir, 2017)
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[AUS DEM NICHTS : (GG/FR, Fatih Akin, 2017)
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Aussie actors take sundance in Empire (Australian Ed.) (April 2006) iss.61 p.36-37
PhysDes: ArticleSubject: LESLIE, EWAN ; BUDGE, TOM Summary: Ewen Leslie and Tom Budge's week-long account of Sundance
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Aussie Assault settlement in Australian film review (10-23rd May 1984) vol.2 iss.6 p.2
PhysDes: ArticleSubject: HOYTS ; AUSSIE ASSAULT (AT, Harvey Spencer, 1984) Summary: Report on the out-of-court settlement, between the producers of "Aussie Assault" and the film's theatrical distributor "Hoyts", over a dispute regarding video distribution
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The Aussie director you've never heard of in Empire (Australian Ed.) (November 2001) iss.8 p.18
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Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2
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Aussie preschool DVD solution boosts sales in Kidscreen (Nov/Dec 2006) p.27
Call No: DVD RESEARCH FOLDER; DVD Research FolderAuthor: Castleman, Lana Subject: INDUSTRY, VIDEO. AUSTRALIA ; DVD, TV SHOWS ON ; VILLAGE ROADSHOW ; CHILDREN, PROGRAMMES FOR Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales
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Aussie production halted in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.5
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Aussie talent shines bright at Sundance in The Australian (25/01/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE. 2017Author: Westwood, Christine PhysDes: Clippings File ArticleSubject: FESTIVALS. PARK CITY. SUNDANCE ; BERLIN SYNDROME (AT, Cate Shortland, 2017) ; KILLING GROUND (AT, Damien Power, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) ; ORBITAL VANITAS (AT, Shaun Gladwell, 2017) Summary: Report on a number of Australian films showing at the 2017 Sundance Film Festival, including; BERLIN SYNDROME, KILLING GROUND, RED DOG: TRUE BLUE, CASTING JONBENET, short film SLAPPER, and virtual reality film ORBITAL VANITAS
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Aussies cause stir at Locations Expo in Encore (12 Mar, 1999) vol.17 iss.4 p.15
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004.
Call No: 802 BOLAuthor: Boland, M. ; Bodey, M. Place: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2004PhysDes: 294 p. ; ill. ; 23 cmSubject: ACTORS. AUSTRALIA ; INDUSTRY, FILM. USA ; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more.Notes: Bibliogrpahy
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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Australia : a camera study / by Frank Hurley. Sydney: Angus and Robertson, 1966.
Call No: 81HUR HURAuthor: Hurley, Frank, 1885-1962 Edition: Rev. edPlace: SydneyPublisher: Angus and RobertsonPubDate: 1966PhysDes: 224 p. : ill. (some col.), maps ; 29 cmSubject: HURLEY, FRANK LON: 66017963; 654817
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Australia in Empire (Australian Ed.) (September 2008) iss.90 p.10-12
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004.
Call No: 20(94) AUSAuthor: Australian Film Commission Edition: 1st editionSource: ATPlace: Sydney [New South Wales]Publisher: Australian Film CommissionPubDate: 2004PhysDes: 96 pages : colour charts ; 30 cmSeries: Get the pictureSubject: INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.Notes: Includes an index; Includes a list of abbreviationsISBN: 1920988004ID2: 145
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Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987.
Call No: 71(94) BRAAuthor: Brand, Simon, 1951 Place: SydneyPublisher: Australian KnowledgePubDate: 1987PhysDes: 16 p. : ill. (some col.), ports. ; 28 cmSeries: Australian knowledge ; no. 10Subject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Cover titleISBN: 0864350104LON: 5446371
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmondson and Andrew Pike Canberra: National Library of Australia, 1982.
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Australia's most liveable city in Encore (May 2012) p.33-41
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Australia's oral history collections : a national directory / compiled for Towards Federation 2001 Working group on High Priority Cross-Sectoral Projects ; edited by Martin Woods Canberra: National Library of Australia, 1997.
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journal article
Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
PhysDes: Article; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; BECKER, RICHARD ; BORGLUND, MIKAEL ; HAMILTON, GARY ; BURKE, GRAHAM ; CHETTY, DEVESH ; HANNAY, DAVID ; KNIGHT, ANDREW ; BEILBY, PETER ; VIZARD, STEVE ; Penfold-Russell, Rebel ; SHTEINMAN, JONATHAN ; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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Australia to do overseas film processing in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
PhysDes: ArticleSubject: RISKY BUSINESS (US, Paul Brickman, 1983) ; INDUSTRY, FILM. AUSTRALIA Summary: Article on how Australian film labs are now able to process foreign film titles such as 'Risky Business' for exhibition and distribution. This is in relation to a government election promise with the hope it will creatre more jobs and imrove local talent.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39
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journal article
Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8
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journal article
Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984].
Call No: 205-053.2(94) AUSAuthor: Jones, David ; Archer, Ken ; Weigall, Catharine ; Armstrong, Mark ; Watterson, Ray ; James Bailey, Julie CorpAuthor: Australian Broadcasting TribunalSource: ATPubDate: [1984]PhysDes: 92 leaves : 31 cmSubject: INDUSTRY, TV. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; LAW AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report.Notes: Spiral bound; Includes determination and 3 attachments
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian Broadcasting Tribunal manual / Australian Broadcasting Tribunal Sydney: The Tribunal, 1990.
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The Australian cinema [Sydney]: Pacific Books, 1970].
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983.
Call No: 71(94) SHIAuthor: Shirley, Graham, 1949 ; Shirley, Graham, 1949 ; Adams, Brian, 1934 Place: SydneyPublisher: Angus & RobertsonPubDate: 1983PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cmSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308ISBN: 0207145814 : price unknownLON: anb20714581; 2419431ID2: 38URL status: URL: 'http://-'
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Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987.
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41
Author: Ryan, Mark David PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FUNDING. AUSTRALIA ; AUDIENCES. AUSTRALIA ; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models.Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian commerical television : 1986-1995 Canberra: Australian Government Publishing Service, 1996.
Call No: 201.3(94) AUSSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1996PhysDes: xxi, 206 pages ; 25 cmSeries: Bureau of Transport and Communications Economics; report 93Subject: INDUSTRY, TV. AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA Summary: This report addressses the structure and financial performance of the commerical television industry over the past decade. It complements BTCE's 1993 Report 83 Elements of Broadcasting Economics which dealt with general economic aspects of broadcasting and the performance of commercial radio. It is hoped that the information in this report will provide useful background to the contemporary reviews of television policies under section 215 of the Broadcasting Services Act 1992 -- taken from ForewardISBN: 0644362979ISSN: 10344152Contents: Foreword -- Abstract -- Executive summary -- Overview of commercial television -- Ownership and control of Australian commercial television -- A financial analysis of commercial television -- Determinants of television advertising revenue -- Television programming -- Appendix: Data underlying the financial analysis in chapter 2, An econometric model of television advertising demand -- References -- Abbreviations
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Australian Council of Government Film Libraries : minutes of the Bicentennial Conference 1985, held in Canberra 17 April, 1985 to 19 April, 1985 [Canberra]: The Council?, [1985?].
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993.
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journal article
Australian delegation to American Film Market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011.
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Australian eco-horror and Gaia's revenge : animals, eco-nationalism and the 'new nature' in Studies in Australasian cinema (2010) vol.4 iss.1 p.43-54
Author: Simpson, Catherine PhysDes: ArticleSubject: ANIMALS IN FILMS ; NATURE IN FILMS ; HORROR FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA AUSTRALIA ; RAZORBACK (AT, Russell Mulcahy, 1984) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; ROGUE (AT, Greg Mclean, 2007) ; MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987) ; DYING BREED (AT, Jody Dwyer, 2008) Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature.Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract
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Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 71(94)(01) ALLCopy Management: Copy 1; Copy 2; Copy 3Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information CentrePlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: xi, 79, [12] p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137)ISBN: 0908023073LON: 2993513
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Australian film and television finance and investment guide / Australian Film Commission Sydney: Australian Film Commission, 1985.
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Australian Film Awards in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) ; LONELY HEARTS (AT, Paul Cox, 1982) ; MILLER, GEORGE ; HAZLEHURST, NONI ; MONKEY GRIP (AT, Ken Cameron, 1982) ; ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: List of winners at the 1982 Australian Film Institute Awards.
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; FUNDING. AUSTRALIA ; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988) ; UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9
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Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7
Author: Lowe, Barry PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; WALKABOUT (AT, Charles Chauvel, 1958) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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annual report
[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute,
Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987)CorpAuthor: The InstituteSource: ATPlace: Carlton South, Vic.Publisher: Australian Film InstituteSubject: AUSTRALIAN FILM INSTITUTE ; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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Australian film posters 1906-1960 / [by] Judith Adamson Sydney: Currency Press with Australian Film Institute, 1978.
Call No: 915(94) ADA; FOLIOAuthor: Adamson, Judith, 1930 CorpAuthor: Australian Film InstitutePlace: SydneyPublisher: Currency Press with Australian Film InstitutePubDate: 1978PhysDes: 56p. : chiefly col.ill. ; 37cmSubject: POSTERS ; AUSTRALIA ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955)ISBN: 090802388X : $7.50 AustLON: anb90802388; 1473255Donation: Simon WincerID2: 229
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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newspaper article
Australian filmmakers land top festival spots in Sydney Morning Herald (30/07/2015) p.31
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. TORONTOAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. TORONTO ; FESTIVALS. VENICE ; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) ; SEPTEMBERS OF SHIRAZ (US, Wayne Blair, 2015) ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) Summary: Focus on the films with Australian directors who were awarded screenings at the 2015 Toronto and Venice Film festivals. The films are: THE DRESSMAKER, SEPTEMBERS OF SHIRAZ, and LOOKING FOR GRACE. Simon Stone's THE DAUGHTER will screen at Toronto as well
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
PhysDes: ArticleSubject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; FESTIVALS ; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian gothic : a cinema of horror / Jonathan Rayner Cardiff: University of Wales Press, 2022.
Call No: 735.2(94) RAYAuthor: Rayner, Jonathan Edition: 2022Place: CardiffPublisher: University of Wales PressPubDate: 2022PhysDes: x, 294 pages : illustrated ; 23 cmSeries: Gothic Literary StudiesSubject: HORROR FILMS. AUSTRALIA ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; DYING BREED (AT, Jody Dwyer, 2008) ; KILLING GROUND (AT, Damien Power, 2016) ; LOST GULLY ROAD (AT, Donna McRae, 2017) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; MAD MAX (AT, George Miller, 1979) ; MYSTERY ROAD (AT Ivan Sen, 2013) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; WOLF CREEK (AT, Greg McLean, 2005) ; WOLF CREEK 2 (AT, Greg Mclean, 2013) Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web siteISBN: 9781786838896Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996.
Call No: 408.1(94) ORECopy Management: 2 copiesAuthor: O'Regan, Tom, 1956 Place: London New YorkPublisher: RoutledgePubDate: 1996PhysDes: ix, 405 p. ; 24 cmSeries: National cinemas seriesSubject: INDUSTRY, FILM. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexesISBN: 0415057310 (pbk.); 0415057302LON: 12193364Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology,
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian 'powerhouse' feature is surprise hit of Venice in Sun Herald (04/09/2016) p.23
Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)Author: Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: FESTIVALS. VENICE ; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Report on the critical acclaim HOUNDS OF LOVE received at the 2016 Venice FIlm Festival and how it took the film's director Ben Young by surprise. Some detail on his career and why he made the film
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975.
Call No: 71(94) REACopy Management: Copy 1; Copy 2Author: Reade, Eric, 1912-1978 Place: MelbournePublisher: LansdownePubDate: 1975PhysDes: 308 p. : ill. ; 27 x 34 cmSubject: AUSTRALIA ; AUSTRALIA. 1895-1930 ; HISTORY OF TV. AUSTRALIA ; HALL, KEN G. ; CHAUVEL, CHARLES ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; THRING, F.W. ; THOMPSON, JACK ; HIGGINS, ARTHUR ; HURLEY, FRANK ; RAFFERTY, CHIPS ; SPENCER, CHARLES COZENS ; EFFTEE STUDIO ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; DIGGERS (AT, F.W. Thring, 1931) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same authorISBN: 0701803193 : $15.00 AustLON: anb70180319; 791305
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Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970].
Call No: 71(94) REAAuthor: Reade, Eric, 1912-1978 Place: [Melbourne]Publisher: LansdownePubDate: 1970]PhysDes: 192 p. : ill. ; 29 cmSubject: AUSTRALIA. 1895-1930 ; CINEMAS. AUSTRALIA ; SMITH'S WEEKLY ; SPENCER, CHARLES COZENS ; PERRY, JOSEPH ; HURLEY, FRANK ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; CARBASSE, LOUISE ; RICKARDS, HARRY ; WEST, T.J. ; WILLIAMSON, J.C. ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207LON: 74876255; 376334
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Australian story one of unfair licence fees in The Australian [Media] (20/03/2017) p.23
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Australian telemovie remade in US in Encore (25 Feb, 1998) vol.16 iss.1 p.8
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Australian television : historical overview / by Julie James Bailey [North Ryde, N.S.W.]: Open Program Resources, Australian Film and Television School, 1979.
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001.
Call No: 71(94) MCKAuthor: McKee, Alan. Source: ATPlace: South Melbourne, Vic.Publisher: Oxford University PressPubDate: 2001PhysDes: vi, 361 p. : ill., ports. ; 23 cmSubject: TELEVISION. AUSTRALIA ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; FRONTLINE [TV] (AT, 1994- ) ; HOMICIDE [TV] (AT, 1964-1975) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; NEIGHBOURS [TV] (AT, 1985-) ; PRISONER [TV] (AT, 1979-86) ; RETURN TO EDEN [TV] (AT, 1984) ; SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355.ISBN: 0195512251
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australian television culture / Tom O'Regan St Leonards, NSW: Allen & Unwin, 1993.
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Australian variety Sydney: Martin C. Brennan, 1913-1916.
Call No: MICROFILM - vol. 1, no. 1 (1913) - May 31, 1916Place: SydneyPublisher: Martin C. BrennanPubDate: 1913-1916Subject: INDUSTRY, FILM. AUSTRALIA Notes: Issues from Jan. 6 1915-Jan 12, 1916 titled: Australian variety and sports gazette
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Australian variety and show world Sydney: Martin C. Brennan, 1916-1921.
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Interim
book
Austrian avant-garde cinema 1955-1993 : A film series curated by Steve Anker, San Francisco Cinematheque, Sixpack Film / catalogue by Martin Arnold and Peter Tscherkassky [Vienna]: Sixpack Film, 1994.
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Auteur : Paul Ireland in Weekend Australian [Review] (04/06/2016) p.6
Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015)Author: Wilson, Ashleigh PhysDes: Clippings File ArticleSubject: IRELAND, PAUL ; PAWNO (AT, Paul Ireland, 2015) Summary: Interview with Paul Ireland, the director of the film PAWNO. He discusses his career and the process of getting PAWNO made
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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Award-winning Lalo Schifrin assigned to score the music for "Starlight One" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.21
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE ; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus.Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph
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[Ba weng bei ji : Gong Li as Juxian a young lady in 20th century China.] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; LI, GONG ; KAIGE, CHEN Summary: Gong Li wearing a qi-pao stares off into the distance with intent, she has her hair parted and pulled back revealing drop pearl ear rings. The image shoes a soft focus leading the woman to have a glowing effectNotes: Minor abrasions on the bottom right corner; Adhesive label on reverse of the photograph
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BABA Z LEDU : (CZ/ SO/ FR, Bohdan Sláma, 2017)
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BABA Z LEDU [ICE MOTHER] : (CZ, Bohdan Slama, 2017)
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BACIAMI ANCORA : (IT/FR, Gabriele Muccino, 2010)
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Back of beyond : discovering Australian film and television / presented by the Australian Film Commission and the UCLA Film and Television Archive in association with the Australian Bicentennial Authority ; catalogue editor, Scott Murray North Sydney: Australian Film Commission, 1988.
Call No: 71(94) BACCopy Management: Copy 1; Copy 2Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial AuthorityPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1988PhysDes: viii, 112 p. : ill., ports. ; 23 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; MILLER, GEORGE ; HAYES, TERRY ; KENNEDY MILLER ENTERTAINMENT ; LANDSCAPES IN FILMS. AUSTRALIA ; SEMI-DOCUMENTARIES. AUSTRALIA Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copyISBN: 0731643909LON: 6280621Contents: George Miller, p34-43 -- Terry Hayes, p44-51.URL status: URL: 'http://-'
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Back to India to find himself in AFR Weekend (28/01/2017) p.36
Call No: TITLE CLIPPINGS FILE; LION (AT, Garth Davis, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: LION (AT, Garth Davis, 2016) Summary: Review of the film LION, with comments on how the film is quite good, but embraces mediocrity
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Background paper : Australian content inquiry / Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1986.
Call No: 205.36(94) AUSSource: ATPlace: [North SydneyPublisher: The Tribunal]PubDate: 1986PhysDes: 39, [30] pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian televisionISBN: 0642117381
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The backsack bulletin / written by Rod Quantock ; illustrated by Ann James Port Melbourne, Vic.: Mammoth Australia, 1992.
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[Backsai, Juliet : portrait of Juliet Backsai from the film 'Inside looking out'] 1977.
Call No: PERSONALITY STILLSource: ATPubDate: 1977PhysDes: 1 photograph : b&w ; 23 x 16 cm.Subject: INSIDE LOOKING OUT (AT, Paul Cox, 1977) ; BACKSAI, JULIET Summary: Interior shot of Juliet Backsai sitting on a couch looking at a photograph of a women.Notes: details on reverse in blue pen and pencil
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 3 : interviews with screenwriters of the 1960s / Pat McGilligan Berkeley: University of California Press, 1997.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1997PhysDes: viii, 428 p. : ill. ; 24 cmSubject: ALLEN, JAY PRESSON ; AXELROD, GEORGE ; BERNSTEIN, WALTER ; FOOTE, HORTON ; GREEN, WALON ; GRIFFITH, CHARLES B. ; HAYES, JOHN MICHAEL ; LARDNER, RING, Jr. ; MATHESON, RICHARD ; MAYES, WENDELL ; RAVETCH, IRVING ; FRANK, HARRIET ; SCHULMAN, ARNOLD ; SILLIPHANT, STIRLING ; SOUTHERN, TERRY Notes: Includes bibliographical references (p. 401-406) and indexesISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)Order Received: 1997LON: 96044753; 12803455
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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Backyard tape maker takes on high-tech world in The Age [Business] (28/11/2003) p.1
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Khadem, Nassim Subject: REGENCY RECORDINGS ; HORMAN, FIONA Summary: Regency Recordings growth in DVD manufacture has seen a large increase in profits.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: "...and the company's recent launch into DVDs has nearly tripled profits in the past 12 months."
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Bad Boy Bubby in Empire (Australian Ed.) (August 2005) iss.53 p.108
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[Bad Boy Bubby : stills file] Roadshow Film Distributors,
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Bad done good in Sunday Herald Sun [Scene] (28/05/2017) p.4
Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: CURRY, STEPHEN ; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Stephen Curry discusses the role he plays in the film HOUNDS OF LOVE and why he went out of his way to play a character very much against his type
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Bad history and the logics of blockbuster cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds / Patrick McGee New York: Palgrave Macmillan, 2012.
Call No: 45:93 MCGAuthor: McGee, Patrick Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2012PhysDes: 209 p. ; 22 cmSubject: HISTORICAL FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; PHILOSOPHY AND THE CINEMA ; THEORY ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; INGLOURIOUS BASTERDS (US/G, Quentin Tarantino, 2009) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; TITANIC (US, James Cameron, 1997) Summary: "In his latest book, Patrick McGee argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds. Through philosophical and historical contextualization, he reveals the logic of what appears on the screen, a logic that shows how these films both represent and distort the historical record in order to articulate a truth that challenges conventional history as a discipline. Counterdisciplinary in its method, this exciting work asserts that no movie can ever be reduced to the absolutely authentic or the absolutely inauthentic." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780230116511Contents: -- acknowledgments -- Introduction: truth, history, and counterdisciplinary practices in film studies -- 1: Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. -- 2: Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent -- 3: "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse-- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds -- works cited -- index --
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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Ballad of a funny man in Stills (Jul/Aug 1983) vol.7 p.81
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BALLS OUT [INTRAMURAL] : (US, Andrew Disney, 2014) Digital clippings file available
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Band of brothers go to war in The Age [News] (20/02/2014) p.33
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Band of Outsiders in Melbourne Film Bulletin (October 1968) iss.6 p.25-31
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Bandstand...and all that! / John Byrell Kenthurst, N.S.W: Kangaroo Press, 1995.
Call No: 79BAN BYRAuthor: Byrell, John Source: ATPlace: Kenthurst, N.S.WPublisher: Kangaroo PressPubDate: 1995PhysDes: 216 p. : ill., ports ; 28 cmSubject: BANDSTAND [TV](AT, 1958-1972) ; LIGHT ENTERTAINMENT. AUSTRALIA ; MUSIC PROGRAMMES. AUSTRALIA ; TELEVISION. AUSTRALIA ; HENDERSON, BRIAN ; 'KEEFE, JOHNNY ; LIMB, BOBBY Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]Notes: Includes indexISBN: 0864176937Donation: donated by the family of Wayne Levy, 2006
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The Bank in Empire (Australian Ed.) (October 2001) iss.7 p.41
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BANSHUN : (JA, Yasujiro Ozu, 1949)
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Baptism in Ceskoslovensky film vol.4 iss.81 p.8-9
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BAR BAHAR : (IS/FR, Maysaloun Hamoud, 2016)
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Barbara Carrera signed role in Never Say Never Again in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Barbara Streisand's "Yentl" starts filming in London in Australasian Cinema (30//4/1982) vol.11 iss.7 p.5
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Barbra Streisand : the woman, the myth, the music / Shaun Considine London: Century Hutchinson, 1986.
Call No: 81STR CONAuthor: Considine, Shaun Source: UKPlace: LondonPublisher: Century HutchinsonPubDate: 1986PhysDes: viii, 394 p. : ill. ; 23 cmSubject: STREISAND, BARBRA ; BEATTY, WARREN ; GOULD, ELLIOTT ; KRISTOFFERSON, KRIS ; O'NEAL, RYAN ; PETERS, JON ; FUNNY GIRL (US, William Wyler, 1968) ; HELLO, DOLLY! (US, Gene Kelly, 1969) ; YENTL (US, Barbara Streisand, 1983) ISBN: 0712610820
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Bardot : a personal biography / Glenys Roberts London: Corgi Books, 1985.
Call No: 81BAR ROBAuthor: Roberts, Glenys Source: UKPlace: LondonPublisher: Corgi BooksPubDate: 1985PhysDes: 368 p. : ill. ; 18 cmSubject: BARDOT, BRIGITTE ; VADIM, ROGER ; FONDA, JANE ; TRINTIGNANT, JEAN-LOUIS ; CHARRIER, JACQUES ; MALLE, LOUIS ; LEVY, RAOUL ; MOREAU, JEANNE ; ET DIEU... CREA LA FEMME (FR, Roger Vadim, 1956) ISBN: 0552127108Donation: donated by the family of Wayne Levy, 2006
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Barron claims new prospectus first. in Aust F Rev (May26-Jun 8 1983) vol.1 iss.8 p.3
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Barry Humphries Flashback in Empire (Australian Ed.) (February 2004) iss.35 p.103
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Barry Humphries' flashbacks : also titled 'Flashbacks' / text written by Roger McDonald London: Harper Collins, 1999.
Call No: 79FLA HUMAuthor: Humphries, Barry ; McDonald, Roger Source: UKPlace: LondonPublisher: Harper CollinsPubDate: 1999PhysDes: 196 p. : ill. (some col.), ports. (some col.) ; 28 cmSubject: ENTERTAINMENT. AUSTRALIA ; AUSTRALIA ; HUMPHRIES, BARRY Summary: " Barry Humphries, one of Australia's sharpest social commentators, charts the evolution of Australian society from the fastidious fifties to the extravagent eighties in this light-hearted and insightful retrospective. With text by award-winning writer Roger McDonald, Flashbacks draws upon Barry Humphries' own observations to review the people, events, obsessions, fads, fashions and music that defined Australia. " -BOOK BLURBNotes: TV tie-in.; Includes bibliographical references.ISBN: 0 00 255896 3Donation: donated by Senses of Cinema, 2010Contents: -- foreword -- 50s: twenty-four hours of sunshine p1 -- 60s: does anyone still wear a hat? p52 -- 70s: on the map at last p102 -- 80s: the part of a lifetime p148 -- selected works of Barry Humphries p188 -- further reading p192 -- acknowledgements p193 -- picture credits p194 --
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The Barry McKenzie movies / Tony Moore Sydney: Currency Press, Australian Film Commission, 2005.
Call No: 79BAR MORAuthor: Moore, Tony Source: ATPlace: SydneyPublisher: Currency Press, Australian Film CommissionPubDate: 2005PhysDes: x, 86 p. : ill. ; 19 cm.Series: Australian screen classicsSubject: AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; EVERAGE, DAME EDNA ; BERESFORD, BRUCE ; HUMPHRIES, BARRY ; ADAMS, PHILLIP ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: With irresponsible humour and sharp-witted insight Tony Morre explores the subversive satire of the films, their influence on his generation, and what they have to say about who we are today. Included is a glossary of Bazza-isms written by Barry Humphries.ISBN: 0868197483ISSN: 1447557X
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Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79BAS SMIAuthor: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage ProductionsSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 216 p. : ill. ; 24cmSubject: SCRIPTS. AUSTRALIA ; HISTORICAL DRAMAS. AUSTRALIA ; SERIALS. AUSTRALIA ; TRADE UNIONS. AUSTRALIA ; INDUSTRIAL RELATIONS. AUSTRALIA ; RESTRICTIVE PRACTICES. AUSTRALIA ; LABOUR. AUSTRALIA ; COURTROOM DRAMAS ; SOCIAL PROBLEMS ON TV. AUSTRALIA ; CONTROVERSIAL ISSUES ON TV. AUSTRALIA ; POLITICS ON TV. AUSTRALIA ; POLITICAL PERSONALITIES ON TV. AUSTRALIA ; POLITICAL DRAMAS. AUSTRALIA ; STATE AND TV ; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.Notes: Includes film end creditsISBN: 9780868198095
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The battle for Hollywood's next smash hit in Sunday Age (9/7/2017) p.25
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Battle hots up over next generation DVD standard in Australian Financial Review (09/01/2007) p.39
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: INDUSTRY, VIDEO ; BLU-RAY ; HIGH DEFINITION DVD ; SONY CORPORATION ; TOSHIBA CORPORATION Summary: There are two DVD formats developed
– the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content
– The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content
– Conventional DVDs hold a mere 5 gigabytes
Both discs formats are not compatible for the same playing systems which has created competition within the industry
– Warner brothers and Paramount are releasing discs with both formats.
– MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray.
– Universal has opted for exclusive release on HD–DVD
– Sony’s Playstation 3 has Blu-ray drives
– Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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UN BEAU SOLEIL INTERIERUR : (FR, Claire Denis , 2017)
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BEAU SOLEIL INTERIEUR, UN [LET THE SUNSHINE IN] : (FR/BE, Claire Denis, 2017)
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Becoming past : History in contemporary art / Hane Blocker Minneapolis: University of Minnesota Press, 2016.
Call No: 722.71 BLOAuthor: Blocker, Jane Edition: 2016Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2016PhysDes: 240 p. : illus. ; 22 cmSubject: MCQUEEN, STEVE ; Keaton, Buster Notes: Is there such a thing as contemporary art history? The contemporary, after all—as much as we may want to consider it otherwise—is being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blocker’s Becoming Past. The important point is not whether there is—or should be—contemporary art history, Blocker argues, but how.
Focusing on a significant aspect of current art practice in which artists have engaged with historical subject matter, methods, and inquiry Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history and theater, to performance and literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.
Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker’s work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art. -- publisher's blurbISBN: 9780816696987
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Beginner's Luck in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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Being John Malkovich / Charlie Kaufman London: Faber, 2000.
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Bel Canto and love in Cinema D' Oggi (7 May 1986) vol.10 iss.8 p.14
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Bela Lugosi : dreams and nightmares / Gary D. Rhodes with Richard Sheffield Narberth, PA: Collectables, c2007.
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BELLE VISITE, LA : (CN, Jean-Francois Caissy, 2010)
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Benesford's King David finally given start date in Australian Film Review (Feb 2-15, 1984) vol.1 iss.25 p.14
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The bent lens : a world guide to gay & lesbian film / [edited by Claire Jackson and Peter Tapp] Melbourne: Australian Catalogue Company, 1997.
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The bent lens : a world guide to gay & lesbian film / [edited by Claire Jackson and Peter Tapp] Melbourne: Australian Catalogue Company, 1997.
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BEOL-SAE [HOUSE OF HUMMINGBIRD] : (KO, Bora Kim, 2018)
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LA BEOUF, SHIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LA BEOUF, SHIA
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Bereaved first lady and the mourning after in Weekend Australian [Review] (07/01/2017) p.13
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The Berlin School and its global contexts : a transnational art cinema / edited by Marco Abel and Jaimey Fisher Detroit: Wayne State University Press, 2018.
Call No: 71(430) BERAuthor: Abel, Marco ; Fisher, Jaimey Edition: 2018Place: DetroitPublisher: Wayne State University PressPubDate: 2018PhysDes: viii, 356 pages : illustrated ; 23 cmSeries: Contemporary Approaches to Film and Media SeriesSubject: BERLIN SCHOOL ; ABEL, MARCO ; ADE, MAREN ; WEERASETHAKUL, APICHATPONG ; ARSLAN, THOMAS ; GRISEBACH, VALESKA ; HAUSNER, JESSICA ; HOCHHAUSLER, CHRISTOPH ; KIAROSTAMI, ABBAS ; KOHLER, ULRICH ; PETZOLD, CHRISTIAN ; TARR, BELA Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.
The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.
The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web siteISBN: 9780814342008
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017.
Call No: 81BER BERAuthor: Beresford, Bruce Source: ATPlace: Melbourne, VictoriaPublisher: The Text Publishing CompanyPubDate: 2017PhysDes: 281 pages ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; PRODUCERS ; DIRECTORS ; AUSTRALIA ; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVERISBN: 9781925603101Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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The best of Luck : fifth column / Peter Luck Port Melbourne: William Heinemann Australia, 1990.
Call No: 802.281.3 LUCAuthor: Luck, Peter Source: ATPlace: Port MelbournePublisher: William Heinemann AustraliaPubDate: 1990PhysDes: 292 p. : ill. ; 20 cmSubject: TELEVISION JOURNALISM. AUSTRALIA ; TELEVISION JOURNALISTS ; INDUSTRY, TV. AUSTRALIA Summary: "... One of the country's top producers and presenters, Luck also writes the wise and witty '5th Column', which has graced the pages of the Sydney Morning Herald for more than five years.
The Best of Luck comprises Luck's most entertaining television articles fromthe '5th Column'. Luck gives a colourful and humourous view of the people and programmes that make up the Aussie brand of TV."-BOOK BLURBNotes: cartoons by Jenny CoopesISBN: 0535613483Donation: donated by the family of Wayne Levy, 2006ID2: 91
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The best of the worst : an Aussie classic in Sunday Age [Sunday Life] (07/03/2013) p.12
Call No: TITLE CLIPPINGS FILE; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989)Author: Mathieson, Craig PhysDes: Clippings File ArticleSubject: HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) Summary: Houseboat Horror is considered by many as the worst Australian film ever made. This article details the making of the film and highlights its numerous flaws.
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journal article
Bette Davis in American Classic Screen (May/June 1981) vol.5 iss.3 p.9-13
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Bette Davis black and white / Julia A. Stern Chicago: University of Chicago Press, 2021.
Call No: 81 DAV STEAuthor: Stern, Julia A. Edition: 2021Place: ChicagoPublisher: University of Chicago PressPubDate: 2021PhysDes: xi, 266 pages : illustratedSubject: DAVIS, BETTE ; ANDERSON, ERNIE ; BALDWIN, JAMES ; CRAWFORD, JOAN ; IN THIS OUR LIFE (US, John Huston, 1942) ; JEZEBEL (US, William Wyler, 1938) ; LITTLE FOXES, THE (US, William Wyler, 1941) ; MCDANIEL, HATTIE ; RACIAL ISSUES AND THE CINEMA ; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962) ; WYLER, WILLIAM Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations.
Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career.
Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago.
Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web siteISBN: 9780226813868Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.
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Beware the Toe Cutter in Scene (28/04/1979)
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Bewitched in Empire (Australian Ed.) (March 2005) iss.48 p.65
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Bewitched in Empire (Australian Ed.) (September 2005) iss.54 p.27
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Beyond Bollywood : The culture politics of south asian diasporic film New York: Routledge, 2004.
Call No: 408.1(540) DESAuthor: Desai, J. Place: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 280 p. ; ill. ; 23 cmSubject: POLITICS AND THE CINEMA ; INDIA ; HOMOSEXUALITY IN FILMS Summary: “Jigna Desai argues that the language of South Asian diasporic identity is the language of cinema. With its key role in South Asia, film has played a feature role in the formation of South Asian diasporic cultures and social formations and social formations such as gender, race, and sexuality. Beyond Bollywood explores the hybrid cinema of the “Brown Atlantic” through a close look at films in English from and about South Asian diasporas in the United States, Canada, and Britain.” (back cover)Notes: Index: p.273-280; Filmography; Bibliography; Notes
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006.
Call No: 386.5 KLIAuthor: Klinger, Barbara Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: xii, 310 pages : illustrations ; 24 cmSubject: CABLE TV ; DVD, FILMS ON ; HOME EXHIBITION ; INTERNET AND THE CINEMA ; PRIVATE CINEMAS ; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references (p. 281-287) and indexISBN: 9780520245860Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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Beyond the silver screen : a history of women, filmmaking and film culture in Australia 1920-1990 / Mary Tomsic Carlton, Victoria: Melbourne University Press, 2017.
Call No: 71-02(94) TOMAuthor: Tomsic, Mary Edition: 2017Place: Carlton, VictoriaPublisher: Melbourne University PressPubDate: 2017PhysDes: vii, 254 pages : 22 cmSeries: MUP AcademicSubject: WOMEN FILMMAKERS. AUSTRALIA ; WOMEN, FILMS MADE BY. AUSTRALIA ; GRAIL FILM GROUP, THE ; SYDNEY FILMMAKERS CO-OPERATIVE ; INDONESIA CALLING (AT, Joris Ivens, 1948) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; FRAN (AT, Glenda Hambly, 1985) Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history.
Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web siteISBN: 9780522871227
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The BFI companion to horror / edited by Kim Newman ; foreword by Ramsey Campbell London: Cassell, 1996.
Call No: 735.2 BFIAuthor: Newman, Kim, 1959 CorpAuthor: British Film InstitutePlace: LondonPublisher: CassellPubDate: 1996PhysDes: 352 p., [4] p. of plates : ill. (some col.) ; 29 cmSubject: HORROR FILMS Summary: In one volume, the BFI Companion to Horror offers a complete concordance to one of the most lasting genres of popular entertainment, focusing of course on the cinema but also taking in literature, television, radio, popular music, history and folklore. Covering great artists like Boris Karloff and Edgar Allan Poe and humble toilers like Edward D. Wood and John Carradine, this book provides a history of the horror genre from its pre-cinema beginnings in the eighteenth-century gothic novel and the Victorian ghost story through a hundred years of fevered activity, spotlighting not only mainstream horror producers such as Hammer Films and Alfred Hitchcock but also less expected names (Franz Kafka and Ingmar Bergman); In addition to entries on actors, directors, writers and technicians associated with horror, and all horror-themed film and television series, there are insightful essays on classic horror characters like Frankenstein and Dracula, on recurrent situations like decapitation and body-snatching, even on often-horrific portions of the body like eyes and brains. Among the experts who have contributed are Mark Ashworth, Anne Billson, Jeremy Clarke, Christopher Frayling, Neil Gaiman, Phil Hardy, Peter Hutchings, Tom Hutchinson, Alan Jones, Stephen Jones, Mark Kermode, Tim Lucas, Maitland McDonagh, David Prothero, Mark Salisbury, Philip Strick, Steve Thrower and Linda Ruth WilliamsISBN: 030433216X (pbk); 0304332135 (cased)LON: 12969787
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BFI film and television handbook London: British Film Institute, c1992.
Call No: REFERENCE SECTION; 058(41) BRI "1999"; 058(41) BRI "2001"; 058(41) BRI "2002"; 058(41) BRI "2004"CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: c1992PhysDes: v. : ill. ; 25 cmSubject: INDUSTRY, FILM. UK Frequency: AnnualLON: 10454500
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BFI Film and Video Distribution lesbian and gay film catalogue 1993/94 1994.
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BFI film handbook / edited by Eddie Dyja London: bfi Publishing, 2004.
Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESKSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 431 p. ; 25 cmSubject: INDUSTRY, FILM. UK Notes: Index
Formerly compiled in 'BFI Film & Television Handbook'ISBN: 1844570428
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bfi Television Handbook : Essential Guide to UK TV, The / edited by Alistair D. Mcgown London: bfi Publishing, 2004.
Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESKSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 287 p. ; ill. ; 25 cmSubject: INDUSTRY, TV. UK Notes: Index; Contains directories; Formerly compiled under 'bfi Film & Television Handbook'
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BIAN ZOU BIAN CHANG [LIFE ON A STRING] : (GG/UK/CC, Chen Kaige, 1991)
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Bicycle thieves / a film by Vittorio De Sica ; translated by Simon Hartog London: Lorrimer Publishing, 1968.
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Bicycle thieves [Ladri di biciclette] / Robert S.C. Gordon Basingstoke ; New York: Palgrave Macmillan 9781844572380, 2008.
Call No: 79BIC GORAuthor: Gordon, Robert S. C. Place: Basingstoke ; New YorkPublisher: Palgrave Macmillan 9781844572380PubDate: 2008PhysDes: 122 p. : ill., maps ; 19 cm.Series: BFI film classicsSubject: LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BICYCLE THIEVES (IT, Vittorio De Sica, 1949)
SEE
LADRI DI BICICLETTE Summary: "Bicycle Thieves (Ladri di biciclette, 1948) is unarguably one of the most important films in the history of cinema. It is also one of the most beguiling, moving and (apparently) simple pieces of narrative ever made. The film tells the story of one man and his son, as they search fruitlessly through the streets of Rome for his stolen bicycle; the bicycle which had offered the possibility of escape from the poverty and humiliation of long-term unemployment.".
"One of a cluster of extraordinary films to come out of post-war, post-Fascist Italy - loosely labelled 'neorealist' - Bicycle Thieves won an Oscar in 1949, topped the first Sight and Sound poll of the best films of all time in 1952 and has been hugely influential throughout world cinema ever since. It remains a necessary point of reference for any cinematic engagement with the labyrinthine experience of the modern city, the travails of poverty in the contemporary world, the complex bond between fathers and sons, and the capacity of the camera to capture something like the essence of all of these." "Robert S. C. Gordon 's BFI Film Classics volume shows how Bicycle Thieves is ripe for re-viewing, for rescuing from its worthy status as a neorealist 'classic'. It looks at the film's drawn-out planning and production history, the vibrant and riven context in which it was made, and the dynamic geography, geometry and sociology of the film that resulted."-- Extract taken from the back of the book.Notes: Includes bibliographical references (p. 122ISBN: 9781844572380Contents: 1. Italy, 1948 -- 2. Making Bicycle Thieves -- 3. Nothing Happens: A Synopsis -- 4. The Bicycle and Beyond -- 5. Cities -- 6. Communities -- 7. 'I Cried; and I'm a Man'
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Big bad wolves : masculinity in the American film / by Joan Mellen New York: Pantheon Books, 1977.
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Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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Big city, big potential : Sydney's creative industry in Encore (June 2012) p.29-37
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A big country in Lumiere (January/February, 1974) iss.31 p.12-13
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The Big Heat in Montage (June 1965) p.14-16
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The big picture : filmmaking lessons from a life on the set / Tom Reilly New York: Thomas Dunne Books, 2009.
Call No: 222.22 REIAuthor: Reilly, Tom Edition: 1st edSource: USPlace: New YorkPublisher: Thomas Dunne BooksPubDate: 2009PhysDes: xi, 239 p. ; 22 cmSubject: LOCATION PRODUCTION ; LOCATION SHOOTING ; DIRECTORS ; FILM WORKERS ; REILLY, TOM Summary: This is a must-have book for any aspiring filmmaker who wants to know the secrets of the pros, or for movie buffs who want to know what really happens on the sets of their favourite films.ISBN: 9780312380380Donation: donated by Senses of Cinema, 2012
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The big picture : managing your own career in television / writing and research by Leonie Morgan Woolloomooloo, NSW: Australian Film Commission, c2003.
Call No: 462-02(94) MORAuthor: Morgan, Leonie Source: ATPlace: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: c2003PhysDes: 64 pages : portraits ; 30 cmSeries: Women working in televisionSubject: INDUSTRY, TV. AUSTRALIA ; WOMEN AND TV. AUSTRALIA Summary: "This booklet aims to provide you with the tools to more effectively get the most out of the hours you spend at work and to manage your own career according to what is important to you. It includes practical advice, hints and stories from women working in the industry about how they manage their careers in Australian television." -book introduction.Contents: Foreword -- Introduction -- Starting from here -- Working out where you are now -- Assessing your strengths and weaknesses -- Looking at the things that impact on your work/life -- Working out where you want to go from here -- Making opportunities work for you -- Building your confidence -- Developing your negotiation and assertiveness skills -- Developing your networks - and using them effectively -- Developing your personal style -- Becoming more visible -- Projecting a successful image -- Identifying your transferable skills -- Getting help along the way -- Finding a mentor -- Would a career coach work for you? -- Accessing skills development and training programs -- How does succession planning work? -- Living within the culture of television -- Surviving the 70-hour week -- Balancing work and family -- What if you have to travel for work? -- Strategies for getting past the barriers -- Resolving conflicts -- Working in the male domain -- Dealing with office politics -- Managing up -- Taking some time out -- Where to next? -- putting it all together -- Looking at all the options -- Getting ready for your next step -- Turning it all into success -- Useful contacts and resources -- The assistance that might be available in your workplace -- Resources and further reading
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The big picture : Drive-ins make a comeback in modern guise in Sun Herald [Sydney] [S-Diary] (26/04/2015) p.4
Call No: SUBJECT CLIPPINGS FILE; DRIVE-IN CINEMASAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: DRIVE-IN CINEMAS ; CINEMAS. AUSTRALIA. LUNAR DRIVE-IN ; KILDERRY, DAVID Summary: A brief history of Australia's drive-ins with the focus on one of the few drive-ins still in existence in Australia, the Lunar Drive-in located in Dandenong, Victoria and it's co-owner David Kilderry.
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The big picture : Neil Young's colourful and confused world in Sunday Age [M] (26/07/2015) p.19
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The big picture : Hollywood asks if journalism still has a pulse in Sunday Age [M] (29/11/2015) p.20
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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The big rupture : David Lynch, Richard Kelly, and the new cinematic gestalt in Film Comment (Jan 2007) vol.43 iss.1 p.54-9
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Big screen fades to a cut-price DVD in The Australian (13/08/2005) p.19
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUDIENCE RECEPTION. AUSTRALIA ; DVD, FILMS ON ; BOX OFFICE. AUSTRALIA ; ZECCOLA, ANTONIO ; COULTER, PAUL ; KIELY, CHRIS Summary: The global slump in box office returns has cinema owners and film distributors worried. Some speculation is that the downturn is due to the rise of DVD, home entertainment systems, and other recreational devices (ipods), coupled with the tightening of the film to dvd to pay tv release window. There is some talk that the older multiplex cinemas are in need of upgrading as they may no longer be up to standard for a modern cinemagoing audience.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- Lots of stats (too many to list here)
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Big screen small picture in Encore (Apr 2000) vol.18 iss.3 p.18-19
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[Big steal, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: KARVAN, CLAUDIA ; MENDELSOHN, BEN ; NAPIER, MARSHALL ; HERRIMAN, DAMON ; ROBERTSON, TIM ; BISLEY, STEPHEN ; BIG STEAL, THE (AT, Nadia Tass, 1990) Summary: 17 black and white photographs of scenes from the film starring Claudia Karvan, Ben Mendelsohn and Steve Bisley.Notes: 1 image donate by Brian McFarlane
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Big U : Universal in the silent days / I. G. Edmonds South Brunswick [N.J.]: A. S. Barnes, c1977.
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A Bigger thing : David Lynch's Lost Highway in Practice (Spring/Summer 1997) iss.2 p.59-64
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Bike boys, drag queens & superstars : avant-garde, mass culture, and gay identities in the 1960s underground cinema / Juan A. Sußrez Bloomington: Indiana University Press, 1996.
Call No: 451-03 SUAAuthor: Sußrez, Juan Antonio Place: BloomingtonPublisher: Indiana University PressPubDate: 1996PhysDes: xxviii, 353 p. : ill. ; 23 cmSubject: ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; UNDERGROUND FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; HOMOSEXUALITY IN FILMS. USA ; AVANT-GARDE FILMS. USA ; MEKAS, JONAS ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FLAMING CREATURES (US, Jack Smith, 1963) Notes: Includes bibliographical references (p. [331]-343) and index; Filmography: p. [317]-320; Bike boys, drag queens, and superstarsISBN: 025332971X (cl : alk. paper); 025321033X (pa : alk. paper)LON: 11661060
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Billy Wilder : AFI Souvenir Edition / Edited by Jeffrey Lane and Dougloas Borton [USA]: American Film Institute, [1986?].
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Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980.
Call No: 81WIL DICAuthor: Dick, Bernard F. Source: USPlace: BostonPublisher: Twayne PublishersPubDate: 1980PhysDes: 188 p. : ill. ; 21 cmSeries: Twayne's Theatrical Arts SeriesSubject: WILDER, BILLY ; APARTMENT, THE (US, Billy Wilder, 1960) ; AVANTI (US, Billy Wilder, 1972) ; ACE IN THE HOLE (US, Billy Wilder, 1951) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FEDORA (GW/FR, Billy Wilder, 1978) ; [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943) ; FORTUNE COOKIE, THE (US, Billy Wilder, 1966) ; FRONT PAGE, THE (US, Billy Wilder, 1974) ; IRMA LA DOUCHE (US, Billy Wilder, 1963) ; KISS ME, STUPID (US, Billy Wilder, 1964) ; LOST WEEKEND, THE (US, Billy Wilder, 1945) ; LOVE IN THE AFTERNOON (US, Billy Wilder, 1957) ; MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970) ; SABRINA (US, Billy Wilder, 1954) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index.
Bibliography: p. 173-174.
Filmography: p. 175-183.ISBN: 0805792740Donation: donated by the family of Wayne Levy, 2006
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digital clippings file
BING DU [ICE POISON] : (TAIWAN : BURMA, Midi Z, 2014) Digital clippings file available
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BING FENG: CHONG SHENG ZHI MEN : (CC/HK, Law Wing Cheong, 2014)
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BIRJUK : (UR, Roman Balajan, 1978)
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Birth in Empire (Australian Ed.) (September 2005) iss.54 p.95
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A bit on the side : east-west topographies of desire / Chris Berry Sydney: Empress Publishing, 1994.
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Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22
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Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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The black book directory : indigenous arts and media directory / Compiled by Rose Perkins and Hope Perkins Rose Bay, NSW: Blackfella Films, 2000.
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Black cinema treasures : lost and found / by G. William Jones ;foreword by Ossie Davis Denton: University of North Texas, 1991.
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Black face, white noise : the Jewish jazz singer finds his voice in Critical inquiry vol.18 iss.3 p.417-453
Call No: TITLE CLIPPINGS FILE; JAZZ SINGER, THE (US, Alan Crosland, 1927)Author: Rogin, Michael PhysDes: ArticleSubject: JAZZ SINGER, THE (US, Alan Crosland, 1927) ; RACIAL ISSUES AND THE CINEMA Summary: "The Jazz Singer," a film famous for being the first motion picture with sound, is discussed. The film gives equal weight to three stories: the conversion to sound, the conversion of the Jews and the conversion by blackface. As mass culture, the film announced old-world, patriarchal defeat to obfuscate new world power and appropriated an imaginary blackness to Americanize the immigrant son.
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Black futures by Corroboree Films : six films about survival and hope among Australian Aborigines / by Corroboree Films Randwick, NSW: Corroboree Films, 1986.
Call No: 024.3(=1-81)(94) CORAuthor: Corroboree Films Source: ATPlace: Randwick, NSWPublisher: Corroboree FilmsPubDate: 1986PhysDes: 46 pages ; 31 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; EORA CORROBOREE (AT, Michael le Moignan & Yuri Sokol, 1985) Summary: Details of "BLACK FUTURES" series of which 'Eora' is the first. "In the past, many films on Aboriginal themes have painted a pathetic picture of a race and culture on the brink of extinction. The six films in BLACK FUTURES do not whitewash the past, but reflect the new mood of Aboriginal people in the nineteen eighties and the positive forces for change in Aboriginal life." - INTERIOR BLURBContents: Listing of the six films in the Black Futures series; Eora Corroboree, Building Dreams, Getting Better, Still Time, Reflections on Silver Screens, The Land Owns Us -- Post production script for Eora Corroboree
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The black list : film and tv projects since 1970 with Indigenous Australians in key creative roles Sydney: Screen Australia, 2010.
Call No: 71(94)(=1-81) BLACopy Management: Copy 1; Copy 2CorpAuthor: Screen AustraliaSource: ATPlace: SydneyPublisher: Screen AustraliaPubDate: 2010PhysDes: 267 p. : ill. (chiefly col.), ports. (chiefly col.) ; 15 x 21 cmSubject: AUSTRALIA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS ON TV ; INDIGENOUS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF TV ; HISTORY OF TV. AUSTRALIA Summary: "Produced by Screen Australia's Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 Indigenous Australians with credits as producer, director, writer, or director of photography on a total of 674 screen productions. It provides descriptive listings of drama and documentary titles where Indigenous Australians have been credited in the key creative roles. Listings go back as far as 1970 for feature films and telemovies, to 1980 for documentaries and mini-series, and to 1988 for shorts and series. Titles are indexed by year and by filmmaker, and the book also features a statistical summary and timeline of key titles and events."--Screen Australia web site.Notes: "June 2010"--Cover verso; Includes indices; Also available in an electronic version via the Internet. Address as at 19/12/11: http://www.screenaustralia.gov.au/news_and_events/Media-Release-documents/2010/mr_100923_BlackList.pdfISBN: 9781920998110Contents: -- introduction -- chronology of Indigenous film & tv -- key statistics -- titles by year -- features -- tv drama -- documentaries: long -- documentaries: short -- short drama -- title listings -- features -- tv drama -- documentaries: long -- documentaries: short -- short drama -- indexes -- by key creatives -- by titles (A-Z) --
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[Blackfellas : stills title]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 20 photographs : b&w ; 13 x 18 cmSubject: PARFITT, TREVOR ; NANNUP, FRANK ; MOORE, JOHN ; NGOOMBUJARRA, DAVID ; WILKES, JUDITH ; HUDSPETH, JULIE ; CHARLES, JACK ; RILEY, JAYLENE ; KINCHELA, LISA ; DINGO, ERNIE ; RICKETSON, JAMES ; HARGREAVES, JOHN ; BLACKFELLAS (AT, James Ricketson, 1992) Summary: 20 black and white photographs relating to the film BlackfellasNotes: Some black and white photographs contain duplicates
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Blacks and the Blue Screen in Lumiere (November, 1973) iss.29 p.7
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The Blair witch project in If magazine (Dec 1999-Jan 2000) iss.20 p.28-30
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Blake Edwards signs Burt Kwouk as Cato in new Pink Panther film in Australasian Cinema (30//4/1982) vol.11 iss.7 p.5
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A blast from the past in Herald Sun [Hit] (30/03/2017) p.31
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Bleak but brilliant in The Age (11/08/2017) p.28
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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[Bliss : stills files]
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Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013.
