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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED WIND, THE [BADE SORKH] (IR, Ali Mohammad Ghasemi, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY WHO HARNESSED THE WIND, THE (UK, Chiwetel Ejiofor, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DARK WIND, THE (US, Errol Morris, 1991)

Call No: 71(94) HOD
Author: Hodsdon, Bruce
Place: [Canberra]
Publisher: National Library of Australia; Australian Council of Film Societies
PubDate: June 1995
PhysDes: 24 p. : illus. ; 30 cm
Subject: HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; CORRICK FAMILY; BIOGRAPH; ON OUR SELECTION (AT, Raymond Longford, 1920); KID STAKES, THE (AT, Tal Ordell, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); BEN HUR (US, Fred Niblo, 1925); CAMERAMAN, THE (US, Edward Sedgwick, 1928); WIND, THE (US, Victor Sjostrom, 1928)
Notes: Looseleaf sheets in A4 folio
ISBN: 0642106487

Call No: 70"192" MUL
Author: Muller, Jurgen
Edition: 2007
Place: Koln
Publisher: Taschen GMBH
PubDate: 2007
PhysDes: 482 pgaes : illustrated ; 26 cm
Subject: HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); CABIRIA (IT, Giovanni Pastrone, 1914); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916); MADAME DUBARRY (G, Ernst Lubitsch, 1919); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); EROTIKON (SW, Mauritz Stiller, 1920); GOLEM, WIE ER IN DIE WILT KAM, DER (G, Paul Wegener & Carl Bose, 1920); KID, THE (US, Charles Chaplin, 1921); FOOLISH WIVES (US, Erich Von Stroheim, 1922); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); THREE MUSKETEERS, THE (US, Fred Niblo, 1921); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); TOL'ABLE DAVID (US, Henry King, 1921); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922); [DOKTOR] DR. MABUSE DER SPIELER (G, Fritz Lang, 1922); SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923); HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); THIEF OF BAGDAD (US, Raoul Walsh, 1924); SHERLOCK, JR. (US, Buster Keaton, 1924); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924); GREED (US, Erich von Stroheim, 1925); IRON HORSE, THE (UK, John Ford, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); BEN HUR (US, Fred Niblo, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); BIG PARADE, THE (US, King Vidor, 1925); FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); BLACK PIRATE, THE (US, Albert Parker, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); METROPOLIS (G, Fritz Lang, 1926); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); NAPOLEON (FR, Abel Gance, 1927); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); CROWD, THE (US, King Vidor, 1928); WIND, THE (US, Victor Sjostrom, 1928); CIRCUS, THE (US, Charles Chaplin, 1928); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BLACKMAIL (UK, Alfred Hitchcock, 1929); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); LITTLE CAESAR (US, Mervyn LeRoy, 1931); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929); MOROCCO (US, Josef von Sternberg, 1930); WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens. Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurb
ISBN: 9783822846131
Donation: Megan McMurchy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LETTERS IN THE WIND, THE [NAMEHEY BAD] (IR, Ali Reza Amini, 2002)

Call No: 81YAN CHA
Author: Chang, Bryan (ed.) and Li, Cheuk-to (ed.)
Edition: 1st ed.
Source: HK
Place: Hong Kong
Publisher: Hong Kong International Film Festival Society
PubDate: 2008
PhysDes: 144p.; col. ill. : 26cm
Series: HKIFF Society Series, no. 9, March 2008
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; YANG, EDWARD; HAI-T'AN-TE YI-T'IEN (TZ, Yang Teh-Chang, 1983); DULI SHIDAI (TZ, Edward Yang [pseud. Yang Teh-Chang], 1994); GUANG YIN DE GU SHI (TZ, Edward Yang, 1982); QING MEI ZHU MA (TZ, Edward Yang, 1985); KONG BU FEN ZI (TZ, Edward Yang, 1986); GU LING JIE SHAO NIAN SHA REN SHI JIAN (TZ, Edward Yang, 1991); MA JIANG (TZ, Edward Yang, 1996); YI YI (TZ, Edward Yang, 2000); WINTER OF 1905, THE / WIND, THE (TZ, Edward Yang, 2004); ELEVEN WOMEN: FLOATING WEEDS, PART 1 & 2 (TZ, Edward Yang, 1982)
Summary: Collection of interviews, essays, film notes and some of Yang's short stories, this is a tribute to the work of a prolific Asian film-maker.Contains synopsis of films, a bio-filmography and both colour and black and white illustrations. In both Chinese and English translations.
Notes: English and Chinese; Bio-filmography: p.140-143
ISBN: 9789889918149
Language: English; Chinese

Call No: 79 OTH KAR
Author: Karp, Josh
Edition: First edition
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 2015
PhysDes: 336 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm.
Subject: WELLES, ORSON; BOGDANOVICH, PETER; HUSTON, JOHN; HOPPER, DENNIS; OTHER SIDE OF THE WIND, THE (US/FR/IR, Orson Welles, 2018)
Summary: In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles' Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious and remarkable making of what has been called "the greatest home movie that no one has ever seen."
Notes: Includes bibliographical references (pages 277-321) and index.
ISBN: 9781250007087
Contents: Prologue: After "The End" --Backstory: Before the Beginning --Orsonology: What You Must Know --The Greatest Home Movie Ever Made --Act One --Act Two --Act Three --Afterlife --Now What? --Acknowledgements --Notes --Bibliography --Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHER SIDE OF THE WIND, THE (US/FR/IR, Orson Welles, 2018)

Call No: TITLE CLIPPINGS FILE
Subject: WIND, THE [VENT, LE] (CN, Ron Tunis, 1972)

Call No: TITLE CLIPPINGS FILE
Subject: WIND, THE [VENT, LE] (CN, Ron Tunis, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WIND, THE [VENT, LE] (CN, Ron Tunis, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WIND, THE [VENT, LE] (CN, Ron Tunis, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WIND, THE (US, Victor Sjostrom, 1928)