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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; BLACK CINEMA ; BLACKS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL 6 (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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DAUGHTERS OF THE DUST : (US, Julie Dash, 1991)
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Feminism and film / Maggie Humm Edinburgh: Edinburgh University Press, 1997.
Call No: 626:396 HUMAuthor: Humm, Maggie Place: EdinburghPublisher: Edinburgh University PressPubDate: 1997PhysDes: x, 246 p. ; 24 cmSubject: FEMINISM AND THE CINEMA ; AUTEUR THEORY ; BLACKS IN FILMS ; POSTMODERNISM AND THE CINEMA ; CRONENBERG, DAVID ; MULVEY, LAURA ; KUHN, ANNETTE ; KAPLAN, E. ANN ; ALTHUSSER, LOUIS ; ROSE, JACQUELINE ; WOOLF, VIRGINIA ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; KLUTE (US, Alan J. Pakula, 1971) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ISBN: 0748609008Order Received: 1998LON: abn97233530; 13317515
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Feminist auteurs : reading women's films / Geetha Ramanathan London: Wallflower Press,
Call No: 626:396 RAMAuthor: Ramanathan, Geetha Edition: 2006Place: LondonPublisher: Wallflower PressPhysDes: viii,240 pages : illustrations ; 24 cmSubject: FEMINISM AND THE CINEMA ; BORDEN, LIZZIE ; KAPLAN, NELLY ; CHADHA, GURINDER ; DURAS, MARGUERITE ; DENIS, CLAIRE ; VARDA, AGNES ; SANS TOIT NI LOI (FR, Agnes Varda, 1985) ; INDIA SONG (FR, Marguerite Duras, 1975) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; CHOCOLAT (FR, Claire Denis, 1988) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DANZON (MX, Maria Novaro, 1991) ; MALOU (GW, Jeanine Meerapfel, 1981) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) Summary: Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film. - publisher's web siteISBN: 9781904764694
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Filming feminist frontiers/frontier feminisms 1979-1993 / Kathleen Cummins Toronto, Ontario: York University, [2014].
Call No: 626[396] CUMAuthor: Cummins, Kathleen Source: CNPlace: Toronto, OntarioPublisher: York UniversityPubDate: [2014]PhysDes: 344 pages : illustrations ; 30 cmSubject: FEMINISM AND THE CINEMA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BEDEVIL (AT, Tracey Moffat, 1993) ; MY AMERICAN COUSIN (US, Sandy Wilson, 1985) ; LOYALTIES (CN, Anne Wheeler, 1986) ; PIANO, THE (AT, Jane Campion, 1993) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.Notes: Bibliography: pages 330-344.Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE : THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Seeing and believing : religion and values in the movies / Margaret R. Miles Boston: Beacon Press, c1996.
Call No: 45:2 MILAuthor: Miles, Margaret Ruth Source: USPlace: BostonPublisher: Beacon PressPubDate: c1996PhysDes: xvi, 254 p. ; 23 cmSubject: RELIGION AND THE CINEMA ; ETHICS IN FILMS ; BLACKS IN FILMS ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; JESUS DE MONTREAL (CN/FR, Denys Arcand, 1989) ; MISSION, THE (UK, Roland Joffe, 1986) ; ROMERO (US, John Duigan, 1989) ; NOT WITHOUT MY DAUGHTER (US, Brian Gilbert, 1991) ; CHOSEN, THE (US, Jeremy Paul Kagan, 1981) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; LONG WALK HOME, THE (US, Richard Pearce, 1990) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; JUNGLE FEVER (US, Spike Lee, 1991) ; PARIS IS BURNING (US, Jennie Livingston, 1990) Notes: Includes bibliographical references and indexISBN: 0807010316
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