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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACE AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; STAR WARS [...] (US, 1977-99) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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American cinematographer : Shooting in the U.K. July 1998.
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Artlines : a bulletin on art & law in the digital age Wooloomooloo, N.S.W.: Arts Law Centre of Australia, 1995.
Call No: held Vol.1, No.1-Vol.4, No.2 1995-1999CorpAuthor: Artlines (Wooloomooloo, N.S.W.)Source: ATPlace: Wooloomooloo, N.S.W.Publisher: Arts Law Centre of AustraliaPubDate: 1995PhysDes: v. : ill. ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA Notes: Ceased publication with Vol.4, No.2 (1999); Caption title; Issues also available in an electronic version at http://www.artslaw.asn.au/Sartslaw/artlines.htmlISSN: 1324-695XFrequency: Qarterly issue 2.1 (Mar./Apr. 1997)LON: abn95350455; 11953243
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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special effects
Cause and effects in Weekend Australian [Review] (02/09/2017) p.12
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Interim
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Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
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Interim
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; HOLLYWOOD ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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Confronting the digital deadlock in Lumina (Summer 2010) iss.2 p.252-260
Author: Wilson, Jennifer PhysDes: ArticleSubject: DIGITAL TECHNOLOGY ; DISTRIBUTION ; COPYRIGHT ; LAW AND THE CINEMA. AUSTRALIA Summary: New digital techologies allow the creation of new forms of content, including games, websites, mobile and interactive stories. They also allow the repurposing of heritage media - content originally intended for film or telelvision screen. Wilson argues that current copyright legislation has failed to keep up with these technological innovations, thus impeding their uptake. She proposes several models of distribution online.
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A conversation on film, acting and multimedia : an interview with Ross Gibson in Practice (1998) iss.3 p.3-14
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Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997.
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Crossing the digital threshold in Practice (1998) iss.3 p.58-62
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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Cyberfeminism : colonising cyberspace with feminist poetics in Practice (Spring/Summer 1997) iss.2 p.19-26
Author: Arnold, Josie PhysDes: Article; Bibliography; Illustration(s)Subject: DIGITAL TECHNOLOGY ; MULTIMEDIA Summary: This paper addresses some of the theories of postmodern textuality from a feminist perspective. It applies a feminist postmodern critique to the deliveries of electronic culture, particularly in relation to interactive multi-media.
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Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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The death of cinema : history, cultural memory and the digital dark age / Paolo Cherchi Usai ; foreword by Martin Scorsese London: British Film Institute, 2001.
Call No: 62 CHEAuthor: Cherchi Usai, Paolo Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 144p. : ill. ; 24 cmSubject: PRESERVATION OF FILMS ; DIGITAL TECHNOLOGY ISBN: 0851708382; 0851708374(pbk.) : ¦13.99LON: 22295593URL status: URL: 'http://-'
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Digital cinemas move back in Movie Trader (October 11 2000)
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Digital filmmaking : the changing art and craft of making motion pictures / Thomas A. Ohanian, Michael E. Phillips ; cover art by Jeffrey Krebs Boston: Focal Press, c1996.
Call No: 220"313" OHAAuthor: Ohanian, Thomas A ; Phillips, Michael E Place: BostonPublisher: Focal PressPubDate: c1996PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cmSubject: DIGITAL TECHNOLOGY ; EDITING ; PRODUCTION ; POST-PRODUCTION ; LUCAS, GEORGE ; CAMERON, JAMES ; BAKER, RICK ; JONES, ED Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]Notes: Includes bibliographical references (p. 257) and indexISBN: 0240802195 (paper : alk. paper)LON: 12009091
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Digital media quicklist. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1997.
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The digital producer : getting it done with computer-based tools / Curtis Poole, Ellen Feldman Boston: Focal Press, c2000.
Call No: 220 POOAuthor: Poole, Curtis, 1958 ; Feldman, Ellen, 1948 Place: BostonPublisher: Focal PressPubDate: c2000PhysDes: xvii, 345 p. : ill. ; 24 cm. + 1 computer optical disc (4 3/4 in.)Subject: DIGITAL TECHNOLOGY ; PRODUCING ; PRODUCTION Summary: "The Digital Producer is the first comprehensive introduction to the world of digital video production methods from the producer's point of view. Whether you sit in the producer's chair or assist in the production process in some way, this book will provide you with a broad understanding of the digital tools and techniques, as well as specific tips and guidelines, to use during every phase of the production process, from scripting to finishing. While many books have been published covering specific areas of the digital production workflow, such as nonlinear editing or pre-production methods, no single comprehensive volume has yet been published. This book will fill that gap, providing professionals and students alike with a useful guide to the many changes taking place."--BOOK JACKETNotes: "An AvidPress book"--Cover; Includes indexISBN: 0240803957 (pbk. : alk. paper)LON: 20260276
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DIGITAL TECHNOLOGY
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DIGITAL TECHNOLOGY. AUSTRALIA
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Dot.com special Cannes 2000.
