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1998 copyright amendments : a discussion paper / written by Libby Baulch Redfern, NSW: Australian Copyright Council, 1998.
Call No: 432.4(94) BAUAuthor: Baulch, Libby CorpAuthor: Australian Copyright CouncilPlace: Redfern, NSWPublisher: Australian Copyright CouncilPubDate: 1998PhysDes: vi, 58 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA Notes: "October 1998"; "Based on an outline by Gail Fulton"ISBN: 1875833587LON: abn98421496; 14298659
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Accent on origins for Weaver : Chameleonic star Jacki Weaver's latest film - a comedy about euthanasia - brought a welcome return to home soil in The Age [Spectrum] (1/08/2015) p.10
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AFACT info leads to Melbourne mans sentencing in Encore (Online) (May 25, 2005)
Call No: DVD RESEARCH FOLDERAuthor: Staff writers Subject: PIRACY. AUSTRALIA ; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT Summary: -- On how a Melbourne man (Edwin Slade) was gaoled for pirated DVD's and for a quantity of marijuana.; -- "AFACT investigation revealed that Slade had been selling the pirated discs for $15 per disc at Caribbean Gardens Markets and other markets in the suburbs of Melbourne."Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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American Film Market Assoc. backs int'l. licensing symposium in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
PhysDes: ArticleSubject: AMERICAN FILM MARKET ; COPYRIGHT ; CABLE TV Summary: Article on the future American Film Market Association symposium, including a list of topics that will be discussed.
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Annual report Crows Nest, N.S.W.: Audio-Visual Copyright Society Ltd, 1993-6.
Call No: ANNUAL REPORT SHELVES; Held 1993-1996CorpAuthor: Audio-Visual Copyright Society LtdSource: ATPlace: Crows Nest, N.S.W.Publisher: Audio-Visual Copyright Society LtdPubDate: 1993-6Subject: COPYRIGHT. AUSTRALIA Notes: Later title: Screenrights (Society) Annual report
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Artistic licence in The Saturday Paper (10/06/2017) p.9
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Aspects of the law on film - copyright : a summary of papers and discussion at a seminar held in Sydney on 5 & 6 August, 1977 / editor Peter G. Martin Sydney: Australian Film Commission, 1979.
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Audiovisual works, TV formats and multiple markets / edited by Michael Keane, Albert Moran, and Mark Ryan Brisbane: Griffith University, 2003.
Call No: 30 AUDSource: ATPlace: BrisbanePublisher: Griffith UniversityPubDate: 2003PhysDes: 63 p. ; 30 cmSeries: Australian UNESCO Orbicom Working Papers in Communications ; no. 1Subject: FORMATS ; SALE OF FILMS AND PROGRAMMES ; COPYRIGHT TV
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annual report
Australian Copyright Council Annual report / Australian Copyright Council Limited Milsons Point, N.S.W.: The Council, 1983-.
Call No: ANNUAL REPORT SHELVES; held 1982CorpAuthor: Australian Copyright CouncilPlace: Milsons Point, N.S.W.Publisher: The CouncilPubDate: 1983-PhysDes: v. ; 30 cmSubject: Australian Copyright Council ; COPYRIGHT. AUSTRALIA Notes: Cover titleISSN: 0813-6718LON: 3022001
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AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT
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Beyond the future : multimedia and the law / P.G. Leonard Sydney: Information Science Section, ALIA, 1995.
Call No: 432.4 INFAuthor: Leonard, P.G. Place: SydneyPublisher: Information Science Section, ALIAPubDate: 1995PhysDes: 10 leaves ; 30 cmSubject: MULTIMEDIA. AUSTRALIA ; COPYRIGHT. AUSTRALIA Notes: Information Online & On Disc 95 Conference Preceedings; 31 January - 2 February 1995ISBN: 0868045136
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Brave new world for a couch potato in Sydney Morning Herald (15/02/2005) p.14
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Lee, Julian Subject: TRADE AGREEMENTS. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; DVD RECORDERS Summary: On the copyright laws the Australian government will put into place. One of the benefits is the fair use clause that allows people to make copies of shows on TV. Mentions the restrictions the new laws will put on people who wish to use certain types of digital technology.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- 77199 DVD recorders at an average of $829 were sold in Aust. in 2004.
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Broadband network at risk from internet piracy in Encore (June 2007) vol.25 iss.06 p.38
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Captain Kidd and Bluebeard were only amateurs! in Australasian Cinema (22/7/1983) vol.12 iss.13 p.2
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Cinema still beats online viewing in The Age (20/08/2015) p.20
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Composing music for film and tv : a select list / Compiled by Rosemary Curtis [Australian Film and Television School?], October 1984.
