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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWLEN, KATHY
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOX, JOHN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BROCK, PETER
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BUDGE, TOM
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in Velvet Light Trap (Fall 2005) iss.56
Call No: DVD RESEARCH FOLDERSubject: DVD ; DVD, FILMS ON ; HOME EQUIPMENT ; HOME EXHIBITION ; PRESERVATION OF FILMS ; CRITERION COLLECTION ; MANGA ; BROOKER, WILL ; AROSTEGUY, SUSAN ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Rating of films at the box-office, two weeks ending Thursday, 31/10/1974, for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle.
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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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$1m boon for writers in Sunday Telegraph (07/08/2016) p.108
Call No: PERSONALITY CLIPPINGS FILE; BRENNAN, SHANEAuthor: Byrnes, Holly PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; BRENNAN, SHANE Summary: Report that successful Australian (and US based) screenwriter Shane Brennan is to create a $1m a year philanthropic fund for Australian screenwriters with colleague Tim Pye. Brennan's career included show running hit TV show NCIS and creating NCIS: LOS ANGELES
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3-d effects taken to the people in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
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3 exceptional films released GUO/FD in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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$6mil. Advt. budget for 'A Passage To India' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.1
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20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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The 25th Anniversary of the Bulgarian Film : El 25 aniversario del cine Bulgaro / Film Bulgaria Film Distribution State Enterprise, Sofia, 1969 (approx.).
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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78Britannia Mews in Film Index iss.28
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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120,000 admissions in 5 days for 'Breathless' in France in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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The A to Z of Australian Radio and Television / by Albert Moran and Chris Keating Lanham, MD: Scarecrow Press, c2007. Available at ProQuest (RMIT login required)
Call No: REFERENCE SECTION; 03 KEAAuthor: Keating, Chris ; Moran, Albert Place: Lanham, MDPublisher: Scarecrow PressPubDate: c2007PhysDes: xlii, 505 p. ; 22 cm.Series: A to Z guide seriesSubject: BROADCASTING ; BROADCASTING. AUSTRALIA Summary: " The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations. " BOOK BLURBNotes: Originally published in 2007 as Historical dictionary of Australian radio and television.; Includes bibliographical references (p. 399-504)ISBN: 9780810868564Contents: -- editors foreword: Jon Woronoff -- preface -- reader's note -- acronyms and abbreviations -- chronology -- introduction -- the dictionary -- bibliography -- about the authors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=467209'
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The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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Academy : the journal of the British Academy of Film & Television Arts London: 2000-.
Call No: held no.1- February 2000-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film & Television ArtsSource: UKPlace: LondonPubDate: 2000-Subject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Missing Issues: Issue 3 June 2000, also Issue 9 June 2001Order Notes: current
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972.
Call No: 81TRU MANAuthor: Trumbo, Dalton Source: CNPlace: TorontoPublisher: Bantam BooksPubDate: 1972PhysDes: 620 p. ; 18cmSubject: TRUMBO, DALTON ; GUY NAMED JOE, A (US, Victor Fleming, 1943) ; EXODUS (US, Otto Preminger, 1960) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; SPARTACUS (US, Stanley Kubrick, 1960) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]Notes: Includes indexISBN: 55306951195
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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Adventures in the screen trade : a personal view of Hollywood and screenwriting / William Goldman New York: Warner Books, 1984.
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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Afloat on certainty, Jolie and Pitt become voyeurs in The Age [Arts & Entertainment] (27/11/2015) p.31
Call No: TITLE CLIPPINGS FILE; BY THE SEA (US/FR, Angelina Jolie, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: BY THE SEA (US/FR, Angelina Jolie, 2015) Summary: Film review of BY THE SEA directed by and starring Angelina JolieNotes: This article was also published in the Canberra Times on November 28, 2015.Rating: 2 out of 5 stars
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[Afraid to dance : stills file] Seddell Pty Ltd,
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Agency to assist scriptwriters in The Australian (31/08/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INKAuthor: Ritchie, Emily PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; AUSTRALIAN WRITERS GUILD ; BRENNAN, SHANE Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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AIMC looks for AWOL audiences in Encore (Online) (Sept 26, 2005)
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The airways belong to you? in Lumiere (March-April, 1972) iss.14 p.28-29
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Alien has a successful landing in The Age [Arts & Entertainment] (18/05/2017) p.28
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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'All of Me' tops US box-office in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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Crawford collection
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[All the rivers run : album #1] Crawford Productions [distributor], [1983?].[1990?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1983?]; [1990?]PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.Subject: WATERS, JOHN (AT) ; THORNTON, SIGRID ; WRIGHT, ADRIAN ; BURNS, CAROL ; TINGWELL, CHARLES (BUD) ; COGHILL, NIKKI ; FAWDON, MICHELE ; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) ; ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Photographs and slides relating to All The Rivers RunNotes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storageDonation: Gift of Crawford Productions
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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Allen plays same old tune in AFR Weekend (22/10/2016) p.36
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Along film row in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.21-22
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7
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Along Film Row in Australasian Cinema (16/4/1982) vol.11 iss.6 p.10
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Interim
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Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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Ambiguous films : Le Boucher and Freaks in Film/Psych R (Summer-Fall 1980) vol.4 iss.2 p.196-206
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American Film Market Assoc. backs int'l. licensing symposium in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
PhysDes: ArticleSubject: AMERICAN FILM MARKET ; COPYRIGHT ; CABLE TV Summary: Article on the future American Film Market Association symposium, including a list of topics that will be discussed.
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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Analysis of the performance of Australian films since 1980 : a paper for the House of Representatives Standing Committee on Environment, Recreation and the Arts Inquiry into the performance of Australian film -"The Moving Pictures Enquiry" / Australian Film Commission [North Sydney]: The Commission, 1991.
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still
[And his ghost may be heard : stills file]
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journal article
'Android' licensed to Bulgaria in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Angel / by Stacey Abbott Detroit Mich: Wayne State University Press, c2009.
Call No: 79ANG ABBAuthor: Abbott, Stacey Source: USPlace: Detroit MichPublisher: Wayne State University PressPubDate: c2009PhysDes: x, 121 p. : ill. ; 18 cmSeries: TV milestones; Contemporary approaches to film and television series. TV milestonesSubject: ANGEL [TV] (US, 1999-) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) Summary: "In this TV Milestones entry, Stacey Abbott, the premier scholar of Angel studies, applies her broad understanding of film and television through brilliantly detailed analysis of the series, illuminating the beautiful darkness of Angel. Abbott has written a book that is both careful scholarship and also a page turner - lucid, lively, perceptive. Readers will want to watch the series - or watch it again - with the understanding gained from this remarkable little book." -- Rhonda V. Wilcox, professor of English at Gordon College and author of Why Buffy Matters: The Art of Buffy the Vampire Slayer -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780814333198Contents: -- acknowledgments -- Introduction: A seminal show canceled by the idiot networks -- Grrr aaargh! The collective vision of mutant enemy -- Creeped out and comforted at the same time: the generic hybridity of Angel -- Does giant tentacle spew come out with dry cleaning? Angel and tv horror -- Cavemen vs. astronauts--weapons to be determined: Angel, masculinity, and male friendship -- It's a little outside the box: how Angel breaks the rules -- notes -- works cited -- index --
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Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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newspaper article
Animated falls on Happy Feet in Australian Financial Review (20/01/2007) p.33
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Crayford, Peter Subject: BOX OFFICE ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; ANIMATION Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour
The author states that the real profits begin to accumulate for these films on DVDNotes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
1. The Incredibles
2. Toy Story
3. Toy Story 2
4. A Bug’s Life
5. Monsters
6. Finding Nemo
7. Happy Feet
8. Open Season
9. The Wild
10. Ant Bully
11. Flushed Away
12. Ratatouille
13. Casino Royale
14. Shrek 2
FILM SALES
The Incredibles - More $US1billion – ($1.27billion)
Toy Story More - $US1billion – ($1.27billion)
Toy Story 2 - More $US1billion – ($1.27billion)
A Bug’s Life - More $US1billion – ($1.27billion)
Monsters - More $US1billion – ($1.27billion)
Finding Nemo - More $US1billion – ($1.27billion)
FILMS SALES – US CINEMA RELEASE
The Incredibles - $251 million
Finding Nemo - $US339 million
Shrek 2 - $US 436 million in 2006
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journal article
Annie screenwriter turns to the law in Encore (25th October-7th November 1984) vol.2 iss.18 p.10
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An annotated and critical bibliography on Australian filmmaker Tim Burstall / by John J. Benson Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 81BUR BENCopy Management: Copy 1; Copy 2Author: Benson, John J CorpAuthor: Australian Film Institute. Research & Information CentreSource: ATPlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: 76 p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: BURSTALL, TIM Notes: Australian cinema films. Directing. Burstall, Tim. Bibliographies (ANB/PRECIS SIN 0744093); Cover title: Tim Burstall bibliographyISBN: 090802309XLON: 2993518
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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Archives index : index to a guide to material on film, broadcasting and television held in the Australian Archives, Canberra branch / Suzanne Ridley (compiler) Sydney: Australian Film and Television School, 1979.
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L'Argent London: British Film Institute, 1999.
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998.
Call No: 81MON WOLAuthor: Wolfe, Donald H. Source: USPlace: LondonPublisher: Little Brown and CompanyPubDate: 1998PhysDes: 532 p. : ill. ; 25 cmSubject: TWENTIETH CENTURY-FOX ; MONROE, MARILYN ; MILLER, ARTHUR ; MONTAND, YVES ; KENNEDY, JOHN F. ; SINATRA, FRANK ; ZANUCK, DARRYL F. ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; BUS STOP (US, Joshua Logan, 1956) ; LET'S MAKE LOVE (US, George Cukor, 1960) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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journal article
The audience is out there, but... in Realtime (Apr-May 2000) iss.36 p.18
Author: Stewart, Clare PhysDes: ArticleSubject: AUDIENCES. AUSTRALIA ; BOX OFFICE. AUSTRALIA Summary: Discussion on the increase of cinema-going in Australia, but the viewing of fewer Australian films. The author asks when will the government recognise its failure in promoting local culture and address it through new policies.
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Audiences : defining and researching screen entertainment reception / edited by Ian Christie Amsterdam: Amsterdam University Press, 2012. Available at OAPEN (open access)
Call No: 410.3 AUDPlace: AmsterdamPublisher: Amsterdam University PressPubDate: 2012PhysDes: 332 pages : illustrations ; 23 cm.Series: Key debates ; 3.Subject: AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; AUDIENCES ; SOCIETY AND THE CINEMA ; EXHIBITION ; BOX OFFICE Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.Notes: Includes bibliographical references (p. 279-298) and indexes.ISBN: 9789089643629Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451'
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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Aussie actors take sundance in Empire (Australian Ed.) (April 2006) iss.61 p.36-37
PhysDes: ArticleSubject: LESLIE, EWAN ; BUDGE, TOM Summary: Ewen Leslie and Tom Budge's week-long account of Sundance
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Aussie cinema to the max in Herald Sun [General News] (12/09/2015) p.18
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAPhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian films have earned more than $50 milliom at local box office, 2015.
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Aussie flicks flying high in Sunday Telegraph (1/03/2015) p.33
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
PhysDes: Article; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; BECKER, RICHARD ; BORGLUND, MIKAEL ; HAMILTON, GARY ; BURKE, GRAHAM ; CHETTY, DEVESH ; HANNAY, DAVID ; KNIGHT, ANDREW ; BEILBY, PETER ; VIZARD, STEVE ; Penfold-Russell, Rebel ; SHTEINMAN, JONATHAN ; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10
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Australian box office reports in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.15
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (ending two weeks from Thursday, 8/8) for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports, two weeks ending Thursday 18/7, from Sydney, Melbourne, Birsbane, Adelaide, Perth and Newcastle
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Australian box-office reports in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box-office reports from Sydney, Melbourne, Brisbane, Perth, Adelaide, Hobart, Newcastle and Launceston
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Australian box office reports in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.8
Subject: BOX OFFICE. AUSTRALIA ; AUSTRALIA Summary: Australian box office reports (two weeks ending 13/6) from Sydney, Melbourne, Adelaide, Perth and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two wees ending, 23/5/1985) for Sydney, Melbourne, Brisbane, Adelaide. Perth and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 9/5/1985) fpr Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle, Hobart and Launceston
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Australian box office reports in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 25/4/1985) from Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle
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Australian box office reports in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 11/4/1985) from Sydney, Melbourne, Birsbane, Adelaide, Perth, Newcastle, Hobart and Launceston
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Australian box office reports in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.35
Subject: BOX OFFICE. AUSTRALIA Summary: Box office repoets (two weeks ending 13/13/1984) for Sydney, Melbourne, Brisbane, Adelaide, Launceston, Newcastle and Hobart
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Australian box office reports in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports, two weeks ending 29/11/1984, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Launceston, Hobart and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28
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Australian box office reports in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending September 1.
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Australian box office reports in Australasian Cinema (19/8/1983) vol.12 iss.15 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box opffice statistics, two weeks ending August 18.
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8
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Australian box office reports in Australasian Cinema (27/5/1983) vol.12 iss.9 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending May 26.
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Australian box office reports in Australasian Cinema (13/5/1983) vol.12 iss.8 p.14
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office placings, two weeks ending May 5th.
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Australian box office reports in Australasian Cinema (29/4/1983) vol.12 iss.7 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending April 21.
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australian box office reports in Australasian Cinema (15/4/1983) vol.12 iss.6 p.16
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Films at the Australian box office, two weeks ending April 7.
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Australian box office reports in Australasian Cinema (25/3/1983) vol.12 iss.5 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office takings, two weeks ending 24/3.
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Australian box office reports in Australasian Cinema (11/3/1983) vol.12 iss.4 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office report, two weeks ending 10/3
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10
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Australian box office reports in Australasian Cinema (11/2/1983) vol.12 iss.2 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office report, two weeks ending February 10.
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16
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Australian box office reports in Australasian Cinema (29/10/1982) vol.11 iss.19 p.28
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office figures from across Australia, two weeks ending October 21.
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12
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Australian Box Office Reports in Australasian Cinema (15/10/1982) vol.11 iss.18 p.11
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: List of box office takings for films in Australia, two weeks ending 7/10
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Australian Box Office Reports in Australasian Cinema (24/9/1982) vol.11 iss.17 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending 9/9/82
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Australian Box Office Reports in Australasian Cinema (10/9/1982) vol.11 iss.16 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending 26/8/1982
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15
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Australian box office reports in Australasian Cinema (6/8/1982) vol.11 iss.14 p.16
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian Box office figures, two weeks ending 29/7/1982
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39
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Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8
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Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10
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Australian box office reports in Australasian Cinema (30//4/1982) vol.11 iss.7 p.8
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Australian Box Office Reports in Australasian Cinema (16/4/1982) vol.11 iss.6 p.12
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending 15/4/1982.
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14
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reference folder
Australian box office, top rating films, number of cinema screens, industry statistics etc / AFI Research & Information
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Australian box office - US box office in Sunday Telegraph (20/12/2015) p.120
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: - PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA ; BOX OFFICE. USA Summary: Listings for the past week's box office figures for Australia and the USA
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Australian Broadcasting Tribunal manual / Australian Broadcasting Tribunal Sydney: The Tribunal, 1990.
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian content standard for television & paragraph 160(d) of the Broadcasting Services Act 1992 / report by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee [Canberra]: The Committee, 1999.
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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The Australian Film and Television and Radio School in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: BOY AND THE SEA, THE (AT, Peter Leovic, 1986) Summary: Short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's Opening Night and other stories; Freely Given; The Good Weekend; Flying; Say a Little Prayer; Speed Graphic; Shopping Town; Trickle of Sanity.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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The auteur theory myths and magic in Metro Education (2000) iss.12 p.13-16
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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The Awards in Empire (Australian Ed.) (March 2003) iss.24 p.45-51
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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BAFTA news / the British Academy of Film & Television Arts London: The Academy, 1990.
Call No: held v.1, no.1-v.10, no.6 Feb.1990-Dec 1999 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film and Television ArtSource: UKPlace: LondonPublisher: The AcademyPubDate: 1990PhysDes: v. : illSubject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Notes: Continues: British Academy of Film and Television Arts newsletter; Continued by: Academy : the new Bafta magazineLON: 13018889
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BAIBAI BOIZU : (JP, Itako, 2017)
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BAKEMONO NO KO : (JA, Mamoru Hosoda, 2015)
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Baker film a Breath of fresh air : shooting begins on Mentalists star's major project in Daily Telegraph [Sydney Confidential] (12/04/2016) p.18
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Baldwin as baby confusing, weird in The Age (23/03/2017) p.26
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BALENTES [BRAVE ONES, THE] : (AT, Lisa Camillo, 2018)
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Batman returns : the official movie book / by Michael Singer New York: Bantam Books, 1992.
Call No: 79BAT SINAuthor: Singer, Michael Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1992PhysDes: 80 p. : col. ill. ; 29 cm.Subject: BURTON, TIM ; BATMAN RETURNS (US, Tim Burton, 1992) Summary: This book goes behind the scenes of the film of the film Batman Returns to give the inside story on how it was made. Contains interviews with cast and crew, and pictorial material including production illustrations, costume and set designs and movie stills.ISBN: 0553370308Donation: Simon WincerContents: Foreword -- Batman returns: Burton's way -- Walking the tightrope: Denise De Novi -- The bat, the cat, the penguin: a brief history -- The player: The Penguin, Catwoman, Max Shreck, Alfred, Commissioner Gordon, The Mayor, The Ice Princess, Chip Shreck, The Red TRinagle Circus Gang -- High kicks, mean whips, fast cars and big booms: Attack on Gotham Plaza, the street fight, Batman and Catwoman's rooftop tangle, the Batmobile's wild ride, The Penguin crashes the party -- Behind the scenes: the production team, production design, costumes, special FX, hot gadgets and cool wheels, credits
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The battleship Potemkin / [by] Sergei Eisenstein; translated from the Russian by Gillon R. Aitkin London: Lorrimer Publishing Co., 1968.
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The battleship Potemkin / edited by Herbert Marshall New York: Avon Books, c1978.
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journal article
Battleship Potemkin in The Movie (1982) iss.122 p.2426-2427
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The Battleship Potemkin / Richard Taylor London ; New York: I.B. Tauris, c2000.
Call No: 79BAT TAYAuthor: Taylor, Richard Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: c2000PhysDes: xiv, 129 p. : ill. ; 22 cmSeries: KINO files film companionSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) Summary: "Thought by many to be the greatest film ever made, 'The battleship Potemkin', directed by Sergei Eisenstein, is a key film in the history of Russian and of world cinema. Based on a mutiny in Odessa during the 1905 Revolution, the film is regarded as a pioneering milestone in the development of world cinema - especially Eisenstein's bold camera-work and breathtaking editing. This book investigates the production, context and critical reception of the film and the people who made it and provides an analysis of the film itself and its place in Russian and world cinema. Written by a major authority on Eisenstein, this lively companion to The Battlehip Potemkin will be welcomed by film enthusiasts alike" -- BOOK BLURBISBN: 9781860643934Contents: -- illustrations -- acknowledgments -- note on transliteration -- credits 1: production history -- 2: analysis -- part 1: men and maggots -- part 2: drama on the quarterdeck -- part 3: an appeal from the dead -- part 4: the odessa steps -- part 5: meeting the squadron -- themes and variations -- 3: reception -- further reading -- further viewing --ID2: 91
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Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974.
Call No: 792 EISAuthor: Eisenstein, Sergei, 1898-1948 ; Leyda, Jay, 1910 Place: LondonPublisher: Lorrimer Pub.PubDate: 1974PhysDes: 189 p. : ill. ; 20 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scriptsISBN: 0856470384; 0856470406(pbk.)LON: 263889
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Bayesian Information Transmission and Stable Distributions: Motion Picture Revenues at the Australian Box Office / Jordi McKenzie
Call No: 303.31(94) MCKAuthor: McKenzie, Jordi Edition: 2008PhysDes: 16 pages ; 12 cmSubject: BOX OFFICE. AUSTRALIA ; BLOCKBUSTERS Notes: Abstract: Recent empirical literature has identified the importance of information transmission in creating box office blockbusters. It has been shown that box office revenue distributions are characterised by extremities of skew and variance that cannot be explained by such things as expensive budgets, star power, critical acclaim or awards. Empirical research of this industry has subsequently turned its attention to models of information transmission and the consequential implications for box office revenues. Using a large new Australian dataset, this paper adds to the literature by exploring the suitability of the a-stable distribution for various definitions of Australian box office revenues.
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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The BBC and public service broadcasting / Colin MacCabe, Olivia Stewart, editors Manchester: Manchester University Press, c1986.
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Interim
book
BBC Enterprises film and video catalogue 1977/78 1978.
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Interim
book
BBC Enterprises film purchase catalogue 1973-1974 1974.
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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BBC review renews scutiny of ABC in The Australian (14/07/2015) p.7
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BBC TV enterprises film catalogue
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Beautiful opening for Disney remake in The Age (30/03/2017) p.26
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Report on the box office takings in Australia for the weekend.
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LES BEAUX JOURS [BRIGHT DAYS AHEAD] : (FR, Marion Vernoux, 2013) Digital clippings file available
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Bedazzled or bedevilled in Sydney Morning Herald (06/10/2012) p.22
Call No: TITLE CLIPPINGS FILE; BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012)Author: - PhysDes: Clippings File ArticleSubject: BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012) Summary: Review of the reality show 'Brynne: My Bedazzled Life', a programme that looks at the life of Brynne Edelsten
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[Bedfellows : stills file] Australian Broadcasting Commission,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting CommissionPhysDes: 4 photographs : b&w ; 17 x 26 cmSubject: WATERS, JOHN (AT) ; BURNS, CAROL ; RAMSAY, ROBIN Summary: 4 black and white photographs of scenes in the film.
