newspaper article
'Angel' investor in $1m wager in Saturday Age [Arts] (29/8/15) p.39
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Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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Australian film investment : Course materials for the seminar, Sheraton Wentworth Hotel, Sydney, 21 April 1983 / presented by the Australian Film Commission, the Australian Society of Accountants, the Institute of Chartered Accountants in Australia North Sydney: Australian Film Commission, 1983.
Call No: 213(94) AUSCorpAuthor: Australian Film Commission; Australian Society of Accountants; Institute of Chartered Accountants in AustraliaPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1983PhysDes: iv, 217 p. : forms ; 31 cmSubject: FINANCING. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; TAXES. AUSTRALIA Notes: Cinema industries. Australia (ANB/PRECIS SIN 0451673); Cover title: Australian film investment; Spiral binding; Bibliography: p. 198-213ISBN: 0642880166 : $15.00 AustLON: abn83066194; 2668728
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reference folder
Australian (national & state) funding & development guidelines / AFI Research & Information
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The changing landscape of Australian documentary / Tom Zubrycki Strawberry Hills, N.S.W.: Currency House, 2019.
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book
Child's Play : issues in Australian Children's Television 2013 2013.
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journal article
Cine-funds launches $26m prospectus for five films in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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newspaper article
Ciobo push for Netflix to film TV in Australia in Australian Financial Review (31/01/2017) p.7
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; HOLLYWOOD ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: HOLLYWOOD ; INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Corporate support for the arts 1996 : report of a national business survey, with comparisons to earlier surveys in 1986, 1989 and 1993 / commissioned by the Australia Council and prepared by Yann Campbell Hoare Wheeler Redfern, N.S.W.: Australia Council, 1996.
Call No: 213.16(94) CORCorpAuthor: Yann Campbell Hoare Wheeler Research; Australia CouncilPlace: Redfern, N.S.W.Publisher: Australia CouncilPubDate: 1996PhysDes: 48 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; FINANCING. AUSTRALIA ; COMPANY FINANCE. AUSTRALIA Notes: Corporate support for the arts 1996 : survey of expenditure and attitudesISBN: 1862571392LON: 12855921
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journal article
The crowd-funding model comes of age in Encore (May 2012) p.9
Author: Tedeschi, Enzo PhysDes: ArticleSubject: FINANCING ; CROWDFUNDING Summary: Crowdfunding is becoming a more viable way to finance creative projects and films wrties Enzo Tedeschi, director of the crowdfunded film THE TUNNEL.
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Interim
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Development : a study of Australian and international funding and practice in the feature film industry / Author: Jeremy Bean Sydney: Australian Film Commission, 2000.
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The economics of film and television in Australia / Simon Molloy, Barry Burgan Sydney: Australian Film Commission, 1993.
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Entertainment industry economics : a guide for financial analysis / Harold L. Vogel New York: Cambridge University Press, 2007.
Call No: 203 VOG; NEW HOLDINGS SHELVESAuthor: Vogel, Harold L. Edition: 7th ed.Source: USPlace: New YorkPublisher: Cambridge University PressPubDate: 2007PhysDes: xxii, 621 p. : ill. ; 25 cmSubject: ENTERTAINMENT ; POPULAR CULTURE AND THE CINEMA ; FINANCING Summary: The leading book on the economics of the entertainment industry, covering: --Movies, music, television programming, broadcasting, cable, publishing, the internet, casino gaming and wagering, sports, pefforming arts and culture, toys and games, amusement/theme parks. -- BLURBNotes: Includes bibliographical references (p. 557-585) and indexISBN: 9780521874854Contents: Ch. 1. Economic perspective -- Ch. 2. Basic elements -- Ch. 3. Movie macroeconomics -- Ch. 4. Making and marketing movies -- Ch. 5. Financial accounting in movies and television -- Ch. 6. Music -- Ch. 7. Broadcasting -- Ch. 8. Cable -- Ch. 9. Publishing -- Ch. 10. Toys and games -- Ch. 11. Gaming and wagering -- Ch. 12. Sports -- Ch. 13. Performing arts and culture -- Ch. 14. Amusement/theme parks -- Ch. 15. Performance and policy
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Interim
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European Film Industries / Anne Jackel London: British Film Institute, 2003.
