book
Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE (FR, Georges Rouquier, 1945) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; JEUX INTERDITS (FR, Rene Clement, 1952) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954) ; GOLD OF NAPLES (IT, Vittorio De Sica, 1954) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATAILLE DU RAIL, LA (FR, Rene Clemont, 1946) ; BATTLE OF THE RAILS (FR, Rene Clement, 1946) ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; PICASSO MYSTERY, THE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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book
Film : a montage of theories N.Y.: Dutton, 1966.
Call No: 62 MACAuthor: MacCann, Richard Dyer Edition: 1st edPlace: N.Y.Publisher: DuttonPubDate: 1966PhysDes: 384 p. : movie stills ; 18 cmSubject: THEORY ; AESTHETICS ; DOCUMENTARIES ; CINEMASCOPE ; NEOREALISM ; PUDOVKIN, VSEVELOD ; CLAIR, RENE ; HITCHCOCK, ALFRED ; KNOX, ALEXANDER ; NICHOLS, DUDLEY ; BERGMAN, INGMAR ; BALAZS, BELA ; SENNETT, MACK ; VORKAPICH, SLAVKO ; RICHTER, HANS ; Grierson, John ; ZAVATTINI, CESARE ; KRACAUER, SIEGFRIED ; ROEMER, MICHAEL ; BACHMANN, GIDEON ; DREW, ROBERT ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; DREYER, CARL TH. ; VANDERBEEK, STAN ; MEKAS, JONAS ; KAEL, PAULINE ; TRUFFAUT, FRANCOIS ; Fellini, Federico ISBN: 0525471812LON: 21441213
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book
Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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journal article
Serving Processes in Montage (September 1967) p.21-28
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book
Widescreen worldwide / edited by John Belton, Sheldon Hall and Steve Neale New Barnet, U.K: John Libbey, c2010.
Call No: 701 WIDAuthor: Belton, John (ed.) ; Hall, Sheldon (ed.) ; Neale, Steve (ed.) Source: UKPlace: New Barnet, U.KPublisher: John LibbeyPubDate: c2010PhysDes: viii, 236 p. : ill. ; 27 cmSubject: WIDE-SCREEN SYSTEMS ; CINEMASCOPE ; IMAX ; PREMINGER, OTTO ; Peckinpah, Sam ; MANN, ANTHONY Summary: "The essays in this anthology provide a comprehensive portrait of widescreen cinema as an aesthetic and industrial phenomenon from the vantage point of twenty-first century film studies." - Book BlurbNotes: Includes bibliographical references and indexISBN: 9780861966943Contents: -- Fox and 50mm film : John Belton -- Standing tall and wide: the selling of VistaVision : Tom Vincent -- IMAX: the Hollywood experience : Paul McDonald -- Cheap but wide: the stylistic exploitation of CinemaScope in black-and-white low-budget American films : Lisa Dombrowski -- Preminger and Peckinpah: seeing and shaping widescreen worlds : John Gibbs and Douglas Pye -- The art of the palpable: composition and staging in the widescreen films of Anthony Mann : Steve Neale -- Alternative versions in the early years of CinemaScope : Sheldon Hall -- Conspicuous consumption: the spectacle of widescreen comedy in the Populuxe era : Kathrina Glitre -- The scope of their ambition: British independent film production and the widescreen formats in the 1950s : Steve Chibnall -- Before Techniscope: the penetration of foreign widescreen technology in Italy, 1953-59 : Federico Vitella -- Widescreen composition and transnational influence: early anamorphic filmmaking in Japan : Eric Crosby -- Another Shaw production: anamorphic adventures in Hong Kong : David Bordwell --
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