The audience studies reader / edited by Will Brooker and Deborah Jermyn
Oxon: Routledge, 2003.
Call No: 412(04)BRO Author: Brooker, Will; Jermyn, Deborah Source: UK Place: Oxon Publisher: Routledge PubDate: 2003 PhysDes: xviii, 347 p. ; 25 cm Subject: AUDIENCES; PSYCHOLOGY AND THE CINEMA Notes: Includes bibliographic references and index ISBN: 9780415254359 Language: English Contents: The people's choice : how the voter makes up his mind in a presidential campaign / Paul F. Lazarsfeld, Bernard Berelson, Hazel Gaudet -- Mass persuasion : the social psychology of a war bond drive / Robert K. Merton -- Analysis of the film Don't Be a Sucker : a study in communication / Eunice Cooper, Helen Dinerman -- Tendency systems and the effects of a movie dealing with a social problem / Charles Winick -- Culture industry reconsidered / T.W. Adorno -- Seduction of the innocent / Fredric Wertham -- The uses of literacy / Richard Hoggart.
The Newson Report : a case study in 'common sense' / Martin Barker -- The nationwide audience / David Morley -- The practice of everyday life / Michel de Certeau -- Understanding popular culture / John Fiske -- 'We're here, we're queer and we're not going catalogue shopping' / Gregory Woods -- Visual pleasue and narrtive cinema / Laura Mulvey -- Babel and Bablylon : spectatorship in American silent film / Miriam Hansen -- Star gazing : Hollywood cinema and female spectatorship / Jackie Stacey.
Women viewing violence / Philip Schlesinger, Rebecca Dobash, Russell Dobash, C. Kay Weaver -- 'Out of the closet and into the universe' : queers and Star Trek / Henry Jenkins -- Beatlemania : girls just want to have fun / Barbara Ehrenreich, Elizabeth Hess, Gloria Jacobs -- Histories, fictions and Xena : Warrior Princess / Sara Gwenllian-Jones -- Suffering and solace : the genre of pain / Camille Bacon-Smith -- Inside subculture : the postmodern meaning of style / David Muggleton -- Reading the romance : women, patriarchy and popular literature / Janice Radway.
Living room wars : rethinking audiences for a postmodern world / Ien Ang -- Feminism and youth culture / Angela McRobbie -- Girl talk : adolescent magazines and their readers / Dawn H. Currie -- '"Just a book", she said...' : reconfiguring ethnography for the female readers of sexual fiction / Esther Sonnet -- Enlightened racism : The Cosby Show, audiences and the myth of the American dream / Sut Jhally, Justin Lewis -- The export of meaning : cross-cultural readings of Dallas / Tamar Liebes and Elihu Katz.
The color purple : Black women as cultural readers / Jacqueline Bobo -- Television, ethnicity and cultural change / Marie Gillespie. More info
Contemporary cinema / John Orr
Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORR Author: Orr, John, 1943 Place: Edinburgh Publisher: Edinburgh University Press PubDate: c1998 PhysDes: xi,243 p. : ill. ; 24 cm Subject: CANADA; CHINA; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; HONG KONG; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); XICH LO (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover. Notes: Includes bibliographical references and index ISBN: 0748608362(pbk.) : No price LON: 13772409 ID2: 291 More info
The documentary : politics, emotion, culture / Belinda Smaill
Basingstoke, England: Palgrave Macmillan, 2010.
Call No: 761 SMA Author: Smaill, Belinda Source: UK Place: Basingstoke, England Publisher: Palgrave Macmillan PubDate: 2010 PhysDes: vii, 221 p. : ill. ; 23 cm Subject: ASIAN COUNTRIES; CHILDREN AND THE CINEMA; CHILDREN IN FILMS; CULTURE AND THE CINEMA; DOCUMENTARIES; DOCUMENTARIES. AUSTRALIA; EMOTION IN FILMS; FEMINISM AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IMMIGRATION IN FILMS AND TELEVISION; PSYCHOLOGY AND THE CINEMA; REALITY TV; SEX IN FILMS; SOCIAL PROBLEMS IN FILMS; THEORY; VIEWERS; WOMEN FILMMAKERS; LOVELACE, LINDA; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004); CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998); ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002); INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURB Notes: Includes bibliographical references (p. 200-209) and index ISBN: 9780230237513 (hbk.) Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index -- More info
Film and fiction : the dynamics of exchange / Keith Cohen
New Haven: Yale University Press, 1979.