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The electric bookshop : research into current and future markets for interactive multimedia publications on cd rom Woolloomooloo, N.S.W.: Australian Film Commission, 1995.
Call No: 775(94) BRICorpAuthor: Australian Film Commission; Brigalow Digital PublishingPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: 1995PhysDes: v, 68 p. : ill. ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; CD-ROM AND THE CINEMA. AUSTRALIA ; MULTIMEDIA. AUSTRALIA Notes: "March 1995"; "Commissioned ... by Australian Film Commission"; "A report for the Australian Film Commission by Brigalow Digital Publishing, March 1995"--Cover; Bibliography: p. 68ISBN: 0642226148LON: 11462529
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Electronic/digital rights : a handbook for authors / by Lynne Spender ; illustrations by Veronica Jones Strawberry Hills, N.S.W.: Australian Society of Authors, 1997.
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Fair dealing in the digital age Redfern, N.S.W.: Australian Copyright Council, 1996.
Call No: 432.4(94) ACCCorpAuthor: Australian Copyright CouncilPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1996PhysDes: 68 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ISBN: 1875833277LON: 12447895
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Feature - digital effects in Encore (Feb 2000) vol.18 iss.1 p.21-30
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Film and television after DVD / edited by James Bennett and Tom Brown Routledge, 2009.
Call No: 701 FILAuthor: Bennett, James ; Brown, Tom Publisher: RoutledgePubDate: 2009PhysDes: viii, 201 p. : ill. ; 24 cmSubject: DIGITAL MEDIA AND THE CINEMA ; DIGITAL PROJECTION ; DIGITAL TECHNOLOGY ; DVD, FILMS ON Summary: Brings together a group of internationally renowned scholars to provide the first focused academic inquiry into this important technology. The book picks up on key issues within contemporary media studies, making a particularly significant contribution to debates about convergence and interactivity in the digital media landscape. Essays consider DVD as a technology that exists outside the boundaries of new and old media, examining its place within longer histories of home film cultures and production practices of the film and television industries, whilst also critically evaluating what is genuinely new about digital media technologies. From DVDs to downloading, peer-to-peer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape. Ultimately, Film and Television After DVD is a book that considers the convergence of film, television and new media and their academic disciplines through the DVD as a distinct cultural object, pointing to persistent questions in the study of audiovisual culture that will remain intriguing long after the shelf-life of the DVD itself.Notes: First published in 2008; includes bibliographical references and indexISBN: 9780415878340
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Film criticism in the digital age / edited by Mattias Frey and Cecilia Sayad New Brunswick, New Jersey: Rutgers University Press, c2015.
Call No: 62 FILAuthor: Frey, Mattias (ed.) ; Sayad, Cecilia Source: US/UKPlace: New Brunswick, New JerseyPublisher: Rutgers University PressPubDate: c2015PhysDes: vi, 273 pages ; 24 cmSubject: CRITICISM ; DIGITAL TECHNOLOGY ; PHILOSOPHY AND THE CINEMA Summary: "In Film criticism in the Digital Age ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book's contributors find many signs of the film critic's declining clout, but they also locate surprising examples of how critics--whether moonlighting bloggers or salaried writers--have been able to intervene in current popular discourse about arts and culture." -- BACK COVER BLURBNotes: Includes bibliographical references and indexISBN: 9780813570723Contents: -- acknowledgments -- introduction: critical questions / Mattias Frey -- part I the critic and the audience -- 1 Thumbs in the Crowd: Artists and Audiences in the Postvanguard World / Greg Taylor -- 2 Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis / Cecilia Sayad -- 3 "The Last Honest Film Critic in America": Armond White and the Children of James Baldwin / Daniel McNeil -- part II new forms and activities -- 4 The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb / Mattias Frey -- 5 The Price of Conservation: Online Video Criticism of Film in Italy / Giacomo Manzoli and Paolo Noto -- 6 Before and After AfterEllen: Online Queer Cinephile Communities as Critical Counterpublics / Maria San Filippo -- 7 Elevating the "Amateur": Nollywood Critics and the Politics of Diasporic Film Criticism / Noah Tsika -- part III insitutions and the profession -- 8 American Nationwide Associations of Film Critics in the Internet Era / Anne Hurault-Paupe -- 9 Finnish Film Critics and the Uncertainties of the Profession in the Digital Age / Outi Hakola -- 10 The Social Function of Criticism; or, Why Does the Cinema Have (to Have) a Soul? / Thomas Elsaesser -- part IV critics speak -- 11 The Critic Is Dead... / Jasmina Kallay -- 12 What We Don't Talk About When We Talk About Movies / Armond White -- 13 Who Needs Critics? / Nick James -- 14 Excerpts from Cineaste's "Film Criticism in the Age of the Internet: A Critical Symposium" / Theodoros Panayides, Kevin B. Lee, Karina Longworth, the self-styled siren (Farran Smith Nehme), and Stephanie Zacharek -- afterword / Cecilia Sayad -- selected bibliography -- notes on contributors -- index --
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ, Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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Filmmakers call 'lights, Apples, action' in Canberra Times [TV Guide] (13/04/2015) p.8
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Filmmakers call 'lights, Apples, action' in Sydney Morning Herald [TV Guide] (13/04/2015) p.8
Call No: SUBJECT CLIPPINGS FILE; DIGITAL TECHNOLOGY. AUSTRALIAAuthor: Barker, Gary PhysDes: Clippings File ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: Ben Allan and Clara Chong have made a feature film 'X was here' on a tight budget helped by Apple technology.
