Search Catalogue

Call No: 79ANG ABB
Author: Abbott, Stacey
Source: US
Place: Detroit Mich
Publisher: Wayne State University Press
PubDate: c2009
PhysDes: x, 121 p. : ill. ; 18 cm
Series: TV milestones; Contemporary approaches to film and television series. TV milestones
Subject: ANGEL [TV] (US, 1999-); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992)
Summary: "In this TV Milestones entry, Stacey Abbott, the premier scholar of Angel studies, applies her broad understanding of film and television through brilliantly detailed analysis of the series, illuminating the beautiful darkness of Angel. Abbott has written a book that is both careful scholarship and also a page turner - lucid, lively, perceptive. Readers will want to watch the series - or watch it again - with the understanding gained from this remarkable little book." -- Rhonda V. Wilcox, professor of English at Gordon College and author of Why Buffy Matters: The Art of Buffy the Vampire Slayer -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780814333198
Contents: -- acknowledgments -- Introduction: A seminal show canceled by the idiot networks -- Grrr aaargh! The collective vision of mutant enemy -- Creeped out and comforted at the same time: the generic hybridity of Angel -- Does giant tentacle spew come out with dry cleaning? Angel and tv horror -- Cavemen vs. astronauts--weapons to be determined: Angel, masculinity, and male friendship -- It's a little outside the box: how Angel breaks the rules -- notes -- works cited -- index --

PhysDes: Article
Subject: BARNA FRAN BLASJOFJALLET (SW, Jonas Sima, 1980)
Notes: Swedish Film Institute

PhysDes: Article
Subject: BARNA FRAN BLASJOFJALLET (SW, Jonas Sima, 1980)
Notes: Swedish Film Institute

Call No: 71-02(94) TOM
Author: Tomsic, Mary
Edition: 2017
Place: Carlton, Victoria
Publisher: Melbourne University Press
PubDate: 2017
PhysDes: vii, 254 pages : 22 cm
Series: MUP Academic
Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA; GRAIL FILM GROUP, THE; SYDNEY FILMMAKERS CO-OPERATIVE; INDONESIA CALLING (AT, Joris Ivens, 1948); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); FRAN (AT, Glenda Hambly, 1985)
Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history. Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web site
ISBN: 9780522871227

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992)

Author: McGregor, Alex
PhysDes: Article
Subject: FRAN (AT, Glenda Hambly, 1985)
Summary: Annual review of cinematography

Author: Byrnes, Paul
PhysDes: Article
Subject: FRAN (AT, Glenda Hambly, 1985)
Summary: Credits; Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: FRAN (AT, Glenda Hambly, 1985)

Call No: S FRA
Author: Hambly, Glenda
PubDate: [1985]
PhysDes: 173 leaves
Subject: FRAN (AT, Glenda Hambly, 1985)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: F FRA
Author: Hambly, Gwenda
PhysDes: 173p
Subject: FRAN (AT, Glenda Hambly, 1985)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

PhysDes: Article
Subject: FRAN (AT, Glenda Hambly, 1985)
Summary: Review of "Fran" by Sandra Hall

Author: Hambly, Glenda
PhysDes: Article
Subject: FRAN (AT, Glenda Hambly, 1985)
Summary: Reply to a report on 'Fran'

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: HAZLEHURST, NONI; FRAN (AT, Glenda Hambly, 1985)
Summary: Image of Noni Hazlehurst as FRAN
Notes: Image donate by Brian McFarlane

Call No: 11378
Author: Waddell, Terrie
Edition: 2019
Place: Abingdon, Oxon : New York
Publisher: Routledge
PubDate: 2019
PhysDes: vii, 162 pages ; 24 cm
Subject: AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); CHILD ABUSE; CHILDREN AND THE CINEMA; FRAN (AT, Glenda Hambly, 1985); LION (AT, Garth Davis, 2016); MANGANINNIE (AT, John Honey, 1980); ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007); SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998); WINFREY, OPRAH
Summary: Waddell explores ‘the lost child’ in its many manifestations, as an element of the individual and collective psyche, historically related to the trauma of colonisation and war, and as key theme in Australian cinema from the industry’s formative years to the present day. The films discussed in textual depth transcend literal lost in the bush mythologies, or actual cases of displaced children, to focus on vulnerable children renderedlost through government and institutional practices, and adult/parental characters developmentally arrested by comforting or traumatic childhood memories. The victory/winning fixation governing the USA – diametrically opposed to the lost child motif – is also discussed as a comparative example of the mesmerising nature of the cultural complex. Examining iconic characters and events, such as the Gallipoli Campaign and Trump’s presidency, and films such as The Babadook, Lion, and Predestination, this book scrutinises the way in which a culture talks to itself, about itself. This analysis looks beyond the melancholy traditionally ascribed to the lost child, by arguing that the repetitive and prolific imagery that this theme stimulates, can be positive and inspiring. The Lost Child Complex in Australian Film is a unique and compelling work which will be highly relevant for academics and students of Jungian and post-Jungian ideas, cultural studies, screen and media studies. It will also appeal to Jungian psychotherapists and analytical psychologists as well as readers with a broader interest in Australian history and politics. -- publisher's web site
ISBN: 9781138939691