Call No: 753 COH Author: Cohen, Keith Source: US Place: New Haven Publisher: Yale University Press PubDate: 1979 PhysDes: xii, 216 p. : ill. ; 22 cm Subject: ADAPTATIONS; AESTHETICS; ART CINEMA; LITERATURE AND THE CINEMA; PHILOSOPHY AND THE CINEMA; PSYCHOLOGY AND THE CINEMA; TIME IN FILMS Summary: This book considers not only the narrative exchange that occurs when a novel is adapted to film, but the stylistic exchange between cinema and the written word that has occurred throughout the twentireth century. Cohen argues that as cinema has become a more dominant media, the novel itself has adapted to take on more cinematic qualities and vice versa. Notes: Includes bibliographical references and index ISBN: 0300023669 : $12.50 LON: 79064073; 1425482 More info
Filming the body in crisis : trauma, healing and hopefulness / Davina Quinlivan
Basingstoke [England]: Palgrave Macmillan,
Call No: 10268 Author: Quinlivan, Davina Edition: 2015 Place: Basingstoke [England] Publisher: Palgrave Macmillan PhysDes: x, 188 p. : illus. ; 22 cm Subject: PSYCHOLOGY AND THE CINEMA; WALTZ WITH BASHIR (IS/G/FR, Ari Forman, 2008); ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009); FELICIA'S JOURNEY (UK/CN, Atom Egoyan, 1999); TREE OF LIFE, THE (US, Terrence Malick, 2011); HERE (US, Braden King, 2011); BEGINNERS (US, Mike Mills, 2010); HUNGER (UK, Steve McQueen, 2008); CRONENBERG, DAVID Notes: How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma. -- publisher's blurb ISBN: 9781137361363 More info
The first Australian History and Film Conference papers, 1982 / edited by Anne Hutton
North Ryde, N.S.W.: Australian Film and Television School, 1982.
Call No: 45:93 HIS Author: Hutton, Anne CorpAuthor: Australian History and Film Conference (1st :, 1981 : Canberra, A.C.T.); Australian Film and Television School Place: North Ryde, N.S.W. Publisher: Australian Film and Television School PubDate: 1982 PhysDes: 298 p. ; 30 cm Subject: HISTORICAL FILMS; HISTORY AND THE CINEMA; HISTORICAL FILMS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA; USA. 1927-32; PSYCHOLOGY AND THE CINEMA; MYTH AND THE CINEMA; FEMINISM AND THE CINEMA. JAPAN; PROPAGANDA FILMS; EALING STUDIOS; FILMS FROM THE RAJ (UK, 1977); UNCIVILISED (AT, Charles Chauvel, 1936); CASABLANCA (US, Michael Curtiz, 1942); GALLIPOLI (AT, Peter Weir, 1981) Notes: Australia. Historical sources: Films. Conference proceedings (ANB/PRECIS SIN 0633798); Includes bibliographical references ISBN: 0642925402 (corrected) : price unknown 064292540 LON: 2465451 More info
from Charcot to Charlot : Unconscious imitation and spectatorship in French cabaret and early cinema
Critical inquiry (Spring 2001) vol.27 iss.3 p.515-549 Call No: PERSONALITY CLIPPINGS FILE; CHAPLIN, CHARLES Author: Gordon, Rae Beth PhysDes: Article Subject: ACTING; SPECTATORSHIP; PSYCHOLOGY AND THE CINEMA; CHAPLIN, CHARLES Summary: Gordon discusses the impact of film and whether its relationship is due to an intense feeling of reality or to an equally intense state of hallucinatory hypnotic trance. -- article abstract provided by publisher More info
Jungian film studies : the essential guide / Helena Bassil-Morozow / Luke Hockley
London ; New York: Routledge, 2017.
