Search Catalogue

Call No: P BIL
PhysDes: 1 poster : col. ; 73 X 52 cm.
Subject: BILLY THE KID NO ATARASHII YOAKE (JA, Naoto Yamakawa, 1986); NEW MORNING OF BILLY THE KID (JA, Naoto Yamakawa, 1986); DAWN OF BILLY THE KID, THE (JA, Naoto Yamakawa, 1986)
Summary: Image: photo of the character of Billy the Kid. Text: 'This is a super serious comical movie of new and amusing style.'
Notes: General wear and tear, fold lines and blu-tack stains on the back.
Language: Japanese

PhysDes: Article
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)

Subject: BLISS (AT, Ray Lawrence, 1985); COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); CANNES FILM FESTIVAL; INDUSTRY, FILM. AUSTRALIA
Summary: Report on 'Bliss' and 'The Coca Cola Kid' screening at Cannes

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CINCINNATI KID, THE (US, Norman Jewison, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CISCO KID, THE (US, Luis Valdez, 1994)

Call No: N79COC MOO
Author: Moorhouse, Frank
Source: AT
Place: North Sydney
Publisher: Angus and Robertson
PubDate: 1985
PhysDes: 208 p. : 20 cm
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)
Notes: First published as: Selected stories. Sydney : Angus & Robertson, 1982
ISBN: 0207151954
Donation: donated by the family of Wayne Levy, 2006

Author: P.L.
PhysDes: Article
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)
Summary: review

Call No: D The Coca-Cola kid
Place: [Kew, Vic.]
Publisher: Umbrella Entertainment
PubDate: c2009
PhysDes: 1 videodisc (DVD) (ca. 97 min.) : sd., col. ; 4 3/4 in.
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)
Summary: In a small Australian community no one drinks a drop of Coke, swilling exclusively on a local soft-drink created by a grizzled soda baron. A young Coca-Cola marketing gun from the US, makes it his mission to plug this black hole in Coke’s quest for global domination. -- Libraries Australia.
Notes: "DAVID1621". Based on short stories by Frank Moorhouse. Includes special features. Originally released as a motion picture in 1985. Censorship classification: M. Originally released as a motion picture Australia : Cinema Enterprises, 1985. In English.
Technical Details: PAL ; All regions.
Credits: Directed by Dusan Makavejev ; screenplay by Frank Moorhouse.
Standard Number: 3000000072035
Performer: Eric Roberts, Greta Scacchi, Bill Kerr.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 18 x 24 cm
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)
Summary: One black and white photograph relating to the film The coca-cola kid

PhysDes: Article
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIARY OF A WIMPY KID : THE LONG HAUL (US, David Bowers, 2017)

PhysDes: Article
Subject: SOEURS BRONTE, LES (FR, Andre Techine, 1979); HOMME BLESSE, L' (FR, Patrice Chereau, 1983); SANTOS INOCENTES, LOS (SP, Mario Camus, 1984); EMPTY BEACH, THE (AT, Chris Thomson, 1985); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); COCOON (US, Ron Howard, 1985); EMERALD FOREST, THE (UK, John Boorman, 1985); REPO MAN (US, Alex Cox, 1984); PERFECT (US, James Bridges, 1985)
Summary: film reviews of the film listed in the subject field - Bronte Sisters/Adrian Martin, L'Homme Blesse/John Conomos, Holy Innocents/Penny Davies, Empty Beach/Kathe Boehringer, Back to the Future/Kathe Boehringer, Mad Max Beyond Thunderdome/Ross Gibson, Coca Cola Kid/Ross Gibson, Cocoon/Peter Kepm, Emerald Forest/Peter Kemp, Repo Man/Susan Charlton, Perfect/Susan Charlton

