Search Catalogue

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACE AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); STAR WARS [...] (US, 1977-99); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: July 1998
Subject: INDUSTRY, FILM. UK; POST-PRODUCTION. UK; DIGITAL TECHNOLOGY. UK

Call No: held Vol.1, No.1-Vol.4, No.2 1995-1999
CorpAuthor: Artlines (Wooloomooloo, N.S.W.)
Source: AT
Place: Wooloomooloo, N.S.W.
Publisher: Arts Law Centre of Australia
PubDate: 1995
PhysDes: v. : ill. ; 30 cm
Subject: DIGITAL TECHNOLOGY. AUSTRALIA
Notes: Ceased publication with Vol.4, No.2 (1999); Caption title; Issues also available in an electronic version at http://www.artslaw.asn.au/Sartslaw/artlines.html
ISSN: 1324-695X
Frequency: Qarterly issue 2.1 (Mar./Apr. 1997)
LON: abn95350455; 11953243

Call No: 775(94) AUS
CorpAuthor: Australian Film Commission. Multimedia Conference (4th :, 1998 : Melbourne); Australian Film Commission
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 1998
PhysDes: 1 v (38 p.) ; 30 cm
Subject: CONFERENCES. AUSTRALIA. AFC. MULTIMEDIA; INTERNET AND THE CINEMA. AUSTRALIA; MULTIMEDIA. AUSTRALIA; INTERNET AND TV. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA
LON: 14511419

Call No: SUBJECT CLIPPINGS FILE; SPECIAL EFFECTS
Author: Pickett, Mallory
PhysDes: Clippings
Subject: SPECIAL EFFECTS; DIGITAL TECHNOLOGY; SPECIAL EFFECTS DESIGNERS; FILM WORKERS
Summary: The changes brought to bear on the American special effects industry by the fierce competition of special effects companies worldwide

Call No: 401"313" CIN
Author: Elsaesser, Thomas; Hoffmann, Kay
Source: NE
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 1998
PhysDes: 312 p. : illus. bibliog. index
Series: Film culture in transition
Subject: LUMIERE, LOUIS; DOCUMENTARY FILMS; VIRTUAL REALITY; DIGITAL TECHNOLOGY; TELEVISION AND THE CINEMA; MULTIMEDIA
ISBN: 9053563121

Call No: 203 CON
Author: Charles C. Moul (ed.)
Place: New York
Publisher: Cambridge University Press
PubDate: 2005
PhysDes: 23 cm ; 214 p
Subject: EXHIBITION; EXHIBITION. USA; INDUSTRY, FILM; INDUSTRY, FILM. USA; FINANCING. USA; ADVERTISING FOR FILMS; ADVERTISING. USA; HOLLYWOOD; USA; PRODUCTION; PRODUCTION COSTS; DIGITAL TECHNOLOGY; INCOME; AWARDS. ACADEMY; STUDIO SYSTEM; GOVERNMENT CONTROL. USA; BOX OFFICE. USA
Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].
ISBN: 0521843847

Author: Wilson, Jennifer
PhysDes: Article
Subject: DIGITAL TECHNOLOGY; DISTRIBUTION; COPYRIGHT; LAW AND THE CINEMA. AUSTRALIA
Summary: New digital techologies allow the creation of new forms of content, including games, websites, mobile and interactive stories. They also allow the repurposing of heritage media - content originally intended for film or telelvision screen. Wilson argues that current copyright legislation has failed to keep up with these technological innovations, thus impeding their uptake. She proposes several models of distribution online.

Author: McQuire, Scott
PhysDes: Interview; Illustration(s)
Subject: Gibson, Ross; DIGITAL TECHNOLOGY; MULTIMEDIA; CULTURE AND THE CINEMA
Summary: The interview covers the current and likely developments in filmmaking practice.

Call No: 220"313" MCQ
Copy Management: Copy 1; Copy 2
Author: McQuire, Scott
CorpAuthor: Australian Key Centre for Cultural and Media Policy
Place: Brisbane
Publisher: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University
PubDate: 1997
PhysDes: [66] p. ; 30 cm
Series: Screen industry, culture and policy research series
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS. AUSTRALIA; TECHNICAL DEVELOPMENTS. AUSTRALIA; EDITING. AUSTRALIA
Notes: Includes bibliographical references; Bibliographical references : p. 64
ISBN: 0646327321
LON: 13359066

Author: Saul, Shiralee
PhysDes: Book review; Illustration(s)
Subject: COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; DIGITAL TECHNOLOGY
Summary: Detailed book review which focuses on the technological innovations which extend a filmmaker's ability to control the film image.

Call No: 401"313" CUL
Author: Hayward, Philip
Place: London
Publisher: J. Libbey
PubDate: 1990]
PhysDes: viii, 248 p. : ill. ; 25 cm
Subject: POPULAR CULTURE AND THE CINEMA; VIDEO ART; MUSIC TELEVISION; TECHNOLOGY AND THE CINEMA; COMPUTERS AND THE CINEMA; DIGITAL TECHNOLOGY; SOUND; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COLORS (US, Dennis Hopper, 1988)
Notes: Spine title: Culture, technology & creativity; Includes bibliographical references and index
ISBN: 0861962664
LON: 7559951

Author: Arnold, Josie
PhysDes: Article; Bibliography; Illustration(s)
Subject: DIGITAL TECHNOLOGY; MULTIMEDIA
Summary: This paper addresses some of the theories of postmodern textuality from a feminist perspective. It applies a feminist postmodern critique to the deliveries of electronic culture, particularly in relation to interactive multi-media.