Call No: 203 ELBAuthor: Elberse, Anita Source: USPlace: New YorkPublisher: Henry Holt and CompanyPubDate: 2013PhysDes: 307 pages : illustrations ; 25 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA ; WARNER BROS. ; SPORT ON TV ; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flapISBN: 9780805094336Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Blood is left in Bulgarian Film vol.5 iss.79 p.5-6
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Blood lust in Australian Financial Review (29/11/2014) p.51
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Blood on the keys : Joni Taylor enters Linda Dement's In My Gash CD-ROM in Realtime (Dec 1999-Jan 2000) iss.34 p.14
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Blood on the path of solitary man in Sunday Age [M] (2/08/2015) p.19
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The bloody lady in Ceskoslovensky film (1981) vol.2
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I blow my own horn / by Jesse L. Lasky with Don Weldon London: Gollancz, 1957.
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Blow to the video vendors : Import duty up from 2 to 37 per cent in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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Blowing raspberries in Freeze Frame (May 1987) vol.1 iss.2 p.39
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Blu-ray format wins strong JB Hi-Fi support in Australian Financial Review (15/02/2007) p.21
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: BLU-RAY ; HIGH DEFINITION DVD ; JB HI-FI LIMITED Summary: Blu Ray format DVD to be released at JB Hi Fi.
Article states that Blu-Ray supported by consumer electronic companies, HD DVD supported by Microsoft and Intel.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Scott Browning – Mktg Mgr JB Hi fi
Blu ray is (quote)“manifestly superior for consumers” because eight out of Australia’s nine major film distributors were supporting Blu Ray, and because Sony’s coming PS3 games console could play Blu-ray movies’.(end quote)
“JB Hi-Fi, which on Tuesday reported a record half-year profit of $26.2 millon on strong DVD sales”
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[Blue mountains mystery : Lottie Lyell and Raymond Longford (centre) directing a scene, Majorie Osborne (Mrs. Tracey), Aurthur Higgins (cameraman)]
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[Blue mountains mystery : Lottie Lyell and Raymond Longford (centre) directing a scene, Majorie Osborne (Mrs. Tracey), Aurthur Higgins (cameraman)]
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Blue movie / Terry Southern St Albans: Panther, 1974.
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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Blurred boundaries : questions of meaning in contemporary culture / Bill Nichols Bloomington: Indiana University Press, 1994.
Call No: 409 NICAuthor: Nichols, Bill Place: BloomingtonPublisher: Indiana University PressPubDate: 1994PhysDes: xvii, 187 p. ; 25 cmSubject: ANTHROPOLOGY AND THE CINEMA ; AUDIENCES ; BODY IN FILMS ; DOCUMENTARY FILMS ; ETHNOGRAPHIC FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; SEMI-DOCUMENTARIES ; SOCIAL HISTORY AND THE CINEMA ; KING, RODNEY ; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925) ; REALISM ON TV ; REALITY TV ; RACIAL ISSUES ON TV ; RACIAL ISSUES AND TV ; TRUTH IN FILMS ; VIOLENCE ON TV ; WAR AND THE CINEMA ; GULF WAR ON TV ; ETHICS AND TV Summary: "Blurred Boundaries explores decisive moments where the traditional boundaries of fiction/non-fiction and truth/falsehood blur. Nichols argues that the history of social representation in film, television, and video requires an understanding of the fate of both contemporary and older work. Traditionally, film history and cultural studies sought to place films in a historical context. Nichols proposes a new goal: to examine how specific works, old and new, promote or suppress a sense of historical consciousness. Examining work from Eisenstein's Strike to the Rodney King videotape, Nichols interrelates issues of formal structure, viewer response, and historical consciousness. Simultaneously, Blurred Boundaries radically alters the interpretative frameworks offered by neoformalism and psychoanalysis: Comprehension itself becomes a social act of transformative understanding rather than an abstract mental process, while the use of psychoanalytic terms like desire, lack, or paranoia to make social points metaphorically yields to vocabulary designed expressly for historical interpretation - such as project, intentionality, and the social imaginary. An important departure from prevailing trends in many fields, Blurred Boundaries offers new directions for the study of visual culture." -- BOOK BLURBNotes: Includes bibliographical references (p. 149-182) and indexISBN: 0253340640 (alk. paper); 0253209005 (paper : alk. paper)LON: 10767942
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[BMX bandits : stills file]
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Bob Hope : the road from Eltham / Charles Thompson London: Thames Methuen, 1981.
Call No: 81HOP THOAuthor: Thompson, Charles, 1945 Place: LondonPublisher: Thames MethuenPubDate: 1981PhysDes: 250p, [16]p of plates : ports ; 22cmSubject: HOPE, BOB Notes: Comedy. Hope, Bob,. 1903- - Biographies (BNB/PRECIS); Includes indexISBN: 0423000403 : ª7.50 : CIP revLON: 2138416
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Bob Hoskins, an unlikely hero / Karen Moline London: Sidgwick & Jackson, 1988.
Call No: 81HOS MOLAuthor: Moline, Karen Place: LondonPublisher: Sidgwick & JacksonPubDate: 1988PhysDes: ix, 213 p. : ill. ; 24 cmSubject: HOSKINS, BOB ISBN: 0283995084LON: bnb28399508; 5764313
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Bobby and Frank / Margaret Pearce Sydney: Collins, 1989.
Call No: 79 HOM PEAAuthor: Pearce, Margaret Place: SydneyPublisher: CollinsPubDate: 1989PhysDes: 200 p. ; 18 cmSeries: Home and AwaySubject: HOME AND AWAY [TV] (AT, 1988 -) Notes: Based on the television program Home and away.
For childrenISBN: 0732273420
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Boca del Lobo, La : PE/SP, Francisco J. Lombardi, 1988
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The body in question in Cinema Papers (May 1987) vol.63 p.16-19
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The body in the mirror : shapes of history in Italian cinema / Angela Dalle Vacche Princeton, N.J.: Princeton University Press, c1992.
Call No: 71(45) VACAuthor: Dalle Vacche, Angela Place: Princeton, N.J.Publisher: Princeton University PressPubDate: c1992PhysDes: xvii, 306 p. : ill. ; 25 cmSubject: ITALY Notes: Includes bibliographical references (p. [285]-300) and indexISBN: 0691055661 (alk. paper); 0691008728 (pbk. : alk. paper)LON: 8114241
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[Body surfer : stills film]
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The bodysurfers: stills file [1989].
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Interim
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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Bollywood : A guide to popular Hindi Cinema New York: Routledge, 2004.
Call No: 71(540) GANAuthor: Ganti, Tejaswini Place: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 254 p. ; ill. ; 20 cmSubject: POPULAR CULTURE AND THE CINEMA.INDIA ; INDIA ; INDUSTRY, FILM. INDIA Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover)Notes: Index: p.242-254; Bibliography
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 71(540) BOLAuthor: KIshore, Vikrant (ed.) ; Patra, Parichay (ed.) ; Sarwal, Amit (ed.) Source: US/UK/ATPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xii, 229 pages ; 23 cmSubject: INDIA ; INDIA IN FILMS ; BOLLYWOOD ; INDIAN CINEMA ; HISTORY OF CINEMA. INDIA ; THEORY ; DIASPORIC CINEMA ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; SEX IN FILMS ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND THE CINEMA ; AESTHETICS ; PHILOSOPHY AND THE CINEMA ; SCIENCE-FICTION FILMS Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781137426499Donation: Senses of CinemaContents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --
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Bollywood cinema : temples of desire / Vijay Mishra New York: Routledge, 2002.
Call No: 71(540) MISAuthor: Mishra, Vijay Source: USPlace: New YorkPublisher: RoutledgePubDate: 2002PhysDes: xxiv, 296 p. : ill. ; 24 cmSubject: INDIA ; BACHCHAN, AMITABH Notes: Includes bibliographical references and indexISBN: 0415930154
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Bollywood in Australia : transnationalism and cultural production / edited by Andrew Hassam and Makarand Paranjape Crawley, Western Australia: University of Western Australia Publishing, 2010.
Call No: 408.3 (540/94) BOLAuthor: Hassam, Andrew (ed.) ; Paranjape, Makarand (ed.) Source: ATPlace: Crawley, Western AustraliaPublisher: University of Western Australia PublishingPubDate: 2010PhysDes: 192p. ; 24cmSubject: AUSTRALIA ; BOLLYWOOD ; INDIA ; INDIAN CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; SALAAM NAMASTE (II, Siddarth Anand, 2005) ; CHAK DE! INDIA (II, Shimit Amin, 2007) Summary: "The past decade has witnessed a steady increase in Australia’s awareness of India as a strategic and economic partner. Bollywood plays an important role in the increased dialogue between Australia and India.
Bollywood in Australia: Transnationalism and Cultural Production brings together scholars from India and Australia to explore the transnational impact of Bollywood on public spheres in Australia and to assess its contribution to Australian creative industries.
Countries of the West—Switzerland, the USA, Canada, Australia, New Zealand—have gone out of their way to welcome Bollywood production teams, and Singapore and Bangkok are now using Bollywood to showcase an Asian modernity.
In an age when creative, information and services industries propel economic growth, Bollywood and its modalities of production, distribution and reception are seen as important players in global culture-industry networks."
--University of Western Australia webpage http://uwap.uwa.edu.au/books-and-authors/book/bollywood-in-australia-ebook/ISBN: 9781921401084Contents: -- Bollywood in Australia: introduction Andrew Hassam and Makarand Paranjape -- 1: the crossover audience: mediated multiculturalism and the Indian film Adrian Mabbott Athique -- 2: cultural encounters: the use and abuse of Bollywood in Australia Devika Goonewardene -- 3: Salaam Namaste, Melbourne and cosmopolitanism Andrew Hassam -- 4: Chak De! Australia: Bollywood down under Makarand Paranjape -- 5: Cook Cook Hota Hai: Indian cinema, kitchen culture and diaspora Srilata Ravi -- 6: Rangla Punjab in Canberra, Yamla Jatt folk night in Sydney, Oorja nights in Melbourne Anjali Gera Roy -- 7: orbits of desire: Bollywood as creative industry in Australia Debjani Ganguly -- 8: sweet dreams are made of this: Bollywood and Transnational South Asians in Australia Devleena Ghosh -- 9: Interview AK Tareen, senior trade commisioner - india, government of South Australia, 27 February 2008 -- filmography -- image credits -- notes on contributors --
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Bombay London: British Film Institute, 2005.
Call No: 79BOMAuthor: Gopalan Lalitha Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 94 p. ; 19 cmSeries: BFI Modern ClassicsSubject: INDIA ; BOMBAY (II, Mani Ratnam, 1995) Summary: In January 1993 sectarian rioting left 2000 Hindus and Muslims dead in Bombay. Only two years later Mani Ratnam's audacious Tamil film Bombay (1995) used these events as a backdrop to a love story between a Hindu boy and a Muslim girl. Bombay was condemned by Muslim critics for misrepresentation and it was embroiled in censorship controversies. These served only to heighten interest and the film ran to packed houses in India and abroad. Lalitha Gopalan shows how Bombay struggles ot find a narrative that can reconcile differences. She looks in detail at the way official censors tried to change the film under the influence of powerful figures in both the Muslim and the Hindu communities. In going on to analyse the aesthetics of Bombay, she shows how themes of social and gender difference are rendedred through performance, choreography, song and cinematography. This is a fascinating account of a landmark in recent Indian cinema. [Taken from back cover]ISBN: 0851709567
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Bombay cinema : an archive of the city / Ranjani Mazumdar Minneapolis, Minn: University of Minnesota Press, 2007.
Call No: 71(547.1) MAZAuthor: Mazumdar, Ranjani Source: USPlace: Minneapolis, MinnPublisher: University of Minnesota PressPubDate: 2007PhysDes: xxxvii, 257 p. : ill. ; 24 cmSubject: INDIAN CINEMA ; INDIA Summary: "Cinema is not only a major industry in India, it is a powerful cultural force. But until now, no one has undertaken a major examination of the ways in which films made in Bombay mediate the urban experience in India. In this analysis of the cinematic city, Ranjani Mazumdar reveals a complex postnationalist world, convulsed by the social crisis of the 1970s and transformed by the experience of globalization in the 1990s. Bombay Cinema leads the reader into the heart or the urban labyrinth in India, revising and deepening our understanding of both the city and cinema" - BLURBNotes: Formerly CIP.
Includes bibliographical references (p.231-244) and indexISBN: 9780816649426Contents: Introduction : urban allegories -- 1. Rage on screen -- 2. The rebellious Tapori -- 3. Desiring women -- 4. The panoramic interior -- 5. Gangland Bombay -- Conclusion : after life
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Le Bon takes high road in Sunday Herald Sun (11/10/2015) p.84
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Bonanza Year in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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Bond and beyond : the political career of a popular hero / Tony Bennett and Janet Woollacott Houndmills, Basingstoke, Hampshire: Macmillan Education, 1987.
Call No: 451BON BENAuthor: Bennett, Tony ; Woollacott, Janet Place: Houndmills, Basingstoke, HampshirePublisher: Macmillan EducationPubDate: 1987PhysDes: xi, 315 p. : ill. ; 23 cmSubject: JAMES BOND IN FILMS Notes: Includes bibliographical references (p. 296-309)ISBN: 0333286219 (pbk.); 0333286200LON: bnb33328620; 4272135
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The Bond inquiry : a report by the Australian Broadcasting Tribunal on an inquiry into matters relating to television and radio licences associated with Mr. Alan Bond North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1990.
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Bond is no TV winner in Herald Sun (26/04/2017) p.32
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The Bonds of charm, spin and hubris in Canberra Times [TV Guide] (1/05/2017) p.3
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Bonds of family and friendship in AFR Weekend (10/12/2016) p.44
Call No: TITLE CLIPPINGS FILE; LITTLE MEN (US/GR, Ira Sachs, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: LITTLE MEN (US/GR, Ira Sachs, 2016) Summary: Positive review of the film LITTLE MEN, where the author sees the film as a commentary of family dynamics and the pressures of financial uncertainty in the USA
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Bones of contention in Sunday Canberra Times [Relax] (29/03/2015) p.20
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LA BONNE ÉPOUSE [HOW TO BE A GOOD WIFE] : (FR/BE, Martin Provost, 2020) Digital clippings file available
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The Book of Revelation in Empire (Australian Ed.) (October 2006) iss.67 p.22
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The Book of Revelation in Empire (Australian Ed.) (February 2007) iss.71 p.108
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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Borrowed Time in Montage (March 1970) p.5-8
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I BOUGHT A VAMPIRE MOTORCYCLE : (UK, Dirk Campbell, 1990)
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[Boundaries of the heart : stills file]
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Bowled by unexpected bouncer in Sydney Morning Herald [The Shortlist] (16/10/2015) p.6
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The box office rip-off in Lumiere (September, 1973) iss.27 p.10-11
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Boy entrants in world film contests in The Age (31/05/1963) p.16
Call No: PERSONALITY CLIPPINGS FILE; LOFVEN, CHRISAuthor: Jowett, Ruth PhysDes: Clippings File ArticleSubject: LOFVEN, CHRIS ; YOUNG PEOPLE, FILMS MADE BY Summary: Report on Chris Lofven and the Filmmakers Club at Brighton Boys' Grammar school who have entered their films into international festivals. Lofven talks about his short films Silent Sand Hills and The Tunnel, and the Brighton Boys Grammer filmmakers film is discussed as well. Photo of Brighton Boys' Grammar student John Baragwanath receiving award CEO of State Film Centre, David Swift, and A Gibbs a representative from the Victorian Council for Children's Film and TelevisionNotes: from State Film Centre clippings
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Boy's own adventure in Sun Herald [Inside Out] (19/02/2017) p.1
Call No: TITLE CLIPPINGS FILE; LION (AT, Garth Davis, 2016)Author: - PhysDes: Clippings File ArticleSubject: CASTING ; LION (AT, Garth Davis, 2016) Summary: Casting director Kirsty McGregor talks of the process of finding the ideal child to play Saroo in the film LION
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Brad Pitt to turn Aussie thriller into film in Sydney Morning Herald (23/11/2015) p.10
Call No: TITLE CLIPPINGS FILE in production; ILLUMINAE in productionAuthor: Morris, Linda PhysDes: Clippings File ArticleSubject: ILLUMINAE in production Summary: Interivew with the authors of the novel ILLUMINAE and how it plans to be turned into a film by Brad Pitt's production company Plan B Entertainment and Warner Bros.
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Breaker sold to China in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997.
Call No: 209.5 FITAuthor: Fitzsimmons, April Source: USPlace: Los AngelesPublisher: Lone Eagle Publishing Co.PubDate: c1997PhysDes: xx, 204 pages : black and white illustrations : 23 cmSubject: EXTRAS ; FILM WORKERS ; FILMMAKING ; INDUSTRY, FILM ; LABOUR ; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]Notes: includes bibliography and indexISBN: 0945728916Donation: Simon WincerContents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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Breaking big : winning a US network series commission was a life-changing moment for Brisbane television producer Tracey Robertson in AFR Weekend (16/01/2016) p.48
Call No: SUBJECT CLIPPINGS FILE; HOODLUMAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: HOODLUM ; ROBERTSON, TRACEY ; SECRETS AND LIES [TV](US 2015-) Summary: Interview with head of Hoodlum, Tracy Robertson. She talks about the stresses of getting shows onto US network television, in particular the show SECRETS AND LIES.Notes: article published in The Saturday Age with the title 'Hoodlum's long journey to Hollywood'. on 16 January 2016, Section: Business Day. page 4.
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Breaking in to the movies : film and the culture of politics / Henry A. Giroux Malden: Blackwell Publishers, 2002.
Call No: 409 GIRAuthor: Giroux, Henry A. Source: USPlace: MaldenPublisher: Blackwell PublishersPubDate: 2002PhysDes: 297 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS. USA ; CHILDREN AND THE CINEMA ; WALT DISNEY PRODUCTIONS ; WERTMULLER, LINA ; CLARK, LARRY ; NORMA RAE (US, Martin Ritt, 1979) ; LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; DANGEROUS MINDS (US, John N. Smith, 1995) ; PULP FICTION (US, Quentin Tarantino, 1994) ; ONE EIGHT SEVEN (US, Kevin Reynolds, 1997) ; FIGHT CLUB (US, David Fincher, 1999) ISBN: 0631226044Donation: donated by the family of Wayne Levy, 2006
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Breaking ranks in Stills (September-October 1983) iss.8 p.84
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Breaking the glass armor : neoformalist film analysis / Kristin Thompson Princeton, N.J.: Princeton University Press, 1988.
Call No: 623.75 THOAuthor: Thompson, Kristin, 1950 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1988PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cmSubject: FORMALISM ; REALISM IN FILMS ; TERROR BY NIGHT (US, Roy William Neill, 1946) ; VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; LAURA (US, Otto Preminger, 1944) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; PLAYTIME (FR, Jacques Tati, 1967) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; LANCELOT DU LAC (FR/IT, Robert Bresson, 1974) ; BANSHU (JA, Ozu Yasujiro, 1949) Notes: Includes bibliographical references and indexISBN: 0691067244 (alk. paper)LON: 5669174ID2: 291
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Breaking the ice in Weekend Australian [Review] (04/02/2017) p.23
Call No: TITLE CLIPPINGS FILE; ICE WARS [TV](AT, 2017)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: ICE WARS [TV] (AT, 2017) Summary: Preview of the new Australian documentary series ICE WARS, which looks at the the effect the drug Ice has had on people and communites around Australia
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Breaking the rules in Australian Financial Review [Boss] (12/05/2017) p.32
Call No: PERSONALITY CLIPPINGS FILE; HUTCHISON, CRAIGAuthor: Patrick, Aaron PhysDes: Clippings File ArticleSubject: CROCMEDIA ; HUTCHISON, CRAIG Summary: Looking at the sports journalist Craig Hutchison and his compay Crocmedia
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Breaking up the ABC / Glyn Davis Sydney: Allen and Unwin, 1988.
Call No: 19ABC DAVAuthor: Davis, Glyn Source: ATPlace: SydneyPublisher: Allen and UnwinPubDate: 1988PhysDes: 150 pages ; 22 cmSubject: AUSTRALIAN BROADCASTING CORPORATION ; FUNDING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; LAW AND TV. AUSTRALIA ; LEGISLATION. AUSTRALIA ; PROGRAMME CONTENT. AUSTRALIA ; PUBLIC BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; STATE AND THE CINEMA. AUSTRALIA Summary: "The life and works of 'Aunty', the Australian Broadcasting Corporation, continue to be the subject of public debate and often heated controversy, but they are seldom analysed in any depth. In this book Glyn Davis sets out to take the ABC apart, layer by layer, to reveal the contradictions in purpose and form which bedevil Australia's public broadcasting network. Emphasising the interplay between the ABC and its social and political context, Breaking Up the ABC subjects the recent internal reforms to careful scrutiny. Will these reforms end 'Aunty's' perennial difficulties? Or is the organisation doomed to permanent crisis? Can the corporation, as David Hill hopes, win back an audience and the political support crucial to its continuing existence? Having broken up the institution, how should the pieces be rearranged? This book offers new combinations to ensure the continuing viability of public broadcasting in Australia."--BOOK BLURBNotes: Includes list of abbreviations, bibliographic references and index -- cover illustration and design by John WindusISBN: 0043370047Donation: Donated by Mike Counihan
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Breathless : A 24-page celebration of French cinema / Edited by Barry McIlheney [s.l.]: [s.n.], [19-?].
Call No: 71(44) BRESource: USPlace: [s.l.]Publisher: [s.n.]PubDate: [19-?]PhysDes: 22 p. ; ills.Subject: FRANCE ; ACTORS. FRANCE ; BARDOT, BRIGITTE ; BIRKIN, JANE ; ARLETTY ; DELON, ALAIN ; BINOCHE, JULIETTE ; KARINA, ANNA ; GIRARDOT, HIPPOLYTE ; MARAIS, JEAN ; DENEUVE, CATHERINE ; BEART, EMMANUELLE ; BELMONDO, JEAN-PAUL ; BOUQUET, CAROLE ; DEPARDIEU, GERARD ; BONNAIRE, SANDRINE ; GABIN, JEAN ; MONTAND, YVES ; AIMEE, ANOUK ; DALLE, BEATRICE Notes: Photobook insert from Premiere Magazine in association with Pernod.
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The Brechtian aspect of radical cinema / Martin Walsh ; edited by Keith M. Griffiths London: BFI Pub., 1981.
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The Bredin report : on the future of the French cinema / BFI London: BFI Publishing, c1982.
Call No: 71(44) BREAuthor: Bredin, Jean-Denis CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: c1982PhysDes: 87 p ; 29 cmSubject: FRANCE ; INDUSTRY, FILM. FRANCE Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade..LON: 4399957
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Breeding In Captivity in Australian Cinematographer (March 2013) iss.57 p.26-37
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Brian Casey hosts Vic. Cinema Pioneers in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.23
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Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Brian Griffin elected president. W.A.M.P.E.A. in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
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Bridge of light : Yiddish films between two worlds / by J. Hoberman New York: Schocken Books, 1991.
Call No: 451-054(=924) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: Schocken BooksPubDate: 1991PhysDes: 401p. : illus. : 24cm.Subject: HISTORY AND THE CINEMA ; JEWS AND THE CINEMA Notes: Includes appendix, glossary, bibliography and index.ISBN: 0805241078
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A brief history of the Italian Cinema in Metro (2000) iss.121/122 p.101-112
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BRIGADE, LA [KITCHEN BRIGADE, THE] : (FR, Louis-Julien Petit, 2022) Digital clippings file available
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Bright light on the horizon in The Australian (15/10/2005) p.23
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUSTRALIA 2000s ; BOX OFFICE. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; CONNOLLY, ROBERT ; LANTANA (AT, Ray Lawrence, 2001) ; LOOK BOTH WAYS (AT, Sarah Watt, 2005) ; BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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"BRIGHT LIGHTS, BIG CITY: NEW YORK AND THE MOVIES" 1994.
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Bright sparks in Daily Telegraph [Best Weekend] (11/04/2015)
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'Bright Star' : the complete poems and selected letters / John Keats London: Vintage, 2009.
Call No: 79BRI KEAAuthor: Keats, John Source: UKPlace: LondonPublisher: VintagePubDate: 2009PhysDes: xvi, 525 p. ; 20 cmSeries: Vintage ClassicsSubject: POETRY AND THE CINEMA ; Keats, John ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: "John Keats died in poverty and relative obscurity in 1821, aged only 25. He is now seen as one of the greatest English poets and a genius of the Romantic age. This collection, which contains all his most memorable works and a selection of his letters, is a feast for the senses, displaying Keat's gift for gorgeous imagery and sensuous language, his passionate devotion to beauty, as well as some of the most moving love poetry ever written. " -- BLURBNotes: Introduction by Jane CampionISBN: 9780099529651
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still
[Brilliant lies : stills file] Roadshow Film Distributors (distributor),
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Brilliantly batty in Sunday Herald Sun [Scene] (26/03/2017) p.2
Call No: TITLE CLIPPINGS FILE; LEGO BATMAN MOVIE, THE (US, Chris McKay, 2017)PhysDes: Clippings File ArticleSubject: LEGO BATMAN MOVIE. THE (US, Chris McKay, 2017) Summary: Review of the film THE LEGO BATMAN MOVIERating: 4 out of 5 stars
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Bring on the stuntman! / Ian B. Jamieson Adelaide: Rigby, 1981.