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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journal article
Beginner's Luck in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3
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Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Belorusskiy vokzal : UR, Andrey Smirnov, 1971
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BEONING [BURNING] : (KO, Chang-dong Lee, 2018)
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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'Beverley Hills Cop' breaks the $1million barrier in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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Beyond bonnets : period drama, sex and transcendence in Lumina (Summer 2010) iss.2 p.129-139
Author: Pearlman, Karen PhysDes: ArticleSubject: HISTORICAL FILMS ; CAMPION, JANE ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star
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Beyond broadcasting : into the cable age / Timothy Hollins London: Published for the Broadcasting Research Unit by BFI Pub., 1984.
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006.
Call No: 386.5 KLIAuthor: Klinger, Barbara Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: xii, 310 pages : illustrations ; 24 cmSubject: CABLE TV ; DVD, FILMS ON ; HOME EXHIBITION ; INTERNET AND THE CINEMA ; PRIVATE CINEMAS ; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references (p. 281-287) and indexISBN: 9780520245860Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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The big picture : flood of Aussies forces Hollywood into navel gazing in Sunday Age [M] (19/07/2015) p.20
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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Big screen fades to a cut-price DVD in The Australian (13/08/2005) p.19
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUDIENCE RECEPTION. AUSTRALIA ; DVD, FILMS ON ; BOX OFFICE. AUSTRALIA ; ZECCOLA, ANTONIO ; COULTER, PAUL ; KIELY, CHRIS Summary: The global slump in box office returns has cinema owners and film distributors worried. Some speculation is that the downturn is due to the rise of DVD, home entertainment systems, and other recreational devices (ipods), coupled with the tightening of the film to dvd to pay tv release window. There is some talk that the older multiplex cinemas are in need of upgrading as they may no longer be up to standard for a modern cinemagoing audience.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- Lots of stats (too many to list here)
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The big V : a history of the Vitagraph Company / by Anthony Slide Metuchen, N.J.: Scarecrow Press, 1976.
Call No: 19VIT SLIAuthor: Slide, Anthony Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1976PhysDes: viii, 224 p. : ill. ; 23 cmSubject: VITAGRAPH ; BLACKTON, J. STUART ; SMITH, ALBERT E. ; TURNER, FLORENCE ; BUNNY, JOHN ; BATTLE CRY OF PEACE, THE (US, Wilfrid North, 1915) Notes: Includes index; "The films of the Vitagraph Company, 1910-1915": p. 141-216; Bibliography: p. 116-123ISBN: 0810809672LON: 766790
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[Billy's holiday : stills file]
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BING DU [ICE POISON] : (TAIWAN : BURMA, Midi Z, 2014) Digital clippings file available
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Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22
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Black Panther : 21st century film essentials / Scott Bukatman Austin: University of Texas Press, 2022.
Call No: 79 BLA BUKAuthor: Bukatman, Scott Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: 2022PhysDes: 222 pagesSubject: BLACK PANTHER (US, Ryan Coogler, 2018) ; BOSEMAN, CHADWICK ; FRUITVALE STATION (US, Ryan Coogler, 2013) ; MARVEL ENTERTAINMENT ; SUPERHEROES IN FILMS ; RACIAL ISSUES AND THE CINEMA Summary: Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.
Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. -- publisher's web siteISBN: 9781477325353Contents: Preface -- Introduction: Tell Me a Story -- The Road to Wakanda -- Black Panther’s Black Body -- The Wakandan Dream -- The Killmonger Problem -- Conclusion: Why Do We Hide? -- -- Appreciations -- Notes -- Index
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Blast from the past in Weekend Australian [Review] (17/10/2015) p.14
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[Bliss : stills files]
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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[Blood oath : stills file]
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Blood Pulls a Gun in Australian Cinematographer (June 2014) iss.62 p.22-27
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[BMX bandits : stills file]
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[Body works : stills file]
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[Bodywork : production still of two mortuary attendants from Westmead Hospital, Sydney.]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 20 x 25 cm.Subject: BODYWORK (AT, David Caesar, 1989) ; CAESAR, DAVID Summary: Portrait of two mortuary attendants from Westmead Hospital in Sydney. The subjects are wearing protective clothing and are standing in front of the coolrooms.Notes: Two stickers on the back of the photograph -1sticker has the title, director and release date of the film.; 2nd sticker is from the State Film Centre of Victoria
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Bogans hit sweet spot on screen in Sydney Morning Herald (26/08/2015) p.18
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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"Bold! Daring! Shocking! True!" : a history of exploitation films, 1919-1959 / Eric Schaefer Durham: Duke University Press, 1999.
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS : (II/US, Zana Briski, Ross Kauffman, 2004)
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Born lucky in Film Index iss.28 p.70
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BORN NATTURUNNAR : (IC, Fridrik Thor Fridriksson, 1991)
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BORN ON THE FOURTH OF JULY : (US, Oliver Stone, 1989)
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BORN RICH : (US, Jamie Johnson, 2003)
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Born that way in Film Index iss.28 p.70
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BORN TO BE WILD : (US, John Gray, 1995)
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BORN TO KILL : (AT, Robert Wise, 1947)
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BORN TO LOSE: THE LAST ROCK & ROLL MOVE : (US, Lech Kowalski, 1999)
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BORN TO RUN : (US, Don Chaffey, 1977)
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poster
[Born to run : poster] 1977.
Call No: P BORSource: AT/UKPubDate: 1977PhysDes: 1 poster : colour ; 76 x 34 cmSubject: BORN TO RUN (AT/UK, Don Chaffey, 1977) Summary: Bright yellow with a red heading in the middle and two images one above, one below. The first, above, image features two men both harness racing only one having falling off and hanging on only by the reigns. The second features two male figures with a barn burning behind them and and another man leading a horse from the burning barn.
Text : The saga of a young boy's courage and old man's faith and a young man's love.Notes: Stains, tears and folds.
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BORN YESTERDAY : (US, George Cukor, 1950)
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BORN YESTERDAY : (US, Luis Mandoki, 1993)
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BORONIA BOYS : (AT, Timothy Spanos, 2009)
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BOROWITZ, KATHERINE
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Borrow a million in Film Index iss.28 p.71
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Borrowed clothes in Film Index iss.28 p.71
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Borrowed Time in Montage (March 1970) p.5-8
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BORROWERS, THE : (US, Peter Hewitt, 1998)
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Borsalino in Interview (1970) vol.1 iss.10 p.3-4
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BORTHWICK, DAVE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BORTHWICK, DAVE
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BORZAGE, FRANK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; PublicitySubject: BORZAGE, FRANK
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BOSATSU: SHIMOYAMA JIKEN : (JA, Kei Kumai, 1982)
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BOSCH AND ROCKIT : (AT, Tyler Atkins, 2020) Digital clippings file available
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BOSCH [TV] : (US, 2014-)
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BOSCO D`AMORE : (IT, Alberto Bevilacqua, 1981)
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BOSCUTTI, STEPHEN
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BOSELEY, RAY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOSELEY, RAY
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BOSEMAN, CHADWICK Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOSEMAN, CHADWICK Cross Reference: BOSEMAN, CHADWICK
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BOSNA! : (FR, Bernard-Henri Levy & Alain Ferrari, 1994)
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The Boss Baby in Sunday Herald Sun [Scene] (26/03/2017) p.2
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BOSS BABY, THE : (US, Tom McGrath, 2017)
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[Boss boy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 25 x 20 cmSubject: BOSS BOY (AT, George Viscas, 1987) Summary: Two black and white photographs relating to the film Boss boy
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BOSS FILM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOSS FILM
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BOSS LEVEL : (US, Joe Carnahan, 2021) Digital clippings file available
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Boss loses her power to hold audience's attention in The Age [Arts & Entertainment] (14/04/2016) p.20
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Boss of bullion city in Australian Film Guide vol.2 p.22
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BOSS' SON, THE : (US, Bobby Roth, 1978)
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BOSS, THE : (US, Ben Falcone, 2016)
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BOSSA NOVA (BL/US, Bruno Barreto, 1999)
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BOSSELL, SIMON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOSSELL, SIMON
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BOSSU, LE : (FR/IT/GG, Philippe de Broca, 1997)
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BOSTON STRANGLER, THE : (US, Richard Fleischer, 1968)
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BOSTONIANS, THE : (US, James Ivory, 1984)
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BOSWORTH, KATE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOSWORTH, KATE
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BOTH ENDS AGAINST THE MIDDLE : (AT, Russell Hagg, 1976)
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BOTTA DI VITA, UNA : (IT/FR, Enrico Oldoini, 1989)
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Bottersnikes and gumbles : The spangler / written by Claran Murtagh & Andrew Jones 8th January 2015. Digital clippings file available
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BOTTLE ROCKET : (US, Wes Anderson, 1996)
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BOTTLE SHOCK : (US, Randall Miller, 2008)
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BOTTOMS, JOSEPH
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOTTOMS, JOSEPH
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BOTTOMS, SAM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOTTOMS, SAM
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Bottoms Up! in Film Index iss.28 p.71
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BOUCAULT, MOSCO
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BOUCHER, LE : (FR/IT, Claude Chabrol, 1970)
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BOUCHEZ, ELODIE
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BOUCHIER, CHILI
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BOUDU SAUVE DES EAUX : (FR, Jean Renoir, 1932)
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Boudu saved from drowning : Boudu sauvT des eaux / Richard Boston London: British Film Institute, 1994.
Call No: 79BOU BOSAuthor: Boston, Richard, 1938 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1994PhysDes: 83 p. : ill. ; 19 cmSeries: BFI film classicsSubject: BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) Notes: Includes bibliographical references (p. 83); Boudu sauvT des eauxISBN: 0851704670LON: 10907938
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BOUGAINVILLE: OUR ISLAND, OUR FIGHT : (AT, Wayne Coles-Janes, 1998)
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Boughedir, Ferid
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BOULEVARD : (US/MX, Dito Montiel, 2014) Digital clippings file available
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BOULEVARD DES HIRONDELLES : (FR, Josee Yanne, 1991)
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BOULEVARD FILMS
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BOULEVARD NIGHTS : (US, Michael Pressman, 1979)
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BOULEVARD OF BROKEN DREAMS : (AT, Pino Amenta, 1988)
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[Boulevarde of broken dreams : stills file] / Greg Noakes
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BOULTING, ROY
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BOUM, LA : (FR, Claude Pinoteau, 1980)
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BOUNCE : (US, Don Roos, 2000)
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BOUNCE KO GALS : (JA, Masato Harada, 1998)
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BOUND : (US, Larry Wachowski & Andy Wachowski, 1996)
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BOUND : (AT, Serhat Caradee, 2000)
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BOUND FOR BOTANY BAY : (AT, John Dollar, 1983)
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Bound for glory / by Woody Guthrie London: Dent, 1969.
Call No: N79BOU GUTAuthor: Guthrie, Woody, 1912-1967 Place: LondonPublisher: DentPubDate: 1969PhysDes: xi, 430 p. : ill. ; 23 cmSubject: BOUND FOR GLORY (US, Hal Ashby, 1976) Summary: Autobiography of folk singer Woody GuthrieNotes: Reprint. Originally published: New York : E.P. Dutton, 1943ISBN: 0460039245LON: nla05004351; 6362529
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[Bound : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 13 x 18 cmSubject: BOUND (AT, Serhat Caradee, 2000) Summary: Four black and white photographs relating to the film BoundNotes: Contains duplicates of the one photograph
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title clippings file
BOUNDARIES : (CN/ US, Shana Feste, 2018)
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title clippings file
BOUNDARIES OF THE HEART : (AT, Lex Marinos, 1988)
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journal article
Boundaries of the heart in Encore (5-18 November 1987) vol.5 iss.20 p.46-47
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still
[Boundaries of the heart : stills file]
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title clippings file
BOUNDARY ROAD : [TV] (AT, 1996)
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title clippings file
THE BOUNTY : (UK/US, Roger Donaldson, 1984)
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title clippings file
BOUNTY HUNTER, THE : (US, Andy Tennant, 2010)
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title clippings file
BOUNTY, THE : (US, Roger Donaldson, 1984)
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personality microfilm collection
BOUQUET, CAROLE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOUQUET, CAROLE
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personality clippings file
BOURCE, LUDOVIC
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOURCE, LUDOVIC
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personality clippings file
BOURGOIN, LOUISE
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personality microfilm collection
BOURGUIGNON, SERGE
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personality clippings file
BOURIS, MARK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOURIS, MARK
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personality microfilm collection
BOURKE, SIMON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURKE, SIMON
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personality microfilm collection
BOURKE, TERRY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURKE, TERRY
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personality microfilm collection
BOURNE, ERNIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURNE, ERNIE
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title clippings file
BOURNE IDENTITY, THE : (US, Roger Young, 1988)
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title clippings file
BOURNE IDENTITY, THE : (US, Doug Liman, 2002)
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title clippings file
BOURNE LEGACY, THE : US, Tony Gilroy, 2012
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personality microfilm collection
BOURNE, SHANE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURNE, SHANE
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personality microfilm collection
BOURNE, ST. CLAIR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURNE, ST. CLAIR
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title clippings file
BOURNE SUPREMACY, THE : (US, Paul Greengrass, 2004)
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title clippings file
BOURNE ULTIMATUM, THE : (US, PAUL GREENGRASS, 2007)
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Online resource
digital clippings file
A BOUT DE SOUFFLE : (FR, Jean-Luc Godard, 1959) Digital clippings file available
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title clippings file
BOUT DU BOUT DU BANC, AU : (FR, Peter Kassovitz, 1979)
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personality clippings file
BOUTELLA, SOFIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOUTELLA, SOFIA
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personality clippings file
BOUZID, NOURI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOUZID, NOURI
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personality microfilm collection
BOVELL, ANDREW
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOVELL, ANDREW
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personality microfilm collection
BOW, CLARA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOW, CLARA
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personality microfilm collection
BOWDEN, HELEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOWDEN, HELEN
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personality clippings file
BOWDON JOHNSON, DORRIS
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personality clippings file
BOWEN, ANDREA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWEN, ANDREA
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Online resource
digital clippings file
BOWEN, CLARE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOWEN, CLARE URL status: URL: 'http://file://Q:/P/BOWEN,_CLARE.zip'
Checked: 31/08/2021 1:20:17 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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personality clippings file
BOWER, AMIE CAMPBELL
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personality microfilm collection
BOWERS, GEORGE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOWERS, GEORGE
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journal article
The Bowery boys meet the monsters in Photon iss.19 p.32
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journal article
Bowery to broadway in Australian Film Guide iss.4 p.2-3
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title clippings file
BOWFINGER : (US, Frank Oz, 1999)
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personality clippings file
BOWIE, DAVID
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWIE, DAVID
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title clippings file
BOWL ME OVER : (AT, Angie Black, 2001)
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personality clippings file
BOWLER, GRANT
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWLER, GRANT
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title clippings file
BOWLING FOR COLUMBINE : (US/CA, Michael Moore, 2002)
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personality microfilm collection
BOWMAN, ANTHONY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOWMAN, ANTHONY
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Crawford collection
script
The box : block no: 05616 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2), Agi Szollos(ep. 3) & Colin Eggleston (ep. 4) ; edited by Ruth Sutton (ep. 1), Graeme Koetsveld (eps. 2, 3), Lyn Ogilvy (eps. 1, 4) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.23Author: Dunn, Roger ; Szollos, Agi ; Eggleston, Colin Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 24 leaves), amendments ( 5 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 05617 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 4), Graham Hartley (ep. 2) & Paul Davies (ep. 3) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.24Author: Koetsveld, Graeme ; Hartley, Graham ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (8 leaves), videotape artists roll (2 leaves), employment agreements (23 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no: 05615 [series 3]. Episodes 1, 2, 3, 4 / written by Leonard Grant (ep. 1), Neville Brown (ep. 2) & Paul Davies (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.22Author: Grant, Leonard ; Brown, Neville ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (1 leaf), employment agreements ( 51 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 05627 [series 3]. Episodes 1, 2, 3, 4 / written by David Stevens (ep. 1), Paul Davies (ep. 2), Roger Dunn (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: Crawford Productions, c1976.
Call No: SC BOX : 3.34Author: Stevens, David ; Davies, Paul ; Dunn, Roger ; Ogilvy, Lyn Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - white; Network code: 63 - 64; David Stevens author of episode 1; Paul Davies author of episode 2
Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 45 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 33. Episodes 156, 157, 158, 159, 160 / written by Alan McCoy (eps. 156, 157) & Ken Lord (eps. 158, 159, 160) ; edited by Ray Kolle AT: Crawford Productions, c1974.
Call No: SC BOX : 1.33Author: McCoy, Alan ; Lord, Ken Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (15 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 32. Episodes 151, 152, 153, 154, 155 / written by Ken Lord (eps. 151, 155), Ray Kolle (eps. 152, 154) & Roger Dunn (ep. 153) ; edited by Graham Hartley (eps. 151, 153, 155) & Jock Blair (eps. 152, 154) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.32Author: Lord, Ken ; Kolle, Ray ; Dunn, Roger Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 170 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 11 leaves), videotape artists roll (2 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 30. Episodes 141, 142, 143, 144, 145 / written by Lynn Bower ; edited by Jenni Mead (ep. 141), Graham Hartley (eps. 142, 143, 144) & Jock Blair (ep. 145) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.30Author: Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 151 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll (3 leaves), amendments ( 2 leaves), cast travel and accommodation sheet ( 1 leaf), employment agreements ( 43 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 22. Episodes 101, 102, 103, 104, 105 / written by Lee Darin (eps.101, 102, 103) & Alan McCoy (eps. 104, 105) ; edited by Graham Hartley AT: Crawford Productions, c1974.
Call No: SC BOX : 1.22Author: Darin, Lee ; McCoy, Alan Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 151 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 12 leaves), amendments ( 2 leaves), videotape artists roll ( 4 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 23. Episodes 106, 107, 108, 109, 110 / written by Alan McCoy (ep. 106), Jill Kavalek (eps. 107, 108), Lucy Dyson ( ep. 109) & Jonathan Dawson ( ep. 110) ; edited by Graham Hartley (eps. 106,110) & Tom Hegarty (eps. 107, 108, 109) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.23Author: McCoy, Alan ; Kavalek, Jill ; Dyson, Lucy ; Dawson, Jonathan Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), amendments (2 leaves), videotape artists roll (4 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 10. Episodes 41, 42, 43, 44, 45 / written by Lee Darin (ep. 41), Lynn Bower (eps. 42, 43) and Jonathan Dawson (eps. 44, 45) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.10Author: Darin, Lee ; Bower, Lynn ; Dawson, Jonathan Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 12 leaves), videotape artists roll (2 leaves), amendments ( 9 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 11. Episodes 46, 47, 48, 49, 50 / written by Jim Stapleton (eps. 46, 47), Alan McCoy (eps. 48, 49) and Andrew Scott ep. 50 ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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Crawford collection
script
The box : Block no 05636 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05635 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05636 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), John Smythe (ep. 2), Wendy Jackson (ep. 3) & Lyn Bower (ep. 4) ; edited by Gwenda Marsh AT: Crawford Productions, c1976.
Call No: SC BOX : 3.43Author: Darling, Sarah ; Smythe, John ; Jackson, Wendy ; Bower, Lyn Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 144 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), amendments ( 4 leaves), casting call sheet ( 8 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
THE BOX : Block no: 05636 , Episodes 1, 2, 3, 4 / Crawford Productions AT: Crawford Productions, 1976.
Call No: S BOXAuthor: Darling, Sarah ; Smythe, John ; Jackson, Wendy ; Bower, Lyn Place: ATPublisher: Crawford ProductionsPubDate: 1976PhysDes: 137 leavesSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - yellow title page; Duplicate script available; Sarah Darling author of Episode 1; John Smythe author of Episode 2; Wendy Jackson author of Episode 3; Lyn Bower author of Episode 4ID2: 50
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Crawford collection
script
The box : Block no 05628. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), David Stevens (ep. 2), Denise Morgan (ep. 3) & Paul Davies (ep. 4) ; edited by Denise Morgan (eps. 1, 2, 4) & Don Battye (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.35Author: Dunn, Roger ; Stevens, David ; Morgan, Denise ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 1 leaf), videotape artists roll ( 3 leaves), employment agreements ( 58 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : Block no 30. Episodes 141, 142, 143, 144, 145 / written by Lynn Bower ; edited by Jenni Mead (ep. 141), Graham Hartley (eps. 142, 143, 144) & Jock Blair (ep. 145) AT: Crawford Productions, c1974.
Call No: S BOX : 1.30Author: Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 151 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Duplicate copyDonation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05627 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
THE BOX : Block no: 05615 Episode 1, 2, 3, 4 / Crawford Productions AT: Crawford Productions, 1976.
Call No: S BOXAuthor: Grant, Leonard ; Brown, Neville ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: 1976PhysDes: 120 leavesSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - white; Network Code: 39 -40; Leonard Grant author of episode 1; Neville Brown author of episode 2; Paul Davies author of episode 3 & 4; Duplicate copy available
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Crawford collection
script
The box : Block no 05617 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 4), Graham Hartley (ep. 2) & Paul Davies (ep. 3) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05616[series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 11. Episode 46, 47, 48, 49, 50 / written by Jim Stapleton (eps. 46, 47), Alan McCoy (eps. 48, 49) and Andrew Scott ep. 50 ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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Crawford collection
script
The box : block no: 10. Episode 41, 42, 43, 44, 45 / written by Lee Darin (ep. 41), Lynn Bower (eps. 42, 43) and Jonathan Dawson (eps. 44, 45) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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Crawford collection
script
The box : block no 22 .Episodes 101, 102, 103, 104, 105 / written by Lee Darin (eps.101, 102, 103) & Alan McCoy (eps. 104, 105) ; edited by Graham Hartley AT: Crawford Productions, c1974.
