Search Catalogue

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVE
Author: -
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: The appointments and reappointments of members to the National Film and Sound Archive board

Call No: 634.6 BRO
Author: Brophy, Philip
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: viii, 262 p. : ill. ; 19 cm
Series: BFI screen guides
Subject: SOUND TRACKS
Summary: A ‘soundmap’ to one hundred films covering a diverse selection of titles including Apocalypse Now, Le Samourai, Stalker, Way of the Dragon and Citizen Kane. Each entry outlines the film’s contribution to the world of sound and music in cinema, reinforcing the significance of the soundtrack. Compelling the reader to ‘think with their ears’ it details ways in which the film soundtrack is defined by the meeting of two sonic forces: film scoring and sound design.
Notes: Includes index
ISBN: 1844570142 (pbk.)

Call No: 739.092(94) NAT
CorpAuthor: National Film and Sound Archive (Australia)
Place: Canberra
Publisher: The Archive
PubDate: 1998
PhysDes: iii, 116, [4] p. ; 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE
Notes: Includes index
ISBN: 0642365121
LON: abn98308162; 14135445

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. AUSTRALIA; ADORABLE OUTCAST, THE (AT, Norman Dawn, 1928); HISTORY OF CINEMA. AUSTRALIA; KING OF KINGS (US, Cecil B. De Mille, 1927)
Summary: Article on the success of the 'Last Film Search' across Australia, started by the National Film Archive in 1981 and planned to run until 1986.

Author: Galvin, Peter
PhysDes: Article
Subject: SOUND; DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007)
Summary: Sound design in Gillian Armstrong's DEATH DEFYING ACTS

Call No: 753.1 CAR
Author: Cartmell, Deborah
Source: UK
Place: London
Publisher: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc
PubDate: 2015
PhysDes: vii, 166 pages ; 24 cm.
Series: Bloomsbury adaptation histories
Subject: ADAPTATIONS; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. SOUND PERIOD
Summary: There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early 30s about the advantages of sound, what we would call technophobia today, the inclusion of speech in screen versions of literary and theatrical works, undeniably revised what it was to be an adaptation: words. Focusing on promotional materials, Adaptations in the Sound Era tracks early attempts to promote sound through the elevation of words in adaptations in the early sound period. The popular appeal of these films clearly stands in opposition to academic regard for them and the book reflects on the presence and marketing of 'words' in a variety of adaptations, from the introduction of sound in the late 1920s to the mid 1930s. This book contextualizes a range of adaptations in relation to debates about 'picturizations' of books in the early sound era, including reactions to the talking adaptation by writers such as, Irwin Panofsky, Aldous Huxley and Graham Greene. Film adaptations of Shakespeare, Dickens, gothic fiction and biopics are also discussed in relation to their use and promotion of sound or, more precisely, words -- TAKEN FROM PUBLISHER'S SITE
Notes: Formerly CIP. Includes bibliographical references and index.
ISBN: 9781623568788
Contents: Machine generated contents note: 1.Introduction: `Singin in the Rain': Adapting Literature to Film, 1927--37 -- 2.Sound Shakespeare -- 3.Sound Dickens -- 4.Gothic Adaptations `Sell It for Its Horror': 1931 Gothic/Horror Adaptations and the Victory of the Shadow -- 5.Biopic Adaptations: Adapting Charles Laughton -- 6.Adaptations for Children: From Pre-Code to Post-Code Hollywood -- 7.Conclusions: Radical Adaptations.

Call No: 244.7(036) KEN
Author: Kent, Mike
Source: UK
Place: London
Publisher: Macmillan
PubDate: 1979
PhysDes: xv, 235 p. : ill ; 23 cm
Subject: SOUND; SOUND RECORDING; SOUND TRACKS; SOUND EDITING; COMMENTARY
Summary: Add Sound to Your Movies covers almost every aspect of the subject, from recording techniques and easy 'music-and-voice-over' to advanced track laying. [Taken from back cover.]
ISBN: 0333271262
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SPEILBERG, STEVEN; SOUND; PROJECTIONISTS; GREATER UNION
Summary: Film news from across Australia.

Call No: ANNUAL REPORT SHELVES; Held 2008/9 -2009/10
CorpAuthor: National Film and Sound Archive (Australia)
Source: AT
Place: Acton, ACT
Publisher: National Film & Sound Archive
PubDate: 2009-
Subject: NATIONAL FILM AND SOUND ARCHIVE
Notes: Continues ScreenSound Australia. Annual review 1442-9608
ISSN: 1837-2260

Call No: 110-8(94) ZUB
Author: Zubrycki, Tom
Source: AT
Place: North Ryde [N.S.W.]
Publisher: Australian Film and Television School
PubDate: 1982
PhysDes: 40 p. : ill., facsim. ; 25 cm
Series: Resources (Australian Film and Television School. Open Program)
Subject: ARCHIVES & INSTITUTES, FILM. AUSTRALIA; FILMMAKING. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE
Summary: A guide on how to access archival film material using the National Film Archive and other Australian archives of film

Subject: VIDEO AND THE CINEMA. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIA
Summary: Article on VIDA's contribution to the National Film and Sound Archive

Call No: 632 LIN
Author: Lindgren, Ernest
Place: London
Publisher: G. Allen and Unwin
PubDate: 1948]
PhysDes: xiv, 242 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: PRODUCTION; SOUND; EDITING; MUSIC, FILM; ACTING; CINEMATOGRAPHY; GRIFFITH, DAVID WARK
Notes: Includes bibliography : p. 195-196, and index
LON: abn84263007; 3585806

Call No: 242 KER
Author: Kerner, Marvin M.
Place: Boston ; London
Publisher: Focal Press
PubDate: 1989
PhysDes: ix, 107 p. : ill. ; 24 cm.
Subject: SOUND EFFECTS; SOUND EDITING; SOUND; DIRTY HARRY (US, Don Siegel, 1971)
Summary: Begins with the history and purpose of sound effects in film and television but is primarily a technical guide to the creation, use, and organisation of effects. A critical case study is provided in the form of the film Dirty Harry.
Notes: Includes index.
ISBN: 0240800087

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. MALAYSIA; INDUSTRY, FILM. SINGAPORE; INDUSTRY, FILM. INDONESIA
Summary: Photograph and caption of a group of trainee television producers from Asia, on exchange at the National Film Archive

Call No: 244 BUR
Author: Burson, Harry
Source: US
Place: Washington, DC.
PubDate: c2015
Subject: SOUND; SCIENCE-FICTION FILMS; SOUND SYSTEMS; DOLBY SYSTEM
Summary: This thesis examines the aesthetics and ideology of the recent wave of so-called "immersive" sound formats designed for cinematic exhibition. Focusing on the Dolby Atmos format, this paper contextualizes contemporary audiovisual aesthetics within the cultural, industrial, and technological history of American cinematic sound, and argues that Atmos forecloses possibilities for sonic experimentation by forcing strict adherence to current spatially based conventions for cinematic realism. Formal analysis of recent science fiction films--including Guardians of the Galaxy, Transformers: Age of Extinction, and Teenage Mutant Ninja Turtles--reveals the tension between the purported mimetic naturalism of immersive sound and the irreal Atmos soundtracks of contemporary Hollywood spectacles.
Contents: Introduction -- Understanding Atmos: Decoding Immersive Sound -- The Sound of science (Fiction): Listening to Atmos -- Conclusion: Cultural Resonances

Call No: 634 CHI
Author: Chion, Michel, 1947; Gorbman, Claudia; Murch, Walter, 1943
Place: New York
Publisher: Columbia University Press
PubDate: 1994
PhysDes: xxvii, 239 p. : ill. ; 22 cm
Subject: SOUND; SOUND EDITING; SOUND RECORDING; SOUNDTRACKS
Summary: "In Audio-vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy on sound in cinema -- La voix au cinema, Le son au cinema, and La toile trouvee -- while providing an overview of the functions and aesthetics of sound in film and television. He considers the effects of evolving audiovisual technologies such as widescreen, multitrack sound, and Dolby stereo on audio-vision, influences of sound on the perception of space and time, and contemporary forms of audio-vision embodied in music videos, video art, and commercial television. His final chapter presents a model fo audiovisual analysis of film" -- Back cover
Notes: Includes bibliographical references p. ([225]-227) and index
ISBN: 0231078994 (pbk. : alk. paper); 0231078986 (alk. paper)
LON: 93023982; 10140132

Call No: 634 CHI
Author: Chion, Michel
Edition: 2019
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: xxiii, 270 pages : illustrated ; 23cm
Subject: SOUND; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; MUSIC AND THE CINEMA; MUSIC IN FILMS; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; WELLES, ORSON; Wenders, Wim; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); PERSONA (SW, Ingmar Bergman, 1966); PSYCHO (US, Alfred Hitchcock, 1960); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema. This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web site
ISBN: 9780231185899
Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index

Call No: 81:634DEH STA
Author: Starrs, David Bruno
Source: AT
Place: Brisbane, Queensland
PubDate: 2009
PhysDes: 263 p. : ill. ; 30 cm
Subject: AUTEUR THEORY; DIRECTORS. AUSTRALIA; SOUND; THEORY; DE HEER, ROLF; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); EPSILON (AT/IT, Rolf de Heer, 1995); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)
Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --

PhysDes: Article
Subject: AWARDS. AUSTRALIAN SCREEN SOUND GUILD
Summary: Includes list of winners for the 1999 awards.

Call No: 11(94)NFA AUS
Source: AT
PubDate: [1983?]
Subject: NATIONAL FILM AND SOUND ARCHIVE; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
Summary: Collection of papers and reports in relation to the proposed Australian 'National Film Archive'

PhysDes: Article
Subject: ATLAB; SOUND EDITING; SOUND EFFECTS; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA
Summary: Article on the technological updates at Atlab Australia, particularly in their sound department.

Call No: 336.2(94) AUS
Author: Nicholson, Dennis Way
Place: Sydney
Publisher: Australian Music Centre
PubDate: 1997
PhysDes: v, 288 p. ; 30 cm
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Notes: Includes index
ISBN: 0646317539
LON: 13141618

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BERBER IAN SOUND STUDIO (UK, Peter Strickland, 2012)

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: 70"1" GED
Author: Geduld, Harry M
Place: Bloomington
Publisher: Indiana University Press
PubDate: [1975]
PhysDes: xiii, 337 p. ; ill. ; 25 cm
Subject: HISTORY OF CINEMA. SOUND PERIOD
Notes: Includes bibliographical references and index
ISBN: 0253107431
LON: 443560

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD & THUNDER : THE SOUND OF ALBERTS (AT, Paul Clarke, 2015)

Call No: 70:62 MIL; FOLIO
Author: Milsome, Chris [editorial director]
Source: UK
Place: London
Publisher: Artists House
PubDate: 1979
PhysDes: 240 p. ; 32 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; SOUND; PRODUCTION; APPRECIATION; CRITICISM; SOCIETY AND THE CINEMA; GENRES; FORD, JOHN; HAWKS, HOWARD; WELLES, ORSON; HITCHCOCK, ALFRED; BERGMAN, INGMAR; GODARD, JEAN-LUC
Notes: Includes A-Z filmmakers and actors, and glossary.
ISBN: 0861340108
Donation: donated by the family of Wayne Levy, 2006

Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVE
Author: Pryor, Sally
PhysDes: Clippings File_Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: Long article about need for continued investment in public institutions

Call No: 11(94)NFSA NAT
Source: AT
PubDate: [1984?]
PhysDes: 41 leaves ; 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE
Notes: Cover title: Pre-production script, 3 October 1984, caught in time or the National Film and Sound Archive, first and final draft we hope!

Call No: 61:78 CEL
Author: Romney, Jonathan; Wootton, Adrian
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: vii, 168 p. : ill.(some col.), ports(some col.) ; 23cm
Subject: SOUND TRACKS; POP MUSIC AND THE CINEMA; ROCK FILMS; ROCK MUSIC IN FILMS; POP MUSIC IN FILMS; BLAXPLOITATION FILMS
Notes: Bibliography: p168
ISBN: 0851705065 (cased); 0851705073 (pbk)
LON: 11572299

Call No: 81CHA NAT
CorpAuthor: National Film and Sound Archive (Australia)
Place: Canberra, A.C.T.
Publisher: National Film and Sound Archive
PubDate: 1997
PhysDes: v, 43 p. : ill., ports. ; 30 cm
Subject: CHAUVEL, CHARLES; NATIONAL FILM AND SOUND ARCHIVE
Notes: Includes bibliographical references (p. 39-40)
ISBN: 0642274215
LON: abn97192300; 13255476

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. AUSTRALIA; PRESERVATION OF FILMS
Summary: Article on the success of two Chinese film archivests to Australia.