Call No: 626[159.964.2] MOR Author: Bassil-Morozow, Helena; Hockley,Luke Source: UK/US Place: London; London ; New York Publisher: Routledge PubDate: 2017 PhysDes: viii, 200 pages ; 24 cm Series: Jung: the essential guides Subject: PSYCHOANALYSIS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; PSYCHOLOGY AND THE CINEMA; FILM; NARRATIVE IN FILMS; AUTEUR THEORY; GENRES Summary: "Written in a growing academic field it is the first book to bring together all the different strands, and arguments in the dicipline, and guide the reader through the various ways in which Jungian psychology can be applied to moving images." -- adapted from book blurb. Notes: includes bibliography, list of names and index ISBN: 9780415531450 Contents: Introduction -- Methods The Context of Jungian film studies; Using Jung to analyse narrative tools and concepts -- Jungian Psychology: signs and symbols -- Applications; combining different methodologies in visual narrative analysis -- The Auteur Theory: A Jungian view -- Film genres and archetypes -- Jungian vs. Freudians: gender, identity and sexuality on screen -- The body: phenomenology and cinema More info
The memory effect : the remediation of memory in literature and film / edited by Russell J. A. Kilbourn and Eleanor Ty
Waterloo, Ontario, Canada: Wilfrid Laurier University, 2013.
Call No: 747.7 MEM Source: CN Place: Waterloo, Ontario, Canada Publisher: Wilfrid Laurier University PubDate: 2013 PhysDes: vi, 355 pages : illustrations ; 24 cm Subject: MEMORY IN FILMS; PSYCHOLOGY AND THE CINEMA; DELEUZE, GILLES Summary: "The Memory Effect is a collection of essays on the status of memory - individual and collective, cultural and transcultural - in contemporary literature, film, and other visual media. Contributors look at memory's representation, adaptaion, translation, and appropriation, as well as its mediation and remediation. Memory's irreducibly constructed nature is explored, even as its status is reaffirmed as the basis of both individual and collective identity. The book begins with an overview of the field, with an emphasis on the question of subjectivity. In separate sections, contributors examine literature and its relation to cultural memory; autobiography and life writing, especially those lives shaped by trauma and forgotten history; cinema and its intimate and mutually constitutive relationship with memory in the context of contemporary visual texts, at the crossroads of popular and avante-garde cultures." -- BOOK BLURB Notes: Includes bibliographical references and index ISBN: 9781554589142 Donation: donated by Senses of Cinema, 2014 Contents: pt. I Memory Studies: Theories, Changes, and Challenges -- 1.Developments in Memory Studies and Twentieth-and Twenty-First-Century Literature and Film / Eleanor Ty -- 2."Joy in Repetition"; or, The Significance of Seriality in Processes of Memory and (Re-)Mediation / Sabine Sielke -- 3.Hirsch, Sebald, and the Uses and Limits of Postmemory / Kathy Behrendt -- pt. II Literature and the Power of Cultural Memory/Memorializing -- 4.British Propaganda and the Construction of Female Mourning in the First World War / Sarah Henstra -- 5."Rhetorical Metatarsals": Bone Memory in Dionne Brand's Ossuaries / Tanis MacDonald -- 6.Mediation and Remediation in Carlos Fuentes's The Old Gringo / John Dean -- pt. III Recuperating Lives: Memory and Life Writing -- 7.Resisting Holocaust Memory: Recuperating a Compromised Life / Marlene Kadar -- 8."In Auschwitz There Is a Great House": The Location of Memory and Identity in the Roma Porrajmos (Devouring) or Holocaust / Sheelagh Russell-Brown -- 9.Autobiography and the Validation of Memory: Neil M. Gunn's The Atom of Delight / K.J. Keir -- pt. IV Cinematic Remediations: Memory and History -- 10.La Jetee and 12 Monkeys: Memory and History at Odds / Amresh Sinha -- 11.The Traces of "A Half-Remembered Dream": Christopher Nolan's Inception (2010), Wong Kar-wai's 2046 (2004), and the Memory Film / Anders Bergstrom -- 12."You must remember this ...": Watching Casablanca with Marc Auge / Graeme Gilloch -- 13.The Cinema of Simulation: Hyper-Histories and (Un)Popular Memory in The Good German (2006) and Inglourious Basterds (2009) / Stefan Sereda -- pt. V Multimedia Interventions: Television, Video, and Collective Memory -- 14.The Heritage Minutes: Nostalgia, Nationalism, and Canadian Collective Memory / Erin Peters -- 15.Disaster and Trauma in Rescue Me, Saving Grace, and Treme: Commercial Television's Contributions to Ideas about Memorials / John McCullough -- 16.Creative Re-enactment in the Films and Videos of Omer Fast / Kate Warren. More info
Multimodal film analysis : how films mean / John A. Bateman and Karl-Heinrich Schmidt
New York: Routledge, 2012.