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Confronting the digital deadlock in Lumina (Summer 2010) iss.2 p.252-260
Author: Wilson, Jennifer PhysDes: ArticleSubject: DIGITAL TECHNOLOGY ; DISTRIBUTION ; COPYRIGHT ; LAW AND THE CINEMA. AUSTRALIA Summary: New digital techologies allow the creation of new forms of content, including games, websites, mobile and interactive stories. They also allow the repurposing of heritage media - content originally intended for film or telelvision screen. Wilson argues that current copyright legislation has failed to keep up with these technological innovations, thus impeding their uptake. She proposes several models of distribution online.
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: HOLLYWOOD ; INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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COPYRIGHT
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: COPYRIGHT
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Copyright Agency Limited Annual report / Copyright Agency Limited Canberra: Australian Government Publishing Service, 1993.
Call No: ANNUAL REPORT SHELVES; held 1995/96-2010/11CorpAuthor: Copyright Agency Limited (Australia)Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1993PhysDes: v. ; 25 cmSubject: COPYRIGHT. AUSTRALIA Notes: Description based on 1992/93Order Notes: CurrentLON: 12400728
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COPYRIGHT. AUSTRALIA
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Copyright goes with technological gains in Sydney Morning Herald [-] (2/05/2017) p.18
Call No: SUBJECT CLIPPINGS FILE; COPYRIGHT. AUSTRALIAAuthor: Williams, Kim PhysDes: Clippings File ArticleSubject: COPYRIGHT. AUSTRALIA Summary: Opnion piece by Kim Williams regarding the importance of Australia's Copyright Agency to lobby the federal government to protect the copyright of Australian creators
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Copyright, technology and transaction costs in Lumina (Summer 2010) iss.2 p.216-267
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Copyright & the Internet : a discussion paper / [Libby Baulch] Redfern, N.S.W.: Australian Copyright Council, 1997.
Call No: 432.4(94) ACCAuthor: Baulch, Libby CorpAuthor: Australian Copyright CouncilPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1997PhysDes: vi, 54 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA ; INTERNET AND THE CINEMA. AUSTRALIA Notes: "April 1997"; Also available in an electronic version on the Internet at: http://www.copyright.org.au; Includes bibliographical references; Copyright and the InternetISBN: 1875833455LON: 13234418
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COPYRIGHT TV
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: COPYRIGHT TV
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Copyright update : papers delivered at a BLEC seminar in June 1996 / written by Peter Banki ... [et al] South Melbourne: Business Law Education Centre, 1996.
Call No: 432.4 COPAuthor: Banki, Peter CorpAuthor: Business Law Education Centre (Australia)Place: South MelbournePublisher: Business Law Education CentrePubDate: 1996PhysDes: ii, 51 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA Notes: "BLEC books"; Includes bibliographical referencesISBN: 1862894906LON: 12478802
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COPYRIGHT. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: COPYRIGHT. USA
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Delivery items : a guide for film and video producers North Sydney: Australian Film Commission, 1992.
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Digital disruption : Cinema moves on-line / Edited by Dina Iordanova and Stuart Cunningham St Andrews, Scotland: St Andrews Film Studies, 2012.
Call No: 301(-5) IOREdition: 2012Place: St Andrews, ScotlandPublisher: St Andrews Film StudiesPubDate: 2012PhysDes: viii, 223 p. ; 23 cmSubject: DIGITAL DISTRIBUTION ; INTERNET AND THE CINEMA ; DISTRIBUTION ; COPYRIGHT ; YOUTUBE Summary: ‘Nobody knows anything’, said William Goldman of studio filmmaking. The rule is ever more apt as we survey the radical changes that digital distribution, along with the digitisation of production and exhibition, is wreaking on global film circulation.
Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but turbulent history of on-line distribution. It provides a realistic assessment of the genuine and not-so-promising methods that have been tried to address the disruptions that moving from ‘analogue dollars’ to ‘digital cents’ has provoked in the film industry. Paying close attention to how the Majors have dealt with the challenges – often unsuccessfully – it focuses as much attention on innovations and practices outside the mainstream. Throughout, it is alive to, and showcases, important entrepreneurial innovations such as Mubi, Jaman, Withoutabox and IMDb.