Call No: NEW HOLDINGS SHELVES
Author: Archive Forum
Source: AT
Place: [Melbourne]
Publisher: Archive Forum
PubDate: 2004
PhysDes: 59 leaves ; 30 cm
Subject: SCREENSOUND AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIAN FILM COMMISSION; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
Notes: Cover title

Call No: 63 STE
Author: Stephenson, Ralph; Debrix, J. R.
CorpAuthor: Penguin
Edition: Revised edition, reprint
Place: Harmondsworth
Publisher: Penguin
PubDate: 1969
PhysDes: 270 p., [32] p. of plates ; 18 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; EDITING; CINEMATOGRAPHY; SOUND; COSTUMES; MAKE-UP; COLORIZATION; LIGHTING
Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.]
Notes: Illustrated. Includes index.
Donation: Donated by La Trobe University Library

Author: Walsh, Mike
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF EXHIBITION. AUSTRALIA
Summary: Most histores of Australian cinema have foregrounded film production but have little to say about film distribution and exhibition, which were more powerful sectors of the cinema industry in Australia. This study examines the distribution and exhibition of films in Adelaide's central business district and suburban circuits during the introduction of sound in 1928-29. In addition to analysing the impact of the new technology, this article looks at the way that film distribution in this period changed in response to a number of other factors including the switch to direct distribution, the rise of British production and the local politics of first-run exhibition competition. The article examines the structure of the city and suburban exhibition in Adelaide and demonstrates that any analysis of the industry's response to sound technologies must take into account intensely local factors in order to explain the ways that different compaines adopted varying industrial tactics during the diffusion of this new technology. -- Abstract

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CINEMAS. AUSTRALIA. NATIONAL FILM AND SOUND ARCHIVE

Call No: 63(04) CIN
Author: De Lauretis, Teresa; Heath, Stephen
Place: London
Publisher: Macmillan
PubDate: 1980
PhysDes: x, 213 p., 8 p. of plates : ill. ; 23 cm
Subject: TECHNOLOGY AND THE CINEMA; SOUND; COLOUR; ANIMATION
Notes: Cinema films. Cinematography,. to 1978 - Conference proceedings (BNB/PRECIS); Conference papers; Includes index
ISBN: 033340470X (pbk); 0333236475
LON: 1861271

Call No: 753.1 MUR
Author: Murray, Edward
Source: US
Place: New York
Publisher: Frederick Ungar Publishing Co.
PubDate: 1972
PhysDes: xi, 330 p. ; 22cm.
Subject: ADAPTATIONS. BECKETT, SAMUEL; ADAPTATIONS. HEMINGWAY, ERNEST; ADAPTATIONS. MILLER, ARTHUR; ADAPTATIONS. O'NEILL, EUGENE; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; ADAPTATIONS. WOOLF, VIRGINIA; EXPRESSIONISM; LITERATURE AND THE CINEMA; THEATRE AND THE CINEMA; BRECHT, BERTOLT; EISENSTEIN, SERGEI M.; FAULKNER, WILLIAM; FITZGERALD, F. SCOTT; GREENE, GRAHAM; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ANNA CHRISTIE (US, Clarence Brown, 1930); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); SOUND AND THE FURY, THE (US, Martin Ritt, 1959)
Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels.
Notes: Includes bibliographic details
ISBN: 0804426430

Call No: 23 MAL
Author: Malkiewicz, J. Kris
Edition: 2nd ed
Place: New York Sydney
Publisher: Simon & Schuster
PubDate: 1992, c1989
PhysDes: ix, 213 p. : ill., plans ; 24 cm
Subject: CINEMATOGRAPHY; SOUND RECORDING; EDITING; UNDERWATER CINEMATOGRAPHY
Notes: "A Fireside book"; "First Fireside edition"; Includes bibliographical references (p. 205-206) and index
ISBN: 0671762206
LON: 12302388 12302388

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1999
PhysDes: vii, 266 p. : ill. ; 21 cm
Subject: SOUND; COMPOSING; SHORE, HOWARD; COEN, JOEL & ETHAN; SPEECH; MUSIC, FILM; ROBBE-GRILLET, ALAIN; FASSBINDER, RAINER WERNER; BURWELL, CARTER; RABEN, PEER; HISTORY OF CINEMA. SOUND PERIOD; CAREFUL (CN, Guy Maddin, 1992); VOICES; VOYEURISM AND THE CINEMA; WELLES, ORSON; WOMEN IN FILMS; SYNCHRONIZATION
Notes: Includes index
ISBN: 187635108X
LON: 20110282
Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman

Author: Rowe, David
PhysDes: Book review; Illustration(s)
Subject: SOUND
Summary: Review of 'Cinesonic: the world of sound in film', edited by Philip Brophy.

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: North Ryde, N.S.W. St. Leonards, N.S.W.
Publisher: Australian Film Television & Radio School Allen & Unwin
PubDate: 2000
PhysDes: vii, 224 p. : ill. ; 21cm
Subject: SOUND; NATIVE AMERICAN CINEMA; MUSIC IN FILMS; FILM NOIR; JAZZ IN FILMS; WESTERNS; DIALOGUE; NAZIS IN FILMS; PROMOTIONAL VIDEOS; LANG, FRITZ; WILLIAMS, HYPE; THOM, RANDY; MUSY, FRANCOIS; GODARD, JEAN-LUC; SHEA, DAVID; WELLES, ORSON; KWAIDAN (JA, Masaki Kobayashi, 1964); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLACK RIVER (AT, Kevin Lucas, 1991); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970)
Notes: Includes index; Bibliography
ISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098
LON: 21470326
Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy

Author: Brophy, Phillip
PhysDes: Article
Subject: ACOUSTICS; SOUND; HAUNTING, THE (US, Jan De Bont, 1999)
Summary: The author discusses the sound design in "The Haunting".

Author: Brophy, Philip
PhysDes: Article
Subject: SOUND; WALKING WITH DINOSAURS[TV] (UK, 1999)
Summary: Discusses audiovisuality in cinema, especially in relation to the animated creatures of the documentary. Questions the notion of inappropriate sounds being used for various animals or nature, and the logic of those decisions filmmaker.

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Call No: 737.49(94) GOR
Author: Gorman, Lyn
CorpAuthor: National Film and Sound Archive (Australia)
Place: [Canberra
Publisher: National Film and Sound Archive
PubDate: 1997]
PhysDes: 40 p. : 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE; VIETNAM WAR FILMS; KOREAN WAR FILMS; COLD WAR FILMS. AUSTRALIA; COLD WAR AND THE CINEMA. AUSTRALIA
Notes: Cover title
LON: abn97374817; 13541695

Author: Dyson, Frances
PhysDes: Article; Bibliography; Illustration(s)
Subject: SOUND
Summary: Theories of sound or the aural, are examined in relation to cinema, and electronic and new media.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. CINESONIC; MUSIC, FILM; SOUND

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: 62 KYD
Author: Kydd, Elspeth
Source: UK/US
Place: Houndmills. Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: xix, 316 p. : ill. ; 26 cm
Subject: NARRATIVE IN FILMS; DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CINEMATOGRAPHY; SOUND; EDITING; MUSIC IN FILMS; FILM; COSTUMES; COSTUME DESIGNING; CRITICISM
Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIA
Notes: Includes index; Includes bibliographical references and index
ISBN: 9780230229754
Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --

Call No: SUBJECT CLIPPINGS FILE; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
Author: McIlroy, Tom
PhysDes: Clippings File Article
Subject: ARCHIVES & INSTITUTES, FILM. AUSTRALIA; SCREEN AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE
Summary: Report on cuts to Canberra based federally funded cultural institutions

Call No: 401"313" CUL
Author: Hayward, Philip
Place: London
Publisher: J. Libbey
PubDate: 1990]
PhysDes: viii, 248 p. : ill. ; 25 cm
Subject: POPULAR CULTURE AND THE CINEMA; VIDEO ART; MUSIC TELEVISION; TECHNOLOGY AND THE CINEMA; COMPUTERS AND THE CINEMA; DIGITAL TECHNOLOGY; SOUND; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COLORS (US, Dennis Hopper, 1988)
Notes: Spine title: Culture, technology & creativity; Includes bibliographical references and index
ISBN: 0861962664
LON: 7559951

Call No: TITLE CLIPPINGS FILE; PROOF (AT, Jocelyn Moorhouse, 1991)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: PRESERVATION OF FILMS. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; MOORHOUSE, JOCELYN; PROOF (AT, Jocelyn Moorhouse, 1991)
Summary: Interview with filmmaker Jocelyn Moorhouse about the crowdfunding campaign to restore the film PROOF. Moorhousediscusses the recent cuts to government funding to the Australian arts scene, as well as her upcoming projects; CLARA and a mini series to be made with her husband P J Hogan

Call No: 81LEA SIL
Author: Silver, Alain; Ursini, James; Wise, Robert (foreword)
Edition: 1st Silman-James Press edition 1992
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1992
PhysDes: 294 p. : ill. ; 23 cm
Subject: Lean, David; IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942); THIS HAPPY BREED (UK, David Lean, 1944); BLITHE SPIRIT (UK, David Lean, 1945); BRIEF ENCOUNTER (UK, David Lean, 1945); GREAT EXPECTATIONS (UK, David Lean, 1946); OLIVER TWIST (UK, David Lean, 1948); MADELEINE (UK, David Lean, 1950); BREAKING THE SOUND BARRIER (UK, David Lean, 1952); SOUND BARRIER, THE (UK, David Lean, 1952); HOBSON'S CHOICE (UK, David Lean, 1954); PASSIONATE FRIENDS, THE (UK, David Lean, 1949); SUMMER MADNESS (UK/US, David Lean, 1955); SUMMERTIME (UK/US, David Lean, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); LAWRENCE OF ARABIA (UK, David Lean, 1962); [DOCTOR] DR ZHIVAGO (US, David Lean, 1965); RYAN'S DAUGHTER (UK, David Lean, 1970); PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: "Updated and extensively revised, this first American edition of David Lean and His Films offers the reader an in-depth analysis, discussion, and critique of Lean's directorial output. In their film-by-film accounting of his work, authors Silver and Ursini uncover the themes and concerns that have been sustained throughout Lean's career." -- BOOK BLURB
Notes: Includes bibliographical references (p. [275]-285) and index; Filmography: p. [241]-266
ISBN: 1879505002
Contents: -- acknowledgements -- foreword -- introduction -- 1: the early films: in which we serve (1942); this happy breed (1944); blithe spirit (1945) -- 2: brief encounter (1945) -- 3: the Dickens adaptations: great expectations (1946) and oliver twist (1948) -- 4: madeleine (1950) -- 5: the sound barrier (1952) -- 6: hobson's choice (1954) -- 7: the passionate friends (1949) and summer madness (1955) -- 8: the bridge on the river kwai (1957) -- 9: lawrence of arabia (1962) -- 10: doctor zhivago (1965) -- 11: ryan's daughter (1970) -- 12: a passage to india (1984) -- a personal afterword -- biography -- filmography -- footnotes -- selected bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DO I SOUND GAY? (US, David Thorpe, 2014)

Author: Loughney, Patrick
PhysDes: Article; Bibliography; Illustration(s)
Subject: HISTORY OF CINEMA. SOUND PERIOD; EDISON, THOMAS ALVA; DICKSON, W. K. L.; DICKSON EXPERIMENTAL SOUND FILM (US, W.K.L. Dickson, 1894)
Summary: An article about the known and spectulative facts about the making of "Dickson Experimental Sound Film".

Call No: 110-4(94) HAL
Author: Hall, Christopher; Schou, Kiersten; Clark, Nicholas
Place: Woden, ACT
Publisher: Nicholas Clark and Associates
PubDate: August 1983
PhysDes: 100 p. ; 30 cm
Subject: PRESERVATION OF FILMS; ARCHIVES & INSTITUTES, FILM; NATIONAL FILM AND SOUND ARCHIVE

Call No: 772 DRA
Author: Coyle, Rebecca (ed.)
Source: US/UK
Place: London ; Oakville
Publisher: Equinox
PubDate: 2010
PhysDes: x, 258 p. : ill. ; 24 cm
Series: Genre, music and sound
Subject: ANIMATION; ANIMATORS; MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; SOUND; SOUND TRACKS
Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film. Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9781845533526
Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --

Call No: 632 FEL
Author: Feldman, Joseph, 1917; Feldman, Harry, 1920- joint author
Place: New York
Publisher: Hermitage
PubDate: 1952]
PhysDes: 1 v
Subject: EDITING; ACTING; CINEMATOGRAPHY; SOUND; THEATRE AND THE CINEMA; LITERATURE AND THE CINEMA
LON: nun00324245; 5230200

Call No: 632.6 JOH
Source: UK
Place: London
Publisher: Equinox
PubDate: 2010
PhysDes: x, 246 p. : ill. ; 24 cm
Subject: SOUND; SEX IN FILMS; MUSIC IN FILMS; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987); SHELTERING SKY, THE (US/IT, Bernardo Bertolucci, 1990); EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); BARBARELLA (FR/IT, Roger Vadim, 1967); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999)
Summary: With its capacity to defamiliarize and subvert visual representation, sound is not simply a source of information supplementary to the visual in the cinematic representation of sexuality, but a site of ambiguous ideologies and power relations. -- This collection exemplifies a variety of approaches to the sonic representation of sexuality in cinema. It draws on a range of sexual scenarios from pornography to sci-fi to art-house and includes cinema from various cultures and countries. Among the topics addressed are how the deployment of sound is implicated in gender politics in the representation of sexuality and how sounds are able to radically colour and even override the visual and lexical content of a film. -- Through sonicity the film-maker can challenge the ideologies at play underneath surface stereotypes, and introduce emotional overtones which meliorate the alienation generally associated with porn. Sound and music can establish a historical period as well as spatially localize sexuality within a framework that problematizes the distinctions between porn and erotica. They can introduce into the ahistorical sextopia of porn the cultural specificity of the notion of 'pornography' and indeed can shift a film in and out of that category, even desexualizing the naked human body. -- Bruce Johnson is an adjunct professor at Macquarie University, Sydney, and Visiting Professor at the University of Turku, Finland. His many publications in popular music and literary studies include The Oxford Companion to Australian Jazz. --Book Jacket.
ISBN: 9781845533182
Contents: Sound decisions : interviews with Ole Ege / Bruce Johnson -- Beyond the valley of the ultra cliche´ : erotic plenitude in the films of Russ Meyer / Mark Evans with Matt Burgess -- The push/pull game : the dynamics of sound in Bertolucci's Last tango in Paris, The last emperor and The sheltering sky / Lesley Chow -- Depraved desire : sado-masochism, sexuality and sound in mid-1970s cinema / Clarice Butkus -- The peculiar "love" music in Oshima's Ai no korida / James Wierzbicki -- Lust in space : science fiction themes & sex cinema (1960-82) / Phil Hayward -- Zero gravity : science fiction themed porn cinema and its soundtracks 1990-2010 / Phil Hayward and Emil Stoichkov -- It's gotta be that new wave music : music in New wave hookers carries the joke / Laura Wiebe Taylor -- Making "a mall movie about a man with a 13-inch penis?" : popular music representations of pornographic intention / Liz Giuffre -- Musical loops : eyes wide shut? ears wide open / Kevin Clifton -- Multiple positions : sound, sex and aural dominance in 9 songs / Andrea Warren -- Music, image, and orgasm : getting off on the Shortbus / Marianne Tatom Letts -- In extremis : the roots, soundscapes and significations of 21st century zombie porn / Ralph G. Marsh

