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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CHINA ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; MARTIAL ARTS FILMS ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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personality microfilm collection
LEE, ANG
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LEE, ANG
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Interim
book
My first movie / edited by Stephen Lowenstein London: Faber and Faber Limited, 2000.
Call No: 802.25 MYFAuthor: Lowenstein, Stephen Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2000PhysDes: xiv, 360 p. ; [12 plates]Subject: ALMODOVAR, PEDRO ; ANDERS, ALLISON ; BUSCEMI, STEVE ; COEN, JOEL & ETHAN ; DICILLO, TOM ; FIGGIS, MIKE ; FREARS, STEPHEN ; HOGAN, P.J. ; JORDAN, NEIL ; LEE, ANG ; LEIGH, MIKE ; LEVINSON, BARRY ; LOACH, KENNETH ; MANGOLD, JAMES ; MINGHELLA, ANTHONY ; NAIR, MIRA ; OLDMAN, GARY ; SMITH, KEVIN ; STONE, OLIVER ; TAVERNIER, BERTRAND ; BLOOD SIMPLE (US, Joel Coen, 1984) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; CLERKS (US, Kevin Smith, 1994) ; DINER (US, Barry Levinson, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; ANGEL (IE, Neil Jordan, 1982) ; TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990) ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; STORMY MONDAY (UK, Mike Figgis, 1988) ; PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980) ; TREES LOUNGE (US, Steve Buscemi, 1996) ; NIL BY MOUTH (UK, Gary Oldman, 1997) ; TUI SHOU (TZ, Ang Lee, 1992) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; HEAVY (US, James Mangold, 1995) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; BLEAK MOMENTS (UK, Mike Leigh, 1971) ; POOR COW (UK, Kenneth Loach, 1967) ; GUMSHOE (UK, Stephen Frears, 1971) Summary: Interviews with film-makers about making their first film.ISBN: 0571196691
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New queer cinema : the director's cut / B. Ruby Rich Durham [North Carolina]: Duke University Press, 2013.
Call No: 760-032 RICAuthor: Rich, B. Ruby Source: USPlace: Durham [North Carolina]Publisher: Duke University PressPubDate: 2013PhysDes: xxx, 322 pages : illustrations ; 24 cmSubject: AESTHETICS ; BISEXUALITY AND THE CINEMA ; BISEXUALITY IN FILMS ; DOCUMENTARIES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SAN FRANCISCO IN FILMS ; SEXUALITY AND THE CINEMA ; SEX IN FILMS ; THEORY ; CHEANG, SHU-LEA ; CONDON, BILL ; DEITCH, DONNA ; DUNYE, CHERYL ; FASSBINDER, RAINER WERNER ; JARMAN, DEREK ; LEE, ANG ; RIPSTEIN, ARTURO ; TECHINE, ANDRE ; VACHON, CHRISTINE ; VAN SANT, GUS ; WONG KAR WAI ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) ; GO FISH (US, Rose Troche, 1994) ; KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010) ; MILK (US, Gus Van Sant, 2008) ; MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004) ; TARNATION (US, Jonathan Caouette, 2003) ; TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984) ; WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996) Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURBNotes: Includes bibliographic references and index -- includes filmographyISBN: 9780822354284ID2: 291
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The philosophy of Ang Lee / edited by Robert Arp, Adam Barkman, and James McRae. Lexington: Kentucky: University Press of Kentucky, 2013.
