Search Catalogue

Call No: 735.2 WAL
Author: Waller, Gregory A. (Gregory Albert), 1950
Place: Urbana
Publisher: University of Illinois Press
PubDate: c1987
PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm
Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-)
Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219
ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)
LON: 5194657

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: CAME A HOT FRIDAY (NZ, Ian Mune, 1985)

Call No: TITLE CLIPPINGS FILE; FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017)
Author: JUSTIN BURKE
PhysDes: Clippings File Article
Subject: FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017)
Summary: The migrant story of influential Aussie rock band the Easybeats still resonates today, writes Justin Burke In bringing to life the story of seminal Sydney rock band the Easybeats, director Matthew Saville found an uplifting tale of Australian immigration.

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: 408 CUL
Author: Braendlin, Bonnie
CorpAuthor: Florida State University Conference on Literature and Film (14th : 1989)
Place: Tallahassee Gainesville, FL
Publisher: Florida State University Press Orders to University Presses of Florida
PubDate: 1991
PhysDes: vii, 202 p. ; 21 cm
Subject: POPULAR CULTURE AND THE CINEMA; FEMINISM AND THE CINEMA; ADVERTISING; ANDY HARDY IN FILMS; GENRES; HORROR FILMS; CRITICS; SCHWARTZ, DELMORE; ORDINARY PEOPLE (US, Robert Redford, 1980); WALL STREET (US, Oliver Stone, 1987); HAIRSPRAY (US, John Waters, 1988); FRIDAY THE 13TH [...] (US, 1980-); NIGHTMARE ON ELM STREET[...], A (US, 1984-)
Notes: Includes bibliographical references and index
ISBN: 0813010969
LON: 90027304; 7695410

PhysDes: Article
Subject: LONG GOOD FRIDAY, THE (UK, John Mackenzie, 1980); MIRREN, HELEN; HOSKINS, BOB; EMBASSY ROADSHOW; BOX OFFICE
Summary: Article on the box-office success of 'The Long Good Weekend', as well as a synopsis of the film.

Call No: 81DEN FIL
Author: Vecchio, Marjorie; Wenders, Wim
Source: US
Place: New York
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xxiii, 237 pages : illustrations ; 24 cm
Subject: AESTHETICS; AFRICA; ART CINEMA; CANNIBALISM IN FILMS; CRITICISM; DANCE IN FILMS; DIRECTORS; DIRECTORS. FRANCE; FAMILY IN FILMS; IMPERIALISM AND THE CINEMA; LANDSCAPES IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; TIME IN FILMS; WORKERS IN FILMS; WORKING CLASS IN FILMS; DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); INTRUDER, THE (FR, Claire Denis, 2004) SEE INTRUS, L'; INTRUS, L' (FR, Claire Denis, 2004); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); I CAN'T SLEEP (FR/SZ, Claire Denis, 1994); NENETTE AND BONI (FR, Claire Denis, 1996) SEE NENETTE ET BONI; NENETTE ET BONI (FR, Claire Denis, 1996); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); FRIDAY NIGHT (FR, Claire Denis, 2002) SEE VENDREDI SOIR; VENDREDI SOIR (FR, Claire Denis, 2002); WHITE MATERIAL (FR/CM, Claire Denis, 2009)
Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURB
Notes: Includes list of illustrations, bibliographic references and index
ISBN: 9781848859548
Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen' --Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy -- -- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams -- -- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy -- --Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy --Bibliography -- Index

Call No: 81HAW WIL
Author: Willis, Donald C.
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1975
PhysDes: viii, 235 p. : ill. ; 22 cm.
Subject: HAWKS, HOWARD; BRINGING UP BABY (US, Howard Hawks, 1938); HIS GIRL FRIDAY (US, Howard Hawks, 1940); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); MONKEY BUSINESS (US, Howard Hawks, 1952); TWENTIETH CENTURY (US, Howard Hawks, 1934); BALL OF FIRE (US, Howard Hawks, 1942); SONG IS BORN, A (US, Howard Hawks, 1947); FIG LEAVES (US, Howard Hawks, 1926); MAN'S FAVORITE SPORT? (US, Howard Hawks, 1963); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959); RIO LOBO (US, Howard Hawks, 1970); EL DORADO (US, Howard Hawks, 1966); BIG SKY, THE (US, Howard Hawkes, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); ONLY ANGELS HAVE WINGS (US, Howard Hawks, 1939); CEILING ZERO (US, Howard Hawks, 1936); CROWD ROARS, THE (US, Howard Hawks, 1932); GIRL IN EVERY PORT, A (US, Howard Hawks, 1928); TIGER SHARK (US, Howard Hawks, 1932); BARBARY COAST (US, Howard Hawks, 1935); COME AND GET IT (US, Howard Hawks and William Wyler, 1936); SCARFACE (US, Howard Hawks, 1932); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); CRIMINAL CODE, THE (US, Howard Hawks, 1931); LAND OF THE PHARAOHS (US, Howard Hawks, 1955); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); AIR FORCE (US, Howard Hawks, 1943); SARGEANT YORK (US, Howard Hawks, 1941); ROAD TO GLORY, THE (US, Howard Hawks, 1936)
Summary: The films of Howard Hawks are organised by genre and reviewed to give a sense of the director as auteur.
Notes: Includes bibliographical references and index.
ISBN: 0810808609