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Crawford collection
script
The box : block no 23 .Episode 106, 107, 108, 109, 110 / written by Alan McCoy (ep. 106), Jill Kavalek (eps. 107, 108), Lucy Dyson ( ep. 109) & Jonathan Dawson ( ep. 110) ; edited by Graham Hartley (eps. 106,110) & Tom Hegarty (eps. 107, 108, 109) AT: Crawford Productions, c1974.
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Crawford collection
script
The box : Block no 31 [series 2]. Episode 411, 412, 413, 414, 415 / written by Lynn Bower (ep. 411), Gwenda Marsh (eps. 412, 413), Mark Colbert (ep. 414) & Andrew Scott (ep. 415) ; edited by Chris Smith ( eps. 411, 415), Lyn Ogilvy (eps. 412, 414) & Graham Hartley (ep. 413) AT: Crawford Productions, c1975.
Call No: SC BOX : 2.31Author: Bower, Lyn ; Marsh, Gwenda ; Colbert, Mark ; Scott, Andrew Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 157 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by scene breakdown ( 32 leaves), amendments ( 2 leaves), videotape artists roll ( 2 leaves), additions ( 3 leaves), casting call sheet ( 9 leaves), employment agreements ( 40 leaves), schedule ( 2 leaves), taxi journeys ( 2 leaves), rehearsal schedule ( 7 leaves), extras list (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : Block no 32 [series 2]. Episode 416, 417, 418, 419, 420 / written by Andrew Scott (ep. 416), Roger Dunn (eps. 417, 418), Ray Kolle (ep. 419) & Graeme Koetsveld (ep. 420) ; edited by Graham Hartley (eps. 416, 419), Chris McCourt (eps. 417, 418) & Lyn Ogilvy (ep. 420) AT: Crawford Productions, c1975.
Call No: SC BOX : 2.32Author: Scott, Andrew ; Dunn, Roger ; Kolle, Ray ; Koetsveld, Graeme Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 162 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by additional scenes ( 4 leaves), employment agreements ( 51 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05602 [series 3]. Episode 1, 2, 3, 4 AT: Crawford Productions, c1975.
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Crawford collection
script
The box : block no 05602 [series 3]. Episodes 1, 2, 3, 4 / written by Ray Kolle (ep. 1), John Drew (ep. 2), Lynn Bower (ep. 3) & Gwenda Marsh (ep. 4) ; edited by Jock Blair (ep. 1), Ray Kolle (ep. 2), Graham Moore (ep. 3) & Paul Davies (ep. 4) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.9Author: Kolle, Ray ; Bower, Lynn ; Marsh, Gwenda ; Drew, John Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 1 leaf), taxi dockets (2 leaves), casting call sheet ( 9 leaves), employment agreements ( 48 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05603 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (ep. 1), Graham Hartley (ep. 2), Agi Szollos (ep. 3) & Lynn Bower (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graham Moore (ep. 3) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.10Author: Koetsveld, Graeme ; Hartley, Graham ; Szollos, Agi ; Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by videotape artists roll ( 1 leaf), casting call sheet ( 10 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05601 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2), Graham Hartley (ep. 3) & Lynn Bower (ep. 4) ; edited by Graham Moore (eps. 1, 4) & Lyn Ogilvy (ep. 2, 3) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.8Author: Dunn, Roger ; Hartley, Graham ; Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 8 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 13 . Episodes 56, 57, 58, 59 & 60 / written by Phil Freedman ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.13Author: Freedman, Phil Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), amendments ( 1 leaf), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 12 . Episodes 51, 52, 53, 54, 55 / written by Roger Dunn (eps. 51, 52), Lee Darin (eps. 53, 54) & Judy Colquhoun (ep. 55) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.12Author: Dunn, Roger ; Darin, Lee ; Colquhoun, Judy Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : Block no 12 . Episodes 51, 52, 53, 54, 55 / written by Roger Dunn (eps. 51, 52), Lee Darin (eps. 53, 54) & Judy Colquhoun (ep. 55) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.12Author: Dunn, Roger ; Darin, Lee ; Coloquiioun, Judy Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 13. Episodes 56, 57, 58, 59 & 60 / written by Phil Freedman ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: S BOX : 1.13Author: Freedman, Phil Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), amendments ( 1 leaf), casting call sheet ( 10 leaves)Donation: Gift of Crawford productions
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Crawford collection
script
The box : block no 05644. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05645 [series 3]. Episodes 1, 2 , 3, 4 / written by John Smythe (ep. 1), Wendy Jackson (ep. 2), Beverley Phillips (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh (eps. 1, 2, 4) & Karinda Davies (ep. 4) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.52Author: Smythe, John ; Jackson, Wendy ; Phillips, Beverley ; Hocking, Zilla Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 128 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (3 leaves), casting call sheet ( 8 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05644 [series 3]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & John Smythe (ep. 4) ; edited by Gwenda Marsh AT: Crawford Productions, c1976.
Call No: SC BOX : 3.51Author: Nisselle, Alison ; Joshua, Michael ; Darling, Sarah ; Smythe, John Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 145 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 8 leaves), amendments ( 2 leaves), casting call sheet ( 8 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05645 [series 3]. Episodes 1, 2 , 3, 4 / Crawford Productions AT: Crawford Productions, c1976.
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Crawford collection
script
THE BOX / Crawford Productions AT: Crawford Productions,
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Crawford collection
script
The box : block no 1. Episode 1 / written by Ian Jones & Tom Hegarty ; edited by Dorothy Crawford AT: c1973.
Call No: SC BOX : 1.01Author: Jones, Ian ; Hegarty, Tom Place: ATPubDate: c1973PhysDes: 108 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list, annotations -- Accompanied by amendments (7 leaves), cast list (2 leaves), casting call sheets( 14 leaves), videotape artists roll (1 leaf) -- Opening feature length episodeDonation: Gift of Crawford Productions
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The box : block no 2. Episodes 2,3,4 &5 / written by Ian Jones & Tom Hegarty ; edited by John R.S. Blair AT: c1973.
Call No: SC BOX : 1.02Author: Jones, Ian ; Hegarty, Tom Place: ATPubDate: c1973PhysDes: 116 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by cast transport & accommodation sheet (1 leaf), casting call sheets ( 15 leaves)Donation: Gift of Crawford Productions
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The box : block no 3. Episodes 6,7,8,9,& 10 / written by David Boutland ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.03Author: Boutland, David Place: ATPubDate: c1973PhysDes: 177 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), pick up shot (2 leaves), casting call sheets ( 12 leaves), amendments ( 4 leaves)Donation: Gift of Crawford Productions
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The box : block no 4. Episodes 11,12,13,14,15 / Edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.04Place: ATPubDate: c1973PhysDes: 173 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by amendments, videotape artists roll ( 4 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 5. Episodes 16,17,18,19, 20 / written by Phil Freedman ; edited by Jock Blair AT:
Call No: SC BOX : 1.05Author: Freedman, Phil Place: ATPhysDes: 175 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 9 leaves), inserts ( 1 leaf)Donation: Gift of Crawford Productions
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The box : block no 6. Episodes 21, 22, 23, 24, 25 / written by Jock Blair & Graham Hartley (ep. 25) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.06Author: Blair, Jock ; Hartley, Graham Place: ATPubDate: c1973PhysDes: 187 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheets ( 9 leaves) , contracts ( 12 leaves)Donation: Gift of Crawford Productions
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The box : block no 7. Episodes 26, 27, 28, 29 & 30 / written by Lyn Bower ; edited by Tom Hegarty and Jock Blair (ep. 26) AT: c1973.
Call No: SC BOX : 1.07Author: Bower, Lyn Place: ATPubDate: c1973PhysDes: 163 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheets ( 9 leaves), videotape artists roll ( 2 leaves), amendments ( 4 leaves)Donation: Gift of Crawford Productions
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The box : block no 8. Episodes 31, 32, 33, 34 & 35 / written by Jonathon Dawson (ep 31), Jim Stapleton (ep 32), Roger Dunn (ep 33), Alex Abernethy/ Graham Hartley (ep 34), Alan McCoy (ep 35) ; edited by Tom Hegarty AT: c1973.
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The box : block no 9. Episodes 36, 37, 38, 39, 40 / written by Phil Freedman & Terry Stapleton (ep. 39, 40) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.09Author: Freedman, Phil ; Stapleton, Terry Place: ATPubDate: c1973PhysDes: 179 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by rehearsal schedule, amendments (two leaves), videotape artists roll ( 3 leaves), casting call sheet ( 12 leaves), contracts (20 leaves)Donation: Gift of Crawford Productions
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The box : block no 14. Episodes 61, 62, 63, 64, 65 / written by Alan McCoy (eps 61, 62) and Lee Darin (eps 63, 64, 65) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.14Author: McCoy, Alan ; Darin, Lee Place: ATPubDate: c1973PhysDes: 179 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material held in storage -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 10 leaves), employment agreements ( 77 leaves)Donation: Gift of Crawford Productions
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The box : block no 15. Episodes 66, 67, 68, 69, 70 / written by Roger Dunn (eps 66, 67), Jim Stapleton (eps 68, 69), and Graham Hartley (ep 70) ; edited by Graham Hartley (eps 66, 67) and Tom Hegarty (eps 68, 69, 70) AT: c1974.
Call No: SC BOX : 1.15Author: Dunn, Roger ; Stapleton, Jim ; Hartley, Graham Place: ATPubDate: c1974PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 11 leaves), amendments ( 3 leaves), employment agreements ( 23 leaves)Donation: Gift of Crawford Productions
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The box : block no 16. Episodes 71, 72, 73, 74, 75 / written by Graham Hartley (ep 71), Jonathan Dawson (eps 72, 73), Andrew Scott(eps 74, 75) ; edited by Tom Hegarty (eps 71, 74,75), Graham Hartley (eps 72, 73) AT: c1973.
Call No: SC BOX : 1.16Author: Hartley, Graham ; Dawson, Jonathan ; Scott, Andrew Place: ATPubDate: c1973PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (10 leaves), employment agreements ( 18 leaves)Donation: Gift of Crawford Productions
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The box : block no 17. Episodes 76, 77, 78, 79, 80 / written by Alan McCoy (eps. 76, 77), Lynn Bower (eps . 78, 79, 80) ; edited by Tom Hegarty (eps. 76, 77) , Graham Hartley (eps. 78, 79, 80). AT: c1973.
Call No: SC BOX : 1.17Author: McCoy, Alan ; Bower, Lynn Place: ATPubDate: c1973PhysDes: 123 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheets (10 leaves)Donation: Gift of Crawford Productions
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The box : block no 18. Episodes 81, 82, 83, 84, 85 / written by Phil Freedman ; edited by Graham Hartley AT: c1974.
Call No: SC BOX : 1.18Author: Freedman, Phil Place: ATPubDate: c1974PhysDes: 141 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves) , videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 19. Episodes 86, 87, 88, 90 / written by Lee Darin (eps. 86, 87, 88) & Andrew Scott (eps. 89, 90) ; edited by Tom Hegarty (eps. 86, 87) & Graham Hartley (eps 88, 89, 90) AT: c1974.
Call No: SC BOX : 1.19Author: Darin, Lee ; Scott, Andrew Place: ATPubDate: c1974PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (10 leaves), rough artists' roll (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 20. Episodes 91, 92, 93, 94, 95 / written by Alan McCoy (eps. 91, 92, 93), Lucy Dyson (ep. 94), Gillian Wadds (ep 95) & Graham Hartley (ep. 95) ; edited by Graham Hartley (eps. 91,92, 93,95) & Tom Hegarty (ep. 94) AT: c1974.
Call No: SC BOX : 1.20Author: McCoy, Alan ; Dyson, Lucy ; Wadds, Gillian ; Hartley, Graham Place: ATPubDate: c1974PhysDes: 156 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (11 leaves), videotape artists roll (2 leaves), amendments (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 21. Episodes 96, 97, 98, 99 100 / written by Terry Stapleton (eps. 96, 100), David Bearne (ep. 96), Andrew Scott (eps. 97, 98), Jill Kavalek (ep. 99) & Mark Randall (ep. 100) ; edited by Graham Hartley (eps. 96, 97, 98, 100) & Tom Hegarty (ep. 99) AT: c1974.
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The box : block no 24. Episodes 111, 112, 113, 114, 115 / written by Jonathon Dawson (eps. 111, 112,) & Jim Stapleton ( eps. 113, 114, 115) ; edited by Graham Hartley (eps. 111, 113, 114, 115) & Jeremy Godwin (ep.112) AT: c1974.
Call No: SC BOX : 1.24Author: Dawson, Jonathon ; Stapleton, Jim Place: ATPubDate: c1974PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll ( 5 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 25. Episodes 116, 117, 118, 119, 120 / written by Lyn Bower (eps. 116, 117) , Ray Kolle( ep. 118) & Alan McCoy (eps. 119,120) ; edited by Graham Hartley AT: c1973.
Call No: SC BOX : 1.25Author: Bower, Lyn ; Kolle, Ray ; McCoy, Alan Place: ATPubDate: c1973PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 13 leaves), videotape artists roll (2 leaves), amendments ( 3 leaves)Donation: Gift of Crawford Productions
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The box : block no 26. Episodes 121, 122, 123, 124, 125 / written by Alan McCoy (ep. 121), Andrew Scott (eps. 122, 123, 124), John Smythe (125) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.26Author: McCoy, Alan ; Scott, Andrew ; Smythe, John Place: ATPubDate: c1973PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 13 leaves), videotape artists roll ( 1 leaf), rehearsal schedule ( 6 leaves), memo (1 leaf), recording order ( 5 leaves), cast calls (2 leaves), employment agreements ( 75 leaves)Donation: Gift of Crawford Productions
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The box : block no 27. Episodes 126, 127, 128, 129, 130 / written by Jeremy Godwin, (ep. 126), Bani McSpedden (ep. 127), Peter Hepworth (ep. 128), Lucy Dyson (ep. 129), Gillian Woods (ep. 130) ; edited by Graham Hartley (eps. 126, 128, 129) & Tom Hegarty (eps. 127, 130) AT: c1974.
Call No: SC BOX : 1.27Author: Godwin, Jeremy ; McSpedden, Bani ; Hepworth, Peter ; Dyson, Lucy ; Woods, Gillian Place: ATPubDate: c1974PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by cast call sheet (2 leaves), rehearsal schedule (6 leaves), videotape artists roll (2 leaves), casting call sheet (9 leaves), scene breakdown ( 43 leaves), amendments ( 4 leaves)Donation: Gift of Crawford Productions
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The box : block no 28. Episodes 131, 132, 133, 134, 135 / written by Alan McCoy (eps. 131, 132, 133) & Ray Kolle (eps 134 , 135) ; edited by Graham Hartley AT: c1974.
Call No: SC BOX : 1.28Author: Alan McCoy ; Ray Kolle Place: ATPubDate: c1974PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (11 leaves), employment agreements ( 53 leaves), videotape artists roll ( 3 leaves)Donation: Gift of Crawford Productions
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The box : block no 29. Episodes 136, 137, 138, 139, 140 / written by Jock Blair (ep. 138), Amanda Spry (ep. 139), Geoffrey Tetlow (ep 140), Jim Stapleton (eps.136, 137) ; edited by Graham Hartley (eps. 136, 138, 139, 140) & Jenni Mead (ep. 137) AT: c1974.
Call No: SC BOX : 1.29Author: Blair, Jock ; Spry, Amanda ; Tetlow, Geoffrey ; Stapleton, Jim Place: ATPubDate: c1974PhysDes: 147 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 10 leaves), employment agreements ( 32 leaves)Donation: Gift of Crawford Productions
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The box : block no 34. Episodes 161, 162, 163, 164, 165 / written by Jim Stapleton (ep. 161), Roger Dunn ( eps. 162, 163, 164) & Phil Freedman (ep. 165) ; edited by Graham Hartley (eps. 161 - 164) & Jock Blair (ep. 165) AT: c1974.
Call No: SC BOX : 1.34Author: Stapleton, Jim ; Dunn, Roger ; Freedman, Phil Place: ATPubDate: c1974PhysDes: 162 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 13 leaves), employment agreements ( 69 leaves), inserts ( 1 leaf), film scene breakdown (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 35. Episodes 166, 167, 168, 169, 170 / written by Phil Freedman (ep. 166), Roger Dunn (ep. 167), Alan Cram (ep. 168), Ken Lord (eps. 169, 170) ; edited by Jock Blair (ep. 166), Graham Hartley (eps. 167 - 170), Jenni Mead (ep. 169) AT: c1974.
Call No: SC BOX : 1.35Author: Freedman, Phil ; Dunn, Roger ; Cram, Alan ; Lord, Ken Place: ATPubDate: c1974PhysDes: 136 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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The box : block no 36. Episodes 171, 172, 173, 174, 175 / written by Lynn Bower (ep. 171), Gillian Wadds (ep. 172), Agi Szollos (ep. 173), John Smythe (ep. 174) & Roger Dunn (ep. 175) ; edited by Jock Blair (ep. 171), Tom Hegarty (ep. 172) & Graham Hartley (eps. 173 - 175) AT: c1974.
Call No: SC BOX : 1.36Author: Bower, Lynn ; Wadds, Gillian ; Szollos, Agi ; Smythe, John ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 154 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), employment agreements ( 54 leaves), amendments (5 leaves), recording order (4 leaves)Donation: Gift of Crawford Productions
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The box : block no 37. Episodes 176, 177, 178,179, 180 / written by Roger Dunn (ep. 176), Ray Kolle (ep. 177), Phil Freedman (eps. 178, 179) & Amanda Spry (ep. 180) ; edited by Graham Hartley (eps. 176, 178 - 180) & Jock Blair (ep. 177) AT: c1974.
Call No: SC BOX : 1.37Author: Dunn, Roger ; Kolle, Ray ; Freedman, Phil ; Spry, Amanda Place: ATPubDate: c1974PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by rough artists' roll ( 2 leaves), employment agreements (20 leaves), casting call sheet ( 11 leaves)Donation: Gift of Crawford Productions
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The box : block no 38. Episodes 181, 182, 183, 184, 185 / written by Agi Szollos (ep. 181), Jim Stapleton (ep. 182), Amanda Spry (ep. 183), Roger Dunn (ep. 184), John Smythe (ep. 185) ; edited by Graham Hartley AT: c1974.
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The box : block no 39. Episodes 186, 187, 188, 189, 190 / written by Phil Freedman (ep. 186), Roger Simpson (ep. 187), John Marshall (eps. 188 - 190) ; edited by Graham Hartley (eps 186 - 189) & Lyn Ogilvy (eps 187, 188, 190). AT: c1974.
Call No: SC BOX : 1.39Author: Freedman, Phil ; Simpson, Roger ; Marshall, John Place: ATPubDate: c1974PhysDes: 157 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 11 leaves)Donation: Gift of Crawford Productions
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The box : block no 40. Episodes 191, 192, 193, 194, 195 / written by Charles Stamp (ep. 191), John Marshall (ep. 192), Amanda Sims (ep 193), Agi Szollos (ep. 194) & Roger Dunn (ep. 195) ; edited by Lynn Bower (eps. 191, 193) & Lyn Ogilvy (eps. 192, 194, 195) AT: c1974.
Call No: SC BOX : 1.40Author: Stamp, Charles ; Marshall, John ; Sims, Amanda ; Szollos, Agi ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 152 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by videotape artists roll ( 2 leaves), rehearsal schedule ( 6 leaves), rough artists' roll ( 1 leaf), casting call sheet ( 10 leaves), employment agreements ( 49 leaves)Donation: Gift of Crawford Productions
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The box : block no 41. Episodes 196, 197, 198, 199, 200 / written by Roger Dunn (ep. 196), Agi Szollos (ep.197), John Smythe (ep. 198), Amanda Sims (ep. 199), Alan McCoy (ep. 200) ; edited by Lynn Bower (ep. 196), Lyn Ogilvy (eps. 197 - 199) & Alan McCoy (ep. 200) AT: c1974.
Call No: SC BOX : 1.41Author: Dunn, Roger ; Szollos, Agi ; Smythe, John ; Sims, Amanda ; McCoy, Alan Place: ATPubDate: c1974PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 11 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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The box : block no 42. Episodes 201, 202, 203, 204, 205 / written by Alan McCoy (ep. 201), Amanda Sims (ep. 202), John Smythe (ep. 203), Agi Szollos (ep. 204), Roger Dunn (ep. 205) ; edited by Lyn Ogilvy AT: c1974.
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The box : block no 43. Episodes 206, 207, 208, 209, 210 / written by Roger Dunn (ep. 206), John Smythe (ep. 207), Agi Szollos (ep. 208), Amanda Sims (ep. 209), Alan McCoy (ep. 210) ; edited by Graham Hartley (eps. 206, 208, 209) & Lyn Ogilvy (eps. 207, 208, 210) AT: c1974.
Call No: SC BOX : 1.43Author: Dunn, Roger ; Smythe, John ; Szollos, Agi ; Sims, Amanda ; McCoy, Alan Place: ATPubDate: c1974PhysDes: 146 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by script running order ( 6 leaves), recording order ( 8 leaves), rehearsal schedule ( 6 leaves), amended cast list (1 leaf), casting call sheet ( 12 leaves), employment agreements (35 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 44. Episodes 211, 212, 213, 214, 215 / written by Alan McCoy (ep. 211), Agi Szollos (ep. 212), Roger Dunn (ep. 213), John Smythe (ep. 214), Lynn Bower (ep. 215) ; edited by Lyn Ogilvy AT: c1974.