Written by leading academic commentators that have followed the fortunes of world cinema closely and passionately, as well as experienced hands close to the fluctuating fortunes of the industry, Digital Disruption: Cinema Moves On-line is an indispensable guide to great changes in film and its audiences. -- publisher's web siteISBN: 9780956373076Donation: donated by Senses of Cinema, 2014Contents: Digital Disruption: Technological Innovation and Global Film Circulation / Dina Iordanova -- On-line Film Distribution: Its History and Global Complexion / Stuart Cunningham and Jon Silver -- Digital Revolution: Active Audiences and Fragmented Consumption / Michael Gubbins -- Internet-enabled Dissemination: Managing Uncertainty in the Film Value Chain / Michael Franklin -- Convergence, Digitisation and the Future of Film Festivals / Marijke De Valck -- Mission Unreachable: How Jaman Is Shaping the Future of On-line Distribution / Jon Silver, Stuart Cunningham, Mark David Ryan -- ‘IMDb Helps Me Sleep at Night’: How a Simple Database Changed the World of Film / Alex Fischer -- ‘The Fully Clickable Submission’: How Withoutabox Captured the Hearts and Minds of Film Festivals Everywhere / Alex Fischer -- Spotlight on MUBI: Two Interviews with Efe Cakarel, Founder and CEO of MUBI / Paul Fileri and Ruby Cheung -- ‘What Do You Do with What You See?’: Patterns and Uses of Cinéphilia, Then and Now / Ben Slater -- Appendix 1: Timeline – On-line Distribution of Feature Films / Stuart Cunningham and Jon Silver -- Appendix 2: A Selection of / Mostly Legal) VOD and On-line Content Providers / Stuart Cunningham and Jon Silver -- Appendix 3: Comparative Internet Rankings: 40 International On-line Movies-on-demand Sites / Stuart Cunningham and Jon Silver -- Appendix 4: Comparative Deal Terms in 2009 / Stuart Cunningham and Jon Silver -- Appendix 5: Related Websites / Alexander Marlow-Mann
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A driving force : Michael Caton takes an emotion road trip in Last Cab to Darwin in Daily Telegraph [Best Weekend] (08/08/2015) p.13
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DVD letterbox in The Australian (08/06/2006) p.25
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: PIRACY ; PIRACY. AUSTRALIA ; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT Summary: The habits of many Australians bringing pirated DVD's into the country is explored, with the Australian Federation Against Copyright Theft mentioning the amount of piracy going on in Australia.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- "The Australian Federation Against Copyright Theft says almost one in five Australians last year watched a movie on pirated DVD before its cinema release, resulting in a loss to the industry of an estimated $233 million. Indeed, no fewer than 47 million illegal DVD movies were in circulation when AFACT did its sstudy last year, making them almost as prevalent as legitimate copies"
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DVD pirates face the music in Hobart Mercury (24/05/2006) p.7
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Butterly, Nick Subject: PIRACY. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT Summary: On new laws that the state and federal police can issue on-the-spot fines to pirate DVD sellers. Also talks about the new copyright laws.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Stats from Australian Federation Against Copyright Theft; -- About 47 million illegal copies of DVD movies were thought to be in circulation in Australia last year.; -- Australian consumers bought about 52 million genuine DVDs last year; -- The home entertainment sales sector lost an estimated $107m as a result of piracy, while cinemas and film distributors lost $65m and the rental/retail sector $61m; -- Internet piracy of movies accounted for the largest proportion of lost revenue in Australia -- estimated to be $92m.
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Electronic/digital rights : a handbook for authors / by Lynne Spender ; illustrations by Veronica Jones Strawberry Hills, N.S.W.: Australian Society of Authors, 1997.
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The electronic pirates : DIY crime of the century / John Chesterman and Andy Lipman London: Routledge, 1988.
Call No: 432.5 CHEAuthor: Chesterman, John Source: UKPlace: LondonPublisher: RoutledgePubDate: 1988PhysDes: x, 224 p. ; 22 cmSeries: ComediaSubject: COPYRIGHT ; PIRACY ; HOME MOVIES Notes: GB86-45326 (1876)ISBN: 0415007380; 0415007399 : ª8.95LON: 5806407
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English high court grants Lorimar Prods. injustion in copyright infringement action in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Esec. appointment to VCOA of Australia in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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Fair dealing in the digital age Redfern, N.S.W.: Australian Copyright Council, 1996.
Call No: 432.4(94) ACCCorpAuthor: Australian Copyright CouncilPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1996PhysDes: 68 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ISBN: 1875833277LON: 12447895
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Federal police seize tapes in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Film business : a handbook for film producers / edited by Tom Jeffrey North Ryde, N.S.W. St Leonards, NSW: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 1995.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 2nd edPlace: North Ryde, N.S.W. St Leonards, NSWPublisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 1995PhysDes: x, 386 p. : ill., forms ; 25 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: CIP confirmed; Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 0642227055LON: 11509898 11509898
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Film business : a handbook for producers / edited and compiled by Damien Parer North Ryde, N.S.W.: Australian Film, Television and Radio School, 1989.