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From here to eternity : what virtual worlds can teach us about creating infinite participant experiences in Lumina (Winter 2009) iss.1 p.161-168
Author: Lucas, Rachael PhysDes: ArticleSubject: CONVERGENCE ; DIGITAL TECHNOLOGY ; INTERACTIVE CINEMA ; INTERACTIVE TV Summary: DIY filmmaker Rachael Lucas has been researching a critical pathway for the conceptual development of new media and vitual world. Her report entitled 'The Ego's Journey' obeserves a copmmong trajectory of 'self' in our current society, that also applies to how we relate to interactive media. Here, she observes what screen practitioners can read from this new media zeitgeist and apply to their own projects. -- Taken from the abstract
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From reel to unreal : Future opportunities for Australia's film, animation, special effects and electronic games industries / The Parliament of the Commonwealth of Australia Canberra, Australia: The Parliament of the Commonwealth of Australia, 2004.
Call No: 205.1(94) FROCorpAuthor: The Parliament of the Commonwealth of AustraliaPlace: Canberra, AustraliaPublisher: The Parliament of the Commonwealth of AustraliaPubDate: 2004PhysDes: 24 cm; 250 ppSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : ACT ; ANIMATION. AUSTRALIA ; SPECIAL EFFECTS. AUSTRALIA ; VIDEO GAMES. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET ; LABOUR. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.Notes: Government reportISBN: 0642784698
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Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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Immersed in technology : art and virtual environments / edited by Mary Anne Moser with Douglas MacLeod for the Banff Centre for the Arts Cambridge, Mass.: MIT Press, c1996.
Call No: 409(04) IMMAuthor: Moser, Mary Anne
MacLeod, Douglas Source: USPlace: Cambridge, Mass.Publisher: MIT PressPubDate: c1996PhysDes: xxv, 339p. : ill. ; 24cmSubject: VIRTUAL REALITY ; TECHNOLOGY AND THE CINEMA ; DIGITAL TECHNOLOGY Summary: Collection of essays examining the effects of cyberspace on society and culture.Notes: Includes bibliographical references and indexISBN: 0262133148Language: EnglishContents: Contents: Preface / Douglas MacLeod -- Introduction / Mary Anne Moser -- Embodied Virtuality: Or How to Put Bodies Back Into the Picture / N. Katherine Hayles -- Virtual Skin: Articulating Race in Cyberspace / Cameron Bailey -- Mysteries of the Bioapparatus / Nell Tenhaaf -- When Is the Ear Pierced?: The Clashes of Sound, Technology, and Cyberculture / Frances Dyson -- Cyberdammerung at Wellspring Systems / Allucquere Rosanne Stone -- A Disappearance of Community / Avital Ronell -- Fascination, Masculinity, and Cyberspace / Rob Milthorp -- A City for Bachelors / Jeanne Randolph -- Aboriginal Narratives in Cyberspace / Loretta Todd -- Nature Morte: Landscape and Narrative in Virtual Environments / Margaret Morse -- Time Traveling in the Gallery: An Archeological Approach in Media Art / Erkki Huhtamo -- Objects of Ritual / Will Bauer and Steve Gibson -- Archeology of a Mother Tongue / Toni Dove and Michael Mackenzie.