Call No: 81CHA MCC
Author: McCaffrey, Donald W. (ed.)
Source: US
Place: New Jersey
Publisher: Prentice Hall
PubDate: [1971]
PhysDes: 174 p. : ill. ; 21 cm
Series: Film Focus
Subject: TYPE CHARACTERS IN FILMS; CHAPLIN, CHARLES; SENNETT, MACK; KID, THE (US, Charles Chaplin, 1921); GOLD RUSH, THE (US, Charles Chaplin, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); CIRCUS, THE (US, Charles Chaplin, 1928); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); LIMELIGHT (US, Charles Chaplin, 1952)
ISBN: 131282077
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction - Donald W. McCaffrey -- CAREER -- A brief overall view - John Montgomery -- Creating the role of Dr. Body in Casey's Court Circus - Charlie Chaplin -- Acting-directing apprenticeship with Mack Sennett - Charlie Chaplin -- WORKING METHOD -- Development of the comic story and the Tramp character - Charlie Chaplin -- What people laugh at - Charlie Chaplin -- Max Linder's and Elsie Codd's views on the working method - Louis Delluc -- A rejection of the talkies - Charlie Chaplin -- ESSAYS -- The art of Charlie Chaplin - Minnie Maddern Fiske -- Is the Charlie Chaplin vogue passing? - Harcourt Farmer -- Everybody's Language - Winston Churchill -- A reaction to the praise given to Chaplin's artistry - George Jean Nathan -- An evaulation of Chaplin's silent comedy films, 1916-36 - Donald W. McCaffrey -- REVIEWS -- Impressions of two early comedy films - Louis Delluc -- An early detailed account of the action in The Pawnshop - Gilbert Seldes -- The Kid - Francis Hackett -- The Pilgrim - Robert E. Sherwood -- With the bunk left out - Charles W. Wood -- The idea in The Gold Rush: a study of Chaplin's use of the comic technique of pathos-humor - Timothy J. Lyons -- A comparison of The Gold Rush and The General - Gerald Mast -- The Circus - Alexander Bakshy -- City Lights and Modern Times: skirmishes with romance, pathos, and social significance - Donald W. McCaffrey -- The Great Dictator - Herman G. Weinberg -- Monsieur Verdoux - Roger Manvell -- The lineage of Limelight - Walter Kerr

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRISCO KID, THE (US, Robert Aldrich, 1979)

Call No: N79HEA BAR
Author: Barrett, Richard
Source: Australia
Place: Sydney
Publisher: Currency Press
PubDate: 1988
PhysDes: 103 p. ; 21 cm
Subject: HEARTBREAK KID, THE (AT, Michael Jenkins, 1993)
ISBN: 0868191884
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: HEARTBREAK KID, THE (Bobby Farrelly and Peter Farrelly, 2007)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Jennifer Mitchell Photography Roadshow Film Distributors (distributor)
PhysDes: 9 photographs : b&w ; 18 x 13 cm
Subject: KARVAN, CLAUDIA; DIMITRIADES, ALEX; BASTONI, STEVE; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993)
Summary: Nine black and white photographs from the film The heartbreak kid
Notes: Contains a couple of duplicates

Author: Schembri, Jim
PhysDes: Article
Subject: HEAVENLY KID, THE (US, Cary Medoway, 1985)
Summary: Short review

Author: Roberts, Margaret; Sheldon, Jim
PhysDes: Article
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)
Summary: Production report; Ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: INVISIBLE KID, THE (US, Avery Crounse, 1988)

Author: Horner, Ian
PhysDes: Article
Subject: KARATE KID, THE (US, John G. Avildsen, 1984)
Summary: Article discusses how Morita got the role in 'Karate Kid'; Notes

Author: Lawrance, Peter
PhysDes: Article
Subject: KARATE KID, THE (US, John G. Avildsen, 1984)
Summary: Short review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KARATE KID, THE (US, John G. Avildsen, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KARATE KID, THE (C/US, Harold Zwart, 2010)

Author: Robinson, David
PhysDes: Article
Subject: KID, THE (US, Charles Chaplin, 1921)
Summary: Production history; synopsis; ill; credits

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Clippings; Article
Subject: KID, THE (US, Charles Chaplin, 1921)
URL status: URL: 'http://file://Q:/T/KID,_THE.zip' Checked: 31/08/2021 1:05:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: KID, THE (US, Jon Turteltaub, 2000)

Author: Roberts, Margaret
PhysDes: Article
Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985)