Call No: 81EIS ROB
Author: Robertson, Robert
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xii, 239 p. : ill. ; 23 cm
Series: International library of cultural studies; 5
Subject: SOUND; PERCEPTION; EISENSTEIN, SERGEI M.; MEYERHOLD, VSEVOLOD; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932])
Summary: "An introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema (the interaction of music, sound and film)."TAKEN FROM BACK COVER
ISBN: 9781848857315
Contents: -- General Editor's Preface -- List of Illustrations -- Acknowledgements -- Preface -- Introduction -- Chapter 1: Audiovisual Counterpoint -- Chapter 2: Organic Unity -- Chapter 3. Nonindifferent Nature -- Chapter 4. Synaesthesia -- Notes -- Bibliography -- A note on the versions of Einstein's films consulted -- Index --

Call No: 70 JAC
Author: Jacobs, Lewis, comp
Place: New York
Publisher: Hopkinson and Blake
PubDate: [c1969]
PhysDes: 453 p. illus. 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; COLORIZATION; SOCIETY AND THE CINEMA; GERMANY; ANIMATED FILMS; CINEMA VERITE; AUTEUR THEORY; NOUVELLE VAGUE; MUSIC IN FILMS; NEOREALISM; AVANT-GARDE FILMS; MELIES, GEORGES; GRIFFITH, DAVID WARK; CLAIR, RENE; FORD, JOHN; PORTER, EDWIN S.; LESTER, RICHARD; DISNEY, WALT; BERGMAN, INGMAR; TRUFFAUT, FRANCOIS; SARRIS, ANDREW; KAEL, PAULINE; KUROSAWA AKIRA; RESNAIS, ALAIN; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; BASS, SAUL; MEKAS, JONAS; CITIZEN KANE (US, Orson Welles, 1941); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 438-439
LON: 5011
ID2: 291

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: POST-PRODUCTION. AUSTRALIA; HIGH DEFINITION TV; SOUND; EDITING. AUSTRALIA
Summary: Griffiths surveys the post-production industry in Australia in 2000. Visual and sound post-production firms reported that 1999 was a slow year but production is increasing in 2000. High-definition television will introduce new challenges to the post-production industry. Screen editors are frustrated by their working conditions and the expectation that they coordinate all aspects of post-production.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FENTON, PETER [sound]

Call No: 62 FIE
Author: Devereaux, Leslie; Hillman, Roger
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: xiv, 362 p. : ill. ; 24 cm
Subject: MONTAGE; ETHNOGRAPHIC FILMS; PHOTOGRAPHY AND THE CINEMA; WAR AND THE CINEMA; WAR IN FILMS; MODERNISM AND THE CINEMA; HORROR FILMS; BODY IN FILMS; MEN IN FILMS; SPECTATORSHIP; CARNIVAL AND THE CINEMA; WOMEN AND THE CINEMA; NARRATIVE IN FILMS; SOUND; ADAPTATIONS; ABORIGINAL AUSTRALIANS AND THE CINEMA; DOCUMENTARY FILMS; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); RIVERS OF SAND (US, Robert Gardner, 1974)
Notes: Includes bibliographical references and index
ISBN: 0520085248 (pbk. : alk. paper); 0520085221 (alk. paper)
LON: 10726537

Call No: 70 SKL
Author: Sklar, Robert, 1936-
Place: London
Publisher: Thames & Hudson
PubDate: 1993
PhysDes: 560 p. : ill.(some col.) ; 30 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; EUROPEAN COUNTRIES; AVANT-GARDE FILMS; NOUVELLE VAGUE; WORLD WAR II AND THE CINEMA; EASTERN EUROPEAN COUNTRIES
Notes: Bibliography: p. 518-522; Includes index and glossary; Filmography: P. 528-539
ISBN: 0500016011
LON: 10361074

Call No: 22 COY
Author: Coynik, David
Edition: Rev. ed
Source: US
Place: Evanston
Publisher: McDougal, Littel & Company
PubDate: 1976
PhysDes: 216 p. : ill. ; 28 cm
Subject: FILMMAKING; EDITING; COLOUR; SOUND; GENRES; DOCUMENTARY FILMS; ANIMATION
Summary: This book gives a background for some of the techniques which filmmakers use to communicate, and in the final chapter gives information on making a film.
Notes: Includes index
ISBN: 0883433044
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 FEL
Author: Fell, John L.
Place: New York
Publisher: Praeger Publishers
PubDate: 1975
PhysDes: xiv, 274 p. : ill ; 25 cm.
Subject: HISTORY OF CINEMA; EDITING; SOUND; COLOUR; GENRES; EDITING; PRODUCTION; DIRECTION; EDITING; SPECIAL EFFECTS; CRITICISM; AUTEUR THEORY; THEORY; SEMIOLOGY; STRUCTURALISM
Summary: A broad history of film that shifts from looking at its beginnings, to explaining the visual elements that make up a film, to a desciption of the ingredients of film production, and finally to a closer inspection of specific theorists and theories of film.
Notes: Includes indexes. Bibliography: p. 251-252.
ISBN: 0275509508

Call No: 22 CLA
Author: University of New England. Clarence Regional Office; University of New England. Department of Adult Education
Source: AT
Place: Armidale, NSW
Publisher: University of New England
PubDate: 1961
PhysDes: 128 p. ; 33cm
Subject: 16 MM FILMS; AUSTRALIAN BROADCASTING CORPORATION; CAMERAS; CINEMATOGRAPHY; EDITING; EDUCATION AND TV; FILMMAKING; PRODUCTION; PRODUCTION, TV; SCRIPTWRITING; SOUND RECORDING
Summary: A collection of proceedings from the University of England's first residential "Film and Television Producers' School" held for seven days in January 1961.
Notes: Book is in extremely fragile condition; handle with care
Contents: Introduction -- Editorial -- List of lecturers and delegates -- Preface to notes -- "The future of television": Sir Richard Boyer -- Question and answer session -- "The place of the creative thinker in film and television": Mr. Maslyn Williams -- Films shown in discussion evenings -- "Form and construction": Mr Maslyn Williams -- "Creative editing": Mr. Stanley Hawes -- Masculine cut and feminine fade -- "The seeing eye": Mr. Geoffrey Collings -- Black & white versus colour -- "Notes for a talk on the photographic lenses": Dr. Neville Fletcher -- Some questions on editing -- "The sound track and film production": Mr. Don Kennedy -- "Notes on a lecture-demonstration on television production": Mr. Colin Dean -- The impossible isn't possible -- "Preparing a script": Mr. Shan Benson -- A simple appreciation of picture reproduction characteristics -- "The motion picture film in the school": Mr. Clive Linz -- 35 mm and 16 mm film -- "The use of television for educational purposes": Mr. Charles Bull -- Reference to lecture by Mr. King -- "Influence of Production on vision and sound recording in T.V.": Mr. Carl Wilhelm -- Construction and form in the arts

Call No: 62(081) MAN
Author: Manvell, Roger
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1955
PhysDes: 352 p., [32] p. of plates : ill. ; 18 cm
Subject: TELEVISION AND THE CINEMA; SOCIETY AND THE CINEMA; INDUSTRY, FILM; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD
Notes: contains supplements and index
Donation: donated by the family of Wayne Levy, 2006
URL status: URL: 'http://-' Checked: 31/08/2021 1:12:35 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 CAS
Author: Casebier, Allan
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: c1976
PhysDes: ix, 207 p., [2] leaves of plates : col. ill. ; 23 cm
Subject: THEORY; AESTHETICS; SOUND; AUDIENCES; REALISM IN FILMS; SURREALISM AND THE CINEMA; EXPRESSIONISM; MYTH AND THE CINEMA; STRUCTURALISM; CRITICISM; WELLES, ORSON; BUNUEL, LUIS; KUBRICK, STANLEY; BAZIN, ANDRE; ARNHEIM, RUDOLF; GODARD, JEAN-LUC; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971)
Notes: Includes index; "Bibliography/filmography": p. [183]-190
ISBN: 0155273701
Order Received: 2000
Order Type: Donation
LON: 746910
URL status: URL: 'http://-' Checked: 31/08/2021 1:02:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 BOR
Author: Bordwell, David, 1947; Thompson, Kristin, 1950
Edition: 2nd ed
Place: New York
Publisher: Knopf Distributed by Random House
PubDate: 1986
PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cm
Subject: PRODUCTION; NARRATIVE IN FILMS; CINEMATOGRAPHY; EDITING; SOUND; CRITICISM; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); CITIZEN KANE (US, Orson Welles, 1941)
Notes: Includes index; Bibliography: p. 387-389
ISBN: 0394352378 (pbk.)
LON: 85018198; 4389326
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 MAS
Author: Mast, Gerald, 1940
Edition: University of Chicago Press ed
Place: Chicago
Publisher: University of Chicago Press
PubDate: 1983
PhysDes: xvii, 299 p., [4] p. of plates : ill. (some col.) ; 23 cm
Subject: SOUND; CINEMATOGRAPHY; THEORY; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); CITIZEN KANE (US, Orson Welles, 1941); WAVELENGTH (US, Michael Snow, 1967); PLAYTIME (FR, Jacques Tati, 1967); SCENER UR ETT AKTENSKAP (SW, Ingmar Bergman, 1974)
Notes: Reprint. Originally published: New York : Harper & Row, c1977; Includes index; Bibliography: p. [287]-290
ISBN: 0226509745 (pbk.)
LON: 83004819; 2872482
URL status: URL: 'http://-' Checked: 31/08/2021 12:38:56 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 408 TUR
Author: Graeme Turner (ed.)
Place: London; New York
Publisher: Routledge
PubDate: 2002
PhysDes: 524 p. ; 24 cm
Subject: CULTURE AND THE CINEMA; GENRES; AESTHETICS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCE RESEARCH; SOUND; THEORY; CREED, BARBARA; KUHN, ANNETTE; NATIONAL CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; GLOBALISATION; USA; MONROE, MARILYN; SEX IN FILMS; HORROR FILMS; ACTION FILMS; HOMOSEXUALITY IN FILMS; THRILLERS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); PIANO, THE (AT, Jane Campion, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); TECHNOLOGY AND THE CINEMA; INDUSTRY, FILM
Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.
ISBN: 0415252822

Call No: 70 THO
Author: Thompson, Kristin, 1950; Bordwell, David, 1947
Place: New York
Publisher: McGraw-Hill
PubDate: 1994
PhysDes: xliv, 857 p. : ill. (some col.) ; 26 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD
Notes: Includes bibliographical references and index
ISBN: 0070064490 (alk. paper); 0070064458 (softcover : alk. paper)
LON: 10678362

Call No: 70"1" JAC
Author: Jacobs, Lea
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: [2015]
PhysDes: xii, 266 pages : illustrations, music ; 24 cm
Subject: DAWN PATROL, THE (US, Edmund Goulding, 1938); DIALOGUE; EISENSTEIN, SERGEI M.; HAWKS, HOWARD; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCARFACE (US, Howard Hawks, 1932); TWENTIETH CENTURY (US, Howard Hawks, 1934); WALT DISNEY PRODUCTIONS; SOUND
Summary: The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian.- from Publisher website.
Notes: Includes bibliographical references (pages 245-252, filmography (pages 253-256) and index.
ISBN: 9780520279650
Contents: Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks.

Call No: Incomplete v. 3 , no. 4 onwards.; v.3, no's 4&10; v. 4, no's 4-7, 10; v. 5, no's 1, 3-9/10; v. 6, No's 1-2, 5-10; v. 7, No's 1, 7-9; V. 8, No's 1-10 v. 9, No's 1, 3-10 v. 10, no's 1, 3-6 (final) became solely online pub; -- IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: Culver City, CA
Publisher: Vineyard Haven LLC
PubDate: 1993
Subject: MUSIC AND THE CINEMA; MUSIC FOR ANIMATED FILMS; MUSIC FOR SILENT FILMS; MUSIC, FILM; COMPOSERS; SOUND TRACKS
ISSN: 10774289
Order Notes: Current

Call No: 24 CAS
Author: Case, Dominic
Place: Jordan Hill, Oxford
Publisher: Focal Press
PubDate: 1997
PhysDes: 192 p. : ill. ; 22 cm
Subject: POST-PRODUCTION; EDITING; DIGITAL TECHNOLOGY; SOUND RECORDING; TECHNICAL DEVELOPMENTS
Notes: Includes index
ISBN: 0240514637
LON: 13426507

Call No: 62 MON
Author: Montagu, Ivor Goldsmid Samuel, 1904
Source: US
Place: Harmondsworth, England
Publisher: Penguin Books
PubDate: 1964
PhysDes: 327 pages : illustrations ; 18 cm
Subject: AESTHETICS; ART CINEMA; BUDGETING; CINEMATOGRAPHY; EDITING; INDUSTRY, FILM; REALISM IN FILMS; PRODUCTION COSTS; SCIENCE AND THE CINEMA; SOUND; SPECIAL EFFECTS; EISENSTEIN, SERGEI M.
Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb]
Notes: Contains index
LON: nla07041764; 6387892
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 MON
Author: Montagu, Ivor
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1964
PhysDes: 327 p., [24] p. of plates : ports ; 18 cm
Subject: AESTHETICS; COLOUR; SOUND; BUSINESS AND THE CINEMA
Notes: contains index
Donation: donated by the family of Wayne Levy, 2006
Contents: Part 1 - Film as Science; Part 2 - Film as Art; Part 3 - Film as Commodity; Part 4 - Film as Vehicle
URL status: URL: 'http://-' Checked: 31/08/2021 1:12:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - complete
Source: US
Place: New York
Publisher: Arno Press
PubDate: 1968
Subject: DOCUMENTARY FILMS; SOUND; MUSIC IN FILMS; STATE AND THE CINEMA. USA; STATE AND THE CINEMA. CANADA; STATE AND THE CINEMA. BRAZIL; STATE AND THE CINEMA. MEXICO; TRADE UNIONS. USA; POTAMKIN, HARRY ALAN; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); FANTASIA (US, Walt Disney, 1940); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); SHCHORS (UR, Alexander Dovzhenko, 1939); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937)
Notes: Reprint. Originally published : New York : Kamin Publishers.