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Film business : a handbook for film producers / edited by Tom Jeffrey North Ryde, N.S.W. St Leonards, NSW: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 1995.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 2nd edPlace: North Ryde, N.S.W. St Leonards, NSWPublisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 1995PhysDes: x, 386 p. : ill., forms ; 25 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: CIP confirmed; Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 0642227055LON: 11509898 11509898
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Film business : a handbook for producers / edited and compiled by Damien Parer North Ryde, N.S.W.: Australian Film, Television and Radio School, 1989.
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Film business : a handbook for film producers / edited by Tom Jeffrey Crows Nest, N.S.W.: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 2006.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 3rd edSource: ATPlace: Crows Nest, N.S.W.Publisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 2006PhysDes: x, 451 p. : forms ; 23 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 1741146461
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Film expo 80 North Melbourne, Victoria: Cinema Papers Pty Ltd, c.1981.
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Film in the age of digital distribution : the challenge for Australian content / Richard Harris Strawberry Hills, NSW: Currency House, 2007.
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Film Victoria : the second reading speech on the Film Victoria Bill presented to the Legislative Assembly of the Parliament of Victoria by the Hon. Norman Lacy, M.P., Minister for the Arts and Minister of Educational Services, 6 October 1981 / Film Victoria [Australia]: [Film Victoria?], 6 October 1981.
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Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; HOLLYWOOD ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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financing. australia
Financier pivotal in film society : Richard Soames in The Age [Other] (11/12/2014) p.37
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subject clippings file
FINANCING
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: FINANCING
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FINANCING. AUSTRALIA
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FINANCING. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: FINANCING. USA
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book
Future directions for commercial television : volume 1: report / Department of Communications Canberra: Australian Government Publishing Service, 1985.
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The guerilla film makers handbook : and the film producers toolkit / by Chris Jones and Genevieve Jolliffe London: Cassell, 1996.
Call No: 222(41) JONAuthor: Jones, Chris, 1967 ; Jolliffe, Genevieve Place: LondonPublisher: CassellPubDate: 1996PhysDes: 448 p. : ill., forms, ports. ; 21 cmSubject: FINANCING. UK ; PRODUCTION. UK ; PRE-PRODUCTION. UK ; POST-PRODUCTION. UK ; PRODUCTION MANAGING. UK ; WHITE ANGEL (UK, Chris Jones, 1993) ; BOY MEETS GIRL (UK, Ray Brady, 1993) ; STAGGERED (UK, Martin Clunes, 1993) ; CLOCKWORK MICE (UK, Vadim Jean, 1994) ; SHOPPING (UK, Paul Anderson, 1994) Notes: Includes indexISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540Order Received: 1997LON: gb 97008239; 13003901
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Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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journal article
Historicizing transition in Australian cinema: the moment of Emerald city in Studies in Australasian cinema (2007) vol.1 iss.1 p.29-46
Author: Craven, Ian PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; EMERALD CITY (AT, Michael Jenkins, 1988) Summary: This article maps a series of connections between the feature film Emerald city (1988) and a range of contexts seens as informing its generation, operation and reception. Emphasis is placed upon the synchronicity of the movie's appearance with key shifts in government film policy, and the emergence of new critical paradigms within the academy, which reorganized dominany understandings of Australian cinema, and questioned the cultural value assigned to particular works and genres. Through this ' conjectural' analysis, Emerald city is reread as not only a symptomatic work, marking transitions between 'new wave' films-making and the 'post-national' cinema of the 1990s, but is re-evaluated as a significant film, provocative of fresh approaches to both the historiography and practical management of Australian cinema, detectable within more recent archaeologies of screen 'content' and the rhetorics of film policy formulated in its wake'--Abstract
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journal article
The Hollywood Reporter. Australia '89 Special Report On Location in Australia in The Hollywood Reporter (24/2/1989) vol.306 iss.24 p.S1-72
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Indecent exposure : a true story of Hollywood and Wall Street / David McClintick New York: William Morrow & Co., Inc., c1982.