Call No: 227.5(092) JAMAuthor: Jamieson, Ian B. Source: ATPlace: AdelaidePublisher: RigbyPubDate: 1981PhysDes: 88 p. : ill., ports. ; 29 cmSubject: STUNTS. AUSTRALIA ; JAMIESON, IAN ISBN: 0727014854Donation: donated by the family of Wayne Levy, 2006; donated by the family of Wayne Levy, 2006
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Bringing her Rosie glow to Melbourne in Sunday Age (19/07/2015) p.8
Call No: TITLE CLIPPINGS FILE in production; ROSIE PROJECT, THE in productionAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: LOCATION SHOOTING. AUSTRALIA: VICTORIA ; ROSIE PROJECT, THE in production Summary: Discussion around the unlikely possibility of the film version of the book The Rosie Project to be shot in the book's setting of Melbourne and the excitement around the Hollywood star Jennifer Lawrence playing the role of Rosie
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Bringing Up Daddy : fatherhood and masculinity in post-war Hollywood / Stella Bruzzi London: British Film Institute, 2005.
Call No: 451 (-01) (-055.52) BRUAuthor: Bruzzi, Stella Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 217 p. ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS. USA ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; DIE HARD (US, John McTiernan, 1988) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]ISBN: 1844571106
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'Brissie boy' lands title role in Paul Hogan series in Sun Herald (29/05/2016) p.12
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Old collection
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Britain : world film centre / editor Michael Relph London: Film Production Association of Great Britain, [1976].
Call No: REFERENCE SECTION; 023(41) BRIAuthor: Relph, Michael Source: UKPlace: LondonPublisher: Film Production Association of Great BritainPubDate: [1976]PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cmSubject: UNITED KINGDOM. 1970's ; INDUSTRY, FILM. UK Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publicationLanguage: English, German, French, Italian
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British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
Subject: GOLDCREST FILMS ; INDUSTRY, FILM. UK ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; MISSION, THE (UK, Roland Joffe, 1986) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; HUDSON, HUGH ; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
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British cinema now in National Film Theatre (Jan 1984) p.8
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British Cinema Now in National Film Theatre (Jan 1984) p.8
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British cinema now in National Film Theatre (Jan 1984) p.8
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book
British cinema, past and present / edited by Justine Ashby and Andrew Higson London New York, NY: Routledge, 2000.
Call No: 71(41) BRIAuthor: Higson, Andrew ; Ashby, Justine Source: UKPlace: London New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xx, 385 p. : ill. ; 24 cmSubject: ASKEY, ARTHUR ; ASSOCIATED BRITISH PICTURE CORPORATION ; AUDIENCES. UK ; BAKER, ROY WARD ; BRASSED OFF (UK, Mark Herman, 1996) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOX, BETTY E. ; EALING STUDIOS ; GREENAWAY, PETER ; JARMAN, DEREK ; KEILLER, PATRICK ; PEEPING TOM (UK, Michael Powell, 1960) ; PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933) ; RADIO PARADE OF 1935 (UK, Arthur Woods, 1934) ; UNITED KINGDOM Notes: Includes bibliographical references (p. 354-369) and indexISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)LON: 21262622
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The British documentary film movement, 1926-1946 / Paul Swann Cambridge [England] ; New York: Cambridge University Press, 1989.
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Interim
book
The British film industry : a report on its history and present organisation, with special reference to the economic problems of British feature film production. London: P E P (Political & Economic Planning), 1952.
Call No: 201(41) PEPCorpAuthor: PEP (Political & Economic Planning)Source: UKPlace: LondonPublisher: P E P (Political & Economic Planning)PubDate: 1952PhysDes: 307 p. : graphs ; 24 cmSubject: INDUSTRY, FILM. UK Notes: Includes Chronological table of main events and Index.
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The British Film Industry in Montage (1962) vol.1 iss.1 p.12-13
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British Film Industry : Derek Todd talks with John Boulting in Lumiere (June 1970) vol.1 iss.1 p.33-35
Author: Todd, Derek PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; BOULTING, JOHN Summary: Interview between Derek Todd and British filmmaker John Boulting on the state of the British film industry. Boulting believes that Britain has become too influenced by the American funding and production model.
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book
British genres : cinema and society, 1930-1960 / Marcia Landy Princeton, N.J.: Princeton University Press, 1991.
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book
British national cinema / Sarah Street London New York: Routledge, 1997.
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The British underground in Lumiere (January-February, 1972) iss.13 p.40-41
Author: Thoms, Albie PhysDes: ArticleSubject: BRITISH CINEMA ; UNDERGROUND FILMS ; DWOSKIN, STEPHEN ; GIDAL, PETER ; LARCHER, DAVID ; LE GRICE, MALCOLM ; LEGGETT, MIKE ; SCHNEEMANN, CAROLEE ; KEEN, JEFF Summary: A discussion of British Underground films and the decline of the industry as part of a series of articles on European Underground cinema. Includes work by filmmakers including Stephen Dwoskin, Malcolm Legrice, David Larcher, Peter Gidal, Mike Leggett and Ian Breakwell, Carolee Schneemann and Jeff Keen.Notes: First in this series of articles appears in Lumiere No. 11 p.37-39
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Interim
book
Broadband in Australia : Tales from the frontier / by Marion Jacko Sydney, N.S.W.: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2001.
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Interim
book
Broadcasting : draft report Melbourne: Productivity Commission, 1999.
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book
Broadcasting bounces back ; A financial evaluation of Australian commercial metropolitan television : Part 1 Industry Overview June 1993 / Principal author : Bob Peters; Co-author and research co-ordinator : Peter Leigh Melbourne: ANZ McCaughan, 1993.
Call No: 203(94) PETAuthor: Peters, Bob -- Leigh, Peter Source: ATPlace: MelbournePublisher: ANZ McCaughanPubDate: 1993PhysDes: 78, A-11.2 pagesSubject: ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; INVESTING. AUSTRALIA ; PAY TV. AUSTRALIA Summary: Report on the Australian commercial television industry that suggests strong financial growth. Considers advertising volitility and the arrival of pay tvContents: Executive summary -- Introduction -- Industry description -- Ratings, programming, and strategies -- Financial performance -- Corporate profiles -- Future prospects -- Appendices -- Australian advertising expenditures sector shares of total expenditure 1961-1991 -- Metroploitan commercial television analysis of top 25 product categories 1981-1991 -- Regression analysis summary and projections total and television advertising expenditure growth versus gross domestic product growth 1962-1991 -- Metropolitan television ratings shares by market and channel 1983 to 1992 -- Metropolitan commercial television analysis of programming by type and origin: all Sydney commercial stations during 1991 -- Metropolitan commercial television stations ultimate or effective owners or controllers from 1 January 1983 to 1 June 1993 -- Metropolitan commercial television comparison of advertising revenue growth and gross domestic product growth 1970/71 to 1991/92 -- Metropolitan commercial television summary of financial performance 1970/71-1991/92 -- Australian commercial television historical profit margins 1957/58 to 1991/92 -- Metropolitan commercial television summary of network financial performance on a four market basis 1987/88 to 1991/92 -- Metropolitan commercial television network's share ofd revenue on a four market basis 1987/88 to 1991/92
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Broadcasting in Australia 1989 : the second annual review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 201(94) AUS "1989"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Donation: Jock GivenContents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS
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Yet to catalogue
book
Broadcasting in Australia 1990 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
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book
Broadcasting in Australia 1992 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 260(94) AUS "1992"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; PAY TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations
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Broadway & Hollywood : costumes designed by Irene Sharaff / Irene Sharaff New York: Van Nostrand Reinhold Co., 1976.
Call No: 226.4 SHAAuthor: Sharaff, Irene Place: New YorkPublisher: Van Nostrand Reinhold Co.PubDate: 1976PhysDes: 136 p. : ill. (some col.) ; 24 cmSubject: COSTUMES ; SHARAFF, IRENE ; TAYLOR, ELIZABETH ; ADRIAN, GILBERT ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; KING AND I, THE (US, Walter Lang, 1956) ; CAN-CAN (US, Walter Lang, 1960) ; JUSTINE (US, George Cukor, 1969) ; PORGY AND BESS (US, Otto Preminger, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; MEET ME IN ST. LOUIS (US, Vincente Minnelli, 1944) ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) Notes: Includes indexISBN: 0442275277 : $12.50LON: 747228
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journal article
Broccoli, producer of James Bond films receives Thalberg Award in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006.
Call No: 802 AITAuthor: Aitken, Doug Source: USPlace: New YorkPublisher: Distributed Art PublishersPubDate: 2006PhysDes: 302 p. : col. ill. ; 25 cmSubject: AITKEN, DOUG ; AHTILA, EIJA-LIISA ; ALTMAN, ROBERT ; ANGER, KENNETH ; BALDESSARI, JOHN ; BARNEY, MATHEW ; BURDEN, CHRIS ; CONNER, BRUCE ; DENIS, CLAIRE ; DOUGLAS, STAN ; ELIASSON, OLAFUR ; FERRO, PABLO ; FIGGIS, MIKE ; HERZOG, WERNER ; HILL, GARY ; HOLLER, CARSTEN ; HUYGHE, PIERRE ; JODOROWSKY, ALEXANDRO ; KOOLHAAS, REM ; LYNN, GREG ; NICOLAI, CARSTEN ; PRINCE, RICHARD ; RIST, PIPILOTTI ; RONDINONE, UGO ; RUSCHA, ED ; VOGEL, AMOS ; WILSON, ROBERT ; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.ISBN: 1933045264
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journal article
The Brothers Grimm in Empire (Australian Ed.) (July 2006) iss.64 p.92
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newspaper article
Brothers in laughs together again in Herald Sun (3/06/2017) p.26
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Brown Brown Brown & Brown in Lumiere (June 1970) vol.1 iss.1 p.28-31
Author: Byrne, T.A. PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA Summary: Article on the Brown family's involvement in the Australian film industry with members being on the first film cesnorship board, producing features for RKO and Warner Bros., making patriotic films in World War I, and pioneering early cinematography.
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book
Bruce Bereford : instincts of the heart / Peter Coleman Pymble, N.S.W.: Angus and Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Source: ATPlace: Pymble, N.S.W.Publisher: Angus and RobertsonPubDate: 1992PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cmSubject: BERESFORD, BRUCE ; FILMMAKING. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)ISBN: 0207175268
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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Bruce Lee : the biography / by Robert Clouse Burbank, CA: Unique Publications, 1988.
Call No: 81LEE CLOAuthor: Clouse, Robert Place: Burbank, CAPublisher: Unique PublicationsPubDate: 1988PhysDes: 194 p. : ill. ; 28 cmSubject: LEE, BRUCE ISBN: 0865681333 : $12.95LON: 88051058; 6425258
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journal article
Bruno : the Bruno Lawrence story in Metro (2000) iss.123 p.143-144
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Bruno : the Bruno Lawrence Story / Roger Booth Christchurch: Canterbury University Press, 1999.
Call No: 81LAW BOOAuthor: Booth, Roger Source: NZPlace: ChristchurchPublisher: Canterbury University PressPubDate: 1999PhysDes: 344 p., 4 p. of plates : ill., ports. (some col.) ; 23 cmSubject: ACTORS. NZ ; COSI (AT, Mark Joffe, 1995) ; FRONTLINE [TV] (AT, 1994- ) ; INDECENT OBSESSION, AN (AT, Lex Marinos, 1985) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; LAWRENCE, BRUNO Notes: Includes appendices and indexISBN: 0908812833
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Interim
book
Brushing the tip of fame / Nicholas Hope Australia: Bantam, 2004.
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book
Brutal vision : the neorealist body in postwar Italian cinema / Karl Schoonover Minneapolis: University of Minnesota Press, 2012.
Call No: 64NEO SCHAuthor: Schoonover, Karl Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2012PhysDes: xxxiii, 283 pages : illustrations ; 23 cmSubject: NEOREALISM ; ITALIAN CINEMA Summary: "Film history identifies Italian neorealism as the exempler of national cinema, a specificially domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films -- including such classics as Rome Open City, Paisan, Shoeshine, and Bicycle Thieves -- should be understood less as national products and more as complex agents of a postwar reorganization of global politics. In his readings on crucial films and newly discovered documents from the archives of neorealism's international distribution, Karl Schoonover reveals how these movies use images of the imperiled body to reconstitute the concept of the human and to recalibrate the scale of human community. Brutal Vision fundamentally revises ideas of cinematic specificity, the human, and geopolitical scale that we inherit from neorealism and its postwar milieu -- ideas that continue to set the terms for political filmmaking today." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9780816675548Contents: Introduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion
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newspaper article
Brute force in Australian Financial Review [Weekend Fin] (28/03/2015) p.51
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newspaper article
Brute force in Australian Financial Review [Weekend Fin] (28/03/2015) p.51
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Interim
book
The Budapest film school / Hungarofilm Budapest, Hungary: Interpress, [1982?].
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Interim
festival catalogue
Buenos Aires Festival Internacionale de Cine Independiente AG: 2004.
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journal article
Los buenos sentimientos in Film vol.60 p.22
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journal article
Building a National Cinema : Soviet Film Education, 1918-1934 in Wide Angle (1987) vol.9 iss.3 p.4-20
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newspaper article
Built to order in The Age [E.G.] (31/03/2017) p.4
Call No: TITLE CLIPPINGS FILE; LEGO BATMAN MOVIE, THE (US, Chris McKay, 2017)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: ANIMAL LOGIC ; LEGO BATMAN MOVIE. THE (US, Chris McKay, 2017) Summary: Interview with Chris McKay about the making of THE LEGO BATMAN MOVIE and with production designer Grant Freckelton on the role Animal Logic played in the film's production
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poster
[Bullitt : poster, double-sided, Lolita]
Call No: P BULPhysDes: 1 poster : colour ; 60 x 42 cmSubject: LOLITA (US, Stanley Kubrick, 1962) ; BULLITT (US, Peter Yates, 1968) Summary: Text on Bullitt side: The Word 'cop' isn't written all over him - something more puzzling is.Image on Bullitt side: various coloured photographs of men in different poses, some of them holding a gun.
Text on Lolita side: How did they ever make a movie of Lolita? For persons over 18 years of age.Image: Close up of girl sucking on a lollypop and wearing red, love-heart shaped, sunglasses.Notes: Two copies.Double-sided.Folds and bluetack marks.
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journal article
Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4
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newspaper article
Burger king with the lot in Sunday Herald Sun [Scene] (20/11/2016) p.1
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journal article
Burning Man in Australian Cinematographer (March 2012) iss.53 p.29-33
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Burt Lancaster : Hollywood's magic people / by Jerry Vermilye New York: Falcon, 1971.
Call No: 81LAN VERAuthor: Vermilye, Jerry Place: New YorkPublisher: FalconPubDate: 1971PhysDes: 159 p. : ill. ; 28 cmSubject: LANCASTER, BURT Notes: Subtitle on cover: A pictorial treasury of his films; Includes filmographyLON: abn80021039; 1785051
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still
[Bush Christmas : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 13 x 18 cm - 25 x 20 cmSubject: EWART, JOHN ; HOWARD, JOHN ; KIDMAN, NICOLE ; WINGROVE, JAMES ; MANALPUY ; SPAIN, MARK ; BARRON, PAUL D. ; SUMNER, PETER ; O'MALLEY, VINETA ; BUSH CHRISTMAS (AT, Henri Safran, 1981) Summary: Ten black and white photographs relating to the film Bush ChristmasNotes: One image donated by Brian McFarlane
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newspaper article
Busienss bites : Apple sours....networks cower...recall towers... in Crikey.com.au (27/01/2016) p.-
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book
The business of filmmaking Rochester, N.Y.: Eastman Kodak, 1978.
Call No: 21(73) BUSCorpAuthor: Kodak LimitedSource: USPlace: Rochester, N.Y.Publisher: Eastman KodakPubDate: 1978PhysDes: 96 p. : ill. ; 28 cmSeries: Kodak publication ; no. H-55Subject: INDEPENDENT FILMS ; INDEPENDENT PRODUCTION ; INDEPENDENT DISTRIBUTION Summary: "This publication concentrates on the business side of planning, producing, and distributing effective nontheatrical motion picture films." - TAKEN FROM BACK COVERNotes: Portions of the book were written for Kodak by Paul da Silva and Richard H. RogersISBN: 0879852038
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Old collection
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The business of understanding Japan and the United States in today's world : as seen through 'The Japanese Film' a PBS television series; produced by KQED, San Francisco / by Michael Berger Berkeley, California: Pacific Film Archive, University of California, Berkeley, 1974.
Call No: 71(52) BERAuthor: Berger, Michael Source: USPlace: Berkeley, CaliforniaPublisher: Pacific Film Archive, University of California, BerkeleyPubDate: 1974PhysDes: 32 p. : ill. ; 28 cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA. JAPAN Summary: Based around a thriteen week series on the American Public Broadcasting System, this guide comments on the Japanese films shown in the series and the various shared themes presented by the films in a way to help American's in business with the Japanese to understand their culture better.; The films shown are: Sanjuro (Akira Kurosawa), Ugetsu (Kenji Mizoguchi), Harp of Burma (Kon Ichikawa), Double Suicide (Masahiro Shinoda), Harakiri (Masaki Kobayashi), Boy (Nagisa Oshima), Night Drum (Tadashi Imai), Ikuru (Akira Kurosawa), When a Woman Ascends the Stairs (Mikio Naruse), Sansho the Bailiff (Kenji Mizoguchi), Twenty-Four Eyes (Keisuke Kinoshita), Gate of Hell (Teinosuke Kinugasa), Early Summer (Yasujiro Ozu).
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journal article
Buster and the Critics in Melbourne Film Bulletin (April 1969) iss.8 p.3-4
Author: Haldane, John PhysDes: ArticleSubject: Keaton, Buster ; COMEDIANS ; COMEDIES Summary: Essay discusses Buster Keaton and the "gag", in response to an unfavourable review in "Film" of J. P. Lebel's book "Bustor Keaton.
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Buster Keaton / David Robinson London: Secker & Warburg in association with the British Film Institute, 1969.
Call No: 81KEA ROBAuthor: Robinson, David, 1930 CorpAuthor: British Film InstitutePlace: LondonPublisher: Secker & Warburg in association with the British Film InstitutePubDate: 1969PhysDes: 199 p. : ill. ; 20 cmSeries: Cinema one ; 10Subject: KEATON, BUSTER ISBN: 0436098814LON: 79392675; 839842
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Buster Keaton / by J. P. Lebel ; translated by P. D. Stovin London -- New York: A. Zwemmer -- A.S. Barnes & Co., 1967.
Call No: 81 KEA LEBAuthor: Lebel, Jean-Patrick Source: UK/USPlace: London -- New YorkPublisher: A. Zwemmer -- A.S. Barnes & Co.PubDate: 1967PhysDes: 179 pages : plates, portraits ; 16 cmSeries: International film guide seriesSubject: KEATON, BUSTER Notes: Includes filmography/videographyContents: 1. The Great Stone Face -- 2 The Perfect Geometry -- 3. A Great Director -- 4. A Backdrop Without Values -- 5. The Gag -- 6. Buster Keaton and the Cinema -- 7. Extensions of Keaton's Work -- 8. Provisional Conclusion
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Busting out TV hits : NSW boom in filming of shows in Sunday Telegraph [General News] (1/11/2015) p.39
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Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Cable Television, CTV or RSTV, to be $300 mill. or $500 mill.- or not to be? in Australasian Cinema (24/9/1982) vol.11 iss.17 p.3
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Cagney / John McCabe London: Aurum, 1998.
Call No: 81CAG MCCAuthor: McCabe, John Edition: 1st edSource: UKPlace: LondonPublisher: AurumPubDate: 1998PhysDes: xvi, 439 p. : ports. ; 24 cmSubject: WARNER BROS. ; CAGNEY PRODUCTIONS ; CAGNEY, JAMES ; DAY, DORIS ; JOHNNY COME LATELY (US, William K. Howard, 1943) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WHITE HEAT (US, Raoul Walsh, 1949) ; YANKEE DOODLE DANDY (US, Michael Curtiz, 1941) Notes: Includes bibliographical references (p. 425-429) and index.
Filmography: p. 397-422ISBN: 1854105450Donation: donated by the family of Wayne Levy, 2006
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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Cairns Coral Twin Drive-In opens in Australasian Cinema (18/6/1982) vol.11 iss.10 p.3
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Calculated vision of a dreamer in The Age [The Shortlist] (20/05/2016) p.5
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Caligari's children : the film as tale of terror / S. S. Prawer Oxford New York: Oxford University Press, 1980.
Call No: 735.2 PRAAuthor: Prawer, S. S. (Siegbert Salomon), 1925 Place: Oxford New YorkPublisher: Oxford University PressPubDate: 1980PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cmSubject: HORROR FILMS ; HAMMER FILM PRODUCTIONS ; FISHER, TERENCE ; KARLOFF, BORIS ; LANG, FRITZ ; LEWTON ,VAL ; MURNAU, FRIEDRICH WILHELM ; FRANKENSTEIN (US, James Whale, 1931) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) Notes: Includes indexes; Bibliography: p. [283]-292ISBN: 019217584X : ª6.95LON: 1491474
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Call for an Australian Game of Thrones to boost screen industry in Sydney Morning Herald [Arts & Entertainment] (30/10/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTRALIA. 2010sAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: INDUSTRY, TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; PRODUCTION Summary: Article discusses the benefits of producing tv programmes that sell internationally. It also discusses the current state of the Australian film and televisin industries
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Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Shanahan, Leo PhysDes: Clippings File ArticleSubject: BANKS, ANDREW ; TAXES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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[Caller, the : stills file] / John Austin (?)
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Calman at the movies / Mel Calman London: Bodley Head, 1990.
Call No: 802(047.53) CALAuthor: Calman, Mel Place: LondonPublisher: Bodley HeadPubDate: 1990PhysDes: 124 p. : ill. ; 21 cmSubject: STEIGER, ROD ; GUINNESS, ALEC ; ANDERSON, LINDSAY ; ALTMAN, ROBERT ; RINGWOOD, BOB ; KLAFF, JACK ; NICHOLLS, ALLAN ; RAPHAEL, FREDERIC ; LAMBERT, VERITY ; PUTTNAM, DAVID ; PRICE, VINCENT ; BROWNE, CAROL ; LEWIS, FIONA ; PERELMAN, S.J. ; YORK, SUSANNAH ; HATTON, MAURICE ; GOETZ, RUTH ; REISZ, KAREL ; NORMAN, BARRY ; HARWOOD, RONALD ; ABBOTT, STEVE ; BLAIR, BETSY ; STAMP, TERENCE ; FREARS, STEPHEN ; WYLER, CATHERINE ; GRIFFITHS, RICHARD ; HART, KITTY CARLISLE ; GUARE, JOHN ; YATES, PETER ; THOMAS, JEREMY ; SCHLESINGER, JOHN ; MORTIMER, JOHN ; CLEMENT, DICK ; LA FRENAIS, IAN ; COATES, ANNE ; PAGE, MARY-ANNE ; WALTON, TONY ; LYNN, JONATHAN ; ADLON, PERCY ; ADLER, LEAH ; MCDOWALL, RODDY ; FISHER, CARRIE ; WILDER, BILLY ; BASS, SAUL Notes: Cinema industries (BNB/PRECIS)ISBN: 0370313917 (pbk)LON: 7171833
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CAMA ADENTRO : (AG/SP, JORGE GAGGERO, 2005)
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The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (US/UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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Came the dawn : memories of a film pioneer ... / illus. with drawings by the author London: Phoenix House, 1951.
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The camera and I New York: International Publishers, 1969].
Call No: 81IVE IVEAuthor: Ivens, Joris, 1898 Place: New YorkPublisher: International PublishersPubDate: 1969]PhysDes: 279 p. illus., ports. 19 cmSubject: IVENS, JORIS LON: 75010169; 385881
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Camera mart rental catalogue 1972 New York: [Camera Mart Inc.], 1972.
Call No: F(017)(73)291CAMCorpAuthor: [Camera Mart Inc.]Edition: 1972Place: New YorkPublisher: [Camera Mart Inc.]PubDate: 1972PhysDes: 52 p. ; 29 cmSubject: CAMERAS ; EQUIPMENT ; INDUSTRY, FILM
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The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977.
Call No: 81RAT RATAuthor: Rather, Dan ; Herskowitz, Mickey Source: USPlace: New YorkPublisher: William Morrow & Co.PubDate: 1977PhysDes: 320 p. ; 25 cmSubject: MEDIA ; NEWS PROGRAMMES.USA ; RATHER, DAN ; CRONKITE, WALTER ; SEVAREID, ERIC ; WALLACE, MIKE ; WALTERS, BARBARA ; REASONER, HARRY ; BRINKLEY, DAVID ; CHANCELLOR, JOHN ; NIXON [RICHARD M.] ON TV ; JOHNSON, LYNDON ISBN: 0688031846
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Can Craig Hutchison save The Footy Show? in The Age (9/03/2017) p.44
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Can-did Camera in Empire (Australian Ed.) (September 2006) iss.66 p.40
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title clippings file
I CAN GIVE YOU A GOOD TIME : (AT, Peter Oyston, 1987)
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I CAN HANDLE HER : (??, John Beaton, ??)
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I CAN JUMP PUDDLES : (AT, Kevin Dobson & Keith Wilkes, 1981)
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script
I Can Jump Puddles : Crutches are Nothing, Episode 4
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script
I Can Jump Puddles : Bona Fide Travellers, Episode 5
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I can jump puddles / Alan Marshall Melbourne: Longman Cheshire, 1955.
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I can jump puddles / Alan Marshall Ringwood, Vic: Penguin, 1981.
