newspaper article
Brute force in Australian Financial Review [Weekend Fin] (28/03/2015) p.51
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CHAOS : (FR, Coline Serreau, 2001)
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CHAOS : CN/UK, Tony Giglio, 2005
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Chaos puts faith in DVD deal with Beyond International in The Age [Business] (18/04/2002) p.4
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERSubject: BEYOND INTERNATIONAL ; CHAOS INTERNATIONAL Summary: Chaos, company best known for online music, will go into DVD production in association with Beyond International.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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CHAOS WALKING : (US/CN/HK, Doug Liman, 2021) Digital clippings file available
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Driving Ms crazy : intersections of women, madness and automobiles in recent Australian cinema in Australian Screen Education (1999) iss.20/21 p.47-50
Author: O'Sullivan, Jane PhysDes: Article; Illustration(s)Subject: WOMEN IN FILMS. AUSTRALIA ; ROAD MOVIES ; AUTOMOBILES IN FILMS. AUSTRALIA ; MENTAL HEALTH ISSUES IN FILMS. AUSTRALIA ; TRUE LOVE AND CHAOS (AT, Stavros Andonis Efthymiou, 1997) ; DOING TIME FOR PATSY CLINE (AT, Chris Kennedy, 1997) ; KISS OR KILL (AT, Bill Bennett, 1997) ; SPIDER & ROSE (AT, Bill Bennett, 1994) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989)
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LILTING TOWARD CHAOS : (US, Mark Street, 1990)
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LITTLE CHAOS, A : (UK, Alan Rickman, 2014)
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LORDS OF CHAOS : (UK/SW/NO, Jonas Akerlund, 2019)
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journal article
On location: "As Time Goes By" : Gillies, the alien hooked on Hollywood stars in Encore (18th June-1st July 1987) vol.5 iss.10 p.18-19
Author: Reid, Mary Anne PhysDes: ArticleSubject: GILLIES, MAX ; PEAK, BARRY ; KIELY, CHRIS ; AS TIME GOES BY (AT, Barry Peak, 1987) ; FUTURE SCHLOCK (AT, Barry Peak & Chris Kiely, 1984) ; CHANNEL CHAOS (AT, Barry Peak, 1984) ; BIG HURT, THE (AT, Barry Peak, 1986) Summary: Mary Anne Reid reveals that actor Max Gillies was originally offered the villain's role in "As Time Goes By" but successfully requested that he have the main role of the alien instead. Reid then moves on to discuss other Barry Peak and Chris Kiely collaborations such as "Future Schlock", "Channel Chaos", and "The Big Hurt". The remainder and majority of the article is dedicated to a synopsis of "As Time Goes By", as well as location and budget detailsNotes: Location report on "As Time Goes By". - synopsis. - credits. - illus.
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newspaper article
Plenty of handsome, not much chaos in Sydney Morning Herald [Arts & Entertainment] (26/03/2015) p.31
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book
Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982) ; HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
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book
Spaces of women's cinema : space, place and genre in contemporary women's filmmaking / Sue Thornham London: Bloomsbury on behalf of the British Film Institute,
Call No: 631.2-02 THOAuthor: Thornham, Sue CorpAuthor: 2019Edition: 2019Place: LondonPublisher: Bloomsbury on behalf of the British Film InstitutePhysDes: x, 226 pages : index ; 24 cmSubject: WOMEN FILMMAKERS ; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; CHAOS (FR, Coline Serreau, 2001) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; FALLING, THE (UK, Carol Morley, 2014) ; MEEK'S CUTOFF (US, Kelly Reichardt, 2011) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) ; WINTER'S BONE (US, Debra Granik, 2010) Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web siteISBN: 9781844579112Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index
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newspaper article
Strains of thwarted lust in a cloistered world in Sunday Canberra Times [Relax] (28/03/2015) p.21
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script
True love and chaos / by Stavros Andonis Efthymiou Melbourne: [1996?].
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TRUE LOVE AND CHAOS : (AT, Stavros Andonis Efthymiou, 1997)
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script
TRUE LOVE AND CHAOS [1994].
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