Call No: 19COL MCCAuthor: McClintick, David Place: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1982PhysDes: 544 pages : black and white illustrations ; 25 cmSubject: COLUMBIA PICTURES ; FINANCING ; HOLLYWOOD ; INDUSTRY, FILM ; LAW AND THE CINEMA ; BEGELMAN, DAVID ; JAFFE, LEO ; ROBERTSON, CLIFF ; STARK, RAY ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) Summary: "Here is the brilliantly rendered story of the greatest scandal and most bitter power struggle in Hollywood's history. It began in the middle of 1977 with what seemed a serious but completely contained incident of embezzlement: David Begelman's forgery of Cliff Robertson's name on a $10,000 check. But by the time a year had gone by, the lives of these men and dozens of other very powerful Hollywood figures would be engulfed in a holocaust of controversy and pain that would rock the foundations of the world's most glamorous industry for years to come." [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 068801349XDonation: Simon Wincer
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Independent feature film production : a complete guide from concept through distribution / by Gregory Goodell New York, N.Y.: St Martin's Press, c1982.
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The Independent producer : film and television / Amanda Harcourt ... [et al.] London Boston: Faber and Faber, 1986.
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The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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International film financing / transcript of a seminar with Michael Flint Sydney: Australian Film and Television School, 1980.
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newspaper article
Investors buy tickets in China's movie boom in The Australian [Business News] (03/05/2016) p.24
Call No: SUBJECT CLIPPINGS FILE; FINANCING. CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: FINANCING. CHINA ; INDUSTRY, FILM. CHINA Summary: China's film industry is going through a boom. Movies have become attractive for high risk financial instruments and ample funding has mean an increase in the number of films made.
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newspaper article
Love story inspires million-dollar film investment in Sun Herald (30/08/2015) p.21
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Making films your business / Mollie Gregory New York: Schocken Books, 1979.
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newspaper article
Media Super to fund clean energy and tech start-up R&D in Australian Financial Review (11/04/2017) p.13
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Money behind the screen / by F.D Klingender snd Stuart Legg London: Lawrence and Wishart, 1937.
Call No: 203 KLIAuthor: Klingender, F. D ; Legg, Stuart Source: UKPlace: LondonPublisher: Lawrence and WishartPubDate: 1937PhysDes: 79p : ill ; 22cm.Subject: FINANCING Summary: A report prepared on behalf of the Film CouncilNotes: Published in outline in the January number of World film news - Introd.; Includes bibliography.; Preface by John GriersonDonation: Donated by Senses Of Cinema, 2009Contents: -- contents -- Section 1: structure -- A: American predominance -- B: recent tendencies in production and distribution -- C: exhibition -- Section 2: Finance -- A: the main groups -- (a) The Gaumont group -- (b) Associated British picture corporation -- (c) United artists and allied producers -- (d) the general film distributors- universal group -- (e) the associated British film distributors group -- (f) the American renters -- (g) Other renter or producer groups -- (h) the main cinema group -- B: Independent production fim finance -- C: Mortgage and debenture finance -- Section 3: Finance (conclusions) -- (a) Present phase of British film finance -- (b) The men behind the movies -- Appendix: a summary history of American Film Finance --
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Motion Picture Empire / Gertrude Jobes Hamden, Connecticut: Archon Books, 1966.
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New opportunities, new structures in film finance 1987 : a major one day seminar 23 April 1987 at the Sebel Town House, Sydney / organised by Prospect Publishing Seminars Sydney: Prospect Publishing Seminars, 1987.
Call No: 203(94) NEWSource: ATPlace: SydneyPublisher: Prospect Publishing SeminarsPubDate: 1987PhysDes: 30 pages ; 30 cmSubject: BOX OFFICE. AUSTRALIA ; CONTRACTS. AUSTRALIA ; ECONOMICS AND THE CINEMA. AUSTRALIA ; FINANCING. AUSTRALIA ; FUNDING. AUSTRALIA ; INVESTING. AUSTRALIA ; TAXES. AUSTRALIA Summary: A compilation of lectures given by speakers at the New Structures in Film Finance 1987 seminarNotes: Accompanied by list of conference delegates; Text of Kim William's speech not actually included in publicationISBN: 0949072109Donation: Donated by Graeme WrightContents: Industry positioning statement: Kim Williams [text of speech not actually included] -- The need for new financing structures: John Sexton -- Conventional finance (1): Martin Endelman -- Conventional finance (2): The banker/broker relationship - a case study: Bill Raper and Ian Johnson -- Creative finance (1): Daniel Martinez -- Creative finance (2): the industry view: David Court -- Tax based finance: Kevin Munro -- Australian Market Place panel session
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No sign of profit for Matrix investors in Sydney Morning Herald (17/11/2003) p.33
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On the waterfront : BFI film classics / Leo Braudy London, UK: British Film Institute, London, 2005.