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I CAN LICK ANY GIRL IN THE HOUSE! : (UK, Eric Wallace, 1976)
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I CAN MAKE YOU LOVE ME: THE STALKING OF LAURA BLACK : (US, Michael Switzer, 1993)
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I CAN'T EVEN THINK STRAIGHT [TV] : (AT, Dean Francis, 2000)
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I CAN'T GET STARTED : (AT, Rodney Fisher, 1985 [prod. 1984])
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newspaper article
Canberra becomes the city of TV thrillers in Canberra Times (25/08/2015) p.5
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Canberra ready for its close up in The Australian (06/06/2016) p.2
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The Canberrans to watch in Canberra Times (18/07/2015) p.10
Call No: PERSONALITY CLIPPINGS FILE; LI, CINDYAuthor: Colquhoun, Rebecca PhysDes: Clippings File ArticleSubject: LI, CINDY Summary: Report on Cindy Li, a Canberra based film producer who is setting up film production links between Australian and China with her company JIA Films
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london road (uk, rufus norris, 2015)
Candid approach to youthful experiments in Weekend Australian [Review] (19 Sep 15) p.15
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journal article
Candy in Empire (Australian Ed.) (June 2006) iss.63 p.16-17
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Candy in Empire (Australian Ed.) (December 2006) iss.69 p.109
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Cannes Film Festival report in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Cannibalilizing queer : Brazilian cinema from 1970 to 2015 / Joao Nemi Neto Detroit: Wayne State University Press, 2021.
Call No: 71-032(81) NEMAuthor: Nemi Neto, Joao Edition: 2021Place: DetroitPublisher: Wayne State University PressPubDate: 2021PhysDes: x, 170 pages ; 24 cmSeries: Queer ScreensSubject: BRAZIL ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; PORNOGRAPHIC FILMS ; CANNIBALISM IN FILMS ; MADAME SATA (BL/FR, Karim Ainouz, 2002) ; MARINS, JOSE MOJICA ; ORGIA OU O HOMEN QUE DEU CRIA (BL, Joao Silverio Trevisan, 1970) Summary: Through an analysis of contemporary Brazilian cinematic production, Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 discusses which queer representations are erased and which are acknowledged in the complex processes of cultural translation, adaptation, and "devouring" that defines the Brazilian understanding of sexual dissidents and minorities. João Nemi Neto argues for Brazilian cinema studies to acknowledge the importance of 1920s modernism and of antropografia, a conceptual mode of cannibalism, to adopt and extrapolate a perverse form of absorption and raise the stakes on queer theory and postcolonialism, and to demonstrate how they are crucial to the development of a queer tradition in Brazilian cinema.
In five chapters and two "trailers," Nemi Neto understands the term "queer" through its political dimensions because the films he analyzes represent characters that conform neither to American coming-out politics nor to Brazilian identity politics. Nonetheless, the films are queer precisely because the queer experiences and affection explored in these films do not necessarily insist on identifying characters as a particular sexuality or gender identity. Therefore, attention to characters within a unique cinematic world raises the stakes on several issues that hinge on cinematic form, narrative, and representation. Nemi Neto interviews and examines the work of Joao Silverio Trevisan and provides readings of films such as AIDS o furor do sexo explícito (AIDS the Furor of Explicit Sex, 1986), and Dzi Croquetes (Dzi Croquetes, 2009) to theorize a productive overlap between queer and antropofagia. Moreover, the films analyzed here depict queer alternative representations to both homonormativity and heteronormativity as forms of resistance, at the same time as prejudice and heteronormativity remain present in contemporary Brazilian social practices.
Graduate students and scholars of cinema and media studies, queer studies, Brazilian modernism, and Latin American studies will value what one early reader called "a point of departure for all future research on Brazilian queer cinema." -- publisher's web siteISBN: 9780814346105Donation: Senses of Cinema
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journal article
Cannon Group picks up Germany's Ewert circuit in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Cannon's 'Invasion USA' underway in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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Online resource
digital clippings file
CAPITALE UMANO, IL : (IT/FR, Paolo Virzi, 2013) Digital clippings file available
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I CAPTURE THE CASTLE : (UK, Tim Fywell, 2003)
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I capture the castle [2001].
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newspaper article
Care factor in Weekend Australian [Review] (21/03/2015) p.13
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Career peaks in Weekend Australian [Review] (26/03/2016) p.12
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[Careful he might hear you : stills file] / Robert McFarlane Syme International Productions?,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Syme International Productions?PhysDes: 23 photographs : b&w ; 12 x 15 cm - 20 x 25 cm + 1 transparency : col. ; 6 x 7 cm.Subject: HUGHES, WENDY ; NEVIN, ROBYN ; GLEDHILL, NICHOLAS ; HARGREAVES, JOHN ; SCHULTZ, CARL ; ROBB, JILL ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) Summary: Twenty-three black and white photographs and one colour transparency relating to the film Careful, he might hear youNotes: Contains duplicates. 1 image donated by Brian McFarlane
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"Careful He Might Hear You" voted Top Film, wins 8 Awards in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.1
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Carl Theodor Dreyer's Jesus / Carl Theodor Dreyer New York: The Dial Press, 1972.
Call No: 79 JES DREAuthor: Dreyer, Carl Theodor Source: USPlace: New YorkPublisher: The Dial PressPubDate: 1972PhysDes: 312 pages : illustrations ; 24 cmSubject: JESUS CHRIST IN FILMS ; DREYER, CARL TH. Summary: Contains the film manuscript for Dreyer's 'Jesus', as well as essays by Dreyer on religion, and notes on Dreyer by other film makers.Notes: Alternative title for book is 'Jesus'Contents: -- introduction -- Carl Theodor Dreyer, by Ib Monty -- illustrations follow -- Three essays by Carl Dreyer -- who crucified Jesus? -- the roots of anti-semitism -- my only great passion -- Jesus; a film manuscript -- Working with Dreyer / by Preben Thomsen -- Tributes to Dreyer, Dreyer's Sin / by Jean Renoir -- Federico Fellini -- Fancois Truffaut -- editor's note --
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Carly's Crisis / Trish Howarth Sydney: Collins Australia, 1989.
Call No: 79HOM HOWAuthor: Howarth, Trish Source: ATPlace: SydneyPublisher: Collins AustraliaPubDate: 1989PhysDes: 131 p. ; 18 cm.Series: Home and awaySubject: HOME AND AWAY [TV] (AT, 1988 -) Notes: Also titled Home and away (Television program)ISBN: 0732273412 (pbk.)
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Caroline Leaf in Metro (1997) iss.111 p.57
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Carriage to Vienna in Czech Film (1966) iss.4 p.8
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Crawford collection
crawford publicity car
[Carson's law. Publicity material]
Call No: CRAWFORD PUBLICITY CARPhysDes: 1 folder ; 35 cm. + 1 plastic pocket (43 cm.)Subject: CRAWFORD PRODUCTIONS ; AUDIENCE RECEPTION. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; BAYLY, LORRAINE ; AMOR, CHRISTINE ; HARRIS, CHRISTINE ; CARSON'S LAW [TV] (AT, 1983) Summary: Publicity and media clippings about Crawford Productions series Carson's Law. Australian newspaper and magazine clippings are arranged in date order. Promotional material inculdes a press kit and Yorkshire Television promotional newspaper clippings.Donation: Gift of Crawford ProductionsContents: 1 blue folder containing press cuttings from Australian newspapers and magazines from 1 January 1984 to 31 May 1984 arranged in date order (253 leaves) plus two loose clippings , one dated 17 Octobeer 1985 and one undated -- 1 large plastic pocket containing the Carsons's Law press book (66 leaves) in a manila folder ; a promotional folder and flyer ; a manila folder containing Yorkshire Television promotional newspaper clippings from 5 British newspapers dated September 12 1885
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Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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CASA DEL CARACOL, LA [HOUSE OF SNAILS] : (SP/MX, Macarena Astorga, 2021) Digital clippings file available
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Casanova in Empire (Australian Ed.) (July 2006) iss.64 p.90
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Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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Cassavetes - lost but found in Filmnews (Australia) (May-89) vol.XIX iss.4 p.6
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Cast of "No. 96" come to Brisbane in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.7
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Cast of thousands / Anita Loos New York: Grosset & Dunlap, 1977.
Call No: 81LOO LOOAuthor: Loos, Anita, 1894-1981 Place: New YorkPublisher: Grosset & DunlapPubDate: 1977PhysDes: 280 p. : ill. ; 28 cmSubject: LOOS, ANITA Notes: Includes index; Bibliography: p. 274-275ISBN: 0448122642 : $19.95LON: 76043243; 850263
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Cast tower above the material in this children's tale for adults in The Age (13/10/2016) p.26
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Castle of Frankenstein New Jersey: Gothic Castle Publishing, 1962-1975..
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Interim
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Catalogo Bolaffi del cinema Italiano : Tutti i film Italiani del dopoguerra / edited by Giulio Bolaffi; direzione di Gianni Rondolino; a cura di Ornella Levi Torino, 1967.
Call No: F71(45)(083.8) RONAuthor: Bolaffi, Giulio Source: ITPublisher: TorinoPubDate: 1967PhysDes: xix, 287 p. : ill., ports. ; 26 cmSubject: ITALY ; FILMOGRAPHIES ; FILMOGRAPHIES. ITALY Notes: Includes index; Includes bibliography; Includes filmographyLanguage: Italian
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Catalogue of 16mm film libraries [no place]: [no date].
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Catalogue of holdings The American Film Institute collection and the United Artists collection at the Library of Congress Washington DC: American Film Institute, 1978.
Call No: F026(73)LC AMECorpAuthor: American Film InstituteSource: USPlace: Washington DCPublisher: American Film InstitutePubDate: 1978PhysDes: 214 p. ; 28 cmSubject: LIBRARY OF CONGRESS ; FILMOGRAPHIES Notes: catalogue
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Cate Blanchett in Empire (Australian Ed.) (February 2006) iss.59 p.71
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personality microfilm collection
LA CAVA, GREGORY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LA CAVA, GREGORY
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Cave Spiders in Australian Cinematographer (March 2014) iss.61 p.38-49
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CBS Prods. in distribution deal with Hoyts in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.17
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CBS Productions to distribute internationally 'Kiss of the Spider Woman' in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.7
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Cecil B. Demille / Charles Higham New York: Da Capo Press, 1973.
Call No: 81DEM HIGAuthor: Higham, Charles Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1973PhysDes: xii, 335 p. : ill. ; 23 cmSubject: PARAMOUNT STUDIOS ; Metro-Goldwyn-Mayer ; DEMILLE, CECIL B. ; ZUKOR, ADOLPH ; MACPHERSON, JEANIE ; LASKY, JESSE ; KING OF KINGS (US, Cecil B. De Mille, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914) ; SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932) Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322.
Includes index.ISBN: 0306801310Donation: donated by the family of Wayne Levy, 2006
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Cecil Holmes' Man Alone in Lumiere (December, 1973) iss.30 p.4-8
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Celebration of spirit in Freeze Frame (May 1987) vol.1 p.43, 44
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[Celia : stills file] Hoyts Distribution Release (distributor),
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The celluloid closet : homosexuality in the movies / Vito Russo New York: Harper & Row, 1987.
Call No: 451-03 RUSAuthor: Russo, Vito Edition: Rev. edPlace: New YorkPublisher: Harper & RowPubDate: 1987PhysDes: xii, 368 p. : ports. ; 24 cmSubject: HOMOSEXUALITY IN FILMS Notes: Includes index; Filmography: p. [327]-345ISBN: 0060961325 (pbk.) : $8.95LON: 86045684; 5384190
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The celluloid closet : homosexuality in the movies / Vito Russo New York: Harper & Row, 1981.
Call No: 451-03 RUSAuthor: Russo, Vito Edition: 1st edPlace: New YorkPublisher: Harper & RowPubDate: 1981PhysDes: xii, 276 p. : ill. ; 25 cmSubject: HOMOSEXUALITY IN FILMS Notes: Includes index; Filmography: p. [247]-260ISBN: 0060908718 (pbk.) : $7.95; 0060137045 : $12.95LON: 79001682; 1968077
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997.
Call No: 71(931) CHUAuthor: Churchman, Geoffrey B. Source: NZPlace: WellingtonPublisher: IPL Publishing ServicesPubDate: 1997PhysDes: 144 p. ; col. and b+w ill. : 29 cmSubject: INDUSTRY, FILM. NEW ZEALAND ; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.Notes: Includes select bibliographyISBN: 09088776963Language: English
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The celluloid muse : Hollywood directors speak / [by] Charles Higham and Joel Greenberg London: Angus & Robertson, 1969.
Call No: 802.25(73) HIGAuthor: Higham, Charles, 1931 ; Greenberg, Joel, joint author Place: LondonPublisher: Angus & RobertsonPubDate: 1969PhysDes: 268 p., 32 plates. illus., ports. 24 cmSubject: ALDRICH, ROBERT ; CUKOR, GEORGE ; FRANKENHEIMER, JOHN ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MAMOULIAN, ROUBEN ; MINNELLI, VINCENTE ; RAPPER, IRVING ; ROBSON, MARK ; TOURNEUR, JACQUES ; VIDOR, KING ; WILDER, BILLY ; BERNHARDT, CURTIS ; MILESTONE, LEWIS ; NEGULESCO, JEAN ISBN: 0207951233LON: 562650
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Celluloid subjects to digital directors : changing Aboriginialities and Australian dccumentary film, 1901-2017 / Jennifer Debenham Oxford: Peter Lang, 2020.
Call No: 71(94) (=1-81) DEBAuthor: Debenham, Jennifer Edition: 2020Place: OxfordPublisher: Peter LangPubDate: 2020PhysDes: xv, 230 pages : illustratedSeries: Documentary Film Cultures; 2Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; DOCUMENTARIES ; ANTHROPOLOGY AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; DESERT PEOPLE (AT, Ian Dunlop, 1967) ; NINGLA A-NA (AT, Alessandro Cavadini, 1972) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; LINK-UP DIARY (AT, David MacDougall, 1987) ; WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001) ; WE DON'T NEED A MAP (AT, Warwick Thornton, 2017) Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia.
Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web siteISBN: 9781789974782Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index
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Censorship and sexuality in Bombay cinema / Monika Mehta Austin, TX: University of Texas, 2011.
Call No: 440.2(540) MEHAuthor: Mehta, Monika Edition: 1stSource: USPlace: Austin, TXPublisher: University of TexasPubDate: 2011PhysDes: xi, 304 p. : ill. ; 24 cmSubject: SEXUALITY AND THE CINEMA ; CENSORSHIP. INDIA ; BOLLYWOOD ; WOMEN IN FILMS. INDIA ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; GUPT GYAN (II, B. K. Adarsh, 1974) ; KHAL NAYAK (II, Subhash Ghai, 1993) Summary: "India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminates censorships' role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring.
Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork (personal interviews and direct observation of censorship committees). By employing this interdisciplinary methodology and mobilizing Michel Foucault's insights on micropractices, Mehta places concerns of representation, film production, film reception, and state interventions in a productive dialogue. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact." -- BOOK BLURBNotes: Based on the author's thesis (doctoral)--University of Minnesota, 2001 -- Includes bibliographical references and index.ISBN: 9780292726925Donation: donated by Senses of Cinema, 2013Contents: Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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digital clippings file
I CHALLENGER : (US, Paul Boyd, 2022) Digital clippings file available
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Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Changes to TVW management- senior executive resigns in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Report on re-shuffling after TVW Enterprises loose their secretary and corporation lawyer, general manager of finance and administration, and a group engineer.
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title clippings file
CHANT DES SIRENES, LE : (CN, Patricia Rozema, 1987)
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The chant of Jimmie Blacksmith / Henry Reynolds Sydney and Canberra: Currency Press and the Australian Film Commission, 2008.
Call No: 79CHA REYAuthor: Reynolds, Henry Place: Sydney and CanberraPublisher: Currency Press and the Australian Film CommissionPubDate: 2008PhysDes: 80 p. : ports. ; 19 cmSeries: Australian Screen ClassicsSubject: HISTORY AND THE CINEMA. AUSTRALIA ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; KENEALLY, THOMAS Summary: In this compelling critique, Henry Reynolds explores the difficult relationship between fiction and history. Reynolds views The Chant of Jimmie Blacksmith in its political and historical context, and examines the ways in which a study of Australian cinema is also a study of Australian social issues.-BlurbNotes: Chant of Jimmie Blacksmith (Motion picture) directed by Fred Schepisi.
Bibliography: p.76-78.ISBN: 9780868198248Language: EnglishContents: Australian Screen Classics -- Acknowledgements -- 1: A Thrice-Told Tale -- 2: Jimmy Governor's Short, Tragic Tale -- 3: Looking for a Legend -- 4: Governor Becomes Blacksmith -- 5: The Rampage of the Blacksmith Brothers -- 6: The Critics Respond -- 7: Audiences Confronted -- 8: The Historian's Reflections -- Notes -- Bibliography -- Filmography -- Credits
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Chapliniana : a commentary on Charlie Chaplin's 81 movies / Harry M. Geduld Bloomington IN: Indiana University Press, c1987.
Call No: 81CHA GEDAuthor: Geduld, Harry M. Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c1987PhysDes: 293 p. ; 22 cmSubject: KEYSTONE ; CHAPLIN, CHARLES Notes: contents: v.1. The keystone films
copy signed
Includes bibliographies and index.ISBN: 0253313368Donation: donated by the family of Wayne Levy, 2006
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Character at heart of Tasmanian weirdness in The Australian (01/08/2016) p.15
Call No: TITLE CLIPPINGS FILE; KETTERING INCIDENT, THE [TV](AT, 2015-)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: KETTERING INCIDENT, THE [TV](AT, 2015-) Summary: Positive review of the latest episode of THE KETTERING INCIDENT, with the author noting it's success on broadcasting platform Foxtel
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Charles Chauvel : the last decade in Continuum (1987) vol.1 iss.1 p.26-46
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Charles de Salis appointed NSW sales manager, Roadshow in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Charles Laughton : an intimate biography / by Charles Higham ; introd. by Elsa Lanchester Garden City, N.Y.: Doubleday, 1976.
Call No: 81LAU HIGAuthor: Higham, Charles, 1931 Edition: 1st edPlace: Garden City, N.Y.Publisher: DoubledayPubDate: 1976PhysDes: xviii, 239 p., [8] leaves of plates : ill. ; 22 cmSubject: LAUGHTON, CHARLES Notes: Includes indexISBN: 0385094035 : $8.95LON: 75021228; 740908
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Charles Laughton and Fredric March St. Austell, Cornwall: Primestyle Ltd., 1969.
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Charles Laughton and I / by Elsa Lanchester [London]: Faber, 1938].
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The Charles Laughton story London: Hale, 1955.
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Charlton Heston : the epic presence / Bruce Crowther London: Columbus Books, 1986.
Call No: 81HES CROAuthor: Crowther, Bruce, 1933 Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: 192 p. : ill. ; 25 cmSubject: HESTON, CHARLTON ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; EL CID (US/IT, Anthony Mann, 1961) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; SOYLENT GREEN (US, Richard Fleischer, 1973) Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190ISBN: 0862872871 (pbk.) : ª7.95LON: 4409901
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Charmed lives : a family romance / Michael Korda New York: Random House, 1979.
Call No: 81KOR KORAuthor: Korda, Michael Edition: 1st edPlace: New YorkPublisher: Random HousePubDate: 1979PhysDes: 498 p., [16] leaves of plates : ill. ; 24 cmSubject: KORDA, ALEXANDER Notes: Includes indexISBN: 0394419545 : $15.00LON: 79004762; 1423960
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Charmed lives : a family romance / Michael Korda Harmondsworth, Middlesex ; Ringwood, Vic: Penguin, 1980.
Call No: 802.25 KOR KOR; 2 copiesAuthor: Korda, Michael Source: UKPlace: Harmondsworth, Middlesex ; Ringwood, VicPublisher: PenguinPubDate: 1980PhysDes: 498p. : ill. ; 20cmSubject: KORDA, ALEXANDER ISBN: 0140054022Donation: donated by the family of Wayne Levy, 2006
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Chase Through the Night in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004.
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Le chaud lapin (the hot rabbit) in Filmviews (September 1981) vol.26 iss.109 p.8
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Chauvel and the centring of Aboriginal male in Australian film in Continuum (1987) vol.1 iss.1 p.47-56
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[Cheaters, the : stills file]
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The cheeky monkey : writing narrative comedy / Tim Ferguson Strawberry Hills, NSW: Currency Press, 2010.
Call No: 224:732 FERAuthor: Ferguson, Tim Source: AUPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2010PhysDes: 217 pages ; 23 cmSubject: CHARACTERS ON TV ; COMEDY PROGRAMMES ; COMEDY TV. AUSTRALIA ; HUMOUR ON TV ; SCRIPTS ; SCRIPTWRITING ; SCRIPTWRITING. AUSTRALIA ; SCRIPTWRITING FOR TV ; SITUATION COMEDY ; FERGUSON, TIM Summary: "From one of Australia's most successful comedians comes 'The Cheeky Monkey', a practitioner's guide to the art of comedy writing. Both insightful and practical, 'The Cheeky Monkey' explains the principles of sitcom writing and guides the reader in how to apply them. Seeded with exercises to aid the developing comedy writer, this book will help you to: write jokes; create funny stories; build comic characters; develop a sitcom; sell your sitcom to producers and TV networks. It's comedy writing made simple. Well, simpler. Many of Tim Ferguson's techniques can also be applied to film, stage, stand-up or indeed any form of comedy. You'll make 'em laugh before you know it." - BOOK BLURBNotes: Includes writing exercises with sample answers included in the appendixISBN: 9780868198613Contents: -- introduction: the purpose and function of humour -- gag principles -- gag categories -- designing a sitcom -- designing ongoing characters -- creating an episode -- humour and story -- selling a sitcom -- conclusion -- appendix --
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Chen is missing in Cinema papers (September 1987) vol.65 p.23
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Chequebook justice in The Australian (22/04/2016) p.11
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La chiave in Foreign sales. Italian movie trade (December 1983) vol.IX iss.12 p.6
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Chicken run : hatching the movie / by Brian Sibley ; screenplay by Karey Kirkpatrick ; story by Peter Lord and Nick Park ; directed by Peter Lord and Nick Park ; produced by Peter Lord, David Sproxton, and Nick Park ; foreword by Mel Gibson New York: Abrams, 2000.
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Chief film censor resigns in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.14
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The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010.
Call No: 747.2-053.2Author: Lury, Karen Edition: 2010Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2010PhysDes: 210 p. : illustrations ; 22cmSeries: Rutgers Series in Childhood StudiesSubject: CHILDREN AND THE CINEMA ; TEMPLE, SHIRLEY ; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001) ; LOLITA (US, Stanley Kubrick, 1962) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MAN ON FIRE (US, Tony Scott, 2004) ; ZERKALO (UR, Andrei Tarkovsky, 1975) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) ; BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.
Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web siteISBN: 9780813548968
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Childhood and cinema / Vicky Lebeau London: Reaktion Books, 2008.
Call No: 720-053 LEBAuthor: Lebeau, Vicky Place: LondonPublisher: Reaktion BooksPubDate: 2008PhysDes: 222 p. : illustrated ; 17 cmSeries: LocationsSubject: CHILDREN IN FILMS ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; LOLITA (US, Adrian Lyne, 1997) ; LOLITA (US, Stanley Kubrick, 1962) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; TARNATION (US, Jonathan Caouette, 2003) ; WOODSMAN, THE (US, Nicole Kassell, 2004) ; COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985) Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself.
Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web siteISBN: 9781861893529
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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Chilean cinema in the twenty-first century world / edited by Vania Barraza and Carl Fischer Detroit, Michigan: Wayne State University Press, 2020.
Call No: 11439Author: Barraza, Vania ; Fishcher, Carl Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2020PhysDes: xii,376 pages : ilustrated ; 23cmSeries: Contemporary approaches to film and mediaSubject: CHILE ; FESTIVALS ; HORROR FILMS ; POLITICS AND THE CINEMA Summary: Focusing on films from Chile since 2000 and bringing together scholars from South and North America, Chilean Cinema in the Twenty-First-Century World is the first English-language book since the 1970s to explore this small, yet significant, Latin American cinema. The volume questions the concept of "national cinemas" by examining how Chilean film dialogues with trends in genre-based, political, and art-house cinema around the world, while remaining true to local identities. Contributors place current Chilean cinema in a historical context and expand the debate concerning the artistic representation of recent political and economic transformations in contemporary Chile. Chilean Cinema in the Twenty-First-Century World opens up points of comparison between Chile and the ways in which other national cinemas are negotiating their place on the world stage.
The book is divided into five parts. "Mapping Theories of Chilean Cinema in the World" examines Chilean filmmakers at international film festivals, and political and affective shifts in the contemporary Chilean documentary. "On the Margins of Hollywood: Chilean Genre Flicks" explores on the emergence of Chilean horror cinema and the performance of martial arts in Chilean films. "Other Texts and Other Lands: Intermediality and Adaptation Beyond Chile(an Cinema)" covers the intermedial transfer from Chilean literature to transnational film and from music video to film. "Migrations of Gender and Genre" contrasts films depicting transgender people in Chile and beyond. "Politicized Intimacies, Transnational Affects: Debating (Post)memory and History" analyzes representations of Chile’s traumatic past in contemporary documentary and approaches mourning as a politicized act in postdictatorship cultural production.
Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies. -- publisher's web siteISBN: 9780814346822
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China! : Max Keogh interviews Don Kennedy about his recent China trip in Lumiere (January/February, 1974) iss.31 p.4-7
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China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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China loses the force in film market battle in The Australian (21/07/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA ; CITY OF SADNESS, A [ ; EXHIBITION. CHINA Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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China's cinema today in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12
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China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34
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Chinese Film in Wide Angle (1989) vol.11 iss.2 p.[whole issue]
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Chinese film archivists in Australia in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003.
Call No: 71(51) CHIAuthor: Berry, Chris CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: viii, 216 p.. ill.. 24 cm.Subject: CITY OF SADNESS, A [ ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]Notes: Includes bibliographical references and indexISBN: 0851709869. v. pbk.ID2: 150
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004.
Call No: 71(51) ZHAAuthor: Zhang, Yingjin Source: USPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 328 p. ; ill. ; 24 cmSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG ; HISTORY OF CINEMA ; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)ISBN: 041517290Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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Chinese workers flex market muscle in Australian Financial Review (19/03/2007) p.63
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gronow, Nick Subject: CITY OF SADNESS, A [ ; INDUSTRY, VIDEO Summary: Starts of article mentions how Chinese mass production reduced the price of DVD players dropped 73% to $US 27in 2005. But now China’s prosperity will drive manufacturing prices upwards.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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A chip off the old block in Herald Sun [Hit] (30/03/2017) p.30
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Choose life : Ewan McGregor and the British film revival / Xan Brooks London: Chameleon, 1998.