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The box : block no 53. Episodes 256, 257, 258, 259, 260 / written by Amanda Sims (ep. 256), John Smythe (ep. 257), Andrew Scott (ep. 258), Roger Dunn (ep. 259), Lynn Bower (ep. 260) ; edited by Lyn Ogilvy (eps. 256, 257) & Graham Hartley (eps. 257 - 260) AT: c1974.
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The box : block 1 series 2. Episodes 261, 262, 263, 264, 265 / written by Roger Dunn (ep. 261), Agi Szollos (ep. 262), John Smythe (ep 263), Amanda Sims (ep. 264), Lyn Bower (ep. 265) ; edited by Lyn Ogilvy (eps. 261, 262, 264, 265) & Graham Hartley (ep. 263) AT: c1974.
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The box : block 2 series 2. Episodes 266, 267, 268, 269, 270 / written by Agi Szollos (ep. 266), John Smythe (ep.267), Roger Dunn (ep. 268), Amanda Sims (ep. 269) & Andrew Scott (ep. 270) ; edited by Andrew Scott (eps. 266, 267, 269) & Lyn Ogilvy (eps. 268, 270) AT: c1974.
Call No: SC BOX : 2.2Author: Szollos, Agi ; Smythe, John ; Dunn, Roger ; Sims, Amanda ; Scott, Andrew Place: ATPubDate: c1974PhysDes: 159 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (9 leaves), videotape artists roll (2 leaves), extras list (1 leaf), rehearsal schedule ( 6 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block 3 series 2. Episodes 271, 272, 273, 274, 275 / written by Andrew Scott (ep. 271), Agi Szollos (ep. 272), Amanda Sims (ep. 273), Lyn Bower (ep. 274) & Roger Dunn (ep. 275) ; edited by Lyn Ogilvy AT: c1974.
Call No: SC BOX : 2.3Author: Scott, Andrew ; Szollos, Agi ; Sims, Amanda ; Bower, Lyn ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 158 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 2 leaves), extra's list (2 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford Productions
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The box : block 4 series 2. Episodes 276, 277, 278, 279, 280 / written by Agi Szollos (ep. 276), Graham Hartley (ep. 277), Amanda Sims (ep. 278), Lyn Bower (ep. 279), John Smythe (ep. 280) ; edited by Lyn Ogilvy (eps. 276, 277, 279) & Andrew Scott (eps. 278, 280) AT: c1974.
Call No: SC BOX : 2.4Author: Szollos, Agi ; Hartley, Graham ; Sims, Amanda ; Bower, Lyn ; Smythe, John Place: ATPubDate: c1974PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll ( 2 leaves), extra's list (1 leaf), memo (1 leaf), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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The box : block 5 series 2. Episodes 281, 282, 283, 284, 285 / written by Lyn Bower (ep. 281), John Smythe (ep. 282), Graham Hartley (ep. 283), Andrew Scott (ep. 284), Roger Dunn (ep. 285) ; edited by Lyn Ogilvy AT: c1974.
Call No: SC BOX : 2.5Author: Bower, Lyn ; Smythe, John ; Hartley, Graham ; Scott, Andrew ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 6 leaves), extras list ( 2 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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The box : block 6 [series 2]. Episodes 286, 287, 288, 289, 290 / written by Graham Hartley (ep. 286), John Smythe (ep. 287), Roger Dunn (ep. 288), C.F. Hegarty (ep. 289), Lynn Bower (ep. 290) ; edited by Lyn Ogilvy (eps. 286, 287, 289) & Andrew Scott (eps. 288, 290) AT: c1974.
Call No: SC BOX : 2.6Author: Hartley, Graham ; Smythe, John ; Dunn, Roger ; Hegarty, C.F ; Bower, Lynn Place: ATPubDate: c1974PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), employment agreements (24 leaves), videotape artists roll ( 2 leaves), amendments (1 leaf)Donation: Gift of Crawford Productions
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The box : block 7 series 2. Episodes 291, 292, 293, 294, 295 / written by Andrew Scott (ep. 291), John Smythe (ep. 292), Agi Szollos (ep. 293), Lynn Bower (ep. 294), Roger Dunn (ep. 295) ; edited by Lyn Ogilvy (eps. 291, 294), Andrew Scott (eps. 292, 293, 295) & Christine Smith (ep. 294) AT: c1974.
Call No: SC BOX : 2.7Author: Scott, Andrew ; Smythe, John ; Szollos, Agi ; Bower, Lynn ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), videotape artists roll ( 2 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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The box : block 8 series 2. Episodes 296, 297, 298, 299, 300 / written by Graham Hartley (ep. 296), Lynn Bower (ep. 297), Agi Azollos (ep. 298), John Smythe (ep. 299), Roger Dunn (ep. 300) ; edited by Lyn Ogilvy ( eps. 296, 298), Graham Hartley (ep. 297) & Andrew Scott (eps. 299, 300) AT: c1974.
Call No: SC BOX : 2.8Author: Hartley, Graham ; Bower, Lynn ; Szollos, Agi ; Smythe, John ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 8 leaves), additions ( 6 leaves), amendments ( 11 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford Productions
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The box : block 9 series 2. Episodes 301, 302, 303, 304, 305 / written by Lynn Bower (ep. 301), Graham Hartley (ep. 302), John Smythe (ep. 303), Roger Dunn (ep. 304) & Agi Szollos (ep. 305) ; edited by Christine Smith (ep. 301), Lyn Ogilvy (eps. 302 - 304) & Andrew Scott (ep. 305) AT: c1975.
Call No: SC BOX : 2.9Author: Bower, Lynn ; Hartley, Graham ; Smythe, John ; Dunn, Roger ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 147 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by rehearsal schedule ( 6 leaves) with duplicate copies in storage, amended rehearsal schedules ( 9 leaves) with duplicate copies in storage, employment agreements ( 39 leaves), casting call sheet ( 8 leaves), extras list (1 leaf), videotape artists roll ( 2 leaves), rough artists roll ( 4 leaves), memo (1 leaf), schedule (2 leaves) with duplicate copy in storageDonation: Gift of Crawford Productions
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The box : block 10 series 2. Episodes 306, 307, 308, 309, 310 / written by Lynn Bower (ep. 306), Roger Dunn (ep. 307), Agi Szollos (ep. 308), Graham Hartley (ep. 309) & Amanda Sims( ep.310) ; edited by Lyn Ogilvy (ep. 306) & Andrew Scott ( eps. 307 - 310) AT: c1975.
Call No: SC BOX : 2.10Author: Bower, Lynn ; Dunn, Roger ; Szollos, Agi ; Hartley, Graham ; Sims, Amanda Place: ATPubDate: c1975PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments (1 leaf), employment agreements ( 53 leaves), casting call sheet( 9 leaves)Donation: Gift of Crawford Productions
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The box : block 11 series 2. Episodes 311, 312, 313, 314, 315 / written by John Smythe (ep. 311), Roger Dunn (ep. 312), Agi Szollos (ep. 313), Ray Kolle (ep. 314) & Lynn Bower (ep. 315) ; edited by Christine Smith (ep. 311), Lyn Ogilvy (eps. 312, 313, 315) & Andrew Scott (ep. 314) AT: c1975.
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The box : block 12 series 2. Episodes 316, 317, 318, 319, 320 / written by Roger Dunn (ep. 316), Amanda Sims (ep. 317), Agi Szollos (ep. 318), Andrew Scott (ep. 319) & Lyn Ogilvy (ep. 320) ; edited by Andrew Scott (eps. 316, 317) , Lyn Ogilvy (eps. 318, 319) & Jock Blair (ep. 320) AT: c1975.
Call No: SC BOX : 2.12Author: Dunn, Roger ; Sims, Amanda ; Szollos, Agi ; Scott, Andrew ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amended call times (1 leaf), extras list (3 leaves), casting call sheet ( 8 leaves), employment agreements ( 45 leaves)Donation: Gift of Crawford Productions
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The box : block no 13 series 2. Episodes 321, 322, 323, 324, 325 / written by Agi Szollos (ep. 321), Graham Hartley (ep. 322), Keith Hetherington (ep.323), Amanda Sims (ep. 324) & Roger Dunn (ep. 325) ; edited by Lyn Ogilvy (eps. 321, 323, 325) & Andrew Scott (eps. 322, 325) AT: c1975.
Call No: SC BOX : 2.13Author: Szollos, Agi ; Hartley, Graham ; Hetherington, Keith ; Sims, Amanda ; Dunn, Roger Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list (1 leaf), employment agreements ( 53 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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The box : block 14 series 2. Episodes 326, 327, 328, 329, 330 / written by Agi Azollos (ep. 326), Keith Hetherington (ep. 327), Roger Dunn )ep. 328), Graham Hartley (ep. 329) & Andrew Scott (ep. 330) ; edited by Lyn Ogilvy (eps 326, 329, 330), David Stevens (ep. 327) & Andrew Scott (ep. 328) AT: c1975.
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The box : block 15 series 2. Episodes 331, 332, 333, 334, 335 / written by Agi Szollos (ep. 331), Roger Dunn (ep. 332), Amanda Sims (ep. 333), Graham Hartley (ep. 334), Keith Hetherington (ep. 335) ; edited by Lyn Ogilvy (eps. 331, 333, 334) , Christine Smith (ep. 332) & David Stevens (ep. 335) AT: c1975.
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The box : block 16 series 2. Episodes 336, 337, 338, 339, 340 / written by Andrew Scott (ep. 336), Keith Hetherington (ep. 337), Roger Dunn (ep. 338), Amanda Sims (ep. 339), Agi Szollos (ep. 340) ; edited by Lyn Ogilvy (ep. 336), Jock Blair (ep. 337), Christine Smith (ep. 338) & Graham Hartley (eps. 339, 340) AT: c1975.
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The box : block 17 series 2. Episodes 341, 342, 343, 344, 345 / written by Agi Szollos (ep. 341), Graham Hartley (ep. 342), Lyn Bower (ep. 343), Roger Dunn (ep. 344), Andrew Scott (ep. 345) ; edited by Christine Smith (eps. 341, 345), Lyn Ogilvy (eps. 342, 343) & Graham Hartley (ep. 344) AT: c1975.
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The box : block 18 series 2. Episodes 346, 347, 348, 349, 350 / written by Andrew Scott (eps. 346, 348), Roger Dunn (ep. 347), Keith Hetherington (ep. 349) & Agi Szollos (ep. 350) ; edited by Christine Smith (ep. 346), Andrew Scott (eps. 347, 349, 350) & Lyn Ogilvy (ep. 348) AT: c1975.
Call No: SC BOX : 2.18Author: Scott, Andrew ; Dunn, Roger ; Hetherington, Keith ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), amendments (4 leaves), casting call sheet ( 12 leaves), employment agreements ( 45 leaves)Donation: Gift of Crawford Productions
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The box : block no 19 series 2 / written by Agi Szollos (ep. 351), Lynn Bower (ep. 352), Lyn Ogilvy (ep. 353), Graham Hartley (ep. 354), Jock Blair (ep. 355) ; edited by Ray Kolle (ep. 351), Christine Smith (ep. 352), Andrew Scott (ep. 353), Christine McCourt (ep. 354, 355), Lyn Ogilvy (ep. 355) AT: c1975.
Call No: SC BOX : 2.19Author: Szollos, Agi ; Bower, Lynn ; Ogilvy, Lyn ; Hartley, Graham ; Blair, Jock Place: ATPubDate: c1975PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), videotape artists roll ( 2 leaves), amendments ( 21 leaves), employment agreements ( 60 leaves)Donation: Gift of Crawford Productions
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The box : block no 20 series 2. Episodes 356, 357, 358, 359, 360 / written by Roger Dunn (eps. 356, 357), Jock Blair (ep. 358), Lynn Bower (ep. 359) & Agi Szollos (ep. 360) ; edited by Christine McCourt (ep. 356), Ray Kolle (eps. 357, 358), Lyn Ogilvy (ep. 356, 359) & Andrew Scott (ep. 360) AT: c1975.
Call No: SC BOX : 2.20Author: Dunn, Roger ; Blair, Jock ; Bower, Lynn ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 155 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 6 leaves), casting call sheet ( 8 leaves), videotape artists roll ( 2 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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The box : block no 21 series 2. Episodes 361, 362, 363, 364, 365 / written by Agi Szollos (ep. 361), J Blair (ep. 362), Graham Hartley (ep. 363), Andrew Scott (eps. 364, 365) ; edited by Lyn Ogilvy (eps. 361, 363), Christine Smith (ep. 362) & Chris McCourt (eps. 364, 365) AT: c1975.
Call No: SC BOX : 2.21Author: Szollos, Agi ; Blair, J ; Hartley, Graham ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 141 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 4 leaves), casting call sheet ( 10 leaves), employment agreements ( 69 leaves)Donation: Gift of Crawford Productions
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The box : block no 22 [series 2]. Episodes 366, 367, 368, 369, 370 / written by Roger Dunn (eps. 366, 367), Amanda Sims (ep. 368), Lyn Ogilvy (ep. 369) & Agi Szollos (ep. 370) ; edited by Christine Smith (eps. 366, 370) & Christine McCourt (eps. 367, 368, 369) AT: c1975.
Call No: SC BOX :2.22Author: Dunn, Roger ; Sims, Amanda ; Ogilvy, Lyn ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 47 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 23 [series 2]. Episodes 371, 372, 373, 374, 375 / written by Agi Szollos (ep. 371), Graham Hartley (eps. 372, 373), Andrew Scott (eps. 374, 375) ; edited by Lyn Ogilvy (eps. 371, 374, 375), Christine Smith (ep. 372) & Chris McCourt (ep. 373) AT: c1975.
Call No: SC BOX :2.23Author: Szollos, Agi ; Hartley, Graham ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 172 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (1 leaf), amendments (1 leaf), employment agreements ( 43 leaves), casting call sheet ( 8 leaves), memo (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 24 [series 2] . Episodes 376, 377, 378, 379, 380 / written by Lynn Bower (eps. 376, 377), Roger Dunn (eps. 378, 379) & Jock Blair (ep. 380) ; edited by Chris McCourt (ep. 376, 378 - 380), Lyn Ogilvy (ep. 377) AT: c1975.
Call No: SC BOX : 2.24Author: Bower, Lynn ; Dunn, Roger ; Blair, Jock Place: ATPubDate: c1975PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 9 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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The box : block no 25 [series 2]. Episodes 381,382, 383, 384, 385 / written by Jock Blair (ep. 381), Graham Hartley (eps. 382, 383) & Andrew Scott (eps. 384, 385) ; edited by Chris McCourt (eps. 381 - 383) & Christine Smith (384, 385) AT: c1975.
Call No: SC BOX : 2.25Author: Blair, Jock ; Hartley, Graham ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments ( 8 leaves), extras list (1 leaf), casting call sheet ( 11 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block no 26 [series 2]. Episodes 386, 387, 388, 389, 390 / written by Roger Dunn (eps. 386, 387), Agi Szollos (eps. 388, 389) & Lyn Ogilvy (ep. 390) ; edited by Chris McCourt (eps. 386, 387), Lyn Ogilvy (eps. 388, 389) & Christine Smith (ep. 390) AT: c1975.
Call No: SC BOX : 2.26Author: Dunn, Roger ; Szollos, Agi ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 40 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 27 [ series 2]. Episodes 391, 392, 393, 394, 395 / written by Lyn Ogilvy (ep. 391), Lyn Bower (eps. 392, 393) & David Stevens (eps. 394, 395) ; edited by Christine McCourt (eps. 391, 394, 395) & Christine Smith (eps. 392, 393) AT: c1975.
Call No: SC BOX : 2.27Author: Ogilvy, Lyn ; Bower, Lyn ; Stevens, David Place: ATPubDate: c1975PhysDes: 155 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll ( 2 leaves), amendments ( 3 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block no 28 [series 2]. Episodes 396, 397, 398, 399, 400 / written by Andrew Scott (eps. 396, 397), Roger Dunn (eps. 398, 399) & Graham Hartley (ep. 400) ; edited by Lyn Ogilvy (eps. 396, 400), Christine Smith (ep. 397) & Chris McCourt (eps. 398, 399) AT: c1975.
Call No: SC BOX : 2.28Author: Scott, Andrew ; Dunn, Roger ; Hartley, Graham Place: ATPubDate: c1975PhysDes: 163 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list ( 1 leaf), casting call sheet ( 9 leaves), employment agreements ( 28 leaves)Donation: Gift of Crawford Productions
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The box : block no 29 [series 2]. Episodes 401, 402, 403, 404, 405 / written by Graham Hartley (ep. 401), Simon Reed (eps. 402, 403), Agi Szollos (eps. 404, 405) ; edited by Christine Smith (eps. 401, 403) & Christine McCourt (402, 404, 405) AT: c1975.
Call No: SC BOX : 2.29Author: Hartley, Graham ; Reed, Simon ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 10 leaves), extras list (1 leaf), videotape artists roll (2 leaves), employment agreements ( 56 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 30 [series 2]. Episodes 406, 407, 408, 409, 410 / written by David Stevens ( eps. 406, 407), Kaye Levey (eps. 408, 409) & Lynn Bower (ep. 410) ; edited by Chris McCourt (eps. 406 - 409) & Christine Smith (ep. 410) AT: c1975.
Call No: SC BOX : 2.30Author: Stevens, David ; Levey, Kaye ; Bower, Lynn Place: ATPubDate: c1975PhysDes: 160 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list ( 1 leaf), employment agreements ( 25 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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The box : block no 33 [series 2]. Episodes 421, 422, 423, 424, 425 / written by Graeme Koetsveld ( eps. 421, 422), Agi Szollos (eps. 423, 424) & Simon Reed (ep. 425) ; edited by Christine McCourt (eps. 421, 423, 424) & Graham Hartley (eps. 422, 425) AT: c1975.
Call No: SC BOX : 2.33Author: Koetsveld, Graeme ; Szollos, Agi ; Reed, Simon Place: ATPubDate: c1975PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list (1 leaf), employment agreements ( 60 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 34 [series 2]. Episodes 426, 427, 428, 429, 430 / written by Roger Dunn (eps. 426, 427), Andrew Scott (eps. 428, 429) & Graeme Koetsveld (ep. 430) ; edited by Chris McCourt (eps. 426 - 428) & Graham Hartley (eps. 429, 430) AT: c1975.
Call No: SC BOX : 2.34Author: Dunn, Roger ; Scott, Andrew ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 176 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), employment agreements ( 28 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 35 [series 2]. Episodes 431, 432, 433, 434, 435 / written by Simon Reed (ep. 431), Agi Szollos (eps. 432, 433), J.Kellet (eps. 434, 435) ; edited by Chris McCourt (eps. 431 - 433) & Graham Hartley (eps. 434, 435) AT: c1975.
Call No: SC BOX : 2.35Author: Reed, Simon ; Szollos, Agi ; Kellet, J. Place: ATPubDate: c1975PhysDes: 176 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (1 leaf), casting call sheet ( 10 leaves), extras list (1 leaf), memo (1 leaf), employment agreements (49 leaves), amendments (3 leaves)Donation: Gift of Crawford Productions
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The box : block no 36 [series 2]. Episodes 436, 437, 438, 439, 440 / written by Lyn Ogilvy (eps. 436, 437), Roger Dunn (eps. 438, 439) & Andrew Scott (ep. 440) ; edited by Graham Hartley AT: c1975.
Call No: SC BOX : 2.36Author: Ogilvy, Lyn ; Dunn, Roger ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments (1 leaf), extras list (2 leaves), videotape artists roll (2 leaves), employment agreements ( 7 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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The box : block no 37 [series 2]. Episodes 441, 442, 443, 444, 445 / written by Andrew Scott (ep. 441), Graeme Koetsveld (eps. 442, 443) & Agi Szollos (eps. 444, 445) ; edited by Graham Hartley (eps. 441, 444, 445) & Paul Davis (eps. 442, 443) AT: c1975.
Call No: SC BOX : 2.37Author: Scott, Andrew ; Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 153 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 9 leaves), additional scenes ( 9 leaves), film segments ( 12 leaves)Donation: Gift of Crawford Productions
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The box : block no 38 [series 2]. Episodes 446, 447, 448, 449, 450 / written by Lynn Bower (eps. 446, 447), Roger Dunn (eps. 448, 449) & Lyn Ogilvy (ep. 450) ; edited by Paul Davies (eps. 446, 447), Lyn Ogilvy (eps. 448, 449) & Graham Hartley (ep. 450) AT: c1975.
Call No: SC BOX : 2.38Author: Bower, Lynn ; Dunn, Roger ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 13 leaves), amendments ( 2 leaves), videotape artists roll ( 1 leaf), employment agreements ( 60 leaves)Donation: Gift of Crawford Productions
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The box : block no 39 [series 2]. Episodes 451, 452, 453, 454, 455 / written by Graeme Koetsveld (eps. 452, 453), Lyn Ogilvy (ep. 451) & Gwenda Marsh (eps. 454, 455) ; edited by Graham Hartley (eps. 451 - 453, 455) & Paul David (ep. 454) AT: c1975.