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FREAKY FRIDAY (US, Mark S. Waters, 2003)

Call No: N79 FRE ROD
Author: Rodgers, Mary
Source: UK
Place: London
Publisher: Puffin Books
PubDate: 1976
PhysDes: 154 p. : ill. ; 18 cm
Subject: FREAKY FRIDAY (US, Mark S. Waters, 2003)
Notes: Originally published: New York : Harper and Row, 1972 ; London : Hamilton, 1973. For children
ISBN: 0140307516

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: FRIDAY (US, F. Gary Gray, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY AFTER NEXT (US, Marcus Raboy, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY NIGHT LIGHTS (US/GG, Peter Berg, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH (US, Sean S. Cunningham, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH: A NEW BEGINNING (US, Danny Steinman, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH PART 2 (US, Steve Miner, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH PART 3 (US, Steve Miner, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH PART VI: JASON LIVES (US, Tom McLoughlin, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH: PART VII: THE NEW BLOOD (US, John Carl Buechler, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (US, Rob Hedden, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH: THE FINAL CHAPTER (US, Joseph Zito, 1984)

Author: Tetowsky, Lawrence
Subject: FRIDAY THE 13TH: THE SERIES (US Paramount Television, 1987)
Summary: Review of 'Friday the 13th - the series' and article on special effects used. Includes interview with effects designer, Michael Lennick.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH (US, Marcus Nispel, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FRIDAY [SERIAL] (AT, Vanessa Burt, 2006-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FRIDAY [MOM] (AT, 2008)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: HIS GIRL FRIDAY (US, Howard Hawks, 1940)
URL status: URL: 'http://file://Q:/T/HIS_GIRL_FRIDAY.zip' Checked: 31/08/2021 1:01:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71(93) BAB
Author: Babington, Bruce
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 2007
PhysDes: x, 290 p. : ill. ; 24 cm
Subject: TORR, OLIVER; DONALDSON, ROGER; REID, JOHN; PRESTON, GAYLENE; CAMPION, JANE; WARD, VINCENT; JACKSON, MICHAEL; JACKSON, PETER (NZ); CARO, NIKI; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BAD BLOOD (NZ, Mike Newell, 1981); BRAINDEAD (NZ, Peter Jackson, 1992); BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004); JACK BE NIMBLE (NZ, Garth Maxwell, 1993); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SOLO (NZ/AT, Tony Williams, 1978); WHALE RIDER (NZ/GG, Niki Caro, 2002); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]
Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes index
ISBN: 9780719075414(hbk.); 9780719075421(pbk.)
Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion

Author: Martin, Adrian
Subject: FRIDAY THE 13TH (US, Sean S. Cunningham, 1980)