Call No: 81MCG BROAuthor: Brooks, Xan Source: UKPlace: LondonPublisher: ChameleonPubDate: 1998PhysDes: x, 207 p., [24] p. of plates : ill. (some col.), ports. (some col.) ; 23 cmSubject: MCGREGOR, EWAN ; SHALLOW GRAVE (UK, Danny Boyle, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; PILLOW BOOK, THE (UK/NE/FR, Peter Greenaway, 1996) ; LIFE LESS ORDINARY, A (US, Danny Boyle, 1997) Notes: Film and television history list for Ewan McGregorISBN: 0233994106
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Choose life in Herald Sun [Hit] (23/03/2017) p.25
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Chris biding his time in Sunday Herald Sun [Arts & Entertainment] (03/04/2016) p.86
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Chris Marker / Nora M. Alter Urbana: University of Illinois Press, 2006.
Call No: 81MAR ACTAuthor: Alter, Nora M. Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2006PhysDes: xv, 205 p. : ill., ports, ; 21 cmSeries: Contemporary film directorsSubject: MARKER, CHRIS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; JETEE, LA (FR, Chris Marker, 1963) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; LOIN DU VIETNAM (FR, Joris Ivens & William Klein, 1967) ; PRIME TIME IN THE CAMPS (FR, Chris Marker, 1994) Summary: Alter's careful study includes previously uncollected and untranslated interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational cinematic practice that defies easy classification [taken from back cover]Notes: Formerly CIP.
Includes bibliographical references and indexISBN: 0252073169
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Chris Marker : Silent movie, starring Catherine Belkhodja Ohio: Wexner Center for the Arts, Ohio State University, 1995.
Call No: 79 SIL MARAuthor: Marker, Chris Place: OhioPublisher: Wexner Center for the Arts, Ohio State UniversityPubDate: 1995PhysDes: 40 pages : illustrations ; 18 x 24 cm.Subject: SILENT MOVIE (FR?, Chris Marker, 1995) ; INSTALLATIONS ; MARKER, CHRIS ; ART CINEMA Notes: Catalog of the video installation, Silent movie, held at the Wexner Center for the Arts and other venues from Jan. 26, 1995-Jan. 12, 1997.
Organized by William Horrigan; edited by Ann Bremner.
Includes bibliographical references.ISBN: 9781881390107Donation: Adrian Miles
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Chris Marker and "La Jetee" / by Ronco Yaobing Liem Michigan: University Microfilms International, 1983.
Call No: 79 JET LIEAuthor: Liem, Ronco Yaobing Source: USPlace: MichiganPublisher: University Microfilms InternationalPubDate: 1983PhysDes: 172 pages : illustrations ; 22 cmSubject: SCIENCE-FICTION FILMS ; TIME TRAVEL IN FILMS ; TIME IN FILMS ; MARKER, CHRIS ; JETEE, LA (FR, Chris Marker, 1963) Notes: Includes bibliographic references and appendix.ISBN: N/AContents: Introduction -- Chapter 1-Introduction to Chris Marker -- Chapter II-Chris Marker: Biographical Information -- Chapter III-Individual films of Chris Marker -- Chapter IV-Chris Marker and Collective Film-Making -- Chapter V-Additional Film Work by Chris Marker -- Chapter VI-Introduction to La Jetee -- Chapter VII-Science Fiction Film -- Chapter VIII-Still Photographs in Motion Pictures -- Chapter IX-Credits and Narration of La Jetee -- Chapter X-Description and analysis of La Jetee -- Chapter XI-Discussion of La Jetee -- Chapter XII-Concluding Remarks -- References -- Appendix-Selected Source Listings
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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Christophe Honore : A critical introduction / David A. Gerstner and Julien Nahmias Detroit, Michigan: Wayne State University Press, 2015.
Call No: 81 HON GERAuthor: Gerstner, David A. ; Nahmias, Julien Edition: 2015Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2015PhysDes: 256, xiv p. ; illus. ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: HONORE, CHRISTOPHE ; DANS PARIS (FR, Christophe Honore, 2006) ; CHANSONS D'AMOUR (FR, Christophe Honore, 2007) ; BELLE PERSONNE, LA (FR, Christophe Honore, 2008) Summary: French filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe Honoré: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinéastes to explore Honoré’s three most recognized films, Dans Paris (2006), Les Chansons d’amour (2007), and La Belle personne (2008)—"the trilogy." Gerstner and Nahmias analyze Honoré’s filmmaking as the work of a queer auteur whose cinematic engagement with questions of family, death, and sexual desire represent new ground for queer theory.
Considering each of the trilogy films in turn, the authors take a close look at Honoré’s cinematic technique and how it engages with France’s contemporary cultural landscape. With careful attention to the complexity of Honoré’s work, they consider critically contested issues such as the filmmaker’s cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author.
Christophe Honoré: A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume. -- publisher's web siteISBN: 9780814338636
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Christopher Lee : A career article in Cinefantastique (Fall 1973) vol.3 iss.1 p.4-23
Author: Parish, James Robert ; Pitts, Michael R. PhysDes: ArticleSubject: LEE, CHRISTOPHER ; ALIAS JOHN PRESTON (UK, David MacDonald, 1955) ; CRIPTA E L'INCUBO, LA (IT/SP, Camillo Mastrocinque, 1963) ; CORRIDOR OF MIRRORS (UK, Terence Young, 1947) ; CORRIDORS OF BLOOD (UK, Robert Day, 1958) ; CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957) Summary: Article focuses on the actor Christopher Lee who, although best known as Dracula, had a varied screen career. Parish and Pitts note that Lee performed more genre roles than any other actor in film history. The authors attempt to trace the progress and evolution of Lee's career, paying particular attention to his little-known, non-genre roles, using quotations from the actor's numerous published interviews over the years. Parish and Pitt also highlight that Lee's first horror film role was the psychological drama "Alias John Preston"
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Christopher Nolan : A critical study of the films / Darren Mooney Jefferson, North Carolina: McFarland & Company Inc., Publishers, 2018.
Call No: 81 NOL MOOAuthor: Mooney, Darren Place: Jefferson, North CarolinaPublisher: McFarland & Company Inc., PublishersPubDate: 2018PhysDes: v, 212 pages ; 26 cm.Subject: NOLAN, CHRISTOPHER ; FOLLOWING (UK, Christopher Nolan, 1998) ; MEMENTO (US, Christopher Nolan, 2000) ; INSOMNIA (US, Christopher Nolan, 2002) ; BATMAN BEGINS (US, Christopher Nolan, 2005) ; PRESTIGE, THE (US/UK, Christopher Nolan, 2006) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; INCEPTION (US, Christopher Nolan, 2010) ; DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012) ; INTERSTELLAR (US, Christopher Nolan, 2014) ; DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017) Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"Notes: Includes bibliographical references and indexISBN: 9781476674803Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk
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Chronicle of a camera : the Arriflex 35 in North America, 1945-1972 / Norris Pope Jackson: University Press of Mississippi,
Call No: 233 POPAuthor: Pope, Norris Edition: 2013Place: JacksonPublisher: University Press of MississippiPhysDes: 168 pages : illustrated ; 22 cmSubject: CAMERAS ; CORMAN, ROGER ; EASTWOOD, CLINT ; KOVACS, LASZLO ; HOPPER, DENNIS ; FONDA, PETER ; ZSIGMOND, VILMOS ; EASY RIDER (US, Dennis Hopper, 1969) ; BULLITT (US, Peter Yates, 1968) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ISBN: 9781496814685Donation: donated by Senses of CinemaContents: This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available.
Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. -- publisher's web site
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Chuck Jones : a flurry of drawings / Hugh Kenner Berkeley: University of California Press, 1994.
Call No: 81JON KENAuthor: Kenner, Hugh ; Jones, Chuck, 1912 Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: xiv, 114 p. : ill. ; 21 cmSeries: Portraits of American geniusSubject: JONES, CHUCK Summary: Creator of the monomaniacal Wile E. Coyote and his endlessly elusive prey, the Road Runner, Chuck Jones has been responsible for many classics of animation featuring Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Hugh Kenner, master wordsmith and technophile, reveals in cartoon-like sequences the irrepressible humor and profound reflection that shape Chuck Jones's work. Kenner also x-rays the inner world of cartooning, from its beginnings as a technological innovation, through its heyday as six-minute full-animation shorts for the movies, to its eventual shift to television, where Jones animated features such as The Grinch Who Stole Christmas and Rikki Tikki Tavi; Unlike Walt Disney, Chuck Jones and his fellow animators at Warner Bros. were not interested in cartoons that mimicked reality. Instead, they pursued the reality of the imagination, the Toon world where believability is more important than realism and where movement is the ultimate aesthetic arbiter. By describing the erudition and kinetic humor in great works like What's Opera, Doc? and Duck Dodgers in the 24 1/2 century, Hugh Kenner offers a new understanding not only of cartooning culture but also of art's relationship to technology, criticism, freedom, and imaginationNotes: Includes bibliographical references and indexISBN: 0520087976 (alk. paper)LON: 93048418; 10647450
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CIBF of Vic. tables 47th annual report in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.5
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CIC's Victor Hoare to retire in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcment of the retirement of Victor Hoare, exectuive director of Cinema International Corporation and president of CIC's theatre division
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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Cine-art film appraisals in Filmviews (March 1982) vol.27 iss.1 p.24-26
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'Cine-mania' or 'cinephilia' : film festivals and the identity question in UTS Review (Nov 1998) vol.4 iss.2 p.174-187
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The Cine-sentimental Bloke in Lumiere (October, 1972) iss.17 p.16-18
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The Cineaste interviews : on the art and politics of the cinema / Dan Georgakas, Lenny Rubenstein Chicago: Lake View Press, c1983.
Call No: 45:32 CINAuthor: Georgakas, Dan ; Rubenstein, Lenny CorpAuthor: CineasteSource: USPlace: ChicagoPublisher: Lake View PressPubDate: c1983PhysDes: xiv, 396 p., [8] p. of plates : ill. ; 23 cmSubject: BERTOLUCCI, BERNARDO ; CANBY, VINCENT ; COSTA-GAVRAS, CONSTANTIN ; CRITICISM ; FASSBINDER, RAINER WERNER ; FEMINISM AND THE CINEMA ; FONDA, JANE ; GUTIERREZ ALEA, TOMAS ; LITTIN, MIGUEL ; MAKAVEJEV, DUSAN ; PARKS, GORDON ; PETRI, ELIO ; POLITICS AND THE CINEMA ; PONTECORVO, GILLO ; Ray, Satyajit ; ROCHA, GLAUBER ; ROSI, FRANCESCO ; ROSSELLINI, ROBERTO ; SARRIS, ANDREW ; SAYLES, JOHN ; SCHRADER, PAUL ; SCRIPTWRITERS ; SEMBENE, OUSMANE ; TAVERNIER, BERTRAND ; WERTMULLER, LINA ; Writers Guild of America ; VARDA, AGNES ; WAJDA, ANDRZEJ ; ZANUSSI, KRZYSZTOF Notes: Includes bibliographical references and indexISBN: 0941702022 : $25.00LON: 2921398
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Cineliteracy : film amongst the arts / Charles Eidsvik New York: Horizon Press, 1978.
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Cinema : Cinema. English / Gilles Deleuze ; translated by Hugh Tomlinson and Barbara Habberjam Minneapolis: University of Minnesota, 1986-c1989.
Call No: 62 DELAuthor: Deleuze, Gilles Place: MinneapolisPublisher: University of MinnesotaPubDate: 1986-c1989PhysDes: 2 v. ; 23 cmSubject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Notes: Translation of: Cinema; Vol. 2 translated by Hugh Tomlinson and Robert Galeta; Includes bibliographies and indexesISBN: 0816616760 (v. 2); 0816616779 (pbk. ; v. 2); 0816613990 (v. 1) : $29.50; 0816614008 (pbk. : v. 1) : $13.95LON: 85028898; 4390071ID2: 343URL status: URL: 'http://-'
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Cinema in Lumiere (January-February, 1972) iss.13 p.12
Author: Timms, Peter PhysDes: ArticleSubject: STORK (AT, Tim Burstall, 1971) ; DEEP END (GW/US, Jerzy Skolimowski, 1970) ; JOE (US, John G. Avildsen, 1970) ; KLUTE (US, Alan J. Pakula, 1971) Summary: Reviewof Stork and discussion of recent R-Rated films including Klute, Deep End and Joe
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Cinema : looking for talent in Lumiere (August, 1972) iss.15 p.8
Author: Rosser, Edward PhysDes: ArticleSubject: DOCUMENTARY FILMS. AUSTRALIA ; EXPERIMENTAL FILM AND TELEVISION FUND ; FESTIVALS. SYDNEY ; COX, PAUL ; EYE TO EYE (AT, Peter Beilby, 1971?) ; JUMPING JEWELLER OF LAVENDER BAY, THE (AT, Gerald Ryan, 1971) ; SKIN DEEP (AT, Paul Cox, 1968) Summary: Reviews a number of experimental films produced with assistance from the Experimental Film and Television Fund, including My University, winner of the Benson and Hedges award at the Sydney Film Festival
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Cinema 2 : The time-image / Gilles Deleuze / translated by Hugh Tomlinson and Robbert Galeta London: The Athlone Press, 1989.
Call No: 62 DELAuthor: Deleuze, Gilles ; Tomlinson, Hugh ; Galeta, Robert Source: UKPlace: LondonPublisher: The Athlone PressPubDate: 1989PhysDes: xviii, 344 pages : illustrations ; 21 cm.Series: Cinema ; v. 2Subject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Summary: "Cinema II continues the reassessment of cinema begun in Deleuze's 'Cinema I: the movement image'. Each volume can be read on its own as dealing with a separate aspect of cinema: classical and modern, pre- and post-war, movement and time.
In this second volume Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech. Drawing on the philosophy of Henri Bergson, Deleuze provides a theoretical framework within which he analyses and classifies the time-image and traces the history of its emergence, focusing on the cinema of post-war neo-realism." -- BOOK BLURBNotes: (originally in French 'Cinema 2, L'Image-Temps,' 1985); Preface to the English edition; Translators intoductoin; Notes; Glossary; IndexISBN: 0485120704Language: EnglishDonation: Adrian MilesContents: 1. Beyond the Movement-Image -- 2. Recapitulation of Images and Signs -- 3. From Recollections to Dreams: Third Commentary on Bergson -- 4. The Crystals of Time -- 5. Peaks of Present and Sheets of Past: Fourth Commentary on Bergson -- 6. The Powers of the False -- 7. Thought and Cinema -- 8. Cinema, Body and Brain,Thought -- 9. The Components of the Image -- 10. Conclusions.ID2: 343
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Cinema and cultural identity : reflections on films from Japan, India, and China / edited by Wimal Dissanayake Lanham, MD: University Press of America, 1988.
Call No: 408.1(5) CINAuthor: Dissanayake, Wimal CorpAuthor: Institute of Culture and Communication (East-West Center)Place: Lanham, MDPublisher: University Press of AmericaPubDate: 1988PhysDes: vii, 214 p. ; 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. INDIA ; WOMEN IN FILMS ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; GENRES ; SAMURAI FILMS ; RAY, SATYAJIT Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and indexISBN: 0819169455 (alk. paper); 0819169463 (pbk.)LON: 5986435Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun
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Cinema and cultural modernity / Gill Branston Philadelphia: Open University Press, 2000.
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Cinema and landscape / Graham Harper and Jonathan Rayner (eds) Bristol, UK ; Chicago, USA: Intellect, 2010.
Call No: 756 CINSource: UK/USAPlace: Bristol, UK ; Chicago, USAPublisher: IntellectPubDate: 2010PhysDes: 315 p. ; 23 cmSubject: CINEMATOGRAPHY ; LOCATION SHOOTING ; LANDSCAPES IN FILMS ; LANDSCAPES IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA ; HERZOG, WERNER ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment.Notes: includes filmography; includes indexISBN: 9781841503097Contents: 1. Introduction - cinema and landscape -- Part I: The invention of the cinematic landscape : 2. Landscape and the fantasy of moving pictures: early cinema's phantom rides / Tom Gunning -- Part II: Mapping cinematic landscapes : 3. 'One foot in the air?' Landscape in the Soviet and Russian road movie / Emma Widdis -- 4. Landscape of the mind: the indifferent Earth in Werner Herzog's films / Brad Prager -- 5. Visions of Italy: the sublime, the postmodern and the apocalyptic / William Hope -- 6. Landscape in Spanish cinema / Marvin D'Lugo -- 7. Landscape and Irish cinema / Martin McLoone -- 8. The ownership of woods and water: landscapes in British cinema 1930-1960 / Sue Harper -- 9. Filming the (post-)colonial landscape: Claire Denis' Chocolat (1988) and Beau travail (1998) / Susan Hayward.
10. Landscaping the revolution: the political and social geography of Cuba reflected in its cinema / Bob Britton -- 11. Landscapes of meaning in cinema: two Indian examples / Wimal Dissanayake -- 12. The geography of cinema - Zimbabwe / Martin Mhando -- 13. Crises, Economy and landscape: the modern film face of new China / Kate Taylor -- 14. Japanese cinema and landscape / Paul Spicer -- 15. A version of beauty and terror: Australian cinematic landscapes / Graham Harper -- 16. Battlefields of vision: New Zealand filmscapes / Jonathan Rayner -- 17. The landscapes of Canada's features: articulating nation and nature / Jim Leach -- 18 Science fiction/fantasy films, fairy tales and control: landscape stereotypes on a wilderness to ultra-urban continuum / Christina Kennedy, Tia´nna and Me´lisa Kennedy
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Cinema and Mobil agree on terms in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
PhysDes: ArticleSubject: CINEMA BUILDINGS. AUSTRALIA ; LAWSUITS Summary: Article announcing the settlement between the Centre Cinema Canberra and Mobil Australia. The Cinema had taken Mobil to court over an explosion in 1977 that killed a man. The Cinema claimed that petrol from the Mobil service station had leaked and built up in the cinema's basement, directly leading to the explosion.
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Cinema and nation / [edited by] Mette Hjort and Scott MacKenzie London New York: Routledge, 2000.
Call No: 408.1 CINAuthor: Hjort, Mette ; MacKenzie, Scott, 1967 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: xvi, 332 p., ill., 25 cmSubject: NATIONAL IDENTITY AND THE CINEMA ; COPRODUCTION. EUROPEAN COUNTRIES ; UNITED KINGDOM : SCOTLAND ; INDONESIA ; POLAND ; TURKEY ; INDIA ; GERMANY ; STATE AND THE CINEMA ; CAPRA, FRANK Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema.
In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad.
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No priceLON: 21459338
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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The cinema and social science : a survey of ethnographic and sociological films Paris: Unesco, 1962.
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Cinema and society : France and Germany during the Twenties / Paul Monaco New York ; Oxford ; Amsterdam: Elsevier, c1976.
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Cinema and soft power : configuring the national and transnational in geo-politics / edited by Stephanie Dennison and Rachel Dwyer Edinburgh: Edinburgh University Press, 2021.
Call No: 411.11 CINAuthor: Dennison, Stephanie ; Dwyer, Rachel Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPubDate: 2021PhysDes: xiv,242 pages : illustrated ; 25 cmSubject: MASHA AND THE BEAR [TV] (RU, 2007-) ; ANIMATED FILMS ; BRAZIL ; RUSSIA ; INDIA ; CITY OF SADNESS, A [ ; SOUTH AFRICA ; BRICS COUNTRIES ; SCIENCE FICTION DRAMAS ; BOLLYWOOD ; VIKING (RU, Andrey Kravchuk, 2016) ; SKYFALL (UK/US, Sam Mendes, 2012) Summary: The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of ‘soft power’ in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a ‘soft power’ resource.
The contributors explore the wider implications for world cinema of its members’ differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit. -- publisher's web siteISBN: 9781474456272Contents: Preface -- Introduction: Film as Soft Power / Stephanie Dennison -- 1. Soft Power and Cinema: A Methodological Reflection and Some Chinese Inflections / Song Hwee Lim -- 2. Building BRICS: soft power and audio-visual relations in transnational context / Stephanie Dennison -- 3. The Global Animation Market: Opportunities for Developing Countries / Alessandra Meleiro -- 4. (Masha and) the Bear Diplomacy: Russian Soft Power and Non-Governmental Agency / Vlad Strukov -- 5. The Limits of Hollywood as an Instrument of Chinese Public Diplomacy and Soft Power / Chris Homewood -- 6. The Second World War, Soviet Sports, and Furious Space Walks: Soft Power and Nation Branding in the Putin 2.0 Era / Stephen M. Norris -- 7. Popular Geopolitics, Soft Power and Strategic Narratives in Viking (2016) and Guardians (2017) / Robert A. Saunders -- 8. Challenging Imagined Communities: ‘Reversing the Gaze’ of Soft Power and Community Film Culture: the Case of South Africa / Paul Cooke -- 9. New Myths for an Old Nation: Bollywood, Soft Power and Hindu Nationalism / Rachel Dwyer -- 10. Soft Power and National Cinema: James Bond, Great Britain and Brexit / Andrew Higson -- Notes on Contributors
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Cinema and the invention of modern life / edited by Leo Charney, Vanessa R. Schwartz Berkeley, California: University of California Press, 1995.
Call No: 403 CINAuthor: Charney, Leo ; Schwartz, Vanessa R. Source: USPlace: Berkeley, CaliforniaPublisher: University of California PressPubDate: 1995PhysDes: vii, 409 pages : illustrations ; 24 cmSubject: BENJAMIN, WALTER ; KRACAUER, SIEGFRIED ; LUMIERE, AUGUSTE & LOUIS ; PATHE Summary: "Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reasses the relationship between the emergence of film and the broader culture of modernity. The cultural developments and historical transformations that became known as "modernity" were themselves cinematic, according to these leading scholars in film and cultural studies.They link the popularity of cinema in the later nineteenth century to emerging cultural phenomena such as window shopping, mail-order catalogs, and wax museums and show how film was uniquely prepared to reflect the new ways of seeing, thinking, and experiencing." -- taken from back coverNotes: Includes bibliographical references and index.ISBN: 0520201124Contents: Introduction / Leo Charney and Vanessa R. Schwartz -- 1. Tracing the Individual Body: Photography, Detectives, and Early Cinema / Tom Gunning -- 2. Unbinding Vision: Manet and the Attentive Observer in the Late Nineteenth Century / Jonathan Crary -- 3. Modernity, Hyperstimulus, and the Rise of Popular Sensationalism / Ben Singer -- 4. The Poster in Fin-de-Siecle Paris: "That Mobile and Degenerate Art" / Marcus Verhagen -- 5. "A New Era of Shopping": The Promotion of Women's Pleasure in London's West End, 1909-1914 / Erika D. Rappaport -- 6. Disseminations of Modernity: Representation and Consumer Desire in Early Mail-Order Catalogs / Alexandra Keller -- 7. The Perils of Pathe, or the Americanization of the American Cinema / Richard Abel -- 8. Panoramic Literature and the Invention of Everyday Genres / Margaret Cohen -- 9. Moving Pictures: Photography, Narrative, and the Paris Commune of 1871 / Jeannene M. Przyblyski. -- 10. In a Moment: Film and the Philosophy of Modernity / Leo Charney -- 11. Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siecle Paris / Vanessa R. Schwartz -- 12. Effigy and Narrative: Looking into the Nineteenth-Century Folk Museum / Mark B. Sandberg -- 13. America, Paris, the Alps: Kracauer (and Benjamin) on Cinema and Modernity / Miriam Bratu Hansen. -- Contributors -- Index
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Cinema and the wealth of nations : media, capital, and the liberal world system / Lee Grievson Oakland, California: University of California Press,
Call No: 203(73) GRIAuthor: Grievson, Lee Edition: 2018Place: Oakland, CaliforniaPublisher: University of California PressPhysDes: xvi, 466 pages : illustrated ; 24cmSubject: ECONOMICS AND THE CINEMA. US ; NATIONAL CULTURE AND THE CINEMA. USA ; CAPITALISM AND THE CINEMA ; FINANCING. USA ; INTERNATIONAL DISTRIBUTION. USA Summary: Cinema and the Wealth of Nations explores how media, principally in the form of cinema, was used during the interwar years by elite institutions to establish and sustain forms of liberal political economy beneficial to their interests. It examines the media produced by institutions such as states, corporations, and investment banks, as well as the emergence of a corporate media industry and system supported by state policy and integral to the establishment of a new consumer system. Lee Grieveson shows how media was used to encode liberal political and economic power during the period that saw the United States eclipse Britain as the globally hegemonic nation and the related inauguration of new forms of liberal economic globalization. But this is not a distant history. Cinema and the Wealth of Nations examines a foundational conjuncture in the establishment of media forms and a media system instrumental in, and structural to, the emergence and expansion of a world system that has been—and continues to be—brutally violent, unequal, and destructive. -- publisher's web siteISBN: 9780520291690Contents: List of Illustrations -- Acknowledgments -- -- 1. The Silver Screen and the Gold Standard -- 2. The Panama Caper -- 3. Empire of Liberty -- 4. Liberty Bonds -- 5. The State of Extension -- 6. The Work of Film in the Age of Fordist Mechanization -- 7. The Pan-American Road to Happiness and Friendship -- 8. Highways of Empire -- 9. League of Corporations -- 10. The Silver Chains of Mimesis -- 11. The Golden Harvest of the Silver Screen -- 12. Welfare Media -- 13. The World of Tomorrow—Today! -- -- Notes -- Sources and Bibliography -- Index
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Cinema art nouveau / A. Ruszkowski Lyon: 1937.