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Film business : a handbook for film producers / edited by Tom Jeffrey Crows Nest, N.S.W.: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 2006.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 3rd edSource: ATPlace: Crows Nest, N.S.W.Publisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 2006PhysDes: x, 451 p. : forms ; 23 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 1741146461
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Film & copyright : a practical guide / Libby Baulch Redfern, N.S.W.: Australian Copyright Council, 1997.
Call No: 432.4(94) BAUAuthor: Baulch, Libby CorpAuthor: Australian Copyright CouncilEdition: Rev. edPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1997PhysDes: 54 p. ; 30 cmSubject: COPYRIGHT ; COPYRIGHT. AUSTRALIA Notes: "March 1997 revision"; "Publication #71v5"ISBN: 1875833366LON: 13200164
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Film push to keep geo-block in place in The Australian (20/06/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; COPYRIGHT. AUSTRALIAAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: COPYRIGHT. AUSTRALIA ; COPYRIGHT, TV. AUSTRALIA Summary: Report on the negative response given to the Productivity Commission's recommendations that removes geo-blocking arrangements from films and tv shows screened in Australia. Various industry bodies including: Australian Screen Association, Motion Picture Distributors Association of Australia, Independent Cinemas Association of Australia, Australian Home Entertainment Distributors Association, National Assoication of Cinema Operators - Australasia. and Australian Independent Distrtibutors Association
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Films and copyright / Lucinda Strauss North Ryde, N.S.W.: Australian Film and Television School, 1981.
Call No: 432.4(94) STRAuthor: Strauss, Lucinda CorpAuthor: Australian Film and Television SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film and Television SchoolPubDate: 1981PhysDes: 23 p. ; 25 cmSubject: COPYRIGHT. AUSTRALIA ; PRODUCING. AUSTRALIA Notes: Includes bibliographical referencesISBN: 0642925216 : price unknownLON: 2591493
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Framing piracy : Globalization and film distribution in Greater China / Shujen Wang Rowman and Littlefield, 2003.
Call No: 30(51) WANPublisher: Rowman and LittlefieldPubDate: 2003PhysDes: 234 cm ; 23 cmSubject: CHINA ; DISTRIBUTION ; PIRACY ; COPYRIGHT ; TAIWAN ; HONG KONG Summary: Framing Piracy examines film distribution - both legal and illegal - in the largest, mostly untapped market in the world: Greater China. Tracing networks of optical disc (VCD, DVD) and online piracy, this book tackles issues of politics, globalization, and technology. It features a wealth of original research, new distribution data, and interviews with film distributors, government officials, and film pirates. With changes afoot in China upon its entry into the World Trade Organization, this timely book shows that such transformations have far-reaching implications for policy, theory and practice. [Taken form back cover].ISBN: 072519805
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Google joins push to sink harbour plan in Australian Financial Review (12/12/2017) p.21
Call No: SUBJECT CLIPPINGS FILE; COPYRIGHT. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: COPYRIGHT. AUSTRALIA Summary: Report on the response to the Australian government's recent alteration of the safe harbour provisions and how they have affected content provisers and the technology sector. Interviewed are Google Australia, the industry bodies ARIA and DIGI, and Screen Producers Australia.
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Guide to film and television research / by Jenny Middlemiss Sydney North Sydney: AFTRS Publishing distributed by Allen & Unwin, 1992.
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Highways to change : copyright in the new communications environment / report of the Copyright Convergence Group [Canberra]: Commonwealth of Australia, 1994.
Call No: 432.4(94) COPAuthor: Rubensohn, Victoria CorpAuthor: Copyright Convergence Group (Australia)Place: [Canberra]Publisher: Commonwealth of AustraliaPubDate: 1994PhysDes: v, 70 p. ; 25 cmSubject: COPYRIGHT Notes: Chair: Victoria Rubensohn; "August 1994"; Cat. no. 9463610ISBN: 0642208166LON: 13358595
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Hollywood's copyright wars : from Edison to the internet / Peter Decherney New York: Columbia University Press, 2013.
Call No: 432.4 DECAuthor: Decherney, Peter Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2013PhysDes: xii, 287 pages : illustrations ; 23 cmSubject: AUTHORSHIP ; COPYRIGHT ; COPYRIGHT. USA ; HISTORY OF CINEMA ; HOLLYWOOD ; HOME VIDEO ; INTERNET ; INTERNET AND THE CINEMA ; LAW AND THE CINEMA ; LAW AND TV ; PARODY ; PIRACY ; PLAGIARISM ; CHAPLIN, CHARLES ; EDISON, THOMAS ALVA ; LUCAS, GEORGE ; MOTION PICTURE ASSOCIATION OF AMERICA ; YOUTUBE Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURBNotes: Contains list of illustrations and indexISBN: 9780231159470
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Hollywood's lobby group sued in The Age (05/08/2016) p.22
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The Independent producer : film and television / Amanda Harcourt ... [et al.] London Boston: Faber and Faber, 1986.
