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Beyond the looking glass : narcissism and female stardom in studio-era Hollywood New York : Oxford: Berghahn Books, 2014.
Call No: 451-02(73) SALAuthor: Salzberg, Ana Source: USPlace: New York : OxfordPublisher: Berghahn BooksPubDate: 2014PhysDes: viii, 197 pages ; illustrationsSubject: WOMEN IN FILMS ; STUDIOS, FILM. USA ; STARS. USA ; HISTORY OF CINEMA. USA ; FEMININITY IN FILMS Summary: "As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her onscreen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image - this book traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star." -- BOOK BLURBNotes: Includes bibliographical references and index -- Includes filmographyISBN: 9781782383994Donation: donated by Senses of Cinema, 2014Contents: Introduction: The Narcissistic Woman: Reflections and Projections -- 1. Garbo Talks: Expectation and Realization -- 2. Katharine Hepburn and a Hollywood Story -- 3. Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945) -- 4. One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code -- 5. "Wherever There's Magic": Performance Time in Sunset Boulevard (1950) and All About Eve (1950) -- 6. Marilyn Monroe: "The Last Glimmering of the Sacred" -- 7. Neo-Screen Tests, Part One: Grace Kelly and Elizabeth Taylor -- 8. Neo-Screen Tests, Part Two: The Search for Scarlett Continues --
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Broady awaits its screen test in Herald Sun (15/12/2016) p.9
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Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema cities, media cities : The contemporary international studio complex / Australian Film Commission Sydney: Australian Film Commission, 2003.
Call No: 210.31 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Place: SydneyPublisher: Australian Film CommissionPubDate: 2003PhysDes: 28 cm; 117 ppSeries: Screen Industry, Culture and Policy ResearchSubject: STUDIOS, FILM. AUSTRALIA ; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES ; STUDIOS, FILM. AUSTRALIA: VICTORIA ; STUDIO SYSTEM ; STUDIO SHOOTING ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION. AUSTRALIA ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. UK ; PRODUCTION. USA ; PRODUCTION COMPANIES & STUDIOS ; GOVERNMENT AID ; FOX STUDIOS AUSTRALIA Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]ISBN: 0958015279
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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European cinema : an introduction / [edited by] Jill Forbes and Sarah Street Hampshire, [Eng.] New York: Palgrave, 2000.
Call No: 71(4) FORAuthor: Street, Sarah ; Forbes, Jill Place: Hampshire, [Eng.] New YorkPublisher: PalgravePubDate: 2000PhysDes: xvi, 216 p. : ill. ; 24 cmSubject: EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; STUDIOS, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; GENRES. EUROPEAN COUNTRIES ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; CARMEN (SP, Carlos Saura, 1983) ; GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987) ; VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references and indexesISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)LON: 21467101
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Feature - studio in Encore (Feb 2000) vol.18 iss.1 p.35-42
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Film-induced tourism Clevedon: Channel View Publications, 2005.
Call No: 230:33 BEEAuthor: Sue Beeton Place: ClevedonPublisher: Channel View PublicationsPubDate: 2005PhysDes: 270 p. ; 23 cmSeries: Aspects of TourismSubject: TRAVEL IN FILMS ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. USA ; LOCATION SHOOTING. UK ; ADVERTISING FOR FILMS ; NEW ZEALAND ; STUDIOS, FILM. AUSTRALIA Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]ISBN: 1845410149
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The film studio : film production in the global economy / Ben Goldsmith and Tom O'Regan Lanham, Md.: Rowman & Littlefield, 2005, 2005.
Call No: 221 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Source: UKPlace: Lanham, Md.Publisher: Rowman & Littlefield, 2005PubDate: 2005PhysDes: xiii, 231 p. ; 24 cmSeries: Critical media studiesSubject: STUDIOS, FILM ; PRODUCTION Summary: "The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 0742536815Contents: Ch. 1. International production and globalization -- Ch 2. Types of studio -- Ch. 3. Studios, the "location interest," and policy -- Ch. 4. Studios, stargates, and urban reimagining -- Ch. 5. Extreme dreams in satellite locations : the rise of the Greenfields Studio -- Ch. 6. From national to international film studios -- Ch. 7. Still exceptional? : London's film studios -- Ch. 8. "The same but different!" : Canadian studios and international production -- Ch. 9. Still the center : studios and the United States -- Bibliography -- Index -- About the authors
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Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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The glorious modernity of Kong Ngee Hong Kong: Hong Kong Film Archive, 2006.