Author: Cubitt, Sean
PhysDes: Article
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; DIGITAL TECHNOLOGY. NEW ZEALAND; DIGITAL PROJECTION; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND
Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: 62 CHE
Author: Cherchi Usai, Paolo
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 144p. : ill. ; 24 cm
Subject: PRESERVATION OF FILMS; DIGITAL TECHNOLOGY
ISBN: 0851708382; 0851708374(pbk.) : ¦13.99
LON: 22295593
URL status: URL: 'http://-' Checked: 31/08/2021 1:07:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: CINEMAS. USA; DIGITAL TECHNOLOGY
Summary: The era of the digital cinema may be forstalled because of financial constraints

Call No: 220"313" OHA
Author: Ohanian, Thomas A; Phillips, Michael E
Place: Boston
Publisher: Focal Press
PubDate: c1996
PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cm
Subject: DIGITAL TECHNOLOGY; EDITING; PRODUCTION; POST-PRODUCTION; LUCAS, GEORGE; CAMERON, JAMES; BAKER, RICK; JONES, ED
Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]
Notes: Includes bibliographical references (p. 257) and index
ISBN: 0240802195 (paper : alk. paper)
LON: 12009091

Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1997
Subject: DIGITAL TECHNOLOGY; COMPUTER GRAPHICS; MULTIMEDIA

Call No: 220 POO
Author: Poole, Curtis, 1958; Feldman, Ellen, 1948
Place: Boston
Publisher: Focal Press
PubDate: c2000
PhysDes: xvii, 345 p. : ill. ; 24 cm. + 1 computer optical disc (4 3/4 in.)
Subject: DIGITAL TECHNOLOGY; PRODUCING; PRODUCTION
Summary: "The Digital Producer is the first comprehensive introduction to the world of digital video production methods from the producer's point of view. Whether you sit in the producer's chair or assist in the production process in some way, this book will provide you with a broad understanding of the digital tools and techniques, as well as specific tips and guidelines, to use during every phase of the production process, from scripting to finishing. While many books have been published covering specific areas of the digital production workflow, such as nonlinear editing or pre-production methods, no single comprehensive volume has yet been published. This book will fill that gap, providing professionals and students alike with a useful guide to the many changes taking place."--BOOK JACKET
Notes: "An AvidPress book"--Cover; Includes index
ISBN: 0240803957 (pbk. : alk. paper)
LON: 20260276

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIGITAL TECHNOLOGY

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIGITAL TECHNOLOGY. AUSTRALIA

Call No: Journal Shelves. Moving Pictures
PubDate: Cannes 2000
Subject: DIGITAL TECHNOLOGY; DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET AND THE CINEMA; INTERNET AND THE CINEMA. AUSTRALIA

Call No: 775(94) BRI
CorpAuthor: Australian Film Commission; Brigalow Digital Publishing
Place: Woolloomooloo, N.S.W.
Publisher: Australian Film Commission
PubDate: 1995
PhysDes: v, 68 p. : ill. ; 30 cm
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; CD-ROM AND THE CINEMA. AUSTRALIA; MULTIMEDIA. AUSTRALIA
Notes: "March 1995"; "Commissioned ... by Australian Film Commission"; "A report for the Australian Film Commission by Brigalow Digital Publishing, March 1995"--Cover; Bibliography: p. 68
ISBN: 0642226148
LON: 11462529

Call No: 432.4(94) SPE
Author: Spender, Lynne
CorpAuthor: Australian Society of Authors
Place: Strawberry Hills, N.S.W.
Publisher: Australian Society of Authors
PubDate: 1997
PhysDes: 32 p. : ill. ; 15 x 21 cm
Subject: COPYRIGHT. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; AUTHORSHIP. AUSTRALIA
ISBN: 0958707200 : $10.00
LON: abn97047928; 13026458

Call No: 432.4(94) ACC
CorpAuthor: Australian Copyright Council
Place: Redfern, N.S.W.
Publisher: Australian Copyright Council
PubDate: 1996
PhysDes: 68 p. ; 30 cm
Subject: COPYRIGHT. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA
ISBN: 1875833277
LON: 12447895

Author: Harty, Jason; Jacobs, Heather
PhysDes: Article; Illustration(s)
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; ANIMAL LOGIC; ROUND THE TWIST [TV] (AT, 1988-)
Summary: This feature covers current developments in the area of digital effects, in television commercials, music clips, feature films and television series.