Call No: 11(94)NFA HAL
Author: Hall, Christopher; Clark, Nicholas; Schou, Kiersten
Place: Woden, A.C.T. : Nicholas Clark & Associates, 1983
PhysDes: 97, 5 p. ; 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE; SCREENSOUND AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
LON: abn89188442; 6543236

Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVE
Author: Rance, Carolyn
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: Interview with Jessica Bolton, a curator at the National Film and Sound Archive, about her role

Call No: 71(411) MAR
Author: Martin, Andrew
CorpAuthor: NMS Publishing Limited; Royal Museum
Source: UK
Place: Edinburgh
Publisher: NMS Publishing Limited; Royal Museum
PubDate: 2000
PhysDes: viii, 134 p. : ill. ; 20 cm
Series: Scotland's Past in Action
Subject: SCOTLAND; HISTORY OF CINEMA. SCOTLAND; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF EXHIBITION. SCOTLAND; ORAL HISTORIES; CHILDREN AND THE CINEMA. SCOTLAND; CINEMAS. SCOTLAND; EXHIBITION. SCOTLAND; EXHIBITION OF SILENT FILMS. SCOTLAND; MEMORABILIA; Metro-Goldwyn-Mayer; EALING STUDIOS; BRIGADOON (US, Vincente Minnelli, 1954)
Summary: "Take your seat ... sit back and relax ... as we whisk you back to the days of art deco palaces and local fleapits. To celebrate the 20th century's most popular art form, we feature the voices of cinema-goers from all over Scotland as they recollect the Silent days, the novelty of Talkies, secretive courting in the balconies, noisy children at matinees - and through it all, the sheer glamour of the Stars. We take you from Holyrood to Hollywood, starring Claudette Colbert, Gary Cooper and Betty Grable, and Odeons and Regals the length and breadth of Scotland." (Taken from back cover)
Notes: Includes filmography, further reading
ISBN: 1901663442

Call No: 236GOL SER
Author: Serkis, Andy
Source: UK
Place: London [England]
Publisher: HarperCollins
PubDate: c2003
PhysDes: 119 p. : ill (col). ; 25 cm
Subject: SPECIAL EFFECTS; PRODUCTION TECHNOLOGY; MAKE-UP; SOUND EFFECTS; SERKIS, ANDREW; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Notes: " A behind- the- scenes guide to the epic New Line Cinema trilogy [cover at head of title Lord of the Rings] Filmed in New Zealand. Film tie-in
ISBN: 0007170572
Donation: donated by the family of Wayne Levy, 2006
Contents: -- introduction : to begin at the beginning -- chapter 1: 'It's mine. My own. It came to me!' -- chapter 2 : welcome to planet middle-earth -- chapter 3 : another world -- chapter 4 : motion capture -- chapter 5 : muttering and gurgling -- chapter 6 : the taming of Smeagol -- chapter 7 : 'Give us that, Deagol, my love' -- chapter 8 : morgul vale -- chapter 9 : escape from middle-earth -- chapter 10 : the changing face of Gollum -- chapter 11 : 'Nobody likes you...' -- chapter 12 : 'the two towers -- chapter 13 : the return of the king -- epilogue : the good, the bad... and the precious --

PhysDes: Article
Subject: REDGRAVE, VANESSA; NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. AUSTRALIA; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920)
Summary: Article on British actress Vanessa Redgrave visiting the National Library of Australia and the National Film Archive to view two surviving films featuring her grandfather, Roy Redgrave. 'Robbery Under Arms' and 'The Stick Stock Rider' were both restored through the Archives Last Film Search initiative.

Author: Stratton, David
PhysDes: Article
Subject: HISTORY OF CINEMA. TRANSITION SILENT-SOUND
Summary: Analysis of the impact of the introduction of sound pictures to the Hollywood film industry, including the effects on technical innovation, box office receipts and the careers of major silent film stars.

Call No: 761 GIL
Author: Gillezeau, Marcus
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1997
PhysDes: 25 p. ; 30cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; EQUIPMENT; FILMMAKING; CAMERAS; SOUND; SOUND RECORDING; PRODUCTION; POST-PRODUCTION; EDITING
Summary: "This paper outlines production and post-production paths for low budget documentaries with budgets ranging from $20,000 to $100,000. It explores both digital and analogue methods. It includes pointers on what needs to be considered during pre-production and the shoot which will result in time and cost savings during post-production." -- TAKEN FROM INTRODUCTION TO REPORT
LON: abn98003903; 13617349

Call No: 81 HAN WAL
Author: Walker, Elsie
Edition: 2018
Place: New York
Publisher: Oxford University Press
PubDate: 2018
PhysDes: x, 221 pages : illustrated ; 25 cm
Series: The Oxford music / media series
Subject: HANEKE, MICHAEL; SOUND; SOUND EDITING; SOUNDTRACKS
Summary: Michael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better. Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy. This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Caché, The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change. -- publisher's web site
ISBN: 9780190495916
Contents: Prelude: Why does hearing Haneke's films matter? -- 1. Introduction: Hearing Haneke through the critical ruckus -- 2. The Seventh Continent: the noises of consumerism, the music of something more -- 3. Funny Games: amplifying violence, the violators, and the victims -- 4. Code Unknown: sonically representing social divisions, diversity, and hope -- 5. The Piano Teacher: musical beauty without transcendence -- 6. Caché: the postcolonial resonance of silences and saying "nothing" -- 7. The White Ribbon: hearing Symbolic oppression and the Real in rebellion -- 8. Amour: the screams of life answered with love -- Works Cited -- Index

Author: Gillezeau, Marcus
PhysDes: Article; Illustration(s)
Subject: DOCUMENTARY FILMS; SOUND; HURLEY, FRANK; PARER, DAMIEN; DAVIS, MARK; BRADBURY, DAVID; AFRIKA - CAPE TOWN TO CAIRO [TV] (AT, Michael Davie, 1998)
Summary: Gillezeau examines the ethical issues involved in sound design for documentaries, looking at the work of Frank Hurley and Damien Parer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER SOUND HER STORY (AT, Claudia Sangiorgi Dalimore, 2017)

Call No: P HER
PubDate: 2018
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: HER SOUND HER STORY (AT, Claudia Sangiorgi Dalimore, 2017)
Donation: Cinema Nova

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTORY OF CINEMA. SOUND PERIOD

Call No: 63 BOO
Author: Boorstin, Jon
Edition: 1st ed.
Place: New York
Publisher: Cornelia & Michael Bessie Books
PubDate: 1990
PhysDes: x, 224 p. : ill. ; 25 cm.
Subject: AESTHETICS; EDITING; SOUND; LIGHTING
Summary: An examination of Hollywood film production and direction with reference to how films are experienced by the viewer, and drawing on the author's own experiences in the industry.
Notes: Includes index.
ISBN: 0060391138

PhysDes: Focus Issue
Subject: TAXES. AUSTRALIA; AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; SOUTH AUSTRALIAN FILM CORPORATION; FILM VICTORIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIAN BROADCASTING COMMISSION; HOYTS; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; TELEVISION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; ACTORS EQUITY AUSTRALIA; AUSTRALIAN WRITERS GUILD; GREATER UNION; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA
Summary: A series of articles featured in a special edition section of 'The Hollywood Reporter' relating to the Australian film and television industries of 1988. With Division 10BA failing and the world stockmarket crash much attention is payed to the future of film and television financing in Australia. There are articles on each of the states and territories film bodies, the current state of Actors' Equity Australia, the Australian Writers' Guild, and the National Film and Sound Archive. Phillip Adams, Kim Williams, Antony Ginnane, Yoram Gross, and David Williamson have all been consulted for various articles.

PhysDes: Focus Issue
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. USA; ACTORS. USA; COSTUMES; MUSIC, FILM; Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; COLUMBIA PICTURES
Summary: A special edition of The Hollywood Reporter dedicated to Hollywood's centenary. Magazine looks at the formation of Hollywood, silent cinema, the Studio system, noted personalities, and the current industry. Articles focus on changing attitudes, costumes, actors, the coming of sound and musical scores and industry modernisation.

Call No: 71(73) STE
Author: Steen, Mike
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: 1974
PhysDes: 379 p. ; 21 cm
Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT
Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)
ISBN: 39911162X
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: HOYTS; DOLBY SYSTEM; SOUND SYSTEMS
Summary: Article on new Dolby sound system at Hoyts, Bondi Plaza.

Call No: 757-0 TEV
Author: Ray Tevis & Brenda Tevis
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc.
PubDate: 2005
PhysDes: 25 cm ; 230 pp.
Subject: CAREERS IN FILMS; TYPE CHARACTERS IN FILMS; WOMEN IN FILMS; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD
Summary: The onscreen image of the librarian has changed little through the century. A silent 1921 film set the precedent for two female librarian characters: a dowdy spinster wears glasses and a bun hairstyle, and an attractive young woman is overworked and underpaid. Silent films did, however, give a variety of characteristics to librarians, showing them at work on many different tasks, and featuring them in a range of dramatic, romantic, and comedic situations. The sound era (during which librarians appeared in more than 200 films) frequently exaggerated these characteristics and situations, strongly influencing the general image of librarians. This monograph (with filmographies at the back) analyzes the stereotypical image of librarians, male and female, in primarily American and British motion pictures from 1917 through 1999. The work briefly describes each film, offers critical commentary, and then examines its librarian character, from socioeconomic conditions and motivations to personal attributes (clothing, hair, age) and romantic entanglements to common props and plots. [Taken from back cover.]
ISBN: 0786421509

Call No: 634.6 COC
Author: Cockshott, Gerald
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: November 1946
PhysDes: 8 p. ; 22 cm
Subject: MUSIC AND THE CINEMA; COMPOSING; SOUND
Notes: Cover title; Includes bibliographical references
LON: abn96285607; 12599944

Author: Thornhill, Michael and Gardner, Geoffrey
PhysDes: Article
Subject: WISE, ROBERT; CITIZEN KANE (US, Orson Welles, 1941); WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LEWTON ,VAL; TOURNEUR, JACQUES; ROBSON, MARK; HAUNTING, THE (US, Robert Wise, 1963); WEST SIDE STORY (US, Robert Wise, 1961); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944)
Summary: Interview with editor and director Robert Wise, discussing his films and work with other filmmakers, such as Orson Welles.

Author: Altman, Rick; Abel, Richard
PhysDes: Article; Bibliography; Illustration(s)
Subject: HISTORY OF CINEMA. SOUND PERIOD; SOUND EQUIPMENT; SYNCHRONIZATION; JAZZ SINGER, THE (US, Alan Crosland, 1927)
Summary: Introduction to the 'Special domitor Issue: global experiments in early synchronous sounds'.

PhysDes: Article
Subject: TECHNICAL DEVELOPMENTS; SOUND
Summary: Statement from Dolby Laboratories and Eastman Kodak on use of high-magenta soundtrack technologies which are more environmentally friendly than silver-applicated soundtracks. Includes discussion of processes used in Australia.

Call No: 701 BAT
Author: Batten, Joe
Place: London : Rockliff, 1956
Subject: HISTORY OF CINEMA. SOUND PERIOD; SOUND
LON: 7257057

PhysDes: Article
Subject: LIBRARIES, FILM BOOK. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; LIBRARIES, FILM. AUSTRALIA; PIKE, ANDREW; HALL, KEN G.
Summary: Brief article on the launching of the National Library of Australia's publication 'Australia's Lost Films' which forms a part of the National Film Archive's project 'Last Film Search'.

Author: Martin, Adrian
PhysDes: Article
Subject: EXPERIMENTAL FILMS. AUSTRALIA; SOUND; MUSIC IN FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA
Summary: This article is an historical survey of Australian experimental cinema from the 1960s to the present day organized around the use of music and sound. Six aesthetic categories are distinguished: film as backdrop to live music; live music as backdrop to film; pre-recorded music as a ‘bed’ for images; images as a bed for pre-recorded music; disjunction between image and sound; image–sound fusion. The debate over the effects of musical rhythm in cinema is discussed.--ABSTRACT

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM; MUSIC, TV
Summary: Discusses current developments in the film and tv industry for people sourcing and providing music.

