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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, ?, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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Australian film theory and criticism : Volume 3 / By Verevis, Constantine and Williams, Deane United Kingdom: Intellect, 2018.
Call No: 67(94) VERAuthor: By Verevis, Constantine and Williams, Deane Place: United KingdomPublisher: IntellectPubDate: 2018Subject: EXPERIMENTAL FILM AND TELEVISION FUND ; BIRTLES, FRANCIS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GILDA (US, Charles Vidor, 1946) ; FEMINISM AND THE CINEMA. AUSTRALIA ; PORNOGRAPHY AND THE CINEMA. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; CHAUVEL, CHARLES ISBN: 9781783208371
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A catalogue of independent women's films Sydney: Sydney Women's Film Group, 1979.
Call No: REFERENCE SECTION; 027(94) SYD CATCopy Management: Copy 1; Copy 2CorpAuthor: Sydney Women's Film GroupSource: ATPlace: SydneyPublisher: Sydney Women's Film GroupPubDate: 1979PhysDes: 80p. : ill. ; 29cmSubject: WOMEN, FILMS MADE BY. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA Notes: Cinema films directed by women. Australia. Catalogues (ANB/PRECIS SIN 0239739); Cover title; Index; Bibliography: p.73-75ISBN: 0959839925 : $1.50 Aust; 0959839925LON: 1590040 1590040
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Do contemporary women filmmakers share a feminist perspective in their work? / submitted by Lisa French 1995.
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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Films of change in Lumiere (March, 1973) iss.21 p.33-34
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE : THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Lip Carlton, Vic.: Women in the Visual Arts Collective, 1976.
Call No: held 1976-1984CorpAuthor: Women in the Visual Arts Collective; Lip (Carlton, Vic.)Source: ATPlace: Carlton, Vic.Publisher: Women in the Visual Arts CollectivePubDate: 1976PhysDes: v. : ill. ; 30 cmSubject: ART CINEMA. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; WOMEN AND THE CINEMA. AUSTRALIA Notes: Imprint varies: Lip Magazine Co-operative Ltd., <1984-; Description based on surrogate; title from coverISSN: 0313-4288Missing Issues: 1977LON: cvx00300222; 2506359
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Metaphors of femininity and the landscape in Australian cinema : five 'New Wave' films / Robin Wright 1992.
Call No: 626:396(94) WRIAuthor: Wright, Robin, 1963 PubDate: 1992PhysDes: 110 leaves : col. ill. ; 30 cmSubject: LANDSCAPES IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) Summary: This thesis examins the representation of the Australian landscape in five Australian films released between 1975 and 1982. The films are 'The Man From Snowy River', 'Sunday Too Far Away', 'We of the Never Never', 'Picnic at Hanging Rock' and 'The Plains of Heaven'. These five texts are examined in light of feminist theories dealing with subjectivity and representation. The analysis of the place and role of femininity within the texts is conducted through the examination of symbols and metaphors associated with the landscape which operate within the film structure. The thesis concludes that the Australian landscape is constructed within these films in such a way as to support the concept of a white, masculine Australian identity..." -- taken from summaryNotes: Submitted in partial fulfilment of the requirements for the degree of Master of Arts, Centre for Womens Studies; Summary: [unpaged] at front of text; Typescript; Includes bibliographical references (leaves 104-110)LON: abn93171145; 10039377Contents: 1. Introduction -- 2. Feminist strategies -- 3. The production context -- 4. The man from Snowy River -- 5. Sunday too far away -- 6. We of the never never -- 7. Picnic at hanging rock -- 8. The plains of heaven -- 9. Ideological position and Australian identity
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The Money shot : cinema, sin and censorship / Jane Mills Annandale, N.S.W: Pluto Press, 2001.
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journal article
Ukraine Is Not a Brothel in Australian Cinematographer (Dec 2014) iss.64 p.51-65
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