Search Catalogue

Call No: TITLE CLIPPINGS FILE; MOBILE ONLINE MEDIA
Author: White, Dominic
PhysDes: Clippings File Article
Subject: MOBILE ONLINE MEDIA; YOUTUBE
Summary: SketchShe are an example of content producers whose work can be viewed on YouTube. Screen Australia has doubled its funding program which supports the development of narrative web series. Google is also investing money to encourage more screen content.

Call No: SUBJECT CLIPPINGS FILE; MOBILE ONLINE MEDIA. AUSTRALIA
Author: Ritchie, Emily
PhysDes: Clippings File Article
Subject: MOBILE ONLINE MEDIA. AUSTRALIA; YOUTUBE
Summary: Report on the development of Australian original content (topics including comedy, how-to, music, health etc) shown on Youtube and how various creators have been successful in this media environment

Call No: 301(-5) IOR
Edition: 2012
Place: St Andrews, Scotland
Publisher: St Andrews Film Studies
PubDate: 2012
PhysDes: viii, 223 p. ; 23 cm
Subject: DIGITAL DISTRIBUTION; INTERNET AND THE CINEMA; DISTRIBUTION; COPYRIGHT; YOUTUBE
Summary: ‘Nobody knows anything’, said William Goldman of studio filmmaking. The rule is ever more apt as we survey the radical changes that digital distribution, along with the digitisation of production and exhibition, is wreaking on global film circulation. Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but turbulent history of on-line distribution. It provides a realistic assessment of the genuine and not-so-promising methods that have been tried to address the disruptions that moving from ‘analogue dollars’ to ‘digital cents’ has provoked in the film industry. Paying close attention to how the Majors have dealt with the challenges – often unsuccessfully – it focuses as much attention on innovations and practices outside the mainstream. Throughout, it is alive to, and showcases, important entrepreneurial innovations such as Mubi, Jaman, Withoutabox and IMDb. Written by leading academic commentators that have followed the fortunes of world cinema closely and passionately, as well as experienced hands close to the fluctuating fortunes of the industry, Digital Disruption: Cinema Moves On-line is an indispensable guide to great changes in film and its audiences. -- publisher's web site
ISBN: 9780956373076
Donation: donated by Senses of Cinema, 2014
Contents: Digital Disruption: Technological Innovation and Global Film Circulation / Dina Iordanova -- On-line Film Distribution: Its History and Global Complexion / Stuart Cunningham and Jon Silver -- Digital Revolution: Active Audiences and Fragmented Consumption / Michael Gubbins -- Internet-enabled Dissemination: Managing Uncertainty in the Film Value Chain / Michael Franklin -- Convergence, Digitisation and the Future of Film Festivals / Marijke De Valck -- Mission Unreachable: How Jaman Is Shaping the Future of On-line Distribution / Jon Silver, Stuart Cunningham, Mark David Ryan -- ‘IMDb Helps Me Sleep at Night’: How a Simple Database Changed the World of Film / Alex Fischer -- ‘The Fully Clickable Submission’: How Withoutabox Captured the Hearts and Minds of Film Festivals Everywhere / Alex Fischer -- Spotlight on MUBI: Two Interviews with Efe Cakarel, Founder and CEO of MUBI / Paul Fileri and Ruby Cheung -- ‘What Do You Do with What You See?’: Patterns and Uses of Cinéphilia, Then and Now / Ben Slater -- Appendix 1: Timeline – On-line Distribution of Feature Films / Stuart Cunningham and Jon Silver -- Appendix 2: A Selection of / Mostly Legal) VOD and On-line Content Providers / Stuart Cunningham and Jon Silver -- Appendix 3: Comparative Internet Rankings: 40 International On-line Movies-on-demand Sites / Stuart Cunningham and Jon Silver -- Appendix 4: Comparative Deal Terms in 2009 / Stuart Cunningham and Jon Silver -- Appendix 5: Related Websites / Alexander Marlow-Mann