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Is "Gallipoli" the tip of the iceberg? in Australasian Cinema (27/8/1982) vol.11 iss.15 p.31
Author: Hayden, Syd PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; INDUSTRY, FILM. AUSTRALIA ; SAFETY. AUSTRALIA ; CINEMA BUILDINGS. AUSTRALIA ; COPYRIGHT. AUSTRALIA Summary: Editorial on 'Gallipoli' being screened at clubs, hotels, RSLs, public halls etc. which is not only illegal due to copyright and publication laws, but also a safety risk. These venues, argues Hayden, are not equiped to deal with flammable projection equipment, and do not have correct exits or seating.
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Jolly Rogers furled again! in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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LAST CAB TO DARWIN : (AT, Jeremy Sims, 2015) [copyright 2014] Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014] URL status: URL: 'http://file://Q:/T/LAST_CAB_TO_DARWIN.zip'
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Last Cab to Darwin in The Australian (10/07/2015) p.14
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Letter to the Editor : Hotelevision: motion picture distributors ultimate responsibility! in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12
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Making films your business / Mollie Gregory New York: Schocken Books, 1979.
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Media law in Australia / Mark Armstrong, Michael Blakeney, Ray Watterson Melbourne: Oxford University Press, 1983.
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More successful raids on video "pirates" in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
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Moves into fair marketing of videotapes to go before U.S. congress in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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Multimedia producers and copyright Redfern, N.S.W.: Australian Copyright Council, 1995.
Call No: 432.4(94) ACCCorpAuthor: Australian Copyright CouncilEdition: Rev. edPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1995PhysDes: 47 p. : ill. ; 30 cmSubject: COPYRIGHT. AUSTRALIA ; MULTIMEDIA. AUSTRALIA ISBN: 1875833145LON: 12000742
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Music and copyright Redfern, N.S.W.: Australian Copyright Council, 1996.
Call No: 432.4(94) ACCCorpAuthor: Australian Copyright CouncilPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1996PhysDes: 47 p. : ill. ; 30 cmSeries: Bulletin / Australian Copyright Council, 0311-2934 ; 70Subject: COPYRIGHT. AUSTRALIA ; MUSIC IN FILMS. AUSTRALIA Notes: Cover title; Includes bibliographical referencesISBN: 1875833315LON: 12659210
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National Library of Australia copyright guidelines Canberra: National Library of Australia, 1997.
Call No: 432.4(94) NATCorpAuthor: National Library of AustraliaPlace: CanberraPublisher: National Library of AustraliaPubDate: 1997PhysDes: 28 p. ; 25 cmSubject: COPYRIGHT. AUSTRALIA ISBN: 0642268525 : $15.00LON: 13066835
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Network fights the ad slump by flogging its old wares in The Australian (19/12/2002)
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New organisation to tackle piracy in Encore (Online) (Aug. 20, 2003)
Call No: DVD RESEARCH FOLDERAuthor: Murphie, Nick Subject: AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT Summary: On the new organisation that will be fighting piracy in Australia. Some information on the ways government plans to introduce laws to fight piracy.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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New player : Australia/film/version 1.0 / Tim Richards Melbourne: Ematic Pty Ltd, 1999.
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No film safe from big-gun pirates in The Advertiser (05/07/2004) p.9
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: McEachen, Ben Subject: AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT ; PIRACY. AUSTRALIA Summary: On the piracy of blockbuster films in Australia such as Shrek 2 and Spider-Man 2.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "AFAT executive director Adrianne Pecotic said up to $200 million a year was lost to the Australian movie industry as a result of piracy."; -- "Unauthorised copies rose in Australia from 4 per cent in 2000 to 8 per cent in 2003."
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NSW Supreme Court acts against the copyright pirates in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Off the air / AVCS Crows Nest, N.S.W.: Audio-visual Copyright Society Ltd,
Call No: held v.2 no.1- Mar. 1993-CorpAuthor: Audio-visual Copyright SocietySource: ATPlace: Crows Nest, N.S.W.Publisher: Audio-visual Copyright Society LtdPhysDes: v. ; 30 cmSubject: COPYRIGHT. AUSTRALIA Notes: Description based on: Vol. 2, no. 1 (Mar. 1993)ISSN: 1320-0135Order Notes: CurrentFrequency: QuarterlySpecial Issues: New Zealand Special Edition. Dec 1999LON: abn93145156; 9991089
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PAML From live performance to the digital stage : a 5 step guide to contracting and copyright management of digital recording for the live performing arts. / Produced by the Performing Arts Multimedia Library (PAML) Pilot Project Melbourne: Cinemedia, 1999.