Call No: 735.2 HOR
Author: Gelder, Ken, 1955
Place: New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xiii, 414 p. ; 25 cm
Subject: CANNIBALISM IN FILMS; DRACULA IN FILMS; ETHNOGRAPHIC FILMS; FAN MAGAZINES; FANTASTIC FILMS; GENDER AND THE CINEMA; GHOST FILMS; HOMOSEXUALITY AND THE CINEMA; HORROR FILMS; HORROR FILMS. HONG KONG; HORROR FILMS. ITALY; HORROR FILMS. USA; IMPERIALISM AND THE CINEMA; MONSTERS IN FILMS; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SERIAL KILLERS IN FILMS; SLASHER FILMS; THEORY; VAMPIRE FILMS; WOMEN AND THE CINEMA; ARGENTO, DARIO; BAVA, MARIO; CASTLE, TERRY; CHEUNG, LESLIE; CORMAN, ROGER; CRONENBERG, DAVID; TODOROV, TZVETAN; AMERICAN GOTHIC (US, John Hough, 1987); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); FRIDAY THE 13TH (US, Sean S. Cunningham, 1980); HALLOWEEN (US, John Carpenter, 1978); HAUNTING, THE (US, Robert Wise, 1963); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); OPERA (IT, Dario Argento, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968); PSYCHO (US, Alfred Hitchcock, 1960); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SUSPIRIA (IT, Dario Argento, 1977); YANZHI KOU (HK, Stanley Kwan, 1987)
Notes: Includes bibliographical references and index
ISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)
LON: 21262689

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JASON GOES TO HELL: THE FINAL FRIDAY (US, Adam Marcus, 1993)

Author: Vamvakitis, Anthony
PhysDes: Article
Subject: JASON LIVES: FRIDAY THE 13TH PART VI (US, Tom McLaughlin, 1986)
Summary: Film Preview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH PART 10 [JASON X / JASON 2000] (US, James Isaac, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LONG GOOD FRIDAY, THE (UK, John Mackenzie, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN FRIDAY (UK, Jack Gold, 1975)

Call No: 735.2 HEL
Author: Heller-Nichols, Alexandra
Edition: 2019
Place: Cardiff
Publisher: University of Wales Press
PhysDes: 288 pages ; 22 cm
Subject: SLASHER FILMS; HORROR FILM; FRIDAY THE 13TH [...] (US, 1980-); HALLOWEEN (US, John Carpenter, 1978); TEXAS CHAIN SAW MASSACRE [...] (US, 1974-); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); YOU'RE NEXT (US/UK, Adam Wingard, 2011); YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959)
Summary: Why has the mask been such an enduring generic motif in horror cinema? This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity. All of these factors have a direct impact on mask-centric horror cinema: meanings, values and rituals associated with masks evolve and are updated in horror cinema to reflect new contexts, rendering the mask a persistent, meaningful and dynamic aspect of the genre’s iconography. This study debates horror cinema’s durability as a site for the potency of the mask’s broader symbolic power to be constantly re-explored, re-imagined and re-invented as an object of cross-cultural and ritual significance that existed long before the moving image culture of cinema. -- publisher's web site
ISBN: 9781786834966
Contents: Acknowledgements -- Introduction – Why Masks? Ritual, Power and Transformation -- Chapter One: Situating Masks and Horror Cinema -- Part One: Masks, Horror and Cinema: Towards Codification -- Chapter Two: Masks and Horror in Literary and Performance Traditions and Early Cinema -- Chapter Three: Masks in Horror Film Before 1970 -- Part Two: Horror Film Masks from 1970 -- Chapter Four: Skin Masks: Ritual, Power and Transformation -- Chapter Five: Blank Masks: Ritual, Power and Transformation -- Chapter Six: Animal Masks: Ritual, Power and Transformation -- Chapter Seven: Repurposed Masks: Ritual, Power and Transformation -- Part Three: Masks as Transformational Technologies – Moving Forward By Looking Back -- Chapter Eight: Technological Masks: Ritual, Power and Transformation -- Conclusion -- Bibliography

Call No: 735.2 CLO
Author: Clover, Carol J., 1940
Place: London
Publisher: B.F.I. Publishing
PubDate: 1992
PhysDes: 260 p. : ill. ; 25 cm
Subject: HORROR FILMS; SLASHER FILMS; CRIME IN FILMS; AUDIENCES; DEVIL IN FILMS; ENDINGS OF FILMS; EXPLOITATION FILMS; FAMILY IN FILMS; LOOK IN FILMS; HOMOSEXUALITY IN FILMS; IDENTIFICATION; REPRODUCTION IN FILMS; SADISM / MASOCHISM IN FILMS; SUPERNATURAL IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); ALIEN [...] (UK/US, 1979-92); DELIVERANCE (US, John Boorman, 1972); EXORCIST, THE (US, William Friedkin, 1973); FRIDAY THE 13TH [...] (US, 1980-); HALLOWEEN (US, John Carpenter, 1978); HILLS HAVE EYES, THE (US, Wes Craven, 1978); HUNTER'S BLOOD (US, Robert C. Hughes, 1986); MS 45 (US, Abel Ferrara, 1981); PEEPING TOM (UK, Michael Powell, 1960); POLTERGEIST (US, Tobe Hooper, 1982); PSYCHO (US, Alfred Hitchcock, 1960); SCANNERS (CN, David Cronenberg, 1981); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); WITCHBOARD (US, Kevin S. Tenney, 1987)
Notes: Includes bibliographical references (p. [237]-253) and index
ISBN: 0851704190 (pbk.); 0851703313
LON: 8882059