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MANNEN FRAN MALLORCA (SW, Bo Widerberg, 1984)

PhysDes: Article
Subject: FRAN (AT, Glenda Hambly, 1985)

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE, TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407

Author: Quinlivan, Beth; Bright, Greg
PhysDes: Article
Subject: FRAN (AT, Glenda Hambly, 1985)
Summary: Stock market in WA permits new investment practices

Call No: 79BUF REA
Author: Kaveny, Roz (ed.)
Edition: revised
Source: UK/US
Place: London
Publisher: Tauris Parke
PubDate: 2004
PhysDes: xiv, 322 p. : ill. ; 20 cm
Subject: SUPERNATURAL IN FILMS; FANTASY FILMS; HORROR FILMS; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); ANGEL [TV] (US, 1999-)
Summary: "Reading the Vampire Slayer was much praised on its first appearance as the indespensible and accessible companion to Buffy and its spin-off series Angel. This radically expanded and revised new edition is the only book to explore the complete Buffy. The editor's introduction now considers the themes and structures of the seven seasons of Buffy and the ways in which its final season rounded these off, as well as considering four seasons of Angel. Updated and wholly new chapters consider California and Los Angeles as Hellscapes; the theme of personality and performance in both shows; the Angel uses non-traditional family structures as an emotional armature; the importance of space and of locations such as Buffy's home and school, Giles' Magic Shop and Angel's hotel. They follow the transgressive heterosexuality of Buffy's relationship with the vampire Spike and the knowing flirtation of the shows with a fan culture fascinated by subtextuality-implied lesbian and gay relationships between characters. New attention is paid to Buffy's controversially dark and adult sixth season and to the seventh and final one. Reading the Vampire Slayer also provides a short episode guide to all seven seasons of Buffy and the first four seasons of Angel, as well as original interviews with Jane Epenson and Steven DeKnight, two of Buffy's top writers" -- BOOK BLURB
ISBN: 9781860649844
Contents: -- acknowledgments, resources and contributors -- the regular, recurring or otherwise significant characters -- 1: she saved the world. a lot, an introduction to the themes and structures of Buffy and Angel. Roz Kaveny -- 2: entropy as demon, Buffy in Southern California. Boyd Tonkin -- 3: writing Vampire Slayer. Interviews with Jane Espenson and Steven S. De Knight. Roz Kaveny -- 4: this was our world and they made it theirs: Reading space and place in Buffy the Vampire Slayer and Angel. Karen Sayer. -- 5: What you are, what's to come. Feminisms, citizenship and the divine Buffy. Zoe-Jane Playdon. -- 6: The only thing better than killing a Slayer. Heterosexuality and sex in Buffy the Vampire Slayer'. Justine Larbalestier. -- 7: Blood and choice. The theory and practice of family in Angel. Jennifer Stoy. -- 8: They always mistake me for the character I play! Transformation, identity and role-play in the Buffyverse (and a defense of fine acting ). Ian Shuttleworth -- Episode guide --

Call No: REFERENCE SECTION; 036-02 STR
Author: Clarke, Nicola; Gordon, Stephen; Johnston, Louise; Khan, Ayesha; Smart, Emma
Source: UK
Place: London
Publisher: BFI National Library
PubDate: c2001
PhysDes: 77 p ; 30 cm
Series: National Library 16+ guides
Subject: WOMEN IN FILMS; FEMINISM AND THE CINEMA; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); ALLY MCBEAL [TV] (US, 1997-); BASIC INSTINCT (US, Paul Verhoeven, 1992); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BOUND (AT, Serhat Caradee, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); CHARLIE'S ANGELS (US, McG, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); ELIZABETH (UK, Shekhar Kapur, 1998); ERIN BROKOVICH (US, Stephen Soderbergh, 2000); LARA CROFT: TOMB RAIDER (US, Simon West, 2001); LAST SEDUCTION, THE (US, John Dahl, 1994); NIKITA (FR/IT, Luc Besson, 1990); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ROSEANNE [TV] (US, 1988- ); RUN LOLA RUN (G, Tom Tykwer, 1998); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); XENA: WARRIOR PRINCESS [TV] (US, 1995-); X-FILES, THE [TV] (US, 1993-); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+
ID2: 150

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: TOKYO POP (US, Fran Rubel Kuzui, 1988)