Dancing with the Virtual Dervish: Virtual Bodies / Diane J. Gromala and Yacov Sharir -- Bar Code Hotel / Perry Hoberman -- VR on $5 a Day / Ron Kuivila -- Placeholder / Brenda Laurel and Rachel Strickland -- Field Recording Studies / Michael Naimark -- Dancing with the Virtual Dervish: Worlds in Progress / Marcos Novak -- Topological Slide / Michael Scroggins and Stewart Dickson -- Inherent Rights, Vision Rights / Lawrence Paul Yuxweluptun.
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In short : a guide to short film-making in the digital age / Eileen Elsey and Andrew Kelly with a forward by Gareth Evans London: bfi Publishing, 2002.
Call No: 222(-091) ELSAuthor: Elsey, Eileen ; Kelly, Andrew Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xvi, 171p. : illus. : 24cm.Subject: DIGITAL TECHNOLOGY ; SHORT FILMS ; CALDER, EMMA ; GLAZER, JONATHAN ; HARDWICK, JOHN ; MINGHELLA, ANTHONY ; O'DONNELL, DAMIEN ; PARK, NICK ; RAMSAY, LYNNE ; SHERIDAN, TESSA ; SMITH, JOHN ; WRIGHT, KEITH ; YOHANNES, WINTA Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth EvansISBN: 0851708935
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Infog97 proceedings : a conference on the impact of recent developments in digital technology on screen culture practice / edited by Chris Brophy Melbourne: Australian Film Institute Research & Centre and ANSPAG, 1998.
Call No: 408 INFPlace: MelbournePublisher: Australian Film Institute Research & Centre and ANSPAGPubDate: 1998PhysDes: 130 p. ; 30 cmSubject: DIGITAL TECHNOLOGY ; CULTURE AND THE CINEMA ; CONFERENCES. AUSTRALIA. INFOG Notes: Papers from the Second Information Gathering Conference, State Film Theatre, May 8 & 9, 1997ISBN: 0908023170LON: abn98404759; 14277110
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The language of new media / Lev Manovich Cambridge, Mass. London: MIT Press, c2001.
Call No: 775 MANAuthor: Manovich, Lev Source: USPlace: Cambridge, Mass. LondonPublisher: MIT PressPubDate: c2001PhysDes: xxxix, 354 p. : ill. ; 24 cmSeries: LeonardoSubject: DIGITAL BROADCASTING ; DIGITAL TECHNOLOGY ; MEDIA ; INTERACTIVE CINEMA ; INTERNET AND THE CINEMA ; INTERNET AND TV ; COMPUTER GRAPHICS ; COMPUTER GAMES ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTERS AND THE CINEMA ; ANIMATION ; VIRTUAL REALITY ; LOOP FILMS ; NARRATIVE IN FILMS ; BARTHES, ROLAND ; BENJAMIN, WALTER ; COMOLLI, JEAN-LOUIS ; MELIES, GEORGES ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; JURASSIC PARK (US, Steven Spielberg,, 1993) Notes: Includes bibliographical references and indexISBN: 0262133741 : No priceLON: 21628309
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Media streaming and broadband in Australia : report to the Australian Broadcasting Authority / prepared by the Centre for Telecommunications Information Networking Sydney: Australian Broadcasting Authority, 2002.
Call No: 30(94) MEDSource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 2002PhysDes: 80 pages : illustration ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET AND THE CINEMA. AUSTRALIA ; INTERNET AND TV. AUSTRALIA ; MOBILE AND ONLINE MEDIA ; MOBILE ONLINE MEDIA. AUSTRALIA ; VIDEO ON DEMAND Summary: A study on the potential uses of streaming technology and how this compares with other viewing technological advances that will become available mainly due to broadband technologyContents: About CTIN -- Executive summary -- 1. Introduction -- 2. The techologies of streaming and broadband -- 3. Estimates of streaming demand in Australia -- 4. The potential impact of corporate strateigs on streaming in Australia -- 5. Regulatory presssure points -- 6. Appendix 1: Packet versus circuit networks -- Appendix 2: identitites and links among existing corporations -- Bibliography -- Glossary
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Mediawatch '99 March 1999.
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Myst opportunities : Infog97 in Practice (Spring/Summer 1997) iss.2 p.27-28
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New media : Theories and practices of digitextuality / Anna Everett & John T. Caldwell (eds) New York: Routledge, 2003.
Call No: 401"313" EVEPlace: New YorkPublisher: RoutledgePubDate: 2003PhysDes: 23 cm; 274 ppSeries: AFI Film ReadersSubject: MEDIA ; DIGITAL TECHNOLOGY ; PIXAR Summary: The mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of DVDs, MP3s, the Internet, and other technologies has freed the public from what we used to understand as “mass media”. These seismic shifts and ruptures have shaken to their core the theoretical and pedagogical foundations of film and TV studies. The concept of “new media” demands a necessary rethinking of the field. Writing from a range of disciplines and perspectives, the contributors to New Media propose theses and conceptual frameworks capable of engaging the numerous facets of emerging digital technology. [Taken from back cover.]ISBN: 41593995X
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New media technologies / edited by Ross Harley North Ryde, N.S.W. North Sydney: Australian Film Television & Radio School Australian Film Commission, 1993.
