[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a Peking opera performer in costume with elaborate head-dress and fan]
Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Miramax films PubDate: c. 1993 PhysDes: 1 photograph : b&w ; 13 x 18 cm. Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); CHEUNG, LESLIE Summary: Lesley Cheung as a Peking opera performer. Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph More info
[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera]
Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Miramax films PubDate: c. 1993 PhysDes: 1 photograph : b&w ; 18 x 13 cm. Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); CHEUNG, LESLIE; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus. Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph More info
personality clippings file
Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: CHEUNG, LESLIE Cross Reference: CHEUNG KWOK WING, LESLIE More info
Contemporary cinema / John Orr
Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORR Author: Orr, John, 1943 Place: Edinburgh Publisher: Edinburgh University Press PubDate: c1998 PhysDes: xi,243 p. : ill. ; 24 cm Subject: CANADA; CHINA; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; HONG KONG; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); XICH LO (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover. Notes: Includes bibliographical references and index ISBN: 0748608362(pbk.) : No price LON: 13772409 ID2: 291 More info
Hong Kong Babylon : an insider's guide to the Hollywood of the East / Fredric Dannen and Barry Long
London: Faber and Faber, 1997.
Call No: 71(512.317) DAN Author: Dannen, Fredric; Long, Barry Place: London Publisher: Faber and Faber PubDate: 1997 PhysDes: 412 p. : ill. ; 24 cm Subject: HONG KONG; WOO, JOHN [pseud. of Wu Yusen]; CHAN, JACKIE; CHAN, PETER; CHANG, SYLVIA; CHEUNG, LESLIE; CHOW, YUN-FAT; DOYLE, CHRISTOPHER; LAM, RINGO; LAW, CLARA; FONG, EDDIE [pseud. of Fong Ling-Ching]; SIAO, JOSEPHINE [pseud. of Siao Fong-Fong]; TSUI, HARK; WONG KAR-WAI Notes: Includes filmographies and index ISBN: 0571190405 Order Received: 1997 LON: abn97301453; 13417324 ID2: 291 More info
The horror reader / edited by Ken Gelder
New York, NY: Routledge, 2000.
Call No: 735.2 HOR Author: Gelder, Ken, 1955 Place: New York, NY Publisher: Routledge PubDate: 2000 PhysDes: xiii, 414 p. ; 25 cm Subject: CANNIBALISM IN FILMS; DRACULA IN FILMS; ETHNOGRAPHIC FILMS; FAN MAGAZINES; FANTASTIC FILMS; GENDER AND THE CINEMA; GHOST FILMS; HOMOSEXUALITY AND THE CINEMA; HORROR FILMS; HORROR FILMS. HONG KONG; HORROR FILMS. ITALY; HORROR FILMS. USA; IMPERIALISM AND THE CINEMA; MONSTERS IN FILMS; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; RACE AND THE CINEMA; SERIAL KILLERS IN FILMS; SLASHER FILMS; THEORY; VAMPIRE FILMS; WOMEN AND THE CINEMA; ARGENTO, DARIO; BAVA, MARIO; CASTLE, TERRY; CHEUNG, LESLIE; CORMAN, ROGER; CRONENBERG, DAVID; TODOROV, TZVETAN; AMERICAN GOTHIC (US, John Hough, 1987); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); FRIDAY THE 13TH (US, Sean S. Cunningham, 1980); HALLOWEEN (US, John Carpenter, 1978); HAUNTING, THE (US, Robert Wise, 1963); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); OPERA (IT, Dario Argento, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968); PSYCHO (US, Alfred Hitchcock, 1960); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SUSPIRIA (IT, Dario Argento, 1977); YANZHI KOU (HK, Stanley Kwan, 1987) Notes: Includes bibliographical references and index ISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper) LON: 21262689 More info
Leslie Cheung / edited by Claire Stewart / edited by Philippa Hawker
Melbourne, Australia: Australian Centre for the Moving Image, 2003.
Call No: 81CHE STE Author: Stewart, Claire; Hawker, Philippa CorpAuthor: Australian Centre for the Moving Image Source: AT Place: Melbourne, Australia Publisher: Australian Centre for the Moving Image PubDate: 2003 PhysDes: vi,  p. : ill. ; 15 cm. Subject: CHEUNG, LESLIE Summary: Tribute to Leslie Cheung. Published to accompany cinema program "Days of Being Wild: the screen Life of Leslie Cheung", held at the Australian Centre for the Moving Image 30 October - 9 November 2003 Notes: Includes filmography pp.79-81 ISBN: 1920805052 More info
WKW : the cinema of Wong Kar Wai / Wong Kar Wai, John Powers
New York: Rizzoli, 2016.
Call No: 81WON POW; FOLIO Author: Kar Wai, Wong; Powers, John Source: US Place: New York Publisher: Rizzoli PubDate: 2016 PhysDes: 303 pages : illustrations (colour), portraits ; 32 cm Subject: WONG KAR-WAI; HONG KONG CINEMA; LEUNG, TONY; CHEUNG, LESLIE; CHEUNG, MAGGIE; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000); FA YEUNG NIN WA [IN THE MOOD FOR LOVE] (HK, Wong Kar-Wai, 2000); AS TEARS GO BY (HK, Wong Kar-Wai, 1989); WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); DUNG CHE SAI DUK (HK, Wong Kar-Wai, 1994); HAPPY TOGETHER (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); 2046 (HK, Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE (HK/C , Wong Kar Wai, 2013); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/C , Wong Kar Wai, 2013); MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007); LOST IN TRANSLATION (US, Sofia Coppola, 2003) Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website] ISBN: 9780847846177 Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments More info