Call No: 630.1 BAT Author: Bateman, John A.; Schmidt, Karl-Heinrich Source: US Place: New York Publisher: Routledge PubDate: 2012 PhysDes: viii, 330 pages : illustrations ; 24 cm Series: Routledge studies in multimodality ; 5 Subject: PSYCHOLOGICAL EFFECTS OF FILMS; PSYCHOLOGY AND THE CINEMA Summary: "In this study, the authors provide a methodologically sound and detailed account of how to analyse films within a framework based on the current state of the art in multimodal research." - taken from back cover. Notes: Includes bibliographical references and index. ISBN: 9780415754439 Contents: Analysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions. More info
Snap, crackle and popular taste : the illusion of free choice in America / by Jeffrey Schrank
New York: Delacorte Press, c1977.
Call No: 411 SCH Author: Schrank, Jeffrey Source: US Place: New York Publisher: Delacorte Press PubDate: c1977 PhysDes: 192 p. ; 21 cm Subject: POPULAR CULTURE AND TV; POPULAR CULTURE AND TV. USA; SOCIETY AND TV; SOCIETY AND TV. USA; ADVERTISING; ADVERTISING. TV; ADVERTISING. USA; TELEVISION; PSYCHOLOGY AND THE CINEMA; USA Summary: "Snap, Crackle and Popular Taste is a witty, irreverant, and cheerfully anti-establishment book of social criticism that examines the seemingly insignificant choices made constantly in everyday life and questions how much true freedom of choice is involved." -- BOOK FLAP Notes: Includes index ISBN: 0440071542 Contents: -- introduction -- 1: there are no mass media: all we have is television -- 2: eat, drink, and be wary, for the food technologist cometh -- 3: the mechanical centaur: to drive or not to drive, that is the pseudo-choice -- advertising: the engineers of illusion -- 5: the packaged environment: illusions of quality and culture -- 6: the institution trap -- 7: mythology today -- 8: sport and the virtue of play -- More info
They must be represented : the politics of documentary / Paula Rabinowitz
London New York: Verso, 1994.
Call No: 761 RAB Author: Rabinowitz, Paula Place: London New York Publisher: Verso PubDate: 1994 PhysDes: xi, 264 p. : ill. ; 24 cm Subject: CINEMA VERITE; CLASS AND THE CINEMA; DOCUMENTARIES; DOCUMENTARY DRAMAS; ETHNOGRAPHIC FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; MASCULINITY IN FILMS; NATIONALISM AND THE CINEMA; POLITICS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; PSYCHOLOGY AND THE CINEMA; SOCIAL PROBLEMS IN FILMS; VIETNAM WAR IN FILMS; VOYEURISM AND THE CINEMA; BENJAMIN, WALTER; FREUD, SIGMUND; FAR FROM POLAND (US, Jill Godmilow, 1984) Summary: "They must be represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and the counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema...Rabinowitz argues that the gendering ov vision that occurs when narratives conform to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectato in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history." -- taken from back cover. Notes: Includes bibliographical references (p. 221-251) and index ISBN: 1859849253; 1859840256 (pbk.) LON: bnc85984925; 11201643 URL status: URL: 'http://-'
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