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New Zealand a digital dinosaur? in Encore (Apr 2000) vol.18 iss.3 p.21
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PAML From live performance to the digital stage : a 5 step guide to contracting and copyright management of digital recording for the live performing arts. / Produced by the Performing Arts Multimedia Library (PAML) Pilot Project Melbourne: Cinemedia, 1999.
Call No: 432.4 PAMCopy Management: Copy 1; Copy 2CorpAuthor: CinemediaPlace: MelbournePublisher: CinemediaPubDate: 1999PhysDes: 75 p.Subject: DIGITAL TECHNOLOGY ; COPYRIGHT ; CINEMEDIA ISBN: 0646378953
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Preparing for convergence in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Borella, Sonia ; Robertson, Ian Subject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: Looking at how new technologies in the media can effect the negotiation of contracts in terms of how revenue for products is divided. The term used is a convergent technologies. The authors take a legal position on convergence, stating that contracts should take into account future technologies in terms of sharing revenue.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).
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Projected Backwards into the Future : Cinemedia's Platform 1.0 on Federation Square in Wide Angle (January 1999) vol.21 iss.1 p.168-180
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Rental giant combats VOD with rival deilvery service in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Hull, David Subject: VIDEO ON DEMAND ; DIGITAL TECHNOLOGY. AUSTRALIA ; SET-TOP BOX ; VIDEO EZY ; UNIACKE, PAUL Summary: The Video Ezy rental chain is trying to secure it's position in the marketplace by introducing a video download system where customers can use a portable hard disk device (such as a memory stick) to download a film from a kiosk in store. Uniacke belives this will work in Australia as the video on demand (VOD) opportunities in Australia are not really there yet due to slow broadband. Very in depth article on new scheme.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).
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Reverse shots : indigenous film and media in an international context / edited by Wendy Gay Pearson and Susan Knabe Waterloo, Ontario, Canada: Wilfred Laurier University Press, c2015.
Call No: 451-054 (=1-81)(71):(93):(94) REVAuthor: Pearson, Wendy Gay (ed.) ; Knabe, Susan (ed.) Source: CNPlace: Waterloo, Ontario, CanadaPublisher: Wilfred Laurier University PressPubDate: c2015PhysDes: xi, 372 pages : illustrations ; 23 cmSeries: Film and media studies series; Film + media studiesSubject: CRITICISM ; MEDIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; INDIGENOUS ; AUSTRALIA ; NEW ZEALAND ; NEW ZEALAND
MAORI CINEMA ; NORWAY ; CANADA ; DIGITAL TECHNOLOGY ; AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND THE CINEMA ; AUSTRALIAN ABORIGINES AND TV ; AUSTRALIAN ABORIGINES IN FILMS ; AUSTRALIAN ABORIGINES ON TV ; RACIAL STEREOTYPES IN FILMS Summary: "From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity.
The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. "
--BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781554583355Contents: -- pt. I dream makers -- Introduction Globalizing Indigenous Film and Media / Susan Knabe -- One: He Who Dreams: Reflections on an Indigenous Life in Film / Michael Greyeyes -- pt. II decolonizing histories -- Two: Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices / Ernie Blackmore -- Three:Taking Pictures B(l)ack: The Work of Tracey Moffatt / Susan Knabe -- Four.The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema / Kerstin Knopf -- Five: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk / Colleen McGloin -- Six."Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes / Wendy Gay Pearson -- pt. III mediating practices -- Seven: Ka Whawhai Tonu Matou: Indigenous Television in Aotearoa/New Zealand / jo smith and Sue Abel -- Eight: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser / Jenny Fraser and Adam Szymanski -- Nine: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South / Erin Morton and Taryn Sirove -- pt. IV documentary approaches -- Ten: The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary / Stephen Foster and Mike Evans -- Eleven: "Whacking the Indigenous Funny Bone": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew / Ute Lischke -- Twelve: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro / Maeghan Pirie -- Thirteen:"I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History / Gail Vanstone -- pt. V other perspectives --Fourteen: Filming Indigeneity as Flanerie: Dialectic and Subtext in Terrance Odette's Heater / Tanis MacDonald -- Fifteen: Playing with Land Issues: Subversive Hybridity in The Price of Milk / Davinia Thornley -- glossary -- bibliography -- index --
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Screen culture in the digital age : multimedia for filmmakers, artists and the community / Garry Brennan Melbourne, Vic.: Open Channel Co-operative Limited, 1995.