Call No: 71(512.317) GLOCorpAuthor: Hong Kong Film ArchiveSource: HKPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2006PhysDes: 300 p. ; 27 cm.Subject: HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; STUDIOS, FILM ; GENRES ; SINGAPORE ; MALAYSIA Summary: What made [Hong Kong studio] Kong Ngee productions fascinating was its urban touch. The company was initially formed through the tutelage of The Union Film Enterprise Limited veterans, who acted as mentors for a new generation of actors, in works like the company’s founding film The Rouge Tigress (1955), Mother’s Boy Parts One and Two (1956), Blood is Thicker (1956) etc. The company then proceeded to make films on location in Malaysia and Singapore, which led to the ‘Nanyang Trilogy’ – Blood Stains the Valley of Love (1957), China Wife (1957), Moon over Malaya (1957). These films turned newcomers Patrick Tse, Nam Hung and Kar Ling into stars, and gradually fashioned a studio style that set Kong Ngee apart from other Cantonese productions of the time. Kong Ngee made its name with modern romance, both tragic and comic. Reviewing the history of Kong Ngee, from its smooth beginning to its disappointing end, the company started out in the footsteps of the Union tradition but effortlessly moved on from the cultural milieu of the May Fourth Movement to cultivate a modern urban bourgeois sensibility. Regrettably, towards the end of the 1960s, it was thrown off course by the restless pulse of that era and has since fallen by the wayside. To this day, we have not been able to revive this urban cosmopolitan drama that was once part of Hong Kong cinema. Writers in this volume have put together their efforts for a multifaceted study on Kong Ngee, encompassing subjects from the star image to urban media, from genre development to literary adaptation, alongside comparisons between creative talents and individual companies. Last but not least the complex relations between Hong Kong cinema and its Singapore/Malaysian financiers. [Abridged from introduction].ISBN: 9628050389
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The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: First EditionSource: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: February 2000PhysDes: 337 p. ; 24 cmSubject: BART, PETER ; INDUSTRY, FILM. USA ; BOX OFFICE. USA ; STUDIOS, FILM. USA ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; SONY CORPORATION ; WARNER BROS. ; UNIVERSAL PICTURES ; SPIELBERG, STEVEN ; ARMAGEDDON (US, Michael Bay, 1998) ; BULWORTH (US, Warren Beatty, 1998) ; DEEP IMPACT (US, Mimi Leder, 1997) ; HORSE WHISPERER, THE (US, Robert Redford, 1998) ; LETHAL WEAPON 4 (US, Richard Donner, 1998) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; SMALL SOLDIERS (US, Joe Dante, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998) ; GODZILLA (US/JA, Roland Emmerich, 1998) ; THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURBISBN: 0312253915
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Hello, he lied : and other truths from the Hollywood trenches / Lynda Obst Pymble, N.S.W.: HarperCollins, 1997.
Call No: 81OBS OBSAuthor: Obst, Lynda Rosen Place: Pymble, N.S.W.Publisher: HarperCollinsPubDate: 1997PhysDes: x, 246 p., [8] p. of plates : ill. ; 24 cmSubject: INDUSTRY, FILM. USA ; PRODUCERS ; PRODUCING ; STUDIOS, FILM. USA ; OBST, LYNDA ; BAD GIRLS (US, Jonathan Kaplan, 1994) ; CONTACT (US, Robert Zemeckis, 1997) ; FISHER KING, THE (US, Terry Gilliam, 1991) ; SLEEPLESS IN SEATTLE (US, Nora Ephron, 1993) Summary: Welcome to the world of Hollywood - a constantly spinning cyclone of glamour, money, and gossip where there is no glossary and people play by rules discernible only to those on the inside. It is a world that Lynda Obst, one of the most successful producers in Hollywood today, entered two decades ago as a neophyte and where through resolve, determination, and quick wit, she has been able to produce some of today's biggest movies, including The Fisher King and Sleepless in Seattle.
Now in Hello, He Lied, Lynda Obst takes us on a behind-the-scenes tour of her world - onto sound stages with Tom Hanks and Meg Ryan, inside meetings with David Geffen and Peter Guber, on location in New York City with George Clooney and Michelle Pfeiffer, and into negotiations over The Hot Zones. She shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.Notes: First published: Boston : Little, Brown, c1996ISBN: 0732258618 : $16.95LON: abn97006410; 12942780
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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The Hollywood studio system : a history London: British Film Institute, 2005.
Call No: 210.31(73) GOMAuthor: Douglas Gomery CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 333 p. ; 23 cmSubject: Metro-Goldwyn-Mayer ; WARNER BROS. ; COLUMBIA PICTURES ; UNITED ARTISTS ; RKO ; STUDIOS, FILM. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; ZUKOR, ADOLPH ; WASSERMAN, LEW ; HISTORY OF CINEMA Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]ISBN: 1844570649
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Journeys of desire : European actors in Hollywood / a critical companion / Alastair Phillips and Ginette Vincendeau (eds) London: British Film Institute, 2006.
