book
In short : a guide to short film-making in the digital age / Eileen Elsey and Andrew Kelly with a forward by Gareth Evans London: bfi Publishing, 2002.
Call No: 222(-091) ELSAuthor: Elsey, Eileen ; Kelly, Andrew Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xvi, 171p. : illus. : 24cm.Subject: DIGITAL TECHNOLOGY ; SHORT FILMS ; CALDER, EMMA ; GLAZER, JONATHAN ; HARDWICK, JOHN ; MINGHELLA, ANTHONY ; O'DONNELL, DAMIEN ; PARK, NICK ; RAMSAY, LYNNE ; SHERIDAN, TESSA ; SMITH, JOHN ; WRIGHT, KEITH ; YOHANNES, WINTA Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth EvansISBN: 0851708935
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personality clippings file
MINGHELLA, ANTHONY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MINGHELLA, ANTHONY
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Interim
book
My first movie / edited by Stephen Lowenstein London: Faber and Faber Limited, 2000.
Call No: 802.25 MYFAuthor: Lowenstein, Stephen Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2000PhysDes: xiv, 360 p. ; [12 plates]Subject: ALMODOVAR, PEDRO ; ANDERS, ALLISON ; BUSCEMI, STEVE ; COEN, JOEL & ETHAN ; DICILLO, TOM ; FIGGIS, MIKE ; FREARS, STEPHEN ; HOGAN, P.J. ; JORDAN, NEIL ; LEE, ANG ; LEIGH, MIKE ; LEVINSON, BARRY ; LOACH, KENNETH ; MANGOLD, JAMES ; MINGHELLA, ANTHONY ; NAIR, MIRA ; OLDMAN, GARY ; SMITH, KEVIN ; STONE, OLIVER ; TAVERNIER, BERTRAND ; BLOOD SIMPLE (US, Joel Coen, 1984) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; CLERKS (US, Kevin Smith, 1994) ; DINER (US, Barry Levinson, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982) ; TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990) ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; STORMY MONDAY (UK, Mike Figgis, 1988) ; PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980) ; TREES LOUNGE (US, Steve Buscemi, 1996) ; NIL BY MOUTH (UK, Gary Oldman, 1997) ; TUI SHOU (TZ, Ang Lee, 1992) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; HEAVY (US, James Mangold, 1995) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; BLEAK MOMENTS (UK, Mike Leigh, 1971) ; POOR COW (UK, Kenneth Loach, 1967) ; GUMSHOE (UK, Stephen Frears, 1971) Summary: Interviews with film-makers about making their first film.ISBN: 0571196691
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Interim
book
Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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