Call No: 77 EPH
Author: Grainge, Paul, 1972 -
Place: Houndsmill, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: viii, 236 pages : illustrations ; 24 cm.
Subject: CONVERGENCE; INTERNET AND THE CINEMA; INTERNET AND TV; SOCIAL MEDIA AND THE CINEMA; ONLINE VIDEO PROGRAMMING; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; YOUTUBE; ADVERTISING
Summary: "From the television interstitials that appear between programmes to the brief clips and videos that proliferate on YouTube, contemporary screen culture is populated by short-forms that make claims for our attention. Ephemeral Media provides a unique focus on these fleeting but increasingly ubiquitous texts. Through case studies in television and web entertainment, this original book looks at the production of media at the edges, within the junctions, and that surround the output of networks and studios. Analyzing promos and idents, emergent forms of online TV and web drama, and the burgeoning world of worker- and user-generated content, this new collection also examines screen forms that circulate "between," "beyond" and "below" the TV programs and films traditionally privileged within screen studies. With essays by leading international scholars in television, film and new media studies, as well as interviews with key industry figures, Ephemeral Media explores the practices, strategies and textual forms helping producers (and viewers) negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, Ephemeral Media provides a new perspective on the transitory, and transitional, nature of screen culture in the early 21st century"-- Blurb
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 9781844574346
Donation: Adrian Miles
Contents: Introduction: Ephemeral media, Paul Grainge -- I Media transition and transitory media -- 1. The recurrent, the recombinatory, and the ephemeral: William Uricchio -- 2. Television, abridged: ephemeral texts, monumental seriality and TV-Digital media convergence, Max Dawson -- II Between: interstitials and idents -- 3. Interstitials: how the 'bits in between' define the programmes, John Ellis -- 4. 'Music is Half the Picture': the soundworld of television idents, Mark Brownrigg and Peter Meech -- 5. TV promotion and broadcast design: An interview with Charlie Mawer, Red Bee Media -- III Beyond: online TV and web drama -- 6. The evolving media ecosystem: An interview with Victoria Jaye, BBC, Elizabeth Jane Evans -- 7. Beyond the broadcast text: new economies and temporalities of online TV, JP Kelly -- 8. Time slice: web drama and the attention economy, Jon Dovey -- 9. 'Carnaby Street, 10am': KateModern and the ephemeral dynamics of online drama, Elizabeth Jane Evans -- IV Below: worker- and user-generated content -- 10. Corporate and worker ephemera: the industrial promotional surround, paratexts and worker blowback, John T. Caldwell -- 11. Reenactment: fans performing movie scenes from the stage to YouTube, Barbara Klinger -- 12. Digital intimacies: aesthetic and affective strategies in the production and use of online video, Rosamund Davies.

Call No: 432.4 DEC
Author: Decherney, Peter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2013
PhysDes: xii, 287 pages : illustrations ; 23 cm
Subject: AUTHORSHIP; COPYRIGHT; COPYRIGHT. USA; HISTORY OF CINEMA; HOLLYWOOD; HOME VIDEO; INTERNET; INTERNET AND THE CINEMA; LAW AND THE CINEMA; LAW AND TV; PARODY; PIRACY; PLAGIARISM; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; LUCAS, GEORGE; MOTION PICTURE ASSOCIATION OF AMERICA; YOUTUBE
Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURB
Notes: Contains list of illustrations and index
ISBN: 9780231159470