Call No: 775(94) BREAuthor: Brennan, Garry CorpAuthor: Australian Film Commission; Open Channel (Television station : Melbourne, Vic.); Perth Institute of Film and Television; Metro Television; Brisbane Independent Filmmakers; Media Resource Centre (Adelaide, S. Aust.)Place: Melbourne, Vic.Publisher: Open Channel Co-operative LimitedPubDate: 1995PhysDes: 74 p. ; 30 cmSubject: MULTIMEDIA. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA Notes: Cover title; "A report to the Australian Film Commission from the screen culture organisations : Open Channel, Melbourne ; Media Resource Centre, Adelaide ; Film and Television Institute, Perth ; Metro Television, Sydney ; Brisbane Independent Filmmakers, Brisbane" -- Cover; Available from, Open Channel Co-operative Limited, 13 Victoria Street, Fitzroy Vic. 3065ISBN: 0646263781LON: 11907082
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So what's this all about then? : a non-users guide to digital effects in filmmaking / Shilo T. McClean North Ryde, N.S.W.: Australian Film, Television & Radio School, 1998.
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Some digital answers in Movie Trader (Jun 1999) p.16
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Special effects : creating movie magic / by Christopher Finch New York: Abbeville Press, c1984.
Call No: 236 FINAuthor: Finch, Christopher Source: USPlace: New YorkPublisher: Abbeville PressPubDate: c1984PhysDes: 252 p. : ill. (some col.) ; 27 cmSubject: COMPUTER GRAPHICS ; DIGITAL TECHNOLOGY ; COMPUTERS AND THE CINEMA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; TECHNICAL DEVELOPMENTS ; MOTION CONTROL ; MAKE UP ; TECHNOLOGY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; SPECIAL EFFECTS ; CINEMATOGRAPHY ; SET DESIGNING ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; TRON (US, Steven Lisberger, 1982) Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURBNotes: Includes index; Bibliography: p. 244ISBN: 0896594521Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --
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Stuff it: the video essay in the digital age. / edited by Ursula Biemann. Zurich [Switzerland]: [Voldemeer Zurich?], 2003.
Call No: 771 BIEAuthor: Biemann, Ursula CorpAuthor: Institute for Theory of Art and DesignSource: SZPlace: Zurich [Switzerland]Publisher: [Voldemeer Zurich?]PubDate: 2003PhysDes: 166 p. ; ill. ; 24 cmSeries: Theorie: GestaltungSubject: VIDEO ART ; DIGITAL TECHNOLOGY ; LITERATURE AND THE CINEMA ; EXPERIMENTAL FILMS ; AESTHETICS Summary: 'Stuff it is a profusely illustrated collection of texts by video artists and cultural theorists who illuminate the video essay in its role as crossover and communicator between art, theory and critical practice in all its variations: from monologues of disembodyment to cartographies of diaspora experiences and transnational conditions, from the essay as the organisation of complex social shifts to its technological mutation and increasing digitisation. ' (back cover)Notes: Includes selected bibliography & videographyISBN: 9 783211 203187
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Theorizing digital cultural heritage : a critical discourse / edited by Fiona Cameron & Sarah Kenderdine Cambridge, Mass: MIT Press, 2006.