Call No: 701 FIL
Author: Bennett, James; Brown, Tom
Publisher: Routledge
PubDate: 2009
PhysDes: viii, 201 p. : ill. ; 24 cm
Subject: DIGITAL MEDIA AND THE CINEMA; DIGITAL PROJECTION; DIGITAL TECHNOLOGY; DVD, FILMS ON
Summary: Brings together a group of internationally renowned scholars to provide the first focused academic inquiry into this important technology. The book picks up on key issues within contemporary media studies, making a particularly significant contribution to debates about convergence and interactivity in the digital media landscape. Essays consider DVD as a technology that exists outside the boundaries of new and old media, examining its place within longer histories of home film cultures and production practices of the film and television industries, whilst also critically evaluating what is genuinely new about digital media technologies. From DVDs to downloading, peer-to-peer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape. Ultimately, Film and Television After DVD is a book that considers the convergence of film, television and new media and their academic disciplines through the DVD as a distinct cultural object, pointing to persistent questions in the study of audiovisual culture that will remain intriguing long after the shelf-life of the DVD itself.
Notes: First published in 2008; includes bibliographical references and index
ISBN: 9780415878340

Call No: 62 FIL
Author: Frey, Mattias (ed.); Sayad, Cecilia
Source: US/UK
Place: New Brunswick, New Jersey
Publisher: Rutgers University Press
PubDate: c2015
PhysDes: vi, 273 pages ; 24 cm
Subject: CRITICISM; DIGITAL TECHNOLOGY; PHILOSOPHY AND THE CINEMA
Summary: "In Film criticism in the Digital Age ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book's contributors find many signs of the film critic's declining clout, but they also locate surprising examples of how critics--whether moonlighting bloggers or salaried writers--have been able to intervene in current popular discourse about arts and culture." -- BACK COVER BLURB
Notes: Includes bibliographical references and index
ISBN: 9780813570723
Contents: -- acknowledgments -- introduction: critical questions / Mattias Frey -- part I the critic and the audience -- 1 Thumbs in the Crowd: Artists and Audiences in the Postvanguard World / Greg Taylor -- 2 Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis / Cecilia Sayad -- 3 "The Last Honest Film Critic in America": Armond White and the Children of James Baldwin / Daniel McNeil -- part II new forms and activities -- 4 The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb / Mattias Frey -- 5 The Price of Conservation: Online Video Criticism of Film in Italy / Giacomo Manzoli and Paolo Noto -- 6 Before and After AfterEllen: Online Queer Cinephile Communities as Critical Counterpublics / Maria San Filippo -- 7 Elevating the "Amateur": Nollywood Critics and the Politics of Diasporic Film Criticism / Noah Tsika -- part III insitutions and the profession -- 8 American Nationwide Associations of Film Critics in the Internet Era / Anne Hurault-Paupe -- 9 Finnish Film Critics and the Uncertainties of the Profession in the Digital Age / Outi Hakola -- 10 The Social Function of Criticism; or, Why Does the Cinema Have (to Have) a Soul? / Thomas Elsaesser -- part IV critics speak -- 11 The Critic Is Dead... / Jasmina Kallay -- 12 What We Don't Talk About When We Talk About Movies / Armond White -- 13 Who Needs Critics? / Nick James -- 14 Excerpts from Cineaste's "Film Criticism in the Age of the Internet: A Critical Symposium" / Theodoros Panayides, Kevin B. Lee, Karina Longworth, the self-styled siren (Farran Smith Nehme), and Stephanie Zacharek -- afterword / Cecilia Sayad -- selected bibliography -- notes on contributors -- index --

Call No: 33 MIN
Author: Mingant, Nolwenn; Tirtaine, Cecilia; Augros, Joel
Source: UK
Place: London
Publisher: BFI book published by Palgrave
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: ADVERTISING FOR FILMS; ADVERTISING; DIGITAL TECHNOLOGY; TRANSNATIONAL CINEMA; DISTRIBUTION; INTERNET AND THE CINEMA; COMPUTERS AND THE CINEMA; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002); MY LIFE IN RUINS (US, Donald Petrie, 2009); ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002); ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012); HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012); HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013); HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ, Peter Jackson, 2014); BAIT (AT, Kimble Rendall, 2012); AVATAR (US, James Cameron, 2009)
Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing. The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844578382
Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --

Call No: 24 CAS
Author: Case, Dominic
Place: Jordan Hill, Oxford
Publisher: Focal Press
PubDate: 1997
PhysDes: 192 p. : ill. ; 22 cm
Subject: POST-PRODUCTION; EDITING; DIGITAL TECHNOLOGY; SOUND RECORDING; TECHNICAL DEVELOPMENTS
Notes: Includes index
ISBN: 0240514637
LON: 13426507

Call No: TITLE CLIPPINGS FILE in production; X WAS HERE (AT, Clara Chong) [in production]
Author: Barker, Garry
PhysDes: Clippings File Article
Subject: APPLE; DIGITAL TECHNOLOGY. AUSTRALIA; DIGITAL MEDIA AND THE CINEMA; X WAS HERE (AT, Clara Chong) [in production]
Summary: THe use of cheap digital technology to create a the film 'X Was Here'

Call No: SUBJECT CLIPPINGS FILE; DIGITAL TECHNOLOGY. AUSTRALIA
Author: Barker, Gary
PhysDes: Clippings File Article
Subject: DIGITAL TECHNOLOGY. AUSTRALIA
Summary: Ben Allan and Clara Chong have made a feature film 'X was here' on a tight budget helped by Apple technology.