Call No: SC BOX : 2.39Author: Koetsveld, Graeme ; Marsh, Gwenda ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet (16 leaves), employment agreements ( 90 leaves)Donation: Gift of Crawford Productions
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The box : block no 40 [series 2]. Episodes 456, 457, 458, 459, 460 / written by Lyn Ogilvy (eps. 456, 457), Lynn Bower (458, 459) & Andrew Scott (460) ; edited by Graham Moore ( ep. 456), Graham Hartley (ep. 457), Paul Davies(eps 458, 459) & Lyn Ogilvy (ep. 460) AT: c1975.
Call No: SC BOX : 2.40Author: Ogilvy, Lyn ; Bower, Lynn ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 178 leaves; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (8 leaves), employment agreements ( 54 leaves), amendments ( 6 leaves), videotape artists roll ( 1 leaf)Donation: Gift of Crawford Productions
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The box : block no 41 series 2. Episodes 461, 462, 463, 464, 465 / written by Andrew Scott (ep. 461), Graeme Koetsveld (eps 462, 463) & Agi Szollos (eps. 464, 465) ; edited by Graham Hartley (ep. 461), Graham Foreman (ep. 461), Lynn Ogilvy (eps. 462, 463), Graham Moore (ep. 464) & Paul Davies (ep. 465) AT: c1975.
Call No: SC BOX : 2.41Author: Scott, Andrew ; Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), videotape artists roll ( 2 leaves), amendments ( 5 leaves), employment agreements ( 63 leaves)Donation: Gift of Crawford Productions
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The box : block no 42 [ series 2]. Episodes 466, 467, 468, 469, 470 / written by Roger Dunn (eps. 466 - 468), Lorraine Llewellyn (ep. 469) & Gwenda Marsh (ep. 470) ; edited by Paul Davies (ep. 466), Ilma Stuart (ep. 467), Graham Moore (ep. 468) & Graham Hartley (ep. 469) AT: c1975.
Call No: SC BOX : 2.42Author: Dunn, Roger ; Llewellyn, Lorraine ; Marsh, Gwenda Place: ATPubDate: c1975PhysDes: 170 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 43 [series 2]. Episodes 471, 472, 473, 474, 475 / written by Gwenda Marsh (ep. 471), Lynn Bower (eps. 472, 473) & Graeme Koetsveld (eps. 474, 475) ; edited by Paul Olgilvie (eps. 471, 472), Lyn Ogilvy (eps. 473, 474) & Ilma Stuart (ep. 475) AT: c1975.
Call No: SC BOX : 2.43Author: Marsh, Gwenda ; Bower, Lynn ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 175 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 7 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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The box : block no A [ series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2, 3) & Lyn Ogilvy (ep. 4) ; edited by Paul Ogilvie (ep. 1) , Graham Moore (eps. 2, 3) & Paul Graham (ep. 4) AT: c1975.
Call No: SC BOX : 3.1Author: Dunn, Roger ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 137 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running orderDonation: Gift of Crawford Productions
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The box : block no 05596 [series 3]. Episodes 1, 2, 3, 4 / written by Agi Szollos (eps. 1, 2) & Graeme Koetsveld (eps. 3,4) ; edited by Lyn Ogilvy (eps. 1,2) & Paul Ogilvie (eps. 3,4) AT: c1975.
Call No: SC BOX : 3.3Author: Szollos, Agi ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 142 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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The box : block no 05597 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (eps. 1, 2) & John Drew (eps. 3, 4) ; edited by Lyn Ogilvy (ep. 1), Ilma Stuart (ep. 2) & Jock Blair (eps. 3, 4) AT: c1975.
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The box : block no 05598 [series 3]. Episodes 1, 2, 3, 4 / written by Agi Szollos (ep. 1), Roger Dunn (eps. 2, 3) & Graham Hartley (ep. 4) ; edited by Lyn Ogilvy (ep .1, 3) & Paul Davies (eps. 2, 4) AT: c1975.
Call No: SC BOX : 3.5Author: Szollos, Agi ; Dunn, Roger ; Hartley, Graham Place: ATPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), rough artists' roll (1 leaf), videotape artists roll (2 leaves), employment agreements ( 17 leaves)Donation: Gift of Crawford Productions
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The box : block no 05599 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (ep. 1), Gwenda Marsh (ep. 2) & Graeme Koetsveld (eps. 3, 4) ; edited by Graeme Hartley (ep. 1), Graham Moore (eps. 2, 3) & Lyn Ogilvy (ep .4) AT: c1975.
Call No: SC BOX : 3.6Author: Bower, Lynn ; Marsh, Gwenda ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 27 leaves)Donation: Gift of Crawford Productions
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The box : block no 05604 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (ep. 1), Agi Szollos (ep. 2), Graeme Koetsveld (ep. 3) & Jane Marshall (ep. 4) ; edited by Lyn Ogilvy (eps. 1 - 3) & Graham Moore (ep. 4) AT: c1975.
Call No: SC BOX : 3.11Author: Bower, Lynn ; Szollos, Agi ; Koetsveld, Graeme ; Marshall, Jane Place: ATPubDate: c1975PhysDes: 132 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (3 leaves), amendments ( 9 leaves), casting call sheet ( 12 leaves), employment agreements ( 81 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05605 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (ep. 1), Graeme Koetsveld (ep. 2), Agi Szollos (ep. 3) & Roger Dunn (ep. 4) ; edited by Lyn Ogilvy AT: c1975.
Call No: SC BOX : 3.12Author: Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi ; Dunn, Roger Place: ATPubDate: c1975PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 10 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05606 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (ep. 1), Graeme Koetsveld (ep. 2), Agi Szollos (ep. 3), Paul Davies (ep. 4) ; edited by Graham Moore (eps. 1, 2, 4) & Paul Davies (ep. 3) AT: c1976.
Call No: SC BOX : 3.13Author: Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi ; Davies, Paul Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 2 leaves), employment agreements ( 68 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05607 [ series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Graham Hartley (ep. 2), Graeme Koetsveld (ep. 3) & Agi Szollos (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 4) & Graham Moore (eps. 2, 3) AT: c1976.
Call No: SC BOX : 3.14Author: Dunn, Roger ; Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves),amendments ( 8 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05608 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (eps. 1- 3) & Lynn Bower (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.15Author: Hartley, Graham ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05609 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) , Roger Dunn (ep. 3) & Paul Davies (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.16Author: Koetsveld, Graeme ; Dunn, Roger ; Davies, Paul Place: ATPubDate: c1976PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), employment agreements (12 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05610 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Paul Davies (ep. 2), Lynn Bower (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.17Author: Dunn, Roger ; Davies, Paul ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 121 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 7 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05611 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) , Agi Szollos (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.18Author: Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1976PhysDes: 130 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05612 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (eps. 1, 2) & Roger Dunn (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.19Author: Davies, Paul ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll (1 leaf), employment agreements ( 75 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05613 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (eps. 1, 2) & Agi Szollos (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Jock Blair (ep. 3) AT: c1976.
Call No: SC BOX : 3.20Author: Hartley. Graham ; Szollos, Agi Place: ATPubDate: c1976PhysDes: 141 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), amendments ( 2 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05614 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) & Roger Dunn (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: c1976.
Call No: SC BOX : 3.21Author: Koetsveld, Graeme ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 73 leaves), videotape artists roll (1 leaf), additional scene ( 6 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05618 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), Ray Kolle (ep. 3) & Colin Eggleston (ep. 4) ; edited by Graeme Koetsveld (eps. 1, 2) , Denis Morgan (eps. 1, 2, 4) & Lyn Ogilvy (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.25Author: Davies, Paul ; Dunn, Roger ; Kolle, Ray ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 130 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves) , employment agreements ( 55 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05619 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), Graham Hartley (ep. 3) & Lyn Bower (ep. 4) ; edited by Graeme Koetsveld ( eps. 1, 2) & Denise Morgan (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.26Author: Davies, Paul ; Dunn, Roger ; Hartley, Graham ; Bower, Lyn Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 6 leaves), employment permit (1 leaf), employment agreements ( 18 leaves), videotape artists roll ( 2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05620 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Graham Hartley (ep. 2), Colin Eggleston (ep. 3), Roger Dunn (ep. 4) ; edited by Graeme Koetsveld (eps. 1, 2) & Colin Eggleston (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.27Author: Davies, Paul ; Hartley, Graham ; Eggleston, Colin ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), employment agreements ( 37 leaves), casting call sheet ( 6 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05621 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Paul Davies (ep. 2), Graham Hartley (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.28Author: Dunn, Roger ; Davies, Paul ; Hartley, Graham ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 6 leaves), employment agreements (42 leaves), additional scenes (3 leaves), amendments (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05622 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Lyn Ogilvy (ep. 2), Roger Dunn (ep. 3), Lynn Bower (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.29Author: Davies, Paul ; Ogilvy, Lyn ; Dunn, Roger ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet (7 leaves), employment agreements (39 leaves), amendments( 4 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05623 [series 3]. Episodes 1, 2, 3, 4 / written by David Stevens (ep. 1), Graeme Koetsveld (ep. 2), Paul Davies (ep. 3) & Roger Dunn (ep. 4) ; edited by Denise Morgan (eps. 1 - 3) & Paul Davies (ep. 4) AT: c1976.
Call No: SC BOX : 3.30Author: Stevens, David ; Koetsveld, Graeme ; Davies, Paul ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 1 leaf), cast call sheet ( 4 leaves), videotape location sheet ( 4 leaves), taxi dockets (1 leaf), rehearsal schedule ( 5 leaves), employment agreements ( 47 leaves), casting call sheet ( 7 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05624 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Graeme Koetsveld (ep. 2), Lynn Bower (ep. 3), Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.31Author: Dunn, Roger ; Koetsveld, Graeme ; Bower, Lynn ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 132 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), amendments (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05625 / written by Roger Dunn (ep. 1), Lyn Ogilvy (ep. 2), Paul Davies (ep. 3) & Graeme Koetsveld (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.32Author: Dunn, Roger ; Ogilvy, Lyn ; Davies, Paul ; Koetsveld, Graeme Place: ATPubDate: c1976PhysDes: 148 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05626 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), David Stevens (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.33Author: Davies, Paul ; Dunn, Roger ; Stevens, David ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), amendments (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05629 [series 3]. Episodes 1, 2, 3, 4 / written by Everett DeRoche (ep. 1), David Stevens (ep. 2), Paul Davies( ep. 3) & Sarah Darling (ep. 4) ; edited by Denise Morgan (eps. 1-3) & Lyn Ogilvy (ep. 4) AT: c1976.
Call No: SC BOX : 3.36Author: DeRoche, Everett ; Stevens, David ; Davies, Paul ; Darling, Sarah Place: ATPubDate: c1976PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet (8 leaves), employment agreements ( 42 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05630 [series 3]. Episodes 1, 2, 3, 4 / written by Everett DeRoche (ep. 1), David Stevens (ep. 2), Paul Davies (ep. 3) & Beverley Phillips (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 4) & Denise Morgan (eps. 2, 3) AT: c1976.
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Crawford collection
script
The box : block no 05631 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Sarah Darling (ep. 2), John Smythe (ep. 3) & Beverley Phillips (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.38Author: Davies, Paul ; Darling, Sarah ; Smythe, John ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 144 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments ( 9 leaves), casting call sheet ( 7 leaves), employment agreements ( 44 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05632 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), John Smythe (ep. 2), David Stevens (ep. 3) & Everett DeRoche (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 2) & Gwenda Marsh (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.39Author: Davies, Paul ; Smythe, John ; Stevens, David ; DeRoche, Everett Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 7 leaves), videotape artists roll ( 4 leaves), casting call sheet ( 10 leaves), employment agreements ( 42 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05633 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (ep. 1), Paul Davies (ep. 2), Sarah Darling (ep. 3), Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.40Author: Bower, Lynn ; Davies, Paul ; Darling, Sarah ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 128 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements (41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05634 [series 3]. Episodes 1, 2, 3, 4 / written by John Smythe (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & Beverley Philips (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.41Author: Smythe, John ; Joshua, Michael ; Darling, Sarah ; Philips, Beverley Place: ATPubDate: c1976PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments (14 leaves), casting call sheet ( 7 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05635 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Beverley Phillips (ep. 3) & Colin Eggleston (ep. 4) ; edited by Gwenda Marsh (eps. 1, 3, 4) & Lyn Ogilvy (ep. 2) AT: c1976.
Call No: SC BOX : 3.42Author: Darling, Sarah ; Joshua, Michael ; Phillips, Beverley ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), taxi dockets (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05637 [series 3]. Episodes 1, 2, 3, 4 / written by Michael Joshua (ep. 1), Colin Eggleston (ep. 2), John Smythe (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.44Author: Joshua, Michael ; Eggleston, Colin ; Smythe, John ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 133 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), amendments ( 11 leaves), casting call sheet ( 8 leaves), employment agreements ( 21 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05638 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05639 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), John Smythe (ep. 2), Wendy Jackson (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05640 [ series 3]. Episodes 1, 2, 3, 4 / written by Colin Eggleston (ep. 1), John Smythe (ep. 2), Michael Joshua (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.47Author: Eggleston, Colin ; Smythe, John ; Joshua, Michael ; Hocking, Zilla Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), amendments ( 1 leaf), casting call sheet ( 7 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05641 [series 3]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), John Smythe (ep. 2), Beverley Phillips (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.48Author: Jackson, Wendy ; Smythe, John ; Phillips, Beverley ; Hocking, Zilla Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 6 leaves), casting call sheet ( 7 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05642 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05643 [series 3]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), Beverley Phillips (ep. 2), Michael Joshua (ep. 3) & John Smythe (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.50Author: Jackson, Wendy ; Phillips, Beverley ; Joshua, Michael ; Smythe, John Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 8 leaves), employment agreements ( 39 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05646 [series 3]. Episodes 1, 2, 3, 4 / written by AT: c1976.
Call No: SC BOX : 3.53Author: Nisselle, Alison Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 7 leaves), employment agreements ( 49 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05646 [series 3]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & Colin Eggleston (ep. 4) ; edited by Gwenda Marsh (eps. 1, 3) & Karinda Davies (eps 2, 4) AT: c1976.
Call No: SC BOX : 3.53Author: Nisselle, Alison ; Joshua, Michael ; Darling, Sarah ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 137 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 7 leaves), employment agreements ( 50 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05647 [series 3]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), Zilla Hocking (ep. 2), John Smythe (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh (eps. 1, 2, 4) & Karinda Davies (ep. 3) AT: c1976.
Call No: SC BOX : 3.54Author: Jackson, Wendy ; Hocking, Zilla ; Smythe, John ; Stevens, David Place: ATPubDate: c1976PhysDes: 130 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 7 leaves), employment agreements ( 25 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05648 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.55Author: Darling, Sarah ; Joshua, Michael ; Nisselle, Alison Place: ATPubDate: c1976PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05701 [series 4]. Episodes 1, 2, 3, 4 / written by John Smythe (ep. 1), David Stevens (ep. 2), Wendy Jackson (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05702 [series 4]. Episodes 1, 2, 3, 4 / written by Beverley Phillips (ep. 1), Alison Nisselle (ep. 2), Sarah Darling (ep. 3) & Michael Joshua (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.2Author: Phillips, Beverley ; Nisselle, Alison ; Darling, Sarah ; Joshua, Michael Place: ATPubDate: c1977PhysDes: 123 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Four copies -- Duplicate material in storage -- Includes script running order, extensive annotations -- Accompanied by videotape artists roll (4 leaves), casting call sheet ( 9 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05703 [series 4]. Episodes 1, 2, 3, 4 / written by John Smythe (ep. 1), Wendy Jackson (ep. 2), Galia Hardy (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.3Author: Smythe, John ; Jackson, Wendy ; Hardy, Galia ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), list of sets (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05704 [series 4]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.4Author: Darling, Sarah ; Joshua, Michael ; Nisselle, Alison ; Stevens, David Place: ATPubDate: c1977PhysDes: 122 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order, annotations -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 9 leaves), employment agreements ( 58 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05705 [series 4]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), Beverly Phillips (ep. 2), Alan Hardy (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.5Author: Jackson, Wendy ; Phillips, Beverly ; Hardy, Alan ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 122 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 9 leaves), casting call sheet ( 8 leaves), employment agreements ( 23 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05706 [series 4]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3), David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05707 [ series 4]. Episodes 1, 2, 3, 4 / written by Beverley Phillips (ep. 1), Wendy Jackson (ep. 2), Alan Hardy (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.7Author: Phillips, Beverley ; Jackson, Wendy ; Hardy, Alan ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 114 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by list of sets (1 leaf), taxi dockets (1 leaf, 2 copies), cast call sheet ( 2 leaves, 5 copies), videotape location sheet ( 2 leaves, 3 copies), rehearsal schedule ( 5 leaves, 6 copies), videotape artists roll ( 5 leaves, 2 copies), casting call sheet ( 8 leaves), rough artists roll ( 12 leaves), employment agreements ( 26 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05708 [series 4]. Episodes 1, 2, 3, 4 / written by Galia Hardy (ep. 1), Alison Nisselle (ep. 2), Sarah Darling (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05709 [series 4]. Episodes 1, 2, 3, 4 / written by Alan Hardy (ep. 1), Alison Nisselle (ep. 2), Beverley Phillips (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.9Author: Hardy, Alan ; Nisselle, Alison ; Phillips, Beverley ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 114 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), employment permit (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05710 [series 4]. Episodes 1, 2, 3, 4 / written by Galia Hardy (ep. 1), Beverley Phillips (ep. 2), Sarah Darling (ep. 3) & Michael Joshua (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.10Author: Hardy, Galia ; Phillips, Beverley ; Darling, Sarah ; Joshua, Michael Place: ATPubDate: c1977PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), videotape artist roll (4 leaves), employment agreements ( 44 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05711 [series 4]. Episodes 1, 2, 3, 4 / written by Alan Hardy (ep. 1), Beverley Phillips (ep. 2), Alison Nisselle (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05595 [series 3]. AT:
Call No: SC BOX : 3.2Place: ATSubject: BOX, THE [TV] (AT, 1974-77) Notes: No script available -- videotape artists roll ( 1 leaf), casting call sheet ( 8 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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personality microfilm collection
BOX, BETTY E.
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOX, BETTY E.
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title clippings file
BOX OF MOONLIGHT : (US, Tom DiCillo, 1996)
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Online resource
digital clippings file
BOX OFFICE Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOX OFFICE URL status: URL: 'http://file://Q:/S/BOX_OFFICE.zip'
Checked: 31/08/2021 12:40:58 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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Online resource
digital clippings file
BOX OFFICE. AUSTRALIA Digital clippings file available
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subject clippings file
BOX OFFICE. CHINA
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journal article
Box-office round figure receipts in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.35
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.8
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subject clippings file
BOX OFFICE. UK
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOX OFFICE. UK
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journal article
Box office up 20% second weekend of Olympics in Movie Trader (September 26 2000) p.1
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Takings for Australian box office increased by 20% during the second weekend of the Olympics.
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subject clippings file
BOX OFFICE. USA
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personality microfilm collection
BOX, SIDNEY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOX, SIDNEY
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title clippings file
BOX, THE : (AT, Paul Eddey, 1975)
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title clippings file
BOX, THE : (US, Richard Kelly, 2009)
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title clippings file
BOXER : (JA, Shuji Terayama, 1977)
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title clippings file
BOXER A SMRT : (CS, Peter Solan, 1962)
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personality clippings file
BOXER, JOHNNY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOXER, JOHNNY
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still
[Boxer: stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 11 x 7 cm - 20 x 25 cmSubject: BOXER (AT, Laurie McInnes, 1984) Summary: Two black and white photographs relating to the documentary Boxer
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title clippings file
BOXER, THE : (UK/IE/US, Jim Sheridan, 1997)
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title clippings file
Boxer, The : AT, Laurie McInnes. 1984
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title clippings file
BOXER, THE: ADVENTURES IN ANIMATION 3D : (CN, Pierre Lachapelle, 2004)
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title clippings file
BOXING DAY : (AT, Kriv Stenders, 2007)
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subject clippings file
BOXING FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOXING FILMS
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title clippings file
BOXING FOR PALM ISLAND : (AT, Adrian Wills, 2010)
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title clippings file
BOXING HELENA : (US, Jennifer Chambers Lynch, 1993)
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personality microfilm collection
BOXLEITNER, BRUCE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOXLEITNER, BRUCE
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title clippings file
BOXTROLLS, THE : US, Graham Annable and Anthony Stacchi, 2014
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title clippings file
BOY : (NZ, Taika Waititi, 2010)
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title clippings file
BOY A : (UK, John Crowley, 2007)
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journal article
A boy, a girl and a bike in Film Index iss.28
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title clippings file
BOY AND HIS DOG, A : (US, L. Q. Jones, 1975)
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title clippings file
BOY CALLED HATE, A : (US, Mitch Marcus, 1995)
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title clippings file
THE BOY CASTAWAYS : AT, Michael Kantor, 2013
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journal article
The Boy Cried Murder in Film Index iss.28
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journal article
The Boy Cried Murder in Kine Weekly (1966) vol.12 iss.11 p.10
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journal article
Boy, Did I get a wrong number! in Australian Film Guide (1967) iss.February p.19
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title clippings file
BOY DOWNSTAIRS, THE : (US, Sophie Brooks, 2017)
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title clippings file
BOY ERASED : (US, Joel Edgerton, 2018)
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poster
[Boy erased: poster] 2018.