Call No: 110-4 THE; NEW HOLDINGS SHELVESAuthor: Cameron, Fiona ; Kenderdine, Sarah Source: USPlace: Cambridge, MassPublisher: MIT PressPubDate: 2006PhysDes: x, 465 p. : ill. ; 24 cmSubject: DIGITAL TECHNOLOGY ; ARCHIVES & INSTITUTES, FILM Summary: "In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory; the essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation, and representation of cultural heritage. The contributors--scholars and practitioners from a range of relevant disciplines--ground theory in practice, considering how digital technology might be used to transform institutional cultures, methods, and relationships with audiences. The contributors examine the relationship between material and digital objects in collections of art and indigenous artifacts; the implications of digital technology for knowledge creation, documentation, and the concept of authority; and the possibilities for "virtual cultural heritage"--the preservation and interpretation of cultural and natural heritage through real-time, immersive, and interactive techniques. The essays in Theorizing Digital Cultural Heritage will serve as a resource for professionals, academics, and students in all fields of cultural heritage, including museums, libraries, galleries, archives, and archaeology, as well as those in education and information technology. The range of issues considered and the diverse disciplines and viewpoints represented point to new directions for an emerging field."Notes: Formerly CIP.; Includes bibliographical references and index.ISBN: 9780262033534Contents: 1. Rise and fall of the post-photographic museum : technology and the transformation of art / Peter Walsh -- 2. The materiality of virtual technologies : a new approach to thinking about the impact of multimedia in museums / Andrea Witcomb -- 3. Beyond the cult of the replicant - museums and historical digital objects : traditional concerns, new discourses / Fiona Cameron -- 4. Te Ahu Hiko : digital cultural heritage and indigenous objects, people, and environments / Deidre Brown -- 5. Redefining digital art : disrupting borders / Beryl Graham -- 6. Online activity and offline community : cultural institutions and new media art / Sarah Cook -- 7. A crisis of authority : new lamps for old / Susan Hazan -- 8. Digital cultural communication : audience and remediation / Angelina Russo and Jerry Watkins -- 9. Digital knowledgescapes : cultural, theoretical, practical, and usage issues facing museum collection databases in a digital epoch / Fiona Cameron and Helena Robinson -- 10. Art is redeemed, mystery is gone : the documentation of contemporary art / Harold Kraemer -- 11. Cultural information standards - political territory and rich rewards / Ingrid Mason -- 12. Finding a future for digital cultural heritage resources using contextual information frameworks / Gavan McCarthy -- 13. Engaged dialogism in virtual space : an exploration of research strategies for virtual museums / Suhas Deshpande, Kati Geber and Corey Timpson -- 14. Localized, personalized, and constructivist : a space for online museum learning / Ross Parry and Nadia Arbach -- 15. Speaking in Rama : panoramic vision in cultural heritage visualization / Sarah Kenderdine -- 16. Dialing up the past / Erik Champion and Bharat Dave -- 17. The morphology of space in virtual heritage / Bernadette Flynn -- 18. Toward tangible virtualities : tangialities / Slavko Milekic -- 19. Ecological cybernetics, virtual reality, and virtual heritage / Maurizio Forte -- 20. Geo-storytelling : a living archive of spatial culture / Scot T. Refsland, Marc Tuters and Jim Cooley -- 21. Urban heritage representations in hyperdocuments / Rodrigo Paraizo and Jose Ripper Kos -- 22. Automatic archaeology : bridging the gap between virtual reality, artificial intelligence, and archaeology / Juan Antonio Barcelo
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Towards an Australian Humanities Digital Archive : a report on a scoping study for the establishment of a national digital research resource for the humanities / prepared by Professor Graeme Turner Faha with the assistance of Lesley Pruitt Canberra: Australian Academy of the Humanities, 2008.
Call No: 116(94) FAH; IN REPAIRAuthor: Faha, Graeme Turner Source: ATPlace: CanberraPublisher: Australian Academy of the HumanitiesPubDate: 2008PhysDes: 26p. ; 30cmSubject: ARCHIVES & INSTITUTES, FILM ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; DIGITAL TECHNOLOGY ; DIGITAL TECHNOLOGY. AUSTRALIA Summary: "The Australian Academy of the Humanities is pleased to present this report on its scoping study on the development of a national scholarly digital archive in the humanities. The primary aim of the scoping study was to establish exactly what materials would need to be included in such an archive. The resulting report provides rational, evidence-based advice leading towards an answer to that question. " -- OVERVIEW (page 4)Contents: -- overview and recommendations -- introduction -- method -- the need for an Australian Digital Archive for the Humanities -- preservation and access -- governance -- principles for selection -- collaboration -- technology: possibilities for innovation and challenges -- researcher engagement. education and training -- references -- appendix A: digital humanities outside Australia: a selection -- appendix B: list of those interviewed for this scoping study -- appendix C: suggested non-electronic resources suitable for high priority --
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Turning Off the Television : Broadcasting's Uncertain Future / Jock Given Sydney, NSW: University of New South Wales Press, 2003.
Call No: 220"313"(94) GIVAuthor: Given, Jock Source: ATPlace: Sydney, NSWPublisher: University of New South Wales PressPubDate: 2003PhysDes: 328 p. ; 23 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; TELEVISION AND MEDIA SERVICES ; TELEVISION. AUSTRALIA ; STATE AND TV. AUSTRALIA
STATE AND TV. US ; STATE AND TV. UK ; PROGRAMME POLICY ; DIGITAL TECHNOLOGY ; DIGITAL TECHNOLOGY. AUSTRALIA Summary: About tomorrow's braodcasting. From the dot-com crash to Marconi and back, from the digital age forward into an uncertain future, Jock Given expores the constant shifts in the technologies, business models and social uses of TV and radio. He explains the enduring aspects of broadcast media that have attracted so much government policy attention, and what might happen to them in the future. Sceptical about the hype, optimistic about the possibilities, honest about the scale of the policy challenges, it is essential reading for anyone interested in the future of media.Notes: Notes: p.283-306
Selected Bibliography: p.307-312
Acronyms and Abbreviations: p.313-314
Acknowledgments: p.315-316
Index: p.317-327ISBN: 0868405000
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Understanding digital cinema : : a professional handbook / edited by Charles S. Swartz Amsterdam: Focal Press, 2005..