Author: Lucas, Rachael
PhysDes: Article
Subject: CONVERGENCE; DIGITAL TECHNOLOGY; INTERACTIVE CINEMA; INTERACTIVE TV
Summary: DIY filmmaker Rachael Lucas has been researching a critical pathway for the conceptual development of new media and vitual world. Her report entitled 'The Ego's Journey' obeserves a copmmong trajectory of 'self' in our current society, that also applies to how we relate to interactive media. Here, she observes what screen practitioners can read from this new media zeitgeist and apply to their own projects. -- Taken from the abstract

Call No: 205.1(94) FRO
CorpAuthor: The Parliament of the Commonwealth of Australia
Place: Canberra, Australia
Publisher: The Parliament of the Commonwealth of Australia
PubDate: 2004
PhysDes: 24 cm; 250 pp
Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; ANIMATION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; VIDEO GAMES. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET; LABOUR. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA
Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.
Notes: Government report
ISBN: 0642784698

Call No: 220"313" FUT
Author: Hayward, Philip; Wollen, Tana, 1957
CorpAuthor: Arts Council of Great Britain
Place: London
Publisher: BFI Pub. Arts Council of Great Britain
PubDate: 1993
PhysDes: xi, 212 p. : ill. (some col.) ; 22 cm
Subject: TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; IMAX; SPECIAL EFFECTS; COMPUTER GRAPHICS; HIGH DEFINITION TV; MULTIMEDIA; VIRTUAL REALITY; VIDEO GAMES; COMPUTERS AND THE CINEMA; CINEMASCOPE; DIGITAL TECHNOLOGY
Notes: Includes bibliographical references and index
ISBN: 085170400X (pbk.); 0851703844
LON: 10057800

Call No: 761 GIL
Author: Gillezeau, Marcus
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1997
PhysDes: 25 p. ; 30cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; EQUIPMENT; FILMMAKING; CAMERAS; SOUND; SOUND RECORDING; PRODUCTION; POST-PRODUCTION; EDITING
Summary: "This paper outlines production and post-production paths for low budget documentaries with budgets ranging from $20,000 to $100,000. It explores both digital and analogue methods. It includes pointers on what needs to be considered during pre-production and the shoot which will result in time and cost savings during post-production." -- TAKEN FROM INTRODUCTION TO REPORT
LON: abn98003903; 13617349

Call No: 409(04) IMM
Author: Moser, Mary Anne MacLeod, Douglas
Source: US
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: c1996
PhysDes: xxv, 339p. : ill. ; 24cm
Subject: VIRTUAL REALITY; TECHNOLOGY AND THE CINEMA; DIGITAL TECHNOLOGY
Summary: Collection of essays examining the effects of cyberspace on society and culture.
Notes: Includes bibliographical references and index
ISBN: 0262133148
Language: English
Contents: Contents: Preface / Douglas MacLeod -- Introduction / Mary Anne Moser -- Embodied Virtuality: Or How to Put Bodies Back Into the Picture / N. Katherine Hayles -- Virtual Skin: Articulating Race in Cyberspace / Cameron Bailey -- Mysteries of the Bioapparatus / Nell Tenhaaf -- When Is the Ear Pierced?: The Clashes of Sound, Technology, and Cyberculture / Frances Dyson -- Cyberdammerung at Wellspring Systems / Allucquere Rosanne Stone -- A Disappearance of Community / Avital Ronell -- Fascination, Masculinity, and Cyberspace / Rob Milthorp -- A City for Bachelors / Jeanne Randolph -- Aboriginal Narratives in Cyberspace / Loretta Todd -- Nature Morte: Landscape and Narrative in Virtual Environments / Margaret Morse -- Time Traveling in the Gallery: An Archeological Approach in Media Art / Erkki Huhtamo -- Objects of Ritual / Will Bauer and Steve Gibson -- Archeology of a Mother Tongue / Toni Dove and Michael Mackenzie. Dancing with the Virtual Dervish: Virtual Bodies / Diane J. Gromala and Yacov Sharir -- Bar Code Hotel / Perry Hoberman -- VR on $5 a Day / Ron Kuivila -- Placeholder / Brenda Laurel and Rachel Strickland -- Field Recording Studies / Michael Naimark -- Dancing with the Virtual Dervish: Worlds in Progress / Marcos Novak -- Topological Slide / Michael Scroggins and Stewart Dickson -- Inherent Rights, Vision Rights / Lawrence Paul Yuxweluptun.

Call No: 222(-091) ELS
Author: Elsey, Eileen; Kelly, Andrew
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xvi, 171p. : illus. : 24cm.
Subject: DIGITAL TECHNOLOGY; SHORT FILMS; CALDER, EMMA; GLAZER, JONATHAN; HARDWICK, JOHN; MINGHELLA, ANTHONY; O'DONNELL, DAMIEN; PARK, NICK; RAMSAY, LYNNE; SHERIDAN, TESSA; SMITH, JOHN; WRIGHT, KEITH; YOHANNES, WINTA
Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth Evans
ISBN: 0851708935

Call No: 408 INF
Place: Melbourne
Publisher: Australian Film Institute Research & Centre and ANSPAG
PubDate: 1998
PhysDes: 130 p. ; 30 cm
Subject: DIGITAL TECHNOLOGY; CULTURE AND THE CINEMA; CONFERENCES. AUSTRALIA. INFOG
Notes: Papers from the Second Information Gathering Conference, State Film Theatre, May 8 & 9, 1997
ISBN: 0908023170
LON: abn98404759; 14277110