Call No: 79ONT BRAAuthor: Braudy, Leo Edition: 1st edSource: UKPlace: London, UKPublisher: British Film Institute, LondonPubDate: 2005PhysDes: 88p ; 18.5 cm + b&w ill.Series: BFI Film ClassicsSubject: SOCIETY AND THE CINEMA. USA ; CLASS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; WORKING CLASS IN FILMS. USA ; TYPE CHARACTERS IN FILMS ; COMMUNISM AND THE CINEMA. USA ; PRODUCTION. USA ; FINANCING. USA ; IMAGE ANALYSIS ; LABOUR ; FINANCING ; LABOUR ISSUES IN FILMS ; HUMAN RELATIONS IN FILMS ; RELIGION IN FILMS ; KAZAN, ELIA ; BRANDO, MARLON ; SAINT, EVA MARIE ; MILLER, ARTHUR ; BERNSTEIN, LEONARD ; SCHULBERG, BUDD ; SPIEGEL, SAM ; MALDEN, KARL ; STEIGER, ROD ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945) ; BABY DOLL (US, Elia Kazan, 1956) Summary: With director Elia Kazan’s death in 2003 and actor Marlon Brando’s in 2004, a reappraisal of this classic film is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film’s production. He revisits the facts behind the controversy of Kazan’s infamous ‘naming of names’ during the McCarthy communist trials of the 1950s. But above all this is an analysis of the enduring appeal of On the Waterfront: the method inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values. [Taken from back cover].Notes: includes film creditsISBN: 184457072X
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Peter Bogard appt'd. chief accountant for United Int'l Pictures in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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Prospectus for the feature-length dramas provisionally entitled Harry and the Wrinklies, Riddle of Isis, The Coral Island and Fingerprints of the Giant / Transcontinental Films Limited Transcontinental Films Limited, 1999.
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Prospectus for the television mini-series provisionally entitled Chuck Finn, Driven Wild and Chuck Finn (Second Part) / Transcontinental Films Limited Transcontinental Films Limited, 1999.
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The screening of Australia : anatomy of a film industry / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
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Shooting through : Australian film and the brain drain / Storry Walton Strawberry Hills, N.S.W.: Currency House, 2005.
Call No: 203(94) WALAuthor: Walton, Storry Source: ATPlace: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: 2005PhysDes: iv, 69 p. ; 21 cmSeries: Platform papers ; no. 5Subject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; AUSTRALIAN FILM COMMISSION ; ROSEN, BRIAN ; NOYCE, PHIL ; ARMSTRONG, GILLIAN Notes: Also includes responses to 'Myth of the mainstream, a paper by Robyn Archer, pp.59-67.
Includes bibliographical references, pp.55-58.ISBN: 0975730118
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Shooting to kill : how an independent producer blasts through the barriers to make movies that matter / Christine Vachon with David Edelstein New York: Avon Books, c1998.
Call No: 210.2(73) VACAuthor: Vachon, Christine ; Edelstein, David Place: New YorkPublisher: Avon BooksPubDate: c1998PhysDes: 335 p. : ill. ; 21 cmSubject: INDEPENDENT PRODUCTION ; BUDGETING ; DISTRIBUTION ; POST-PRODUCTION ; FINANCING ; HAYNES, TODD ; VACHON, CHRISTINE ; VELVET GOLDMINE (UK, Todd Haynes, 1998) ; I SHOT ANDY WARHOL (US, Mary Harron, 1996) ; KIDS (US, Larry Clark, 1995) ; SAFE (US, Todd Haynes, 1995) ; STONEWALL (US/UK, Nigel Finch, 1995) Notes: Includes indexISBN: 0380LON: 13921660
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Spiderman's cult bigger than Ben Hur in Courier-Mail (30/06/2004) p.29
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Submission to the Department Of Foreign Affairs And Trade Australia's approach to further multilateral trade negotiations / Australia Film Commission [Australia]: Australian Film Commission and Film Australia, May 1999.