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title clippings file
BOY FRIEND, THE : (UK, Ken Russell, 1971)
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title clippings file
BOY FROM MERCURY, THE : (IE/FR/UK, Martin Duffy, 1996)
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title clippings file
BOY IN BLUE, THE : (CN/US, Charles Jarrott, 1986)
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title clippings file
BOY IN THE BUSH, THE : [TV] (AT, Rob Stewart, 1983)
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title clippings file
BOY IN THE STRIPED PYJAMAS, THE : (UK/US, Mark Herman, 2008)
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title clippings file
BOY MEETS GIRL : (FR, Leos Carax, 1984)
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title clippings file
BOY NAMED CHARLIE BROWN, A : (US, Bill Melendez, 1969)
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title clippings file
Boy on a Dolphin : US, Jean Negulesco, 1957
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title clippings file
BOY WHO COULD FLY, THE : (US, Nick Castle, 1986)
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title clippings file
BOY WHO CRIED BITCH, THE : (US, Juan Campanella, 1991)
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title clippings file
BOY WHO HAD EVERYTHING, THE : (AT, Stephen Wallace, 1985)
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title clippings file
BOY WHO HARNESSED THE WIND, THE : (UK, Chiwetel Ejiofor, 2019)
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title clippings file
BOY WHO PLAYS ON THE BUDDHAS OF BAMIYAN, THE : (UK/AF, Phil Grabsky, 2004)
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journal article
The boy who stole a million in Film Index iss.28 p.73
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personality microfilm collection
BOYCE, TODD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYCE, TODD
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title clippings file
BOYCHOIR : (US, Francois Girard, 2014)
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personality microfilm collection
BOYD-ANDERSON, BARBARA
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personality clippings file
BOYD, GORDON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOYD, GORDON
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personality microfilm collection
BOYD, MURRAY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYD, MURRAY
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digital clippings file
BOYD, RUSSELL Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOYD, RUSSELL URL status: URL: 'http://file://Q:/P/BOYD,_RUSSELL.zip'
Checked: 31/08/2021 12:47:13 PM
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personality microfilm collection
BOYDEN, SALLY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYDEN, SALLY
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personality microfilm collection
BOYER, CHARLES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYER, CHARLES
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title clippings file
BOYFRIENDS : (UK, Neil Hunter & Tom Hunsinger, 1996)
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digital clippings file
BOYHOOD : US, Richard Linklater, 2014 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BOYHOOD (US, Richard Linklater, 2014) URL status: URL: 'http://file://Q:/T/BOYHOOD.zip'
Checked: 31/08/2021 1:26:41 PM
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script
Boyhood / Written by Richard Linklater US: 2014.
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personality clippings file
BOYLAN, KREW
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOYLAN, KREW
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personality microfilm collection
BOYLE, DANNY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYLE, DANNY
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personality microfilm collection
BOYLE, LARA FLYNN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYLE, LARA FLYNN
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personality clippings file
BOYLE, PETER
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOYLE, PETER
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subject clippings file
BOYLE, TIM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOYLE, TIM
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title clippings file
BOYS : (US, Stacy Cochran, 1996)
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Interim
book
The boys / Stephen Sewell Sydney: Currency Press, 1997.
Call No: 79BOY SEWAuthor: Stephen Sewell Source: Currency PressPlace: SydneyPublisher: Currency PressPubDate: 1997PhysDes: 95 p ; 21 cmSubject: BOYS, THE (AT, Rowan Woods, 1998) Summary: Steve Sprague meets his brother Brett at the prison gates. Brett is holding a coffee table, "A year's work", he says. None of the family visited Brett the entire time he was away. Based on the controversial stage play by Gordon Graham, The Boys is a scarifying and unflinching analysis of the violence that lurks in the heart of Australian society. [Taken from back cover].ISBN: 0868195693
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book
The boys / by Andrew Frost Sydney: Currency Press, 2010.
Call No: 79 BOY FROAuthor: Frost, Andrew Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2010PhysDes: 72 p. ; 19 cm.Series: Australian screen classicsSubject: GRAHAM, GORDAN ; BOYS, THE (AT, Rowan Woods, 1998) Summary: " Lauded by many as one of the most powerful Australian films made in the past 20 years, Rowan Woods' stunning debut feature The Boys touched off a storm of media controversy upon its release in 1998. The film evoked vivid memories of the 1986 rape and murder of a young Sydney woman named Anita Cobby. Although Woods' film was fictional, The Boys remains inextricably connected to its real-life counterpart in the minds of many viewers. But that connection is only part of the story behind the making of The Boys. In this thoughtful and thought-provoking essay, Andrew Frost contextualises the major thematic concerns of the film onto the broader context of social anxieties about violence, crime and morality. Frost chronicles his own personal journey with the film and its makers from art school to the underground Super 8 filmmaking scene of Sydney in the mid-1980s, from the early short films of director Woods to the multiple award-winning The Boys. Frost discovers new aspects of The Boys even today and wonders if its stinging moral message has been heard among the clamour of everyday suburban life " -- BOOK BLURBNotes: Includes bibliography (p. 69) and filmography (p. 70-71)ISBN: 9780868198620Donation: Donated by Senses Of Cinema, 2009
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title clippings file
BOYS AND BALLS : (AT, Sue Thomson, 1994)
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title clippings file
BOYS AND GIRLS : (US, Robert Iscove, 2000)
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title clippings file
BOYS ARE BACK, THE : (AT, Scott Hicks, 2009)
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title clippings file
BOYS DON'T CRY : (US, Kimberly Peirce, 1999)
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title clippings file
BOYS FROM BRAZIL : (BL/UK, John Paul Davidson, 1993)
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title clippings file
BOYS FROM BRAZIL, THE : (US, Franklin J. Schaffner, 1978)
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title clippings file
BOYS FROM THE BUSH, THE : [TV] (AT, 1991)
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title clippings file
BOYS GRAMMAR : (AT, Dean Francis, 2004)
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journal article
Boys in Brown in Film Index iss.28 p.72
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title clippings file
BOYS IN COMPANY C, THE : (HK, Sidney J. Farie, 1978)
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title clippings file
BOYS IN LOVE 2 : (US, Todd Downing & Patrick McGuinn, 1998)
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journal article
The boys in the band in Interview (1970) vol.1 iss.6 p.23-24
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Online resource
digital clippings file
BOYS IN THE BAND, THE : (US, William Friedkin, 1970) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOYS IN THE BAND, THE (US, William Friedkin, 1970) URL status: URL: 'http://file://Q:/T/BOYS_IN_THE_BAND,_THE.zip'
Checked: 31/08/2021 1:07:45 PM
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title clippings file
BOYS IN THE TREES : (AT, Nicholas Verso, 2016)
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title clippings file
BOYS LIFE : (US, Brian Sloan, Raoul O'Connell & Robert Lee King, 1994)
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title clippings file
BOYS LIFE 2 : (US, Nickolas Perry, Tom DeCerchio, Mark Christopher & Peggy Rajski, 1997)
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title clippings file
BOYS LIFE 3 : (FR/US, Gregory Cooke & David Fourier & Jason Gould & Bradley Rust Gray & Lane Janger, 2000)
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title clippings file
BOYS NEXT DOOR, THE : (US, Penelope Spheeris, 1985)
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title clippings file
BOYS OF ST VINCENT, THE : (CN, John N. Smith, 1993)
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title clippings file
BOYS ON THE SIDE : (US, Herbert Ross, 1995)
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title clippings file
BOYS, THE : (AT, Rowan Woods, 1998)
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script
Boys, The
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title clippings file
BOYS TO MEN : (US, Phillip J. Bartell & Carl Pfirman, 2001)
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title clippings file
BOYS TOWN : (US, Norman Taurog, 1938)
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journal article
Boys will be boys in Film Index iss.28 p.72
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journal article
Boys will be girls in Film Index iss.28 p.72
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title clippings file
BOYTOWN : (AT, Kevin Carlin, 2006)
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poster
[Boytown : poster]
Call No: P BOYPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BOYTOWN (AT, Kevin Carlin, 2006) Summary: Image: a photo of Gary Eck, Bob Franklin, Glenn Robbims, Mick Molloy and Wayne Hope as the band Boytown. Text: 'Population five/Featuring 12 hits including "Pussywhipped" and "I cry"'.Notes: Quite knocked about on the sides with a couple of small tears on the left side.
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title clippings file
Boyz in the Hood : US, John Singleton, 1991
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personality microfilm collection
BOZICH, HELENA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOZICH, HELENA
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personality clippings file
BOZON, SERGE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOZON, SERGE
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title clippings file
BOZSKA EMA : (CS, Jiri Krejcik, 1978)
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title clippings file
BRA BOYS
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journal article
Bra Boys in Empire (Australian Ed.) (April 2007) iss.73 p.19
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journal article
Bra Boys in Empire (Australian Ed.) (October 2007) iss.79 p.127
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poster
[Bra Boys : poster]
Call No: P BRAPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BRA BOYS (AT, Sunny Abberton, 2007) Summary: Image: a photo of Macario DeSouza, Koby Abberton and Sunny Abberton. Text: ' Blood is thicker than water/Narrated by Russell Crowe'.
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personality clippings file
BRAAKENSIEK, ANNALISE
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journal article
Bracelets in Film Index iss.28 p.73
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personality clippings file
BRACEY, LUKE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRACEY, LUKE
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personality microfilm collection
BRACKEN, EDDIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRACKEN, EDDIE
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book
Bracken's world : Sound Stage / Daoma Winston New York: Paperback Library,
Call No: N79BRA WINAuthor: Winston, Daoma Source: USPlace: New YorkPublisher: Paperback LibraryPhysDes: 160 p. ; 18 cmSeries: Bracken's WorldSubject: BRACKEN'S WORLD [TV] (US, 1969-70) Notes: A dramatic new novel based on NBC TV's hit showDonation: donated by the family of Wayne Levy, 2006
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personality clippings file
BRACKS, STEVE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRACKS, STEVE
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title clippings file
BRAD : (AT, Phillip Noyce, 1982)
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title clippings file
BRAD'S STATUS : (US, Mike White, 2017)
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personality microfilm collection
BRADBURY, DAVID
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADBURY, DAVID
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still
[Bradbury, David : portrait of the director David Bradbury]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BRADBURY, DAVID Summary: Portrait of director David Bradbury wearing a suit and bow tie holding and award and giving an acceptance speech at an awards ceremony.Notes: The words 'David Bradbury' are written in pencil on the bottom left hand corner on the reverse of the photograph.
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personality microfilm collection
BRADBURY, RAY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADBURY, RAY
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title clippings file
BRADDOCK: MISSING IN ACTION III : (US, Aaron Norris, 1988)
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personality microfilm collection
BRADDON, RUSSELL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADDON, RUSSELL
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personality clippings file
BRADFORD, JESSE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADFORD, JESSE
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personality clippings file
BRADLEY, DAVID
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADLEY, DAVID
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personality clippings file
BRADLEY, GRAHAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADLEY, GRAHAM
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personality microfilm collection
BRADLEY, IAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADLEY, IAN
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title clippings file
BRADMAN ERA : (AT, Albie Thoms, 1948)
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personality clippings file
BRADNAM, ASHLEY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADNAM, ASHLEY
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personality clippings file
BRADNAM, JANICE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADNAM, JANICE
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personality microfilm collection
BRADSHAW, DAVID
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADSHAW, DAVID
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title clippings file
BRADY BUNCH MOVIE, THE : (US, Betty Thomas, 1995)
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title clippings file
BRADY BUNCH, THE [TV] : (US, 1969-74)
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personality clippings file
BRADY, PETA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADY, PETA
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personality microfilm collection
BRADY, TAIT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADY, TAIT
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personality clippings file
BRADY, WAYNE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADY, WAYNE
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personality clippings file
BRAFF, ZACH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRAFF, ZACH
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personality microfilm collection
BRAGA, SONIA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRAGA, SONIA
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personality microfilm collection
Bragaglia, Carlo Ludovico
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title clippings file
BRAID : (US, Mitzi Peirone, 2019)
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title clippings file
BRAILLE : (AT, Matthew Chuang, 2009)
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title clippings file
Brain Damage : US, Frank Henenlotter, 1988
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title clippings file
BRAIN DONORS : (US, Dennis Dugan, 1992)
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journal article
The Brain Machine in Film Index iss.28 p.73-74
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title clippings file
BRAIN SMASHER : (US, Albert Pyun, 1993)
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title clippings file
BRAIN, THE : (CN, Edward Hunt, 1988)
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title clippings file
Brain, The [TV] : US, 1984
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title clippings file
Braindead : NZ, Peter Jackson, 1992
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title clippings file
BRAINSCAN : (US, John Flynn, 1994)
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title clippings file
BRAINSTORM : (US, Douglas Trumbull, 1983)
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personality microfilm collection
BRAKEL, NOUCHKA VAN
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personality microfilm collection
BRAKHAGE, STAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRAKHAGE, STAN
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title clippings file
BRAM STOKER'S DRACULA : (US, Francis Ford Coppola, 1992)
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personality clippings file
BRAMMALL, PATRICK
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script
Bran nue dae / written by Reg Cribb, Rachel Perkins & Jimmy Chi AT: [2008].
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title clippings file
BRAN NUE DAE : AT, Tom Zubrycki, 1991
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poster
[Bran nue dae : poster]
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personality microfilm collection
BRANAGH, KENNETH
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRANAGH, KENNETH
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personality clippings file
BRANCATISANO, RICHARD
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personality microfilm collection
BRAND, NEIL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRAND, NEIL
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personality clippings file
BRAND, RUSSELL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRAND, RUSSELL
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journal article
Brand X, tragical-comical, as life is today in Interview (1970) vol.1 iss.8 p.23
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personality clippings file
BRANDAUER, KLAUS MARIA
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Online resource
digital clippings file
BRANDING Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BRANDING Cross Reference: BRANDING
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personality clippings file
BRANDIS, GEORGE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRANDIS, GEORGE
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title clippings file
BRANDMALE : (GW, George Moorse, 1982)
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journal article
Brandmale in Kino (1982) iss.3 p.23-24
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book
Brando / David Shipman London: Macmillan, 1974.
Call No: 81BRA SHIAuthor: Shipman, David Place: LondonPublisher: MacmillanPubDate: 1974PhysDes: 127 p. : ill. (some col.) ; 26 cmSubject: BRANDO, MARLON Notes: Includes index; Filmography: p. 122-125; Bibliography: p. 127ISBN: 0333156579 : ª1.95LON: 74196790; 353945
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digital clippings file
BRANDO, MARLON Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BRANDO, MARLON
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title clippings file
BRANDON TEENA STORY, THE : (US, Susan Muska & Greta Olafsdottir, 1997)
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Brandy for the parson in Film Index iss.28 p.74
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BRANNIGAN : (UK, Douglas Hickox, 1975)
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BRANWEN : (UK, Ceri Sherlock, 1994)
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BRAQUO [TV] : (FR, 2009-2016)
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BRAS CUBAS : (BL, Julio Bressane, 1985)
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BRAS DE FER : (FR, Gerard Vergez, 1985)
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BRASILEIRINHO : (FI/BL/SZ, Mika Kaurismaki, 2005)
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BRASS BOTTLE, THE : (FR, Harry Keller, 1964)
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journal article
The Brass Monkey in Film Index iss.28 p.74
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BRASS TARGET : (US, John Hough, 1978)
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BRASS, TINTO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRASS, TINTO
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title clippings file
BRASSED OFF : (UK, Mark Herman, 1996)
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BRAT : (RU, Aleksej Balabanov, 1997)
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BRAT 2 : (RU, Aleksej Balabanov, 2000)
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BRAT'JA KARAMAZOVY : (UR, Ivan Pyr'ev, 1969)
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BRATT, BENJAMIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRATT, BENJAMIN
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BRATZ: THE MOVIE : (US, Sean McNamara, 2007)
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BRAUGHER, ANDRE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRAUGHER, ANDRE
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BRAVE : (AT, Alfredo Peyretti, 1994)
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BRAVE : (US, Mark Andrews/Brenda Chapman/Steve Purcell, 2012)
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The brave don't cry in Film Index iss.28 p.74
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Brave Little Toaster, The : US/TZ, Jerry, Rees, 1987
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BRAVE ONE, THE : (US/AT, Neil Jordan, 2007)
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BRAVEHEART : (US, Mel Gibson, 1995)
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BRAVEN : (CN, Lin Oeding, 2018)
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Bravo Maestro in News. Yougoslavia Film iss.126 p.4
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BRAWL IN CELL BLOCK 99 : (US, S. Craig Zahler, 2017)
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BRAZEN HUSSIES : (AT, Catherine Dwyer, 2021) Digital clippings file available
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[Brazen hussies: poster] : The women who started a feministrevolution in Australia / Design: Lin Tobias Australia: 2021.
Call No: P BRAAuthor: Tobias, Lin Place: AustraliaPubDate: 2021PhysDes: 1 poster : colour ; 70 x 100 cmSubject: BRAZEN HUSSIES (AT, Catherine Dwyer, 2021) Summary: Image: Top of poster has a photo showing protesters at International Women's Day. Beneath is a stencil art representation of a woman with the film title superimposed.
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BRAZIER, CAROLINE
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BRAZIL
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BRAZIL
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BRAZIL : (UK, Terry Gilliam, 1985)
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journal article
Brazil in Hobart Film News (April 1986) vol.39 iss.3
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book
Brazil / Paul McAuley New York: Palgrave Macmillan, 2014.
Call No: 79BRA MCAAuthor: McAuley, Paul J. Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: 96 pages : colour illustrations ; 19 cm.Series: BFI film classicsSubject: BRAZIL (UK, Terry Gilliam, 1985) Summary: When the American distributors of Brazil (1985) saw the European cut of Terry Gilliam's film, they raved about its visual brilliance but demanded extensive cuts. Gilliam's successful guerrilla battle to preserve the integrity of his film became the stuff of Hollywood legend, and Brazil is now acclaimed as one of the best science fiction films of the last thirty years – and the key film in Gilliam's
storied career.
Paul McAuley traces Brazil's production and critical reception, analyses its retro-futuristic imagery and inventive sequences, and unpicks the narrative's intricate web of accident, coincidence and allusion. Exploring themes such as the costs of colluding with authority and the power and uses of fantasy, a recurring motif in Gilliam's films, McAuley considers the film's relationship with the dystopian trend that dominated the science fiction film genre of the 1970s and 80s. He shows how its satire on mindless consumerism and the unchecked powers of the state remains more relevant than ever today. -- (extract taken from the back of the book)Notes: Includes bibliography. -- Published by Palgrave Macmillan on behalf of the British Film InstituteISBN: 9781844577941Contents: 'Brazil' -- Conclusion -- Notes -- Credits -- Bibliography.
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poster
[Brazil: poster] : The vampire chronicles United States: 1994.
Call No: P BRAPlace: United StatesPubDate: 1994PhysDes: 1 poster : colour ; 43 x 70 cmSubject: BRAZIL (UK, Terry Gilliam, 1985) Summary: Image: Illustration of a terrfied man awake in a bed that is falling between buildings.
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book
Brazilian cinema / edited by Randal Johnson and Robert Stam Austin: University of Texas Press, 1988, c1982.
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newspaper article
Brazin music earnings out of tune in The Age [Business] (06/03/2003) p.8
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Wood, Leonie Subject: BRAZIN LTD ; DVD ; DUFFELL, IAN Summary: Brazin having some problems on the stock market, particularly with its Sanity music/video retail store.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Mr Duffell conceded that the retailer had been too slow in extending its offer of music and movie DVDs when JB and HMV entered the market, and now had to win back lost ground."; -- "Mr Duffell said DVD sales had grown from 6 per cent of Sanity's Australian sales a year ago to about 20 per cent, and this was expected to rise to about 30 per cent."
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BRAZZI, ROSSANO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRAZZI, ROSSANO
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title clippings file
BREACH : (US, Billy Ray, 2007)
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journal article
Breach of Promise in Film Index iss.28 p.74-75
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BREACHING TRANSMISSIONS : (UK, Sally Golding, 2015)
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BREAD : (IS, Ram Loevy, 1986)
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BREAD AND DRIPPING : (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982)
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journal article
Bread and dripping in Filmviews (December 1982) vol.27 iss.114 p.28
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BREAD AND ROSES : (NZ, Gaylene Preston, 1993)
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BREAD AND ROSES : (IT/UK/FR/GG/SP/S, Ken Loach, 2000)
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BREAD FACTORY, A [PART ONE & PART TWO] : (US, Patrick Wang, 2018)
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BREAD FACTORY PART ONE FOR THE SAKE OF GOLD : (US, Patrick Wang, 2018)
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BREAD [TV] : (AT, 2003)
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BREADWINNER, THE : (IE/ CN/ LU, Nora Twomey, 2017)
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journal article
The Break in Film Index iss.28
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BREAK AND ENTER : (AT, Amanda Brotchie, 1999)
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journal article
Break in the circle in Film Index iss.28 p.75
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BREAK OF DAWN : (US, Issac Artenstein, 1988)
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BREAK OF DAY : (AT, Ken Hannam, 1976)
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book
Break of day / [by] Cliff Green Sydney: Hodder and Stoughton, 1976.
Call No: 79BRE GREAuthor: Green, Cliff, 1934 Place: SydneyPublisher: Hodder and StoughtonPubDate: 1976PhysDes: 159p. ; 22cmSubject: BREAK OF DAY (AT, Ken Hannam, 1976) Notes: Novels in English. Australian writers, 1945-. Texts (ANB/PRECIS SIN 0000116)ISBN: 0340216069 : $5.95 Aust; 0340216212 (Paperback)LON: anb34021606; 875468
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BREAK, THE : (AT, Bruce Beresford, 1978?)