Call No: 775 MAN
Author: Manovich, Lev
Source: US
Place: Cambridge, Mass. London
Publisher: MIT Press
PubDate: c2001
PhysDes: xxxix, 354 p. : ill. ; 24 cm
Series: Leonardo
Subject: DIGITAL BROADCASTING; DIGITAL TECHNOLOGY; MEDIA; INTERACTIVE CINEMA; INTERNET AND THE CINEMA; INTERNET AND TV; COMPUTER GRAPHICS; COMPUTER GAMES; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; ANIMATION; VIRTUAL REALITY; LOOP FILMS; NARRATIVE IN FILMS; BARTHES, ROLAND; BENJAMIN, WALTER; COMOLLI, JEAN-LOUIS; MELIES, GEORGES; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); JURASSIC PARK (US, Steven Spielberg,, 1993)
Notes: Includes bibliographical references and index
ISBN: 0262133741 : No price
LON: 21628309

Call No: 30(94) MED
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Authority
PubDate: 2002
PhysDes: 80 pages : illustration ; 30 cm
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET AND THE CINEMA. AUSTRALIA; INTERNET AND TV. AUSTRALIA; MOBILE AND ONLINE MEDIA; MOBILE ONLINE MEDIA. AUSTRALIA; VIDEO ON DEMAND
Summary: A study on the potential uses of streaming technology and how this compares with other viewing technological advances that will become available mainly due to broadband technology
Contents: About CTIN -- Executive summary -- 1. Introduction -- 2. The techologies of streaming and broadband -- 3. Estimates of streaming demand in Australia -- 4. The potential impact of corporate strateigs on streaming in Australia -- 5. Regulatory presssure points -- 6. Appendix 1: Packet versus circuit networks -- Appendix 2: identitites and links among existing corporations -- Bibliography -- Glossary

Call No: JOURNAL SHELVES.SIGHT AND SOUND SPECIAL ISSUES
PubDate: March 1999
Subject: DIGITAL TECHNOLOGY; VIDEODISCS; INTERNET AND THE CINEMA

Author: Verevis, Constantine
PhysDes: Conference report; Illustration(s)
Subject: CONFERENCES. AUSTRALIA. INFOG; DIGITAL TECHNOLOGY; CULTURE AND THE CINEMA
Summary: A review of the 'Infog97' conference on screen culture and information technology.

Call No: 401"313" EVE
Place: New York
Publisher: Routledge
PubDate: 2003
PhysDes: 23 cm; 274 pp
Series: AFI Film Readers
Subject: MEDIA; DIGITAL TECHNOLOGY; PIXAR
Summary: The mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of DVDs, MP3s, the Internet, and other technologies has freed the public from what we used to understand as “mass media”. These seismic shifts and ruptures have shaken to their core the theoretical and pedagogical foundations of film and TV studies. The concept of “new media” demands a necessary rethinking of the field. Writing from a range of disciplines and perspectives, the contributors to New Media propose theses and conceptual frameworks capable of engaging the numerous facets of emerging digital technology. [Taken from back cover.]
ISBN: 41593995X

Call No: 775 NEW
Author: Harley, Ross
CorpAuthor: Australian Film, Television and Radio School; Australian Film Commission
Place: North Ryde, N.S.W. North Sydney
Publisher: Australian Film Television & Radio School Australian Film Commission
PubDate: 1993
PhysDes: 177 p. : ill. ; 30 cm
Subject: MULTIMEDIA. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; HOLOGRAPHY. AUSTRALIA; VIDEODISCS. AUSTRALIA; TECHNICAL DEVELOPMENTS. AUSTRALIA; VIRTUAL REALITY. AUSTRALIA
Notes: CIP confirmed; Includes bibliographies and index
ISBN: 0642192421
LON: 9900899

Author: Wakefield, Philip
PhysDes: Article
Subject: DIGITAL TECHNOLOGY. NEW ZEALAND; PAY TV. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND
Summary: While the pay TV channels secure audiences for digital broadcasting in New Zealand, the NZ government is slowly developing a policy for free-to-air broadcasters to begin digital broadcasting.

Call No: 432.4 PAM
Copy Management: Copy 1; Copy 2
CorpAuthor: Cinemedia
Place: Melbourne
Publisher: Cinemedia
PubDate: 1999
PhysDes: 75 p.
Subject: DIGITAL TECHNOLOGY; COPYRIGHT; CINEMEDIA
ISBN: 0646378953

Call No: DVD RESEARCH FOLDER
Author: Borella, Sonia; Robertson, Ian
Subject: DIGITAL TECHNOLOGY. AUSTRALIA
Summary: Looking at how new technologies in the media can effect the negotiation of contracts in terms of how revenue for products is divided. The term used is a convergent technologies. The authors take a legal position on convergence, stating that contracts should take into account future technologies in terms of sharing revenue.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).

Author: Gibson, Ross
PhysDes: Article
Subject: CINEMEDIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; DIGITAL TECHNOLOGY. AUSTRALIA; MULTIMEDIA. AUSTRALIA; FILM VICTORIA
Summary: Article on Platform 1.0, a new digital, multi-media space run by Cinemedia at Federation Square.

Call No: DVD RESEARCH FOLDER
Author: Hull, David
Subject: VIDEO ON DEMAND; DIGITAL TECHNOLOGY. AUSTRALIA; SET-TOP BOX; VIDEO EZY; UNIACKE, PAUL
Summary: The Video Ezy rental chain is trying to secure it's position in the marketplace by introducing a video download system where customers can use a portable hard disk device (such as a memory stick) to download a film from a kiosk in store. Uniacke belives this will work in Australia as the video on demand (VOD) opportunities in Australia are not really there yet due to slow broadband. Very in depth article on new scheme.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).