Call No: 205.36(94)AFC AUSCorpAuthor: Australian Film Commission; Film AustraliaSource: ATPlace: [Australia]Publisher: Australian Film Commission and Film AustraliaPubDate: May 1999PhysDes: 37 p. + appendicesSubject: AUSTRALIAN FILM COMMISSION ; FILM AUSTRALIA ; GOVERNMENT CONTROL ; GOVERNMENT AID. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; EXPORT OF FILMS Summary: Submission by the Australian Film Commission and Film Australia to the Department of Foreign Affairs in relation to the Australian government's review of content issues.Contents: 1. Executive summary -- 2. Introduction -- 3. Why is culture different? -- 3.1 Australia's cultural objectives -- 4. Australia's audio - visual sector -- 4.1 Production activity -- 4.2 Commercial television expenditure -- 4.3 Investment -- 4.4 Trade -- 5. The essential mechanisms -- 5.1 Direct funding -- 5.2 Australian content rules -- 5.3 Indirect support - taxation concessions -- 5.4 International co-production arrangements -- 5.5 Imported artists and related personnel -- 5.6 National broadcasters -- 5.7 Foreign ownership rules -- 5.8 Cultural support mechanisms elsewhere -- 6. Why is support essential? -- 7. Future threats and challenges -- 8. The options for Australia in the WTO round -- 9. Appendices -- Media release - Australian content on Australian Television 13.3.99 by Senator the Hon Richard Alston - Minister for Communications, Information Technology and the Arts -- Australian Audio-visual production 1996-1997 -- AFC national production survey 1997-1998 -- "Audiovisual trade: the import/export balance sheet" Chapter 6, Get the Picture
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"The Year of Living Dangerously" begins lensing in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2
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Towards a more effective Commission : the AFC in the 80's / Peat, Marwick, Mitchell Services Sydney: Australian Film Commission, 1979.
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Interim
book
Towards a sustainable UK film industry / Film Council London: Film Council, 2000.
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Interim
book
True variety : Funding the art of world cinema 2003.
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Old collection
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Upton Sinclair presents William Fox / Upton Sinclair Los Angeles CA: Sinclair Upton, c1933.
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journal article
Variety- Australia/New Zealand section in Variety (13/05/1981) vol.303 iss.2 p.320-332
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; FINANCING. AUSTRALIA ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; BAD BLOOD (NZ, Mike Newell, 1981) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; FATTY FINN (AT, Maurice Murphy, 1980) ; HOODWINK (AT, Claude Whatham, 1981) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on the formation of new film funding companies, and the films A BURNING MAN and THE BEST OF FRIENDS currently in production.
New Zealand articles focus on the New Zealand Film Unit, recently completed films BAD BLOOD, SMASH PALACE, and THE SCARECROW, and New Zealand films released since Cannes 1980.
Advertising posters for BEYOND REASONABLE DOUBT, THE SCARECROW, GOODBYE PORK PIE, FATTY FINN, THE SEVENTH MATCH, HOODWINK, and A BURNING MAN.
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Video Classics Ltd. isse fully subscribed on opening day in Australasian Cinema (15/7/1983) vol.12 iss.12 p.12
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WITNAFI? : Why is there no Australian film industry? in Montage (September 1968) p.21-34
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book
Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990.
Call No: 22(73) BROAuthor: Brouwer, Alexandra ; Wright, Thomas Lee Source: USPlace: New YorkPublisher: Crown PublishersPubDate: c1990PhysDes: xii, 546 pages ; 25 cmSubject: ADVERTISING FOR FILMS ; ANIMALS IN FILMS ; ART DIRECTION ; CAMERAS ; CASTING ; CHOREOGRAPHY ; CINEMATOGRAPHY ; COMPOSERS ; COSTUME DESIGNERS ; DIRECTION ; DISTRIBUTION ; EDITING ; EXHIBITION ; FINANCING ; LAW AND THE CINEMA ; LOCATION HUNTING ; LOCATION SHOOTING ; MAKE-UP ARTISTS ; MUSIC IN FILMS ; POST-PRODUCTION ; PRE-PRODUCTION ; PRODUCERS ; PRODUCING ; PRODUCTION ; PROJECTION ; SCRIPTWRITING ; SET DESIGNING ; SOUND ; SPECIAL EFFECTS ; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]Notes: Includes indexISBN: 0517574012; 9780517574010Donation: Simon WincerContents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --
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