Call No: 22 SWASource: NEPlace: AmsterdamPublisher: Focal PressPubDate: 2005.PhysDes: xvi, 327 p. : ill. (some col.) ; 25 cm.Subject: DIGITAL TECHNOLOGY ; DIGITAL MEDIA AND THE CINEMA Summary: "Understanding Digital Cinema: A Professional Handbook, is a comprehensive resource on all aspects of finishing, distributing, and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management."--BOOK JACKET.Notes: Includes bibliographical references and (p. 307-311) and index.; Online Resource: Table of contents
http://www.loc.gov/catdir/toc/els051/2004021603.html
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http://www.loc.gov/catdir/description/els051/2004021603.htmlISBN: 0-240-80617-4
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Variety international film guide 2006 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London; Los Angeles: Button; Silman-James, 2006.
Call No: REFERENCE SECTION; 058 INT "2006"Edition: 43rd ed.Source: USPlace: London; Los AngelesPublisher: Button; Silman-JamesPubDate: 2006PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. IRELAND ; DIGITAL TECHNOLOGY ; CHEREAU, PATRICE ; CRONENBERG, DAVID ; HANEKE, MICHAEL ; Mehta, Deepa ; SORIN, CARLOS Summary: Includes articles on directors of the year, features on Irish cinema and digital cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2006ISBN: 0954876628
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VaultAge : digitizing and contextualizing Australian audio-visual content: Australianscreen online (aso.gov.au) in Studies in Australasian cinema (2009) vol.3 iss.2 p.205-222
Author: Aveyard, Karina PhysDes: ArticleSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL TECHNOLOGY. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL FILM AND SOUND ARCHIVE ; EXHIBITION. AUSTRALIA Summary: Australia is on the path to achieving a full-scale conversion to digital cinema exhibition probably within the next five to ten years. Despite early optimism that digitization could provide a catalyst for greater democratization of the Australian exhibition market by creating more opportunities for audiences to see independent and alternate films, this outcome now appears far from certain. The launch and ongoing roll-out of the international standard for digital exhibition, which is now firmly controlled by the major American studios, is intensifying, rather than diminishing, the market dominance of these media conglomerates and their local allies, the major Australian exhibition chains. Independent film exhibition and alternative presentation formats, on the other hand, are being pushed even further to the periphery by these increasingly centralized market forces. While independent and major exhibitors have historically coexisted, although at times in a somewhat uneasy relationship, the financial imperatives of digital cinema now threaten to drive many independent cinemas to the edge, and with them the ongoing diversity of cinema culture in Australia. Of particular concern is the late of independent theatres in regional and rural locations where many provide the only public screening opportunities within large geographic areas. This article outlines digital developments in Australia's commercial cinema industry within a national and international context, and in doing so considers the impact of digital exhibition technologies on Australia's independent cinema sector. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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Who's who in the digital media zoo? in Lumina (Winter 2009) iss.1 p.171-179
Author: McCarthy, Paul PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: The 'ANZ Digital Universe' is a new index of the 100 largest and arguably most interesting organisations active in digital media and information services in Australia and New Zealand in 2009. The list is a weighted raning based on: 1. organisation size, 2. global community interest and 3. industry recognition. This article details methodology and records the list.
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Youtube : online video and participatory culture / Jean Burgess and Joshua Green Cambridge: Polity Press, 2009.
Call No: 19YOUAuthor: Burgess, Jean ; Green, Joshua Source: UKPlace: CambridgePublisher: Polity PressPubDate: 2009PhysDes: xi, 172 p. : ill. ; 21 cmSeries: Digital media and society seriesSubject: YOUTUBE ; INTERNET ; MEDIA ; MEDIA DEVELOPMENTS ; DIGITAL TECHNOLOGY Summary: " Youtube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how Youtube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society, and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how Youtube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural 'production' and 'consumption' "-- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 152-169) and indexISBN: 9780745644790Contents: Contents: 1. How YouTube matters -- 2. YouTube and the mainstream media -- 3. YouTube's popular culture -- 4. YouTube's social network -- 5. YouTube's cultural politics -- 6. YouTube's uncertain futures -- What happened before YouTube / Henry Jenkins -- Uses of YouTube : digital literacy and the growth of knowledge / John Hartley.
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