Call No: 451-054 (=1-81)(71):(93):(94) REV
Author: Pearson, Wendy Gay (ed.); Knabe, Susan (ed.)
Source: CN
Place: Waterloo, Ontario, Canada
Publisher: Wilfred Laurier University Press
PubDate: c2015
PhysDes: xi, 372 pages : illustrations ; 23 cm
Series: Film and media studies series; Film + media studies
Subject: CRITICISM; MEDIA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; INDIGENOUS; AUSTRALIA; NEW ZEALAND; NEW ZEALAND MAORI CINEMA; NORWAY; CANADA; DIGITAL TECHNOLOGY; AUSTRALIAN ABORIGINAL CINEMA; AUSTRALIAN ABORIGINES AND THE CINEMA; AUSTRALIAN ABORIGINES AND TV; AUSTRALIAN ABORIGINES IN FILMS; AUSTRALIAN ABORIGINES ON TV; RACIAL STEREOTYPES IN FILMS
Summary: "From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity. The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. " --BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9781554583355
Contents: -- pt. I dream makers -- Introduction Globalizing Indigenous Film and Media / Susan Knabe -- One: He Who Dreams: Reflections on an Indigenous Life in Film / Michael Greyeyes -- pt. II decolonizing histories -- Two: Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices / Ernie Blackmore -- Three:Taking Pictures B(l)ack: The Work of Tracey Moffatt / Susan Knabe -- Four.The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema / Kerstin Knopf -- Five: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk / Colleen McGloin -- Six."Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes / Wendy Gay Pearson -- pt. III mediating practices -- Seven: Ka Whawhai Tonu Matou: Indigenous Television in Aotearoa/New Zealand / jo smith and Sue Abel -- Eight: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser / Jenny Fraser and Adam Szymanski -- Nine: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South / Erin Morton and Taryn Sirove -- pt. IV documentary approaches -- Ten: The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary / Stephen Foster and Mike Evans -- Eleven: "Whacking the Indigenous Funny Bone": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew / Ute Lischke -- Twelve: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro / Maeghan Pirie -- Thirteen:"I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History / Gail Vanstone -- pt. V other perspectives --Fourteen: Filming Indigeneity as Flanerie: Dialectic and Subtext in Terrance Odette's Heater / Tanis MacDonald -- Fifteen: Playing with Land Issues: Subversive Hybridity in The Price of Milk / Davinia Thornley -- glossary -- bibliography -- index --

Call No: 775(94) BRE
Author: Brennan, Garry
CorpAuthor: Australian Film Commission; Open Channel (Television station : Melbourne, Vic.); Perth Institute of Film and Television; Metro Television; Brisbane Independent Filmmakers; Media Resource Centre (Adelaide, S. Aust.)
Place: Melbourne, Vic.
Publisher: Open Channel Co-operative Limited
PubDate: 1995
PhysDes: 74 p. ; 30 cm
Subject: MULTIMEDIA. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA
Notes: Cover title; "A report to the Australian Film Commission from the screen culture organisations : Open Channel, Melbourne ; Media Resource Centre, Adelaide ; Film and Television Institute, Perth ; Metro Television, Sydney ; Brisbane Independent Filmmakers, Brisbane" -- Cover; Available from, Open Channel Co-operative Limited, 13 Victoria Street, Fitzroy Vic. 3065
ISBN: 0646263781
LON: 11907082

Call No: 326 MCC
Author: McClean, Shilo
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1998
PhysDes: vii, 103 p. : ill. ; 21 cm
Subject: DIGITAL TECHNOLOGY; SPECIAL EFFECTS; STORY BOARDS; ANIMATION; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; BUDGETING
Notes: Includes index
ISBN: 1876351055 : $20.00; 1876351055; 1876351055 (pbk.); 1876351055 (Pbk)
LON: 13911081

Author: Dobler, Christopher
PhysDes: Article
Subject: PROJECTION; DIGITAL TECHNOLOGY
Summary: Dobler discusses developments in the area of digital projection.

Call No: 236 FIN
Author: Finch, Christopher
Source: US
Place: New York
Publisher: Abbeville Press
PubDate: c1984
PhysDes: 252 p. : ill. (some col.) ; 27 cm
Subject: COMPUTER GRAPHICS; DIGITAL TECHNOLOGY; COMPUTERS AND THE CINEMA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTER GENERATED IMAGERY; COSTUME DESIGNING; TECHNICAL DEVELOPMENTS; MOTION CONTROL; MAKE UP; TECHNOLOGY AND THE CINEMA; PRODUCTION TECHNOLOGY; SPECIAL EFFECTS; CINEMATOGRAPHY; SET DESIGNING; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); TRON (US, Steven Lisberger, 1982)
Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 244
ISBN: 0896594521
Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --

Call No: 771 BIE
Author: Biemann, Ursula
CorpAuthor: Institute for Theory of Art and Design
Source: SZ
Place: Zurich [Switzerland]
Publisher: [Voldemeer Zurich?]
PubDate: 2003
PhysDes: 166 p. ; ill. ; 24 cm
Series: Theorie: Gestaltung
Subject: VIDEO ART; DIGITAL TECHNOLOGY; LITERATURE AND THE CINEMA; EXPERIMENTAL FILMS; AESTHETICS
Summary: 'Stuff it is a profusely illustrated collection of texts by video artists and cultural theorists who illuminate the video essay in its role as crossover and communicator between art, theory and critical practice in all its variations: from monologues of disembodyment to cartographies of diaspora experiences and transnational conditions, from the essay as the organisation of complex social shifts to its technological mutation and increasing digitisation. ' (back cover)
Notes: Includes selected bibliography & videography
ISBN: 9 783211 203187

Call No: 110-4 THE; NEW HOLDINGS SHELVES
Author: Cameron, Fiona; Kenderdine, Sarah
Source: US
Place: Cambridge, Mass
Publisher: MIT Press
PubDate: 2006
PhysDes: x, 465 p. : ill. ; 24 cm
Subject: DIGITAL TECHNOLOGY; ARCHIVES & INSTITUTES, FILM
Summary: "In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory; the essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation, and representation of cultural heritage. The contributors--scholars and practitioners from a range of relevant disciplines--ground theory in practice, considering how digital technology might be used to transform institutional cultures, methods, and relationships with audiences. The contributors examine the relationship between material and digital objects in collections of art and indigenous artifacts; the implications of digital technology for knowledge creation, documentation, and the concept of authority; and the possibilities for "virtual cultural heritage"--the preservation and interpretation of cultural and natural heritage through real-time, immersive, and interactive techniques. The essays in Theorizing Digital Cultural Heritage will serve as a resource for professionals, academics, and students in all fields of cultural heritage, including museums, libraries, galleries, archives, and archaeology, as well as those in education and information technology. The range of issues considered and the diverse disciplines and viewpoints represented point to new directions for an emerging field."
Notes: Formerly CIP.; Includes bibliographical references and index.
ISBN: 9780262033534
Contents: 1. Rise and fall of the post-photographic museum : technology and the transformation of art / Peter Walsh -- 2. The materiality of virtual technologies : a new approach to thinking about the impact of multimedia in museums / Andrea Witcomb -- 3. Beyond the cult of the replicant - museums and historical digital objects : traditional concerns, new discourses / Fiona Cameron -- 4. Te Ahu Hiko : digital cultural heritage and indigenous objects, people, and environments / Deidre Brown -- 5. Redefining digital art : disrupting borders / Beryl Graham -- 6. Online activity and offline community : cultural institutions and new media art / Sarah Cook -- 7. A crisis of authority : new lamps for old / Susan Hazan -- 8. Digital cultural communication : audience and remediation / Angelina Russo and Jerry Watkins -- 9. Digital knowledgescapes : cultural, theoretical, practical, and usage issues facing museum collection databases in a digital epoch / Fiona Cameron and Helena Robinson -- 10. Art is redeemed, mystery is gone : the documentation of contemporary art / Harold Kraemer -- 11. Cultural information standards - political territory and rich rewards / Ingrid Mason -- 12. Finding a future for digital cultural heritage resources using contextual information frameworks / Gavan McCarthy -- 13. Engaged dialogism in virtual space : an exploration of research strategies for virtual museums / Suhas Deshpande, Kati Geber and Corey Timpson -- 14. Localized, personalized, and constructivist : a space for online museum learning / Ross Parry and Nadia Arbach -- 15. Speaking in Rama : panoramic vision in cultural heritage visualization / Sarah Kenderdine -- 16. Dialing up the past / Erik Champion and Bharat Dave -- 17. The morphology of space in virtual heritage / Bernadette Flynn -- 18. Toward tangible virtualities : tangialities / Slavko Milekic -- 19. Ecological cybernetics, virtual reality, and virtual heritage / Maurizio Forte -- 20. Geo-storytelling : a living archive of spatial culture / Scot T. Refsland, Marc Tuters and Jim Cooley -- 21. Urban heritage representations in hyperdocuments / Rodrigo Paraizo and Jose Ripper Kos -- 22. Automatic archaeology : bridging the gap between virtual reality, artificial intelligence, and archaeology / Juan Antonio Barcelo

Call No: 116(94) FAH; IN REPAIR
Author: Faha, Graeme Turner
Source: AT
Place: Canberra
Publisher: Australian Academy of the Humanities
PubDate: 2008
PhysDes: 26p. ; 30cm
Subject: ARCHIVES & INSTITUTES, FILM; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; DIGITAL TECHNOLOGY; DIGITAL TECHNOLOGY. AUSTRALIA
Summary: "The Australian Academy of the Humanities is pleased to present this report on its scoping study on the development of a national scholarly digital archive in the humanities. The primary aim of the scoping study was to establish exactly what materials would need to be included in such an archive. The resulting report provides rational, evidence-based advice leading towards an answer to that question. " -- OVERVIEW (page 4)
Contents: -- overview and recommendations -- introduction -- method -- the need for an Australian Digital Archive for the Humanities -- preservation and access -- governance -- principles for selection -- collaboration -- technology: possibilities for innovation and challenges -- researcher engagement. education and training -- references -- appendix A: digital humanities outside Australia: a selection -- appendix B: list of those interviewed for this scoping study -- appendix C: suggested non-electronic resources suitable for high priority --