Call No: 432.4 PAMCopy Management: Copy 1; Copy 2CorpAuthor: CinemediaPlace: MelbournePublisher: CinemediaPubDate: 1999PhysDes: 75 p.Subject: DIGITAL TECHNOLOGY ; COPYRIGHT ; CINEMEDIA ISBN: 0646378953
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The performing artist and the law / by Diana Sharpe Sydney: Law Book Co., 1985.
Call No: 435(94) SHAAuthor: Sharpe, Diana CorpAuthor: Arts Law Centre of AustraliaPlace: SydneyPublisher: Law Book Co.PubDate: 1985PhysDes: xvi, 204 p. ; 25 cmSubject: LAW AND THE CINEMA. AUSTRALIA ; COPYRIGHT. AUSTRALIA Notes: Includes index; "An initiative of the Arts Law Centre of Australia'; Bibliography: p. xv-xviISBN: 0455206244 (pbk.) : $24.00LON: 3930572
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Piracy on the High Screens cost trio $1.3m in Australasian Cinema (14/5/1982) vol.11 iss.8 p.1
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Piracy reaches alarming rates in Encore (Online) (May 29, 2006)
Call No: DVD RESEARCH FOLDERAuthor: Williams, Fiona Subject: PIRACY. AUSTRALIA ; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT Summary: -- "The local industry lost $233 million in revenue in 2005 because of illegal downloading and duplication, according to sobering figures released by Australia's piracy watchdog that show the bumber of counterfeit DVDs in circulation almost equals the number of genuine releases."; -- Lots of how AFACT thinks that piracy is a big problem for Australia.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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Pirates? Copy that in Herald Sun (13/03/2017) p.2
Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIAAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: PIRACY. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; GOOGLE ; FACEBOOK Summary: Australian Federal Senate is investigating proposed amendments to copyright law, which would allow Google and Facebook to publish certain materail without breaking copyright. Comments from the Communications Minister and the Executive Chairman of News Corp Australia
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Police sink private film ring in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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newspaper article
Press play in Sydney Morning Herald [The Shortlist] (15/05/2015) p.1
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. SYDNEYAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014] ; FESTIVALS. SYDNEY ; RUBEN GUTHRIE (AT, Brendan Cowell, 2015) ; HOLDING THE MAN (AT, Neil Armfield, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) Summary: Report on Australian features showing at the Sydney Film Festival, with a focus on four adaptations of plays that have been adapted for the cinema screenNotes: located in the FESTIVALS. SYDNEY. 2015-2019 file
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book
Proposed moral rights legislation for copyright creators Canberra: [Australian Government Publishing Service], 1994.
Call No: 432.4(94) PROSource: ATPlace: CanberraPublisher: [Australian Government Publishing Service]PubDate: 1994PhysDes: 78 p. ; 25 cmSubject: AUTHORSHIP. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; LEGISLATION. AUSTRALIA ; PIRACY. AUSTRALIA Summary: "This paper sets out the background to moral rights and the present forms of protection in Australia and examines Australia's legal obligations under the Berne Convention for the Protection of Literary and Artistic Works. It also outlines the majority and minority recommendations of the Copyright Law Review Committee in its 1988 Report on Moral Rights, developments in Australia since the Report, the particular problems of Aboriginal artists, and comparisons of legislation in the United Kingdom, United States, Canada and France. The impact of new technology is also addressed. It then outlines a possible moral rights legislative regime for Australia in respect to each of the relevant categories of copyright creators covered by the Berne Convention. In summary, the proposed scheme would involve an amendment to the Copyright Act to accord relevant copyright creators the right of attribution and the right of integrity." - FROM INTRODUCTIONNotes: At head of title: Discussion paper -- "Prepared by officers in the Attorney-General's Department, in conjunction with officers in the Department of Communications and the Arts"ISBN: 0642208107
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Recent developments in copyright / [Libby Baulch, Georgia Blain, Gail Fulton] [Redfern, N.S.W.]: Australian Copyright Council, 1995.