Call No: 67(04) THO
Author: Thompson, Ethan; Mittell, Jason
Source: US
Place: New York
Publisher: New York University Press
PubDate: 2013
PhysDes: x, 396 pages : illustrations ; 26 cm
Subject: AESTHETICS; AUDIENCES; CRITICISM, TV.; CULTURAL IMPERIALISM; FEMINISM AND TV; INDUSTRY, TV.; INDUSTRY, TV. USA; NATIONAL CULTURE AND TV; POLITICS AND TV; YOUTUBE
Summary: "We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it "good" or "bad". Rather, criticism uses the close examination of a television program to explore that program's cultural significance, creative strategies, and its place in a broader social context. How to Watch Television brings together forty original essays from today's leading scholars on television culture, writing about the programs they care (and think) the most about. Each essay focuses on a particular television show, demonstrating one way to read the program and, through it, our media culture. The essays model how to practice media criticism in accessible language, providing critical insights through analysis - suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, broadcast and cable, providing a broad representation of the programs that are likely to be covered in a media studies course. While the book primarily focuses on American television, important programs with international origins and transnational circulation are also covered. Addressing television series from the medium's earliest days to contemporary online transformations of television, How to Watch Television is designed to engender classroom discussion among television critics of all backgrounds." -- BOOK BLURB
Notes: Includes index
ISBN: 9780814763988
Contents: Acknowledgements -- Introduction: an owner's manual for television: Ethan Thompson and Jason Mittell --; I. TV form: aesthetics and style -- 'Homicide': realism: Bambi L. Haggins -- 'House': narrative complexity: Amanda D. Lotz -- 'Life on Mars': transnational adaptation: Christine Becker -- 'Mad Men': visual style: Jeremy G. Butler -- 'Nip/Tuck': popular music: Ben Aslinger -- 'Phineas & Ferb': children's television: Jason Mittell -- 'The Sopranos': episodic storytelling: Sean O'Sullivan -- 'Tim and Eric's Awesome Show, Great Job!': metacomedy: Jeffrey Sconce; II. Television representations: social identity and cultural politics -- '24': challenging stereotypes: Evelyn Alsultany -- 'The Amazing Race': global othering: Jonathan Gray -- 'The Cosby Show': representing race: Christine Acham -- 'The Dick Van Dyke Show': queer meanings: Quinn Miller -- 'Eva Luna': Latino/a audiences: Hector Amaya -- 'Glee'/'House Hunters International': gay narratives: Ron Becker -- 'Grey's Anatomy': feminism: Elana Levine -- 'Jersey Shore': ironic viewing: Susan J. Douglas; III. TV politics: democracy, nation, and the public interest -- '30 Days': social engagement: Geoffrey Baym and Colby Gottert -- 'America's Next Top Model': neoliberal labor: Laurie Ouellette -- 'Family Guy': undermining satire: Nick Marx -- 'Fox & Friends': political talk: Jeffrey P. Jones -- 'M*A*S*H': socially relevant comedy: Noel Murray -- 'Parks and Recreation': the cultural forum: Heather Hendershot -- 'Star Trek': serialised ideology: Roberta Pearson -- 'The Wonder Years': televised nostalgia: Daniel Marcus; IV. TV industry: industrial practices and structures -- 'Entertainment Tonight': tabloid news: Anna Helen Petersen -- 'I Love Lucy': the writer-producer: Miranda J. Banks -- 'Modern Family': product placement: Kevin Sandler -- 'Monday Night Football': brand identity: Victoria E. Johnson -- 'NYPD Blue': content regulation: Jennifer Holt -- 'Onion News Network': flow: Ethan Thompson -- 'The Prisoner': cult TV remakes: Matt Hills -- 'The Twilight Zone': landmark television: Derek Kompare; V. TV practices: medium, technology, and everyday life -- 'Autotune the News': remix video: David Guerney -- 'Battlestar Galactica': fans and ancillary content: Suzanne Scott -- 'Everyday Italian': cultivating taste: Michael Z. Newman -- 'Gossip Girl': transmedia technologies: Louisa Stein -- 'It's Fun to Eat': forgotten television: Dana Polan -- 'One Life to Live': soap opera storytelling: Abigail de Kosnik -- 'Samurai Champloo': transnational viewing: Jiwon Ahn -- 'The Walking Dead': adapting comics: Henry Jenkins; Contributors -- Index