Call No: 67 RUSAuthor: Ruszkoiwski, A Place: LyonPubDate: 1937Subject: CHARACTERIZATION IN FILMS ; CLAIR, RENE ; COWARD, NOEL ; DE HAVILLAND, OLIVIA ; DUVIVIER, JULIEN ; GANCE, ABEL ; GARSON, GREER ; LANG, FRITZ ; LORRE, PETER ; PIDGEON, WALTER ; PRESLE, MICHELINE ; RENOIR, JEAN ; MADAME CLAUDE (FR, Just Jaeckin, 1977) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMAN DE RENARD, LE (FR, Ladislas Starevitch, 1941 [prod. 1929-41]) ; VISITEURS DU SOIR, LES (FR, Marcel Carne, 1942) Language: French
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The cinema as art / Ralph Stephenson & J. R. Debrix Harmondsworth: Penguin, 1969.
Call No: 63 STEAuthor: Stephenson, Ralph ; Debrix, J. R. CorpAuthor: PenguinEdition: Revised edition, reprintPlace: HarmondsworthPublisher: PenguinPubDate: 1969PhysDes: 270 p., [32] p. of plates ; 18 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; EDITING ; CINEMATOGRAPHY ; SOUND ; COSTUMES ; MAKE-UP ; COLORIZATION ; LIGHTING Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.]Notes: Illustrated. Includes index.Donation: Donated by La Trobe University Library
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Cinema Babel : translating global cinema / Abe Mark Nornes Minneapolis, MA: University of Minnesota Press, 2007.
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Cinema between media : an intermediality approach / Jorgen Bruhn and Anne Gjelsvik Edinburgh: Edinburgh University Press, 2018.
Call No: 63 CINAuthor: Bruhn, Jorgen ; Gjelsvik, Anne Edition: 2018Place: EdinburghPublisher: Edinburgh University PressPubDate: 2018PhysDes: vi, 154 pages : illustrated ; 24 cmSubject: CITIZEN KANE (US, Orson Welles, 1941) ; BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) (US, Alejandro G. Inarritu, 2014) ; LOUDER THAN BOMBS (NO/FR/US/DK, Joachim Trier, 2015) ; MARIA LARSSON'S EVIGA OGONBLICK (SW, Jan Troell, 2008) ; HOWL (US, Rob Epstein/Jeffrey Friedman, 2010) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) ; CHASING ICE (US, Jeff Orlowski, 2012) ; ICE AND THE SKY [GLACE ET LE CIEL, LA] (FR, Luc Jacquet, 2015) Summary: Cinema has always been a mixed medium, sharing its basic form with photography, borrowing heavily from performing arts and the novel, and combining medialities like painting and music. But although it could be argued that cinema is the intermedial art form par excellence, this insight has not affected film analysis as much as might be expected. Seeking to change our perceptions of cinema as a medium, Cinema Between Media draws on case studies of films like Zero Dark Thirty, Citizen Kane, Howl and Birdman to rethink cinema as an aesthetic form, and to raise new ideas about the practice of film analysis. -- publisher's web siteISBN: 9781474429023Contents: Preface -- Chapter 1: Introduction Cinema Between Media -- Chapter 2: Media behind the Scene: Orson Welles’s Citizen Kane -- Chapter 3: Cinematic Theatre: Alejandro G. Inárritu’s Birdman -- Chapter 4: A Novelist on Film? Joachim Trier’s Louder Than Bombs -- Chapter 5: Between Cinema and Photography: Jan Troell’s Eternal Moments -- Chapter 6: Mixing senses and media: Epstein and Friedman’s Howl. -- Chapter 7: Surveilling Media: Kathryn Bigelow’s Zero Dark Thirty. -- Chapter 8: Cinematic representations of a "super wicked problem": climate change in documentary film (Ice and the Sky and Chasing Ice) -- Chapter 9: Conclusion -- List of illustrations -- Film references -- Bibliography -- Index
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema borealis : Ingmar Bergman and the Swedish ethos / Vernon Young New York: Avon, [c1971].
Call No: 81BER YOUAuthor: Young, Vernon Source: USPlace: New YorkPublisher: AvonPubDate: [c1971]PhysDes: 331 p. [12] leaves of plates : ill., ports ; 21cmSeries: Equinox booksSubject: FILM STUDY AND RESEARCH ; FILMMAKING ; SWEDEN ; SVENSKA FILMINSTITUTET ; BERGMAN, INGMAR ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; NATTVARDSGASTERNA (SW, Ingmar Bergman, 1962) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) Summary: Vernon Young provides an analysis of every film made by Ingmar Bergman, and looks at the personal beliefs and values of the film maker and shows how they are reflected in his filmsNotes: Bibliography p. 309 to 310; Filmography p.315 to 320; Includes index p.321 to 331
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Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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Le cinema de vouzotres : Films et recontres: Cinema Judeite Belgique / Editeur responsable: Jean-Pierre Hubin Brussels: Institut de la memoire audiovisuelle juive, [2006].
Call No: 71(493)-054(=924)Author: Hubin, Jean-Pierre Edition: [2006]Place: BrusselsPublisher: Institut de la memoire audiovisuelle juivePubDate: [2006]PhysDes: 108 p. ; 14cm; 52 p. ; 14cm; 1 DVD (66 min) : colour, stereo; All in box 15 x 15 x 2 cmSubject: BELGIUM ; JEWS AND THE CINEMA ; AKERMAN, CHANTAL ; DARDENNE, JEAN-PIERRE & LUC Notes: Title translates as: Your cinema: Cinema, Jewishness, Belgium. Films and encounters.; 108 page paperback book in French, 52 page booklet with English translation, with 67 min. DVD of six short documentary films.Language: French / English
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Il cinema di Lev Kulesov / Giovanni Buttafava [Porretta Terme]: Mostra internazionale del cinema libero di Porretta Terme, 1977].
Call No: 81KUL BUTAuthor: Buttafava, Giovanni CorpAuthor: Mostra internazionale del cinema liberoPlace: [Porretta Terme]Publisher: Mostra internazionale del cinema libero di Porretta TermePubDate: 1977]PhysDes: 34 p. : ill. ; 23 x 24 cmSubject: KULESOV, LEV Notes: At head of title : Mostra internazionale cinema libero Porretta TermeLON: wln80006905; 1715624
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Cinema East : a critical study of major Japanese films / Keiko I. McDonald Rutherford [N.J.]: Fairleigh Dickinson University Press, c1983.
Call No: 71(52) MCDAuthor: McDonald, Keiko I Place: Rutherford [N.J.]Publisher: Fairleigh Dickinson University PressPubDate: c1983PhysDes: 279 p. : ill. ; 25 cmSubject: JAPAN Notes: Includes index; Bibliography: p. 270-273ISBN: 0838630944LON: 2326827
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Interim
book
The cinema effect Cambridge, MA: Massachusetts Institute of Technology, 2004.
Call No: 633 CUBAuthor: Cubitt, Sean Source: USPlace: Cambridge, MAPublisher: Massachusetts Institute of TechnologyPubDate: 2004PhysDes: 456 p. ; 24 cmSubject: IMAGE ANALYSIS ; SPECIAL EFFECTS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; PHILOSOPHY AND THE CINEMA ; MOTION CONTROL Summary: It has been said that all cinema is an effect. In this highly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don’t quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience. [Taken from inside book jacket].ISBN: 0262033127
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Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982.
Call No: 67(04) CINAuthor: MacCann, Richard Dyer ; Ellis, Jack C., 1922 CorpAuthor: Cinema JournalEdition: 1st edPlace: New YorkPublisher: DuttonPubDate: 1982PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cmSubject: INDUSTRY, FILM. USSR ; SAMURAI FILMS ; CHAPLIN, CHARLES ; VISCONTI, LUCHINO ; HITCHCOCK, ALFRED ; INDUSTRY, TV. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical referencesISBN: 0525474641 (pbk.) : $9.95LON: abn83062603; 2630261
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Cinema in Australia : a documentary history / general editor, Ina Bertrand Kensington, N.S.W.: NSWU Press, 1989.
Call No: 71(94) CINAuthor: Bertrand, Ina, 1939 Place: Kensington, N.S.W.Publisher: NSWU PressPubDate: 1989PhysDes: xviii, 422 p. : ill., facsims., ports. ; 25 cmSubject: AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; AFTER SUNDOWN (AT, W.J. Lincoln, 1911) ; SILENCE OF DEAN MAITLAND, THE (AT, Raymond Longford, 1914) Notes: Includes index; Bibliography: p. [389]-411ISBN: 0868400750LON: 5839881
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Cinema in Australia : an industry profile / written and researched by Jock Given, Rosemary Curtis and Mary McCutcheon Hawthorn, Victoria: Swinburne University of Technology, June 2013.
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Old collection
book
The cinema in Denmark Copenhagen: Danish Government Film Foundation, [1970].
Call No: 71(489) CINCorpAuthor: Danish Government Film FoundationSource: DKPlace: CopenhagenPublisher: Danish Government Film FoundationPubDate: [1970]PhysDes: 35 p. ; 21 cmSubject: DENMARK ; INDUSTRY, FILM. DENMARK Summary: A summary of the Danish film industry at the time of publication.
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Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
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Le Cinema indien / sous la direction de Jean-Loup Passek ; textes de Raphael Bassan ... [et al.] Paris: L'Equerre Centre Georges Pompidou, c1983.
Call No: 71(540) CINAuthor: Passek, Jean Loup ; Bassan, Raphael CorpAuthor: Centre Georges PompidouPlace: ParisPublisher: L'Equerre Centre Georges PompidouPubDate: c1983PhysDes: 228 p. : ill. ; 24 cmSeries: Cinema/plurielSubject: INDIA ; DIRECTORS. INDIA Notes: "Livre ... concu a l'occasion de la retrospective consacree au cinema indien au Centre Pompidou du 26 mars au 21 juin 1983"--T.p. verso; Includes index; Bibliography: p. 219ISBN: 2864250373 : 159FLanguage: FrenchLON: 3068080
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Cinema interval / Trinh T. Minh-ha London: Routledge, 1999.
Call No: 81TRI TRIAuthor: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952 Place: LondonPublisher: RoutledgePubDate: 1999PhysDes: xiv, 274 p., [16] p. of plates : ill. (some col.) ; 23 cmSubject: TRINH, T. MINH-HA ; IMPERIALISM AND THE CINEMA ; CHINA IN FILMS ; VOYEURISM AND THE CINEMA ; VERHOEVEN, DEB ; REYNAUD, BERENICE ; SHOOT FOR THE CONTENTS (US, Trinh T. Minh-ha, 1991) ; TALE OF LOVE, A (US, Trinh T. Minh-ha, 1995) Notes: Includes indexISBN: 0415922011(pbk.) : ª14.99; 0415922003(cased) : ª50.00LON: 14606477
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Cinema Italia : the rise and fall of Italian language cinemas in Melbourne / by Ina Bertram and Michael Giglio
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Interim
book
Cinema Italien d'aujourd'hui / Textes presentes par Alexandre Blasetti et Jean Louis Rondi Rome: Carlo Bestetti, [1950?].
Call No: 71(45) CINAuthor: Blasetti, Alexandre ; Rondi, Jean Louis Source: ITPlace: RomePublisher: Carlo BestettiPubDate: [1950?]PhysDes: 213 p. : ill., ports. ; 31 cmSubject: ITALY ; NATIONAL CULTURE AND THE CINEMA ; NEOREALISM Notes: Authors: Zavattini, Cesar (preface); Carancini, Gaetan; Meccoli, Dominque; Marinucci, Vinicio; Guidi, Guidarino; Giannelli, E.; Verdone, Marius; Includes bibliography; Includes filmography of Italian films from 1945-1950; Includes indexLanguage: French
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Cinema Japonais : brochure publiee a l'occasion de 75 ans de cinema au japon, automne-hiver 1971 / organise´ par L'Ambassade du Japon en France, La Cine´mathe`que Franc¸aise, avec le concours de Japan Film Library Council, Tokyo, en collaboration avec Film Center of the National Museum of Modern Art, Tokyo / re´dige´e par Hiroko Govaers 1971.
Call No: 71(52) CINAuthor: Govaers, Hiroko PubDate: 1971PhysDes: 44 p. : ill. ; 27 cmSubject: JAPAN Language: French
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newspaper article
Cinema loses its 'master of light' in The Australian (30/04/2015) p.15
Call No: PERSONALITY CLIPPINGS FILE; LESNIE, ANDREWAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: LESNIE, ANDREW Summary: Obituary of Australian cinematographer, Andrew Lesnie
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journal article
Cinema manager is recognised by Rotary in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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The cinema of apartheid : race and class in South African film / Keyan Tomaselli Sandton: Radix, 1989.
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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journal article
Cinema of Combat : Twenty five years of new Latin American cinema in National Film Theatre (Sept/Oct 1983) p.27-29
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Cinema de la cruaute. English : from Bunuel to Hitchcock / by Andre Bazin ; edited and with an introduction by Francois Truffaut ; translated by Sabine d' Estree with the assistance of Tiffany Fliss New York: Seaver Books, 1982.
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The cinema of David Lean South Brunswick: A. S. Barnes, 1973, c1974].
Call No: 81LEA PRAAuthor: Pratley, Gerald Place: South BrunswickPublisher: A. S. BarnesPubDate: 1973, c1974]PhysDes: 256 p. illus. 26 cmSubject: Lean, David ISBN: 0498010503LON: 72006372; 573534
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Cinema of flames : Balkan film, culture and the media / Dina Iordanova London: British Film Institute, 2001.
Call No: 71(497) IORAuthor: Iordanova, Dina Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 320p. : ill. ; 24 cmSubject: BALKAN WAR IN FILMS ; BALKAN COUNTRIES ; SARAJEVO IN FILMS ; VLEMMA TOU ODYSSEA, TO (GR/FR/IT, Theo Angelopoulos, 1995) ; WELCOME TO SARAJEVO (UK/US, Michael Winterbottom, 1997) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) ; BEFORE THE RAIN (UK/FR/ME, Milcho Manchevski, 1994) ; LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996) ISBN: 085170848X; 0851708471(pbk.) : ¦16.99LON: 22285910
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The Cinema of Fritz Lang / by Paul M. Jensen New York: A.S. Barnes, 1969.
Call No: 81LAN JENAuthor: Jensen, Paul M. Source: US/UKPlace: New YorkPublisher: A.S. BarnesPubDate: 1969PhysDes: 223 pages : illustrations ; 16 cmSeries: The International film guide seriesSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. SILENT PERIOD ; LANG, FRITZ Notes: "Filmography": pages 205-218 Bibliography: pages 219-223ISBN: 498074158Contents: -- 1 entering the field -- the silent era (1921-1924) -- 3 the silent era (1925-1929) -- 4 encounters with sound -- 5 the social trilogy -- 6 the west, the war and Diana -- 7 final fluctuations -- filmography -- references to books and periodicals --
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The cinema of Hayao Miyazaki / Jeremy Mark Robinson (author) Maidstone, Kent: Crescent Moon Publishing, 2011.
Call No: 81MIY ROBAuthor: Robinson, Jeremy Mark Edition: Second editionSource: UKPlace: Maidstone, KentPublisher: Crescent Moon PublishingPubDate: 2011PhysDes: 514 pages ; 24 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984)
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KAZE NO TANI NO NAUSHIKA ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988)
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TONARI NO TOTORO ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989)
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MAJO NO TAKK YUBIN ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993)
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KURENAI NO BUTA ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001)
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SEN TO CHIHIRO NO KAMIKAKUSHI ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004)
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HAURU NO UGOKU SHIRO ; PONYO (JP, Hayao Miyazaki, 2008)
SEE
GAKE NO EU NO PONYO ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; ONLY YESTERDAY (JA, Isao Takahata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema.
Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro.
Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius.
What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees.
To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation.
This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs.
The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation.
Includes quotes by Miyazaki; fans on Miyazaki; and resources.
Fully illustrated. With filmography, bibliography and notes.
-- PUBLISHERS WEB SITENotes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadasISBN: 9781861713902Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema --
Illustrations --
TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies --
Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography
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The Cinema of Hong Kong : history, arts, identity / edited by Poshek Fu and David Desser Cambridge: Cambridge University Press, 2000.
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Interim
book
Cinema of interruptions : action genres in contemporary Indian cinema / by Lalitha Gopalan London: British Film Institute, 2002.
Call No: 71(540) GOPAuthor: Gopalan, Lalitha Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2002PhysDes: vi, 218 p. : illus. ; 24 cmSubject: ACTION FILMS ; INDIA Notes: Includes bibliography and index.ISBN: 0851709222
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The cinema of John Huston / Gerald Pratley South Brunswick: A.S. Barnes, 1977.
Call No: 81HUS PRAAuthor: Pratley, Gerald Place: South BrunswickPublisher: A.S. BarnesPubDate: 1977PhysDes: 223 p. : ill. ; 25 cmSubject: HUSTON, JOHN ISBN: 0498014436 : $9.95LON: 73013192; 724276
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The cinema of Joseph Losey London New York: A. Zwemmer A. S. Barnes, 1967.
Call No: 81LOS LEAAuthor: Leahy, James Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: 1967PhysDes: 175 p. plates. 16 cmSubject: LOSEY, JOSEPH Notes: "Filmography": p. 164-173; Bibliography: p. 173-175LON: 67022884; 674104
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A cinema of loneliness : Penn, Kubrick, Coppola, Scorsese, Altman / Robert Phillip Kolker New York: Oxford University Press, 1980.
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A cinema of loneliness : Penn, Kubrick, Scorsese, Spielberg, Altman / Robert Phillip Kolker New York: Oxford University Press, 1988.
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Interim
book
A cinema of loneliness : Penn, Stone, Kubrick, Scorsese, Spielberg, Altman / Robert Kolker New York: Oxford University Press, 2000.
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Interim
book
The cinema of Michael Powell : International perspectives on an English film-maker / Ian Christie & Andrew Moor (eds) London: British Film Institute, 2005.
Call No: 81POW CHRAuthor: Ian Christie ; Andrew Moor Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 295 p. ; 24 cmSubject: MASCULINITY IN FILMS ; WOMEN IN FILMS ; WAR FILMS. UK ; Powell, Michael ; PRESSBURGER, EMERIC ; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; PEEPING TOM (UK, Michael Powell, 1960) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) Summary: The films of Michael Powell (1905-90) and Emeric Pressburger (1902-1988), among them I Know Where I’m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them ‘the most successful experimental film-makers in the world’). In this first ever collection of essays on Powell, an international group of scholars explore his film-making landscape, providing new readings of individual films, analysing recurrent techniques and themes, and relating these to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance. [Taken from back of book.]ISBN: 1844570940
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The cinema of Neil Jordan : dark carnival / Carole Zucker, foreword by Stephen Rea London: Wallflower, 2008.
Call No: 81JOR ZUCAuthor: Zucker, Carole Source: UKPlace: LondonPublisher: WallflowerPubDate: 2008PhysDes: xi, 203 p. : ill. ; 24 cmSeries: Directors' cutsSubject: AESTHETICS ; CRITICISM ; JORDAN, NEIL Summary: " The most internationally renowned of Irish film directors, Neil Jordan's diverse work has spanned Gothic horror (The Company of Wolves, 1984, and Interview with the Vampire, 1994), Irish history (Michael Collins, 1996), literary adaptation (The End of the Affair, 1999) and sexual identity (The Crying Game, 1992, and breakfast on Pluto, 2005), while retaining a distinctive stylistic flair for fantasy and the carnivalesque. This volume discusses Jordan's entire output as part of the first comprehensive study of his career, looking beyond ideological and national concerns to view his films through the prism of Celtic folklore, fairy tales, the Gothic, romanticism and postmodernism. Incorporating discussion of Jordan's award-winning literary work and benefitting from extensive access to his personal archives, this book explains the mythic and poetic impulses that suffuse the director's work" -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 192-197) and index; Includes filmographyISBN: 9781905674411Contents: acknowledgements -- foreword by Stephen Rea -- introduction -- 1: Irish film/history and mythopoesis -- 2: celtic myth and folklore: a dimension beyond existence -- 3: storytelling and performance -- 4: postmodern fairy tales and hybrid genres -- 5: Neil Jordan, author: 'the ache for aliveness' -- 6: dark romaticism -- 7: the gothic: the moment of collapse -- 8: the end of the affair: 'this is a diary of hate' -- 9: fantastic voyage: recent works -- 10: coda: the brave one: 'there's plenty of ways to die' -- notes filmography -- bibliography -- index --
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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The cinema of Stanley Kubrick / Norman Kagan New York: Grove Press : distributed by Random House, 1975, c1972.
Call No: 81KUB KAGAuthor: Kagan, Norman, 1931 Place: New YorkPublisher: Grove Press : distributed by Random HousePubDate: 1975, c1972PhysDes: xiii, 204 p. : ill. ; 21 cmSubject: KUBRICK, STANLEY Notes: Bibliography: p. 193-199; Filmography: p. 201-204ISBN: 0394178769 : $3.95LON: 74028733; 455875
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The cinema of Tom DiCillo : include me out / Wayne Byrne; foreword by Steve Buscemi Chichester, U.K.: Wallflower Press published by Columbia University Press,
Call No: 81 DIC BYRAuthor: Byrne, Wayne ; Buscemi, Steve Place: New York; Chichester, U.K.Publisher: Wallflower Press published by Columbia University PressPhysDes: x,210 p. : illus. ; 24 cmSeries: Director's CutsSubject: DICILLO, TOM ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; BOX OF MOONLIGHT (US, Tom DiCillo, 1996) ; REAL BLONDE, THE (US, Tom DiCillo, 1997) ; DELIRIOUS (US, Tom Di Cillo, 2006) ; WHEN YOU'RE STRANGE: A FILM ABOUT THE DOORS (US, Tom DiCillo, 2009) ; DOWN IN SHADOWLAND (US, Tom Di Cillo, 2014) Summary: This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analysing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland. -- publisher's web siteISBN: 9780231185356Donation: Senses of CinemaContents: Acknowledgments
Foreword
Introduction
1. The Language of Dream: Deciphering DiCillo
2. Johnny Suede (1991)
3. Living in Oblivion (1995)
4. Box of Moonlight (1996)
5. The Real Blonde (1997)
6. Double Whammy (2001)
7. Delirious (2006)
8. When You’re Strange: A Film About The Doors (2009)
9. Down in Shadowland (2014)
Notes
Filmography
Bibliography
Index
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The cinema of Wes Anderson : bringing nostalgia to life / by Whitney Crothers Dilley London New York: Wallflower Press, c2017.
Call No: 81AND DILAuthor: Dilley, Whitney Crothers Source: US/UKPlace: London New YorkPublisher: Wallflower PressPubDate: c2017PhysDes: vii, 246 pages ; 24 cmSeries: Directors' cutsSubject: CRITICISM ; ANDERSON, WES ; RUSHMORE (US, Wes Anderson, 1998) ; BOTTLE ROCKET (US, Wes Anderson, 1996) ; ROYAL TENENBAUMS, THE (US, Wes Anderson, 2001) ; LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004) ; DARJEELING LIMITED, THE (US, Wes Anderson, 2007) ; FANTASTIC MR FOX (US/UK, Wes Anderson, 2009) ; MOONRISE KINGDOM (US, Wes Anderson, 2012) ; GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014) Summary: "Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9780231180696Contents: -- acknowledgments -- 1 Introduction: Wes Anderson as Auteur -- A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- conclusion : memory and narrative in the works of Wes Anderson -- filmography -- bibliography -- index --
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Cinema Papers on film in Australian film review (1-14th September 1983) vol.1 iss.15 p.8
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Cinema Papers yearbook 1986 / Nick Roddick; editor B. L. Kay Pub. Co. Ltd, [1986].
Call No: 058(94) CIN "1986"Publisher: B. L. Kay Pub. Co. LtdPubDate: [1986]PhysDes: 317 p. : ill. ; 20 cmSubject: FILM WORKERS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Contains contact details for various people and businesses involved in the film, tv, and video industries in Australia in 1986Notes: Cover title - The 1986 Cinema Papers Australasian production yearbook: film - television - videoISBN: 0946919100
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Cinema Sewer : the adults only guide to history's sickest and sexiest movies! / edited by Robin Bougie Surrey, England: FAB Press, 2016.
Call No: 722.81 CINAuthor: Bougie, Robin (ed.) Edition: Fourth editionSource: UKPlace: Surrey, EnglandPublisher: FAB PressPubDate: 2016PhysDes: 1 volume : illustrations (black and white) ; 25 cmSeries: Cinema Sewer; 1Subject: PORNOGRAPHIC FILMS ; EROTIC FILMS ; HORROR FILMS ; SEX IN FILMS ; COMIC STRIPS AND THE CINEMA ; CRITICISM Summary: "A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, 'Cinema Sewer' joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Author and artist Robin Bougie dives deep to the bottom of the cesspool of horror and sexploitation , doing so in a distinctive manner that has made him infamous amongst a loyal following of cult film fans. The best of the first 12 long-out-of-print issues of the magazine have been exhaustively revised and collated here, along with almost 100 pages of never-before-seen material. " -- BOOK BACK COVERNotes: Includes bibliographical references and index.ISBN: 9781903254455
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Cinema still beats online viewing in The Age (20/08/2015) p.20
Call No: SCREEN AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014] ; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) ; BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015) Summary: Snippet on Screen Australia investing $1 million into promoting three Australian films in 2015, Last Cab to Darwin, The Dressmaker, and The Blinky Bill Movie
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Cinema. Television. Movies Budapest(?): Hungarofilm,
Call No: 023(439.1) HUNCorpAuthor: HungarofilmPlace: Budapest(?)Publisher: HungarofilmPhysDes: n.p. : illustrated ; 14 cmSubject: HUNGARY ; SHORT FILMS ; CHILDREN, FILMS FOR Summary: Catalogue of short films, divided thematically.Language: French/English/German/Spanish
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Cinema today / Buscombe, Edward London: Phaidon Press, 2003.
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Cinema unchained : the films of Quentin Tarantino / Simona Brancati Washington, DC: New Academia Publishing, 2014.