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 451-053.6(73) BRI
Author: Brickman, Barbara Jane
Source: US
Place: New York
Publisher: Bloomsbury Academic
PubDate: c2012
PhysDes: ix, 263 pages : illustrations ; 23 cm
Subject: ROCK FILMS; MUSICALS. USA; PSYCHOANALYSIS AND THE CINEMA; TEEN FILMS; BENSON, ROBBIE; DEAN, JAMES; FOSTER, JODIE; BADLANDS (US, Terrence Malick, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); FREAKY FRIDAY (US, Gary Nelson, 1977); HALLOWEEN (US, John Carpenter, 1978); ODE TO BILLY JOE (US, Max Baer, 1976); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974)
Summary: Looking at 1970s American films that deal with the teen issues with an investigation of previous critical/academic writing on the films and the issues that surround them
Notes: Originally published: London: Continuum International Pub. Group Inc., 2012.-- Formerly CIP. -- Includes bibliographical references and index. -- Also issued online
ISBN: 9781628922783
Contents: Introduction -- The rock 'n' roll high school picture show: a genre deconstructed -- Coming of age in the 70s: revision, fantasy and rage in the teen-girl badlands -- The queer kid and women's lib -- Bad news Jodie, or how the Disney family got freaky -- Brothers, sisters, and chainsaws: sibling rivalry and peer centrality in the teen slasher film -- Epilogue

Author: Wansbone, Ernie
PhysDes: Article
Subject: DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); FRIDAY THE 13TH: THE FINAL CHAPTER (US, Joseph Zito, 1984); INDUSTRY, FILM. NEW ZEALAND
Summary: Film news from New Zealand

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NEXT FRIDAY, (US, Steve Carr III, 2000)

Call No: TITLE CLIPPINGS FILE; FRAGMENTS OF FRIDAY [MOM](AT, 2015-)
Author: Molloy, Shannon
PhysDes: Clippings File Article
Subject: FUNDING. AUSTRALIA; FRAGMENTS OF FRIDAY [MOM](AT, 2015-)
Summary: Report on the new web series FRAGMENTS OF FRIDAY obtaining funding from Screen Australia and Endemol. Discussion about the web series format and how traditional production companies are starting to fund online projects

Call No: 71(73) SEP
Author: Sepinwall, Alan
Edition: Updated edition
Source: US
Place: New York
Publisher: Touchstone
PubDate: [2012]
PhysDes: 451 pages ; 22 cm
Subject: OZ [TV](US, 1997-2003); SOPRANOS, THE [TV] (US, 1999-); WIRE, THE [TV] (US, David Simon, 2002); DEADWOOD [TV] (US, 2004); SHIELD, THE [TV] (US, 2002-); LOST [TV] (US, 2004 -); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); 24 [TWENTY-FOUR] [TV] (US, 2001-); BATTLESTAR GALACTICA [TV] (US, 2004-2009); FRIDAY NIGHT LIGHTS [TV] (US, 2006-2011); MAD MEN [TV] (US, 2007); BREAKING BAD [TV] (US, 2008-2013)
Summary: "In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes." - taken from back cover.
ISBN: 9781476739670
Contents: Previously, in The Revolution Was Televised... -- Introduction -- Prologue: Let's be careful out there... The shows that paved the way -- Ch. 1: What we were don't matter... Oz blazes a trail -- Ch. 2: All due respect... The Sopranos changes everything -- Ch. 3: All the pieces matter... The Wire as the Great American Novel for television -- Ch. 4: A lie agreed upon... The profane poetry of Deadwood -- Ch. 5: I'm a different kind of cop... The Shield takes anti-heroism to the limit -- Ch. 6: Do you want to know a secret?... The perfect storm of Lost -- Ch. 7: She saved the world. A lot... Buffy the Vampire Slayer gives teen angst some fangs -- Ch. 8: Tell me where the bomb is!... 24 goes to war on terror, boredom -- Ch. 9: So say we all... The thinking man's sci-fi of Battlestar Galactica -- Ch. 10: Clear eyes, full hearts... Friday Night Lights goes deep -- Ch. 11: It's a time machine... AMC gets into the game with Mad Men -- Ch. 12: I am the one who knocks!... Breaking Bad gives the recession the villain it needs -- Epilogue: Don't stop believing... The lasting legacy of the revolution -- Epilogue, Take Two: Listen to the thunder... How TV drama's Wild Wild West has only gotten wilder -- Where are they now? -- Acknowledgments