Call No: TITLE CLIPPINGS FILE
Subject: SWEET SOUND OF DEATH [LA LLAMADA] (SP/US, Xavier Seto, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWEET SOUND OF DEATH [LA LLAMADA] (SP/US, Xavier Seto, 1965)

Call No: 11378
Author: Waddell, Terrie
Edition: 2019
Place: Abingdon, Oxon : New York
Publisher: Routledge
PubDate: 2019
PhysDes: vii, 162 pages ; 24 cm
Subject: AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); CHILD ABUSE; CHILDREN AND THE CINEMA; FRAN (AT, Glenda Hambly, 1985); LION (AT, Garth Davis, 2016); MANGANINNIE (AT, John Honey, 1980); ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007); SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998); WINFREY, OPRAH
Summary: Waddell explores ‘the lost child’ in its many manifestations, as an element of the individual and collective psyche, historically related to the trauma of colonisation and war, and as key theme in Australian cinema from the industry’s formative years to the present day. The films discussed in textual depth transcend literal lost in the bush mythologies, or actual cases of displaced children, to focus on vulnerable children renderedlost through government and institutional practices, and adult/parental characters developmentally arrested by comforting or traumatic childhood memories. The victory/winning fixation governing the USA – diametrically opposed to the lost child motif – is also discussed as a comparative example of the mesmerising nature of the cultural complex. Examining iconic characters and events, such as the Gallipoli Campaign and Trump’s presidency, and films such as The Babadook, Lion, and Predestination, this book scrutinises the way in which a culture talks to itself, about itself. This analysis looks beyond the melancholy traditionally ascribed to the lost child, by arguing that the repetitive and prolific imagery that this theme stimulates, can be positive and inspiring. The Lost Child Complex in Australian Film is a unique and compelling work which will be highly relevant for academics and students of Jungian and post-Jungian ideas, cultural studies, screen and media studies. It will also appeal to Jungian psychotherapists and analytical psychologists as well as readers with a broader interest in Australian history and politics. -- publisher's web site
ISBN: 9781138939691

Call No: 634 LOW
Author: Beck, Jay (ed); Grajeda, Tony (ed)
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: c2008
PhysDes: x, 342 p. 24cm
Subject: SOUND; SOUND EDITING; SOUND EFFECTS
Summary: "As the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis. The contributors consider the ways in which musical expression, scoring, voice-over narration, and ambivalent noise affect identity formation and subjectivity. Lowering the Boom also analyses how shifting modulation of the spoken word in cinema results in variations in audience interpretation. Introducing new methods of thinking about the interaction of sound and music in films, this volume also details avant-garde film sound, which is characterised by a distinct break from the narratively based sound practices of mainstream cinema. This interdisciplinary, global approach to the theory and history of film sound opens the eyes and ears of film scholars, practioners, and students to film's true audio-vosual nature. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [307]-326) and index
ISBN: 9780252075322
Contents: Introduction. The future of film sound studies / Jay Beck and Tony Grajeda -- 1. The phenomenology of film sound : Robert Bresson's A man escaped / John Belton -- 2. The proxemics of the mediated voice / Arnt Maaso -- 3. Almost silent : the interplay of sound and silence in contemporary cinema and television / Paul Theberge -- 4. The sounds of "silence" : Dolby stereo, sound design, and The silence of the lambs / Jay Beck -- 5. Sonic imagination; or, film sound as a discursive construct in Czech culture of the transitional period / Petr Szczepanik -- 6. Sounds of the city : Alfred Newman's "street scene" and urban modernity / Matthew Malsky -- 7. Film and the Wagnerian aspiration : thoughts on sound design and the history of the senses / James Lastra -- 8. Asynchronous documentary : Bunuel's Land without bread / Barry Mauer -- 9. "We'll make a Paderewski of you yet!" : acoustic reflections in The 5,000 fingers of Dr. T / Nancy Newman -- 10. Paul Sharits's cinematics of sound / Melissa Ragona -- 11. "Every beautiful sound also creates an equally beautiful picture" : color music and Walt Disney's Fantasia / Clark Farmer -- 12. "A question of the ear" : listening to Touch of evil / Tony Grajeda -- 13. "Sound sacrifices" : the postmodern melodramas of World War II / Debra White-Stanley -- 14. Real fantasies : Connie Stevens, Silencio, and other sonic phenomena in Mulholland Drive / Robert Miklitsch -- 15. Selling spectacular sound : Dolby and the unheard history of technical trademarks / Paul Grainge -- 16. (S)lip-sync : punk rock narrative film and postmodern musical performance / David Laderman -- 17. Critical hearing and the lessons of Abbas Kiarostami's Close-up / David T. Johnson -- 18. Rethinking point of audition in The cell / Anahid Kassabian.

Call No: 301.1-3(41/94) AVE
Author: Aveyard, Karina
Source: UK
Place: Bristol
Publisher: Intellect
PubDate: 2015
PhysDes: xviii, 182 pages ; 24 cm
Subject: EXHIBITION. AUSTRALIA; EXHIBITION. UNITED KINGDOM; CINEMAS. AUSTRALIA; CINEMAS. AUSTRALIA. NATIONAL FILM AND SOUND ARCHIVE; CINEMAS. UK; REGIONAL EXHIBITION. AUSTRALIA; REGIONAL EXHIBITION. UNITED KINGDOM
Summary: 'Lure of the big screen explores film exhibition and consumption in rural parts of the UK and Australia, where film theatres are often highly valued as spaces around which isolated communities can gather and interact." - taken from back cover
ISBN: 9781783203826
Contents: List of tables and images -- List of abbreviations -- Cinema case study sites -- Acknowledgements -- Foreword -- Introduction -- Chapter 1: Hierarchies of rural cinema -- Chapter 2: Rural cinema as a business -- Chapter 3: Rural cinema and public policy -- Chapter 4: Rural cinema and grassroots movements -- Chapter 5: Rural cinema as a social event -- Conclusion: The lure of the big screen -- Appendix A: Methodological notes -- Appendix B: Industry interviews and correspondence -- References -- Notes -- Index

Call No: 633.3(4) MAK
Author: Michael Leitch (ed.)
CorpAuthor: Imago
Source: UK
Place: London
Publisher: Aurum
PubDate: 2003
PhysDes: 481 p. : ill. (some col.) ; 29 cm
Subject: CINEMATOGRAPHY; EUROPEAN COUNTRIES; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; NEOREALISM; ITALY; FRANCE; GERMANY; HUNGARY; CZECHOSLOVAKIA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; NOUVELLE VAGUE; MOVEMENTS IN FILM HISTORY; NYKVIST, SVEN; ROTUNNO, GIUSEPPE; CARDIFF, JACK; BERTOLUCCI, BERNARDO; MASTROIANNI, MARCELLO; TOVOLI, LUCIANO
Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]
Notes: Includes bibliographical references and indexes.
ISBN: 1854108891
Language: English
Contents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt

Author: Pearson, Georgina
PhysDes: Article
Subject: SOUND; SOUND EDITING; SOUND MIXING; SOUND RECORDING
Summary: Sound can completely change the feel and effect of a piece of content and plays a key part in creating atmosphere of what's on screen, whether it be for a film or television. In his article Pearson talks with sound designers and explores some of the processes involved in sound production.

Call No: 701 PFR
Author: Pfragner, Julius; McClintock, Theodore (trans.)
Place: Folkstone
Publisher: Bailey Brothers and Swinfen
PubDate: 1974, c1964
PhysDes: 240 p. ; 21 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; TECHNICAL DEVELOPMENTS
Summary: In 1826, magic lantern exhibits were at the height of their popularity in Vienna; it was not until 1927 that the first successful sound film was produced in America. This book tells the story of the inventors during those hundred years who contributed to the development of photography and the motion picture. [Taken from inside front cover.]
ISBN: 561001820
Donation: donated by the family of Wayne Levy, 2006

Call No: 634.6 DIC
Author: Dickinson, Kay
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 207 p. ; 24 cm.
Series: In focus--Routledge film readers
Subject: MUSIC AND THE CINEMA; SOUND TRACKS
Notes: Includes bibliographical references and indexes.
ISBN: 0415281601 (pbk.)

Call No: 802 CHE
Author: Chell, David
Source: US
Place: Redmond, Wash
Publisher: Microsoft Press
PubDate: 1987
PhysDes: ix, 357 p. : ill. ; 24 cm
Subject: CINEMATOGRAPHY; EDITING; SOUND; ART DIRECTION; MAKE-UP; SPECIAL EFFECTS; ANIMATION; COMPUTER GRAPHICS; COSTUME DESIGNING; FILM WORKERS; DAVIAU, ALLEN; MENGES, CHRIS; LITTLETON, CAROL; NOBLE, THOM; NEWMAN, CHRIS; VARNEY, BILL; ISHIOKA, EIKO; BRANDENSTEIN, PATRIZIA VON; ZEA, KRISTI; WESTMORE, MICHAEL; CRUIKSHANK, SALLY; PICKER, JIMMY; ABEL, ROBERT; DEMOS, GARY; ARBOGAST, ROY; MUREN, DENNIS; EVANS, CHRIS; FULMER, MIKE; ERLAND, JONATHAN
Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.
ISBN: 1556150032
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 MOV
Author: Jacobs, Lewis
Place: New York
Publisher: Farrar, Straus, Giroux
PubDate: 1970
PhysDes: xiv,335 p. : ill. ; 21 cm
Subject: AESTHETICS; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; NARRATIVE IN FILMS; COLOUR; SOUND
Contents: I. Aims and attitudes. Directors speak / Lindsay Anderson ... [et al.]. II. The nature of film expression. The raw material / Lewis Jacobs. III. The plastic elements. The meaningful image / Lewis Jacobs The ambiguity of the photographic image / Arthur Goldsmith On image and word / Nicola Chiaromonte The subjective camera / Herbert A. Lightman Composition of the moving image / Gregg Toland Movement : real and cinematic / Lewis Jacobs Movement in movies / Ezra Goodman Thoughts on movement / Hilary Harris Modern uses of the moving camera / Stanley J. Solomon Change of camera viewpoint / Irving Pichel The expression of time and space / Lewis Jacobs The faces of time / Robert Gessner Tempo and tension / Maya Deren Time and space / John Howard Lawson Rhythm / Ivor Montagu (Cont'd) The mobility of color / Lewis Jacobs Color and color films / Carl Dreyer One path to color / Sergei Eisenstein Coming to terms with color / William Johnson Sound as speech, noise, music / Lewis Jacobs The acoustic world / Bela Belazs Treatment of sound in The city / Henwar Rodakiewicz Music in the movies / Kurt Weill. IV. The plastic structure. Dynamic composition / Alexander Bakshy The sense of form in cinema / Arthur Lennig The other direction / Jonas Mekas.
URL status: URL: 'http://-' Checked: 31/08/2021 1:35:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 70"00:01" SPE
Author: Spehr, P.C.
Source: US
Place: Newark, New Jersey
Publisher: Newark Museum
PubDate: 1977
PhysDes: 191 p. : illustrations ; 26 cm
Subject: HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. USA; HISTORY OF EXHIBITION; EDISON, THOMAS ALVA; DICKSON, W. K. L.; DICKSON EXPERIMENTAL SOUND FILM (US, W.K.L. Dickson, 1894)
Summary: "Stills, production photographs, and rare portraits are featured in a study of Edison's development of movie equipment and the stars, studios, and events that marked the growth of the movie industry in New Jersey" -- From Internet Archive https://archive.org/details/moviesbeginmakin0000speh
Notes: Includes bibliography; Includes index
ISBN: 0871001217
Contents: Introduction: Samual C. Miller -- Acknowledgement: Paul C. Spehr -- Pre-Cinema: The Times and the man, Making pictures move, Photography and motion -- Invention and early development: Thomas A. Edison and William K. Dickson, THomas A. Edison: the first films, Edison and Dickson: what did they contribute to movies?, Film theatres and early filmmaking -- Early filmmaking in New Jersey: On location in New Jersey, The Motion Picture Patents Co. and The Independents -- The Studios -- The Personalities

PhysDes: Conference report
Subject: CONFERENCES. AUSTRALIA. MOTION PICTURES EXHIBITORS ASSOCIATION OF QUEENSLAND; BEYOND INTERNATIONAL; SOUND SYSTEMS; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; IVANY, PETER
Summary: Includes brief sections on changes to Australian tax laws for film financing; the Film Exhibition & Distribution Code; a tribute to Peter Ivany, ex-chair of Hoyts; Beyond International's 1999 performance and and interview with Jim Murray, distributor of Worldwide Sales for Digital Theater Systems (DTS).

Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVE
Author: Hogan, Jil
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: Designer Yumi Morrissey has used the facade of the National Film and Sound Archive in her most recent collection of designs
Notes: A

Call No: 634 MUS
Author: Wierzbicki, James (ed.)
Source: US/UK
Place: New York : London
Publisher: Routledge
PubDate: 2012
PhysDes: xv, 210 p. : ill. ; 23 cm
Series: Routledge music and screen media series
Subject: DIRECTORS; FILM; FILM WORKERS; LYNCH, DAVID; MUSIC AND THE CINEMA; MUSIC IN FILMS; PRODUCERS; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING; ANDERSON, WES; BERGMAN, INGMAR; COEN, JOEL & ETHAN; GREENAWAY, PETER; KIESLOWSKI, KRZYSZTOF; KUBRICK, STANLEY; SELZNICK, DAVID O.; TARANTINO, QUENTIN; TARKOVSKY, ANDREI; VAN SANT, GUS
Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780415898942
Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: NATIONAL FILM AND SOUND ARCHIVE
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Call No: ANNUAL REPORT SHELVES; held 1988/89-; DIGITAL FILES; held 2008/09-2021/22
CorpAuthor: National Film and Sound Archive (Australia)
Source: AT
Place: Canberra, ACT
Publisher: Australian Government Publishing Service
PubDate: 1989
PhysDes: v. : ill. ; 25 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE
ISSN: 1034-4446
LON: 20229241; 6841790

Call No: held Dec. 1984-Summer 1998/99
CorpAuthor: National Film and Sound Archive (Australia); News (National Film and Sound Archive (Australia)
Source: AT
Place: Canberra
Publisher: The Archive
PubDate: 1984
PhysDes: v
Subject: NATIONAL FILM AND SOUND ARCHIVE
Notes: Continued by: News from the Archive; Cover title
ISSN: 1328-7346 0814-6888
LON: abn95018568; 11366914; abn84291458; 3640534

Call No: 11(94)NFSA EDM
Author: Edmondson, Ray
Source: AT
Place: Canberra
PubDate: 2011
PhysDes: vii, 472 p. : ill. ; 30 cm
Subject: ARCHIVES & INSTITUTES, FILM. AUSTRALIA; AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; SCREENSOUND AUSTRALIA
Summary: "The project is a historical study, from an interpretivist perspective and with overtones of action research, of a major cultural institution, the National Film and Sound Archive of Australia (NFSA). It traces its erratic and protracted evolution from 1935, as an entity within the then Commonwealth National Library, to 2008, when it finally gained enabling legislation and independent statutory status." -ABSTRACT
Notes: Thesis (PhD) -- University of Canberra, 2011; Includes bibliography (p. 461-472)
Contents: -- chapter 1: introduction -- chapter 2: literature review -- chapter 3: the NFSA: a historical overview -- chapter 4: interviews -- chapter 5 : analysis -- chapter 6 : conclusions -- appendicies --

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: List of newly-imposed access restrictions at the National Film Archive.