Call No: 81TAR BRAAuthor: Brancati, Simona Edition: EnglishSource: USPlace: Washington, DCPublisher: New Academia PublishingPubDate: 2014PhysDes: x, 186 pages : color facsimiles ; 23 cm.Subject: TARANTINO, QUENTIN ; PULP FICTION (US, Quentin Tarantino, 1994) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; DJANGO UNCHAINED (US, Quentin Tarantino, 2012) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; TRUE ROMANCE (US, Tony Scott, 1993) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; DEATH PROOF (US, Quentin Tarantino, 2007) Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)ISBN: 9780989916981Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.
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Cinema verite in America : studies in uncontrolled documentary / written by Stephen Mamber Cambridge, Mass.: MIT Press, [1974].
Call No: 761.2(73) MAMAuthor: Mamber, Stephen Place: Cambridge, Mass.Publisher: MIT PressPubDate: [1974]PhysDes: vi, 288 p. : ill. ; 23 cmSubject: CINEMA VERITE ; CINEMA-DIRECT ; BRANDO, MARLON ; DREW, ROBERT ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; WISEMAN, FREDERICK ; FLAHERTY, ROBERT ; FONDA, JANE ; VERTOV, DZIGA ; ZAVATTINI, CESARE ; ROUQUIER, GEORGES ; RENOIR, JEAN ; KRACAUER, SIEGFRIED ; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; JANE (US, D.A. Pennebaker, 1962) ; MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.Notes: Bibliography: p. [276]-283ISBN: 0262130920LON: 508990Contents: Cinema verite: definitions and background -- Drew Associates -- Direct cinema and crisis structure -- The Maysles brothers -- D. A. Pennebaker -- Richard Leacock -- Frederick Wiseman -- Conclusion
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Cinema verite in America : studies in uncontrolled documentary / Stephen Mamber Cambridge, MA: MIT Press, c1974.
Call No: 761.2(73) MAM COPY 2Author: Mamber, Stephen Source: UKPlace: Cambridge, MAPublisher: MIT PressPubDate: c1974PhysDes: vi, 288 p. : ill. ; 24 cmSubject: CINEMA VERITE ; CINEMA-DIRECT ; BRANDO, MARLON ; FONDA, JANE ; DREW, ROBERT ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; WISEMAN, FREDERICK ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; ZAVATTINI, CESARE ; ROUQUIER, GEORGES ; RENOIR, JEAN ; KRACAUER, SIEGFRIED ; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; JANE (US, D.A. Pennebaker, 1962) ; MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.Notes: Bibliography: p. [276]-283ISBN: 0262130920Donation: donated by the family of Wayne Levy, 2006
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journal article
'Cinema verite' series in AFC Information Update (22 Feb 1985) p.2
PhysDes: ArticleSubject: KIDS IN TROUBLE (AT, Sue Cornwall, 1985) Summary: Film Australia has commenced production of a series of 'cinema verite' style documentaries under the series title 'Real Life'.
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journal article
Cinema Without Censor in Lumiere (August 1970) vol.1 iss.3 p.30-31
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A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991.
Call No: 626(73) CORAuthor: Corrigan, Timothy, 1951 Place: LondonPublisher: RoutledgePubDate: 1991PhysDes: x, 258 p. : ill. ; 23 cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) ; PLATOON (US, Oliver Stone, 1986) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; BLUE VELVET (US, David Lynch, 1986) ; CHOOSE ME (US, Alan Rudolph, 1984) ; AFTER HOURS (US, Martin Scorsese, 1985) ; COPPOLA, FRANCIS FORD ; KLUGE, ALEXANDER ; RUIZ, RAUL ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BADLANDS (US, Terrence Malick, 1973) ; PARIS, TEXAS (GW/FR, Wim Wenders, 1984) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979) ; DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00LON: bnb41507133; 8595450
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Interim
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Cinema Year Book of Japan, 1938 / edited by International Cinema Association of Japan, The (Kokusai Eiga Kyokai) Tokyo: Kokusai Bunka Shinkokai (The Society for International Cultural Relations), 1938.
Call No: 71 (52) CIN; RARE BOOK; FOLIOPlace: TokyoPublisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)PubDate: 1938PhysDes: 82 p. : ill., ports. ; 32cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA ; PERIODICALS, FILM ; ORGANIZATIONS ; NEWSREELS ; KOREA ; SHOCHIKU ; TOHO ; NIKKATSU ; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937) ; KOJO NO TSUKI (JA, Keisuke Sasaki, 1937) ; HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937) ; ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937) ; SOBO (JA, Hisatora Kumagai, ?) ; TABIJI (JA, Ri Keikwan, ?) ; ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937) ; HADAKA NO MACHI (JA, Tomu Uchida, 1937) ; SHINSEN GUMI (JA, Sotoji Kimura, 1937) ; SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937) ; SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937) ; OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937) ; AI EN KYO (JA, Kenji Mizoguchi, 1937) ; WAKAI HITO (JA, Shiro Toyoda, 1937) ; KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)
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Cinemachismo : masculinities and sexuality in Mexican film / Sergio de la Mora Austin, Texas: University of Texas Press, 2006.
Call No: 744-01(72) MORAuthor: Mora, Sergio de la Source: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 2006PhysDes: xix, 236 pages : illustrations ; 23 cmSubject: COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; DANZON (MX, Maria Novaro, 1991) ; INFANTE, PEDRO ; MEXICO ; PROSTITUTES IN FILMS ; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: "After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/ or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael Garciacute;a Bernal and of Arturo Ripstein's cult film El lugar sin liacute;mites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema." - taken from back coverNotes: Includes bibliographical references (pages 197-226) and index -- Lambda Literary Awards (nominated), 2007. -- Formerly CIP.ISBN: 9780292712973Contents: Preface: How I too came to love Pedro Infante – Acknowledgments -- Introduction: Macho Nation? -- Midnight virgin": melodramas of prostitution in literature and film -- Pedro Infante unveiled: masculinities in the Mexican "buddy movie" -- The last dance: (homo)sexuality and representation in Arturo Ripstein's El lugar sin limites and the fichera subgenre -- Mexico's third-wave new cinema and the cultural politics of film -- Epilogue. Mexican cinema is dead! Long live Mexican cinema! – Notes – Works Consulted -- Index
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journal article
Cinemas of value : multicultural realism in Asian Australian cinema in Studies in Australasian cinema (2008) vol.2 iss.2 p.141-156
Author: Khoo, Olivia PhysDes: ArticleSubject: MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ASIANS AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; REALISM IN FILMS. AUSTRALIA ; ETHICS AND THE CINEMA ; JAMMED, THE (AT, Dee McLachlan, 2007) ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; RA CHOI (AT, M. Frank, 2005) Summary: This article examines the use of realist aesthetics in three Australian films, Dee McLachlan's The jammed (2007), Khoa Do's The Finished People (2003) and M. Frank's Ra Choi (2005) as a way of creating ‘value’ within the terms of an Australian national cinema. ‘These films, among other examples of an emergent Asian Australian cinema’, deploy techniques of realism to build an authenticity of experience for spectators, unfamiliar with seeing portrayals of Asian Australians on screen. This article will consider what is at stake in the accepted, and often replicated, relationship between multiculturalism and realism characterizing filmic representations of Asian Australians, and will shift the focus to explore the place of idealism in the creation of value. By examining the aesthetics of what I will call ‘multicultural realism’ I aim to consider how these stylistic strategies seek to politicize certain representations over others in the films' attempt to build an alternative vision of the Australian nation and its diasporic constituents. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1
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Cinemas with a difference in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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festival catalogue
Cinematexas - international short film + video festival Austin, Texas: Cinematexas international short film + video festival, October 2000.
Call No: FESTIVAL CATALOGUE SHELVES
Held 2000Source: USPlace: Austin, TexasPublisher: Cinematexas international short film + video festivalPubDate: October 2000Subject: FESTIVALS. AUSTIN. CINEMATEXAS ; JARMUSCH, JIM ; SHORT FILMS Notes: Description based on 2000 festival program
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Cinematheque goes national in Filmnews (Australia) (May/Apr 1993) vol.XXIII iss.03-Apr p.07-Aug
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The cinematic body / Steven Shaviro Minneapolis: University of Minnesota Press, 1993.
Call No: 64POS SHAAuthor: Shaviro, Steven Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1993PhysDes: x, 276 p. ; 26 cmSeries: Theory out of bounds ; v. 2Subject: AESTHETICS ; POSTMODERNISM AND THE CINEMA ; PERCEPTION ; MASCULINITY IN FILMS ; MEN IN FILMS ; PORNOGRAPHY AND THE CINEMA ; BODY IN FILMS ; SEX IN FILMS ; WARHOL, ANDY ; ROMERO, GEORGE ; LEWIS, JERRY ; CRONENBERG, DAVID ; BRESSON, ROBERT ; DELEUZE, GILLES ; GUATTARI, FELIX ; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Notes: Includes bibliographical references (p. [268]-272) and indexISBN: 0816622949 (PB : acid-free paper)LON: 9656941
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Cinematic canines : Dogs and their work in the fiction film / Edited by Adrienne L. McLean New Brunswick, N.J.: Rutgers University Press, 2014.
Call No: 738.66 CINAuthor: McLean, Adrienne L. (ed.) Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2014PhysDes: x, 272 p. ; 24 cm ;Subject: DOGS IN MOTION PICTURES ; LASSIE COME HOME (US, Fred M. Willcox, 1943) ; BABE (AT, Chris Noonan, 1995) ; BABE: PIG IN THE CITY (AT, George Miller, 1998) ; THING, THE (US, John Carpenter, 1982) ; HITCHCOCK, ALFRED ; RED DOG (AT, Kriv Stenders, 2011) ; [EIGHT] 8 BELOW (US, Frank Marshall, 2006) ; SOUTH AFRICA ; ANTARCTICA Summary: Dogs have been part of motion pictures since the movies began. They have been featured onscreen in various capacities, from any number of “man’s best friends” (Rin Tin Tin, Asta, Toto, Lassie, Benji, Uggie, and many, many more) to the psychotic Cujo. The contributors to Cinematic Canines take a close look at Hollywood films and beyond in order to show that the popularity of dogs on the screen cannot be separated from their increasing presence in our lives over the past century.
The representation and visualization of dogs in cinema, as of other animals, has influenced our understanding of what dogs “should” do and be, for us and with us. Adrienne L. McLean expertly shepherds these original essays into a coherent look at “real” dogs in live-action narrative films, from the stars and featured players to the character and supporting actors to those pooches that assumed bit parts or performed as extras. Who were those dogs, how were they trained, what were they made to do, how did they participate as characters in a fictional universe? These are a just a few of the many questions that she and the outstanding group of scholars in this book have addressed.
Often dogs are anthropomorphized in movies in ways that enable them to reason, sympathize, understand and even talk; and our shaping of dogs into furry humans has had profound effects on the lives of dogs off the screen. Certain breeds of dog have risen in popularity following their appearance in commercial film, often to the detriment of the dogs themselves, who rarely correspond to their idealized screen versions. In essence, the contributors in Cinematic Canines help us think about and understand the meanings of the many canines that appear in the movies and, in turn, we want to know more about those dogs due in no small part to the power of the movies themselves. -- publisher's web siteISBN: 9780813563558Contents: Acknowledgments -- Introduction: Wonder Dogs / Adrienne L. McLean -- Answering a Growl: Roscoe Arbuckle’s Talented Canine Co-Star, Luke / Joanna E. Rapf -- The Dogs Who Saved Hollywood: Strongheart and Rin Tin Tin / Kathryn Fuller-Seeley and Jeremy Groskopf -- Asta the Screwball Dog: Hollywood’s Canine Sidekick / Sara Ross and James Castonguay -- Promoting Lassie: The Animal Star and Constructions of “Ideal” American Heroism / Kelly Wolf -- Dogs at War: Military Dogs in Film / Aaron Skabelund -- Loaded Dogs: Dogs, Domesticity, and “the Wild” in Australian Cinema / Jane O’Sullivan -- Bullies and Curs: Overlords and Underdogs in South African Cinema / Giuliana Lund -- Things from Another World: Dogs, Aliens, and Antarctic Cinema / Elizabeth Leane and Guinevere Narraway -- Hitchcock’s Canine Uncanny / Murray Pomerance -- The Dog at the Side of the Shot: Incongruous Dog (Canisfamiliaris) Behavior in Film / Alexandra Horowitz -- Afterword: Dogs at the Digital Divide / Adrienne L. McLean -- Works Cited -- Notes on Contributors -- Index
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Cinematic encounters 2 : portraits and polemics / Jonathan Rosenbaum Urbana, Chicago, and Springfield: University of Illinois Press, 2019.
Call No: 670 ROSAuthor: Rosenbaum, Jonathan Edition: 2019Place: Urbana, Chicago, and SpringfieldPublisher: University of Illinois PressPubDate: 2019PhysDes: 312 pages ; 23cmSubject: DIRECTORS ; AKERMAN, CHANTAL ; BROOKS, JAMES L. ; BUNUEL, LUIS ; DEMY, JACQUES ; DREYER, CARL TH. ; GIANVITO, JOHN ; JARMUSCH, JIM ; LEWIS, JERRY ; LINKLATER, RICHARD ; MADDIN, GUY ; MAY, ELAINE ; OLIVEIRA, MANOEL DE ; OLMI, ERMANNO ; YASUJIRO OZU ; POTTER, SALLY ; RAPPAPORT, MARK ; RESNAIS, ALAIN ; RIVETTE, JACQUES ; TARR, BELA ; MING-LIANG, TSAI ; WELLES, ORSON Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.
Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web siteISBN: 9780252084386Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.
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The cinematic imagination : writers and the motion pictures / by Edward Murray New York: Frederick Ungar Publishing Co., 1972.
Call No: 753.1 MURAuthor: Murray, Edward Source: USPlace: New YorkPublisher: Frederick Ungar Publishing Co.PubDate: 1972PhysDes: xi, 330 p. ; 22cm.Subject: ADAPTATIONS. BECKETT, SAMUEL ; ADAPTATIONS. HEMINGWAY, ERNEST ; ADAPTATIONS. MILLER, ARTHUR ; ADAPTATIONS. O'NEILL, EUGENE ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; ADAPTATIONS. WOOLF, VIRGINIA ; EXPRESSIONISM ; LITERATURE AND THE CINEMA ; THEATRE AND THE CINEMA ; BRECHT, BERTOLT ; EISENSTEIN, SERGEI M. ; FAULKNER, WILLIAM ; FITZGERALD, F. SCOTT ; GREENE, GRAHAM ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels.Notes: Includes bibliographic detailsISBN: 0804426430
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Cinematic landscapes : observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser Austin, Tex.: University of Texas Press, 1994.
Call No: 408.3(5) CINAuthor: Ehrlich, Linda C. (Linda Channah), 1952 ; Desser, David Edition: 1st edPlace: Austin, Tex.Publisher: University of Texas PressPubDate: 1994PhysDes: xii, 345 p., [4] leaves of plates : ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; JAPAN ; NATIONAL CULTURE AND THE CINEMA. CHINA ; NATIONAL CULTURE AND THE CINEMA. JAPAN ; HUANG TUDI (CC, Chen Kaige, 1985) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; GENROKU CHUSHINGURA (JA, Kenji Mizoguchi, 1942) ; YUKINOJO HENGE (JA, Kon Ichikawa, 1964) Summary: China and Japan both have traditional art forms that have been highly developed and long studied. Noted film and art scholars explore how the spatial consciousness, compositionaltechniques and construciton of images in thesetraditional and moderm art forms also inform filmmaking in these two countries, so that film and art share the same culturally defined "methods of seeing."Of interest to historians and film scholars with applications beyond the Far Eastern context. It demonstrates that while mainstream Hollywood cinema has influenced filmmaking everywhere, other national cinemas cannot be completely understood without considering their indigenous traditionsNotes: Filmography: p. 323-326; Includes bibliographical references and indexISBN: 0292720866 (alk. paper); 0292720874 (pbk. : alk. paper)LON: 10645466
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A cinematic monument in Sandinavian film news (Apr 1984) vol.4 iss.1 p.3
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Cinematic quests for identity : The hero's encounter with the beast / Maria Garcia Lanham, Maryland: Rowman & Littlefield, 2015.
Call No: 735.7 GARAuthor: Garcia, Maria Edition: 2015Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2015PhysDes: 274 pages ; illustrations ; 24 cmSubject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945) ; SEARCHERS, THE (US, John Ford, 1956) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; LADY EVE, THE (US, Preston Sturges, 1941) ; SECRET OF ROAN INISH, THE (US, John Sayles, 1994) ; NATURAL, THE (US, Barry Levinson, 1984) ; MONEYBALL (US, Bennet Miller, 2011) ; FAT GIRL (FR/IT/SP, Catherine Breillat, 2000)
SEE
A MA SOEUR ; BREILLAT, CATHERINE ; BRESSON, ROBERT Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies.
In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc.
Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web siteISBN: 9781442246973
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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad New York : London: Routledge, 2006.
Call No: 756.1-25 SAYAuthor: Sayyad, Nezar Al Source: UK/USPlace: New York : LondonPublisher: RoutledgePubDate: 2006PhysDes: xiii, 256 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; ART AND THE CINEMA ; CITIES IN FILMS ; HISTORY OF CINEMA ; POSTMODERNISM AND THE CINEMA ; THEORY ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; BRAZIL (UK, Terry Gilliam, 1985) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997) ; FALLING DOWN (US, Joel Schumacher, 1993) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MANHATTAN (US, Wody Allan, 1979) ; METROPOLIS (GG, Fritz Lang, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PLAYTIME (FR, Jacques Tati, 1967) ; PLEASANTVILLE (US, Gary Ross, 1998) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SLIVER (US, Phillip Noyce, 1993) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy.
Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.Notes: Formerly CIP; Includes bibliographical references and indexISBN: 0415700493Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --
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Cinematography / Peter Ettedgui Crans-Pres-Celigny, Switz.: RotoVision, c1998.
Call No: 802.3 ETT; FOLIOAuthor: Ettedgui, Peter Place: Crans-Pres-Celigny, Switz.Publisher: RotoVisionPubDate: c1998PhysDes: 208 p. : ill. (some col.), ports. ; 32 cmSeries: ScreencraftSubject: CINEMATOGRAPHY ; WILLIAMS, BILLY ; CHAPMAN, MICHAEL ; DEAKINS, ROGER ; SERRA, EDUARDO ; KAMINSKI, JANUSZ ; KHONDJI, DARIUS ; SLOCOMBE, DOUGLAS ; MITRA, SUBRATA ; COUTARD, RAOUL ; KOVACS, LASZLO ; CARDIFF, JACK ; NYKVIST, SVEN ; WEXLER, HASKELL ; MULLER, ROBBY ; WILLIS, GORDON ; SEALE, JOHN ; DRYBURGH, STUART Notes: Includes index; "series devised by barbara mercer."ISBN: 2880463564; 2880463564 (pbk.)LON: 20785545
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Cinematography in the Weimar Republic : Lola Lola, dirty singles, and the men who shot them / Paul Matthew St. Pierre London: Fairleigh Dickinson University Press,
Call No: 23(430)Author: St. Pierre, Paul Matthew Place: LondonPublisher: Fairleigh Dickinson University PressPhysDes: 274 p. ; illus. ; 24 cmSeries: Fairleigh Dickinson University Press series in communication studiesSubject: CINEMATOGRAPHY ; GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; WAGNER, FRITZ ARNO ; MURNAU, FRIEDRICH WILHELM ; LANG, FRITZ ; PABST, GEORG WILHELM ; RITTAU, GUNTHER ; DREYER, CARL TH. Summary: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors.
Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners.
Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking.
In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau.
-- jacket blurbISBN: 9781611479447
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Cinesonic : cinema and the sound of music / edited by Philip Brophy North Ryde, N.S.W. St. Leonards, N.S.W.: Australian Film Television & Radio School Allen & Unwin, 2000.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W. St. Leonards, N.S.W.Publisher: Australian Film Television & Radio School Allen & UnwinPubDate: 2000PhysDes: vii, 224 p. : ill. ; 21cmSubject: SOUND ; NATIVE AMERICAN CINEMA ; MUSIC IN FILMS ; FILM NOIR ; JAZZ IN FILMS ; WESTERNS ; DIALOGUE ; NAZIS IN FILMS ; PROMOTIONAL VIDEOS ; LANG, FRITZ ; WILLIAMS, HYPE ; THOM, RANDY ; MUSY, FRANCOIS ; GODARD, JEAN-LUC ; SHEA, DAVID ; WELLES, ORSON ; KWAIDAN (JA, Masaki Kobayashi, 1964) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLACK RIVER (AT, Kevin Lucas, 1991) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) Notes: Includes index; BibliographyISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098LON: 21470326Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
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CineTech : film, convergence and new media / Stephen Keane Basingstoke [England]: Palgrave Macmillan, 2007.
Call No: 220.1(-5) KEAAuthor: Keane, Stephen Source: US/UKPlace: New York; Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2007PhysDes: viii, 181 pages ; 22 cmSubject: TIMECODE (US, Mike Figgis, 2000) ; MY LITTLE EYE (UK/US/FR, Marc Evans, 2003) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005) ; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005) ; RESIDENT EVIL (US, Paul W.S. Anderson, 2002) ; MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003) ; FANS ; TECHNOLOGICAL DEVELOPMENTS ; INTERNET ; CONVERGENCE Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.Notes: Includes bibliographical references (p. 162-176) and index.ISBN: 9781403936943Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.
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newspaper article
Ciobo push for Netflix to film TV in Australia in Australian Financial Review (31/01/2017) p.7
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Citizen Cannes : the man behind the Cannes Film Festival / Gilles Jacob London; New York: Phaidon, 2011.
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Citizen Hughes / Michael Drosnin London: Arrow Books, 1986.
Call No: 81HUG DROAuthor: Drosnin, Michael Source: UKPlace: LondonPublisher: Arrow BooksPubDate: 1986PhysDes: 603 p. ; 18 cmSubject: HUGHES, HOWARD Summary: The book uses the memos of Howard Hughes to build a picture of the world and perceptions of this reclusive billionaire.Notes: Includes index; Includes bibliographical referencesISBN: 0099453401
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City flicks : Indian cinema and the urban experience / edited by Preben Kaarsholm Oxford: Seagull Books, 2007.
Call No: 408.1(54) KAAAuthor: Kaarsholm, Preben Edition: rev. and updatedSource: UKPlace: OxfordPublisher: Seagull BooksPubDate: 2007PhysDes: ix, 274p. :24cmSubject: INDUSTRY, FILM. INDIA ; BOLLYWOOD ; SOCIETY AND THE CINEMA. INDIA Summary: "The relationship between cinema and modernity in the Indian context is both complex and multifaceted. In this volume, some of the leading names in film and cultural studies explore its many dimensions. The essays range from discussions of urbanity and film language to realism and the Indian city in Bengali film of the 1940s; from the cultural resonances of popular Hindi film songs and the idea of the "city" to realism and fantasy in cinematic representations of metropolitan Indian life; from cinematic aspects of Salman Rushdie's Midnight's Children to genre, narrative form and film style in contemporary Indian urban action films; from the complexities of female spectatorship to an analysis of the current primacy of Bollywood; and finally, to the cultural impact and influence of Indian cinema on audiences outside India." [taken from cover]ISBN: 1905422369Language: EnglishContents: Introduction Unreal City: Cinematic Representation, Globalization and the Ambiguities of Metropolitan Life / Preben Kaarsholm 1 -- Urban Legends: Notes on a Theme in Early Film Theory / Peter Larsen 26 -- The City and the Real: Chhinnamul and the Left Cultural Movement in the 1940s / Moinak Biswas 40 -- Reading a Song of the City-Images of the City in Literature and Films / Sudipta Kaviraj 60 -- Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema / M. Madhava Prasad 82 -- A Close-Up on Salman Rushdie's Midnight's Children / Martin Zerlang 99 -- The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global
Arena / Ashish Rajadhyaksha 111 -- Chalo Jahaji: Bollywood in the Tracks of Indenture to Globalization / Manas Ray 138 -- Colonialism and the Built Space of Cinema in Nigeria / Brian Larkin 180 -- The Politics of Urban Segregation and Indian Cinema in Durban / Vashna Jagarnath 207 -- The Exhilaration of Dread: Genre, Narrative Form and Film Style in Contemporary Urban Action Films / Ravi S. Vasudevan 219 -- Vigilantism and the Pleasures of Masquerade: The Female Spectator of Vijayasanthi Films / Tejaswini Niranjana 233
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City on fire : Hong Kong cinema / Lisa Odham Stokes and Michael Hoover New York: Verso, 1999.
Call No: 71(512.317) STOAuthor: Stokes, Lisa Odham ; Hoover, Michael Place: New YorkPublisher: VersoPubDate: 1999PhysDes: p. cmSubject: FOOD IN FILMS ; CHAN, JACKIE ; CHAN, PETER ; CHOW, YUN-FAT ; CHIAU, STEPHEN ; DOYLE, CHRISTOPHER ; HUI, ANN ; KWAN, STANLEY ; LAM, RINGO ; LAW, CLARA ; TSUI, HARK ; WONG KAR-WAI ; TONG, STANLEY [pseud. of Tony Kwei Lai] ; WOO, JOHN [pseud. of Wu Yusen] ; Yeoh, Michelle ; Yu, Ronnie ; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988) ; BALLISTIC KISS [SAT SAT YAN, TIU TIU MO / SHA SHA REN TIAO TIAO MIU] (HK, Donnie Yen, 1998) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; GAMYUK MUNTONG (HK, Tsui Hark, 1996) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; TIAN MIMI (HK, Peter Chan, 1997) ; CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes bibliographical references and indexISBN: 1859847161 (cloth); 1859842038 (pbk.)LON: 20214722ID2: 291
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journal article
City Theatres a great help in fundraising in Australasian Cinema (27/8/1982) vol.11 iss.15 p.32
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City Theatres: A Western Australia Success Story in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres Group turned threats into opportunities in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres hold Charity Preview of Squizzy Taylor in Australasian Cinema (27/8/1982) vol.11 iss.15 p.20
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journal article
City Theatres opens its seventh drive-in in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
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