Beyond the screen : emerging cinema and engaging audiences / Sarah Atkinson
New York: Bloomsbury Academic, 2014.
Call No: 409(-017.2) ATK Author: Atkinson, Sarah Source: US Place: New York Publisher: Bloomsbury Academic PubDate: 2014 PhysDes: xiv, 293 pages ; 24 cm. Subject: AUDIENCES; DIGITAL MEDIA AND THE CINEMA; MOBILE AND ONLINE MEDIA; MOBILE CINEMAS; POPULAR CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; TECHNOLOGY AND THE CINEMA Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back cover Notes: Includes bibliographical references, filmography and index. ISBN: 9781501308659 Donation: donated by Senses of Cinema, 2016 Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue. More info
Cinema futures: Cain, Abel or cable? : The screen arts in the digital age / Thomas Elsaesser
Amsterdam: Amsterdam University Press, 1998.
Call No: 202 CIN Author: Elsaesser, Thomas
Hoffmann, Kay Place: Amsterdam Publisher: Amsterdam University Press PubDate: 1998 PhysDes: 312 pages : ill. ; 25 cm Series: Film culture and translation Subject: DIGITAL CINEMA; DIGITAL DISTRIBUTION; DIGITAL MEDIA AND THE CINEMA; DIGITAL TELEVISION; COMPUTERS AND THE CINEMA; TELEVISION AND THE CINEMA; TELEVISION AND THE ARTS; TELEVISION, FILMS SHOWN ON; VIRTUAL REALITY Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- Blurb Notes: Includes bibliographical references, notes and index ISBN: 9053563121 Donation: Adrien Miles Contents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser
19. The television screen: from spoil-sport to game-maker / Ed Tan
20. Random access rules / Grahame Weinbren
21. Electronic cinema: On the way to the digital / Kay Hoffmann
22. The assault of computer-generated worlds on the rest of time / Martin Emele More info
digital media and documentary : Antipodean approaches / edited by Adrian Miles
Cham, Switzerland: Palgrave Macmillan,
Call No: 632.22(94) MIL Author: Miles, Adrian Edition: 2018 Place: Cham, Switzerland Publisher: Palgrave Macmillan PhysDes: x, 114 pages : illustrated ; 21 cm Subject: DOCUMENTARIES. AUSTRALIA; INTERACTIVE CINEMA; DIGITAL MEDIA AND THE CINEMA Summary: This collection of essays by Australian based practitioner-theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike. -- publisher's web site ISBN: 9783319686424 More info
Experimental Cinema In The Digital Age / Malcolm Grice
London: British Film Institute, 2001.
Film and television after DVD / edited by James Bennett and Tom Brown
Call No: 701 FIL Author: Bennett, James; Brown, Tom Publisher: Routledge PubDate: 2009 PhysDes: viii, 201 p. : ill. ; 24 cm Subject: DIGITAL MEDIA AND THE CINEMA; DIGITAL PROJECTION; DIGITAL TECHNOLOGY; DVD, FILMS ON Summary: Brings together a group of internationally renowned scholars to provide the first focused academic inquiry into this important technology. The book picks up on key issues within contemporary media studies, making a particularly significant contribution to debates about convergence and interactivity in the digital media landscape. Essays consider DVD as a technology that exists outside the boundaries of new and old media, examining its place within longer histories of home film cultures and production practices of the film and television industries, whilst also critically evaluating what is genuinely new about digital media technologies. From DVDs to downloading, peer-to-peer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape. Ultimately, Film and Television After DVD is a book that considers the convergence of film, television and new media and their academic disciplines through the DVD as a distinct cultural object, pointing to persistent questions in the study of audiovisual culture that will remain intriguing long after the shelf-life of the DVD itself. Notes: First published in 2008; includes bibliographical references and index ISBN: 9780415878340 More info
Film in the age of digital distribution : the challenge for Australian content / Richard Harris
Strawberry Hills, NSW: Currency House, 2007.
Filmmakers call 'lights, Apples, action'
Canberra Times [TV Guide] (13/04/2015) p.8 More info
The New media book / Edited by Dan Harries
London: bfi Publishing, 2002.
New screen media : cinema/art/narrative / edited by Martin Reiser and Andrea Zapp
London: bfi Publishing, 2002.
Reading the figural : or, philosophy after the new media / by D.N. Rodowick
London: Duke University Press, 2001.
Understanding digital cinema : : a professional handbook / edited by Charles S. Swartz
Amsterdam: Focal Press, 2005..
Call No: 22 SWA Source: NE Place: Amsterdam Publisher: Focal Press PubDate: 2005. PhysDes: xvi, 327 p. : ill. (some col.) ; 25 cm. Subject: DIGITAL TECHNOLOGY; DIGITAL MEDIA AND THE CINEMA Summary: "Understanding Digital Cinema: A Professional Handbook, is a comprehensive resource on all aspects of finishing, distributing, and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management."--BOOK JACKET. Notes: Includes bibliographical references and (p. 307-311) and index.; Online Resource: Table of contents
http://www.loc.gov/catdir/description/els051/2004021603.html ISBN: 0-240-80617-4 More info
White noise / edited by Ernest Edmonds and Mike Stubbs
Melbourne: Australian Centre for the Moving Image, 2005.
Call No: 175 WHI Author: Edmonds, Ernest; Stubbs, Mike Source: AT Place: Melbourne Publisher: Australian Centre for the Moving Image PubDate: 2005 PhysDes: 103 p. : ill. ; 20 cm Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI); EXHIBITION; DIGITAL MEDIA AND THE CINEMA; STUBBS, MIKE Notes: "First published in 2005 ... on the occasion of the Screen Gallery exhibition White Noise, Thursday 18 August - Sunday 23 October 2005" -- p. 6.
"Essayists: Ernest Edmonds ... [et al.]" -- p. 6.
includes bibliographical references ISBN: 1920805125 Contents: -- White noise: the question of economy / Ernest Edmonds -- Suprematism as pure creativity / Patricia Railing -- "Space light art" - Early abstract cinema and multimedia , 1900-1959 / Cindy Keeper -- Abstraction and complexity / Lev Manovich -- Exhibition -- A leap into the light / Mike Stubbs -- Peter Bosch & Simone Simons -- Jonathon Duckworth -- Ernest Edmonds & Mark Fell -- Ryoji Ikeda -- Keiko Kimoto -- Ulf Langheinrich -- Online projects -- Screening room program -- Contributors More info