Call No: 62 KRA
Author: Kracauer, Siegfried, 1889-1966
Place: London
Publisher: Dennis Dobson
PubDate: 1961
PhysDes: xix, 364 p., [61] p. of plates : ill. ; 24 cm
Subject: PHOTOGRAPHY AND THE CINEMA; CINEMATOGRAPHY; ACTING; SOUND; DIALOGUE; AVANT-GARDE FILMS; THEATRE AND THE CINEMA; LITERATURE AND THE CINEMA; DOCUMENTARY FILMS
Notes: Includes index; Bibliography: p. 339-349
LON: abn87035540; 5049801

Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA
Author: Belot, Harry
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL; ARCHIVES & INSTITUTES, FILM
Summary: Report on a number of Australian cultural institutions having to make significant budget cuts due to lack of government funding available

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. ASIAN COUNTRIES
Summary: Article on tutoring programme between the National Film Archive and the South-Pacific region.

Source: AT
Place: Canberra, Australia
Publisher: Australian Film Commission
PubDate: 2006
Subject: NATIONAL FILM AND SOUND ARCHIVE; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
Notes: Published quarterly
ISSN: 1834-0970

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOW SOUND MELBOURNE'S LISTENING, THE (AT, Tobias Willis, 2018)

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 70"1" OKA
Author: Thrasher, Frederic Milton, 1892
Place: New York
Publisher: Duell, Sloan and Pearce
PubDate: [1946]
PhysDes: vii, 303 p. illus. (incl. ports.) 28 x 22 cm
Subject: HISTORY OF CINEMA. SOUND PERIOD
Notes: "An Eagle book."
LON: 7881171

Author: McElvogue, Louise
PhysDes: Article
Subject: AUSTRALIAN BICENTENNIAL AUTHORITY; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIA DAZE (AT, Pat Fiske [et al], 1988)
Summary: Lousie McElvogue reports on the daunting five month task ahead of Pat Fiske and other co-directors of "Australia's Day Portrait Of A Nation" (the working title of "Australia Daze") as they piece together thirty hours of footage shot by sixteen crews from a mammoth one-day shoot. A significant portion of the article is devoted to discussing the film's funding. In particular, McElvogue notes that the film-makers involved with "Australia Daze" did not even approach the Australian Bicentennial Authority for funding due to their belief that ideology was guiding funding decisions. The article also reveals that all footage from "Australia Daze" will be given to the National Film and Sound Archive when editing is completed
Notes: While Pat Fiske was the overall director of this documentary on Australia's 1988 bicentennial celebrations, there were twenty-six other segment directors involved. - "Australia's Day Portrait Of A Nation" was the working title of "Australia Daze". - credits. - illus.

Call No: 403 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: x, 178 p. : ill. ; 24 cm
Subject: ENTERTAINMENT; POPULAR CULTURE AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; CAMP; TURNER, LANA; ZIEGFELD GIRL (US, Robert Z. Leonard, 1941); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); SOUND OF MUSIC, THE (US, Robert Wise, 1965); SWEET CHARITY (US, Bob Fosse, 1969); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references and index
ISBN: 0415057167; 0415057175 (pbk.)
LON: 8685741

Call No: 220 OXF
Author: Richardson, John; Gorbman, Claudia; Vernallis, Carol
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2013
PhysDes: Oxford University Press
Subject: TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS; TECHNOLOGY AND TV; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; YOUTUBE; AESTHETICS; ANIMATION; MULTIMEDIA; SOUND REPRODUCTION; MEDIA; SOUND
Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.
Notes: Includes bibliographical references and index.
ISBN: 9780199733866
Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora

Call No: 751.1(73) OXF
Author: Knapp, Raymond; Morris, Mitchell; Wolf, Stacy
Edition: paperback
Source: US/UK
Place: Oxford ; New York
Publisher: Oxford University Press
PubDate: 2011, 2013
PhysDes: x, 470 pages : illustrations ; 25 cm
Subject: AUDIENCES; AUTHORSHIP; BLACK CINEMA. US; BOX OFFICE. USA; COMEDIES; DANCE IN FILMS; GENDER AND THE CINEMA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA; IDENTITY IN FILMS; IDEOLOGY IN FILMS; MEDIA AND THE CINEMA; MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSICALS. USA; RACIAL ISSUES AND THE CINEMA; THEATRE AND THE CINEMA; ANDREWS, JULIE; ASTAIRE, FRED; BERLIN, IRVING; FOSSE, BOB; HAMMERSTEIN, OSCAR, II; KERN, JEROME; MERMAN, ETHEL; ROBBINS, JEROME; SONDHEIM, STEPHEN; BLACK CROOK, THE (US, Robert G. Vignola, 1916); CABARET (US, Bob Fosse, 1972); CHICAGO (US, Rob Marshall, 2002); CHORUS LINE (US, Richard Attenborough, 1985); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); GYPSY (US, Emile Ardolino, 1994); MY FAIR LADY (US, George Cukor, 1964); OKLAHOMA! (US, Fred Zinneman, 1955); PRODUCERS, THE (US, Mel Brooks, 1967); SHOWBOAT (US, George Sidney, 1951); SOUND OF MUSIC, THE (US, Robert Wise, 1965); WEST SIDE STORY (US, Robert Wise, 1961)
Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKS
Notes: Includes bibliographic references and index
ISBN: 9780199987368
Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp

Call No: 70 OXF REF
Author: Nowell Smith, Geoffrey
Place: Oxford New York
Publisher: Oxford University Press
PubDate: 1996
PhysDes: xxii, 824 p. : ill. (some col.) ; 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD
Notes: Includes bibliographical references (p. 767-784) and index
ISBN: 0198112572 (alk. paper) : ¦25.00
LON: 94036359; 11212940
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Call No: TITLE CLIPPINGS FILE in production; OYSTER (AT, Kim Beamish) in production
Author: Kennedy, Cris
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; BEAMISH, KIM; OYSTER (AT, Kim Beamish) in production
Summary: Interview with documentary filmmaker Kim Beamish about his career and his documentary OYSTER

Call No: 70"01" BRO
Author: Brownlow, Kevin
Place: Berkeley
Publisher: University of California Press
PubDate: c1968
PhysDes: 577 p. : ill. ; 26 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; PICKFORD, MARY; GRIFFITH, DAVID WARK; DWAN, ALLAN; BROWN, CLARENCE; WELLMAN, WILLIAM; DEMILLE, CECIL B.; VON STERNBERG, JOSEF; FAIRBANKS, DOUGLAS; MELODRAMA; BOOTH, MARGARET; SWANSON, GLORIA; MAYER, LOUIS B.; SELZNICK, DAVID O.; Keaton, Buster; CHAPLIN, CHARLES; GANCE, ABEL; ROSHER, CHARLES G.; BLYTHE, BETTY; THALBERG, IRVING; DENNY, REGINALD; HORNBECK, WILLIAM; FARRAR, GERALDINE; KING, HENRY; SLOMAN, EDWARD; LLOYD, HAROLD; BEN HUR (US, Fred Niblo, 1925); ROBIN HOOD (US, Allan Dwan, 1922)
Notes: Includes index
ISBN: 0520030680 : $9.95
LON: 740138 740138

Call No: FOLIO; 70"1" BLU
Author: Blum, Daniel; Kobal, John
Edition: Revised ed.; revised by John Kobal
Place: Feltham
Publisher: Spring Books
PubDate: 1968
PhysDes: 351 p. of illus., ports., [12] p. 32 cm
Subject: HISTORY OF CINEMA. SOUND PERIOD
ISBN: 0600031012
LON: 356401 356401

Call No: 23 WHE
Author: Wheeler, Leslie J.
Source: UK
Place: London
Publisher: Fountain Press
PubDate: 1953
PhysDes: 472 p. : ill. ; 22 cm
Subject: CINEMATOGRAPHY; EQUIPMENT; PROJECTION; SOUND; CAMERAS; STOCK
Donation: donated by the family of Wayne Levy, 2006

Call No: 754.22 HUN
Author: Huntley, John
Place: London
Publisher: Ian Allan
PubDate: 1969
PhysDes: 168 p., 48 p. of plates ; 24 cm
Subject: RAILWAYS IN FILMS; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; SHORT FILMS; DOCUMENTARY FILMS; CHILDREN, FILMS FOR; NEWSREELS
Donation: donated by the family of Wayne Levy, 2006

Call No: 751.0 (94)"199"COY
Author: Coyle, Rebecca (ed)
Edition: 1st
Source: UK
Place: Eastleigh
Publisher: John Libby Publishing
PubDate: 2005
PhysDes: 257 p. : ill. ; 23 cm
Subject: AUSTRALIA IN FILMS; MUSIC FILMS; MUSIC IN FILMS; MUSIC IN FILMS. AUSTRALIA; SOUND EFFECTS; SPECIAL EFFECTS; CULTURE AND THE CINEMA. AUSTRALIA; BOOTMEN (AT, Dein Perry, 2000); BLACKROCK (AT, Steven Vidler, 1997); NED KELLY (AT/UK, Gregor Jordan, 2003); MASCULINITY IN FILMS; IN A SAVAGE LAND (AT, Bill Bennett, 1999); MULTICULTURALISM AND THE CINEMA. AUSTRALIA; BAD BOY BUBBY (AT, Rolf de Heer, 1993); CHOPPER (AT, Andrew Dominik, 2000); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); PARADISE ROAD (AT/US, Bruce Beresford, 1997); BANK, THE (AT/IT, Robert Connolly, 2001); BEDEVIL (AT, Tracey Moffat, 1993); FILM STUDY AND RESEARCH. AUSTRALIA
Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket]
ISBN: 0861966589
Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.
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Call No: 110-4(94) WOR
Author: Working Party of the National Film Archive in the National Library of Australia
Source: AT
Place: [Canberra, A.C.T.
Publisher: National Library of Australia
PubDate: 1979?]
PhysDes: 63 p. ; 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA
Summary: Report on the need for action in safeguarding Australian recorded material and archiving it correctly
Notes: Includes looseleaf supplementary material

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIVERBOATS REMEMBERED: MURRAY PADDLESTEAMERS ON FILM, 1920S-1970S (AT, National Film and Sound Archive, 1995)

Call No: 751.1(73) KEN
Author: Kennedy, Matthew
Place: Oxford ; New York
Publisher: Oxford University Press
PhysDes: x, 307 pages ; 25 cm
Subject: MUSICALS. USA; ANDREWS, JULIE; HARRISON, REX; STREISAND, BARBRA; CABARET (US, Bob Fosse, 1972); CAMELOT (US, Joshua Logan, 1967); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DARLING LILI (US, Blake Edwards, 1970); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); FUNNY GIRL (US, William Wyler, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); HAPPIEST MILLIONAIRE, THE (US, Norman Tokar, 1967); HELLO, DOLLY! (US, Gene Kelly, 1969); MAN OF LA MANCHA (US/IT, Arthur Hiller, 1972); MY FAIR LADY (US, George Cukor, 1964); OLIVER (UK, Carol Reed, 1968); PAINT YOUR WAGON (US, Joshua Logan, 1969); SONG OF NORWAY (US, Andrew L. Stone, 1970); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); SWEET CHARITY (US, Bob Fosse, 1969); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967)
Summary: A study on the Hollywood musical of the late 1960's and how after the remarkable box office highs of The Sound of Music, musicals were generally financial and critical disappointments for a number of years.
ISBN: 9780199925674
Contents: Machine generated contents note: ch. 1 The Musical That Ate Hollywood -- ch. 2 "I, Too, Can Sing" -- ch. 3 The Animal Kingdom -- ch. 4 Movie Stars -- ch. 5 Smoke and Gold -- ch. 6 Over-Egg the Pudding -- ch. 7 Do Little -- ch. 8 Casting About -- ch. 9 Buying and Selling -- ch. 10 "Impossible to Control the Cost of This Gown" -- ch. 11 Battle of the Girls -- ch. 12 Delayed Adolescence -- ch. 13 The Paramount Bloodsuckers -- ch. 14 Goodbye, MGM -- ch. 15 Numbers -- ch. 16 "Magnificent Apathy" -- ch. 17 Acts of Faith -- ch. 18 The Impossible Dream

Call No: 634.6(94) SCR
Author: Coyle, Rebecca
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1998
PhysDes: 247 p. : ill., ports. ; 25 cm
Subject: MUSIC IN FILMS; SOUNDTRACKS; SOUND; SOUND EDITING; BROPHY, PHILIP; WEIR, PETER; SERIOUS, YAHOO; ARMIGER, MARTIN; MAD MAX [...] (AT, 1979-85); ROMPER STOMPER (AT, Geoffrey Wright, 1991); PIANO, THE (AT, Jane Campion, 1993); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); SHINE (AT/UK, Scott Hicks, 1996)
Summary: This volume provides a series of in-depth analyses of the ways in which contemporary Australian cinema has used music in its soundtracks. Individual chapters analyze films including "Shine", "The Piano", "Priscilla: Queen of the Desert", "Romper Stomper" and the "Mad Max" trilogy.
Notes: Includes discography of Australian feature film sound tracks; Includes bibliographies and index; Signed by author
ISBN: 1876351004 : $24.95
LON: abn97403192; 13568834
Contents: 1. Music and textual identity -- Creating a sonic character: non-diagetic sound in the Mad Max trilogy -- The violence of sound: Romper Stomper -- Emotional times: the music of The piano -- Avant-garde meets mainstream: the film scores of Philip Brophy -- 2. Musical associations -- Sound, cinema and Aboriginality -- Music and camp: popular music performance in Priscilla and Muriel's wedding -- Italo-Australian cinematic soundscapes -- Shine: musical narratives and narrative scores -- 3. Directors and film music -- Sound and author/auteurship: music in the films of Peter Weir -- Sonic semaphore: music in the films of Yahoo Serious -- Life in the bush: the orchestration of nature in Australian Animated feature films -- 4. Film industry -- Film music costs and copyright -- Screen composition in Australia: the work of Martin Armiger -- Music for film - a composer's view

Author: Freebury, Jane
PhysDes: Article; Illustration(s)
Subject: NATIONAL FILM AND SOUND ARCHIVE; SCREENSOUND AUSTRALIA
Summary: A historical overview and a current examination of SreenSound Australia, formerly The National Film and Sound Archive.