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Break the news in Film Index iss.28 p.76
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Break Town Monogatari : JP, Masayuki Asao, 1985
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BREAK-UP THE : (US, Peyton Reed, 2006)
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BREAKAWAY : (US, Sean Dash, 1995)
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BREAKAWAY : [TV] (AT, Don McLennan, 1990)
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BREAKDOWN : (US, Jonathan Mostow, 1997)
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BREAKDOWN : (US, Kathryn Bigelow & Monty Montgomery, 1981)
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title clippings file
Breakdown : US, Kathryn Bigelow & Monty Montgomery, 1981
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book
The breaker / Kit Denton Melbourne: Angus and Robertson, 1973.
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BREAKER MORANT : (AT, Bruce Beresford, 1980)
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script
Breaker Morant : shooting script [1979].
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script
Breaker Morant : post-production script [1980?].
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book
Breaker Morant : his exploits shook an empire and made him a legend / South Australian Film Corporation presents Breaker Morant [Adelaide?: The Corporation?, 1979?].
Call No: 79BRE BRECorpAuthor: South Australian Film CorporationPlace: [Adelaide?Publisher: The Corporation?PubDate: 1979?]PhysDes: 76 leaves : ill. ; 30 cmSubject: BREAKER MORANT (AT, Bruce Beresford, 1980) Notes: Cover title; Includes bibliographical referencesLON: abn92330099; 9453325
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book
Breaker Morant : a play in two acts / by Kenneth Ross Melbourne: Edward Arnold (Australia), 1979.
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book
Breaker Morant : breaking in the Breaker / Gary Simmons Melbourne: Australian Centre for the Moving Image, 2003.
Call No: 79BRE SIMAuthor: Simmons, Gary Source: ATPlace: MelbournePublisher: Australian Centre for the Moving ImagePubDate: 2003PhysDes: x, 58 p. : ill. ; 21 cmSeries: ACMI Study GuidesSubject: BREAKER MORANT (AT, Bruce Beresford, 1980) Summary: A study guide for VCE Year 12 students, the text has various features: an analysis of the film's context, the use of film language, critical perspective, analyses of key scenes, practical activities, and sample questions based on the English Study Design. [taken from back cover]ISBN: 1920805044
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journal article
Breaker Morant in Metro (Autumn 1980) iss.51 p.6-19
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newspaper article
Breaker Morant and fellow officer 'were guilty as sin' in Weekend Australian [Inquirer] (29/07/2017) p.20
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dvd
Breaker Morant [DVD] Stax Entetainment, [2005?].
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poster
[Breaker Morant : poster, double-sided AT:
Call No: P BREPlace: ATPhysDes: 1 poster : col. : double sided ; 84 X 59 cm.Subject: BREAKER MORANT (AT, Bruce Beresford, 1980) Summary: Colour double sided poster. Features Edward Woodward in uniform on a horse holding a gun. Text reads: 'His exploits shook an empire and made him a legend'. Double-sided poster, synopses and stilld from the film on back.Notes: Double-side; Fold creasesID2: 44
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journal article
Breaker Morant wins 'Most popular' award in Australian Film Review (26 May - 8 June 1983) vol.1 iss.8 p.8
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journal article
Breaker sold to China in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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title clippings file
BREAKER UPPERERS, THE : (NZ, Madeleine Sami & Jackie van Beek, 2018)
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BREAKERS : [TV] (AT, 1998-)
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journal article
Breakers Ahead in Film Index iss.28 p.75
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BREAKFAST AT TIFFANY'S : (US, Blake Edwards, 1961)
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journal article
The Breakfast Club in Metro (1985) iss.67 p.36-37
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book
The Breakfast Club : John Hughes, Hollywood, and the golden age of the teen film / Elissa H. Nelson Oxon: Routledge, 2019.
Call No: 78 BRE NELAuthor: Nelson, Elissa H. Edition: 2019Place: OxonPublisher: RoutledgePubDate: 2019PhysDes: 128 pages : illustrated ; 23cmSubject: BREAKFAST CLUB, THE (US, John Hughes, 1985) Summary: The Breakfast Club is a quintessential teen film. This book analyzes how multiple factors coalesced to solidify the status of The Breakfast Club as one of the most emblematic films of the 1980s and one of the most definitive teen films of the genre. The film brings together genre-defining elements – the conflicts between generations and peer pressure, archetypical characters and breaking down stereotypes, the celebration and survival of adolescence, and the importance of this time in life on the coming-of-age process – and became a significant moment for John Hughes as an auteur and for teen films in the 1980s. More than just embodying these elements of the genre, filmmaker Hughes and the Brat Pack stars helped introduce and popularize multiple generic features that would come to be expected with the teen film formula. The content of the film combined with its context of production in the middle of a boom in teen filmmaking in Hollywood. Meanwhile, the marketing that focused on contemporary music, peer group dynamics, and oppositions between Generation X and baby boomers, merged with an enthusiastic reception by youth audiences. Its endurance speaks to the way the film’s level of importance as a critical, commercial, and influential film with tremendous impact has grown since its initial debut. -- publisher's web siteISBN: 9781138681927Contents: Introduction: The Breakfast Club and the Golden Age of the Teen Film -- Chapter 1: The Right Place at the Right Time: How the Market Was Primed for the Production of The Breakfast Club -- Chapter 2: Rules of the Genre: Creating Iconic Characters while Breaking Down Stereotypes -- Chapter 3: Teen Problems in the 1980s, and Generation X and Baby Boomers Just Don’t Get Along -- Chapter 4: The Synergistic Effects of the Marketing and the Music -- Chapter 5: The Lasting Legacy: Historical Reception, Contemporary Impact, and Hughes as Auteur
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BREAKFAST CLUB, THE : (US, John Hughes, 1985)
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BREAKFAST IN PARIS : (AT, John Lammond, 1982)
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journal article
Breakfast in Paris, RIP in Theatre Australia (May 1982) vol.6 iss.8 p.51
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still
[Breakfast in Paris : stills file]
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BREAKFAST NEWS [TV] : (AT, 2008-)
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BREAKFAST OF CHAMPIONS : (US, Alan Rudolph, 1999)
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script
Breakfast of champions [1997].
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BREAKFAST ON PLUTO : (IE/UK, Neil Jordan, 2005)
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BREAKHERT PASS : (US, Tom Gries, 1976)
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BREAKIN' : (US, Joel Silberg, 1984)
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BREAKIN' 2 ELECTRIC BOOGALOO : (US, Sam Firstenberg, 1984)
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BREAKING AND ENTERING : (UK/US, Anthony Minghella, 2006)
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BREAKING AWAY : (US, Peter Yates, 1979)
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book
Breaking away / Joseph Howard; based on the screenplay by Steve Tesich New York: Warner Books, 1979.
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BREAKING BAD : (US, 2008)
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book
Breaking bad / Christopher Sharrett Detroit, Mich: Wayne State University Press, 2021.
Call No: 79 BRE SHAAuthor: Sharett, Christopher Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2021PhysDes: 110 p. : ill. ; 18 cmSeries: TV MilestonesSubject: BREAKING BAD [TV] (US, 2008-2013) Summary: Breaking Bad (2008–2013), a remarkable synthesis of the crime film, the sitcom, the western, and the family melodrama, is a foundational example of new television in the early twenty-first century. Receiving multiple Emmy Awards, it launched the careers of its creators and stars, most notably Bryan Cranston as high school teacher turned drug manufacturer Walter White, whose attempt to grab the American dream results in the destruction of family, home, community, and himself. In this book, Christopher Sharrett examines the innovations of Breaking Bad through a study of its main character, using psychoanalysis, genre study, gender studies, American studies, and the graphic arts to assist an exploration of the supreme danger of modern, postindustrial toxic masculinity embodied in Walter White.
Serving as a fresh start for the American Movie Classics (AMC) cable outlet, Breaking Bad is probably the most uncompromised rendering of the white American male’s rage in early twenty-first-century fiction. Set against a deindustrialized American landscape, its conflicted morality can seem less ambiguous than repugnant when we note the use of humor throughout, particularly as characters are introduced and killed off. Walter’s relationships with his son, who has cerebral palsy, his former student turned business partner, his long-suffering wife, and his DEA brother-in-law are layered on top of the show’s reflection of the very real challenges facing America today, which are not limited to the opioid epidemic, lax gun laws, and racial violence.
Some critics have accused Breaking Bad of inciting a disturbance rather than criticizing, as it relies heavily on the audience’s humor. Sharrett’s argument for why the show is the canniest dramatic insight of our times is worth the price of admission for scholars and students of media studies and superfans alike.-- publisher's blurbISBN: 9780814342565Language: English
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BREAKING BOWS AND ARROWS : (AT, Liz Thompson, 2000)
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[Breaking bows and arrows : stills file] / Liz Thompson
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BREAKING GLASS : (UK, Brian Gibson, 1980)
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BREAKING HABITS : (UK, Robert Ryan, 2018)
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BREAKING IN : (US, Bill Forsyth, 1989)
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BREAKING IN : (JA/US,James McTeigue,2018)
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BREAKING LEGS : (US, Tom Dulak, 1993)
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[Breaking loose : poster] 1988.
Call No: P BRESource: ATPubDate: 1988PhysDes: 1 poster : colour ; 69 x 34 cmSubject: BREAKING LOOSE - SUMMER CITY II (AT, Rod Hay, 1987) Summary: Image: On a grey and blue background, three figures, a shirtless man in the middle wearing sunglasses, another man to the left of him in post apocalyptic attire and a woman to the right wearing a burnt orange bikini and carrying a surfboard. From below the central figure an aqua chevrolet bursts in as if breaking through from behind the poster. Mechandise logo features a rabid black dog with a spiked collar chewhing on a bone in bottom left hand corner.
Text: Living Fast... Dying Young!
Pinholes in corners and folds.
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BREAKING LOOSE - SUMMER CITY II : (AT, Rod Hay, 1987)
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still
[Breaking of the drought : stills file]
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BREAKING OF THE DROUGHT, THE : (AT, Franklyn Barrett, 1920)
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journal article
The Breaking Point in Film Index iss.28 p.75
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BREAKING POINT, THE : (US, Michael Curtiz, 1950) Digital clippings file available
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BREAKING SILENCE : (US, Theresa Tollini, 1985)
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BREAKING THE ICE : (AT, Ian Cuming, 1996)
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BREAKING THE NEWS : (AT, Nicholas Hansen, 2011)
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BREAKING THE RULES : (US, Neal Israel, 1992 [prod. 1989])
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BREAKING THE SILENCE: TRUTH AND LIES IN THE WAR ON TERROR : (UK, John Pilger, 2003)
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BREAKING THE WAVES : (DK/FR, Lars Von Trier, 1996)
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BREAKING THROUGH : (AT, Jackie McKimmie, 1991)
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BREAKING UP : (AT, Kathy Mueller, 1985)
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journal article
Breakout in Film Index iss.28 p.75
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BREAKTHROUGH : (US, Roxann Dawson, 2019)
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BREAKTHROUGH [TV] : (US, 2015-)
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personality microfilm collection
BREALEY, GIL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BREALEY, GIL
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still
[Brealey, Gil : informal portrait of Gil Brealey]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 20 x 12 cm.Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; BREALEY, GIL Notes: Two stickers on the back of the photograph. First sticker has the name of the producer (Don Murray) and director (Gil Brealey)and the title of the film 'Annies's coming out'. Second sticker has the director's name and the words 'best direction Annies's coming out'. There is no information on the sticker to establish which award ceremony the director was given this award.
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BREAST MEN : (US, Lawrence O'Neil & Gary Lucchesi, 1997)
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BREATH : (AT, Simon Baker, 2017)
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BREATH, A : (AT, Christopher Tuckfield, 1998)
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journal article
Breath of Life in Film Index iss.28 p.76
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poster
[Breath: poster] AT: 2018.
Call No: P BREPlace: ATPubDate: 2018PhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BREATH (AT, Simon Baker, 2017) Notes: Image with oceanDonation: Cinema Nova
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poster
[Breath: poster] AT: 2018.
Call No: P BREPlace: ATPubDate: 2018PhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BREATH (AT, Simon Baker, 2017) Notes: Image with male characters holding surf boardsDonation: Cinema Nova
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BREATHE : (UK, Andy Serkis, 2017)
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BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN : US, Jessica Yu, [1997]
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BREATHING ROOM : (US, Jon Sherman, 1996)
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BREATHING UNDER WATER : (AT, Susan Murphy Dermody, 1991)
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BREATHLESS : (US, Jim McBride, 1983)
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Interim
book
Breathless : A 24-page celebration of French cinema / Edited by Barry McIlheney [s.l.]: [s.n.], [19-?].
Call No: 71(44) BRESource: USPlace: [s.l.]Publisher: [s.n.]PubDate: [19-?]PhysDes: 22 p. ; ills.Subject: FRANCE ; ACTORS. FRANCE ; BARDOT, BRIGITTE ; BIRKIN, JANE ; ARLETTY ; DELON, ALAIN ; BINOCHE, JULIETTE ; KARINA, ANNA ; GIRARDOT, HIPPOLYTE ; MARAIS, JEAN ; DENEUVE, CATHERINE ; BEART, EMMANUELLE ; BELMONDO, JEAN-PAUL ; BOUQUET, CAROLE ; DEPARDIEU, GERARD ; BONNAIRE, SANDRINE ; GABIN, JEAN ; MONTAND, YVES ; AIMEE, ANOUK ; DALLE, BEATRICE Notes: Photobook insert from Premiere Magazine in association with Pernod.
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journal article
Breathless in Facet features (August 1983) p.8-10
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personality clippings file
BRECHT, BERTOLT
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRECHT, BERTOLT
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book
The Brechtian aspect of radical cinema / Martin Walsh ; edited by Keith M. Griffiths London: BFI Pub., 1981.
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journal article
Breeding In Captivity in Australian Cinematographer (March 2013) iss.57 p.26-37
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personality clippings file
BREEDS, REBECCA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BREEDS, REBECCA
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BREER, ROBERT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BREER, ROBERT
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BREGOVICH, GORAN
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BREILLAT, CATHERINE
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BREINERSDORFER, FRED
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BREITZ, CANDICE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BREITZ, CANDICE
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BREMER FREIHEIT : (GW, Rainer Werner Fassbinder, 1972)
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BREN, FRANK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BREN, FRANK
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title clippings file
BRENDA STARR : (US, Robert Ellis Miller, 1989 [prod. 1986])
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personality microfilm collection
BRENNAN, RICHARD
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRENNAN, RICHARD
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personality clippings file
BRENNAN, SHANE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRENNAN, SHANE
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personality microfilm collection
BRENNEMAN, AMY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRENNEMAN, AMY
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BRENNENDE ACKER, DER : (GE, Friedrich Wilhelm Murnau, 1922)
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title clippings file
BRENNENDE LANGEWEILE : (GW, Wolfgang Buld, 1978)
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BRENT, LAURA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRENT, LAURA
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BRESSAN, ARTHUR J. Jr.
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personality microfilm collection
BRESSON, ROBERT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; PostersSubject: BRESSON, ROBERT
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book
The Bressonians : french cinema and the culture of authorship / Codruta Morari New York; Oxford: Berghahn Books,
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personality microfilm collection
BREST, MARTIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BREST, MARTIN
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personality clippings file
BRETHERTON, DAVID
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title clippings file
Brethren : CN, Dennis Zahoruk, 1977
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personality microfilm collection
BREULS, LAURENCE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BREULS, LAURENCE
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personality clippings file
BREWER, ASHLEIGH
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personality clippings file
BREWER, JAMIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BREWER, JAMIE
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BREWSTER, JOE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BREWSTER, JOE
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BREWSTER, JORDANA
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journal article
Brewster McCloud in Interview (1970) vol.1 iss.12 p.8
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BREWSTER'S MILLIONS : (US, Walter Hill, 1985)
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Brewster's Millions in Film Index iss.28 p.76
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BREXIT: THE UNCIVIL WAR : (UK, Toby Haynes, 2019)
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BRIAN AND CHARLES : (UK, Jim Archer, 2022) Digital clippings file available
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BRIAN ENO: ANOTHER GREEN WORLD : (UK, Nicola Roberts, 2010)
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BRICK : (US, Rian Johnson, 2005)
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BRICK LANE : (UK, Sarah Gavron, 2007)
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BRICKMAN, MARSHALL
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Bricks and Mortality : AT, David Gunzburg, 1996
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BRIDE AND PREJUDICE : (US/UK, Gurinder Chadha, 2004)
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BRIDE OF CHUCKY : (US, Ronny Yu, 1998)
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BRIDE OF FRANKENSTEIN, THE : (US, James Whale, 1935)
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BRIDE OF FRANKENSTEIN, THE : (US, James Whale, 1935)
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BRIDE OF THE WIND : (UK/GG, Bruce Beresford, 2001)
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BRIDE PRICE : (KE, Shatrujit Paul, 1991)
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BRIDE, THE : (US/UK, Franc Roddam, 1985)
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BRIDE WARS : (US, Gary Winick, 2009)
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BRIDES OF CHRIST : [TV] (AT, Ken Cameron, 1991)
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Brides of Christ : Paul, Episode 5 1990.
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script
Brides of Christ : Catherine, Episode 6 1990.
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Brides of Christ : Ambrose, Episode 3 1990.
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Brides of christ : episode 3 : Ambrose the screenplay / John Alsop and Sue Smith St Lucia, Qld: University of Queensland Press, 1995.
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script
Brides of Christ. Ep. 4, Rosemary : script, fourth draft / by Sue Smith 1990.
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[Brides of Christ : stills file]
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journal article
The Brides of Fu Manchu in Film Index iss.28 p.76
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The Brides of Fu Manchu in Cinefantastique (Fall 1973) vol.3 iss.1 p.13
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BRIDESHEAD REVISITED : [TV] (UK/US, Charles Sturridge, 1981)
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BRIDESHEAD REVISITED : (UK, Julian Jarrold, 2008)
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BRIDESMAIDS : (US, Paul Feig, 2011)
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BRIDGE: A STORY OF MEN IN DISPUTE, THE : (NZ, Gerd Pohlmann & Merata Mita, 1982)
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BRIDGE OF SPIES : (US, Steven Spielberg, 2015)
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Bridge of spies / by Matt Chapman and Ethan Coen and Joel Coen [US]: 17/12/2014. Digital clippings file available
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BRIDGE ON THE RIVER KWAI, THE : (UK/US, David Lean, 1957)
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BRIDGE, THE : (AT, Jo Kennedy, 1997)
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BRIDGE, THE : (UK, Syd Macartney, 1991)
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BRIDGE THE : (UK/US, Lynette M. Myers & Eric Steel, 2006)
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BRIDGE, THE : (UK/US, Eric Steel, 2006)
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BRIDGE, THE [TV] : (US, 2013 - )
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Bridge to nowhere / adpated by Yvonne Kalman; story by Larry Parr; script by Bill Baer Auckland: Mirage, [198-?].
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BRIDGE TO TERABITHIA : (US, Gabor Csupo, 2007)
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BRIDGE TOO FAR, A : (US, Richard Attenborough, 1977)
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BRIDGEND : (DK, Jeppe Ronde, 2015) Digital clippings file available
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BRIDGES, BEAU
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRIDGES, BEAU
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personality clippings file
BRIDGES, JAMES
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRIDGES, JAMES
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BRIDGES, JEFF Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BRIDGES, JEFF
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personality microfilm collection
BRIDGES, LLOYD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRIDGES, LLOYD
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BRIDGES, MICHELLE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BRIDGES, MICHELLE URL status: URL: 'http://file://Q:/P/BRIDGES,_MICHELLE.zip'
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book
The Bridges of Madison County : the film / Claudia Glenn Dowling, Photographs by Ken Regan New York: Warner Books, 1995.
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BRIDGES OF MADISON COUNTY, THE : (US, Clint Eastwood, 1995)
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BRIDGES, PETAR
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRIDGES, PETAR
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newspaper article
Bridget back with a bump in Sunday Telegraph [Insider] (11/09/2016) p.112
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BRIDGET JONES: EDGE OF REASON : (UK, Beeban Kidron, 2004)
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BRIDGET JONES'S BAB : (IE/UK/FR/US, Sharon Maguire, 2016)
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Bridget Jones's baby / by Helen Fielding and Dan Mazer and Emma Thompson; based on the characters and story created by Helen Fielding 8/01/2016. Digital clippings file available
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BRIDGET JONES'S DIARY : (FR/UK/US, Sharon Maguire, 2001) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BRIDGET JONES'S DIARY (FR/UK/US, Sharon Maguire, 2001) URL status: URL: 'http://file://Q:/T/BRIDGET_JONES'S_DIARY.zip'
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BRIDGET RILEY : (UK, David Thompson, 1980)
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Bridget's with child, but without a clue in The Age [Arts & Entertainment] (15/09/2016) p.26
Call No: TITLE CLIPPINGS FILE; BRIDGET JONES'S BABY (IE/UK/FR/US, Sharon Maguire, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: BRIDGET JONES'S BABY (IE/UK/FR/US, Sharon Maguire, 2016) Summary: Film review of BRIDGET JONES'S BABYNotes: Review also published in the Sydney Morning Herald on 15/09/2016Rating: 2 out of 5 stars
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personality microfilm collection
BRIDIE, DAVID
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRIDIE, DAVID
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journal article
Brief Ecstasy in Film Index iss.28 p.77
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book
Brief encounter : a novel / by Alec Waugh London: W. H. Allen, 1975.