Call No: 802.27(4) JOUCorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 512 p. ; 25 cmSubject: ACTORS ; ACTORS. FRANCE ; GLOBALISATION ; HISTORY OF CINEMA. SILENT PERIOD ; EXTRAS ; STUDIOS, FILM. USA ; CHEVALIER, MAURICE ; PARAMOUNT STUDIOS ; JEWS AND THE CINEMA. USA ; NAZIS IN FILMS ; GABIN, JEAN ; ACTORS. UK ; TYPE CHARACTERS IN FILMS Summary: Journeys of Desire offers for the first time a comprehensive critical guide to European Actors in American film, bringing together 15 overview chapters and a-z entries on over 900 individuals in one accessible and scholarly volume. Since the early days of the US film industry, European actors have consistently been a major force in Hollywood. Screen idols such as Charlie Chaplin, Greta Garbo, Marlene Dietrich, Charles Boyer, Audrey Hepburn, Maurice Chevalier, Arnold Schwarzenegger and Antonio Banderas, as well as scores of more modest players, have profoundly shaped ‘American’ cinema. They have also contributed to the propagation of European types and stereotypes such as the ‘Russian’ and Nordic queens played by Garbo and Dietrich, the French Roues popularized by Chevalier, the fiery Latinos depicted by Banderas and the British arch-villain played by Steven Berkoff, Anthony Hopkins and Tim Roth. Films such as Casablanca (1942), Gigi (1958), Green Card (1990) and Vanilla Sky (2001), among many others, would not be the same without them. Contributions from a team of 70 international experts provide ground-breaking case studies of prominent individuals and phenomena associated with the émigrés, such as the retired Russian officers who played crowds in silent films, the stereotyping of European actresses in ‘bad women’ roles, and the ultimate irony of Jewish actors playing Nazis. Individual entries chart the careers and performances of the European actors – from Victoria Abril to Mai Zetterling – who appeared in American movies. [Taken from back cover].ISBN: 1844571246
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Labor $900k boost for filmmaking in The Australian (16/06/2015) p.2
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Making a film in England in Sunday Times (08/09/1957) p.-
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Melbourne, the new home for Hollywood : how HBO came to Docklands for The Leftovers in The Age (13/09/2016) p.19
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Motion Picture Empire / Gertrude Jobes Hamden, Connecticut: Archon Books, 1966.
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Movies from the mansion : a history of Pinewood Studios / George Perry London: Elm Tree Books, 1976.
Call No: 19PIN PERAuthor: Perry, George, 1935 Source: UKPlace: LondonPublisher: Elm Tree BooksPubDate: 1976PhysDes: 186, [5] p. : ill. (some col.), ports. (some col.) ; 29 cmSubject: PINEWOOD STUDIOS ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION COMPANIES & STUDIOS ; STUDIOS, FILM ; WORLD WAR II AND THE CINEMA Summary: "George Perry surveys Pinewood's not always certain progress from its beginnings through the bleak war years, post-war austerity, dollar crises and the encroachment of television to the resurgence of the '60s and '70s. In doing so, he tells the story of the people who made Pinewood : of stars as varied as Jack Buchanan, Jack Hawkins and Roger Moore, Glenda Jackson and Jessie Matthews; of great directors such as Lean, Reed, Neame, Huston, Truffaut, Hitchcock, and even Chaplin; of the talented craftsmen whose skills have attracted film-makers from all over the world." [Taken from book jacket]Notes: Includes index; Bibliography: p. 182ISBN: 0241895006 : ª6.95LON: 866478
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Naked Hollywood : money, power, and the movies / Nicolas Kent London: BBC Books, 1991.
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New park plan: more sport, less TV in Sydney Morning Herald [-] (3/05/2017) p.11
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Studio sites lure overseas business in Encore (Feb 11, 1998) vol.15 iss.22 p.20
Author: Harty, Jason PhysDes: Article; Illustration(s)Subject: STUDIOS, FILM. AUSTRALIA Summary: Local facilities and government bodies will again have a presence at the annual locations Expo, to be held in Los Angeles from Feb. 20-22, 1998. Includes details on the operations of Fox Studios Australia, Warner Roadshow Movie World Studios and Village Roadshow Pictures.
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STUDIOS, FILM. AUSTRALIA Digital clippings file available
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STUDIOS, FILM. AUSTRALIA: VICTORIA
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STUDIOS, FILM. GERMANY
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STUDIOS, FILM. UK
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STUDIOS, FILM. USA
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A Tribute to Rank Film Distributors Ltd on the occasion of their twenty fifth anniversary London, UK: British & American Film Press, February 3, 1960.
Call No: 19RAN DAISource: UKPlace: London, UKPublisher: British & American Film PressPubDate: February 3, 1960PhysDes: 39 p. ; ills.Subject: UNITED KINGDOM ; RANK ORGANISATION ; STUDIOS, FILM. UK Notes: Supplement to the Daily Cinema. Cover title 1935 1960 Rank Silver Distributors Silver Jubilee
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Why the docks won't float in Encore (Mar 2000) vol.18 iss.2 p.11
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