Call No: 432.4(94) ACCAuthor: Baulch, Libby ; Blain, Georgia ; Fulton, Gail CorpAuthor: Australian Copyright CouncilPlace: [Redfern, N.S.W.]Publisher: Australian Copyright CouncilPubDate: 1995PhysDes: [3] 48 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA Notes: Cover title; Previous ed.: Redfern, N.S.W. : Australian Copyright Council, 1993; Includes bibliographical referencesISBN: 1875833102LON: abn95089783; 11502575
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Report / Committee on Audio and Video Reproduction and Copyright Milsons Point, N.S.W.: Australian Copyright Council, 1980.
Call No: 432.4(94) REPCorpAuthor: Australian Copyright Council. Committee on Audio and Video Reproduction and CopyrightPlace: Milsons Point, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1980PhysDes: 83, [64] leaves ; 30 cmSubject: COPYRIGHT. AUSTRALIA Notes: Copyright. Law. Australia. Copyright Act 1968. Implications for sound recordings and videotape recordings.ISBN: 095955131X : $7.00 AustLON: 1953043
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Interim
annual report
Screenrights annual report Neutral Bay, NSW: Screenrights, 1997 -.
Call No: ANNUAL REPORT SHELVES; Held 1997 -CorpAuthor: Audio-Visual Copyright SocietyPlace: Neutral Bay, NSWPublisher: ScreenrightsPubDate: 1997 -Subject: SCRIPTWRITING. AUSTRALIA ; COPYRIGHT. AUSTRALIA Notes: Prior to 1997 published under title AVCS - Audio-Visual Copyright Society Limited
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book
Shadow economies of cinema : mapping informal film distribution / Ramon Lobato London: Palgrave macmillan [on behalf of the] bfi, 2012.
Call No: 301.76 LOBAuthor: Lobato, Ramon Source: UKPlace: LondonPublisher: Palgrave macmillan [on behalf of the] bfiPubDate: 2012PhysDes: viii, 168 p. ; 24 cmSeries: Cultural histories of cinemaSubject: DISTRIBUTION ; PIRACY ; DIGITAL DISTRIBUTION ; COPYRIGHT ; INTERNET Summary: "How do people access movies today?; What are the most popular and powerful channels for media distribution on a global scale?; How are film industries changing in the face of media convergence and digitisation?
To answer questions such as these, argues Ramon Lobato, we must shift our gaze away from the legal film business and toward cinema's shadow economies. All around the world, films are bought from roadside stalls, local markets, and grocery stores; they are illegally downloaded and streamed; they are watched in makeshift video clubs, on street corners, and in restaurants, shops and bars. International film culture in its actually-existing forms is a messy affair; and it relies to a great extent on black and grey media markets. Examining the industrial dynamics of these subterranean film networks across a number of different sites-from Los Angeles to Lagos, Melbourne to Mexico City-this book shows how they constitute a central rather than marginal part of audiovisual culture and commerce.
Combining film industry analysis with cultural theory, Shadow Economies of Cinema opens up a new area of inquiry for cinema studies, putting industry research into dialogue with wider debates about economic informality and commodity circulation. Written in an accessible style, this book offers an original 'bottom-up' perspective on the global cinema industry for researchers and students in film studies, cultural studies, and media and communications."-BOOK BLURBNotes: includes appendix: Film Distribution Research Guide; includes bibliographical references; includes indexISBN: 9781844574117Contents: Machine generated contents note: Why distribution? -- Formal and informal film economies -- Shadows, sites and circuits -- 1.Distribution from Above and Below -- Redefining distribution: theory and practice -- Distribution from below -- The cultural politics of distribution -- Conclusion -- 2.The Straight-to-video Slaughterhouse -- `Anything with sprocket holes' -- The STV aesthetic -- Transnational STV circuits -- Shooting and selling STV action in the Asia-Pacific -- The slaughterhouse of cinema -- Conclusion -- 3.Informal Media Economies -- The formal and the informal -- The centrality of informality -- Informal economies of cinema -- Informality, cinema and the state -- Between formal and informal distribution: Tropa de elite -- 4.Nollywood at Large -- A short history of the Nigerian video boom -- The formalising imperative -- Formalising international distribution -- Conclusion -- 5.Six Faces of Piracy -- Copyright and the construction of piracy -- Piracy as theft --
Contents note continued: Piracy as free enterprise -- Piracy as free speech -- Piracy as authorship -- Piracy as resistance -- Piracy as access -- Everyday ethics of piracy in Tepito, Mexico City -- Tepito postscript 2010 -- 6.The Grey Internet -- Mapping the online distribution ecology -- Linking sites -- Video-hosting sites -- Cyberlockers -- Informal enforcement on the digital frontier -- Conclusion -- Conclusion: Coordinates for Studying Distribution in a Digital Age -- From pipelines to swarms -- Rethinking informational freedom
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Short cuts in Metro (2000) iss.121/122 p.5-7
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newspaper article
Short cuts : A Muriel's Wedding musical? in The Age (02/07/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: COPYRIGHT. AUSTRALIA ; SCREEN AUSTRALIA Summary: Screen Australia has handed over film/tv rights to over 1200 productions. This includes popular films like Muriel's Wedding and Strictly Ballroom