Call No: 220"313"(94) GIV
Author: Given, Jock
Source: AT
Place: Sydney, NSW
Publisher: University of New South Wales Press
PubDate: 2003
PhysDes: 328 p. ; 23 cm
Subject: BROADCASTING; BROADCASTING. AUSTRALIA; TELEVISION AND MEDIA SERVICES; TELEVISION. AUSTRALIA; STATE AND TV. AUSTRALIA STATE AND TV. US; STATE AND TV. UK; PROGRAMME POLICY; DIGITAL TECHNOLOGY; DIGITAL TECHNOLOGY. AUSTRALIA
Summary: About tomorrow's braodcasting. From the dot-com crash to Marconi and back, from the digital age forward into an uncertain future, Jock Given expores the constant shifts in the technologies, business models and social uses of TV and radio. He explains the enduring aspects of broadcast media that have attracted so much government policy attention, and what might happen to them in the future. Sceptical about the hype, optimistic about the possibilities, honest about the scale of the policy challenges, it is essential reading for anyone interested in the future of media.
Notes: Notes: p.283-306 Selected Bibliography: p.307-312 Acronyms and Abbreviations: p.313-314 Acknowledgments: p.315-316 Index: p.317-327
ISBN: 0868405000

Call No: 22 SWA
Source: NE
Place: Amsterdam
Publisher: Focal Press
PubDate: 2005.
PhysDes: xvi, 327 p. : ill. (some col.) ; 25 cm.
Subject: DIGITAL TECHNOLOGY; DIGITAL MEDIA AND THE CINEMA
Summary: "Understanding Digital Cinema: A Professional Handbook, is a comprehensive resource on all aspects of finishing, distributing, and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management."--BOOK JACKET.
Notes: Includes bibliographical references and (p. 307-311) and index.; Online Resource: Table of contents http://www.loc.gov/catdir/toc/els051/2004021603.html Publisher description http://www.loc.gov/catdir/description/els051/2004021603.html
ISBN: 0-240-80617-4

Call No: REFERENCE SECTION; 058 INT "2006"
Edition: 43rd ed.
Source: US
Place: London; Los Angeles
Publisher: Button; Silman-James
PubDate: 2006
PhysDes: 432 p. : col. ill. ; 24 cm.
Subject: PERIODICALS, FILM; INDUSTRY, FILM; INDUSTRY, FILM. IRELAND; DIGITAL TECHNOLOGY; CHEREAU, PATRICE; CRONENBERG, DAVID; HANEKE, MICHAEL; Mehta, Deepa; SORIN, CARLOS
Summary: Includes articles on directors of the year, features on Irish cinema and digital cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.
Notes: Other title: International film guide 2006
ISBN: 0954876628

Author: Aveyard, Karina
PhysDes: Article
Subject: DIGITAL CINEMA; DIGITAL DISTRIBUTION; DIGITAL TECHNOLOGY. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; EXHIBITION. AUSTRALIA
Summary: Australia is on the path to achieving a full-scale conversion to digital cinema exhibition probably within the next five to ten years. Despite early optimism that digitization could provide a catalyst for greater democratization of the Australian exhibition market by creating more opportunities for audiences to see independent and alternate films, this outcome now appears far from certain. The launch and ongoing roll-out of the international standard for digital exhibition, which is now firmly controlled by the major American studios, is intensifying, rather than diminishing, the market dominance of these media conglomerates and their local allies, the major Australian exhibition chains. Independent film exhibition and alternative presentation formats, on the other hand, are being pushed even further to the periphery by these increasingly centralized market forces. While independent and major exhibitors have historically coexisted, although at times in a somewhat uneasy relationship, the financial imperatives of digital cinema now threaten to drive many independent cinemas to the edge, and with them the ongoing diversity of cinema culture in Australia. Of particular concern is the late of independent theatres in regional and rural locations where many provide the only public screening opportunities within large geographic areas. This article outlines digital developments in Australia's commercial cinema industry within a national and international context, and in doing so considers the impact of digital exhibition technologies on Australia's independent cinema sector. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Author: McCarthy, Paul
PhysDes: Article
Subject: DIGITAL TECHNOLOGY. AUSTRALIA
Summary: The 'ANZ Digital Universe' is a new index of the 100 largest and arguably most interesting organisations active in digital media and information services in Australia and New Zealand in 2009. The list is a weighted raning based on: 1. organisation size, 2. global community interest and 3. industry recognition. This article details methodology and records the list.

Call No: 19YOU
Author: Burgess, Jean; Green, Joshua
Source: UK
Place: Cambridge
Publisher: Polity Press
PubDate: 2009
PhysDes: xi, 172 p. : ill. ; 21 cm
Series: Digital media and society series
Subject: YOUTUBE; INTERNET; MEDIA; MEDIA DEVELOPMENTS; DIGITAL TECHNOLOGY
Summary: " Youtube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how Youtube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society, and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how Youtube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural 'production' and 'consumption' "-- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 152-169) and index
ISBN: 9780745644790
Contents: Contents: 1. How YouTube matters -- 2. YouTube and the mainstream media -- 3. YouTube's popular culture -- 4. YouTube's social network -- 5. YouTube's cultural politics -- 6. YouTube's uncertain futures -- What happened before YouTube / Henry Jenkins -- Uses of YouTube : digital literacy and the growth of knowledge / John Hartley.