Call No: 70"01 WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Elm Tree Books
PubDate: 1978
PhysDes: xi, 218 p. ; 25 cm
Subject: HISTORY OF THE CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. SOUND PERIOD
ISBN: 024189736X

Call No: TITLE CLIPPINGS FILE; PROOF (AT, Jocelyn Moorhouse, 1991)
Author: Rugendyke, Louise
PhysDes: Clippings File Article
Subject: CROWDFUNDING; NATIONAL FILM AND SOUND ARCHIVE; PRESERVATION OF FILMS. AUSTRALIA; PROOF (AT, Jocelyn Moorhouse, 1991)
Summary: Snippet on the fundraising campaign for the restoration of the Australian film PROOF

Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS
Author: Maddox, Gary
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; GENDER MATTERS; LAST FLIGHT, THE (AT, Unjoo Moon) in production; NIGHTINGALE AND THE ROSE, THE (AT, Del Kathryn Barton, 2015); SOUND OF MUMBAI, THE (AT, Sarah McCarthy) in production
Summary: Brief summary of a few productions that are being funded by the Screen Australia initiative Gender Matters
Notes: similar article in The Age. Subtitle: Film fund unearth's fascinating stories, same date, page 26.

Call No: SUBJECT CLIPPINGS FILE; STARS. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; STARS. AUSTRALIA
Summary: Report on the National Film and Sound Archive web initiative called Before They Were Famous, which is a collection of footage of famous Australian actors in their early acting days. People in the collection include: Nicole Kidman, Kylie Minogue, Jacki Weaver, David Wenham, Geoffrey Rush

Call No: 70 MAS
Author: Mast, Gerald, 1940
Edition: 2d ed
Place: Indianapolis
Publisher: Bobbs-Merrill
PubDate: c1976
PhysDes: xii, 575 p. : ill. ; 23 cm
Subject: HISTORY OF CINEMA; GERMANY; USSR; HISTORY OF CINEMA. SOUND PERIOD; FRANCE; NEOREALISM; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; SENNETT, MACK
Notes: Includes index; Bibliography: p. 505-544
ISBN: 0672637197
LON: 388748 388748

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SILENCE DE LA MER, LE (FR, Jean-Pierre Melville, 1949); SOUND OF SILENCE, THE [SILENCE DE LA MER, LE] (FR, Jean-Pierre Melville, 1949)

Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVE
Author: Dow, Steve
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: A report on the state of the National Film and Sound Archive and what it needs to remain relevant in the face of funding and staffing cuts. A bigger presence in Sydney is argued by a number of people interviewed
Notes: A

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND

Call No: 244 SOU
Author: Kalinak, Kathryn (ed.)
Source: US/UK
Place: London
Publisher: I.B. Tauris
PubDate: 2015
PhysDes: 222 pages : illustrations ; 24 cm
Series: Behind the silver screen ; 10
Subject: SOUND; SOUND EFFECTS; SOUND EDITING; SOUND RECORDING; SOUND TRACK; SOUNDTRACKS; MUSIC IN FILMS; MUSIC AND THE CINEMA; DIALOGUE; CINEMATOGRAPHY; HISTORY OF CINEMA; POST-PRODUCTION; PRODUCTION
Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVER
Notes: Includes bibliographical references (pages 203-206) and index
ISBN: 9781784534059
Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --

Author: Shirley, Grammar
PhysDes: Article
Subject: MUSIC AND THE CINEMA; SOUND EDITING; AUSTRALIAN FILM AND TELEVISION SCHOOL; EDUCATION AND THE CINEMA
Summary: Interview with Canadian composer and music educator R. Murray Schafer on his film BING, BANG, BONG and his recent talk at the Australian Film and Television School.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND AND FURY (US, Josh Aronson, 2000)

Call No: 70"1" SOU
Author: Cameron, Evan; Wilbert, William F; Evans-Cameron, Joan
Place: Pleasantville, N.Y.
Publisher: Redgrave Pub. Co.
PubDate: c1980
PhysDes: xvi, 232 p. : ill. ; 23 cm
Subject: HISTORY OF CINEMA. SOUND PERIOD
Notes: Consists largely of proceedings of a symposium held at the International Museum of Photography, Rochester, N.Y., 1973; Includes index; Bibliography: p. [220]-223
ISBN: 091317856X (pbk.)
LON: 1843234

Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1997
Subject: SOUND

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND CITY (US, David Grohl, 2013)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND EFFECTS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND LIGHT AND MOTION

Call No: 634 SOU
Author: Droumeva, Nilena; Jordan, Randolph
Edition: 2019
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xxvi, 294 pages; 22 cm
Series: Palgrave studies in audio-visual cultures
Subject: SOUND; SOUND MIXING; ACOUSTICS
Summary: This volume reads the global urban environment through mediated sonic practices to put a contemporary spin on acoustic ecology’s investigations at the intersection of space, cultures, technology, and the senses. Acoustic ecology is an interdisciplinary framework from the 1970s for documenting, analyzing, and transforming sonic environments: an early model of the cross-boundary thinking and multi-modal practices now common across the digital humanities. With the recent emergence of sound studies and the expansion of “ecological” thinking, there is an increased urgency to re-discover and contemporize the acoustic ecology tradition. This book serves as a comprehensive investigation into the ways in which current scholars working with sound are re-inventing acoustic ecology across diverse fields, drawing on acoustic ecology’s focus on sensory experience, place, and applied research, as well as attendance to mediatized practices in sounded space. From sounding out the Anthropocene, to rethinking our auditory media landscapes, to exploring citizenship and community, this volume brings the original acoustic ecology problem set into the contemporary landscape of sound studies. -- publisher's web site
ISBN: 9783030165680
Contents: Sound, Media, Ecology: Introduction in Three Acts / Milena Droumeva, Randolph Jordan Section I: Acoustic Ecology: Foundations and Critical Responses -- Acoustic Ecology and the World Soundscape Project / Barry Truax -- The Disruptive Nature of Listening: Today, Yesterday, Tomorrow / Hildegard Westerkamp -- Local Eardonances: Raymond Murray Schafer’s Contribution to the History and Present-Day Practice of Noise Abatement / Karin Bijsterveld -- Multimodal Scholarship in World Soundscape Project Composition: Toward a Different Media-Theoretical Legacy (Or: The WSP as OG DH) / Jonathan Sterne – Section II: Environment and Community -- Nothing Connects Us but Imagined Sound / Mitchell Akiyama -- Havana’s Falling Tanks and Flooded Laneways: Examining the Acoustic Community / Vincent Andrisani -- Acoustic Ecology and Ecological Sound Art: Listening to Changing Ecosystems / Leah Barclay -- Listening to Renewable Energy Technologies / Linda O Keeffe Section III: Media and Society -- The Uncanny Soundscapes of the Palestinian Exile: Rethinking Technics, Memory, and Sound / Ozgun Eylul Iscen -- Responsive Listening: Negotiating Cities of Sirens, Smartphones and Sensors / Sarah Barns -- Listening to Traffic with Guts and Antennae / Andra McCartney -- Acouscenic Listening / Sean Taylor, Mikael Fernström (Softday) -- Evening of Sounds: Auditory Cultures in Radio Call-in Programmes / Heikki Uimonen Index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND MIXING

Call No: S SOU
Author: Power, John; Hunter, Lew
PubDate: [1977?]
PhysDes: 59 leaves
Subject: SOUND OF LOVE, THE [TV] (AT, John Power, 1979)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SOUND OF LOVE, THE [TV] (AT, John Power, 1979)

Call No: 79SOU FLI
Author: Flinn, Caryl
Source: UK
Place: London
Publisher: BFI published by Palgrave
PubDate: 2015
PhysDes: 112 pages : illustrations (black and white, colour) ; 19 cm.
Series: BFI Film Classics
Subject: MUSICALS; RODGERS, RICHARD; HAMMERSTEIN, OSCAR, II; ANDREWS, JULIE; SOUND OF MUSIC, THE (US, Robert Wise, 1965)
Summary: Fifty years after its release, The Sound of Music (1965) remains the most profitable and recognisable film musical ever made. Quickly consolidating its cultural authority, the Hollywood film soon eclipsed the German film and Broadway musical that preceded it to become one of the most popular cultural reference points of the twenty-first century. In this fresh exploration, Caryl Flinn foregrounds the film's iconic musical numbers, arguing for their central role in the film's longevity and mass appeal. Stressing the unique emotional bond audiences establish with The Sound of Music, Flinn traces the film's prehistories, its place amongst the tumultuous political, social and cultural events of the 1960s, and its spirited afterlife among fans around the world.
ISBN: 9781844574742

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: SOUND OF MUSIC, THE (US, Robert Wise, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND OF MY VOICE (US, Zal Batmanglij, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity; Stills
Subject: SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 photographs : b&w ; 13 x 18 cm
Subject: FOX, KERRY; FLANAGAN, ROSIE; WAIN, ARABELLA; KACZMAREK, KRISTOFF; LIGHTFOOT, DAVID; DE HEER, ROLF; FLANAGAN, RICHARD; SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998)
Summary: Nine black and white photographs relating to the film 'The sound of one hand clapping'
Notes: Contains a couple of duplicates

Call No: 634.6 FOR
Author: Ford, Andrew
Source: AT
Place: Collingwood, Victoria
Publisher: Black Inc.
PubDate: c2010
PhysDes: v, 312 pages. ; 24 cm
Subject: MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; FILM; CRITICISM; SOUND; SOUND TRACKS; SOUND EFFECTS; SOUNDTRACKS
Summary: "The sound of pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Sweeping or sparse, classical or pop, music can play a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices."--BACK COVER
Notes: Includes index; Includes bibliographical references and index
ISBN: 9781863955102
Contents: -- Introduction -- The role of music -- Five composers -- Ennio Morricone -- Richard Rodney Bennett -- Dick Hyman -- Lalo Schifrin -- Howard Shore -- Listening to the movies -- classical music in films -- pop goes the score -- pictures of sound -- listening for clues in Hitchcock -- the sound of voices -- the sounds of silence (and bumps in the night) -- Five directors -- Bruce Beresford -- Sally Potter -- Wim Wenders -- Peter Greenaway -- Peter Weir -- Epilogue: The shared experience of sound -- some further reading & acknowledgments -- films mentioned in this book -- index --

Author: Lond, Harley W.
PhysDes: Article
Subject: SOUND; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA
Summary: Review of various new sound systems availble for theatres

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND REPRODUCTION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND SYSTEMS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND TRACKS

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Summary: Discusses developments opportunities for tie-ins between film and tv and soundtrack albums.

Author: Prisk, Tracey
PhysDes: Article
Subject: ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007); SOUND EDITING
Summary: An article about the use of sound in ROMULUS MY FATHER. Tracey Prisk talks with Rchard Roxburgh and Sam Petty, the sound designer.