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newspaper article
Short cuts : cinemas line up for Last Cab in The Age (23/07/2015) p.20
Call No: TITLE CLIPPINGS FILE; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014] Summary: Australian film LAST CAB TO DARWIN looks to be getting a wide release. This is due to the reaction it got at the Sydney Film Festival and from mainstream exhibitors
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journal article
Silverstein & Massis' war against pirates in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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newspaper article
Syndey Confidential : Hotplate's Tom gives a big serve to Seven in Sunday Telegraph (09/08/2015) p.140
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Taking the slow road in Weekend Australian [Review] (01/08/2015) p.14
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A talent for heart and humour in Canberra Times [Panorama] (1/8/2015) p.19
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newspaper article
Tech giants take on copyright in The Australian (18/01/2016) p.17
Call No: SUBJECT CLIPPINGS FILE; COPYRIGHT. AUSTRALIAAuthor: Hepworth, Annabel PhysDes: Clippings File ArticleSubject: GOOGLE ; COPYRIGHT. AUSTRALIA Summary: Google are hoping that the Australian government will adopt new copyright law that will relxed current standards to match current US 'fair use' laws. A number of major Australian media companies are opposing this stance
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Territory of the heart in The Age [The Shortlist] (07/08/2015) p.1
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Territory of the heart in The Age [The Shortlist] (7/08/2015) p.1
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Timing spot-on for movie that tackles race relations in Canberra Times (03/08/2015) p.5
Call No: TITLE CLIPPINGS FILE; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]Author: Knaus, Christopher PhysDes: Clippings File ArticleSubject: LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014] Summary: Preview of LAST CAB TO DARWIN, with discussion of how the film examines race issues between white and indigenous Australians, and quotes from Michael Caton and Jeremy Sims
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newspaper article
Trouble in the air in Sydney Morning Herald (05/08/2006) p.13
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: O'Grady, Anthony Subject: COUNTDOWN (TV) (AT, 1974-1987) ; COPYRIGHT.TV. AUSTRALIA ; SHRIMPTON, MICHAEL ; WEEKES, ROBBIE Summary: The new Countdown spectacular raises the question of Moral rights in relation to the ABC not paying the show's original producers any revenue of the current Countdown sales (DVD, CD, concerts). Gives a rundown of how Countdown changed the Australian music business.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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TV networks food fight over The Hotplate and My Kitchen Rules in AFR Weekend (08/08/2015) p.6
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U S copyright law and online searching : permissible and prohibited uses of information / Nancy E. Honig Sydney: Information Science Section, ALIA, 1995.
Call No: 432.4 INFAuthor: Honig, Nancy E. Place: SydneyPublisher: Information Science Section, ALIAPubDate: 1995PhysDes: 7 leaves ; 30 cmSubject: COPYRIGHT Notes: Information Online & On Disc 95 Conference Preceedings; 31 January - 2 February 1995ISBN: 0868045136
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Understanding the global TV format / Albert Moran with Justin Malbon Portland, Or. ; Bristol, England: Intellect Books, 2006.
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journal article
Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
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VIDA exec. o'seas researches copyright and censorship in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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Wollongong pirate fined $1,400 in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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book
Writing treatments that sell : how to create and market your story ideas to the motion picture and TV industry / Kenneth Atchity, Chi-Li Wong New York: H. Holt, 1997.
Call No: 224.812 ATCAuthor: Atchity, Kenneth John, ; Wong, Chi-Li Edition: 1st edPlace: New YorkPublisher: H. HoltPubDate: 1997PhysDes: xiv, 222 p. ; 21 cmSubject: SCRIPTWRITING ; PRODUCTION DEALS ; COPYRIGHT ; ADAPTATIONS Summary: As Hollywood insiders know, the first step in selling your story idea for film or television isn't writing a script - it's preparing a treatment, the brief pitch of a story that sells the concept to a busy producer or agent. In this accessible, entertaining guide, writer-producers Kenneth Atchity and Chi-Li Wong tell readers everything they need to know to create an effective and salable treatment, one that includes such key elements as conflict, likable characters, plot twists, a climax, and visual dramaNotes: "An Owl book."; Includes bibliographical refeences (p. 207-209) indexISBN: 0805042830 (alk. paper)LON: 13038061
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