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Call No: 722.71 FRE
Author: Frey, Mattias
Source: US
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 2016
PhysDes: viii, 285 pages : illustrations ; 24 cm
Subject: ART CINEMA; AESTHETICS; VIOLENCE IN FILMS; PORNOGRAPHY; SEX IN FILMS; HANEKE, MICHAEL; VON TRIER, LARS
Summary: "From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their schockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey ofers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Extreme Cinema includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the 'taboo-breakers' of arthouse cinema." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780813576497
Contents: 1. Transgression and Distinction: Filmmaker Discourses -- 2. The Aesthetic Embrace and the Cynicism Criticism: Reception Discourses -- 3. The Rhetoric and Role of Film Festivals -- 4. Discourses and Modes of Distribution -- 5. The Interpretations of Regulation -- 6. The Added Value of International Distribution -- 7. Sex, Violence, and Self-Exoticization -- 8. Aesthetic Innovation and the Real: Academic Debate over Sexually Graphic Art Films -- 9. A Discursive Approach to Hardcore Art Cinema

Call No: 621 INC
Source: UK/US
Place: Manchester, UK ; New York
Publisher: Manchester University Press
PubDate: 2008
PhysDes: viii, 157 p. ; 21 cm
Subject: NOUVELLE VAGUE; AUTEUR THEORY; EUROPEAN CINEMA; ASSAYAS, OLIVIER; AUDIARD, JACQUES; DARDENNE, JEAN-PIERRE & LUC; HANEKE, MICHAEL; OZON, FRANCOIS
Summary: "This new appraisal of the continuing relevence of the auteur to filmmmaking in French will reinvigorate debate about the historic place of auteurism in both French and European cinema. Auteurism - the ideea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French 'nouvelle vague' of the late 1950s, and the adoption of the term auteur by Andrew Sarris. Through the work of five important contemporary directors working in the French language, this book explores the ways in which the meaning of auteur has changed over this half-century. Its five dense and wide-ranging introductory essays to the films of Olivier Assayas, Jacques Audiard, the Dardenne brothers, Michael Haneke and Francois Ozon combine French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism. This volume will be of interest to researchers working in French and European cinema and to students of film studies, European cinema, and French and Francophone studies, as well as to film enthusiasts."-BOOK BLURB
Notes: includes bibliographical references includes filmography; includes index
ISBN: 9780719086410
Contents: Olivier Assayas and the cinemna of catastrophe / Paul Sutton -- Jacques Audiard : contesting filiations / Julia Dobson -- Ethics in the ruin of politics : the Dardenne brothers / Martin O'Shaughnessy -- Close encounters with distant suffering : Michael Haneke's disarming visions / Libby Saxton -- Franc¸ois Ozon's cinema of desire / Kate Ince

Call No: 81HAN SPE
Author: Speck, Oliver C.
Source: US/UK
Place: New York : London
Publisher: Continuum
PubDate: 2010
PhysDes: viii, 260 p. : ill. ; 24 cm
Subject: THEORY; VIOLENCE IN FILMS; RACIAL ISSUES IN FILMS; HANEKE, MICHAEL; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992); FUNNY GAMES (AT, Michael Haneke, 1997); PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001) SEE PIANISTE, LA; PIANO TEACHER, THE [PIANISTE, LA] (AU/FR, Michael Haneke, 2001); TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003) SEE TEMPS DU LOUP, LE; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003); CACHE (FR/AU/GG/IT, Michael Haneke, 2005); WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009) SEE DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009)
Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781441192851
Donation: Donated by Senses of Cinema, 2013
Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HANEKE, MICHAEL

Call No: 81 HAN WAL
Author: Walker, Elsie
Edition: 2018
Place: New York
Publisher: Oxford University Press
PubDate: 2018
PhysDes: x, 221 pages : illustrated ; 25 cm
Series: The Oxford music / media series
Subject: HANEKE, MICHAEL; SOUND; SOUND EDITING; SOUNDTRACKS
Summary: Michael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better. Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy. This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Caché, The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change. -- publisher's web site
ISBN: 9780190495916
Contents: Prelude: Why does hearing Haneke's films matter? -- 1. Introduction: Hearing Haneke through the critical ruckus -- 2. The Seventh Continent: the noises of consumerism, the music of something more -- 3. Funny Games: amplifying violence, the violators, and the victims -- 4. Code Unknown: sonically representing social divisions, diversity, and hope -- 5. The Piano Teacher: musical beauty without transcendence -- 6. Caché: the postcolonial resonance of silences and saying "nothing" -- 7. The White Ribbon: hearing Symbolic oppression and the Real in rebellion -- 8. Amour: the screams of life answered with love -- Works Cited -- Index

