Special issue
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AMERICAN VIDEOGRAPHER September 1998.
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Special issue
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AMERICAN VIDEOGRAPHER April 1999.
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Special issue
serial
AMERICAN VIDEOGRAPHER April 1998.
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journal article
The colour photography of A City's Child in Lumiere (July-August 1971) iss.10 p.13-15
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book
Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997.
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Levy Collection
book
The electronic estate : new communications media and Australia / Trevor Barr Melbourne: Penguin Books, 1985.
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book
Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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book
Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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book
Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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journal article
Industry warms to new media in Encore (June 2000) vol.18 iss.5 p.14-15
Author: Harty, Jason PhysDes: Article; Illustration(s)Subject: TECHNICAL DEVELOPMENTS. AUSTRALIA Summary: Overview of session at the National Association of Broadcasters Convention 2000 on the effect new media technologies are having on the film and television production industry.
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book
Innovation in the Australian film industry / Prime Minister's Science, Engineering and Innovation Council Canberra: Dept. of Industry, Science and Resources, 2000.
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Interim
book
Interzone : media arts in Australia / Darren Tofts Fishermens Bend, Vic.: Craftsman House, 2005.
Call No: 771(94) INTAuthor: Tofts, Darren Source: ATPlace: Fishermens Bend, Vic.Publisher: Craftsman HousePubDate: 2005PhysDes: 145 p. ; 24 cmSeries: New ArtSubject: VIDEO ART ; EXPERIMENTAL FILMS. AUSTRALIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI) ; AESTHETICS ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; TECHNICAL DEVELOPMENTS Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].ISBN: 097573038X
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journal article
It's official - cyan dye tracks on the way in Movie Trader (June 2000) p.12
PhysDes: ArticleSubject: TECHNICAL DEVELOPMENTS ; SOUND Summary: Statement from Dolby Laboratories and Eastman Kodak on use of high-magenta soundtrack technologies which are more environmentally friendly than silver-applicated soundtracks. Includes discussion of processes used in Australia.
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book
Iterations : the new image / exhibition curated by Timothy Druckrey and Charles Stainback ; edited by Timothy Druckrey New York : International Center of Photography ; Cambridge, Massachusetts :: MIT Press, 1993.
Call No: 604DRUAuthor: Druckrey, Timothy Place: New York : International Center of Photography ; Cambridge, Massachusetts :Publisher: MIT PressPubDate: 1993PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cmSubject: VIDEO ART ; EXPERIMENTAL FILMS ; AESTHETICS ; TECHNOLOGY AND THE CINEMA ; TECHNICAL DEVELOPMENTS ; EXHIBITION. USA Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196ISBN: 026204143X
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book
Lipton on filmmaking / by Lenny Lipton ; edited by Chet Roaman New York: Simon and Schuster, c1979.
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Old collection
book
Media competencies and new technologies : transcript of a one day seminar / Margaret Chisholm and David Ely [North Ryde, N.S.W.]: Australian Film and Television School, 1980.
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The motion picture : from magic lantern to sound film / Julius Pfragner Folkstone: Bailey Brothers and Swinfen, 1974, c1964.
Call No: 701 PFRAuthor: Pfragner, Julius ; McClintock, Theodore (trans.) Place: FolkstonePublisher: Bailey Brothers and SwinfenPubDate: 1974, c1964PhysDes: 240 p. ; 21 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; TECHNICAL DEVELOPMENTS Summary: In 1826, magic lantern exhibits were at the height of their popularity in Vienna; it was not until 1927 that the first successful sound film was produced in America. This book tells the story of the inventors during those hundred years who contributed to the development of photography and the motion picture. [Taken from inside front cover.]ISBN: 561001820Donation: donated by the family of Wayne Levy, 2006
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New media technologies / edited by Ross Harley North Ryde, N.S.W. North Sydney: Australian Film Television & Radio School Australian Film Commission, 1993.
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book
The Oxford handbook of new audiovisual aesthetics / edited by John Richardson, Claudia Gorbman, Carol Vernallis New York: Oxford University Press, c2013.
Call No: 220 OXFAuthor: Richardson, John ; Gorbman, Claudia ; Vernallis, Carol Source: USPlace: New YorkPublisher: Oxford University PressPubDate: c2013PhysDes: Oxford University PressSubject: TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; TECHNICAL DEVELOPMENTS ; TECHNOLOGY AND TV ; INTERNET ; INTERNET AND THE CINEMA ; INTERNET AND TV ; YOUTUBE ; AESTHETICS ; ANIMATION ; MULTIMEDIA ; SOUND REPRODUCTION ; MEDIA ; SOUND Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.Notes: Includes bibliographical references and index.ISBN: 9780199733866Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora
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journal article
Serving Processes in Montage (September 1967) p.21-28
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book
Special effects : creating movie magic / by Christopher Finch New York: Abbeville Press, c1984.
Call No: 236 FINAuthor: Finch, Christopher Source: USPlace: New YorkPublisher: Abbeville PressPubDate: c1984PhysDes: 252 p. : ill. (some col.) ; 27 cmSubject: COMPUTER GRAPHICS ; DIGITAL TECHNOLOGY ; COMPUTERS AND THE CINEMA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; TECHNICAL DEVELOPMENTS ; MOTION CONTROL ; MAKE UP ; TECHNOLOGY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; SPECIAL EFFECTS ; CINEMATOGRAPHY ; SET DESIGNING ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; TRON (US, Steven Lisberger, 1982) Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURBNotes: Includes index; Bibliography: p. 244ISBN: 0896594521Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --
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book
Speed : cinema of motion / Werner Adrian New York: Bounty Books, 1975.
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subject clippings file
TECHNICAL DEVELOPMENTS
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book
Use of the Internet by householders, Australia Canberra: Australian Bureau of Statistics, 1998.
Call No: 398(94) USECorpAuthor: Australian Bureau of StatisticsSource: ATPlace: CanberraPublisher: Australian Bureau of StatisticsPubDate: 1998PhysDes: v. : ill. ; 30 cmSubject: TECHNICAL DEVELOPMENTS. AUSTRALIA ; STATISTICS. AUSTRALIA Summary: Presents a range of statistics on the use of the Internet by Australian Householders. Some of the statistics presented include: number of persons accessing the Internet by place of access; Internet activities (including purchasing activities done over the Internet). Data are cross-classified by a range of demographic variables such as age, sex, ethnicity, occupation and labour force statusNotes: Catalogue no. 8147.0; Caption title; Chiefly tablesISSN: 1440-5423Frequency: BiennialLON: 13908880
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