Call No: SUBJECT CLIPPINGS FILE; RACKARACKA
Author: Han, Misa
PhysDes: Clippings File Article
Subject: YOUTUBE; MOBILE ONLINE MEDIA. AUSTRALIA; RACKARACKA; PHILIPPOU, DANNY; PHILIPPOU, MICHAEL
Summary: Adelaide based brothers Danny and Michael Philippou have created a very popular channel on Youtube called RackaRacka. The channel showcases the brothers filmmaking and comedic talents

Call No: 220 OXF
Author: Richardson, John; Gorbman, Claudia; Vernallis, Carol
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2013
PhysDes: Oxford University Press
Subject: TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS; TECHNOLOGY AND TV; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; YOUTUBE; AESTHETICS; ANIMATION; MULTIMEDIA; SOUND REPRODUCTION; MEDIA; SOUND
Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.
Notes: Includes bibliographical references and index.
ISBN: 9780199733866
Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora

Call No: 408 ALL
Author: Allocca, Kevin
Place: London
Publisher: Bloomsbury Publishing
PubDate: 2018
PhysDes: xv, 335 pages : illustrations ; 22 cm.
Subject: YOUTUBE; ONLINE VIDEO PROGRAMMING; SOCIAL MEDIA AND THE CINEMA; SPECTATORSHIP; INTERNET
Summary: From YouTube's Head of Culture and Trends, a rousing and illuminating behind-the-scenes exploration of internet video's massive impact on our world. Whether your favorite YouTube video is a cat on a Roomba, Gangnam Style, the Bed Intruder song, an ASAPscience explainer, Rebecca Black's Friday, or the Evolution of Dance, Kevin Allocca's Videocracy reveals how these beloved videos and famous trends--and many more--came to be and why they mean more than you might think. YouTube is the biggest pool of cultural data since the beginning of recorded communication, with four hundred hours of video uploaded every minute. (It would take you more than sixty-five years just to watch to watch the vlogs, music videos, tutorials, and other content posted in a single day!) This activity reflects who we are, in all our glory and ignominy. As Allocca says, if aliens wanted to understand our planet, he'd give them Google. If they wanted to understand us, he'd give them YouTube. In Videocracy, Allocca lays bare what YouTube videos say about our society and how our actions online--watching, sharing, commenting on, and remixing the people and clips that captivate us--are changing the face of entertainment, advertising, politics, and more. Via YouTube, we are fueling social movements, enforcing human rights, and redefining art--a lot more than you'd expect from a bunch of viral clips.
Notes: Includes bibliographical references (pages 308-323) and index.
ISBN: 9781408880272

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: YOUTUBE

Call No: 19YOU
Author: Burgess, Jean; Green, Joshua
Source: UK
Place: Cambridge
Publisher: Polity Press
PubDate: 2009
PhysDes: xi, 172 p. : ill. ; 21 cm
Series: Digital media and society series
Subject: YOUTUBE; INTERNET; MEDIA; MEDIA DEVELOPMENTS; DIGITAL TECHNOLOGY
Summary: " Youtube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how Youtube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society, and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how Youtube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural 'production' and 'consumption' "-- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 152-169) and index
ISBN: 9780745644790
Contents: Contents: 1. How YouTube matters -- 2. YouTube and the mainstream media -- 3. YouTube's popular culture -- 4. YouTube's social network -- 5. YouTube's cultural politics -- 6. YouTube's uncertain futures -- What happened before YouTube / Henry Jenkins -- Uses of YouTube : digital literacy and the growth of knowledge / John Hartley.

Call No: SUBJECT CLIPPINGS FILE; YOUTUBE
Author: Ramachandran, Shalini -- Sheilds, Mike
PhysDes: Clippings File Article
Subject: YOUTUBE
Summary: Tech companies including Facebook, Snapchat and Vessel are promising large TV-channel owners better terms for video programming than YouTube