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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935)

Call No: 735.2 DRE
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xv, 456 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: HORROR FILMS; GENDER AND THE CINEMA; SLASHER FILMS; DRACULA IN FILMS; ARGENTO, DARIO; CRONENBERG, DAVID; ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN 3 (US, David Fincher, 1992); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); CARRIE (US, Brian De Palma, 1976); CAT PEOPLE (US, Jacques Tourneur, 1942); CAT PEOPLE (US, Paul Schrader, 1982); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); STEPFATHER, THE (US, Joseph Ruben, 1986); LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971); FATAL ATTRACTION (US, Adrian Lyne, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968)
Notes: Includes bibliographical references (p. 433-438) and index
ISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)
LON: 12195767

Call No: 735.2 HOR
Author: Gelder, Ken, 1955
Place: New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xiii, 414 p. ; 25 cm
Subject: CANNIBALISM IN FILMS; DRACULA IN FILMS; ETHNOGRAPHIC FILMS; FAN MAGAZINES; FANTASTIC FILMS; GENDER AND THE CINEMA; GHOST FILMS; HOMOSEXUALITY AND THE CINEMA; HORROR FILMS; HORROR FILMS. HONG KONG; HORROR FILMS. ITALY; HORROR FILMS. USA; IMPERIALISM AND THE CINEMA; MONSTERS IN FILMS; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; RACE AND THE CINEMA; SERIAL KILLERS IN FILMS; SLASHER FILMS; THEORY; VAMPIRE FILMS; WOMEN AND THE CINEMA; ARGENTO, DARIO; BAVA, MARIO; CASTLE, TERRY; CHEUNG, LESLIE; CORMAN, ROGER; CRONENBERG, DAVID; TODOROV, TZVETAN; AMERICAN GOTHIC (US, John Hough, 1987); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); FRIDAY THE 13TH (US, Sean S. Cunningham, 1980); HALLOWEEN (US, John Carpenter, 1978); HAUNTING, THE (US, Robert Wise, 1963); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); OPERA (IT, Dario Argento, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968); PSYCHO (US, Alfred Hitchcock, 1960); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SUSPIRIA (IT, Dario Argento, 1977); YANZHI KOU (HK, Stanley Kwan, 1987)
Notes: Includes bibliographical references and index
ISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)
LON: 21262689

Call No: 735 CLA
Author: Clarens, Carlos
Edition: First Da Capo Press edition
Source: US
Place: New York, NY
Publisher: Da Capo Press
PubDate: 1997
PhysDes: xxi, 256 pages, [48] pages of plates : illustrations ; 21 cm
Subject: SCIENCE-FICTION FILMS; HORROR FILM; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LEWTON ,VAL; FRANKENSTEIN (US, James Whale, 1931); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); DRACULA (US, Tod Browning, 1931)
Summary: "In this book Carlos Clarens, author of Crime Movies (also available from Da Capo Press), George Cukor, and many articles in film magazines, brings his encyclopedic knowledge of films and filmmakers to the subject of horror and science-fiction films of the classic era. Whether discussing the erotic aspects of King Kong, examining the works of Val Lewton, contrasting the director's attitude toward the monster in Frankenstein and The Bride of Frankenstein, accounting for the special genius of Lon Chaney, or comparing the various versions of Dr. Jekyll and Mr. Hyde, Clarens entertains as he enlightens. Supplemented with a new introduction by J. Hoberman, Village Voice film critic and coauthor of Midnight Movies (also available from Da Capo Press), and an extensive filmography listing complete credits for over 300 films, this fascinating study illuminates both the genre and the reasons for its popularity." -- taken from back cover
Notes: Originally published: An illustrated history of the horror film. New York : Putnam, 1967. -- Includes index.
ISBN: 0306808005
Contents: 1. The Wizard of Montreuil: Paris, 1895-1913 -- 2. Doubles, Demons, and the Devil Himself: Germany 1913-1932 -- 3. A Silent Conspiracy of Terror: America, 1900-1928 -- 4. Children of the Night: Hollywood, 1928-1947 -- 5. The Dead Next Door -- 6. Horror, The Soul of the Plot -- 7. "Keep Watching the Sky!" -- 8. Horror Around the World -- 9. No End Title -- App. Cast and Credits of Relevant Films Mentioned in the Text.

Call No: 175 KIS
Source: AT
Place: Brisbane
Publisher: Queensland Art Gallery
PubDate: 2005
PhysDes: 127 p. : ill. ; 25 cm
Subject: AUSTRALIAN CINEMATHEQUE; MONSTERS IN FILMS; ANIMALS IN FILMS; PREHISTORIC ANIMALS IN FILM; LOST WORLD, THE (US, Willis O'Brian, 1925); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); FRANKENSTEIN (US, James Whale, 1931); BLONDE VENUS (US, Josef von Sternberg, 1932); MUMMY, THE (US, Karl Freund, 1932); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); SON OF KONG (US, Ernest B. Schoedsack, 1933); TARZAN AND HIS MATE (US, Cedric Gibbons, 1934); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); BRIDE OF THE GORILLA (US, Curt Siodmok, 1951); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); HSING HSING WANG (HK, Meng-Hwa Ho, 1977)
Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.
ISBN: 1876509082
Donation: Australian Cinematheque, Queensland Art Gallery

Call No: 632.8 AFF
Author: Affron, Charles; Affron, Mirella Jona, 1937
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1995
PhysDes: xiv, 252 p. : ill. ; 27 cm
Subject: ART DIRECTION; SET DESIGNING; NARRATIVE IN FILMS; SETS; AWARDS. ACADEMY; ACADEMY OF MOTION PICTURE ARTS AND SCIENCES; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CABIRIA (IT, Giovanni Pastrone, 1914); GREAT ZIEGFELD, THE (US, Robert Z. Leonard, 1936); HAMLET (UK, Laurence Olivier, 1948); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942)
Notes: Includes bibliographical references (p. 235-238) and indexes
ISBN: 0813521602 (cloth); 0813521610 (pbk.)
LON: 94039443; 11258783