Call No: N79BRI WAUAuthor: Waugh, Alec Source: UKPlace: LondonPublisher: W. H. AllenPubDate: 1975PhysDes: 188 p. ; 18 cmSubject: BRIEF ENCOUNTER (UK/US, Alan Bridges, 1974) Notes: Based on Carlo Ponti's film (screenplay by J. Bowen) of the play by N. CowardISBN: 0352300663Donation: donated by the family of Wayne Levy, 2006
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BRIEF ENCOUNTER : UK, David Lean, 1945
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BRIEF ENCOUNTER : (UK/US, Alan Bridges, 1974)
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BRIEF HISTORY OF TIME, A : (UK/US, Errol Morris, 1992)
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Brief Secrets : AT, Diana Leach, 1994
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still
[Brief secrets : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 13 x 19 cmSubject: BRIEF SECRETS (AT, Diana Leach, 1994) Summary: Photographs are relating to the film Brief secrets
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BRIEFCASE, THE [TV] : (AT, 2016 - )
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BRIGADE DES MOEURS : (FR, Max Pecas, 1984)
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BRIGADISTA, EL : (CU, Octavio Cortazar, 1978)
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The brigand of kandahar in Film Index iss.28 p.78
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BRIGANDS : CHAPITRE VII : (FR/RU/GO/IT/SZ, Otar Ioseliani, 1996)
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BRIGGS, ADAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRIGGS, ADAM
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The Briggs Family in Film Index iss.28 p.78
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BRIGGS, TONY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRIGGS, TONY
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BRIGHT ANGEL : (US, Michael Fields, 1990)
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BRIGHT LEAVES : (US, Ross McElwee, 2003)
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Bright light on the horizon in The Australian (15/10/2005) p.23
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUSTRALIA 2000s ; BOX OFFICE. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; CONNOLLY, ROBERT ; LANTANA (AT, Ray Lawrence, 2001) ; LOOK BOTH WAYS (AT, Sarah Watt, 2005) ; BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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BRIGHT LIGHTS, BIG CITY : (US, James Bridges, 1988)
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BRIGHT LIGHTS: STARRING CARRIE FISHER AND DEBBIE REYNOLDS : (US, Alexis Bloom & Fisher Stevens, 2016)
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BRIGHT SPARKS [TV] : (AT, 1989)
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BRIGHT STAR : (UK/AT/FR, Jane Campion, 2009) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Publicity; Press kitSubject: BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) URL status: URL: 'http://file://Q:/T/BRIGHT_STAR.zip'
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'Bright Star' : the complete poems and selected letters / John Keats London: Vintage, 2009.
Call No: 79BRI KEAAuthor: Keats, John Source: UKPlace: LondonPublisher: VintagePubDate: 2009PhysDes: xvi, 525 p. ; 20 cmSeries: Vintage ClassicsSubject: POETRY AND THE CINEMA ; Keats, John ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: "John Keats died in poverty and relative obscurity in 1821, aged only 25. He is now seen as one of the greatest English poets and a genius of the Romantic age. This collection, which contains all his most memorable works and a selection of his letters, is a feast for the senses, displaying Keat's gift for gorgeous imagery and sensuous language, his passionate devotion to beauty, as well as some of the most moving love poetry ever written. " -- BLURBNotes: Introduction by Jane CampionISBN: 9780099529651
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Bright star / written by Jane Campion AT: c2009.
Call No: S BRIAuthor: Campion, Jane Edition: shooting script, 4th April 2008, includes all amendmentsPlace: ATPubDate: c2009PhysDes: 94 leavesSubject: BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Notes: Unpublished script -- Donated by AFI -- shooting script -- Credit: producers, Jan Chapman, Caroline Hewitt ; production companies, Jan Chapman Productions Pty Ltd, Brightstar Films Limited, Pathe Productions Limited, Screen Australia, British Broadcasting Corporation, UK Film Council, New South Wales Film and Television Office.
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BRIGHT YOUNG THINGS : (UK, Stephen Fry, 2003)
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BRIGHTBURN : (US, David Yarovesky, 2019)
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BRIGHTON BEACH MEMOIRS : (US, Gene Saks, 1986)
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Brighton Rock in Film Index iss.28 p.78
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[Brighton rock: stills file]
Call No: TITLE STILLS INTERNATIONALSource: ATPhysDes: 1 photograph : b&w ; 17 x 22 cmSubject: BRIGHTON ROCK (UK, John Boulting, 1947) Summary: William Hartnell and Richard Attenborough in BRIGHTON ROCKNotes: Image donated by Brian McFarlane
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BRIGSBY BEAR : (US, Dave McCary, 2017)
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BRILEY, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRILEY, JOHN
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BRILLIANT : (US, Robert Bergman, 1999)
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BRILLIANT CAREERS [TV] : (AT, Larry Meltzer, 1998)
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BRILLIANT CREATURES: GERMAINE, CLIVE, BARRY AND BOB [TV] : (AT, Paul Clarke, 2015)
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BRILLIANT DIGITAL ENTERTAINMENT
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BRILLIANT GENOCIDE, A : (AT/NZ/US/UG/UK, Ebony Butler, 2016)
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BRILLIANT LIES : (AT, Richard Franklin, 1996)
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[Brilliant lies : stills file] Roadshow Film Distributors (distributor),
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BRIMLEY, WILFORD Digital clippings file available
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BRIMSTONE : (NE/FR/GG/BE/SW/UK/US, Martin Koolhoven, 2016)
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BRIMSTONE AND TREACLE : (UK, Richard Loncraine, 1982)
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Brimstone and treacle / Sarah Potter London New York: Quartet Books, 1982.
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personality microfilm collection
BRINE, DOMINIC
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRINE, DOMINIC
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title clippings file
BRING 'EM BACK : (AT, Phillip Donnellon, 2010)
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BRING IT ON : (US, Peyton Reed, 2000)
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BRING ME THE HEAD OF ALFREDO GARCIA : (MX/US, Sam Peckinpah, 1974)
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BRING ME THE HEAD OF RAFAELLO CARBONI! : (AT, Simon Strong, 2010)
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title clippings file
BRING ON THE NIGHT : (US, Michael Apted, 1985)
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"Bring on the Night" has a sting in it in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.16
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BRINGING DOWN THE HOUSE : (US, Adam Shankman, 2003)
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BRINGING OUT THE DEAD : (US, Martin Scorsese, 1999)
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BRINGING THEM HOME : [TV] (AT, Lou Griffith, 1997)
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BRINGING UP BABY : (US, Howard Hawks, 1938)
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Bringing up Baby / Howard Hawks, director ; Gerald Mast, editor New Brunswick, N.J.: Rutgers University Press, 1988.
Call No: 79 BRI HAWAuthor: Hawks, Howard ; Mast, Gerald Source: USPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1988PhysDes: 320 pages : illustrations ; 21 cmSeries: Rutgers films in print ; v. 10.Subject: BRINGING UP BABY (US, Howard Hawks, 1938) Summary: "Bringing Up Baby (1938) is the essence of thirties screwball comedy. It is also quintessential Howard Hawks, treating many of the director's favorite themes, particularly the loving war between the sexes. Bringing Up Baby features Katharine Hepburn as a flaky heiress and Cary Grant as an absentminded paleontologist, roles in which they come into their own as stars and deliver particularly fine comic performances. Pauline Kael has called the film the "American movies' closest equivalent to Restoration comedy." The comparison is based on the quick repartee and witty dialogue, a hallmark of Hawks's work and well conveyed here by Gerald Mast's transcription from the screen." - taken from back coverNotes: Series numbering mistakenly omitted in publishing -- Hawks Filmography 1926-1970: pages 315-318 -- Bibliography: pages [319]-320ISBN: 0813513413Contents: [Introduction] "Everything's Gonna Be All Right" : The Making of Bringing Up Baby -- Howard Hawks: A Biographical Sketch -- [Bringing Up Baby] Credits and Cast -- The Continuity Script -- Script Variations -- "Bringing Up Baby," by Hagar Wilde -- [Interview, Reviews, and Commentaries] Interview with Joseph McBride -- [Reviews] New York Times, Frank S. Nugent -- Variety, "Wear" -- The New Republic, Otis Ferguson -- [Commentaries] The Auteur Theory, Peter Wollen -- Leopards in Connecticut, Stanley Cavell -- Bringing Up Baby, Gerald Mast -- [Filmography and Bibliography] Hawks Filmography, 1926-1970 -- Selected Bibliography
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Bringing Up Daddy : fatherhood and masculinity in post-war Hollywood / Stella Bruzzi London: British Film Institute, 2005.
Call No: 451 (-01) (-055.52) BRUAuthor: Bruzzi, Stella Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 217 p. ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS. USA ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; DIE HARD (US, John McTiernan, 1988) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]ISBN: 1844571106
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BRINK, THE : (US, Alison Klayman, 2019)
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BRINKS JOB, THE : (US, William Friedkin, 1978)
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BRISBANE CINEMA GROUP
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Brisbane Film Makers Co-operative newsletter Brisbane: The Co-operative,
Call No: held Jan., Feb., Mar., July, Nov. 1976CorpAuthor: Brisbane Film Makers Co-operativeSource: ATPlace: BrisbanePublisher: The Co-operativePhysDes: v. ; 35 cmSubject: BRISBANE FILM MAKERS CO-OPERATIVE Notes: Reproduced from typescriptLON: qsl03272714; 5633908ID2: 234
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Brisbane floodway [1981?].
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personality clippings file
BRISBANE, SYD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRISBANE, SYD
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Britain can take it : the British cinema in the second world war / by Anthony Aldgate and Jeffrey Richards Oxford: Basil Blackwell, 1986.
Call No: 45:355 ALDAuthor: Aldgate, Anthony ; Richards, Jeffrey Source: UKPlace: OxfordPublisher: Basil BlackwellPubDate: 1986PhysDes: 312 p. : ill. ; 25 cmSubject: WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS. UK ; BRITISH CINEMA ; WAR AND THE CINEMA Summary: "The authors demonstrate how cinema played a vital role in sustaining the morale of the British people during the eventful years of 1935-1945" - BOOK BLURB
"The analysis of each film, including consideration of scripts, reviews and box office returns, places each fim in its wider social and political context by drawing upon a mass of official documentation - Home Intelligence reports, Mass-observation files, Ministry of Information papers, British Board of Film Censors archives - which sheds light on the relationship between the official propagandists and film-makers during this momenteous period of British history" - BOOK BLURBNotes: Includes index.; Filmography: p. [299]-305.ISBN: 0 631 13549 9Contents: Acknowledgments -- 1: The British cinema during the second world war -- 2: Why we fight: 49th parallel -- 3: The Englishman's Englishman: Pimpernel Smith -- 4: Raise a laugh: Let George do it -- 5: 'Careless Talk Costs Lives': The next of kin -- 6: 'If the invader comes': Went the day well? -- 7: Mobilizing the past: the young Mr Pitt -- 8: Signs of the times: Thunder Rock -- 9: Naval Cavalcade: In which we serve -- 10: England, their England: Fires were started -- 11: The war the documentaries won: Western approaches -- 12: Our American cousins: the way to the stars -- Filmography -- Index
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BRITANNIA HOSPITAL : (UK, Lindsay Anderson, 1982)
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Britannia hospital / Gerald Cole London: W.H. Allen, 1982.
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Britannia of Billingsgate in Film Index iss.28 p.78
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BRITANNIA [TV] : (UK/US, 2017-)
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British Academy of Film and Television Art newsletter / British Academy of Film and Television Arts [London: The Academy],
Call No: held Oct. 1983-Apr. 1989 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film and Television Art; Newsletter (British Academy of Film and Television Art)Source: UKPlace: [LondonPublisher: The Academy]PhysDes: v. : illSubject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Notes: Continued by: BAFTA news; Description based on: Oct. 1983LON: abn97041021; 13018918
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BRITISH ACADEMY OF FILM AND TELEVISION ARTS
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BRITISH ARMY GIRLS : (UK, 2016 - )
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BRITISH BROADCASTING CORPORATION
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British cinema : a critical history / Amy Sargeant London: British Film Institute, 2005.
Call No: 71(41) SARAuthor: Sargeant, Amy Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 374 p. ; 24 cmSubject: BRITAIN ; UNITED KINGDOM ; UNITED KINGDOM : SCOTLAND ; UNITED KINGDOM. 1960's ; UNITED KINGDOM. 1970's ; SARGEANT, AMY Summary: Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant’s personal and entertaining history of British cinema aims to fill this gap. With its insightful decade by decade analysis British cinema is brought alive for a new generation of students and the general reader alike. [Taken from back cover.]ISBN: 1844570665
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journal article
British cinema now : Alan Bush--A Life in NFT (December 1983) p.27
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British cinema, past and present / edited by Justine Ashby and Andrew Higson London New York, NY: Routledge, 2000.
Call No: 71(41) BRIAuthor: Higson, Andrew ; Ashby, Justine Source: UKPlace: London New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xx, 385 p. : ill. ; 24 cmSubject: ASKEY, ARTHUR ; ASSOCIATED BRITISH PICTURE CORPORATION ; AUDIENCES. UK ; BAKER, ROY WARD ; BRASSED OFF (UK, Mark Herman, 1996) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOX, BETTY E. ; EALING STUDIOS ; GREENAWAY, PETER ; JARMAN, DEREK ; KEILLER, PATRICK ; PEEPING TOM (UK, Michael Powell, 1960) ; PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933) ; RADIO PARADE OF 1935 (UK, Arthur Woods, 1934) ; UNITED KINGDOM Notes: Includes bibliographical references (p. 354-369) and indexISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)LON: 21262622
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British Film Academy quarterly London: British Film Academy,
Call No: held no. 7-no. 18 Oct. 1949-Jan. 1953 lacks no. 11,13; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Film AcademySource: UKPlace: LondonPublisher: British Film AcademyPhysDes: v. : ill. ; 22 cmSubject: BRITISH FILM ACADEMY Notes: Continued by: The British Film Academy newsletter; Description based on: no. 6 (July 1949); Caption titleLON: abn92273808; 9268381
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The British film catalogue : Volume 1. Fiction film, 1895-1994 / Denis Gifford Chicago IL: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Gifford, Denis Edition: Third editionSource: UKPlace: London; Chicago ILPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xxii, 1097 p. ; 31cmSubject: BRITAIN ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES Summary: This is the first complete catalogue of every British film produced for public entertainment since the invention of cinematography over one hundred years ago. The first edition covered the years 1895-1970. This was updated for a second edition covering the years up to 1985, and now this third edition is further revised and updated to cover the years up to the end of 1994, the first one hundred years of cinema. Over one thousand new entries are included – not just films from the 1980s and 1990s; there are many dating from the years covered in the previous editions and catalogued here for the first time. [Taken from preface.]Notes: Includes indexISBN: 1579581994Language: English
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book
The British film catalogue : Volume 2. Non-fiction films, 1888-1994 London: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Denis Gifford Edition: Gifford, DenisSource: UKPlace: LondonPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xviii, 625p. 31cmSubject: BRITAIN ; DOCUMENTARY FILMS. UK ; FILMOGRAPHIES ; FILM STUDY AND RESEARCH Summary: This is the first attempt to compile a catalogue of every British non-fiction film produced primarily for cinema showings since the invention of cinematography. It forms a companion to [the author’s] British Film Catalogue of fiction (entertainment) films, first published in 1973 (covering the years 1895-1970), updated in a new edition in 1986 (covering the years up to 1985), and now revised, updated to the end of 1994, and published in a third edition by Fitzroy Dearborn alongside this volume. Between them, the two volumes catalogue virtually the entire history of over one hundred years of British films, separated into two main lines of cinema, fact and fiction. [Taken from preface.]Notes: Includes indexISBN: 1579582001Language: English
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journal article
British Film Industry : Derek Todd talks with John Boulting in Lumiere (June 1970) vol.1 iss.1 p.33-35
Author: Todd, Derek PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; BOULTING, JOHN Summary: Interview between Derek Todd and British filmmaker John Boulting on the state of the British film industry. Boulting believes that Britain has become too influenced by the American funding and production model.
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subject clippings file
BRITISH FILM INSTITUTE
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Old collection
book
British Films 1960 / Bernard Charman (ed.) London: [s.n.], 1960.
Call No: F023(41) BRISource: UKPlace: LondonPublisher: [s.n.]PubDate: 1960Subject: BRITAIN
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Old collection
book
British films 1971-1981 / Linda Wood (ed.) London: British Film Institute, 1983.
Call No: REFERENCE SECTION; 023(41) BRI"1971/81"CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 1983PhysDes: 154 p. ; 30 cmSubject: BRITAIN
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Old collection
book
British films 1979-1980 London: British Film Institute, [198?].
Call No: F023(41) "1979/80"Source: UKPlace: LondonPublisher: British Film InstitutePubDate: [198?]PhysDes: 48 p. ; 21 cmSubject: BRITAIN
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Old collection
book
British films 1981-1982 London: [s.n.], 1982.
Call No: REFERENCE SECTION; 023(41) BRI"1981"Source: UKPlace: LondonPublisher: [s.n.]PubDate: 1982PhysDes: 32 p. ; 21 cmSubject: BRITAIN
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Old collection
book
British films 1982-1983 London: [s.n.], 1983.
Call No: REFERENCE SECTION; 023(41) BRI"1982"Source: UKPlace: LondonPublisher: [s.n.]PubDate: 1983PhysDes: 32 p. ; 22 cmSubject: BRITAIN
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Old collection
book
British films 1995 London: British Film Commission, 1995.
Call No: REFERENCE SECTION; 023(41) BRI"1995"CorpAuthor: British Council; British Film CommissionSource: UKPlace: LondonPublisher: British Film CommissionPubDate: 1995PhysDes: 111 p. ; 21 cmSubject: BRITAIN
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Interim
book
British films catalogue 1991.
Call No: REFERENCE SECTION; 027(41) "1991"CorpAuthor: British Film InstitutePubDate: 1991Subject: BRITAIN Notes: Cannes catalogue
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Old collection
book
British films catalogue 1989 London: [s.n.], 1989.
Call No: REFERENCE SECTION; 023(41) BRI"1989"Source: UKPlace: LondonPublisher: [s.n.]PubDate: 1989PhysDes: 64 p. ; 22 cmSubject: BRITAIN
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title clippings file
BRITISH ISLES A NATURAL HISTORY [TV] : (UK, Mary Colwell, 2004)
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title clippings file
BRITISH ROCK: THE FIRST WAVE : (US, Patrick Montgomery & Pamela Page, 1985)
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subject clippings file
BRITISH SKY BROADCASTING
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journal article
The British underground in Lumiere (January-February, 1972) iss.13 p.40-41
Author: Thoms, Albie PhysDes: ArticleSubject: BRITISH CINEMA ; UNDERGROUND FILMS ; DWOSKIN, STEPHEN ; GIDAL, PETER ; LARCHER, DAVID ; LE GRICE, MALCOLM ; LEGGETT, MIKE ; SCHNEEMANN, CAROLEE ; KEEN, JEFF Summary: A discussion of British Underground films and the decline of the industry as part of a series of articles on European Underground cinema. Includes work by filmmakers including Stephen Dwoskin, Malcolm Legrice, David Larcher, Peter Gidal, Mike Leggett and Ian Breakwell, Carolee Schneemann and Jeff Keen.Notes: First in this series of articles appears in Lumiere No. 11 p.37-39
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title clippings file
BRITT: ACES AND KINGS OF THE TURF : (AT, David Kennedy, 1996?)
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still
[Britt: aces and kings of the turf : stills file]
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personality microfilm collection
BRITTAIN, DONALD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRITTAIN, DONALD
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title clippings file
BRITTANY RUNS A MARATHON : (US/UK, Paul Downs Colaizzo, 2019)
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personality microfilm collection
BRITTON, AILEEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRITTON, AILEEN
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title clippings file
BRIVIDO DEL GENIO, IL : (IT, Francesco Bortolino & Claudio Masenza, 1985)
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title clippings file
BRO'TOWN [TV] : (NZ, 2004-)
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personality clippings file
BROADBENT, JIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BROADBENT, JIM
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title clippings file
BROADCAST NEWS : (US, James L. Brooks, 1987)
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book
Broadcast wars : the money, the ego, the power behind your remote control / written by Michael Bodey Sydney: Hachette Australia, 2011.
Call No: 20(94) BODAuthor: Bodey, Michael Source: ATPlace: SydneyPublisher: Hachette AustraliaPubDate: 2011PhysDes: 327 p. ; 24 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; PROGRAMME CONTENT. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; RATINGS. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA Summary: "This is an explosive look at the recent tumultuous years in the boardrooms and on the studio floors of Australian television. As the Nine and Seven networks traded blows, new technologies emerged and old personalities and management clung on for dear life, everyone fastened their seatbelts for a bumpy ride. From booze buses to ambulance chasing, mirrorballs to hotplates, from Sunrise to Today, Broadcast Wars gives us a fascinating insight into major media events, boardroom stoushes and fading stars' diva-like demands. Michael Bodey fearlessly analyses the personalities we love (and love to hate), the genres that came and went, and the machinations behind MasterChef, Dancing With The Stars, Underbelly, Packed To The Rafters and all the shows we love to watch and talk about. Broadcast Wars exposes the egos, the money and the powre manipulating our remote controls. ' -- BOOK BLURBNotes: Includes bibliographical references (p. 307- 311) and indexISBN: 9780733627767Contents: -- prologue -- one : Seven on the skids -- two: Reality is king -- three: Sunrise for seven -- four: Seven finally hits an ace -- five: An emperor returns to nine -- six: Eddie arrives -- seven: From Beaconsfield to Lausanne -- eight: The turkey slap -- nine: The war intensifies -- ten: Sea water, cops and dirty Melbourne crims -- eleven: The barbarians grab the remote -- twelve: the format wars -- thirteen: Seven ate nine -- fourteen: Multichanelling -- fifteen: MasterChef and the new nice -- sixteen: Affidavits at ten paces -- author's note -- notes -- bibliography -- acknowledgements -- index --
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