title clippings file
CACHE : (FR/AU/GG/IT, Michael Haneke, 2005)
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Cache´ / Catherine Wheatley London: Palgrave Macmillan, 2011.
Call No: 79CAC WHEAuthor: Wheatley, Catherine Source: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2011PhysDes: 96 p.. : col. ill. ; 19 cm.Series: BFI film classics.Subject: CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; HIDDEN (FR/AU/GG/IT, Michael Haneke, 2005)
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CACHE Summary: "As Catherine Wheatley examines, a wealth of critical writing surrounds Cache´, with various explanations having been offered as to what the film is 'really' about. In an in-depth and illuminating account, Wheatley examines the key themes at the heart of the 'meaning' of Cache´: the film as thriller; post-colonial bourgeois guilt; political accountability and lastly, reality, the media and its audiences, tracing these strands through the film by means of close readings of individual scenes and moments."--Publisher description.Notes: "BFI book published by Palgrave Macmillan." --
Includes photo stills and full film credits. --
Includes bibliographical references.Contents: Machine generated contents note: 1.Whodunit? -- 2.Home and the Family -- 3.Politics and Memory -- 4.Screens and Spectators.
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Funny Frames : the filmic concepts of Michael Haneke / by Oliver C. Speck New York : London: Continuum, 2010.
Call No: 81HAN SPEAuthor: Speck, Oliver C. Source: US/UKPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: viii, 260 p. : ill. ; 24 cmSubject: THEORY ; VIOLENCE IN FILMS ; RACIAL PROBLEMS IN FILMS ; HANEKE, MICHAEL ; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992) ; FUNNY GAMES (AT, Michael Haneke, 1997) ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
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PIANISTE, LA ; PIANISTE, LA (AU/FR, Michael Haneke, 2001) ; TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003)
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TEMPS DU LOUP, LE ; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009)
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DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE ; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781441192851Donation: Donated by Senses of Cinema, 2013Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --
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In permanent crisis : ethnicity in contemporary European media and cinema / Ipek A. Celik Ann Arbor: University of Michigan Press, 2015.
Call No: 744.6(4) CELAuthor: Celik, Ipek A. Source: USPlace: Ann ArborPublisher: University of Michigan PressPubDate: 2015PhysDes: x, 192 pages ; 24 cmSubject: REFUGEES ; RACIAL PROBLEMS IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; HEAD-ON (GG, Fatih Akin, 2004) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; HOSTAGE [OMIROS] (AA/GR, Constantine Giannaris, 2005) Summary: "Refugees, migrants, and minorities of migrant origin frequently apprear in European mainstream news in emergency situations: victims of human trafficking, suspects of terrorism, "bogus" asylum seekers. Through analysis of work by established filmmakers Michael Haneke, Faith Akin, and Alfonso Cuaron, 'In Permanent Crisis' contemplates the way mess media depictions become invoked by film to frame ethnic and racial Otherness is Europe as adornments of catastrophe." - taken from back coverNotes: Includes bibliographical references (pages 169-186) and indexISBN: 9780472052721Donation: donated by Senses of CinemaContents: Introduction: Mapping the representation of ethnicity in Europe -- Refugees and humanitarianism in a dystopic Europe: Alfonso Cuaro´n's Children of men -- The thrill of French colonial history: Michael Haneke's Hidden -- Balkan borders and transgressions: Constantinos Giannaris's Hostage -- Ethnicity and melodrama in the German media and Fatih Akin's Head-on -- Epilogue: The overarcing trope of victimhood
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On Michael Haneke / edited by Brian Price and John David Rhodes Detroit: Wayne State University Press, c2010.
Call No: 81HAN MICAuthor: Price, Brian (ed.) ; Rhodes, John David (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2010PhysDes: vii, 289 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: GAZE IN FILMS ; THEORY ; HANEKE, MICHAEL ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; HIDDEN (FR/AU/GG/IT, Michael Haneke, 2005)
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CACHE ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
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PIANISTE, LA ; PIANISTE, LA (AU/FR, Michael Haneke, 2001) Summary: "Michael Haneke is one of the most important film directors working today. This collection offers a full spectrum of responses to his work, ranging from detailed formal analyses of his films to broad considerations of the philosophical and political issues that these films raise. On Michael Haneke is indispensable, both as a guide to the filmmaker's artistry and as a commentary on the malaise in Western civilization that his films reveal" -- Steven Shaviro, DeRoy Professor of English at Wayn State University -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780814334058Donation: Donated by Senses of Cinema, 2013Contents: -- acknowledgments -- Introduction / Brian Price and John David Rhodes -- Violence and Play. Games Haneke Plays: Reality and Performance / Brigitte Peucker -- Pain and the Limits of Representation / Brian Price -- Haneke's "Funny" Games with the Audience (Revisited) / Tarja Laine -- Haneke's Stable: The Death of an Animal and the Figuration of the Human / Michael Lawrence -- Style and Medium. The Spectacle of Skepticism: Haneke's Long Takes / John David Rhodes -- "Comment ca, rien?": Screening the Gaze in Cache / Hugh S. Manon -- The Key to Voyeurism: Haneke's Adaptation of Jelinek's The Piano Teacher / Fatima Naqvi and Christophe Kone -- The Message and the Medium: Haneke's Film Theory and Digital Praxis / Mattias Frey -- Death, with Television / Meghan Sutherland -- Haneke's Early Work for Television / Bert Rebhandl -- Culture and Conflict. Haneke and the Discontents of European Culture / Christopher Sharrett -- The Functionary of Mankind: Haneke and Europe / Rosalind Galt -- Codes Unknown: Haneke's Serial Realism / Scott Durham -- When Forgetting is Remembering: Haneke's Cache and the Events of October 17, 1961 / Patrick Crowley -- contributors -- index --
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Postcolonial theory and Avatar / Gautam Basu Thakur New York : London: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2016.
Call No: 629 POS BASAuthor: Basu Thakur, Gautam Source: US/UKPlace: New York : LondonPublisher: Bloomsbury Academic, an imprint of Bloomsburg PublishingPubDate: 2016PhysDes: ix, 195 pages : illustrations ; 21 cmSeries: Film theory in practiceSubject: POSTCOLONIALISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; THEORY ; CAMERON, JAMES ; AVATAR (US, James Cameron, 2009) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) Notes: Formerly CIP. -- Includes bibliographical references and indexISBN: 9781628925630Contents: Machine generated contents note: -- Introduction -- Section 1: The Postcolonial Avatar: A Brief History of Postcolonial Theory -- Section 2: Postcolonial Theory and Avatar, Or, Postcolonial Criticism in a Multicultural World -- Conclusion -- Appendices -- - Further Reading -- - Filmography
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