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: MARTIAL ARTS FILMS; HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Call No: 70"192" MUL
Author: Muller, Jurgen
Edition: 2007
Place: Koln
Publisher: Taschen GMBH
PubDate: 2007
PhysDes: 482 pgaes : illustrated ; 26 cm
Subject: HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); CABIRIA (IT, Giovanni Pastrone, 1914); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916); MADAME DUBARRY (G, Ernst Lubitsch, 1919); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); EROTIKON (SW, Mauritz Stiller, 1920); GOLEM, WIE ER IN DIE WILT KAM, DER (G, Paul Wegener & Carl Bose, 1920); KID, THE (US, Charles Chaplin, 1921); FOOLISH WIVES (US, Erich Von Stroheim, 1922); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); THREE MUSKETEERS, THE (US, Fred Niblo, 1921); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); TOL'ABLE DAVID (US, Henry King, 1921); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922); [DOKTOR] DR. MABUSE DER SPIELER (G, Fritz Lang, 1922); SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923); HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); THIEF OF BAGDAD (US, Raoul Walsh, 1924); SHERLOCK, JR. (US, Buster Keaton, 1924); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924); GREED (US, Erich von Stroheim, 1925); IRON HORSE, THE (UK, John Ford, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); BEN HUR (US, Fred Niblo, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); BIG PARADE, THE (US, King Vidor, 1925); FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); BLACK PIRATE, THE (US, Albert Parker, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); METROPOLIS (G, Fritz Lang, 1926); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); NAPOLEON (FR, Abel Gance, 1927); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); CROWD, THE (US, King Vidor, 1928); WIND, THE (US, Victor Sjostrom, 1928); CIRCUS, THE (US, Charles Chaplin, 1928); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BLACKMAIL (UK, Alfred Hitchcock, 1929); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); LITTLE CAESAR (US, Mervyn LeRoy, 1931); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929); MOROCCO (US, Josef von Sternberg, 1930); WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens. Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurb
ISBN: 9783822846131
Donation: Megan McMurchy

Call No: 81CHA CHA
Author: Chaplin, Charlie
Source: UK
Place: London
Publisher: Bodley Head
PubDate: 1964
PhysDes: 545 p., [21] leaves of plates : ill., ports. ; 22 cm
Subject: CHAPLIN, CHARLES; VANITY FAIR (US, Chester M Franklin, 1932); KID, THE (US, Charles Chaplin, 1921); CITY LIGHTS (US, Charles Chaplin, 1931); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); WOMAN OF PARIS, A (US, Charles Chaplin, 1923); GOLD RUSH, THE (US, Charles Chaplin, 1925); CIRCUS, THE (US, Charles Chaplin, 1928); LIMELIGHT (US, Charles Chaplin, 1952); KING IN NEW YORK (US, Charles Chaplin, 1957)
Notes: Includes index.
LON: abn84206881; 3369279

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: NEXT KARATE KID, THE (US, Christopher Cain, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: NOSTRADAMUS KID, THE (AT, Bob Ellis, 1993)

Call No: S NOS
Author: Ellis, B.
PhysDes: 118 leaves
Subject: NOSTRADAMUS KID, THE (AT, Bob Ellis, 1993)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Ronin Films
PhysDes: 11 photographs : b&w ; 21 x 26 cm
Subject: TAYLOR, NOAH; FRIELS, COLIN; CARMEN, LOENE; GARNER, ALICE; BELL, LUCY; OTTO, MIRANDA; NOSTRADAMUS KID, THE (AT, Bob Ellis, 1993)
Summary: 11 black and white photographs, predominantly of Noah Taylor but also includes many other of the stars.

Call No: 755.71(94) MAY
Author: May, Josephine
Edition: 2013
Place: Bern, Switzerland
Publisher: Peter Lang
PubDate: 2013
PhysDes: x, 286 pages : illustrated ; 23 cm
Subject: EDUCATION IN FILMS. AUSTRALIA; CHILDREN IN FILMS. AUSTRALIA; CELIA (AT, Ann Turner, 1988); FAST TALKING (AT, Ken Cameron, 1984); HEY, HEY, ITS ESTHER BLUE BURGER (AT, Cathy Randall, 2007); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); MULL (AT, Don McLennan, 1988); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); EVERLASTING SECRET FAMILY, THE (AT, Michael Thornhill, 1988); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987)
Summary: Reel Schools takes a fresh look at the history of Australian schooling through the lens of Australian cinema from the silent era until 2010. In exploring the relationship between cinematic representation and educational history, Josephine May shows how numerous Australian feature and documentary films offer access to powerful vernacular imaginings about school education in Australia. May argues that the cinematic school is a pervasive metaphor for the Australian nation. She demonstrates that, while Australian films about schooling have consistently commented on the relationship of schooling to the Australian class structure, they also increasingly explored gender, race and ethnicity at school, especially after the 1970s. From then on the egalitarian dream of school education and the nation’s capacity to generate meaningful futures for the young became increasingly contested. -- publisher's web site
ISBN: 9783034306324

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SUPREME KID, THE (CN, Peter Bryant, 1974)

Subject: COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); CANNES FILM FESTIVAL; INDUSTRY, FILM. AUSTRALIA
Summary: Article on 'The Coa-Cola Kid' being officially chosen to screen at Cannes

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOO WOO KID, THE (US, Phil Alden Robinson, 1987)