Call No: 732(73) HAR
Author: Harvey, James, 1929
Edition: 1st ed
Source: US
Place: New York
Publisher: Knopf
PubDate: 1987
PhysDes: xii, 716 p. : ill. ; 25 cm
Subject: ACTORS; COMEDIES; DIRECTORS; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; Metro-Goldwyn-Mayer; ROMANTIC COMEDY; ROMANTIC FILMS. USA; PARAMOUNT STUDIOS; STAR SYSTEM; ARTHUR, JEAN; ASTAIRE, FRED; BRACKEN, EDDIE; CAGNEY, JAMES; CAPRA, FRANK; COLBERT, CLAUDETTE; COOPER, GARY; DUNNE, IRENE; GABLE, CLARK; GRANT, CARY; HARLOW, JEAN; HAWKS, HOWARD; LA CAVA, GREGORY; Lombard, Carole; LOY, MYRNA; LUBITSCH, ERNST; MCCAREY, LEO; MCCREA, JOEL; POWELL, WILLIAM; ROGERS, GINGER; Stanwyck, Barbara; STEVENS, GEORGE; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939); HIS GIRL FRIDAY (US, Howard Hawks, 1940); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LADY EVE, THE (US, Preston Sturges, 1941); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); NINOTCHKA (US, Ernst Lubitsch, 1939); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); UNFAITHFULLY YOURS (US, Preston Sturges, 1948)
Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]
Notes: Includes index
ISBN: 0394503392
LON: 5273661

Call No: 735.2 BRA
Author: Bradley, Doug
Edition: 1st ed
Place: London
Publisher: Titan
PubDate: 1996
PhysDes: 267 p. : ill. (some col.) ; 20 cm
Subject: HORROR FILMS; ACTORS; MASKS IN FILMS; EXPRESSIONISM; MAKE-UP; PRICE, VINCENT; HOLLAND, CECIL; CHANEY, LON; CHANEY, LON, Jr.; KARLOFF, BORIS; MARCH, FREDRIC; LAUGHTON, CHARLES; MARAIS, JEAN; LEE, CHRISTOPHER; HODDER, KANE; BRADLEY, DOUG; HANSEN, GUNNAR; FRIDAY THE 13TH [...] (US, 1980-); HELLRAISER [...] (UK/US, 1987-); TEXAS CHAINSAW MASSACRE [...] (US, 1974-); NIGHTMARE ON ELM STREET, A [...] (US, 1984 - )
Notes: Includes bibliographical references and index; Monsters
ISBN: 1852867051 (pbk.)
LON: 13337427

Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND
Summary: Two short news pieces on 'The Coolangatta Gold' and 'Came A Hot Friday'

Call No: TITLE CLIPPINGS FILE; FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017)
Author: Bernard Zuel
PhysDes: Clippings File Article
Subject: FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017)
Summary: The actor playing Australian music pioneer Ted Albert is as quietly positive as his character, writes Bernard Zuel. This article is about TV mini series FRIDAY ON MY MIND .

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THANK GOD IT'S FRIDAY (US, Robert Klane, 1978)

Call No: P LON
PhysDes: 1 poster : col. ; 101 X 69 cm.
Subject: LONG GOOD FRIDAY, THE (UK, John Mackenzie, 1980)
Summary: Image: a fire, men who are shooted, and some characters photo.
Notes: Have some fold lines and some scratches.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. SYDNEY; BOX OFFICE. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; UNDERCOVER (AT, David Stevens, 1983); CONSTANCE (NZ, Bruce Morrison, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); AMONG THE CINDERS (NZ, Rolf Haedrich, 1984); VIGIL (NZ, Vincent Ward, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); FAST TALKING (AT, Ken Cameron, 1984); FANTASY MAN (AT, John Meagher, 1984); RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes. New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films. Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.