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Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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Tennessee Williams and film / Maurice Yacowar New York: Frederick Ungar Pub. Co., 1977.
Call No: 753WIL YACAuthor: Yacowar, Maurice Place: New YorkPublisher: Frederick Ungar Pub. Co.PubDate: 1977PhysDes: viii, 168 p. : ill. ; 21 cmSeries: Ungar film librarySubject: ADAPTATIONS. WILLIAMS, TENNESSEE ; BABY DOLL (US, Elia Kazan, 1956) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; SWEET BIRD OF YOUTH (US, Richard Brooks, 1961) ; NIGHT OF THE IGUANA, THE (US, John Huston, 1964) ; THIS PROPERTY IS CONDEMNED (US, Sidney Pollack, 1966) ; BOOM (UK, Joseph Losey, 1968) ; LAST OF THE MOBILE HOT-SHOTS (US, Sidney Lumet, 1969) ; SUDDENLY LAST SUMMER (UK, Joseph L. Mankiewicz, 1959) ; FUGITIVE KIND, THE (US, Sidney Lumet, 1960) ; ROMAN SPRING OF MRS. STONE, THE (UK, Jose Quintero, 1961) ; PERIOD OF ADJUSTMENT (US, George Roy Hill, 1962) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) Summary: Tennessee Williams on the screen has been a touchstone of the growing maturity of American ilm production. Film versions of his plays have had a profound and lasting influence on the movies, beginning with A Streetcar Named Desire in 1961. This is the first book-length study of all the films made from his plays- The Glass Menagerie, The Rose Tattoo and others. Maurice Yacowar deals with them in purely cinematic terms. Each film is considered as a new work in a new medium, not merely as a less than faithful version of a play. [Taken from BOOK JACKET]Notes: Includes index; Filmography: p. 149-154; Bibliography: p. 155-160ISBN: 0804429928; 0804469903 (pbk.)LON: abn86012714; 4246677Contents: Introduction -- The glass menagerie (1950) -- A streetcar named desire (1951) -- The rose tattoo (1955) -- Baby doll (1956) -- Cat on a hot tin roof (1958) -- Suddenly last summer (1959) -- The fugitive kind (1960) -- Summer and smoke (1961) -- The Roman spring of Mrs. Stone (1961) -- Sweet bird of youth (1962) -- Period of adjustment (1962) -- The night of the iguana (1964) -- This property is condemned (1966) -- BOOM (1968)( -- Last of the mobile hot-shots (1969) -- Conclusion.
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