Call No: 22(07) MAT
Author: Matzkin, Myron A
Source: US
Place: New York
Publisher: Focal Press
PubDate: 1976
PhysDes: x, 298 p. : ill ; 23 cm
Subject: FILMMAKING; CAMERAS; SOUND EQUIPMENT; LIGHTING; EDITING; PROJECTION; ANIMATION; CLOSE-UPS; SPECIAL EFFECTS
Summary: This comprehensive guide both to the technical and to the creative sides of modern Super 8 mm cinematography gives special emphasis to the hardware in use. [Taken from inside front cover.]
ISBN: 024050755X
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWEETEST SOUND, THE (US, Alan Berliner, 2001)

Call No: 70 NOR
Author: Norman, Barry
Source: UK
Place: London
Publisher: BBC Books; Hodder and Stoughton
PubDate: 1987
PhysDes: 344 p. : ill.(some col.), ports. (some col.) ; 26 cm
Subject: MOTION PICTURES - HISTORY; SOUND; STUDIO SYSTEM; SEX AND THE CINEMA; WAR AND THE CINEMA; CRIME FILMS. USA; POLITICS AND THE CINEMA; B-MOVIES; WESTERNS; ACTORS. USA
Summary: The book deals with the history of film making from the silent movies to the present day
Notes: California, Los Angeles, Hollywood. Cinema Industries,. 1927-1986 (BNB/PRECIS); Includes index
ISBN: 0563205628 (BBC Books); 0340389168 (Hodder & Stoughton)
Levy Rating: 5
Donation: donated by the family of Wayne Levy, 2006

Call No: 761 BAD
Author: Baddeley, Hugh W.
Edition: 4th rev. ed
Place: London
Publisher: Focal Press
PubDate: 1975
PhysDes: 282 p. : ill. ; 23 cm
Series: The library of communication techniques
Subject: BUDGETING; CAMERAS; CINEMATOGRAPHY; DISTRIBUTION; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; INSURANCE, FILM; LIGHTING; LOCATION FINDING; LOCATION SHOOTING; MUSIC AND THE CINEMA; PRE-PRODUCTION; POST-PRODUCTION; PRODUCTION; PRODUCTION COSTS; SCRIPTWRITING; SOUNDTRACKS; SOUND EDITING; SOUND RECORDING
Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production. Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKET
Notes: First ed. published 1963; Includes index
ISBN: 0240509158; 0240509293 (pbk.)
LON: 8735625 8735625
URL status: URL: 'http://-' Checked: 31/08/2021 12:59:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 220 TEC
CorpAuthor: Society of Motion Picture Engineers
Source: US
Place: New York
Publisher: Interscience
PubDate: 1944
PhysDes: viii, 150 p. : ill. ; 24 cm
Subject: CONFERENCES. USA; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; PROJECTION; SOUND REPRODUCTION; TECHNOLOGY AND THE CINEMA; TECHNICOLOR
Summary: Convention of the Society of Motion Picture Engineers
Notes: Second printing : 1946 includes index
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 MUR
Author: Murray, John
Edition: revised
Source: AT
Place: Melbourne
Publisher: Georgian House
PubDate: 1969, c1966
PhysDes: vi, 60 p. : ill. ; 21 cm
Subject: EDITING; SOUND; PRODUCTION; CAMERA ANGLES
Summary: A guide to developing a film appreciation course for secondary school students.
Notes: Signed by the author
Donation: donated by the family of Wayne Levy, 2006

Author: Pearlman, Karen
PhysDes: Article
Subject: MUSICALS. AUSTRALIA; HISTORY OF CINEMA. SOUND PERIOD
Summary: A look at some of the functions of the movie musical since its inception in 1927, which offers some explanations of its return to prominance 82 years later.

Author: Conlan, Pat
PhysDes: Interview
Subject: THX; SOUND SYSTEMS
Summary: Martin Dew, Manager International Sales for the THX Division of Lucasfilm discusses THX in Australia, developments in sound systems and digital cinema.

Call No: 11(94)NFA NAT
Source: AT
Place: Canberra
Publisher: [The Committee]
PubDate: 1985
PhysDes: 136 p. : ill., (some col.), plans, ports. ; 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
Summary: Terms of reference: 1. To report to the Minister for Home Affairs and the Environment within twelve months on the development of the National Film and Sound Archive, including functions and responsibilities; legislation required; resources and facilities required, with a program of construction and costs; staffing; policies for acquisition of material, cataloguing, conservation, reproduction and access arrangements; relationship and co-ordination with the industry and trade; regional representation ; appropriate charges for services ; preservation program and timetables; deposit requirements. 2. To advise the Minister and the Department during this interim period on the management of the Archive. Recommendations by the National Film and Sound Archive Advisory Committee are made in respect of resources and facilities, legislation, interim arrangements, policy and organisation
Notes: At head of title: Department of Arts, Heritage and Environment. -- Ill. on inside covers -- Australian Government Publishing Service cat. no. 8564738. -- Bibliography: p. 135-136

Call No: 243(087) HUB
Author: Hubai, Gergely
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 2012
PhysDes: xx, 476 p. ; 26 cm
Subject: MUSIC, FILM; SOUND TRACKS
Summary: A film is finished and almost ready to make its way into theaters, but one or more of its prime movers (producer, director, studio brass) contends that it doesn't feel right. What can be almost instantaneously changed to give it a new "feel"? The last element that was added--its music! So, often regardless of whether a film actually needs a new score, a new composer is hired at the last minute to quickly replace a previous composer's often-heartfelt work. In Hollywood and around the world, scores have been rejected and replaced for every conceivable reason--style, quality, composer's name recognition, test-audience's reaction, a picture's reediting, etc. Sometimes new music improves a film; sometimes it doesn't. Such score replacements, which are more common than one might imagine, affect the work of the most famous and respected composers in the business as much as they do novice and unknown composers. In Torn Music (which takes its title from one of the most famous score replacements, the film Torn Curtain, which put an end to the long and fruitful collaboration of director Alfred Hitchcock and composer Bernard Herrmann), author Gergely Hubai presents the often strange, and sometimes wild, stories behind 300 rejected and replaced film scores from the 1930s through the 2000s. In these pages are behind-the-scenes tales about the music for popular films and forgotten films, high cinema art and lowbrow exploitation movies, as well as television programs and even a video game
ISBN: 9781935247050
Donation: donated by Senses of Cinema, 2013

Call No: 62 GIA
Author: Giannetti, Louis D
Edition: 4th ed
Place: Englewood Cliffs, N.J.
Publisher: Prentice-Hall
PubDate: 1987
PhysDes: xiii, 482 p., [4] p. of plates : ill. (some col.) ; 23 cm
Subject: EDITING; SOUND; ACTING; DIRECTION; PRODUCTION; THEORY; COCTEAU, JEAN; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD
Notes: Includes bibliographies and index
ISBN: 0139363297 (pbk.)
LON: 86020518; 4791695

Call No: 634 WAL
Author: Walker, Elsie
Source: UK/US
Place: New York
Publisher: Oxford University Press
PubDate: c2015
PhysDes: ix, 435 pages : illustrations ; 26 cm
Subject: SOUND; SOUND TRACKS; SOUNDTRACKS; THEORY; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; GENRES; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SEARCHERS, THE (US, John Ford, 1956); DEAD MAN (US, Jim Jarmusch, 1995); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TEN CANOES (AT, Rolf De Heer, 2006); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); PIANO, THE (AT, Jane Campion, 1993); SHUTTER ISLAND (US, Martin Scorsese, 2010); REBECCA (US, Alfred Hitchcock, 1940); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); BIGGER THAN LIFE (US, Nicholas Ray, 1956)
Summary: "Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references, filmography (page 419) and index; Includes filmography
ISBN: 9780199896325
Donation: Oxford University Press
Contents: -- acknowledgments -- general introduction -- pt. I GENRE STUDIES -- 1.Introduction: "A Semantic/Syntactic Approach to Film Genre" / Rick Altman -- 2.The Searchers -- 3.Dead Man -- pt. II POSTCOLONIALISM -- 4.Introduction: "Colonialism, Racism, and Representation: An Introduction" / Robert Stam and Louise Spence -- 5.Rabbit-Proof Fence -- 6.Ten Canoes -- pt. III FEMINISM -- 7.Introduction: "Visual Pleasure and Narrative Cinema" / Laura Mulvey -- 8.To Have and Have Not -- 9.The Piano -- pt. IV PSYCHOANALYSIS -- 10.Introduction: "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes" / Todd McGowan -- 11.Bigger Than Life -- 12.Shutter Island -- pt. V QUEER THEORY -- 13.Introduction: "Imitation and Gender Insubordination" / Judith Butler -- 14.Rebecca -- 15.Heavenly Creatures -- coda -- select filmography -- further perceiving -- select glossary index --

Author: Aveyard, Karina
PhysDes: Article
Subject: DIGITAL CINEMA; DIGITAL DISTRIBUTION; DIGITAL TECHNOLOGY. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; EXHIBITION. AUSTRALIA
Summary: Australia is on the path to achieving a full-scale conversion to digital cinema exhibition probably within the next five to ten years. Despite early optimism that digitization could provide a catalyst for greater democratization of the Australian exhibition market by creating more opportunities for audiences to see independent and alternate films, this outcome now appears far from certain. The launch and ongoing roll-out of the international standard for digital exhibition, which is now firmly controlled by the major American studios, is intensifying, rather than diminishing, the market dominance of these media conglomerates and their local allies, the major Australian exhibition chains. Independent film exhibition and alternative presentation formats, on the other hand, are being pushed even further to the periphery by these increasingly centralized market forces. While independent and major exhibitors have historically coexisted, although at times in a somewhat uneasy relationship, the financial imperatives of digital cinema now threaten to drive many independent cinemas to the edge, and with them the ongoing diversity of cinema culture in Australia. Of particular concern is the late of independent theatres in regional and rural locations where many provide the only public screening opportunities within large geographic areas. This article outlines digital developments in Australia's commercial cinema industry within a national and international context, and in doing so considers the impact of digital exhibition technologies on Australia's independent cinema sector. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: 244 SMI
Author: Smith, Jacob
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: c2008
PhysDes: viii, 294 p. : ill. ; 23 cm.
Subject: VOICES; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING
Summary: "This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and film. Writing in a clear and lively manner, Jacob Smith looks at these media and their industries through the lens of performance, bringing to light a fascinating nexus of performer, technology and audience. Combining film aesthetics, cultural histories of technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected niches to explore the development of a modern vocal performance. He analyzes an astoningshly diverse range of media texts - phonographic laughing records, broadcast laugh tracks, acting styles found in radio melodramas, singing styles heard on recordings of popular music, and secret recordings of prank phone calls - to illustrate how performance styles developed in response to technological mediation. " -- BOOK BLURB
Notes: "An Ahmanson book in the humanities"--P. [4] of cover; Includes bibliographical references (p. 271-286) and index
ISBN: 9780520254947
Contents: Pt. 1. Flooding Out -- 1. Recorded Laughter and the Performance of Authenticity -- 2. Erotic Performance on Record -- Pt. 2. A Finer Grain of the Voice -- 3. The Nearness of You; or, The Voice of Melodrama -- 4. Rough Mix -- Pt. 3. Bugging the Backstage -- 5. The Act of Being Yourself -- 6. Phony Performances.

Call No: 81FOR WAL
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1977
PhysDes: 51 p. ; 21 cm.
Subject: HISTORY OF CINEMA. SOUND PERIOD; FORDE, WALTER
ISBN: 0851700624
Language: English

Call No: 462-02(94) SPE
Author: Speed, Sally
Place: [Australia] : [s.n.], 1984
PhysDes: 64 leaves ; 30 cm
Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1930); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS
LON: abn98267376; 14063689

Call No: 22(73) BRO
Author: Brouwer, Alexandra; Wright, Thomas Lee
Source: US
Place: New York
Publisher: Crown Publishers
PubDate: c1990
PhysDes: xii, 546 pages ; 25 cm
Subject: ADVERTISING FOR FILMS; ANIMALS IN FILMS; ART DIRECTION; CAMERAS; CASTING; CHOREOGRAPHY; CINEMATOGRAPHY; COMPOSERS; COSTUME DESIGNERS; DIRECTION; DISTRIBUTION; EDITING; EXHIBITION; FINANCING; LAW AND THE CINEMA; LOCATION HUNTING; LOCATION SHOOTING; MAKE-UP ARTISTS; MUSIC IN FILMS; POST-PRODUCTION; PRE-PRODUCTION; PRODUCERS; PRODUCING; PRODUCTION; PROJECTION; SCRIPTWRITING; SET DESIGNING; SOUND; SPECIAL EFFECTS; STUNTS
Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]
Notes: Includes index
ISBN: 0517574012; 9780517574010
Donation: Simon Wincer
Contents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --

Call No: 71(73) LAW
Author: Lawton, Richard
Place: London : New York
Publisher: Sundial
PubDate: 1974
PhysDes: 383 p. : ill. (some col.) ; 29 cm
Subject: HISTORY OF CINEMA. USA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; AWARDS. ACADEMY
ISBN: 070640386
Donation: donated by the family of Wayne Levy, 2006

Call No: 762.15(94)(02) NAT
CorpAuthor: National Film and Sound Archive (Australia)
Place: [Canberra?]
Publisher: The Archive
PubDate: 1995
PhysDes: ix, 90 p. ; 30 cm
Subject: WORLD WAR II FILMS. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE
Notes: Cover title
ISBN: 0642229538
LON: 11688491

Call No: 761 ROS
Author: Rosenthal, Alan, 1936
Edition: Rev. ed
Source: US
Place: Carbondale
Publisher: Southern Illinois University Press
PubDate: 1996
PhysDes: xii, 301 p. : ill. ; 24 cm
Subject: COMMENTARY; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; PRE-PRODUCTION; PRODUCING; PRODUCTION; POST-PRODUCTION; SCRIPTWRITING; SOUND; VOICE OVER
Summary: An internationally renowned documentary filmmaker with more than sixty films to his credit, including the Peabody Award-winning Out of the Ashes, Rosenthal has written the first book to address the realities involved in the making of a documentary. Rather than dealing with theory or hardware. Rosenthal tackles the day-to-day problems from initial concept through distribution. Simply and clearly, Rosenthal explains how to write, direct, and produce the new documentary, whether film or video. He emphasizes the research and writing of the documentary, from approach and structure through interviewing, narration writing, and the complexities of editing. This emphasis makes his book unique
Notes: Rev. ed. of: Writing, directing, and producing documentary films. c1990; Includes bibliographical references (p. 291-292) and index
ISBN: 0809320134 (alk. paper); 0809320142 (pbk. : alk. paper)
LON: 95017159; 11606022

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND OF THE MOUNTAIN [YAMA NO OTO] (JA, Mikio Naruse, 1954)