Call No: 81LEE PHIAuthor: Arp, Robert ; Barkman, Adam ; McRae, James Source: USPlace: Lexington: KentuckyPublisher: University Press of KentuckyPubDate: 2013PhysDes: 303 pages ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; LEE, ANG ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; LUST, CAUTION (US/CC/TZ/HK, Ang Lee, 2007) ; SE, JEI (US/CC/TZ/HK, Ang Lee, 2007) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; TAKING WOODSTOCK (US, Ang Lee, 2009) ; ICE STORM (US, Ang Lee, 1997) ; RIDE WITH THE DEVIL (US, Ang Lee, 1999) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) Summary: The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director’s works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues. With interest in this filmmaker and his work increasing around the release of his 3-D magical adventure The Life of Pi (2012), The Philosophy of Ang Lee serves as a timely investigation of the groundbreaking auteur and the many complex philosophical themes that he explores through the medium of motion pictures. [Taken from the publishers website]Notes: Includes bibliographical references and index.ISBN: 9780813141664Contents: Conquering the self: Daoism, Confucianism, and the price of freedom in Crouching tiger, hidden dragon / James McRae -- What do you know of my heart? The role of sense and sensibility in Ang Lee's Sense and sensibility and Crouching tiger, hidden dragon / Rene´e Ko¨hler-Ryan and Sydney Palmer -- The Confucian cowboy aesthetic / Michael Thompson -- East meets western: the eastern philosophy of Ang Lee's Brokeback Mountain / Jeff Bush -- Landscape and gender in Ang Lee's Sense and sensibility and Brokeback Mountain / Misty Jameson and Patricia Brace -- Can't get no satisfaction: desires, rituals, and the search for harmony in Eat drink man woman / Carl J. Dull -- Paternalism, virtue ethics, and Ang Lee: does father really know best? / Ronda Lee Roberts -- Lust, caution: a case for perception, unimpeded / Basileios Kroustallis -- The power to go beyond God's boundaries? Hulk, human nature, and some ethical concerns thereof / Adam Barkman -- Displacement, deception, and disorder: Ang Lee's discourse of identity / Timothy M. Dale and Joseph J. Foy -- Subverting heroic violence: Ang Lee's Taking Woodstock and Hulk as antiwar narratives / David Zietsma -- Homo migrans: desexualization in Ang Lee's Taking Woodstock / Nancy Kang -- Because of the molecules: The ice storm and the philosophy of love and recognition / Susanne Schmetkamp -- It's existential: negative space and nothingness in The ice storm / David Koepsell -- The ice storm: what is impending? / George T. Hole -- All's fair in love and war? Machiavelli and Ang Lee's Ride with the devil / James Edwin Mahon.
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Speaking in images : interviews with contemporary Chinese filmmakers / Michael Berry New York: Columbia University Press, 2005.
Call No: 802.25 (51) BERAuthor: Berry, Michael Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2005PhysDes: x, 568 p. : ill. ; 24 cmSeries: Global Chinese cultureSubject: DIRECTORS. CHINA ; DIRECTORS.TAIWANESE ; DIRECTORS. HONG KONG ; CHINA ; TAIWAN ; HONG KONG ; CHEN, KAIGE ; XIE, JIN ; TIAN, ZHUANGZHUANG ; ZHANG, YIMOU ; ZHANG, YUAN ; WANG, XIAOSHUAI ; JIA, ZHANG KE ; LI, YANG ; HOU, HSIAO-HSIEN ; CHU, TIEN-WEN ; YANG, EDWARD ; WU, NIEN-JEN ; LEE, ANG ; TSAI, MING LIANG ; CHANG, TSO-CHI ; HUI, ANN ; KWAN, STANLEY ; CHAN, FRUIT ; HO-SUN CHAN, PETER ; CHAN, EVANS ISBN: 9780231133319Contents: Foreword / Martin Scorsese -- Introduction : speaking in images -- Pt. I. Voices from China -- Xie Jin : six decades of cinematic innovation -- Tian Zhuangzhuang : stealing horses and flying kites -- Chen Kaige : historical revolution and cinematic rebellion -- Zhang Yimou : flying colors -- Zhang Yuan : working up a sweat in a celluloid sauna -- Wang Xiaoshuai : banned in China -- Jia Zhangke : capturing a transforming reality -- Li Yang : the future of Chinese cinema? -- Pt. II. Voices from Taiwan -- Hou Hsiao-hsien with Chu T'ien-wen : words and images -- Edward Yang : luckily unlucky -- Wu Nien-jen : writing Taiwan in the shadows of cultural colonialism -- Ang Lee : freedom in film -- Tsai Ming-liang : trapped in the past -- Chang Tso-chi : shooting from the margins -- Pt. III. Voices from Hong Kong -- Ann Hui : living through films -- Stanley Kwan : from spectral nostalgia to corporeal desire -- Fruit Chan : Hong Kong independent -- Peter Ho-sun Chan : pioneering Pan-Asian cinema -- Evans Chan : the last of the Chinese
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Variety international film guide 1998 / edited by Peter Cowie London: Andre Deutsch, 1997.
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