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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES ; AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND THE CINEMA ; AUSTRALIAN ABORIGINES IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; AUSTRALIAN ABORIGINES AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; AUSTRALIAN ABORIGINES ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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The films of Gillian Armstrong / by Felicity Collins St Kilda, Vic.: ATOM, 1999.
Call No: 81ARM COLAuthor: Collins, Felicity CorpAuthor: Australian Teachers of MediaPlace: St Kilda, Vic.Publisher: ATOMPubDate: 1999PhysDes: 98 p. : ill. ; 22 cmSeries: Moving image ; no. 6Subject: ARMSTRONG, GILLIAN ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; MRS. SOFFEL (US, Gillian Armstrong, 1984) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Notes: Includes bibliographical references (p. 95-98)ISBN: 1876467037LON: 20015377
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LAST DAYS OF CHEZ NOUS, THE : (AT, Gillian Armstrong, 1992)
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[Last days of Chez Nous, the : stills file]
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The last days of Chez Nous ; &, Two friends / Helen Garner Ringwood, Vic.: McPhee Gribble, 1992.
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Reel meals set meals : food in film and theatre / [by] Gaye Poole Sydney: Currency Press, 1999.
Call No: 45:641 POOAuthor: Poole, Gaye Place: SydneyPublisher: Currency PressPubDate: 1999PhysDes: xiv, 280p. : ill., ports. ; 21 cmSubject: FOOD IN FILMS ; SEX IN FILMS ; LEIGH, MIKE ; NOWRA, LOUIS ; DAMAGE (UK/FR, Louis Malle, 1992) ; DIMBOOLA (AT, John Duigan, 1979) ; FATHER (AT, John Power, 1990) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HOTEL SORRENTO (AT, Richard Franklin, 1995) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LIFE IS SWEET (UK, Mike Leigh, 1990) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) Summary: CannibalismNotes: Includes index; Includes bibliographical references: p. 265-269ISBN: 0868195782 : $24.95LON: 14096514
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Some significant women in Australian film : a celebration and a cautionary tale : Longford Lyell lecture 2002 / Jan Chapman Australia: Screen sound Australia, 2002.
Call No: 721.02 (94) CHAAuthor: Chapman, Jan Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: Screen sound AustraliaPubDate: 2002PhysDes: 1 v ; 20.5 cm, b&w ill.Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3Subject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS ; WOMEN ON TV. AUSTRALIA ; WOMEN, FILMS FOR ; WOMEN, FILMS MADE BY ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; CHAPMAN, JAN ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; LYELL, LOTTIE ; BARRETT, SHIRLEY ; MILLIKEN, SUE ; Lovell, Patricia ; ROBB, JILL ; SCOTT, JANE ; LONG, JOAN ; FINK, MARGARET ; DAVIS, JUDY ; LEVY, SANDRA ; GRIFFITHS, RACHEL ; BLANCHETT, CATE ; KIDMAN, NICOLE ; COLLETTE, TONI ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SHOWTIME (AT, Jan Chapman, 1978) ; SWEET AND SOUR [TV] (AT, 1984) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976) ; BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988) ; MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; WELL, THE (AT, Samantha Lang, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; TWO FRIENDS [TV] (AT, Jane Campion, 1986) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001) ; PIANO, THE (AT, Jane Campion, 1993) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane CampionISBN: 0642365172
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