Call No: 81 HAN ROW
Author: Rowe, Christopher
Edition: 2017
Place: Evanston, Illinois
Publisher: Northwestern University Press
PubDate: 2017
PhysDes: viii, 262 pages : illustrated ; 24 cm
Subject: HANEKE, MICHAEL
ISBN: 9780810134591
Donation: Senses of Cinema

Call No: 81HAN WHE
Author: Wheatley, Catherine
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2009
PhysDes: xiv, 216 p. : ill. ; 24 cm
Series: Film Europa ; v. 7
Subject: HANEKE, MICHAEL
Summary: Summary: "Existing critical traditions fail to fully account for the impact of Austrian director Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences."
ISBN: 9781845455576
Donation: donated by Senses of Cinema, 2010
Contents: Contents: Introduction -- The last moralist? -- Negotiating modernism: Der Siebente Kontinent -- Benny's video -- 71 Fragmente einer Chronologie des Zufalls -- The ethics of aggression: Funny games -- Emotional engagement and narrativity: Code inconnu, La pianiste, Le temps du loup -- Shame and guilt: Cache´ -- Conclusion

Call No: 81HAN MIC
Author: Price, Brian (ed.); Rhodes, John David (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vii, 289 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: GAZE IN FILMS; THEORY; HANEKE, MICHAEL; CACHE (FR/AU/GG/IT, Michael Haneke, 2005); HIDDEN (FR/AU/GG/IT, Michael Haneke, 2005) SEE CACHE; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001) SEE PIANISTE, LA; PIANO TEACHER, THE [PIANISTE, LA] (AU/FR, Michael Haneke, 2001)
Summary: "Michael Haneke is one of the most important film directors working today. This collection offers a full spectrum of responses to his work, ranging from detailed formal analyses of his films to broad considerations of the philosophical and political issues that these films raise. On Michael Haneke is indispensable, both as a guide to the filmmaker's artistry and as a commentary on the malaise in Western civilization that his films reveal" -- Steven Shaviro, DeRoy Professor of English at Wayn State University -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780814334058
Donation: Donated by Senses of Cinema, 2013
Contents: -- acknowledgments -- Introduction / Brian Price and John David Rhodes -- Violence and Play. Games Haneke Plays: Reality and Performance / Brigitte Peucker -- Pain and the Limits of Representation / Brian Price -- Haneke's "Funny" Games with the Audience (Revisited) / Tarja Laine -- Haneke's Stable: The Death of an Animal and the Figuration of the Human / Michael Lawrence -- Style and Medium. The Spectacle of Skepticism: Haneke's Long Takes / John David Rhodes -- "Comment ca, rien?": Screening the Gaze in Cache / Hugh S. Manon -- The Key to Voyeurism: Haneke's Adaptation of Jelinek's The Piano Teacher / Fatima Naqvi and Christophe Kone -- The Message and the Medium: Haneke's Film Theory and Digital Praxis / Mattias Frey -- Death, with Television / Meghan Sutherland -- Haneke's Early Work for Television / Bert Rebhandl -- Culture and Conflict. Haneke and the Discontents of European Culture / Christopher Sharrett -- The Functionary of Mankind: Haneke and Europe / Rosalind Galt -- Codes Unknown: Haneke's Serial Realism / Scott Durham -- When Forgetting is Remembering: Haneke's Cache and the Events of October 17, 1961 / Patrick Crowley -- contributors -- index --

Call No: REFERENCE SECTION; 058 INT "2006"
Edition: 43rd ed.
Source: US
Place: London; Los Angeles
Publisher: Button; Silman-James
PubDate: 2006
PhysDes: 432 p. : col. ill. ; 24 cm.
Subject: PERIODICALS, FILM; INDUSTRY, FILM; INDUSTRY, FILM. IRELAND; DIGITAL TECHNOLOGY; CHEREAU, PATRICE; CRONENBERG, DAVID; HANEKE, MICHAEL; Mehta, Deepa; SORIN, CARLOS
Summary: Includes articles on directors of the year, features on Irish cinema and digital cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.
Notes: Other title: International film guide 2006
ISBN: 0954876628